Filmmaker Jordan Peele (Get Out, Key & Peele) will deliver the Filmmaker Keynote address at the 13th Film Independent Forum. The Forum takes place the weekend of October 20-22 at the Directors Guild of America in Los Angeles.
“Through the years, the Film Independent Forum has had the most influential filmmakers and executives come and “tell it like it is” – so it is very exciting to offer our audience the opportunity to hear from a multi-hyphenate artist like Jordan Peele, whose directorial debut Get Out proved that social critique, entertainment and box office success need not be mutually exclusive,” said Maria Raquel Bozzi, Senior Director of Education and International Initiatives.
During the Forum, Film Independent will award the Alfred P. Sloan Producers Grant to support a fiction film that explores science or technology themes. The grant provides a $30,000 production grant and acceptance into the Film Independent Producing Lab. Following the Opening Night Film, the Alfred P. Sloan Foundation Reception will celebrate the Sloan grantee and the 2017 Film Independent Producing Lab Fellows and give attendees the opportunity to network.
Topics for this year’s panels are:
Getting Creative about Getting Money
Documentary: Making Docs and Making a Living
Pitching Clinic: Start Shopping Your Project
Case Study: Documentarians Get Real
The Complete Picture: The Wide World of Episodic TV
Film Independent Documentary Works-in-Progress
Case Study: Narrative Features
Case Study: Web Series
Marketing & Distribution Clinic: Discover Your Audience
Short Circuit: VR, Digital and New Forms of Engagement-
Jordan Peele to Deliver Filmmaker Keynote Address at Film Independent Forum
Filmmaker Jordan Peele (Get Out, Key & Peele) will deliver the Filmmaker Keynote address at the 13th Film Independent Forum. The Forum takes place the weekend of October 20-22 at the Directors Guild of America in Los Angeles.
“Through the years, the Film Independent Forum has had the most influential filmmakers and executives come and “tell it like it is” – so it is very exciting to offer our audience the opportunity to hear from a multi-hyphenate artist like Jordan Peele, whose directorial debut Get Out proved that social critique, entertainment and box office success need not be mutually exclusive,” said Maria Raquel Bozzi, Senior Director of Education and International Initiatives.
During the Forum, Film Independent will award the Alfred P. Sloan Producers Grant to support a fiction film that explores science or technology themes. The grant provides a $30,000 production grant and acceptance into the Film Independent Producing Lab. Following the Opening Night Film, the Alfred P. Sloan Foundation Reception will celebrate the Sloan grantee and the 2017 Film Independent Producing Lab Fellows and give attendees the opportunity to network.
Topics for this year’s panels are:
Getting Creative about Getting Money
Documentary: Making Docs and Making a Living
Pitching Clinic: Start Shopping Your Project
Case Study: Documentarians Get Real
The Complete Picture: The Wide World of Episodic TV
Film Independent Documentary Works-in-Progress
Case Study: Narrative Features
Case Study: Web Series
Marketing & Distribution Clinic: Discover Your Audience
Short Circuit: VR, Digital and New Forms of Engagement
-
SPOOR is Poland’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Spoor (Pokot) by Agnieszka Holland has been selected as Poland’s candidate for the Best Foreign Language Film at the 90th Academy Awards.
The film is based on Olga Tokarczuk’s best-selling novel “Drive Your Plough over the Bones of the Dead”, published in 2009; and stars Agnieszka Mandat, Wiktor Zborowski, Jakub Gierszał, Borys Szyc, Andrzej Grabowski, Tomasz Kot, Katarzyna Herman, Patricia Volny, Miroslav Krobot, Marcin Bosak, and Andrzej Konopka.
Spoor follows retired engineer Janina Duszejko, living in the Polish Sudeten mountains. One snowy winter night, she stumbles upon the dead body of her neighbor. The man, a poacher, had died a mysterious death. The only visible tracks around his house are roe deer hooves. Seeing the ineptitude of the police, Duszejko begins an unconventional investigation of her own.
Spoor (Pokot) had its world premiere at the 67th Berlin International Film Festival, where the film won the Silver Bear, the Alfred Bauer award for opening new perspectives in film art.
https://www.youtube.com/watch?v=O96ZznajP5s
-
World Premiere of “In the Name of Peace: John Hume in America” to Open Boston Film Festival
[caption id="attachment_24565" align="aligncenter" width="1200"]
In the Name of Peace: John Hume in America[/caption]
The 33rd Boston Film Festival, taking place September 21 to 24, will open with the world premiere of “In the Name of Peace: John Hume in America,” a documentary narrated by Liam Neeson that weaves the dramatic efforts of Nobel-Prize winning John Hume to secure peace in Northern Ireland.
Hume, who was inspired by Martin Luther King Jr., rose from the riot-torn streets of Northern Ireland to enlist vital aid from American Presidents Jimmy Carter and Bill Clinton. The film includes interviews with both presidents and various U.S. senators and congressmen who assisted in securing the accord. Interviews also include Irish leaders and former British prime ministers Tony Blair and John Major. This is a timely film that reveals the steady leadership and international cooperation that are needed to win the peace. Also interviewed are U2 singer Bono and Tom O’Neill, former lieutenant governor of Massachusetts. Maurice Fitzpatrick directs and Bill Whelan (Riverdance) wrote the score.
The festival’s diverse lineup includes five documentaries: the poignant “Augie,” “In the Name of Peace: John Hume in America,” “What Haunts Us,” “Heal,” and “The Bullish Farmer.”
