CERULIA by Sofia Carrillo[/caption]
The 2017 Fantastic Fest announced the short film line up for the 13th edition of the festival, which runs September 21 to September 28, 2017 at Alamo Drafthouse South Lamar in Austin, TX.
This year, to celebrate the festival’s Arabic theme, veteran festival programmer Peter Kuplowsky and Fantastic Fest creative director Evrim Ersoy have added a unique sidebar to the festival’s regular short-subject programming. YALLA! ARAB GENRE SHORTS assembles four remarkable genre productions from Arab countries, each with a distinct sensibility and style that further expands the breadth of genres traditionally showcased at the festival.
The 48 film lineup, culled from a record submission pool of nearly 1200 entries, spans 23 countries and features a trio of stop-motion mini-masterpieces including the North American premiere of the chilling CERULIA by Sofia Carrillo (who genre fans will be familiar with from her contributions to the anthology feature XX) and the US premiere of THE BURDEN, Niki Lindroth von Bahr’s award-winning musical. Other highlights include an acclaimed and mind-melting short about escaping a Red Lobster commercial (GREAT CHOICE), and a potent sci-fi skewering of government bureaucracy so incendiary it was banned in Turkey (THE LAST SCHNITZEL)!
Speaking on the program, curator Kuplowsky commented: “With the proliferation of digital distribution channels, the audience for short films is growing exponentially and the mode of filmmaking is becoming more relevant than ever before. I’m thrilled that Fantastic Fest can be the first stop for so many of these fantastic films on their road to people’s eyeballs.”
The complete lineup, divided by program, is as follows:
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2017 Fantastic Fest Announces Short Film Lineup, CERULIA, THE BURDEN, and More
[caption id="attachment_24409" align="aligncenter" width="1200"]
CERULIA by Sofia Carrillo[/caption]
The 2017 Fantastic Fest announced the short film line up for the 13th edition of the festival, which runs September 21 to September 28, 2017 at Alamo Drafthouse South Lamar in Austin, TX.
This year, to celebrate the festival’s Arabic theme, veteran festival programmer Peter Kuplowsky and Fantastic Fest creative director Evrim Ersoy have added a unique sidebar to the festival’s regular short-subject programming. YALLA! ARAB GENRE SHORTS assembles four remarkable genre productions from Arab countries, each with a distinct sensibility and style that further expands the breadth of genres traditionally showcased at the festival.
The 48 film lineup, culled from a record submission pool of nearly 1200 entries, spans 23 countries and features a trio of stop-motion mini-masterpieces including the North American premiere of the chilling CERULIA by Sofia Carrillo (who genre fans will be familiar with from her contributions to the anthology feature XX) and the US premiere of THE BURDEN, Niki Lindroth von Bahr’s award-winning musical. Other highlights include an acclaimed and mind-melting short about escaping a Red Lobster commercial (GREAT CHOICE), and a potent sci-fi skewering of government bureaucracy so incendiary it was banned in Turkey (THE LAST SCHNITZEL)!
Speaking on the program, curator Kuplowsky commented: “With the proliferation of digital distribution channels, the audience for short films is growing exponentially and the mode of filmmaking is becoming more relevant than ever before. I’m thrilled that Fantastic Fest can be the first stop for so many of these fantastic films on their road to people’s eyeballs.”
The complete lineup, divided by program, is as follows:
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HER LOVE BOILS BATHWATER is Japan’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Ryota Nakano’s Her Love Boils Bathwater (湯を沸かすほどの熱い愛 / Yu o Wakasu Hodo no Atsui Ai) has been selected by Japan as the country’s submission in the foreign-language category at the 2018 Oscars.
