THE FLORIDA PROJECT[/caption]
The heartwarming drama The Florida Project, one of the most highly buzzed-about at this year Cannes Film Festival, will screen at the upcoming Stockholm International Film Festival.
The movie is Florida-based, and award winning director, Sean Baker’s sixth movie. It is a devastating tale about the forgotten America, seen through the carefree eyes of 6-year-old Moonee.
Moonee and her rebellious mother Halley stays at a cheap motel called “The Magic Castle”. There they meet the long-suffering motel manager Bobby, extraordinary played by Willem Dafoe, who despite his rough appearance is the closest to a father figure Moonee comes.
While Moonee and her new friends explore the motel, and its odd guest, Halley finds herself in more or less dangerous situations in order to provide for her daughter.
The Stockholm International Film Festival takes place November 8th to 19th, 2017.
https://www.youtube.com/watch?v=WwQ-NH1rRT4-
Heartwarming Indie Drama THE FLORIDA PROJECT to Screen at Stockholm International Film Festival
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THE FLORIDA PROJECT[/caption]
The heartwarming drama The Florida Project, one of the most highly buzzed-about at this year Cannes Film Festival, will screen at the upcoming Stockholm International Film Festival.
The movie is Florida-based, and award winning director, Sean Baker’s sixth movie. It is a devastating tale about the forgotten America, seen through the carefree eyes of 6-year-old Moonee.
Moonee and her rebellious mother Halley stays at a cheap motel called “The Magic Castle”. There they meet the long-suffering motel manager Bobby, extraordinary played by Willem Dafoe, who despite his rough appearance is the closest to a father figure Moonee comes.
While Moonee and her new friends explore the motel, and its odd guest, Halley finds herself in more or less dangerous situations in order to provide for her daughter.
The Stockholm International Film Festival takes place November 8th to 19th, 2017.
https://www.youtube.com/watch?v=WwQ-NH1rRT4
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Sam Pollard’s Latest Film MAYNARD Profiles Maynard Holbrook Jackson, First Black Mayor of Atlanta | Trailer
The documentary Maynard, directed by the prolific filmmaker Sam Pollard, has wrapped as the film enters post production in Atlanta, Georgia.
He was Obama before Obama, Maynard Holbrook Jackson became first black Mayor of Atlanta, Georgia in 1973 and this film is an exploration into a man who had dreams and ambitions to be a public servant for his people seeing that it was the next logical step in the journey that had been started by Dr. King, and so many others who had blazed the trail during the years of horrific segregation.
Maynard interviews include President Bill Clinton, Al Sharpton, Vernon Jordan, Ambassador Andrew Young, Rev. Joseph Lowery, Jesse Jackson, former Atlanta Mayor’s Sam Massel and Shirley Franklin, and current Mayor Kasim Reed to name a few.
Directed by Academy Award nominee, Emmy winner and 4 time Peabody Award winner Sam Pollard (“Slavery by Another Name”, “Sammy Davis, Jr.: I’ve Gotta Be Me”, “Two Trains Runnin’”), Maynard is produced by Wendy Eley Jackson, Dolly Turner, and Winsome Sinclair with cinematography by Henry Adebonojo who worked on the Academy Award nominated documentary “I Am Not Your Negro”.
Update: MAYNARD will World Premiere at 2017 DOC NYC on Thursday, November 16th, 2017.
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MOTHER! Director Darren Aronofsky and More Featured Speakers Added to SXSW 2018
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Darren Aronofsky[/caption]
The 2018 South by Southwest (SXSW) Conference and Festivals has added Keynote Darren Aronofsky and another round of Featured Speakers to the programming lineup.
“A provocative, and virtuoso filmmaker, we’re thrilled to host Darren Aronofsky as one of SXSW Film’s 2018 Keynotes,” said Janet Pierson, Director of Film. “He’s been an original since his first independent work, and we know it will be a blast for our passionate SXSW audiences to hear his story.”
Darren Aronofsky is a film director, screenwriter and film producer whose latest film mother! stars Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer. His film Black Swan became an indie box office phenomenon and earned actress Natalie Portman an Academy Award® for her performance. His other films have included The Wrestler, The Fountain, Requiem for a Dream and Pi. Aronofsky joins previously announced SXSW Keynotes Ta-Nehisi Coates (Convergence), Barry Jenkins (Film Keynote), Esther Perel (Interactive Keynote), and whurley(Convergence Keynote).
