• 2017 Fantastic Fest Announces Short Film Lineup, CERULIA, THE BURDEN, and More

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    [caption id="attachment_24409" align="aligncenter" width="1200"]CERULIA by Sofia Carrillo CERULIA by Sofia Carrillo[/caption] The 2017 Fantastic Fest announced the short film line up for the 13th edition of the festival, which runs September 21 to September 28, 2017 at Alamo Drafthouse South Lamar in Austin, TX. This year, to celebrate the festival’s Arabic theme, veteran festival programmer Peter Kuplowsky and Fantastic Fest creative director Evrim Ersoy have added a unique sidebar to the festival’s regular short-subject programming. YALLA! ARAB GENRE SHORTS assembles four remarkable genre productions from Arab countries, each with a distinct sensibility and style that further expands the breadth of genres traditionally showcased at the festival. The 48 film lineup, culled from a record submission pool of nearly 1200 entries, spans 23 countries and features a trio of stop-motion mini-masterpieces including the North American premiere of the chilling CERULIA by Sofia Carrillo (who genre fans will be familiar with from her contributions to the anthology feature XX) and the US premiere of THE BURDEN, Niki Lindroth von Bahr’s award-winning musical. Other highlights include an acclaimed and mind-melting short about escaping a Red Lobster commercial (GREAT CHOICE), and a potent sci-fi skewering of government bureaucracy so incendiary it was banned in Turkey (THE LAST SCHNITZEL)! Speaking on the program, curator Kuplowsky commented: “With the proliferation of digital distribution channels, the audience for short films is growing exponentially and the mode of filmmaking is becoming more relevant than ever before. I’m thrilled that Fantastic Fest can be the first stop for so many of these fantastic films on their road to people’s eyeballs.” The complete lineup, divided by program, is as follows:

    FANTASTIC SHORTS

    ANIMAL Iran, 2017 US Premiere, 15 min Directors: Bahram & Bahman Ark A desperate man adopts the guise of a ram in a plot to penetrate a heavily guarded border crossing. THE BURDEN Sweden, 2017 US Premiere, 14 min Director: Niki Lindroth von Bahr Lonely fish, tap-dancing mice and telemarketing monkeys harmonize in their collective angst towards the apocalyptic banality of the modern age in this epic stop-motion reverie. DEAD HORSES Spain, 2016 Texas Premiere, 6 min Directors: Marc Riba & Anna Solanas A child caught in a war zone innocently grapples to understand his horrifying surroundings in this grim stop-motion parable. FUCKING BUNNIES Finland, 2017 Texas Premiere, 17 min Director: Teemu Niukkanen The comfortable routine of Raimo’s middle-class life is interrupted when a Satan-worshipping sex cult moves next door. A wickedly funny comedy of manners. JUST GO! Latvia, 2017 Texas Premiere, 11 min Director: Pavels Gumennikovs Young Just may not have legs, but that doesn’t prevent him from proverbially kicking ass in this remarkable slice of action inspired by the star’s extraordinary life story. KAIJU BUNRAKU USA, 2017 Regional Premiere, 13 min Directors: Lucas Leyva & Jillian Mayer The Japanese art of bunraku puppetry dramatizes the existential crisis of a despondent denizen of a Kaiju-infested region of Japan; a rigorous theatrical tradition soaked in profound absurdism. THE LAST SCHNITZEL Denmark, 2016 US Premiere, 22 min Directors: Ismet Kurtulus & Kaan Arici The world is ending, but the president of Turkey won’t let it until he has a chicken schnitzel. Gleefully silly science-fiction satire with political bite. LET THEM DIE LIKE LOVERS USA, 2017 World Premiere, 16 min Director: Jesse Atlas Fantastic Shorts Award Winner Jesse Atlas (RECORD/PLAY) returns to the section with an arresting sci-fi character study about a body-hopping assassin. THE NIGHT I DANCE WITH DEATH France, 2017 Regional Premiere, 6 min Director: Vincent Gibaud The consequences of saying “hell yeah, I’ll try that” at a party. A marvelously animated kaleidoscope that collides liberating euphoria with crippling anxiety.

