Ruben Ostlund’s art-world satire The Square will open this year’s ninth Santa Fe Independent Film Festival (SFIFF) on Wednesday October 18, 2017. “After first seeing it in Cannes, we are excited to present the New Mexico premiere of this fascinating picture to Santa Fe’s dedicated movie-going audience,” said Jacques Paisner, executive director.
SFIFF presents more than 300 hours of programming, the latest international and independent films, and one-of-a-kind interactive events over five (5) days of films including, Only the Brave, Becoming Who I Was, and the world premiere of Ol’ Max Evans: The First Thousand Years. John Sayles and Maggie Renzi will receive the SFIFF Lifetime Achievement Award, and John Waters will perform his live one-man show.
In The Square directed by Ruben Ostlund, Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is “The Square”, an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian’s foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum’s PR agency has created an unexpected campaign for ”The Square”. The response is overblown and sends Christian, as well as the museum, into an existential crisis. Starring Elisabeth Moss, Claes Bang, Dominic West, and Terry Notary-
Palm D’or Winner THE SQUARE to Open Santa Fe Independent Film Festival
Ruben Ostlund’s art-world satire The Square will open this year’s ninth Santa Fe Independent Film Festival (SFIFF) on Wednesday October 18, 2017. “After first seeing it in Cannes, we are excited to present the New Mexico premiere of this fascinating picture to Santa Fe’s dedicated movie-going audience,” said Jacques Paisner, executive director.
SFIFF presents more than 300 hours of programming, the latest international and independent films, and one-of-a-kind interactive events over five (5) days of films including, Only the Brave, Becoming Who I Was, and the world premiere of Ol’ Max Evans: The First Thousand Years. John Sayles and Maggie Renzi will receive the SFIFF Lifetime Achievement Award, and John Waters will perform his live one-man show.
In The Square directed by Ruben Ostlund, Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is “The Square”, an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian’s foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum’s PR agency has created an unexpected campaign for ”The Square”. The response is overblown and sends Christian, as well as the museum, into an existential crisis. Starring Elisabeth Moss, Claes Bang, Dominic West, and Terry Notary
-
VIDEO: Lena Olin Captivates in MAYA DARDEL Trailer + Film Sets Release Date
Here is the trailer for Maya Dardel, the story of poet and novelist, Maya Dardel, who announces she is going to kill herself and needs an heir and executor. Young male writers drive up the mountain to compete for the position. The film that world premiered at 2017 SXSW Film Festival, will open in theaters on October 27, 2017 in New York at Village East Cinema, on October 27. 2017 in Los Angeles at Laemmle Santa Monica. Additional cities nationwide to follow.
Maya Dardel is directed by Zachary Cotler and Magdalena Zyzak, and stars Lena Olin, Rosanna Arquette, Nathan Keyes, Alexander Koch, Jordan Gavaris and Chris Voss.
Maya Dardel depicts the final weeks leading to the ambiguous disappearance of Maya Dardel (Olin), an internationally respected poet and novelist, who lived until 2016 in the Santa Cruz Mountains of California. Maya announces on National Public Radio that she intends to end her life and that young male writers may compete to become the executor of her estate. They are challenged intellectually, emotionally, erotically, until one of them begins to fathom Maya’s end game.
-
Insightful and Funny Docu Film TAKE MY NOSE… PLEASE! Sets Release Date | Trailer
The insightful and funny Take My Nose… Please! by Joan Kron goes in depth with a comedic take from the top female comedians on the subject of women and plastic surgery and their career as artists. Interviews, clips and commentary from some of our legendary comics including Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Kathy Griffin, Margaret Cho, Wanda Sykies, Lisa Lampanelli, Giulia Rozzi, and Adrianne Tolsch add to the magic of this film.
Take My Nose… Please! is the debut feature film from longtime former Allure Magazine editor now turned filmmaker, Joan Kron. For Joan, at the amazing age of 89 years-old, documentary film making is now her new career.
The film will open exclusive one week engagements in New York on October 6 at the Village East Cinemas, and then October 13 in Los Angeles at the Laemmle Monica in Santa Monica. It will open nationally following these cities.