The film stars Rie Miyazawa, Hana Sugisaki, Yukiko Shinohara, Taro Suruga, Aoi Ito, Tori Matsuzaka, Joe Odagiri
InHer Love Boils Bathwater, Futaba is a loving but strict single mother whose world is shaken when she discovers she has terminal cancer and has only a few months to live. Newly determined, she decides to use the brief amount of time she has left to bring back her husband, reopen their shut-down bathhouse, and set her teenage daughter on the path to independence. As she attempts to reconcile her splintered family before it is too late, long-repressed revelations rise to the surface.
https://www.youtube.com/watch?v=uQYrbqO0d48
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Spanish Actress Paz Vega to be Honored with Award at San Sebastian Film Festival
The second Jaeger-LeCoultre Prize to Latin Cinema, which honors an outstanding figure in Latin cinema at the San Sebastian Film Festival will be awarded to the Spanish actress Paz Vega. The award, in its inaugural edition, went to the actor, director and producer Gael García Bernal.
Acclaimed major international actress Paz Vega has starred in dozens of films in Europe, the USA and Latin America. After her debut role as Laura for six seasons of Siete vidas (Seven Lives, Telecinco), one of Spain’s longest running sitcoms, the Seville-born actress made her leap to the silver screen, attracting the attention of European audiences in 2001 on winning the Goya for Best New Actress and the prestigious Chopard Trophy for Female Revelation of the Year at the Cannes International Film Festival for her role as Lucía in Julio Medem’s Lucía y el sexo (Sex and Lucia). Also in 2001, Paz starred in Sólo mia (Only Mine) by Javier Balaguer and was nominated for yet another Goya, this time for Best Actress, marking a milestone in the history of the respected Spanish awards for being the first time an actress had been nominated twice for different roles at one edition.
In 2002, Paz appeared in Hable con ella (Talk to Her) by Pedro Almodóvar. The film received the Academy Award for the Best Original Screenplay and the Golden Globe for Best Foreign Language Film, among others. In 2013, she repeated her collaboration with the celebrated Spanish director in Los amantes pasajeros (I’m So Excited). In 2003, she brought life to Vicente Aranda’s Carmen, based on the homonymous novel by Prosper Mérimée. Since Carmen, Paz has played several emblematic characters in European History, ranging from Saint Teresa of Avila in Teresa by Ray Loriga (2007) to Maria Callas in Olivier Dahan’s Grace, opening film of the 2014 Cannes Film Festival, and Mary of Hungary in Emperor (2017), opposite Adrien Brody.
After starring in the romantic comedy produced by Columbia Pictures, Di que sí (Say I Do, 2004), she caught the attention of James L. Brooks, who invited her to co-star in Spanglish opposite Adam Sandler as Flor, a role for which she won the Best New Actress Award from the Phoenix Film Critics Society. Since Spanglish, Paz Vega has been directed by acclaimed filmmakers such as Frank Miller, Danis Tanovic, Oliver Parker, Michelle Placido, and the Taviani brothers, having shared the bill with actors including Scarlett Johansson, Sarah Jessica Parker, Andie McDowell, Eva Mendes, Colin Farrell, Nicole Kidman, Tim Roth, Christopher Lee and Morgan Freeman, to name but a few. She also starred in Jada Pinkett Smith’s directorial debut, The Human Contract (2008), produced by Will Smith.
Paz Vega has performed in English, Spanish, French, Portuguese and Italian. She recently appeared in the romantic comedies All Roads Lead to Rome, opposite Sarah Jessica Parker and Claudia Cardinale, Big Time in Hollywood FL, alongside Cuba Gooding Jr. and Michael Madsen, produced by Ben Affleck, and Beautiful and Twisted opposite Candice Bergen and Rob Lowe, the last two for American TV. In 2016, Paz starred in the new comedy by the Mexican director Manolo Caro, La vida inmoral de la pareja ideal (The Immoral Life of the Ideal Couple), and was the Spanish voice of the campaign for the 2016 Rio de Janeiro Olympic Games, alongside Uma Thurman and Juliette Binoche, who respectively provided the English and French voices. She also played the lead part in the 8-episode series for Spain’s hugely popular Telecinco channel, Perdóname (Forgive me).