The world premiere of “Damascus Cover” stars Jonathan Rhys Meyers (“Mission: Impossible III,” “The Tudors”), Olivia Thirlby (“Juno”), John Hurt (in his final performance) and Navid Negahban (“American Sniper”), as written and directed by Daniel Berk (a Brandeis University graduate). After the fall of the Berlin Wall in 1989, a veteran spy is sent undercover into Syria to smuggle a chemical weapons scientist and his family out of Damascus. However, the spy soon realizes that he’s being followed, his partner doesn’t show up, his local contact disappears – and a group of men are trying to kill him.
Another world premiere is “What Haunts Us” produced by Kennedy Marshall, Frank Marshall and Matt Tolmach (“Spiderman”). Within 35 years after their graduation from the 1979 class of Porter Gaud High School in Charleston, S.C., six of the 49 boys have committed suicide. When Paige Goldberg Tolmach gets word that another former student from her beloved high school has killed himself, she delves into her past to uncover the surprising truth and release the ghosts that still haunt her hometown. Goldberg Tolmach directs from Mark Monroe’s script.
The documentary, “Augie” is from James Keach, the director of the Grammy-winning and Oscar-nominated “Glen Campbell…I’ll Be Me.” Buoyed by an irreverent humor and a boundless love of life, paralysis has done little to slow down Augie Nieto twelve years post diagnosis – a genius visionary and founder of LifeFitness, who has channeled his entrepreneurial spirit into finding a cure for ALS.
“American Satan” centers on a young Anglo-American rock band whose members drop out of college and move to the Sunset Strip to chase their dreams. Living in a van, their passion and talent exceed their means of survival, and they find themselves caught up in a Faustian web when they meet an enigmatic stranger who manipulates them during a time of weakness. Can the lads re-claim their own destiny before it’s too late? Malcolm McDowell (“A Clockwork Orange”), John Bradley (“Game of Thrones”), Booboo Stewart (“X-Men: Days of Future Past”) and Rhode Island native Olivia Culpo (2012 Miss America), Andy Biersack (“Black Veiled Brides”).
The scripted film “Dabka” is directed and written by Massachusetts native Bryan Buckley and produced by Matt Lefebvre (a New Hampshire native). The true story concerns a rookie reporter (Jay Bahadur) who forms a half-baked plan in 2008 to embed himself among the pirates of the Somalia coast. He ultimately succeeds in providing the first close-up of who the men are, how they live and the forces that drive them. Bahadur wrote the book “Pirates of Somalia.” Oscar winner Al Pacino, Melanie Griffith and Barkhad Abdi (“Captain Phillips”) also star.
In the documentary “Heal” , director Kelly Noonan embarks on a scientific and spiritual journey where discoveries indicate that our thoughts, beliefs and emotions greatly impact our health and ability to heal. Citing the latest science, the film argues that people have more power over their health and life itself than we believe. Among the many featured speakers are Dr. Deepak Chopra, Dr. Bruce Lipton, Marianne Williamson, Dr. Michael Beckwith and Rob Wergin
”The Bullish Farmer” tells the story of John Umbaldo (as himself), a successful Wall Street investment banker who quits his job after the loss of a friend in the September 11 terrorist attacks – and trades his former life for one as a farmer on 185 acres in upstate New York. Umbaldo soon transforms into a passionate activist who lobbies for GMO labeling, animal rights and the reduction of chemical fertilizers to help preserve small farms and rural America. Ken Marsolais is the director and co-producer and Nancy Vick is the writer and co-producer
Written by New Hampshire native Jeremy Catalino and produced by William Horberg (“Milk”) and Alexander Payne (“The Descendants”), Crash Pad” is a smart, laugh-out-loud battle of the sexes that finds a sentimental slacker and a misfit. Stensland (Domhnall Gleeson) is caught up in a love triangle between Morgan (Christina Applegate, “Anchorman”) and her alpha-male husband (Thomas Haden Church, “Sideways”). What begins as a one-night stand leads to blackmail, revenge and drunken debauchery as Grady moves into Stensland’s apartment and takes over his life. But Stensland knows that his survival depends on reuniting the married couple. Kevin Trent directs and Nina Dobrev (“The Vampire Diaries”) also stars.
In addition, the Boston Film Festival (BFF) will welcome NBC’s “The Brave,” an all-new drama brought to the festival in conjunction with NBC Boston, starring Anne Heche and Mike Vogel who will be on hand for the screening. The BFF also will showcase the riveting “Tales of Suspense,” a one-man live show presented by bestselling author and master storyteller Casey Sherman. Sherman, who is the author of “Boston Strong: A City’s Triumph Over Tragedy” (which became the film “Patriot’s Day”) and “The Finest Hours,” and will share gripping behind-the-scenes stories about those New England-based projects.
-
8 Films Competing for ‘Cooperación Española Award’ at San Sebastian Film Festival
[caption id="attachment_24570" align="aligncenter" width="1200"]
ALANIS[/caption]
Eight films at the 2017 San Sebastian Film Festival will compete for the Cooperación Española Award, an award created to acknowledge the producer of the Ibero-American film that best contributes to human development, the eradication of poverty and the full exercise of human rights. The Award comes with a prize of 10,000 euros.