Take My Nose… Please! is a seriously funny and wickedly subversive look at the role comedy has played in exposing the pressures on women to be attractive and society’s desire/shame relationship with plastic surgery. More than 15 million cosmetic procedures were performed in the US in 2014. And 90% of them on were done on women. Yet, for those who elect to tinker with Mother Nature, especially for high-profile women, plastic surgery is still a very dark secret. Funny women, though, are the exception. From Phyllis Diller and Joan Rivers to Roseanne Barr and Kathy Griffin, comedians have been unashamed to talk about their perceived flaws, and the steps taken to remedy them. For these dames, cosmetic surgery isn’t vanity, it is affirmative action – compensation for the unfair distribution of youthfulness and beauty.
By admitting what their sisters in drama deny, comic performers speak to women who feel the same pressures, giving them permission to pursue change (or not to) while entertaining us.
Take My Nose… Please! follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Jackie Hoffman, a seasoned headliner on Broadway and on TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet other who have taken the leap – or held out.
Putting it all in perspective are psychologists, sociologists, the medical community and cultural critics. And for comic relief and the profundity only comedians can supply. The film includes commentary from Roseanne Barr, Phyllis Diller, the late Joan Rivers,Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi, Bill Scheft, and Adrianne Tolsch.
FESTIVALS AND AWARDS:
Audience Award – Miami International Film Festival Audience Award – Berkshire International Film Festival Official Selection – Newport Beach International Film Festival; San Francisco Doc Fest; Arizona International Film Festival; Middlebury New Filmmakers Festival; San Luis Obispo Film Festival; Martha’s Vineyard International Film Festival; and more
-
VIDEO: Watch ALL I SEE IS YOU Trailer Starring Blake Lively as Blind Wife
Blake Lively and Jason Clarke play a couple with an almost perfect marriage in All I See Is You, which opens in select theaters on October 27th. All I See Is You is directed by Marc Forster, and also stars Danny Huston and Yvonne Strahovski.
Gina (Blake Lively) and husband James (Jason Clarke) have an almost perfect marriage. After being blinded as a child in a nearly fatal car crash that claimed her parent’s lives, Gina depends on James to be her eyes—a dependence that appears to solidify their passionate relationship. She sees her world in her own vivid imagination with help from James’ descriptions. Despite her disability, the two enjoy a colorful existence in Bangkok, Thailand where James works in insurance and Gina explores life in a foreign country. It seems the only real hardship this loving couple faces is difficulty conceiving a child but when Gina is given the opportunity to have a corneal transplant and regains her vision, their life and relationship are upended. Gina now sees the world with a new sense of wonder and independence which James finds threatening. It is only when Gina suddenly begins to lose her sight again that she finally realizes the disturbing reality of their marriage and their lives.
https://www.youtube.com/watch?v=zTTaFg2Sq9Y
-
Short Film TOKYO PROJECT Starring Elisabeth Moss to Debut on HBO | Trailer
The short film “Tokyo Project,” starring Elisabeth Moss, Ebon Moss-Bachrach and Shu Kakizawa, explores a mysterious romance between two strangers. The film, written And directed By Richard Shepard, had its world premiere at the 2017 Tribeca Film Festival, and will debuts Saturday, October 14, on HBO.
Sebastian (Ebon Moss-Bachrach) is on a business trip to Tokyo. Handsome and hip, he represents a high-end Brooklyn men’s grooming product company that has been successful in Japan. But there’s a sadness in Sebastian that’s not hard to notice, a past that’s haunting him. He’s also a film nerd, fascinated by Tokyo’s visual splendor and its rich cinematic history. Sebastian is also fascinated by Claire (Elisabeth Moss), a beautiful and mysterious woman he keeps running into, first at a noodle shop, and later at a hidden jewel of a sake bar.
There’s clearly something between them. Claire is a photographer, and roams the rich streets of this amazing city in search of images that will linger. Like Sebastian, there’s more to her than meets the eye – a haunted sadness that proves an undeniable attraction for him. “Tokyo is a city of ghosts,” she says.
Out with Shu (Shu Kakizawa), his local business partner, Sebastian reveals what is haunting him. He and his wife lost a child, and many months later are barely hanging on as a couple. Shu jokes that after all this time Sebastian should have an affair with a stranger. “It’s easier with strangers. No history,” Shu says. His idea lingers in Sebastian’s mind, as he’s already intrigued with Claire.
