A still from experimental filmmaker Jerome Hiler’s BAGATELLE II, who’s work will be played alongside Will Oldham, aka Bonnie ‘Prince’ Billy’s original musical compositions during the Headlands and San Francisco Film Society special program PARALLEL SPACES: WILL OLDHAM AND JEROME HILER.[/caption]
“Parallel Spaces: Will Oldham and Jerome Hiler” and “18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines” have been added to the popular Live & Onstage section of the 60th San Francisco International Film Festival.
Composer Will Oldham, aka Bonnie ‘Prince’ Billy (Headlands Artist in Residence, 2008), and Chicago-based Bitchin Bajas (Drag City) present Parallel Spaces: Will Oldham and Jerome Hiler, a special program of improvised music to be performed live alongside the projection of experimental films created by Bay Area artist Jerome Hiler. Joining Oldham and the Bajas is Bay Area-based Cornelius Boots, known as both a virtuosic clarinetist, and a burgeoning master of the shakuhachi flute of Zen Buddhism. Screenings of Hiler’s 16mm films, recognized for their mastery of visual composition, is an all too rare thing, and Hiler and Oldham have selected three that will be shown: Words of Mercury (2011), Marginalia (2015), and Bagatelle II (2016). Each film displays a different approach to the poetics of moving imagery and the deceptively simple, yet powerful, practice of viewing light passing through celluloid. This program will take place Monday April 10, 8:00 pm, at the historic Castro Theatre.
Artist and filmmaker Terence Nance (Headlands Artist in Residence, 2014; An Oversimplification of Her Beauty, Festival 2012) presents his compelling, interactive dual live programs, 18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines. Accompanied by his brother, multidisciplinary artist Norvis Junior, and by local musicians and dancers, Nance investigates the predispositions of our culture and media by taking audiences through a tour of the ways in which various narratives of black youth, beginning with age one and progressing through year 18, are presented via simple internet search functions. Using Google’s autocomplete algorithms and responding to audience feedback, Nance’s project presents a virtual self-portrait of our society that reflects our biases and norms back to us. Featuring live music, personal digressions, improvisation, and chance, Nance’s unique, and at turns heartwarming, heartbreaking, and insightful presentations will unfold at the Victoria Theatre over two consecutive days. The “girls” program will be featured on Sunday, April 16 at 5:00 pm, and the “boys” program on Monday, April 17 at 6:00 pm.
“We’re delighted to be partnering with Headlands Center for the Arts to bring these dynamic performers to the Festival,” said Rachel Rosen, San Francisco Film Society’s director of programming.”Artists in creative dialogue with moving images make the Live & Onstage section one of our most thrilling offerings at the Festival, and it’s especially gratifying to be able to collaborate with an organization that supports such creative exploration.”
“We’re excited to join San Francisco Film Society in sharing new work from Headlands’ Artist in Residence alumni Terence Nance and Will Oldham with Festival audiences,” says Sean Uyehara, Headlands Center for the Arts Director of Programs. “Supporting artists with opportunities for this kind of thoughtful, cross-disciplinary collaboration is what we’re all about.”-
2 Live & Onstage Programs Featuring Performances by Will Oldham and Terence Nance Added to San Francisco International Film Festival
[caption id="attachment_21052" align="aligncenter" width="1200"]
A still from experimental filmmaker Jerome Hiler’s BAGATELLE II, who’s work will be played alongside Will Oldham, aka Bonnie ‘Prince’ Billy’s original musical compositions during the Headlands and San Francisco Film Society special program PARALLEL SPACES: WILL OLDHAM AND JEROME HILER.[/caption]
“Parallel Spaces: Will Oldham and Jerome Hiler” and “18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines” have been added to the popular Live & Onstage section of the 60th San Francisco International Film Festival.