Paz Vega has come back to Spain after fourteen years based in the United States. In spite of living in Los Angeles, Paz Vega has remained faithful to her Spanish and European roots. The region of Andalusia and the cities of Seville and Malaga have repeatedly recognized her tireless work to represent her native region and city all over the world. Paz Vega has received the Medal of Andalusia, the City of Seville Medal, the Province of Seville Gold Medal and, more recently, the Malaga Sur Lifetime Achievement Award at the 2016 edition of the Malaga Film Festival. She has also served as Jury Member at multiple international festivals, including the prestigious Orizzonti section at the Venice International Film Festival (2015).
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Minneapolis St. Paul International Film Festival Announces 2018 Dates + Call for Submissions
The 37th Minneapolis St. Paul International Film Festival (MSPIFF) will return April 12 to 29, 2018, in Minneapolis, St. Paul and Rochester, MN for 17 days of films, events, panels, and more. Produced by the Film Society of Minneapolis St. Paul, this highly anticipated celebration of international independent cinema annually debuts more than 250 films to a large and diverse audience, and welcomes the attendance of more than 150 filmmakers from around the world.
Submissions are now open for all facets of MSPIFF, from short to feature length films, narratives and documentaries, music videos and animation. Creators are able to submit their feature-length and short films to 2018 MSPIFF through Withoutabox and FilmFreeway.
“For almost four decades, the Minneapolis St. Paul International Film Festival has given filmmakers from around the world a platform to present their short and feature films, and engage with enthusiastic audiences, instructors and members of the local, national and international filmmaking community,” said Susan Smoluchowski, Executive Director of the Film Society.
Featured programs include: Asian Frontiers, Childish, Cine Latino, Frame Forward (avant garde and experimental), Images of Africa, Midnight Sun (Nordic films), New American Visions, World Cinema. Shorts programs include Documentary and Narrative, Childish, Dark Out, Frame Forward, Music Videos and Nextwave, the Film Society’s youth cinema program.
In recognition of Minnesota’s filmmaking community, MSPIFF offers one complimentary submission per individual for projects that qualify as “Minnesota Made” and are submitted before the Late Deadline, November 15, 2017. Eligible “Minnesota Made” films submitted between November 16 – December 22, 2017 may request a 50% discounted entry. To qualify as “Minnesota Made”, a film’s director must be a current Minnesota resident OR a combined 50% or more of production and/or post-production must have taken place in Minnesota.
Films completed after January 1, 2017 are now being accepted for consideration. Submitters will be notified of their acceptance status on or around February 23, 2018.
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Duhok International Film Festival in Iraq will Present a Berlinale Spotlight: Berlinale Shorts
[caption id="attachment_24392" align="aligncenter" width="1200"]
Cidade Pequena (Small Town) by Diogo Costa Amarante[/caption]
For the first time, the Duhok International Film Festival (September 9 – 16, 2017) in Iraq will present a Berlinale Spotlight: Berlinale Shorts. Two short film programs were compiled for the Duhok International Film Festival by Maike Mia Höhne, curator of the Berlinale section Berlinale Shorts.
The programs will present films from the Berlinale Shorts competition of the 2017 Berlin International Film Festival, including Cidade Pequena (Small Town) by Diogo Costa Amarante (Golden Bear for Best Short Film), Centauro (Centaur) by Nicolás Suárez (Honorable Mention), Martin Pleure (Martin Cries) by Jonathan Vinel and Everything by David OReilly.
Berlinale Spotlight program at the 5th Duhok International Film Festival:
Program I: UTOPIA UNPLUGGED
Centauro (Centaur) by Nicolás Suárez (Argentina), 14 min. – Honorable Mention 2017 Call of Cuteness by Brenda Lien (Germany), 4 min. The Boy from H2 by Helen Yanovsky (Israel / Palestine), 21 min. Altas Cidades de Ossadas (High Cities of Bone) by João Salaviza (Portugal), 19 min. Estás vendo coisas (You Are Seeing Things) by Bárbara Wagner & Benjamin de Burca (Brazil), 18 min. Everything by David OReilly (USA / Ireland), 11 min.Program II: FROM THE RISING OF THE SUN
Cidade Pequena (Small Town) by Diogo Costa Amarante (Portugal), 19 min. – Golden Bear for Best Short Film 2017 Oh Brother Octopus by Florian Kunert (Germany), 27 min. Martin Pleure (Martin Cries) by Jonathan Vinel (France), 16 min. Avant l’envol (Before the Flight) by Laurence Bonvin (Switzerland), 20 min. Fuera de Temporada (Out of Season) by Sabrina Campos (Argentina), 23 min. All films will be shown with English subtitles.
