French filmmaker Jean-Marie Straub will receive the Pardo d’onore Manor award at the 70th Locarno Festival on Friday, August 11. The 70th Locarno Festival will be held from August 2 to 12, 2017.
Born in France in 1933 and now resident in Switzerland after living in Germany and Italy, Jean-Marie Straub has been (re)writing cinema – in three of Switzerland’s four national languages – throughout a career that stretches back over sixty years. Much of this lifetime in film was spent with his partner in art and life, Danièle Huillet (1936 – 2006). Having learned his trade as an assistant on set to Jean Renoir and Robert Bresson, Straub joined Huillet in plowing a distinct furrow across the field of 20th century cinema, centered on the real, together with the expressive tools to show and convey it: radical, rigorous filmmaking, in which the superfluous gives way to the essential. Often featuring a non-professional cast, the ideal palette for a direct rapport with words, the work of Straub and Huillet is anti-spectacular and profoundly political, but never slips into propaganda.
Following a 1963 debut with the antimilitarist short Machorka-Muff, Straub and Huillet’s first full-length film, Chronik der Anna Magdalena Bach (1967), clearly set a course for their future output, in which film would be, literally, the seventh art. Often “at the service” of literature, theater, music and painting, their films are powerful re-elaborations of landmark figures such as Johann Sebastian Bach, Kafka, Mallarmé, Pavese, Brecht, Engels, Cézanne, D. W. Griffith and many others, all firmly bound by a strict ethic of the gaze. In 1970 their film Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu’un jour Rome se permettra de choisir à son tour marked a definitive peak of alienation in the acting in their filmmaking, with even fiction requiring and achieving maximum adherence to the real, rejecting interpretation and with it any possible equivocation.
Straub has always had close ties with Locarno, entrusting many of his premieres to the Festival audience. The many important titles presented here over his long career include his full-length debut, Chronik der Anna Magdalena Bach, featured in the main program in 1968, Antigone, shown in Piazza Grande in 1992, and Kommunisten screened Fuori Concorso in 2014.
Carlo Chatrian, Artistic Director of the Locarno Festival: “It is a special honor to be able to recognize the personality and achievement of Jean-Marie Straub during the 70th Festival. Not just because of the close ties between Straub and Huillet and the Locarno Festival, but above all because their films hold a unique and special place in the history of modern film and are still an undeniable influence on various directors. ‘Rigorous’ is a term that has often been used to describe their practice; watching their films again one also feels how much freedom pulses through every frame – something that is absolutely necessary to ‘digital’ filmmaking. The films of Straub and Huillet have so much to say to us: perhaps that’s why the recent retrospectives dedicated to their work, in 2016 at MoMA in New York, the Pompidou Center in Paris and the Museo Reina Sofia in Madrid, were so well received. I am especially proud that Jean-Marie Straub should be in attendance at Locarno, and I am quite sure that our audience will give him the reception that great directors of his caliber deserve.”
Recipients of the Pardo d’onore award at past Festivals include Samuel Fuller, Jean-Luc Godard, Ken Loach, Sydney Pollack, William Friedkin, Jia Zhangke, Alain Tanner, Werner Herzog, Agnès Varda, Michael Cimino, Marco Bellocchio and, in 2016, Alejandro Jodorowsky. From this year the Pardo d’onore is supported by Manor.
Image: Jean-Marie Straub (Printemps 2010). © Diane Arques via olivierpere-
Locarno Festival to Honor French Filmmaker Jean-Marie Straub with Pardo d’onore Manor Award
French filmmaker Jean-Marie Straub will receive the Pardo d’onore Manor award at the 70th Locarno Festival on Friday, August 11. The 70th Locarno Festival will be held from August 2 to 12, 2017.