So begins an erotic, highly charged night between two Americans in a foreign land. But all is not what it seems. Truth is fiction, and fiction the new reality. And though the film has a haunted feel, this intimate story is also hopeful. Tokyo may be a city of ghosts, but it’s also a mysterious, romantic city of rebirth.
https://www.youtube.com/watch?v=d8k576d4nkg
-
Double Exposure Investigative Film Festival in Wash. DC to Open with ONE OF US
[caption id="attachment_23413" align="aligncenter" width="1200"]
One of Us[/caption]
The third edition of Double Exposure Investigative Film Festival & Symposium will kick-off on Thursday, October 19 in DC with One of Us, the highly anticipated new documentary from Academy nominated directors Heidi Ewing and Rachel Grady (Jesus Camp, 12th and Delaware, Detropia, Norman Lear: Just Another Version of You). In One of Us, three Hasidic Jews leave their ultra-Orthodox community to join the secular world. Unprepared for life outside the tightly-knit community, they experience ostracism, lost relationships and even danger.
No Stone Unturned, the latest work from Academy Award and Emmy-winning director Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room) is the festival’s centerpiece film and will screen on Friday, October 20. Gibney’s documentary re-opens a 1994 investigation into the massacre of six men as they watched a World Cup soccer match in their local Northern Ireland pub. Gibney exposes a complex web of lies and corruption, and reveals something that a criminal investigation spanning over twenty years did not: the identities of the suspected killers.
And Voyeur, from directors Myles Kane and Josh Koury, is the festival’s closing night film on Saturday, October 21. Voyeur follows journalist Gay Talese as he reports on one of the most controversial stories of his career: a portrait of a Colorado motel owner, Gerald Foos, who spent decades spying on his guests and recording their private moments.
“We are very proud to screen these wonderful, new investigative documentaries,” said Diana Jean Schemo, founder and co-director of Double Exposure. “Each film illustrates a different aspect of investigative storytelling: the first takes audiences deep inside a community usually closed to outsiders; the second investigates a mystery that has gone unsolved for decades; and the third interrogates the investigative process itself.”
“These three extraordinary films from some of today’s most visionary filmmakers embody the very essence of what we aim to achieve at Double Exposure,” said Sky Sitney, festival co-director. “They are works that seek to uncover something otherwise hidden from view, expressed through a distinctive cinematic language.”
-
SXSW Grand Jury Winner MOST BEAUTIFUL ISLAND Sets November Release Date
Most Beautiful Island is a psychological thriller set in the world of undocumented female immigrants hoping to make a life in New York City.
The film written and directed by Ana Asensio; and starring Ana Asensio, Natasha Romanova, David Little, Nicholas Tucci, Larry Fessenden, and Caprice Benedetti, is the winner of SXSW 2017 – Grand Jury Prize.
Orion Pictures and Samuel Goldwyn Films will release Most Beautiful Island in select cities on November 3rd.
Shot on Super 16mm with an intimate, voyeuristic sensibility, Most Beautiful Island chronicles one harrowing day in the life of Luciana, a young immigrant woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome and unforeseeable extremes.
-
YOU DISAPPEAR is Denmark’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Peter Schønau Fog’s drama “You Disappear” has been selected as Denmark’s official entry to the Foreign Language Film category at the 2018 Academy Awards.
The film was chosen from a shortlist of three titles that also comprised Henrik Ruben Genz’ “Word of God” and Fenar Ahmad’s “Darkland.”
Peter Schønau Fog’s drama is based on Danish writer Christian Jungersen’s bestselling novel. Mia is married to the successful headmaster Frederik who is caught embezzling from his own school. But did he do this of his own free will – or has his personality been altered by the tumour lurking in his brain? The film is a story about the challenges we face as neuroscience forces us to rethink what we are as human beings.
“You Disappear” made its international premiere at the Toronto Film Festival, where critics emphasized Trine Dyrholm and Nikolaj Lie Kaas’ “powerful” and “moving” performances as Mia and Frederik. The cast also features Mikkel Boe Følsgaard and the late Michael Nyqvist.
“You Disappear” is Schønau Fog’s second film after his critically acclaimed feature debut “The Art of Crying” (2007), which was also selected for the Toronto Film Festival.
https://www.youtube.com/watch?v=yf4kORjB04w&t=30s
-
Six Documentary Films Win 2017 SFFILM Documentary Film Fund Awards
[caption id="attachment_23721" align="aligncenter" width="1200"]
The Feeling of Being Watched[/caption]
SFFILM announced the six winners of the 2017 SFFILM Documentary Film Fund awards totaling $125,000, which support feature-length documentaries in postproduction.