    SHORT FUSE Presented by Stage 13

    CERULIA Mexico, 2017 North American Premiere, 13 min Director: Sofia Carrillo The brilliant animator behind the stop-motion segments of XX spins an eerie fable about a young woman’s repressed memories luring her back to her childhood home. CRESWICK Australia, 2016 Regional Premiere, 10 min Director: Natalie Erika James Creeping dread meticulously escalates to an understated but deeply unsettling coda as a father and daughter pack away the contents of their family home. EARWORM USA, 2016 Texas Premiere, 5 min Director: Tara Price When a few measures of music get stuck in a man’s head, the consequences are almost as disturbing as the source of the tune. GREAT CHOICE USA, 2017 Austin Premiere, 7 min Director: Robin Comisar A woman is trapped in a Red Lobster commercial. Sublime absurdity that crescendos to nightmarish heights and remarkable emotional resonance. HIGHWAY Australia, 2016 Texas Premiere, 10 min Director: Vanessa Gazy A teenage hitchhiker traverses a lonely mountain highway and begins to pick a mysterious radio broadcast rife with ominous reports of the near future. LATCHED Canada, 2017 International Premiere, 17 min Directors: Justin Harding & Rob Brunner Spilt milk is nothing to cry over but when it inadvertently awakens a voracious woodland creature, this funny and freaky short makes the case that it might be something to scream over. SETACEOUS Australia, 2017 World Premiere, 11 min Director: Tel Benjamin An incessant car alarm attracts the curiosity of a cul-de-sac’s residents with chilling consequences. A measured slice of suburban horror that implies and terrifies. STAY USA, 2017 World Premiere, 9 min Director: David Mikalson Satan sucks, but this pitch-black comedy about catching the eye of the prince of darkness is the best. THURSDAY NIGHT Portugal, 2017 US Premiere, 8 min Director: Gonçalo Almeida Hypnotic cinematography buoyed by a ghostly soundscape envelopes remarkable canine performances in this moody, experimental nightmare. TOOTH FAIRY Uruguay, 2017 World Premiere, 6 min Directors: Jeremias Segovia & Gonzalo Torrens A greedy young boy discovers that the Tooth Fairy is a stickler for the rules in this frightening permutation of the folk figure. VOYEUR Canada, 2017 US Premiere, 4 min Directors: Claire Stradwick & Charlotte Lam The private spaces of women are unnervingly encroached upon by a masculine other in this confrontational work that shifts cinema’s scopophilic gaze back on the audience.

    SHORTS WITH LEGS

    THE ALIENS USA, 2017 World Premiere, 4 min Director: Alex Lee A punk ruminates on the consequences of an alien invasion during some katana practice in the park. beans. USA, 2017 World Premiere, 7 min Director: Maxwell Nalevansky An acerbic narrator reflects nostalgically on the profound pleasure that was afforded to him upon once being offered a free bowl of beans. CALL OF CUTENESS Germany, 2017 Austin Premiere, 4 min Director: Brenda Lien A parade of cat meme tributes mutate into a disturbing animated critique of how these sublime objects of cuteness belie a more sinister cycle of exploitation and control. THE CURE USA, 2017 Texas Premiere, 20 min Director: Mike Olenick A surreal sci-fi soap opera that collides the idiosyncratic private lives of both humans and aliens in a parade of hypnotic slow-zooms and kitschy feline totems. HOMER_A Canada, 2017 World Premiere, 10 min Directors: Milos Mitrovic & Conor Sweeney Conor Sweeney of ASTRON-6 and FF alumni Milos Mitrovic smash the characters of THE SIMPSONS with the aesthetics of TRASH HUMPERS, and the results both haunt and disturb. Ay caramba. LA TRISTESSE DURERA TOUJOURS USA, 2017 Texas Premiere, 12 min Director: Vinny De Giulio Vinny De Ghoulie returns to SHORTS WITH LEGS with what may very well be his 8 ½. This is a maddening deconstruction of his own process culled from the remnants of a feature film he mounted, but failed to to realize. As amusingly bemusing as it is devastating. MÖBIUS USA, Canada, 2017 Regional Premiere, 15 min Director: Sam Kuhn A hallucinogenic dive into the consciousness of a teenage poet in the wake of her lover’s mysterious death. Exquisitely photographed and seemingly assembled in a Lynchian dreamstate. THE TESLA WORLD LIGHT Canada, 2017 Texas Premiere, 8 min Director: Matthew Rankin Visionary inventor Nikola Tesla makes one last appeal to his benefactor in Matthew Rankin’s mesmerizing live-action/animated hybrid that paints with light itself to conjure its indelible abstract visuals. THE VETTING USA, 2017 Texas Premiere, 19 min Director: Matthew Dunehoo A twitchy and hysterically garish political satire in which a US senator is vetted for a Presidential nomination by a 6,000-year-old telepath that secretly rules the Earth. THE VIEW FROM HERE Canada, 2017 US Premiere, 9 min Director: Sofia Bohdanowicz A delirious puppet-theatre libretto that depicts two lovers nostalgically yearning for the good-old-primordial-soup days of yore.

    YALLA! ARAB GENRE SHORTS:

    DUNIA Qatar, 2017 North American Premiere, 15 min Director: Amer Jamhour Little Dunia is asked to wait in the car in an effort to shield her from her mother’s desperate decision, but when a curious cop comes a-knocking, Dunia’s innocence is suspensefully put to the test. FEAR: AUDIBLY Saudi Arabia, 2017 International Premiere, 22 min Director: Maha Al-Saati Anxious that Judgment Day is on the horizon, Amal keenly awaits to hear the Trumpet of Doom; could the incessant mewing of cats in her office be the first harbinger? An eccentric and experimental rumination on the end of days. KINDIL Algeria, Kuwait, USA, 2016 Regional Premiere, 40 min Director: Damien Ounouri The spectre of a murdered woman returns to the site of her death, claiming the lives of those responsible, as well as those who turned a blind eye. An arresting social critique in the guise of a vengeful ghost story. LAST DAYS OF THE MAN OF TOMORROW Germany, Lebanon, 2017 World Premiere, 29 min Director: Fadi Baki A remarkable mock-doc that profoundly explores Lebanon’s turbulent history through the life and times of a reclusive metal automaton that once was emblematic of the country’s hopes and dreams.