Born in France in 1933 and now resident in Switzerland after living in Germany and Italy, Jean-Marie Straub has been (re)writing cinema – in three of Switzerland’s four national languages – throughout a career that stretches back over sixty years. Much of this lifetime in film was spent with his partner in art and life, Danièle Huillet (1936 – 2006). Having learned his trade as an assistant on set to Jean Renoir and Robert Bresson, Straub joined Huillet in plowing a distinct furrow across the field of 20th century cinema, centered on the real, together with the expressive tools to show and convey it: radical, rigorous filmmaking, in which the superfluous gives way to the essential. Often featuring a non-professional cast, the ideal palette for a direct rapport with words, the work of Straub and Huillet is anti-spectacular and profoundly political, but never slips into propaganda.
Following a 1963 debut with the antimilitarist short Machorka-Muff, Straub and Huillet’s first full-length film, Chronik der Anna Magdalena Bach (1967), clearly set a course for their future output, in which film would be, literally, the seventh art. Often “at the service” of literature, theater, music and painting, their films are powerful re-elaborations of landmark figures such as Johann Sebastian Bach, Kafka, Mallarmé, Pavese, Brecht, Engels, Cézanne, D. W. Griffith and many others, all firmly bound by a strict ethic of the gaze. In 1970 their film Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu’un jour Rome se permettra de choisir à son tour marked a definitive peak of alienation in the acting in their filmmaking, with even fiction requiring and achieving maximum adherence to the real, rejecting interpretation and with it any possible equivocation.
Straub has always had close ties with Locarno, entrusting many of his premieres to the Festival audience. The many important titles presented here over his long career include his full-length debut, Chronik der Anna Magdalena Bach, featured in the main program in 1968, Antigone, shown in Piazza Grande in 1992, and Kommunisten screened Fuori Concorso in 2014.
Carlo Chatrian, Artistic Director of the Locarno Festival: “It is a special honor to be able to recognize the personality and achievement of Jean-Marie Straub during the 70th Festival. Not just because of the close ties between Straub and Huillet and the Locarno Festival, but above all because their films hold a unique and special place in the history of modern film and are still an undeniable influence on various directors. ‘Rigorous’ is a term that has often been used to describe their practice; watching their films again one also feels how much freedom pulses through every frame – something that is absolutely necessary to ‘digital’ filmmaking. The films of Straub and Huillet have so much to say to us: perhaps that’s why the recent retrospectives dedicated to their work, in 2016 at MoMA in New York, the Pompidou Center in Paris and the Museo Reina Sofia in Madrid, were so well received. I am especially proud that Jean-Marie Straub should be in attendance at Locarno, and I am quite sure that our audience will give him the reception that great directors of his caliber deserve.”
Recipients of the Pardo d’onore award at past Festivals include Samuel Fuller, Jean-Luc Godard, Ken Loach, Sydney Pollack, William Friedkin, Jia Zhangke, Alain Tanner, Werner Herzog, Agnès Varda, Michael Cimino, Marco Bellocchio and, in 2016, Alejandro Jodorowsky. From this year the Pardo d’onore is supported by Manor.
Image: Jean-Marie Straub (Printemps 2010). © Diane Arques via olivierpere
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THE BIG SICK to Open, ARRIVAL to Close Karlovy Vary International Film Festival | Trailers
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The Big Sick[/caption]
This year’s 52nd Karlovy Vary International Film Festival will open with director Michael Showalter’s unconventional romantic comedy The Big Sick, and close with director Denis Villeneuve’s mysterious sci-fi Arrival, in which one of the main roles was played by Jeremy Renner, one of the festival’s guests this year and a recipient of the President’s Award.
The Big Sick
Like many other comedians, Kumail wants to escape the small stages of out-of-the-way clubs and perform before a large audience. Yet he fails to impress the man capable of arranging an appealing engagement for him, and, what’s more, his new show on his Pakistani origins slips into a boring monologue. Kumail also struggles with his parents, who would rather see their son as a lawyer married to one of the Pakistani girls they keep trying to fix him up with. Things get even more complicated when he meets Emily and falls for her quirkiness and sense of humour. The question of whether to tell his parents about his girlfriend, who meets none of their basic criteria, seriously complicates Kumail’s life. The film’s husband-and-wife co-writers, Emily V. Gordon and Kumail Nanjiani, based their film on their own life story, thus reinforcing its authenticity. Add to this the sense of lightness and immediacy typifying the film’s direction, and we get a fun and candid comedy that avoids the usual rom-com clichés.