Assia Boundaoui’s The Feeling of Being Watched, RaMell Ross’ Hale County, This Morning, This Evening, Leslie Tai’s How to Have an American Baby, Luke Lorentzen’s Midnight Family, Heaven Through the Back Door by Anna Fitch and Banker White, and A Machine to Live In by Yoni Goldstein and Meredith Zielke, were each awarded significant funding that will help push them towards completion.
The SFFILM Documentary Film Fund has an excellent track record for championing important films that have gone on to earn great acclaim. Previous DFF winners include Peter Nicks’s The Force, which won the 2017 Sundance Film Festival Directing Award for documentary and SFFILM Festival’s Bay Area Documentary Award, and will be released this fall by Kino Lorber; Peter Bratt’s Dolores, which won the 2017 SFFILM Festival Audience Award for Documentary Feature following its Sundance premiere; Jamie Meltzer’s True Conviction, which won a Special Jury Mention for Documentary Feature at the Tribeca Film Festival; and Zachary Heinzerling’s Cutie and the Boxer, which won Sundance’s Directing Award for documentary and was nominated for the 2014 Academy Award® for Best Documentary Feature; among many others.
Since its launch in 2011, the SFFILM Documentary Film Fund has distributed nearly half a million dollars to advance new work by filmmakers nationwide. The 2017 Documentary Film Fund is made possible thanks to an expanded gift from the Jenerosity Foundation.
The panelists who reviewed the ten finalists’ submissions are Jennifer Battat, founder of the Jenerosity Foundation; Noah Cowan, SFFILM Executive Director; Caroline von Kühn, Director of Artist Development at SFFILM; Jenny Slattery, Associate Director of Foundations and Artist Development at SFFILM and independent producer Corey Tong.
“We are thrilled to support these six filmmaking teams, each of which is telling an important story with boldness and passion,” remarked the jury. “This group of projects represents a wide range of artistic visions, subjects, and approaches to nonfiction filmmaking—from the intimate portrayal of an independent woman’s last days to an arresting journey into the surreal, futuristic city of Brasilia. We very much look forward to supporting these films as they evolve, make their way into the world, and leave their imprint on audiences, fellow filmmakers, and our collective sense of what can be achieved through the documentary form.”
2017 DOCUMENTARY FILM FUND WINNERS
The Feeling of Being Watched – Assia Boundaoui, director/producer; Jessica Devaney, producer – $25,000 When a filmmaker investigates rumors of surveillance in her Arab-American neighborhood in Chicago, she uncovers one of the largest FBI terrorism probes conducted before 9/11 and reveals its enduring impact on the community. Hale County, This Morning, This Evening – RaMell Ross, director; Joslyn Barnes and Su Kim, producers – $15,000 What is the experience of coming-of-age in the Black Belt region of the US? This film presents the lives of two young men in a series of visual movements that replace narrative arc with orchestral form. Heaven Through the Back Door – Anna Fitch and Banker White, co-director/producers; Sara Dosa, producer – $20,000 Heaven Through the Backdoor is a contemplative documentary that tells the story of Yo (Yolanda Shae), a fiercely independent 88-year old woman whose unique brand of individualist feminism impacts how she chooses to live in the final years of her life. (Former SFFILM FilmHouse resident; Bay Area-based project) How to Have an American Baby – Leslie Tai, director/producer; Jillian Schultz, co-producer – $20,000 There is a city in Southern California that abounds with pregnant women from China. Told through multiple perspectives, How to Have an American Baby is a kaleidoscopic voyage behind the closed doors of the Chinese birth tourism industry. (SFFILM FilmHouse resident; SFFILM fiscally sponsored filmmaker; Bay Area-based project) A Machine to Live In – Yoni Goldstein and Meredith Zielke, co-directors; Sebastian Alvarez, producer; Andrew Benz, co-producer – $20,000 Hovering over what remains of Brazil’s modernist future, this film looks at how social control, rational design, and space-age architecture gave rise to a vast landscape of transcendental and mystical utopias. (Bay Area-based project) Midnight Family – Luke Lorentzen, director; Kellen Quinn, producer; Daniela Alatorre,and Elena Fortes, co-producers – $25,000 In Mexico City, 16-year-old Juan Ochoa struggles to legitimize his family’s unlicensed ambulance business, as corrupt police in the neighborhood begin to target this cutthroat industry.

The Florida Project[/caption]
Lauded for its artistry and authenticity,
The Meyerowitz Stories (New and Selected)[/caption]
Writer/Director Noah Baumbach brings razor-sharp humor and bittersweet heart to his latest film
THE FLORIDA PROJECT[/caption]