    PAIRED WITH FEATURES:

    THE ACCOMPLICE USA, 2017 Regional Premiere, 7 min Directors: Jon Hoeg & John F. Beach A man discovers his unwitting participation in a bank robbery across a series of increasingly incriminating (and hilarious) answering machine messages. CATHERINE Belgium, 2016 Special Presentation, 11 min Director: Britt Raes Delightful animation depicts the origins of a crazy cat lady, while disturbingly proving the axiom: “You always hurt the ones you love.” THE DROP-IN Canada, 2017 US Premiere, 13 min Director: Naledi Jackson A hairstylist confronted with her past fights to protect her future in this stylish, genre-hopping metaphor for the immigrant experience. THE DUNDEE PROJECT USA, 2017 Texas Premiere, 19 min Director: Mark Borchardt Cult filmmaker Mark Borchardt (as seen in AMERICAN MOVIE) takes a trip to the UFO Days festival in Dundee, Wisconsin. Eccentric personalities abound as Mark poetically ruminates on why the compulsion to seek out little green men seems to converge in his home state. THE END OF DECAY USA, 2017 Texas Premiere, 12 min Director: Chris Todd A paraplegic scientist attempts a dangerous experiment to reclaim his mobility in this visceral bit of gruesome, wince-inducing body-horror. GIRL AT THE DOOR South Korea, 2017 Texas Premiere, 11 min Director: Song Joo-sung A young girl gleans a few choice maneuvers from gym class that enable her to turn the tables on her abusive father. MANILA DEATH SQUAD Philippines, USA, 2017 World Premiere, 13 min Director: Dean Colin Marcial An ambitious journalist challenges the leader of a violent vigilante group to a high-stakes drinking game that may score her a scoop or a bullet to the head. NEONATAL USA, 2017 Austin Premiere, 15 min Director: Andrew McDonald In this tense Austin-bound thriller, an expectant mother is lured into a sinister plot by a disturbed and desperate woman. NOTHING A LITTLE SOAP AND WATER CAN’T FIX USA, 2017 Regional Premiere, 9 min Director: Jennifer Proctor An exhaustive and illuminating deconstruction of how horror films frequently feature the bathtub as both a private sanctuary for women and, damningly, as an impromptu sarcophagus. THE PASSENGER Russia, 2017 International Premiere, 11 min Director: Egor Abramenko A Russian cosmonaut grapples with post-traumatic stress following his return from orbit. But that’s not all he’s brought back. UFO DAYS USA, 2017 Austin Premiere, 9 min Director: Quinn Else A fascinating fusion of documentary and fiction against the backdrop of UFO Days that juxtaposes a Ufology lecture with the rural wanderings of an enigmatic “visitor.” VIULU Finland, 2017 Texas Premiere, 12 min Director: Ramin Sohrab When a precious violin is snatched by gangsters, an ex-hitman wreaks some serious martial-vengeance in an effort to reclaim it. YOUR DATE IS HERE USA, 2017 Austin Premiere, 6 min Directors: Todd Spence & Zak White An old Mystery Date-style board game holds more evil than amusement in this expertly wound fright flick. ZARR-DOS Switzerland, 2017 North American Premiere, 7 min Director: Bart Wasem Two grotesque floating heads engage in an aerial waltz of wanton destruction in this spectacularly animated epic. You won’t have a clue, but you’ll appreciate the cosmic justice.

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  • HER LOVE BOILS BATHWATER is Japan’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

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    Her Love Boils Bathwater (湯を沸かすほどの熱い愛 / Yu o Wakasu Hodo no Atsui Ai) Ryota Nakano’s Her Love Boils Bathwater (湯を沸かすほどの熱い愛 / Yu o Wakasu Hodo no Atsui Ai) has been selected by Japan as the country’s submission in the foreign-language category at the 2018 Oscars. The film stars Rie Miyazawa, Hana Sugisaki, Yukiko Shinohara, Taro Suruga, Aoi Ito, Tori Matsuzaka, Joe Odagiri InHer Love Boils Bathwater,  Futaba is a loving but strict single mother whose world is shaken when she discovers she has terminal cancer and has only a few months to live. Newly determined, she decides to use the brief amount of time she has left to bring back her husband, reopen their shut-down bathhouse, and set her teenage daughter on the path to independence. As she attempts to reconcile her splintered family before it is too late, long-repressed revelations rise to the surface. https://www.youtube.com/watch?v=uQYrbqO0d48

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  • Spanish Actress Paz Vega to be Honored with Award at San Sebastian Film Festival