https://www.youtube.com/watch?v=GX3Regj6nAg
Arrival
When several giant ships of unknown origin appear at over a dozen locations on Earth, top teams of scientists set out to study them. The American team is headed by physicist Ian Donnelly (Jeremy Renner) and linguist Louise Banks (Amy Adams), who join forces in order to show that the extraterrestrial visitors are a threat to mankind only if we fail to communicate with them. One of the most original science fiction movies of recent years, Arrival cemented director Denis Villeneuve’s position as one the most closely watched directors working today.
https://www.youtube.com/watch?v=ZLO4X6UI8OY
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Uma Thurman and Jeremy Renner to Receive Karlovy Vary International Film Festival’s President’s Award
Uma Thurman (Asatur, dp) Actor Jeremy Renner, and actress Uma Thurman will be presented with the President’s Award at the Karlovy Vary International Film Festival.
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Milwaukee Film Announces Expansion, Leases Oriental Theatre for 31 Years
Milwaukee Film has signed a 31-year lease to operate the Oriental Theatre beginning July 1, 2018, signaling tremendous future growth for the organization and ensuring that the Milwaukee Film Festival will be a part of the community for years to come.
“The Oriental Theatre is a treasure. I have visited hundreds of cinemas worldwide and the Oriental Theatre is my favorite. It is magical to see 1,000 of our members fill the main house at our monthly screenings,” says Jonathan Jackson, Artistic & Executive Director of the nonprofit Milwaukee Film. “Our nine-year-old organization securing long-term control of this cinema is a momentous occasion. We have cemented our permanence in Milwaukee and intend to greatly expand our cultural, economic, and educational impact on our community.”
Opened in 1927 as a “movie palace,” the Oriental Theatre is not only a beloved local landmark, but has also been recognized nationally as a top ten movie theater by Entertainment Weekly and USA Today. Milwaukee Film seeks to revitalize the space through investments in the infrastructure and upgrades to the projection and sound, creating a superior customer experience and making the Oriental Theatre a state of the art historic cinema. While designs have yet to be completed, the organization is committed to maintaining the existing aesthetics and character of this iconic Milwaukee building.
In order to support the growth of the organization and successfully meet the demands of running a world class film institution, a fundraising initiative has already begun. A total of $3 million of a $10 million goal has been raised so far, with Chris Abele, Milwaukee County Executive and Milwaukee Film Co-Founder and past Board Chair, making a personal contribution of $2 million.
“From day one, every person involved in Milwaukee Film – from staff, to volunteers, to the Board, to our dedicated 3,600 members – has been driven by the goal of not simply creating a film festival, but creating one of the best and biggest film festivals in the world,” states Chris Abele. “This announcement brings us closer to that goal. It isn’t the culmination or an end point, it’s the start of the next chapter.”
In addition to Abele, Milwaukee Film Co-Founders, the Herzfeld Foundation, led by Herzfeld Foundation President and past Milwaukee Film Board Chair Bill Haberman and Herzfeld Foundation Vice President and Milwaukee Film Board Member Carmen Haberman, has committed $1 million to the initiative.
Milwaukee Film deeply appreciates its sustained nine-year relationship with Landmark Theatres, noting that the organization’s remarkable growth could not have happened without renting the Oriental Theatre for its monthly member screenings and the annual film festival.
Beginning with Jackson’s vision of the enormous opportunity that would be provided by Milwaukee Film operating the Oriental Theatre, over the last five years Milwaukee Film’s Board of Directors and staff thoroughly vetted the idea and financials of operating a year-round, non-profit cinema, developing a business plan one year ago that was unanimously approved by its now 32-person Board of Directors.
In 2004, Boris Gohkman, father of Tim Gohkman, Director of New Land Enterprises, purchased the Oriental Theatre building after a several year pursuit. The trust and faith of Tim Gohkman in Milwaukee Film’s vision has been unparalleled.