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VIDEO: Watch Breathtaking Magic of Fireworks in Trailer for BRIMSTONE & GLORY
Here is the trailer for Brimstone and Glory, a documentary about the National Pyrotechnic Festival in Tultepec, Mexico, in celebration of San Juan de Dios, patron saint of firework makers.
The film directed by Viktor Jakovleski, will be released in theaters on October 27.
The National Pyrotechnic Festival in Tultepec, Mexico is a site of festivity unlike any other in the world. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. Artisans show off their technical virtuosity, up-and-comers create their own rowdy, lofi combustibles, and dozens of teams build larger-than-life papier-mâché bulls to parade into the town square, adorned with fireworks that blow up in all directions. More than three quarters of Tultepec’s residents work in pyrotechnics, making the festival more than revelry for revelry’s sake. It is a celebration that anchors a way of life built around a generations-old, homegrown business of making fireworks by hand. For the people of Tultepec, the National Pyrotechnic Festival is explosive celebration, unrestrained delight and real peril. Plunging headlong into the fire, BRIMSTONE & GLORY honors the spirit of Tultepec’s community and celebrates celebration itself.
https://www.youtube.com/watch?v=36iHKZmeH60
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THE CHRONICLES OF MELANIE is Latvia’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
The Chronicles of Melanie (Melanijas hronika) directed by Viestur Kairish, has been selected as Latvia’s official candidate for best foreign-language film for the 2018 Oscars.
The film “The Chronicles of Melanie” is based on the life story of Melānija Vanaga, a Latvian woman who managed to survive her deportation to Siberia. It is a truthful account of the miracle of human character, magnitude of the human spirit and the painful destinies, which were a part of the greatest tragedy facing the Latvian nation. It is the story of Latvian women who had to suffer and survive physically and emotionally in order for Latvia to live.
An early morning of 15 June 1941 in Soviet-occupied Latvia. The authorities break into the house of Melanie and her husband Aleksandrs, editor of a newspaper of independent Latvia, make them wake up their eight-year-old son Andrejs and get into a lorry. At the station, the men are separated from their families. On this day, the Soviets deported about 17,000 people from Latvia (the next wave of deportations came in March of 1949).
The deported are taken to Siberia in cattle cars. Melanie and her son first have to survive – the three-week long ride to the remote Tiukhtet village, the first months in the alien environment, famine and illness – and then to live. They have to make peace with the new life and accept it even though everything seems to have lost its point and reason. This drives some to the point of collapse, yet Melanie is aware of “only one string sounding and that string is hope.” She takes detailed notes that later becomes a weighty literary work about the 16 years spent in Siberia.
Out of her notes, Melānija Vanaga prepared a book of documentary prose Veļupes krastā, which was published in 1991, soon after Latvia regained independence. Later, it served as the concluding volume in Vanaga’s seven-book series “The Gathering of Souls” about the personal history of her family and entire Latvia.
For the entire period of her exile (1941–1957), Melānija writes letters to Aleksandrs without sending them and dedicates a handwritten family chronicle to her son Aleksandrs, for she herself no longer hopes to return to Latvia. In 1957, Melānija is freed. She goes to Riga where she finds out that Aleksandrs barely survived a year in the harsh environment to which he was sent. Melānija spends the rest of her life working as a cow herder.
To maintain hope, to preserve in oneself a person who is stronger than famine, cold, cruelty and even death and is capable of taking on responsibility for another person, to help others – such is the confirmation of Melānija Vanaga, her memories and also this film to the light in the world and in every one of us.
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REQUIEM FOR MRS. J is Serbia’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
The black comedy Requiem for Mrs. J (Rekvijem za gospodju J.) directed by Bojan Vuletić Mirjana has been selected by Serbia as its candidate for best foreign-language film in the 2018 Oscars.