    Paz Vega The second Jaeger-LeCoultre Prize to Latin Cinema, which honors an outstanding figure in Latin cinema at the San Sebastian Film Festival will be awarded to the Spanish actress Paz Vega.  The award, in its inaugural edition, went to the actor, director and producer Gael García Bernal. Acclaimed major international actress Paz Vega has starred in dozens of films in Europe, the USA and Latin America. After her debut role as Laura for six seasons of Siete vidas (Seven Lives, Telecinco), one of Spain’s longest running sitcoms, the Seville-born actress made her leap to the silver screen, attracting the attention of European audiences in 2001 on winning the Goya for Best New Actress and the prestigious Chopard Trophy for Female Revelation of the Year at the Cannes International Film Festival for her role as Lucía in Julio Medem’s Lucía y el sexo (Sex and Lucia). Also in 2001, Paz starred in Sólo mia (Only Mine) by Javier Balaguer and was nominated for yet another Goya, this time for Best Actress, marking a milestone in the history of the respected Spanish awards for being the first time an actress had been nominated twice for different roles at one edition. In 2002, Paz appeared in Hable con ella (Talk to Her) by Pedro Almodóvar. The film received the Academy Award for the Best Original Screenplay and the Golden Globe for Best Foreign Language Film, among others. In 2013, she repeated her collaboration with the celebrated Spanish director in Los amantes pasajeros (I’m So Excited). In 2003, she brought life to Vicente Aranda’s Carmen, based on the homonymous novel by Prosper Mérimée. Since Carmen, Paz has played several emblematic characters in European History, ranging from Saint Teresa of Avila in Teresa by Ray Loriga (2007) to Maria Callas in Olivier Dahan’s Grace, opening film of the 2014 Cannes Film Festival, and Mary of Hungary in Emperor (2017), opposite Adrien Brody. After starring in the romantic comedy produced by Columbia Pictures, Di que sí (Say I Do, 2004), she caught the attention of James L. Brooks, who invited her to co-star in Spanglish opposite Adam Sandler as Flor, a role for which she won the Best New Actress Award from the Phoenix Film Critics Society. Since Spanglish, Paz Vega has been directed by acclaimed filmmakers such as Frank Miller, Danis Tanovic, Oliver Parker, Michelle Placido, and the Taviani brothers, having shared the bill with actors including Scarlett Johansson, Sarah Jessica Parker, Andie McDowell, Eva Mendes, Colin Farrell, Nicole Kidman, Tim Roth, Christopher Lee and Morgan Freeman, to name but a few. She also starred in Jada Pinkett Smith’s directorial debut, The Human Contract (2008), produced by Will Smith. Paz Vega has performed in English, Spanish, French, Portuguese and Italian. She recently appeared in the romantic comedies All Roads Lead to Rome, opposite Sarah Jessica Parker and Claudia Cardinale, Big Time in Hollywood FL, alongside Cuba Gooding Jr. and Michael Madsen, produced by Ben Affleck, and Beautiful and Twisted opposite Candice Bergen and Rob Lowe, the last two for American TV. In 2016, Paz starred in the new comedy by the Mexican director Manolo Caro, La vida inmoral de la pareja ideal (The Immoral Life of the Ideal Couple), and was the Spanish voice of the campaign for the 2016 Rio de Janeiro Olympic Games, alongside Uma Thurman and Juliette Binoche, who respectively provided the English and French voices. She also played the lead part in the 8-episode series for Spain’s hugely popular Telecinco channel, Perdóname (Forgive me). Paz Vega has come back to Spain after fourteen years based in the United States. In spite of living in Los Angeles, Paz Vega has remained faithful to her Spanish and European roots. The region of Andalusia and the cities of Seville and Malaga have repeatedly recognized her tireless work to represent her native region and city all over the world. Paz Vega has received the Medal of Andalusia, the City of Seville Medal, the Province of Seville Gold Medal and, more recently, the Malaga Sur Lifetime Achievement Award at the 2016 edition of the Malaga Film Festival. She has also served as Jury Member at multiple international festivals, including the prestigious Orizzonti section at the Venice International Film Festival (2015).

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  • Minneapolis St. Paul International Film Festival Announces 2018 Dates + Call for Submissions

    Minneapolis St. Paul International Film Festival The 37th Minneapolis St. Paul International Film Festival (MSPIFF) will return April 12 to 29, 2018, in Minneapolis, St. Paul and Rochester, MN for 17 days of films, events, panels, and more. Produced by the Film Society of Minneapolis St. Paul, this highly anticipated celebration of international independent cinema annually debuts more than 250 films to a large and diverse audience, and welcomes the attendance of more than 150 filmmakers from around the world. Submissions are now open for all facets of MSPIFF, from short to feature length films, narratives and documentaries, music videos and animation. Creators are able to submit their feature-length and short films to 2018 MSPIFF through Withoutabox and FilmFreeway. “For almost four decades, the Minneapolis St. Paul International Film Festival has given filmmakers from around the world a platform to present their short and feature films, and engage with enthusiastic audiences, instructors and members of the local, national and international filmmaking community,” said Susan Smoluchowski, Executive Director of the Film Society. Featured programs include: Asian Frontiers, Childish, Cine Latino, Frame Forward (avant garde and experimental), Images of Africa, Midnight Sun (Nordic films), New American Visions, World Cinema. Shorts programs include Documentary and Narrative, Childish, Dark Out, Frame Forward, Music Videos and Nextwave, the Film Society’s youth cinema program. In recognition of Minnesota’s filmmaking community, MSPIFF offers one complimentary submission per individual for projects that qualify as “Minnesota Made” and are submitted before the Late Deadline, November 15, 2017. Eligible “Minnesota Made” films submitted between November 16 – December 22, 2017 may request a 50% discounted entry. To qualify as “Minnesota Made”, a film’s director must be a current Minnesota resident OR a combined 50% or more of production and/or post-production must have taken place in Minnesota. Films completed after January 1, 2017 are now being accepted for consideration. Submitters will be notified of their acceptance status on or around February 23, 2018.