“Some of the world’s most imaginative thinkers are part of today’s announcement,” said Hugh Forrest, Chief Programming Officer. “These innovative speakers cover the depth and breadth of SXSW content, enhancing our standing as the foremost destination for creative people to gain the practical tools and outside-of-the-box inspiration to achieve their goals.”
Other Featured Speakers announced today include writer and host of With Friends Like These podcast Ana Marie Cox, This American Life creator and host Ira Glass, design ethicist Tristan Harris, biophysicist and engineer Hugh Herr, Facebook Vice President of Messaging Products David Marcus, activist Bree Newsome, athlete and model Aimee Mullins, best-selling author Daniel H. Pink, Altimeter Principal Analyst and Futurist Brian Solis, GSD&M co-founder and chairman Roy Spence, Pulitzer prize-winning author Lawrence Wright, and many more.
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MUDBOUND Directed by Dee Rees Will Open AFI FEST 2017 | Trailer
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Mudbound[/caption]
MUDBOUND, the historical period drama, directed by Dee Rees will open the AFI FEST 2017 presented by Audi on Thursday, November 9, 2017, at the historic TCL Chinese Theatre. The film stars Carey Mulligan, Garrett Hedlund, Jason Mitchell, Jason Clarke, Jonathan Banks, Mary J. Blige and Rob Morgan.
“MUDBOUND will launch eight exhilarating days of great movies, filmmakers and discovery in the heart of Hollywood,” said Jacqueline Lyanga, Director, AFI FEST. “Emblematic of what AFI FEST is, director Dee Rees’ film is rich with cinematic artistry — exemplifying storytelling at its finest, on both an epic and a human scale.”
Set in the rural American South during World War II, Dee Rees’ MUDBOUND is an epic story of two families pitted against one another by a ruthless social hierarchy, yet bound together by the shared farmland of the Mississippi Delta.
MUDBOUND follows the McAllan family, newly transplanted from the quiet civility of Memphis and unprepared for the harsh demands of farming. Despite the grandiose dreams of Henry (Jason Clarke), his wife Laura (Carey Mulligan) struggles to keep the faith in her husband’s losing venture. Meanwhile, Hap and Florence Jackson (Rob Morgan, Mary J. Blige) — sharecroppers who have worked the land for generations — struggle bravely to build a small dream of their own despite the rigidly enforced social barriers they face.
The war upends both families’ plans as their returning loved ones, Jamie McAllan (Garrett Hedlund) and Ronsel Jackson (Jason Mitchell), forge a fast but uneasy friendship that challenges the brutal realities of the Jim Crow South in which they live.
MUDBOUND will be in select theaters and on Netflix on November 17, 2017.
https://www.youtube.com/watch?v=vAZWhFI9lLQ
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First wave of Frightening, Bloody Films Revealed for A Night of Horror International Film Festival
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CANNIBALS AND CARPET FITTERS[/caption]
The first wave of programming was announced today for the 11th A Night of Horror International Film Festival and Fantastic Planet, Sydney Sci-Fi and Fantasy Film Festival.
The festivals will run concurrently from November 29 to December 3, 2017 at at Dendy Cinemas Newtown, Australia.
“The festivals’ programmers are delighted to announce a stunning array of frightening, bloody, and awe-inspiring cinema from around the world,” says programming director Dean Bertram. “This first wave is an international cinematic buffet. It includes the freshest and best of this season’s fantastic genre fare: incredible films from Australia, Europe, North and South America, and Africa.”
The first eight feature films announced by the two festivals – all of which are Sydney, Australian, or international premieres – follow.
BAD BLACK (dir: Nabwana I.G.G., Uganda) Get ready Commandos! The most original and surprising hit of the festival season soon invades Sydney! BAD BLACK is a thrill-packed, laugh-filled, self-deprecating action epic: made with no budget in Wakaliwood – Uganda’s answer to Hollywood. And at a time when an endless string of studio produced spectacles leave one feeling numb, this film overflows with a fresh infectious energy that reminds even the most jaded cinephile why they fell in love with movies in the first place. Whether you’ve yet to experience the insane delights of Wakaliwood, or you’re craving your latest fix, here is your chance for Supa Action!