Films competing for the Cooperación Española Award
OFFICIAL SELECTION
ALANIS ANAHÍ BERNERI (ARGENTINA) Alanis works as a prostitute. She has a baby and, with her friend Gisela, shares the flat in which she lives and attends to her clients, until two municipal inspectors close down her home and arrest Gisela, accused of procurement. Let down by everybody, Alanis heads for her aunt’s place, across from the Plaza Miserere. From this mixed race and violent neighbourhood, Alanis struggles to recover her dignity, help her friend and take care of her son. She offers her services in the street, but even that has its own rules and Alanis must fight for her place. UNA ESPECIE DE FAMILIA (A SORT OF FAMILY) DIEGO LERMAN (ARGENTINA – BRAZIL – POLAND – FRANCE) Malena is a middle-class doctor in Buenos Aires. One afternoon she receives a call from Dr Costas, telling her she must leave immediately for the north of the country: the baby she was expecting is about to be born. Suddenly and almost without a thought, Malena decides to set out on an uncertain voyage, packed with crossroads at which she has to deal with all sorts of legal and moral obstacles to the extent that she constantly asks herself to what limits she is prepared to go to get the thing she wants most.NEW DIRECTORS
MATAR A JESÚS (KILLING JESUS ) LAURA MORA (COLOMBIA – ARGENTINA) Paula, a 22 year-old student, witnesses the murder of her beloved father, a popular political sciences professor at a public university in Medellin. From the distance, she catches a glimpse of the murderer as he beats a hasty retreat on a motorcycle. Devastated by the pain of their loss, Paula and her family will have to deal with official lethargy. The authorities will make no effort to clarify the events and the case is soon archived and abandoned. When Christmas comes round, a couple of months after the murder, Paula accidentally bumps into Jesús, the young man who killed her father. So what happens when revenge becomes a real possibility? Paula decides to approach the man, initially motivated by an almost primitive instinct to get answers and eventually to find the courage to cross the moral and ethical line of killing a man, thereby avenging her father’s death. PRINCESITA (PRINCESS) MARIALY RIVAS (CHILE – SPAIN – ARGENTINA) Films in Progress 28 In a far-off country at the end of the world Tamara, aged 12, lives under the wing of charismatic cult leader Miguel, a man she adores. That summer the girl will be given a mission: to have a holy child with him immediately she has her first period. Tamara realises that the life she wants for herself is not the same as the fate imposed on her. Her disobedience will lead to her violent development from child to woman, forcing her to gain her freedom in a way she had never imagined.HORIZONTES LATINOS
UNA MUJER FANTÁSTICA (A FANTASTIC WOMAN) SEBASTIÁN LELIO (CHILE- GERMANY – SPAIN – USA) OPENING FILM (IN COMPETITION) Marina is a young waitress and wannabe singer; Orlando owns a printing company. Together they plan their future. When Orlando dies suddenly, Marina has to stand up to his family and society to show them what she truly is: a complex, strong, forthright and… fantastic woman. LA EDUCACIÓN DEL REY (REY’S EDUCATION) SANTIAGO ESTEVES (ARGENTINA – SPAIN) Films in Progress 30 Bolting from his first ever heist, Reynaldo Galíndez, alias ‘Rey’, lands in the patio of the house inhabited by Carlos Vargas, a retired security guard. Vargas offers a deal: the young boy will repair the damage to his home in return for not being handed over to the police. The lessons given to the teenager by the former guard develop into a relationship not unlike the old legends of educating a king (for the “Rey” of his name, meaning “king”). But the agreement will start to fall apart when the loose ends of the robbery Reynaldo had been involved in start closing in around them. Films in Progress Industry Award and CAACI / Ibermedia TV Films in Progress Award in 2016. LA FAMILIA GUSTAVO RONDÓN CÓRDOVA (VENEZUELA – CHILE – NORWAY) Films in Progress 30 Twelve year-old Pedro roams the streets with his friends in the violent urban atmosphere of a working-class district of Caracas. When Pedro seriously injures another boy in a fight, his single father, Andrés, decides that they must make a run for it and hide. Although Andrés will realise that as a father he is incapable of controlling his son, the situation will bring them closer than they have ever been. LOS PERROS MARCELA SAID (CHILE – FRANCE) Films in Progress 31 Mariana (42) belongs to the Chilean upper class; she spends her days managing an art gallery and learning how to ride a horse. Her riding instructor, Juan, 20 years her senior, is an ex-cavalry officer known as El Coronel, under investigation for human rights abuses committed during the Chilean dictatorship. When Mariana embarks on a romance with her mysterious teacher, she finds herself caught up in a complex situation from which she is loathe to escape on discovering her father’s close relationship with the man being investigated.
-
Netflix to Release Chris Smith’s Documentary on Jim Carrey’s Portrayal of Andy Kaufman in Man on the Moon
Netflix will release director Chris Smith’s deep dive into actor Jim Carrey’s time spent portraying famed and complicated comedian Andy Kaufman. The film titled “Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton” use approximately 100 hours of footage shot on the set of Man on the Moon documenting Carrey’s transformation into Kaufman for four months.
In 1999 Milos Forman cast Jim Carrey to play cult comedian Andy Kaufman in his biopic Man on the Moon. What followed was an intensely bizarre and emotional film production. Surrounded by Kaufman’s friends and family on set, Carrey thoroughly “became” Andy and, alternately, Tony Clifton, Kaufman’s obnoxious lounge singer alter ego. Much like Kaufman’s comedy, Carrey’s acting took on a performance art quality during the film. He never broke character on set, the cast and the crew referred to him as either ‘Andy’ or ‘Tony’ depending on who he was embodying (he had created complete and separate identities for each).
Jim Carrey earned critical acclaim and a Golden Globe for the performance, but many of the production’s most Kaufmanesque moments played out behind the scenes, thankfully captured on video by Andy’s former girlfriend, Lynne Margulies and former writing partner, Bob Zmuda. In Jim & Andy, Carrey looks back at the resulting footage 18 years later, reflecting on how he and Andy came up in oddly parallel universes, his experience channelling Andy and Tony and more broadly the spiritual journey of his career.