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  • Duhok International Film Festival in Iraq will Present a Berlinale Spotlight: Berlinale Shorts

    [caption id="attachment_24392" align="aligncenter" width="1200"]Cidade Pequena (Small Town) by Diogo Costa Amarante Cidade Pequena (Small Town) by Diogo Costa Amarante[/caption] For the first time, the Duhok International Film Festival (September 9 – 16, 2017) in Iraq will present a Berlinale Spotlight: Berlinale Shorts. Two short film programs were compiled for the Duhok International Film Festival by Maike Mia Höhne, curator of the Berlinale section Berlinale Shorts. The programs will present films from the Berlinale Shorts competition of the 2017 Berlin International Film Festival, including Cidade Pequena (Small Town) by Diogo Costa Amarante (Golden Bear for Best Short Film), Centauro (Centaur) by Nicolás Suárez (Honorable Mention), Martin Pleure (Martin Cries) by Jonathan Vinel and Everything by David OReilly. Berlinale Spotlight program at the 5th Duhok International Film Festival:

    Program I: UTOPIA UNPLUGGED

    Centauro (Centaur) by Nicolás Suárez (Argentina), 14 min. – Honorable Mention 2017 Call of Cuteness by Brenda Lien (Germany), 4 min. The Boy from H2 by Helen Yanovsky (Israel / Palestine), 21 min. Altas Cidades de Ossadas (High Cities of Bone) by João Salaviza (Portugal), 19 min. Estás vendo coisas (You Are Seeing Things) by Bárbara Wagner & Benjamin de Burca (Brazil), 18 min. Everything by David OReilly (USA / Ireland), 11 min.

    Program II: FROM THE RISING OF THE SUN

    Cidade Pequena (Small Town) by Diogo Costa Amarante (Portugal), 19 min. – Golden Bear for Best Short Film 2017 Oh Brother Octopus by Florian Kunert (Germany), 27 min. Martin Pleure (Martin Cries) by Jonathan Vinel (France), 16 min. Avant l’envol (Before the Flight) by Laurence Bonvin (Switzerland), 20 min. Fuera de Temporada (Out of Season) by Sabrina Campos (Argentina), 23 min. All films will be shown with English subtitles.

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  • VIDEO: Watch Breathtaking Magic of Fireworks in Trailer for BRIMSTONE & GLORY

    Brimstone and Glory Here is the trailer for Brimstone and Glory, a documentary about the National Pyrotechnic Festival in Tultepec, Mexico, in celebration of San Juan de Dios, patron saint of firework makers. The film directed by Viktor Jakovleski, will be released in theaters on October 27. The National Pyrotechnic Festival in Tultepec, Mexico is a site of festivity unlike any other in the world. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. Artisans show off their technical virtuosity, up­-and-comers create their own rowdy, lo­fi combustibles, and dozens of teams build larger-than-life papier-mâché bulls to parade into the town square, adorned with fireworks that blow up in all directions. More than three quarters of Tultepec’s residents work in pyrotechnics, making the festival more than revelry for revelry’s sake. It is a celebration that anchors a way of life built around a generations-old, homegrown business of making fireworks by hand. For the people of Tultepec, the National Pyrotechnic Festival is explosive celebration, unrestrained delight and real peril. Plunging headlong into the fire, BRIMSTONE & GLORY honors the spirit of Tultepec’s community and celebrates celebration itself. https://www.youtube.com/watch?v=36iHKZmeH60

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  • THE CHRONICLES OF MELANIE is Latvia’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

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    The Chronicles of Melanie (Melanijas hronika) The Chronicles of Melanie (Melanijas hronika) directed by Viestur Kairish, has been selected as Latvia’s official candidate for best foreign-language film for the 2018 Oscars.   The film “The Chronicles of Melanie” is based on the life story of Melānija Vanaga, a Latvian woman who managed to survive her deportation to Siberia. It is a truthful account of the miracle of human character, magnitude of the human spirit and the painful destinies, which were a part of the greatest tragedy facing the Latvian nation. It is the story of Latvian women who had to suffer and survive physically and emotionally in order for Latvia to live. An early morning of 15 June 1941 in Soviet-occupied Latvia. The authorities break into the house of Melanie and her husband Aleksandrs, editor of a newspaper of independent Latvia, make them wake up their eight-year-old son Andrejs and get into a lorry. At the station, the men are separated from their families. On this day, the Soviets deported about 17,000 people from Latvia (the next wave of deportations came in March of 1949). The deported are taken to Siberia in cattle cars. Melanie and her son first have to survive – the three-week long ride to the remote Tiukhtet village, the first months in the alien environment, famine and illness – and then to live. They have to make peace with the new life and accept it even though everything seems to have lost its point and reason. This drives some to the point of collapse, yet Melanie is aware of “only one string sounding and that string is hope.” She takes detailed notes that later becomes a weighty literary work about the 16 years spent in Siberia. Out of her notes, Melānija Vanaga prepared a book of documentary prose Veļupes krastā, which was published in 1991, soon after Latvia regained independence. Later, it served as the concluding volume in Vanaga’s seven-book series “The Gathering of Souls” about the personal history of her family and entire Latvia. For the entire period of her exile (1941–1957), Melānija writes letters to Aleksandrs without sending them and dedicates a handwritten family chronicle to her son Aleksandrs, for she herself no longer hopes to return to Latvia. In 1957, Melānija is freed. She goes to Riga where she finds out that Aleksandrs barely survived a year in the harsh environment to which he was sent. Melānija spends the rest of her life working as a cow herder. To maintain hope, to preserve in oneself a person who is stronger than famine, cold, cruelty and even death and is capable of taking on responsibility for another person, to help others – such is the confirmation of Melānija Vanaga, her memories and also this film to the light in the world and in every one of us.