BODIES (dir: Tom Large, UK) After serious money troubles, a married couple agree to take part in a bizarre medical experiment. From festival alumnus Tom Large (BEYOND) comes this twisting sci-fi thriller that will have you as unbalanced and shocked as the film’s protagonists. Fans of smart sci-fi (think PRIMER meets GATTACA) will get their speculative fix from this thought provoking gem.
CANNIBALS AND CARPET FITTERS (dir: James Bushe, UK) A ragtag group of carpet layers are sent on a job to an old English country house in the middle of nowhere. They soon discover it’s a trap set up by a savage cannibalistic family. The carpet fitters must fight for their lives or risk ending up as the evening’s dinner. Horrific delights abound in this gore filled dish, that tastes like a wickedly decadent blend of SHAUN OF THE DEAD and THE TEXAS CHANSAW MASSACRE.
HOSTILE (dir: Mathieu Turi, France) Xavier Gens (FRONTIER(S), THE DIVIDE, HITMAN) presents this post-apocalyptic chiller grounded in character and an emotionally compelling story. Lone survivor Juliette (Brittany Ashworth) fights to survive against hunger, thirst, a broken leg and disturbing creatures that only come out at night: all the while haunted by memories of the most important relationship from her past. Imagine PITCH BLACK meets THE OMEGA MAN mixed with a dash of TV’s LOST, and you have an idea of the tone of this film’s terrifying imagined future, and it’s very real and contemporary heart.
THE MARSHES (dir: Roger Scott, Australia) Deep in a remote marshland, three young biologists (Dafna Kronental, Sam Delich, Mathew Cooper) conduct research. But when they encounter evil, science ends and survival begins. A Night of Horror is delighted to present the Australian premiere of this pulse-charging, clever, and timely addition to the annals of Australian outback horror.
MUSCLECAR (dir: Dwayne Labbé, Australia) The beautiful and obsessive Bambi (Jacinta Stapleton) blows her dough buying the car of her dreams, a lipstick-red, 1968 Dodge Phoenix. When she can’t afford to run it she cooks up a harebrained scheme to bring her car to life. Using ancient Voodoo incantations, the blood of drunkards, and an ox heart, we discover that a girl can love her car too much. This live action film – with dollops of gorgeous and gory animated comic-paneled transitions from director and animator Dwayne Labbé (THE REN AND STIMPY SHOW, ALADDIN, THE JUNGLE BOOK 2) – is a bloody hilarious ride, and the best unabashedly Ozploitation flick the festival’s programmers have seen in years. Don’t miss MUSCLECAR: shot in Sydney’s Inner West, in the very neighborhoods surrounding A Night of Horror Film Festival!
OUR EVIL (dir: Samuel Galli, Brazil) A shocking and utterly original film, which tracks the extreme deeds a man with spiritualist powers will commit to protect his daughter’s soul from the demonic entity destined to consume her. Whether you’re a fan of brutal cinema or of terrifying supernatural tales, this film delights all morbid appetites.
REPLACE (dir: Norbert Keil, Germany/Canada) Young and beautiful Kira (Rebecca Forsythe) is afflicted with a strange disease: her skin starts to age rapidly, dry out and crumble away. When she discovers that she can replace her own skin with somebody else’s, she has to choose: watch her own body wither and die – or give in to temptation – whatever the price. Genre favourite Barbara Crampton (RE-ANIMATOR, WE ARE STILL HERE, YOU’RE NEXT) captivates in her most disturbing role to date in this gorgeously repulsive addition to the body horror subgenre (co-written by Richard Stanley HARDWARE, DUST DEVIL, THE ISLAND OF DOCTOR MOREAU).
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HAITI MY LOVE is Haiti’s First Entry for Oscar Race for Best Foreign Film | Trailer
For it’s first submission ever, Haiti has selected Haiti, My Love (Ayiti Mon Amour) by Guetty Feli Cohen as its candidate for nomination in the foreign-language category of the 2018 Oscars.
Haiti, My Love, an official selection of the 2016 Toronto International Film Festival, is set in post-earthquake Haiti, and invokes the country’s past and present with stories that intertwine and collide.
A grieving young boy discovers he has a superpower. An old fisherman realizes the cure for his ailing wife can be found in the sea. A muse struggles to exit the story her author is penning. In Guetty Felin’s magical neorealist tale, these three stories combine to create a poetic portrait of the island nation Haiti.