The VICE Documentary Films production premiered at the 2017 Venice Film Festival and is produced by Academy Award – winner Spike Jonze, and VICE Films’ Danny Gabai and Brendan Fitzgerald.
-
New Orleans Film Festival Debuts “Change Makers” Strand – Featuring Stories of Social Activism and Advocacy
[caption id="attachment_24557" align="aligncenter" width="1200"]
Small Town Rage[/caption]
The 2017 New Orleans Film Festival will debut a new strand, titled “Change Makers” that brings to the forefront stories of social activism and advocacy. From farm workers’ union activists in the 60s, to the front lines of AIDS activism in the 80s and recent protests against Confederate monuments, Change Makers will feature nine feature-length documentary films and ten documentary short films.
Additional strands in the festival include the return of Caribbean Cinema in its third incarnation. This strand of five feature films and ten short films recognizes the historical and cultural ties between the Caribbean and New Orleans—oftentimes called the northernmost Caribbean city—and showcases the vibrant and varied landscapes and cultures of the Caribbean and Caribbean Diaspora, featuring stories from Cuba, the Dominican Republic, Puerto Rico, Trinidad and Tobago, and Haiti.
Longtime festival-goers will remember previous film strands OUTakes, which spotlighted LGBTQ content, and keeping{SCORE}, which focused on music-themed films. While these strands will not be formally part of this year’s festival, the content reflected in both strands will continue to be folded into the programming in important ways.
Change-Makers Films
ACORN and the Firestorm USA | 2017 | 84 mins DIR: Reuben Atlas & Sam Pollard; PRD: Reuben Atlas, Sam Pollard; DP: Natalie Kingston, Frank Larson, Spencer Chumbley, Naiti Gamez; ED: Francisco Bello, Paul Greenhouse Before it was associated with all things wrong with liberalism during the fateful 2008 election, the Association of Community Organizations for Reform Now wielded more power than just about any anti-poverty community rights group in American history. ACORN and the Firestorm chronicles the dramatic rise and ignominious fall of this agent of social change, as a video smear campaign from a proto-alt-right, Breitbart-backed activist takes down the group and its New Orleans-based founder Wade Rathke. Directors Reuben Atlas and NOFF alum Sam Pollard have created a work that feels like both a time capsule and a warning shot, a potent lesson in the power of media and a harrowing blueprint for our current era of alternative facts and fake news. -NS Small Town Rage USA | 2016 | 98 mins DIR: Raydra Hall & David Hylan; PRD: Raydra Hall, David Hylan; ED: Clint McCommon Narrated by Lance Bass, is an independent documentary examining the work and influence of ACT UP Shreveport in the conservative Deep South. During the early years of the AIDS pandemic, ACT UP Shreveport sought to change the way the government and the medical community handled the crisis through the same attention-grabbing protest tactics that were so successful in cities such as New York and San Francisco. As their individual stories will attest, their actions may not have made them popular, but their courage did lead to changes in the way local hospitals, government agencies, and even the public at large responded to the AIDS epidemic. The Organizer United States, Canada, Honduras, India, UK | 2017 | 101 mins DIR: Nick Taylor; PRD: Joey Carey; WRI: Nick Taylor; DP: Joey Carey; ED: Nick Taylor The Organizer charts the life, times, and philosophy of controversial community organizer Wade Rathke. As the founder and Chief Organizer of ACORN, the largest organization of low and moderate-income people in US history, Rathke grew the organization from a small group of welfare mothers in Little Rock, Arkansas in 1970 to a 500,000 member-strong political force some 30+ years later. With the sweep of an American epic, the film moves from the Vietnam War and Civil Rights movement up to the precarious present day for low-income communities. Sick to Death! USA, Belgium | 2016 | 86 mins DIR: Maggie Hadleigh-West; PRD: Elizabeth Dunnebacke, Catherine Reirson; WRI: Maggie Hadleigh-West; ED: Ilko Davidov, Kim Connell, David Bear One of the most commonly misdiagnosed afflictions for women in the US is thyroid disease. The thyroid has a hand in nearly every major function in the body, making symptoms difficult to pin down, as they are comprised of common issues such as fatigue, weight gain, dry skin, and depression. Through director Maggie Hadleigh-West’s own medical journey, Sick to Death investigates the political and medical reasons thyroid disease is so often looked over and the serious health complications that can occur when left untreated. Using personal video, interviews with medical professionals and women who grapple with thyroid problems every day, Maggie seeks answers that have the potential to better her own life and those of the women around her. -AL Tell Them We Are Rising USA | 2017 | 90 mins DIR: Stanley Nelson; PRD: Cyndee Readdean, Marco Williams, Stacey L. Holman; WRI: Marcia Smith; ED: Kim Miille A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for more than 150 years. For the first time ever, their story is told. Directed by award-winning documentary filmmaker Stanley Nelson, Tell Them We Are Rising: The Story of Black Colleges and Universities examines the impact Historically Black Colleges and Universities (HBCUs) have had on American history, culture, and national identity. On Our Watch USA | 2017 | 59 mins DIR: Jonathan Evans; PRD: Bruno Steiner; WRI: Jonathan Evans, Caroline Taylor; DP: Ryan Martin; ED: Jonathan Evans This documentary presents the problem of coastal land loss in Southern Louisiana with honesty, directness, and urgency. The film features interviews with activists, professors, and community leaders who demonstrate how we got here and where we are going. The effects of sea rise and erosion