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  • REQUIEM FOR MRS. J is Serbia’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

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    Requiem for Mrs. J The black comedy Requiem for Mrs. J (Rekvijem za gospodju J.) directed by Bojan Vuletić Mirjana has been selected by Serbia as its candidate for best foreign-language film in the 2018 Oscars. The film, starring Mirjana Karanović (Mrs. J), Jovana Gavrilovic (Ana), Danica Nedeljkovic (Koviljka), and Vucic Perovic (Milanče) premiered at the 2017 Berlin International Film Festival. In Requiem for Mrs. J, Mrs. J. is a middle-aged widow living in a modest post-communist flat in Belgrade with her mother in law and two daughters. Jelena has had enough of life. Her husband died a year ago, and she feels tired and lonely – in spite of her two daughters and her mother-in-law who all share her flat. She has decided that, at the end of the week, on the anniversary of her husband’s death, she will commit suicide. She has a pistol ready for the job. But beforehand there are a number of things to sort out: she needs to return an armchair she borrowed from a neighbour and she has to terminate her life insurance policy. She also needs to get a mason to put her portrait photograph on her gravestone and renew her health insurance card. In order to do so, Jelena needs proof that she has been a salaried employee for the past twenty years. Gradually, this quiet, humble woman begins to realize that nothing’s simple in a country that’s constantly swinging back and forth between torment and transition. The authorities are unable to cope, Jelena’s former employers are now bankrupt and the remaining staff are just killing time. And the end of the week is drawing near.

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  • VIDEO: Watch First Greta Gerwig’s LADY BIRD Trailer Starring Saoirse Ronan, Laurie Metcalf

    Lady Bird by Greta Gerwig Here is the first trailer for Greta Gerwig’s Lady Bird which had its world premiere over the Labor Day weekend at Telluride Film Festival.  The film, starring Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Timothée Chalamet, Beanie Feldstein, Stephen McKinley Henderson, and Lois Smith, will next screen at the 2017 Toronto International Film Festival and open in theaters on November 10. In Lady Bird, Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home. https://www.youtube.com/watch?v=cNi_HC839Wo

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  • THE BAR, SUMMER 1993 Among Films in Made in Spain Showcase at San Sebastian International Film Festival

    [caption id="attachment_24368" align="aligncenter" width="1200"]THE BAR (EL BAR) THE BAR (EL BAR)[/caption] Made in Spain, a showcase of Spanish films at the 2017 San Sebastian International Film Festival will feature eleven films, including the latest works from acclaimed directors such as Álex de la Iglesia, Agustí Villaronga and Paco Plaza. Among the debuts are Pieles, by Eduardo Casanova, which had its premiere in the Panorama section of the Berlin Film Festival; Estiu 1993 / Summer 1993, by Carla Simón, winner of Best First Film at the Berlinale and Gold Biznaga at the Malaga Festival, the first awards in a long list of accolades; Júlia ist, Silver Biznaga for Best Film and Best Directing at the Malaga Festival, the first film by Elena Martín, star of Las amigas de Ágata; No sé decir adios (Can’t Say Goodbye), by Lino Escalera, winner of four awards at the Malaga Festival, including Special Jury Prize; and La mano invisible (The Invisible Hand), first feature film by David Macián. The film, inspired in the novel of the same name by Isaac Rosa, premiered in Seville and was selected for the San Sebastian Human Rights Festival, among others. Gabriel Velázquez participated in Zabaltegi in 2007 with Amateurs, with a screenplay penned by Blanca Torres. The two now present Análisis de sangre azul (Analysis of Blue Blood), selected for the Seville, Nantes, Barcelona and Toulouse festivals. Demonios tus ojos (Sister of Mine), premiered at the Rotterdam Festival, is the third work from Pedro Aguilera. Both his debut, La influencia (The Influence), premiered at the Directors’ Fortnight in Cannes, and his second film, Naufragio (Wreckage), screened at San Sebastian. Víctor García León, who competed in the Official Selection with Vete de mí (Silver Shell for Best Actor), will present Selfie, recipient of a Special Jury Mention and the Critics’ Award at Malaga. Incerta glòria / Uncertain Glory is the latest film by Agustí Villaronga, who made his debut in San Sebastian with Tras el cristal (In a Glass Cage, Zabaltegi-New Directors, 1986) and has harvested two Best Actress Silver Shells at the Festival (with Pa negre /Black Bread and El rey de la Havana / The King of Havana). El bar (The Bar), which premiered in Berlin, is the latest proposal from the filmmaker Álex de la Iglesia, who has participated in San Sebastian Festival’s Official Selection with several of his films, such as La comunidad (Common Wealth, Silver Shell for Carmen Maura), Las brujas de Zugarramurdi (Witching & Bitching) and Mi gran noche (My Big Night). Paco Plaza, co-creator of the film REC with Jaume Balagueró, will present his latest genre movie, Verónica.