Set five years after the devastating 2010 earthquake, Felin’s film eschews the images that saturated screens after the disaster. While the pain of the destruction remains evident — in young Orphée’s grief over the loss of his father, in the rubble of decimated buildings, in ghostly images that float beneath the ocean’s surface — Felin refuses to tell a tale of victimhood. Instead, she places the island’s narrative back in the hands of Haitians whose lives aren’t reducible to headlines. And as her characters begin to heal, Felin suggests that the island will too.
Felin taps into her past work in the documentary field, infusing the realities of modern-day Haiti with a lyrical touch. From its verité-style moments of Jaures the fisherman labouring by the beach to the theatrical scenes between muse Ama and her author, the film makes its fluid tonal shifts at a lulling, rhythmic pace.
Shot on location with local actors and crew, Felin’s film is an important addition to the body of work coming out of Haiti’s burgeoning film scene. Ayiti Mon Amour doesn’t just mark the emergence of a distinct new directorial voice; it’s a key development in the evolution of a national cinema. TIFF
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Santa Fe Independent Film Festival will Host a Tribute to Actor Wes Studi + Premiere of HOSTILES
Actor Wes Studi will be honored on Sunday October 22nd at Santa Fe Independent Film Festival, followed by the New Mexican premiere of Hostiles directed by Scott Cooper starring Wes Studi, Christian Bale, and Rosamund Pike.
Hostiles, shot in New Mexico takes place in 1892, legendary Army captain Joseph J. Blocker (Christian Bale) undertakes one final mission before retirement: escort Yellow Hawk (Wes Studi) – a dying Cheyenne war chief – and his family back to sacred tribal lands. After 20 years of violent struggle, this gesture of peace is as unthinkable as it is harrowing. Together they battle against a punishing landscape and the brutality of men alike, coming to the rescue of a young widow (Rosamund Pike) amidst the carnage of her murdered family. Two great warriors, once rivals across the battlefield, must learn to trust each other and find peace in an unforgiving land. A heroic odyssey of survival, HOSTILES becomes a story not about the miles traveled nor the battles fought, but the journey towards respect, reconciliation and forgiveness.
https://www.youtube.com/watch?v=8yuxKRZ_KPk
The actor gained attention in 2016 as Kaetenay in Showtime’s “Penny Dreadful”. Wes is perhaps best known for his powerful portrayal of Magua in “The Last Of The Mohicans”, and starring as Det. Joe Leaphorn in Tony Hillerman’s “Skinwalkers”, “Coyote Waits” and “Thief Of Time” on American Mystery! for PBS. His other film credits include the title role in “Geronimo: An American Legend”, Eytukan, the Na’vi chieftain in “Avatar”, “Dances With Wolves”, “Powwow Highway”, “Street Fighter”, “Deep Rising”, “Heat”, “Undisputed”, “Mystery Men”, “The New World”, and “The Only Good Indian”. He has appeared on television in the PBS series “We Shall Remain”, “The Red Road”, “Kings”, “The Mentalist”, HBO’s “Bury My Heart At Wounded Knee”, Larry McMurtry’s “Commanche Moon”, and “Streets of Laredo”, “Into The West”, “Superfire”, American Playhouse PBS “Trial Of Standing Bear”, “Longarm”, “Return To Plum Creek”, and TNT’s “The Broken Chain” and “Crazy Horse”.
Also a musician and songwriter, he plays bass with the band Firecat of Discord. Wes is an expert horse trainer, an accomplished sculptor of stone, and the author of two children’s books for the Cherokee Bilingual/Cross Cultural Education Center. Currently the Spokesman for the Indigenous Language Institute, he is fluent in both spoken and written Cherokee, his native language, and he provided the Cherokee translations for the Pulitzer Prize winning drama “The Kentucky Cycle”. Wes was born in Nofire Hollow, and raised in Northeastern Oklahoma. He currently resides in Santa Fe, NM with his wife, singer-actress Maura Dhu Studi, and their son Kholan.
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UNDER THE TREE, and LOTS OF KIDS, A MONKEY AND A CASTLE Win 2017 Hamptons International Film Festival Awards
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LOTS OF KIDS, A MONKEY AND A CASTLE[/caption]
The 25th Hamptons International Film Festival today announced their award winners, with UNDER THE TREE, and LOTS OF KIDS, A MONKEY AND A CASTLE winning the top awards.