“We are excited to partner with Milwaukee Film because it presents a truly unique opportunity to fuel Milwaukee’s cultural renaissance,” states Tim Gohkman. “As a key Milwaukee institution, Milwaukee Film is uniquely positioned to energize North Ave., Farwell Ave., and the entire city with year-round programming. For years, I have considered the Milwaukee Film Festival my favorite annual event in Milwaukee, I just can’t wait to see what they do next.”
At the Oriental Theatre, Milwaukee Film intends to program the best of international and American independent fiction and documentary films, including traditional weekly releases mixed with repertory selections, event cinema engagements, programming for families, and various themed film festivals and series throughout the year as well as the annual flagship Milwaukee Film Festival.
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Galway Film Fleadh Announces Short Film Highlights of 2017 Program
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An Béal Bocht[/caption]
This year the Galway Film Fleadh in Galway, Ireland, will present a total of fourteen short film programs in the festival’s ever growing and increasingly diverse line-up, featuring a rise in short film co-productions from around the globe including the United Kingdom, Mexico, Norway, Lebanon and the United States.
The competitive short film program showcases an exciting mix of drama, documentary and animation, with the winners of the Tiernan MacBride Award for Best Short Drama and the James Horgan Award for Best Short Animation gaining eligibility for Oscar consideration.
This year’s short animation program features an abundance of styles from old school stop-motion to dark comedy. Highlights include an adaptation of the classic Irish Novel An Béal Bocht by Tom Collins and the Médecins Sans Frontières / Doctors Without Borders produced Sorry I Drowned, inspired by a letter found on the drowned body of a refugee fleeing from war.
The short documentaries explore a variety of subjects from the therapeutic power of tattoos to Olympic dreams, from urban cowboys to vintage motorcycles, the latter being the focus of Charlie Endean’s directorial debut, Open Road.
All of these and more including the return of Oscar winner Benjamin Cleary co-directing his new film WAVE;, the Irish premiere of A Drowning Man, hot after competing in Cannes; the directing debuts of The Gate Theatre Director Selina Cartmell, for her Filmbase/RTE funded film The Date and the renowned MTV VMA nominated Music-Video director Brendan Canty with his film For You; and Ireland’s own top model Laragh McCann goes behind the camera for her first time for her debut film Day.
In addition to the curated program of over seventy short films in a mix of Irish, English and foreign languages, the festival will premiere two programs of films funded by the Irish Film Board: Short Stories and Frameworks Animations.
As well as screenings, the short film forum will return to the festival after last year’s bumper turnout. This panel discussion is dedicated to emerging and established short filmmakers in all genres, with a focus on strategies and advice from international film festivals and short film programmers. Following the panel there will be an opportunity for discussion, debate and networking.
The Galway Film Fleadh shorts program runs every day from Wednesday July 12th to Sunday July 16th.
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Filmmaker Joshua Oppenheimer will be Guest Director of Telluride Film Festival
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Joshua Oppenheimer[/caption]
Filmmaker Joshua Oppenheimer will be the 2017 Guest Director of the upcoming Telluride Film Festival. The award-winning documentarian is set to select a series of films to present at the 44th Telluride Film Festival running over Labor Day Weekend, September 1-4, 2017.
Festival organizers annually select one of the world’s great film enthusiasts to join them in the creation of the Festival’s program lineup. The Guest Director serves as a key collaborator in the Festival’s programming decisions, bringing new ideas and overlooked films to Telluride. In keeping with Telluride Film Festival tradition, Oppenheimer’s film selections, along with the rest of the Telluride lineup, will be kept secret until Opening Day.
“The Guest Director program is one of the most essential and wonderful parts of our festival,” said Telluride Film Festival executive director Julie Huntsinger. “Joshua has been a part of the SHOW with several of the incredible films he has made in the past, and now as our Guest Director. His rare combination of intelligence and down-to-earth understanding of humanity will make for a remarkable presentation of films our audience will not want to miss. Further gilding the lily, FilmStruck has joined us as the sponsor of this selection. We are beyond fortunate with this terrific combination of cinematic genius.”