    Made in Spain

    ANÁLISIS DE SANGRE AZUL (ANALYSIS OF BLUE BLOOD) BLANCA TORRES, GABRIEL VELÁZQUEZ (SPAIN) Cast: Anders Lindstrom Análisis de sangre azul narrates the adventures of a British aristocrat who suffered a fall in the Pyrenees only to come round in a mental asylum early last century. The doctor in psychiatry Pedro Martínez records with his 16mm camera the progress of this man suffering from disorientation and memory loss. However, the doctor’s hidden intentions will drive him to take advantage of this “rare specimen’s” arrival to test his theories of evolution. DEMONIOS TUS OJOS (SISTER OF MINE) PEDRO AGUILERA (SPAIN – COLOMBIA) Cast: Julio Perillán, Ivana Baquero, Lucía Guerrero, Nicolás Coronado, Elisabet Gelabert, Juan Pablo Shuk One night, Oliver, a young film director living in Los Angeles, discovers on an erotic website that one of the stars of the explicit videos is his younger sister, Aurora. Surprised and bewildered, he decides to go to Madrid; it’s been years since he saw his family. Thus begins an obsessive search for answers, an intimate journey towards confusion and the truth of the image, a tale of domination and manipulation, of moral limits and the loss of vital and audiovisual innocence. EL BAR (THE BAR) ÁLEX DE LA IGLESIA (SPAIN – ARGENTINA) Cast: Blanca Suárez, Mario Casas, Carmen Machi, Secun de la Rosa, Jaime Ordóñez, Terele Pávez, Joaquín Climent, Alejandro Awada Nine in the morning. A motley crew are having breakfast in a bar in the centre of Madrid. One of them is in a hurry; on his way out the door he’s shot in the head. No-one dares to help him. They’re trapped. ESTIU 1993 / SUMMER 1993 CARLA SIMÓN (SPAIN) Cast: Laia Artigas, Paula Robles, Bruna Cusí, David Verdaguer In summer 1993 and following the death of her parents, 6 year-old Frida is taken from Barcelona to the Catalonian countryside. She lives with her aunt and uncle, her new legal guardians. Life in the country is a challenge for her – time passes differently in her new home and the surrounding nature is mysterious and distant. Now she has a younger sister to look after. She also has to deal with new feelings, like jealousy. The family works hard to achieve a fragile balance and bring normality to their lives. Occasionally they listen to jazz in the garden, go on family outings to a fiesta or to the swimming pool. These are happy times. Slowly, Frida starts realising she’s there to stay and must adapt to her new environment. Before summer ends, Frida will have to face up to herself. INCERTA GLÒRIA / UNCERTAIN GLORY AGUSTÍ VILLARONGA (SPAIN) Cast: Oriol Pla, Terele Pávez, Luisa Gavasa, Juan Diego, Marcel Borras, Núria Prims, Bruna Cusi The Aragon Front, 1937. Lluís, a young Republican officer sent to a temporarily inactive post, meets and falls for Carlana, an enigmatic widow. The girl convinces him to forge a document giving her the title of Lady of the region. Lluís’s best friend, Solèras, a demoted officer, discovers the fraud and, in exchange for keeping quiet about it, demands that he moves away from the Barcelona bombardments Trini, Lluís’s wife, with whom he is secretly in love, and her son. When Trini comes to the village, it won’t be long before she discovers Lluís’s betrayals as a ‘state of war’ settles in between the two, shaking all of their moral foundations. JÚLIA IST ELENA MARTÍN GIMENO (SPAIN) Cast: Elena Martín, Oriol Puig, Jakob D’Aprile, Laura Weissmahr, Carla Linares Júlia decides to go on Erasmus to Berlin. She will leave home for the first time, giving it little thought, launching herself into adventure. The city, cold and grey, will give her a frostier welcome than expected and she will face her expectations with reality: her existence will seem far removed from the new life she had dreamt of in the lecture rooms of Barcelona School of Architecture. LA MANO INVISIBLE (THE INVISIBLE HAND) DAVID MACIÁN (SPAIN) Cast: Josean Bengoetxea, Bárbara Santa-Cruz, Marta Larralde, Luis Callejo, José Luis Torrijo, Marina Salas, Daniel Pérez Prada, Edu Ferrés, Esther Ortega, Elisabet Gelabert, Bruto Pomeroy In an industrial building, eleven people are hired to go about their work in front of an audience: a bricklayer, a butcher, a seamstress, a telephone operator, a waiter, a message boy, a mechanic, a computer specialist and a cleaner. Artwork, reality show, macabre experiment: they don’t know what’s in store for them, or who is behind the hand that moves the strings of this perverse little puppet theatre. NO SÉ DECIR ADIÓS (CAN´T SAY GOODBYE) LINO ESCALERA (SPAIN) Cast: Nathalie Poza, Juan Diego, Lola Dueñas Carla gets a call from her sister: her father, with whom she fell out some time ago, is ill. That same day, Carla takes a flight to Almeria, to the home of her childhood. There, the doctors say that her father has only months to live. She refuses to accept the diagnosis and, against everyone’s opinion, decides to take him to Barcelona for treatment. The two embark on a journey to escape from a reality that neither dares to confront. And it will be in this flight that they will finally find one another and have the opportunity to say their goodbyes. PIELES (SKINS) EDUARDO CASANOVA (SPAIN) Cast: Macarena Gómez, Jon Kortajarena, Candela Peña, Carmen Machi, Ana Polvorosa, Secun de la Rosa, Joaquín Climent Physical appearance conditions us in regard to society, whether or not it is our choice. Pieles is the tale of physically diverse people whose differences have forced them to hide, shut themselves away or group together. Samantha, a woman with an inverted digestive system, Laura, a girl with no eyes, or Ana, a woman with a deformed face. Lonely people who struggle to find their place in a society that only understands one kind of physical appearance, and which excludes and mistreats those who don’t fit in. SELFIE VÍCTOR GARCÍA LEÓN (SPAIN) Cast: Santiago Alverú, Macarena Sanz, Javier Carramiñana, Pepe Ocio, Alicia Rubio, Clara Alvarado A government minister has just been arrested by the police, accused of corruption, embezzlement of public funds, money laundering and another eighteen money-related crimes. This is the tale of his son. The adventures of Bosco from the moment he is thrown out of his luxurious chalet in Moraleja until he approaches the Podemos HQ to ask for a job; his sentimental torment after his girlfriend of perfect teeth and lazy lip leaves him, until he is accepted by a blind social worker, educator in a school for the disabled; his miseries from the moment he is expelled from his exclusive Master in Directing until his fearful wanderings around the streets of the Lavapiés district. If this was a romantic comedy, Bosco would learn a lesson; life would teach him something… and finally there would be a ray of light, the hope of change. He would find the love of his life. Or perhaps renew his faith in humans. Or simply a new path… or some kind of love for animals. Something. Unfortunately, this is not a romantic comedy. VERÓNICA PACO PLAZA (SPAIN) Cast: Sandra Escacena, Bruna González, Claudia Placer, Iván Chavero, Consuelo Trujillo, Ana Torrent Madrid, the 90s. In the middle of the night, the police receive a call. Amid screams of terror, they hear children shouting out about the presence of strange phenomena in their flat, deep in a working-class district. Two days earlier, Verónica, their older sister, had used the Ouija board at school. Without realising it, she has just opened the door to something supernatural, inexplicable, which will move into her house over the next hours, becoming increasingly more incontrollable and, above all, very, very dangerous.