in the wetlands touch down on numerous industries and influence the lives of residents throughout the Delta, including New Orleans. Solutions have been placed on the table, but they are underfunded, and civic engagement on a small scale appears to be the only route to sustainability on a larger one. But even that might be wishful thinking. Nothing Without Us USA | 2016 | 70 mins DIR: Harriet Hirshorn; PRD: Harriet Hirshorn; WRI: Hilary Brougher; DP: Nadia Hallgren; ED: Mary Patierno Since the early 90s, AIDS has largely been painted as affecting mainly white, gay males. Rich with stories, facts, and moments of hope, Nothing Without Us brings light to those who this narrative passes over. Viewers are brought to locations as close as New Orleans, LA and Oakland, CA and as far as Nigeria, Burundi, and Spain to meet the women who stand on the front lines in the fight for equal rights and medical protection against AIDS. These women have banded together in organizations to bring medication, counseling, and—perhaps most importantly—attention to the women of color that are most afflicted by the ongoing crisis. The fight may not be over, but Nothing Without Us is threaded with the hope an end is possible. Quest USA | 2017 | 105 mins DIR: Jonathan Olshefski; PRD: Sabrina Schmidt Gordon; DP: Jonathan Olshefski; ED: Lindsay Utz Christopher and Christine’a Rainey (known as Quest and Ma to their friends and visitors to their recording studio) are an ordinary couple straining under the weight of economic hardship and a violent corner of North Philadelphia. But in the hands of director Jonathan Olshefski, they take on near-mythic status, pulling and loving their family through devastating illness, wrenching violence and the tumultuous Obama years. Intimate but never invasive, Quest is an empathetic look at coming of age, black love, poverty, race and family that takes its place among verité greats of any era. Richly illuminating a decade in the life of an extraordinary family, Quest emerges as a song of determined resilience in a time of deep uncertainty. Dolores USA | 2017 | 95 mins DIR: Peter Bratt; PRD: Brian Benson; WRI: Peter Bratt, Jessica Congdon; DP: Jesse Dana; ED: Jessica Congdon Dolores Huerta is among the most important, yet least known, activists in American history. An equal partner in co-founding the first farm workers unions with Cesar Chavez, her enormous contributions have gone largely unrecognized. Dolores tirelessly led the fight for racial and labor justice alongside Chavez, becoming one of the most defiant feminists of the twentieth century—and she continues the fight to this day, at 87. With intimate and unprecedented access to this intensely private mother to eleven, the film reveals the raw, personal stakes involved in committing one’s life to social change. Our 100 Days Created through a collaboration between Firelight Media and Field of Vision, this collection of seven documentary short films explores threats to U.S. democracy and the stories of its most vulnerable communities in the current highly polarized political climate, all made by filmmakers of color. The Magnifying Glass Funded through a grant from Artless Media, these three documentary short films from Louisiana-based filmmakers look at social injustices within the communities that the filmmakers are part of, with a focus on racial justice. More than Monuments This program of three short documentary films focuses on the removal of Confederate monuments in New Orleans. Films include: Divided City – World Premiere dir. Andrea B. Scott and Katie Mitchell | 2017 | 30 mins New Orleanians see history differently in this short documentary that examines the gap between those who see their city’s legacy of white supremacy and those who choose to ignore it. Interviews with members of the Monumental Task Committee and the Sons of Confederate Silent Parade or the Soul Rebels Vs. Robert E. Lee – North American Premiere dir. William Cordova | 2017 | 10 mins The Soul Rebels, one of New Orleans’ most revered brass bands, confronts the legacy of slavery in a powerful rooftop performance across from Robert E. Lee’s statue in this moving short film. Goodbye Old Glory – World Premiere dir. Jordan Haro | 2017 | 17 mins Mid-City’s statue of Jefferson Davis, former president of the Confederacy, serves as the battleground for the argument over the removal of the Confederate monuments. During the course of one night, those who seek to defend their ancestors’ effigies stand, scream, and salute with flags and rifles. Meeting them with emotional response, protesters denounce them as outsiders and racists whose perspective is outmoded. In this contentious stand-off, Louisianans camp out with hot trays of food and lawn chairs, and while they argue over history, passions intensify and violence looms large.Caribbean Films
Samba’ Dominican Republic | 2017 | 90 mins DIR: Laura Amelia Guzman, Israel Cardenas; PRD: Ettore D’Alessandro, Carolina Encarnación; WIR: Ettore D’Alessandro; DP: Andrei Bowden Schwartz; ED: Andrea Kleinman After doing time in a United States prison, Cisco returns home to the Dominican Republic to find his alcoholic mother is in delicate health conditions. The only way for him to get some money is to fight on the streets. When Nichi, a former Italian boxing promise, sees Cisco during a fight, he decides he is a diamond in the rough to be polished to get out of the debt caused by Nichi’s gambling addiction. During the training process he discovers there is atonement for both of them in the game. They have to make it to the final match and make the dream inside the ring come true. Serenade for Haiti USA | 2016 | 110 mins DIR: Owsley Brown; PRD: Christy McGill; DP: Marcel Cabrera; ED: Gina Leibrecht For his third feature, director Owsley Brown spins a gorgeous and soulful symphony of a city, Port-au-Prince, sprung to life through the performances and words of the students and teachers at Sainte Trinité Music