Filmmaker Joshua Oppenheimer was born in the US in 1974 and studied filmmaking at Harvard University. Oppenheimer is best known for The Act of Killing (Telluride 2012) and The Look of Silence (Telluride 2014). The Act of Killing (2014 Academy Award Nominee for Best Documentary) was named Film of the Year in 2013 by the Guardian and the Sight and Sound Film Poll. It won 72 international awards, including a BAFTA, a European Film Award and an Asia-Pacific Screen Award. The Look of Silence (2016 Academy Award Nominee for Best Documentary) premiered at the Venice Film Festival, where it won the Grand Jury Prize and the FIPRESCI award, and went on to receive another 70 prizes, including an Independent Spirit Award, the IDA Award for Best Documentary Feature, a Gotham Award, and three Cinema Eye Honors. His early shorts have recently been re-released online and on DVD, including The Entire History of the Louisiana Purchase, which premiered at Telluride in 1997. Joshua Oppenheimer was awarded a MacArthur Fellowship in 2014. Oppenheimer is a partner at Final Cut for Real in Copenhagen, and Artistic Director of the Centre for Documentary and Experimental Film at the University of Westminster in London.
“You stumble from a cinema into Telluride’s thin air, touched in ways you never imagined possible,” commented Oppenheimer. “You turn to a total stranger to share a thought unthinkable only two hours before. What happened? In the mirror of a great film, you confronted truths from which you normally avert your eyes. You recognized yourself in those delicate, mysterious moments that defy words yet make us human. Telluride’s movies are empathy machines, inviting us to find ourselves in people we’d never otherwise know. Julie Huntsinger and Tom Luddy’s annual selection is driven by such curiosity and humanity that you cannot leave Telluride without feeling the responsibility and pain and love that comes with compassion. We emerge connected, reminded that self-absorption ultimately leaves us isolated and fearful. There is no greater privilege than joining Tom and Julie as this year’s guest director, sharing with Telluride’s audience the films that give me the greatest courage, and teach me to practice the widest empathy.”
Past Guest Directors include Volker Schlöndorff , Rachel Kushner, Guy Maddin, Caetano Veloso, Michael Ondaatje, Alexander Payne, Salman Rushdie, Peter Bogdanovich, B. Ruby Rich, Phillip Lopate, Errol Morris, Bertrand Tavernier, John Boorman, John Simon, Buck Henry, Laurie Anderson, Stephen Sondheim, G. Cabrera Infante, Peter Sellars, Don DeLillo, J.P. Gorin, Edith Kramer and Slavoj Žižek.
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ON BODY AND SOUL Wins Sydney Film Prize at Sydney Film Festival
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On Body and Soul (Testről és lélekről) by Ildikó Enyedi[/caption]
On Body and Soul, directed by Ildikó Enyedi, beat 12 other films to win the prestigious 10th anniversary Sydney Film Prize at the 64th Sydney Film Festival. Winner of the Berlinale Golden Bear, On Body and Soul is Enyedi’s visually ravishing return to filmmaking after an 18-year break. The film is about the unconventional romance between two coworkers who discover that each night they have exactly the same dreams.
Accepting the award, Enyedi said, “It was such an amazingly strong competition. It’s marvelous that such a film can move so many people, it gives me so much hope in cinema and in human communication.”
Sydney filmmakers Sascha Ettinger Epstein and Claire Haywood were awarded the Documentary Australia Foundation Award for Australian Documentary’s $10,000 cash prize for The Pink House, about the last brothel in old mining town Kalgoorlie.
The Dendy Awards for Australian Short Films saw the $7000 cash prize for the Dendy Live Action Short Award going to Adele, directed by Mirene Igwabi. Sunday Emerson Gullifer was Highly Commended for her short film Tomorrow, and tomorrow, and tomorrow.
And Daniel Agdag’s animation Lost Property Office took out both the $7000 Rouben Mamoulian Award for Best Director and the $5000 Yoram Gross Animation Award.
The Event Cinemas Australian Short Screenplay Award, a $5,000 prize for the best short screenwriting, was awarded to Michael Cusack, the writer and director of stop motion animation After All.