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  • TOM OF FINLAND is Finland’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

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    Tom of Finland

    The biopic Tom of Finland directed by Dome Karukoski has been selected as Finland’s submission for best foreign film at the 2018 Oscars.

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  • Busan International Film Festival Creates ‘Kim Jiseok Award’ to Honor Late Founding Member

    Kim Ji-seok The 22nd Busan International Film Festival has established the ‘Kim Jiseok Award’ to honor the late Kim Ji-seok who passed away this year after devoting his whole life to discovering young Asian directors and supporting the growth of Asian cinema. A founding member of the Busan International Film Festival, Kim Ji-seok  suffered a fatal heart attack while attending the 2017 Cannes Film Festival earlier this year. Many Asian filmmakers call the late Kim Ji-seok, the Program Director of Busan International Film Festival (BIFF), as the heart of Asian Cinema, and of BIFF. He was always sharing his life with BIFF as a founding member. He also contributed over 20 years to supporting young filmmakers in Asia, and took an essential role to establish BIFF as one of the world’s best film festivals. To follow his spirit and remember the festival identity as the hub of Asian cinema, BIFF launches the ‘Kim Jiseok Award’ The aim of the award is to discover and encourage Asian films, the ‘Kim Jiseok Award’ will be selected among films screening in A Window on Asian Cinema, a section that introduces films from the year’s most talented Asian filmmakers. Approximately 10 World Premieres in A Window on Asian Cinema will be selected as nominees and the jury members will select the final two films as the first ‘Kim Jiseok Award’ recipients. Each film will be awarded a cash prize of 10,000,000 Korean won (about 10,000 US dollars). Jury members of ‘Kim Jiseok Award’ are Tony Rayns and Darcy Paquet, film critics who have a keen interest and contribute in the globalization of Asian cinema. Garin Nugroho, an acknowledged Indonesian director who has been invited to numerous renowned film festivals, will join the ‘Kim Jiseok Award’ jury as well. Three jurors will award outstanding films with distinct Asian characteristic. The 22nd Busan International Film Festival will be held from October 12, 2017 to October 21, 2017.

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