School. Beginning three years before the devastating earthquake of January 2010 that left 300,000 dead and 1.5 million homeless, music’s saving grace takes on new meaning in the aftermath of the horror that leaves the school in ruins. Serenade for Haiti never wallows in sorrow, though: it’s a visual feast and celebration of a musical and cultural heritage whose fingerprints can be found all over New Orleans. -NS Play the Devil Trinidad & Tobago, The Bahamas, USA | 2016 | 89 mins DIR: Maria Govan; PRD: Maria Govan, Abigail Hadeed, Jonathon Grey, Chris Mortimer; WIR: Maria Govan; DP: James Wall; ED: Thomas A. Kreuger Dancing deftly between the confusion and possibilities of youth, Play the Devil offers a story of Gregory, a teenager on the cusp of graduation in the town of Paramin, Trinidad. He is torn between meeting the expectations of his family by studying medicine abroad and his passion to study the world’s beauty through photography. Amid this choice and the return of his father—a recovering addict—his artistic spirit catches the attention of an affluent businessman who attempts to foster Greg’s talent until the relationship goes too far. Tender moments intertwine with the lush cliff sides and vistas of Trinidad and Tobago, toppling one into the next until a choice with dire consequences is made during the year’s Carnival festivities. Coming and Going Haiti and USA | 34 mins | DIR: Annie Huntington & Clay Thomas A young translator from a small Haitian city considers his future. Should he stay in the community where he grew up, or join the exodus abroad in search of other opportunities? Adolescencia Puerto Rico and USA | 10 mins | DIR: José Fernando Rodriguez Comprised of Hi8 videos, Adolescencia presents a portrait of a teenage boy in 2002 Puerto Rico who films odd and unusual movie vignettes by himself – and tries to get a girl’s attention in the process. Days of Wholesome Joy Cuba | 18 mins | DIR: Claudia Muñiz Zayda has taken care of her grandma afflicted with dementia for a long time, but on the eve of her birthday Zayda tries to get back her previous life. Cuban Shorts Parade DIR: Kira Akerman Jazz students from New Orleans travel to Cuba on a cultural exchange and collaborate on a parade, celebrating open borders. Connection (Conectifai) DIR: Horizoe Garcia A portrait of a park in Havana where, thanks to public Wi-Fi, a new kind of meeting place has arisen. Charlie DIR: Kadri Koop Four decades after hijacking a plane to Cuba to avoid charges of killing a state trooper, a former black power militant reflects on his past in a letter to his nine-year-old Cuban son. Manuel DIR: Gabriela Cavanagh By the train tracks in Havana, Cuba, 87-year-old Manuel brews an aphrodisiac juice called pru. Forever, Comandante (Hasta Siempre, Comandante) DIR: Faisal Attrache Living in the shadow of the revolutionary generation’s unrelenting Cuban ideals, Ernesto, a 14 year old barber, wants to get a tattoo despite his father’s adamant objection to it. Fighting Cuba’s Boxing Ban DIR: Ora DeKornfeld In Cuba, where women are banned from competitive boxing, a thirteen-year-old girl steps into the ring. Prince of Smoke DIR: Matthew Gelb Cuban tobacco farmer and artisanal cigar maker, Hirochi Robaina, follows in his legendary grandfather’s footsteps as he fights to preserve a 171-year old family legacy.
-
FROST is Lithuania’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Frost (Šerkšnas) directed by Sarunas Bartas has been selected as Lithuania’s submission for best foreign-language film at the upcoming 2018 Oscars.
The film that premiered in the Directors’ Fortnight section at Cannes in 2017, stars young Lithuanian newcomers Mantas Jančiauskas and Lyja Maknavičiūtė. The cast also includes the French star Vanessa Paradis and the famous Polish actor Andrzej Chyra.
Filmed during a complicated expedition to the front lines of the Ukraine, Frost tells the story of Inga and Rokas carrying aid from Vilnius to the Ukraine. At the line of engagement in Donetsk, the young couple, raised in the independent Lithuania without the experience of war, quickly realizes the feelings of people in the face of hatred, aggression, violence and ruin.
https://www.youtube.com/watch?v=93acrZ2dnqY
-
SONG OF GRANITE is Ireland’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Song of Granite has been selected by Irish Film & Television Academy (IFTA) as Ireland’s submission for the Foreign Language category at the 90th Academy Awards. There were three titles eligible this year, Song of Granite, Rocky Ros Muc and Aithrí (Penance).
Directed by Pat Collins (Silence), ‘Song of Granite’ premiered to critical acclaim at the 2017 SXSW Film Festival earlier this year.
Acclaimed filmmaker Pat Collins brings the dramatic life story of legendary seannós singer Joe Heaney to the screen, an audacious exploration of the man and his music. With an approach that marries traditional narrative episodes with documentary footage, the film celebrates the music Joe Heaney created while painting an unflinching portrait of Heaney, the man. Enigmatic and complex, Joe Heaney was one of the greats of traditional Irish singing. Shaped by the myths, fables and songs of his upbringing in the west of Ireland, his emergence as a gifted artist came at a personal cost. Featuring performances from Lisa O’Neill, Damien Dempsey, Seamus Begley and sean nós singers Micheál O’Confhaola and Pól Ó Ceannabháin, the film is an intense exploration of music and song.
Áine Moriarty – IFTA CEO said: “The Irish Academy is delighted that this hauntingly beautiful and lyrical film from Pat Collins will represent Ireland in the Oscar Foreign Language contest – with Richard Kendrick’s masterful cinematography, Ireland’s picturesque landscape and unique culture of song and story takes centre stage, as the story of legendary singer Joe Heaney is skilfully brought to life – a story that will resonate with many immigrants worldwide from diverse cultural backgrounds.”