And the writers of Screenability short film The Milky Pop Kid, Johanna Garvin and Emily Dash, were Highly Commended.
The $10,000 Sydney-UNESCO City of Film Award, bestowed by Create NSW to a trail-blazing NSW based screen practitioner, went to Indigenous Australian actor, director and writer Leah Purcell.
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Watch Trailer for Dr. Dre and Jimmy Iovine HBO Docu Series THE DEFIANT ONES
Here is the official trailer for The Defiant Ones, the four-part documentary series that tells the stories of Dr. Dre and Jimmy Iovine, their improbable partnership and their leading roles in a series of transformative events in contemporary culture. The series debut July 9 on HBO.
Set amid many of the defining events of the past four decades, this four-part documentary event tells the stories of Dr. Dre and Jimmy Iovine, their improbable partnership and their leading roles in a series of transformative events in contemporary culture. Directed by Allen Hughes, who conducted extensive interviews with both men, the show also includes interviews with such music icons as Bono, David Geffen, Eminem, Nas, Stevie Nicks, Ice Cube, Gwen Stefani, Jon Landau, Tom Petty, Trent Reznor, Snoop Dogg, Bruce Springsteen, Diddy and will.i.am. THE DEFIANT ONES also features never-before-seen footage from a multitude of recording and writing sessions with Eazy-E, JJ Fad, Stevie Nicks, N.W.A., Tom Petty, Bruce Springsteen and U2, among others.
https://www.youtube.com/watch?v=qT5FeylUWO0
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STEP and FISH STORY Win AFI DOCS 2017 Audience Awards
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A still from STEP by Amanda Lipitz.[/caption]
The AFI DOCS 2017 Audience Award for Best Feature went to STEP, directed by Amanda Lipitz, and the Audience Award for Best Short went to Fish Story, directed by Charlie Lyne.
With 112 films from 28 countries, this year’s AFI DOCS presented films and discussions on topics ranging from the environment and sports to politics and art, along with profiles of extraordinary individuals. Among the attendees were filmmakers and notables including Trish Adlesic and Mariska Hargitay (I Am Evidence), Matthew Heineman (City Of Ghosts), Michael Pack (The Fall Of Newt Gingrich), Laura Poitras (AFI DOCS Charles Guggenheim Symposium honoree), Samuel Pollard (Acorn And The Firestorm), Morgan Spurlock (No Man’s Land, Tough Guys), as well as scientist Bill Nye (Bill Nye: Science Guy) and Owner and CEO of Monumental Sports & Entertainment Ted Leonsis.
In STEP, meet the “Lethal Ladies,” the amazing step dance team from the Baltimore Leadership School for Young Women. Amanda Lipitz’s inspiring portrait will have you cheering as the Ladies attempt to finish first in the city’s dance competition and to become the first women in their families to go to college.
FISH STORY investigates a mysterious gathering rumored to have taken place in 1980s Wales, at which an unlikely group of people with one thing in common came together.
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Watch Hulk Hogan + Gawker + Freedom of the Press in Trailer for NOBODY SPEAKS
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NOBODY SPEAK: TRIALS OF THE FREE PRESS[/caption]
Here it is, Hulk Hogan + Gawker + Freedom of the Press, all featured in the new trailer for the documentary Nobody Speak: Trials of the Free Press, premiering June 23 on Netflix.
Nobody Speak: Trials of the Free Press is directed by Brian Knappenberger and premiered at the 2017 Sundance Film Festival.
When the online tabloid Gawker posted a surreptitiously filmed sex tape of professional wrestler Hulk Hogan, it ignited a high stakes legal battle that pit privacy rights against the first amendment. The staggering verdict bankrupted Gawker and its founder Nick Denton, but also exposed a shadowy figure behind the scenes — Silicon Valley venture capitalist Peter Thiel. Nine years earlier Gawker had outed Thiel on its site and the furious billionaire had been waiting for his chance to destroy them.