The film, starring Mirjana Karanović (Mrs. J), Jovana Gavrilovic (Ana), Danica Nedeljkovic (Koviljka), and Vucic Perovic (Milanče) premiered at the 2017 Berlin International Film Festival.
In Requiem for Mrs. J, Mrs. J. is a middle-aged widow living in a modest post-communist flat in Belgrade with her mother in law and two daughters. Jelena has had enough of life. Her husband died a year ago, and she feels tired and lonely – in spite of her two daughters and her mother-in-law who all share her flat. She has decided that, at the end of the week, on the anniversary of her husband’s death, she will commit suicide. She has a pistol ready for the job. But beforehand there are a number of things to sort out: she needs to return an armchair she borrowed from a neighbour and she has to terminate her life insurance policy. She also needs to get a mason to put her portrait photograph on her gravestone and renew her health insurance card. In order to do so, Jelena needs proof that she has been a salaried employee for the past twenty years. Gradually, this quiet, humble woman begins to realize that nothing’s simple in a country that’s constantly swinging back and forth between torment and transition. The authorities are unable to cope, Jelena’s former employers are now bankrupt and the remaining staff are just killing time. And the end of the week is drawing near.
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VIDEO: Watch First Greta Gerwig’s LADY BIRD Trailer Starring Saoirse Ronan, Laurie Metcalf
Here is the first trailer for Greta Gerwig’s Lady Bird which had its world premiere over the Labor Day weekend at Telluride Film Festival. The film, starring Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Timothée Chalamet, Beanie Feldstein, Stephen McKinley Henderson, and Lois Smith, will next screen at the 2017 Toronto International Film Festival and open in theaters on November 10.
In Lady Bird, Greta Gerwig reveals herself to be a bold new cinematic voice with her directorial debut, excavating both the humor and pathos in the turbulent bond between a mother and her teenage daughter. Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.
https://www.youtube.com/watch?v=cNi_HC839Wo
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TOM OF FINLAND is Finland’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

The biopic Tom of Finland directed by Dome Karukoski has been selected as Finland’s submission for best foreign film at the 2018 Oscars.
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Busan International Film Festival Creates ‘Kim Jiseok Award’ to Honor Late Founding Member
The 22nd Busan International Film Festival has established the ‘Kim Jiseok Award’ to honor the late Kim Ji-seok who passed away this year after devoting his whole life to discovering young Asian directors and supporting the growth of Asian cinema.
A founding member of the Busan International Film Festival, Kim Ji-seok suffered a fatal heart attack while attending the 2017 Cannes Film Festival earlier this year.
Many Asian filmmakers call the late Kim Ji-seok, the Program Director of Busan International Film Festival (BIFF), as the heart of Asian Cinema, and of BIFF. He was always sharing his life with BIFF as a founding member. He also contributed over 20 years to supporting young filmmakers in Asia, and took an essential role to establish BIFF as one of the world’s best film festivals. To follow his spirit and remember the festival identity as the hub of Asian cinema, BIFF launches the ‘Kim Jiseok Award’
The aim of the award is to discover and encourage Asian films, the ‘Kim Jiseok Award’ will be selected among films screening in A Window on Asian Cinema, a section that introduces films from the year’s most talented Asian filmmakers. Approximately 10 World Premieres in A Window on Asian Cinema will be selected as nominees and the jury members will select the final two films as the first ‘Kim Jiseok Award’ recipients. Each film will be awarded a cash prize of 10,000,000 Korean won (about 10,000 US dollars).
Jury members of ‘Kim Jiseok Award’ are Tony Rayns and Darcy Paquet, film critics who have a keen interest and contribute in the globalization of Asian cinema. Garin Nugroho, an acknowledged Indonesian director who has been invited to numerous renowned film festivals, will join the ‘Kim Jiseok Award’ jury as well. Three jurors will award outstanding films with distinct Asian characteristic.
The 22nd Busan International Film Festival will be held from October 12, 2017 to October 21, 2017.

THE BAR (EL BAR)[/caption]
Made in Spain, a showcase of Spanish films at the 2017