UNDER THE TREE directed by Hafsteinn Gunnar Sigurðsson won the Award for Best Narrative Feature. LOTS OF KIDS, A MONKEY AND A CASTLE, directed by Gustavo Salmerón, received the Award for Best Documentary Feature. DEKALB ELEMENTARY, directed by Reed Van Dyk, and EDITH+EDDIE, directed by Laura Checkoway, received the Award for Best Narrative Short Film and for Best Documentary Short Film, respectively.
COMMODITY CITY, directed by Jessica Kingdon, received an Honorable Mention for Documentary Short Film.
The Tangerine Entertainment Juice Fund Award was awarded to NOVITIATE, directed by Maggie Betts. This award honors an outstanding female narrative filmmaker.
WANDERLAND, directed by Josh Klausner, was awarded the Suffolk County Next Exposure Grant. This program supports the completion of high quality, original, director-driven, lowbudget independent films from both emerging and established filmmakers who have completed 50% of principal photography within Suffolk County. The film was awarded a $3,000 grant.
HONDROS, directed by Greg Campbell, was awarded the 2017 Brizzolara Family Foundation Award for a Film of Conflict and Resolution.
THE LAST PIG, directed by Allison Argo, was awarded the Zelda Penzel Giving Voice to the Voiceless Award. This award is presented to a film that raises public awareness about contemporary social issues, including the moral and ethical treatment and the rights of animals as well as environmental protection.
I AM EVIDENCE was presented with the Victor Rabinowitz & Joanne Grant Award for Social Justice. The award was presented to directors Trish Adlesic and Geeta Gandbhir & producer Mariska Hargitay on Sunday, October 8th. The annual award is handed to a film that exemplifies the values of peace, equality, global justice and civil liberties, and is named after iconic civil rights lawyer Victor Rabinowitz and his wife Joanne Grant, an author, filmmaker and journalist. The award, which is accompanied by a cash prize of $1,500, is named in honor of two people who spent their entire lives fighting for those values.
2017 HAMPTONS INTERNATIONAL FILM FESTIVAL WINNERS
The HIFF Award Winner for Best Narrative Feature UNDER THE TREE, directed by Hafsteinn Gunnar Sigurðsson HIFF Award Winner for Best Documentary Feature LOTS OF KIDS, A MONKEY AND A CASTLE, directed by Gustavo Salmerón The HIFF Award Winner for Best Narrative Short Film DEKALB ELEMENTARY, directed by Reed Van Dyk The HIFF Award Winner for Best Documentary Short Film EDITH+EDDIE, directed by Laura Checkoway Honorable Mention for Best Documentary Short Film COMMODITY CITY, directed by Jessica Kingdon Tangerine Entertainment Juice Fund Award NOVITIATE, directed by Maggie Betts Suffolk County Film Commission Next Exposure Grant WANDERLAND, directed by Josh Klausner The 2017 Brizzolara Family Foundation Award for a Film of Conflict and Resolution HONDROS, directed by Greg Campbell The Zelda Penzel “Giving Voice to the Voiceless” Award: Dedicated to Those Who Suffer in Silence THE LAST PIG, directed by Allison Argo Victor Rabinowitz and Joanne Grant Award for Social Justice I AM EVIDENCE, Trish Adlesic and Geeta Gandbhir & producer Mariska Hargitay
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Niklaus Hilber’s PARADISE WAR Wins 3rd Filmmaker Award at Zurich Film Festival
Niklaus Hilber’s feature film project PARADISE WAR was presented with the third Filmmaker Award at the IWC gala dinner entitled ‘For the Love of Cinema’ at the 13th Zurich Film Festival.
“It’s a real honur for me to be here to present this prize. The Filmmaker Award plays an important role in bringing creative projects by Swiss filmmakers to the big screen,” said actor James Marsden who presented the Filmmaker Award at the IWC gala dinner. “The projects submitted this year were of such high quality and so diverse that it was again difficult for us to choose a winner,” continued CEO of IWC, Christoph Grainger-Herr, at the award ceremony.
This feature film, produced by Valentin Greutert, tells the eventful story of Swiss-born Bruno Manser, who spent many years in Malaysia. Here, he joined the indigenous Penan people in their non-violent battle against deforestation of the rainforest, which is home to many endangered species, including the orang-utan. Manser disappeared without trace during his last visit to the rainforest, and has remained missing to this day. Shooting of PARADISE WAR is scheduled to begin in the next few weeks.