The Florida trial happened against the backdrop of a contentious election. Thiel’s battle with Gawker, along with Sheldon Adelson’s secretive purchase of the Las Vegas Review-Journal and President Trump’s treatment of journalists, portend a sinister trend threatening a free press and has brought to light a potential threat to democracy. Are the very wealthy thwarting the First Amendment to silence critics? In an age of extreme inequality, how vulnerable is a free press that has lost most of its traditional sources of income? Perhaps most frightening, what could a billionaire with the executive branch at his command do to those who have angered him?
https://www.youtube.com/watch?v=PHow1B32WZw
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See Joan Rivers, Jenny McCarthy in Dr. Pamela Dee’s Menopause Documentary LOVE, SWEAT & TEARS | Trailer
Love, Sweat & Tears, a humorous and inspiring look at menopause – a long-taboo subject that will impact women and men during their lifetimes – will be released on VOD on Friday, June 23, 2017. A DVD release is set for August 22, 2017.
Filled with humor, insight, and important medical information, Love, Sweat & Tears follows Dr. Pamela Dee Gaudry, one of the country’s leading experts on the issue (and “America’s Menopause Romance Doctor”), as she helps women navigate their fears concerning menopause. She also interviews Joan Rivers (in her last screen appearance), Jenny McCarthy, Craig Shoemaker, Lynne Koplitz and Michael Bernard Beckwith, to name a few, about the issue and opens up about her own experiences with menopause.
There are 60 million women in menopause today, and every year, two million women are added to that number in the U.S. alone. Seventy-five percent of women will suffer from the side effects, many severely. And while girls are taught about and prepared for menstruation, the natural biological transition of menopause is shunned, brushed under the rug, and attached with a stigma that leaves both women and men suffering – and at a loss.
https://www.youtube.com/watch?v=7r_9L8zr0po
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Films Featuring Whitney Houston, Hulk Hogan Among Hamptons International Film Festival SummerDocs Series
[caption id="attachment_19919" align="aligncenter" width="1200"] NOBODY SPEAK: TRIALS OF THE FREE PRESS[/caption]
The Hamptons International Film Festival SummerDocs series returns for the ninth year to present new and groundbreaking documentary filmmaking and thought-provoking stories to the East End. The series will kick off with a screening of Netflix’s NOBODY SPEAK: TRIALS OF THE FREE PRESS on Saturday, July 8th at 7:00PM, followed by The Orchard & CNN Films’ TROPHY on Saturday, July 29th at 7:00PM, both at Guild Hall in East Hampton.
In August the series will also screen IFC’s TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON on Friday, August 4th at 8:30PM at Gurney’s in Montauk, Showtime’s WHITNEY. “CAN I BE ME” on Thursday, August 17th at 7:00PM at Southampton Arts Center in Southampton, and close with Netflix’s ICARUS on Saturday, August 26th at 7:00PM at Guild Hall in East Hampton.
Following the screenings HIFF Co-Chairman Alec Baldwin & HIFF Artistic Director David Nugent will lead conversations with filmmakers and subjects including Director Brian Knappenberger and special guests to be announced for NOBODY SPEAK: TRIALS OF THE FREE PRESS, Directors Christina Clusiau and Shaul Schwarz for TROPHY, Director Rory Kennedy and subject Laird Hamilton for TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON, Director Nick Broomfield for WHITNEY. “CAN I BE ME”, and Director Bryan Fogel for ICARUS.
Full Lineup of 2017 Summer Docs
NOBODY SPEAK: TRIALS OF THE FREE PRESS
Saturday, July 8th at 7:00PM at Guild Hall in East Hampton
When online tabloid Gawker posted a sex tape starring former professional wrestler Hulk Hogan, a high-stakes legal battle pitting privacy rights against the First Amendment ensued. Hogan won the case and the staggering settlement he received not only bankrupted Gawker and its founder Nick Denton, but also exposed a controversial, behind-the-scenes benefactor: Silicon Valley venture capitalist Peter Thiel.