Pat Collins – Director and co-writer of ‘Song of Granite’ said: “Joe Heaney, the subject of this film, was a great teacher and advocate for the Irish traditional singing and taught singing to students all over America. He remains one of the great traditional singers. I think he would have liked the notion of a film with sean nós singing at its core representing Ireland in an international competition like the Oscars.”
Alan Maher and Jessie Fisk of Marcie Films “We are so proud that Song of Granite has been selected as the Irish entry for the Foreign Language Oscar. The film’s journey to date has been a real labour of love and it makes us all so happy to receive this very special recognition”.
https://www.youtube.com/watch?v=pBbfPpWPuoE
-
BLACK LIVES MATTER Documentary Tackles South African Miners Working Conditions | Trailer
Black Lives Matter is a documentary on the tens-of-thousands of miners working and living in abysmal conditions across South Africa. The film has been selected to screen at the Montreal International Black Film Festival, and has been nominated in the Best Documentary Feature Category.
The film that screened last year at the Durban International Film Festival puts the Canadian based mining firm Ivanhoe in the spotlight, taking the Marikana Massacre as its starting point, but digging deep into the history of the mining sector as well as the political backstory that led up to the tragedy.
Director Joseph Oesi, a South African filmmaker and TV journalist, was moved to produce the film after witnessing the devastating events of August 16th 2012 play out on TV screens across South Africa and the world. He explains his motivation for making the film, “South Africa has certainly set a course, fueled by a betrayal to the original course set by the original struggle heroes and to the Freedom Charter. Mining, at the heart of the country’s economy, has underpinned the course in the interest of big business. In essence the struggles, sufferings from Colonialism and Apartheid still persist in modern day South Africa to the disappointment of the vast majority.”
Black Lives Matter, powerfully demonstrates that even since this defining moment, nothing has changed for most miners, and mining communities across South Africa. Oesi explains the message of the film further, ““Black Lives Matter explores how the mineral wealth, rightfully belonging to the people of South Africa, has been sold to capitalist interests for the enrichment of a few elite and at the expense of the country. It also shows how traditional communities have been divided by this process. The corruption at all levels of society impacts not only on the moral fabric of our society, but also on the working class poor.”
In South Africa, 22 years ago, the African National Congress came to power. This, many believed, would signify an end to racism and oppression, and our people would prosper. But today inequality and economic disempowerment are still rife. The corruption and power grabbing at all levels of society impacts not only on the moral fabric of our society but, more importantly, on the working class poor.
The massacre of 34 striking mineworkers at a mine called Marikana brought these issues into sharp focus. Now, in an area called Mokopane in South Africa’s Limpopo province, tensions between the community and the mining companies, and communities and their traditional leaders, seem set to explode, with equally dire consequences. Black Lives Matter explores how the mineral wealth, rightfully belonging to the people of South Africa, has been sold to capitalist interests for the enrichment of a few elite and at the expense of the country – and how traditional communities have been divided in this process.
This film takes us on a journey through three rural communities – the Mogales, the Kekanas, and the Mapelas. What they have in common is that the richest platinum bearing reef in the world runs underneath their land – and that international mining companies have made dubious deals with traditional leaders whose very legitimacy is questioned by the communities they supposedly serve.
https://vimeo.com/168244259
-
Zurich Film Festival Spotlights Home Grown Swiss Films in Special Screenings’ Lineup
[caption id="attachment_24540" align="aligncenter" width="1200"]
DANIEL HOPE – DER KLANG DES LEBENS[/caption]
The Zurich Film Festival will spotlight homegrown Swiss films, three documentary films and two feature films in its Special Screenings’ section. The Special Screenings’ section also includes a line-up of eight short films put together by the Swiss Cancer League (Krebsliga).
The 39-year-old, Hamburg-born filmmaker Nahuel Lopez accompanies the British violinist Daniel Hope, who was appointed Music Director of the Zurich Chamber Orchestra last year, on a cinematic journey through his musical career. DANIEL HOPE – DER KLANG DES LEBENS is the portrait of an extraordinarily talented violinist whose career is as closely linked to Yehudi Menuhin as Yehudi is to Switzerland.
She was a muse, model and performer, a dazzling star that shone bright and intensely: Lady Shiva went from street prostitute to muse of such artists as Ursula Rodel, Lou Reed and David Bowie. She lived life in the fast lane and died tragically young. Zurich-born filmmaker Gabriel Baur’s documentary GLOW goes in search of an irrepressible woman with, ultimately, a self-destructive desire for freedom.
Mikhail Gorbachev, former General Secretary of the Communist Party and President of the Soviet Union, is the father of the political reform movements Glasnost and Perestroika. His brave politics earned him the Nobel Peace Prize in 1990. US filmmaker Leila Conners’ Swiss co-production THE ARROW OF TIME is the portrait of a Russian politician, who still continues in his tireless quest for global peace.
Born in Zurich in 1936, Rolf Lyssy is regarded as the ‘old master’ of Swiss filmmaking. His film DIE SCHWEIZERMACHER, which he made in 1978, remains at the top of Switzerland’s list of greatest box-office successes in the last 50 years. His most recent comedy DIE LETZTE POINTE highlights the less light-hearted subject of assisted suicide. Monica Gubser excels in her role as a life-weary pensioner.
37-year-old, Berne-born Juri Steinhart’s LASST DIE ALTEN STERBEN also falls into the tragicomedy category. His most recent film is the portrait of a present-day generation’s malaise brought on by living in a cotton-candy world – what is there to rebel against when everything is accepted and permitted? Lead actor Max Hubacher plays the wannabe young revolutionary.