The other nominees for the award were Bettina Oberli’s LE VENT TOURNE, produced by Pauline Gygax and Max Karli, and Simon Jaquemet’s DER UNSCHULDIGE, produced by Aurelius Eisenreich and Tolga Dilsiz. The two winning projects from last year – FORTUNA by Germinal Roaux and DAS BLUE NOTE PROJEKT by Sophie Huber – have since been completed and will soon be released internationally.
Image via Zurich Film Festival
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13th Zurich Film Festival Awards – POP AYE, MACHINES and BLUE MY MIND Win Golden Eyes
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MACHINES by Rahul Jainmac[/caption]
The 13th Zurich Film Festival has awarded their Golden Eyes to POP AYE by Kirsten Tan from Singapore for International Feature Film; MACHINES by Rahul Jain from India, Germany and Finland for International Documentary Film; and BLUE MY MIND by Lisa Brühlmann from Switzerland for Focus: Switzerland, Germany, Austria.
The Emerging Swiss Talent Award for a Swiss film went to AVANT LA FIN DE L’ÉTÉ / BEFORE SUMMER ENDS by Maryam Goormaghtigh (Switzerland, France) and the Critics’ Choice Award goes to BLUE MY MIND by Lisa Brühlmann (Switzerland).
The Audience Award went to A RIVER BELOW by Mark Grieco (Colombia, USA).
2017 Zurich Film Festival Awards
International Feature Film Competition
The 13th Zurich Film Festival’s Golden Eye for Best Film in the International Feature Film Competition category goes to: POP AYE by Kirsten Tan (Singapore) https://www.youtube.com/watch?v=5ku1ZPsWqM0 A Special Mention goes to: JUSQU’À LA GARDE / CUSTODY by Xavier Legrand (France) UNDER THE TREE / UNDIR TRÉNU by Hafsteinn Gunnar Sigurdsson (Iceland, Denmark, Poland, Germany)International Documentary Film Competition
The 13th Zurich Film Festival’s Golden Eye for Best Film in the International Documentary Film Competition category goes to: MACHINES by Rahul Jain (India, Germany, Finland) https://www.youtube.com/watch?v=Vm0gxjao36E A Special Mention goes to: DIE GENTRIFIZIERUNG BIN ICH. BEICHTE EINES FINSTERLINGS / I AM GENTRIFICATION. CONFESSIONS OF A SCOUNDREL by Thomas Haemmerli (Switzerland) AL OTRO LADO DEL MURO / THE OTHER SIDE OF THE WALL by Pau Ortiz (Spain, Mexico)Focus: Switzerland, Germany, Austria
The 13th Zurich Film Festival’s Golden Eye for Best Film in the Focus: Switzerland, Germany, Austria Competition category goes to: BLUE MY MIND by Lisa Brühlmann (Switzerland) https://www.youtube.com/watch?v=sBijdXcd5hkEmerging Swiss Talent Award
The Emerging Swiss Talent Award for Best Swiss Film in the Festival Programme goes to: AVANT LA FIN DE L’ÉTÉ / BEFORE SUMMER ENDS by Maryam Goormaghtigh (Switzerland) A Special Mention goes to: TIERE / ANIMALS by Greg Zglinski (Switzerland, Austria, Poland) https://www.youtube.com/watch?v=TIoHmGiSFvACritics’ Choice Award
The Swiss Association of Film Journalists (SVFJ) award their prize for Best Debut Feature Film in the Competition Section to: BLUE MY MIND by Lisa Brühlmann (Switzerland)Audience Award
Given to the best film from the three competition categories as chosen by viewers, the Audience Award goes to: A RIVER BELOW by Mark Grieco (Colombia, USA) https://www.youtube.com/watch?v=6dm-P9Pi7gIKids Jury Award for Best Children’s Film
The Kids Jury gives their award to: UP IN THE SKY / UPP I DET BLÅ by Peter Lennstrand (Sweden)Audience Award for Best Children’s Film
The Audience Award for best film in the ZFF for Kids section as chosen by our young viewers goes to: DIE HÄSCHENSCHULE – JAGD NACH DEM GOLDENEN EI / RABBIT SCHOOL – GUARDIANS OF THE GOLDEN EGG by Ute von Münchow-Pohl (Germany)Treatment Competition Award
The Award for Best Treatment goes to: Seraina Nyikos for the Project SECONDO (Switzerland)

Kedi[/caption]
Lady Bird[/caption]
Actress Greta Gerwig directorial debut