Whether you love or hate Gawker, Brian Knappenberger’s gripping polemic reveals the forces that really brought down the news portal. Taking examples like Sheldon Adelson’s purchase of the Las Vegas Review-Journal, this compelling documentary illustrates a growing, sinister trend at odds with our country’s free press. Corporate executives, titans, and billionaires are tipping the balance on the public’s access to news, posing new threats to society’s relationship to the truth. Knappenberger’s knack for capturing timely and provocative shifts in the new digital era is instinctive. Fusing exhaustive interviews with Denton, commentators, and journalists Nobody Speak weaves a disturbing, fascinating tale of power and truth with a moral that runs to the core of democracy.
TROPHY
Saturday, July 29th at 7:00PM at Guild Hall in East Hampton
Endangered African species like elephants, rhinos and lions march closer to extinction each year. Their devastating decline is fueled in part by a global desire to consume these majestic animals. Trophy investigates the powerhouse industries of big-game hunting, breeding and wildlife conservation. Through the eyes of impassioned individuals who drive these industries –from a Texas-based trophy hunter to the world’s largest private rhino breeder in South Africa –the film grapples with the consequences of imposing economic value on animals.
What are the implications of treating animals as commodities? Do breeding, farming and hunting offer some of the few remaining options to conserve our endangered animals? Trophy will leave you debating what is right, what is wrong and what is necessary in order to save the great species of the world.
TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON
Friday, August 4th at 8:30PM at Gurney’s Montauk Resort & Spa in Montauk
TAKE EVERY WAVE: The Life of Laird Hamilton tracks the remarkable life and legendary career of big wave surfer Laird Hamilton. Much admired by the public, though often disdained or ignored by the surf industry itself, Laird is a unique sports icon—an athlete who has refused to compete professionally yet has dominated big wave surfing as no other figure in history ever has.
Laird’s biographical story is told against the backdrop of a winter surf season on Kauai, where El Niño storm systems threaten to bring the biggest surf in decades. Mixing never-before-seen archival footage with contemporary verité scenes shot in Southern California, Bermuda and Kauai, Take Every Wave weaves the past and present into an intimate and compelling portrait of a superstar athlete at the top of his game. Threaded throughout is a revealing, deeply personal interview with Laird, as well as conversations with the family members, friends, collaborators and detractors who know him best.
Take Every Wave provides an intimate, uncompromising look at a lifetime devoted to riding giant surf—and the price an athlete pays for greatness.
WHITNEY. “CAN I BE ME”
Thursday, August 17th at 7:00PM at Southampton Arts Center in Southampton
Whitney Houston was a sure thing, or as sure as the music industry had ever seen. A transcendent talent with pedigree and mentorship to match, she was going to be the greatest female vocalist ever. For a time, she was, and then she all-too-publicly fell short.
Documentarian Nick Broomfield and iconic music video director Rudi Dolezal offer a never-before-seen backstage look at the height of Houston’s stardom and trace with penetrating detail the forces that contributed to her shortened career and subsequent death in 2012, at age 48. Whether it be racism, religion, drugs, sexuality, self-doubt, gossip, rivalry, insufficient training, the demands of parents and the industry, a troubled marriage playing out in headlines, or the inevitable toll those stresses take from so muscular and passionate a singer, the directors leave nothing unturned. They create a picture of a remarkable woman who needed more help than she received and provide an unflinching, gripping, and wholly committed exploration of talent given and taken away, in an era obsessed with how that talent lives when the stage lights go down.
ICARUS
Saturday, August 26th at 7:00PM at Guild Hall in East Hampton
The ruthless worlds of international sports and politics rarely collide as spectacularly on screen as they do in Bryan Fogel’s thriller, which is sure to set off convulsions of controversy.
While investigating the furtive world of illegal doping in sports, Fogel connects with renegade Russian Scientist Dr. Grigory Rodchenkov—a pillar of his country’s “antidoping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer, despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program. When the truth is more complex than imagined, and accusations of illegalities run to Russia’s highest chains of command, the two realize they hold the power to reveal the biggest international sports scandal in living memory.
Exemplifying the special bond between filmmaker and subject, this is a vital portrait of the sacrifice some people will make to stand up for truth. Icarus places you at the heart of an international game of cat and mouse, where a miscalculation can cost you your life.