The Swiss Cancer League (Krebsliga) presents eight short films about cancer. Filmmakers from around the word highlight in five short fiction films, two animation films and a short documentary film what it means to live with cancer. The project was initiated and supported by the Swiss Cancer League. Each director has tackled a different aspect of the illness.
Topics raised include dealing with extreme experiences, saying goodbye and the fears a cancer diagnosis can trigger, for example the fear of no longer being able to cope with everyday life or the fear of losing ones own parents. The films also demonstrate how cancer affects a person’s whole social setting.
The aim of the Swiss Cancer League’s film programme is to encourage greater understanding and increase public awareness of the plight faced by cancer sufferers and their loved ones. The Swiss Cancer League informs, accompanies and supports people during and after the diagnosis of cancer, and is committed to making sure their concerns are heard both socially and politically.
Flavio undergoes a mammography out of solidarity for his wife – with surprising results for both. A Turkish girl loses her grip when her mother is sent home from hospital, (apparently) showing no sign of having healed. Regina’s reoccurring dream sees her battle a mysterious beast – she finally manages to escape its clutches. A young woman refuses to accept that her partner is ill and finds comfort in daydreaming. SIE offers an unembellished peek at the experiences of two men whose partners both suffer from cancer. Béa sees the metamorphosis of a caterpillar into a butterfly as the symbol of her imminent death. An unusual friendship develops when a stubborn old man and a nervous young girl are forced to share a hospital room. And a mother, who lies dying, gradually says goodbye to her loved one.
-
PURGE THIS LAND, Docu on Racism in America, Wins London’s Open City Documentary Festival
[caption id="attachment_24536" align="aligncenter" width="1200"]
Purge This Land[/caption]
Lee Anne Schmitt’s Purge This Land documentary on racism in America is the winner of the Grand Jury Award at London’s Open City Documentary Festival.
The film which received its UK Premiere at the Festival, retells the history of racism and slavery in modern America through the prism of John Brown – a white, militant abolitionist – who was sentenced to death in 1859 for a failed attempt to start an armed revolution.
The Grand Jury said: “This film is brave in tackling a subject so relevant and poignant. Lee Ann Schmitt is self-aware of her perspective and shows total control in her authorship. Hypnotic narration interlaced with carefully composed shots, archival footage and imagery asks the viewer to address the subject in a new way. The documentary projects the infinite complexities of the subject to the landscape, and so introduces the notion of the landscape itself being guilty. Schmitt centers the narrative around a white abolitionist and her own whiteness in relation to her family, which reveals the dark side of American history as inescapable, and as in need of confrontation as ever.”
Lee Anne Schmitt said: “I am thrilled. I would like to thank the Open City jury for this incredible honor. Having worked on the film for 6 years I’m keen to talk about it and share it with the world. As the film begins its journey this is a huge affirmation.”
Special Mention went to the film From a Year of Non-Events, by Ann Carolin Renninger & René Frölke
The Grand Jury said: “This is a charming film that surprised us with its playful editing. It offers a cinematically sensory experience.”
Open City’s Emerging International Filmmaker Award went to Ziad Kalthoum’s Taste Of Cement. An inventively cinematic portrait of exiled Syrian workers trapped in a skyscraper that they are building in Beirut and unable to shake off memories of the shelling of their own homes. The film also received its UK Premiere at the Festival.
The Emerging International Filmmaker Jury said: “An ambitious and powerful film with a formalism and distinct cinematic approach which captures the lives of Syrian workers in exile. Offering a meditation on construction and destruction set in modern day Lebanon. Yet presenting a timeless narrative of labour and of longing that resonates the world over. The film underlines the talent and promise of Ziad Kalthoum on the international documentary stage and we hope marks a new era in cinematic storytelling from the Middle East.”
Ziad Kalthoum said: “When a war breaks out, it means that language and logic among humans have failed, but what I found is that I can create a new language that speaks to people through cinema during wartime.
Thank you to the Open City Documentary Festival to give me this valuable opportunity to present the film Taste of Cement here in London, and special thanks to the jury and festival director Mr. Michael Stewart.”
Special Mention went to Memory Exercises by Paz Encina. The Grand Jury said: “A film which connects audiences with the forgotten story of the Paraguayan dictatorship through a multi layered and visceral cinematic language. Merging an intimate, personal story with the history of a region that is still confronting haunting memories from the recent past.”
The Best UK Short Award went to Alexithymia by Duncan Cowles. The Best UK Short Award Jury said: “An engaging and complex non-fiction short film. Well-crafted and edited with a creative approach to the documentary form. The jury is looking forward to watching this filmmaker’s career progress, and consider them an exciting new UK talent to watch.”
Duncan Cowles said: “I’m absolutely delighted that the film has been honored in this way. I made the film for absolutely zero money, and everyone who worked on it did so for free, so for it to be as well received as this feels great. Thanks very much to Open City for playing the film, nominating it and to the judges for awarding it.”
London’s Open City Documentary Festival hosted 36 UK Premieres and took place over 6 days, from September 5 to 10, 2017, with screenings and events spanning 13 London venues.
2017 London’s Open City Documentary Festival Award Winners
GRAND JURY AWARD Winner: Purge This Land, by Lee Anne Schmitt Special Mention: From a Year of Non-Events, by Ann Carolin Renninger & René Frölke EMERGING INTERNATIONAL FILMMAKER AWARD Winner: Taste of Cement by Ziad Kalthoum Special Mention: Memory Exercises by Paz Encina BEST UK SHORT AWARD – Supported by the British Council Winner: Alexithymia by Duncan Cowles

Barrage directed by Laura Schroeder has been