Composer Will Oldham, aka Bonnie ‘Prince’ Billy (Headlands Artist in Residence, 2008), and Chicago-based Bitchin Bajas (Drag City) present Parallel Spaces: Will Oldham and Jerome Hiler, a special program of improvised music to be performed live alongside the projection of experimental films created by Bay Area artist Jerome Hiler. Joining Oldham and the Bajas is Bay Area-based Cornelius Boots, known as both a virtuosic clarinetist, and a burgeoning master of the shakuhachi flute of Zen Buddhism. Screenings of Hiler’s 16mm films, recognized for their mastery of visual composition, is an all too rare thing, and Hiler and Oldham have selected three that will be shown: Words of Mercury (2011), Marginalia (2015), and Bagatelle II (2016). Each film displays a different approach to the poetics of moving imagery and the deceptively simple, yet powerful, practice of viewing light passing through celluloid. This program will take place Monday April 10, 8:00 pm, at the historic Castro Theatre.
Artist and filmmaker Terence Nance (Headlands Artist in Residence, 2014; An Oversimplification of Her Beauty, Festival 2012) presents his compelling, interactive dual live programs, 18 Black Girls / Boys Ages 1-18 Who Have Arrived at the Singularity and Are Thus Spiritual Machines. Accompanied by his brother, multidisciplinary artist Norvis Junior, and by local musicians and dancers, Nance investigates the predispositions of our culture and media by taking audiences through a tour of the ways in which various narratives of black youth, beginning with age one and progressing through year 18, are presented via simple internet search functions. Using Google’s autocomplete algorithms and responding to audience feedback, Nance’s project presents a virtual self-portrait of our society that reflects our biases and norms back to us. Featuring live music, personal digressions, improvisation, and chance, Nance’s unique, and at turns heartwarming, heartbreaking, and insightful presentations will unfold at the Victoria Theatre over two consecutive days. The “girls” program will be featured on Sunday, April 16 at 5:00 pm, and the “boys” program on Monday, April 17 at 6:00 pm.
“We’re delighted to be partnering with Headlands Center for the Arts to bring these dynamic performers to the Festival,” said Rachel Rosen, San Francisco Film Society’s director of programming.”Artists in creative dialogue with moving images make the Live & Onstage section one of our most thrilling offerings at the Festival, and it’s especially gratifying to be able to collaborate with an organization that supports such creative exploration.”
“We’re excited to join San Francisco Film Society in sharing new work from Headlands’ Artist in Residence alumni Terence Nance and Will Oldham with Festival audiences,” says Sean Uyehara, Headlands Center for the Arts Director of Programs. “Supporting artists with opportunities for this kind of thoughtful, cross-disciplinary collaboration is what we’re all about.”
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2017 Toronto International Film Festival Will Eliminate Vanguard and City to City + Reduce Numbers of Films on Lineup
The Toronto International Film Festival organizers today revealed its plan to retire the Vanguard and City to City sections and reduce the overall number of films in the 2017 lineup by 20 percent. The festival also announced their 2017 lineup of programs and programmers – unveiling 14 diverse programs and a programming team of 22, including two new additions.
“As we build on the success of the Festival’s past four decades, we’re challenged to balance providing a generous choice of movies for over 400,000 festival-goers with maintaining strong curatorial focus,” said Cameron Bailey, Artistic Director of TIFF. “For 2017 we’re offering a refreshed, more tightly curated edition. In addition to trimming the lineup, we’re excited to introduce two new Festival programmers to the TIFF team.”
2017 Toronto International Film Festival Programs
Contemporary World Cinema Compelling stories, global perspectives. Discovery Directors to watch. The future of world cinema. Gala Presentations Movie stars. Red-carpet premieres. Major audience interest. In Conversation With… Engaging onstage conversations with leaders in the film industry and beyond. Masters The latest from the world’s most influential art-house filmmakers. Midnight Madness The wild side: midnight screenings of the best in action, horror, shock and fantasy cinema. Platform Directors’ cinema now. Launched in 2015, this juried programme shines a light on up to 12 selections that demonstrate directorial vision from international filmmakers. Primetime Serial storytelling: television in its artistic renaissance. Short Cuts The world. In short form. Special Presentations High-profile premieres and the world’s leading filmmakers. TIFF Cinematheque Curated gems from the history of Canadian and international cinema. TIFF Docs Candid and unscripted: the best non-fiction cinema from around the world. TIFF Kids and TIFF Next Wave For the next generation of movie lovers. Wavelengths Daring, visionary and autonomous voices. Works that expand our notions of the moving image.2017 Toronto International Film Festival Programmers
Piers Handling Western Europe, Italy, Poland; Gala Presentations, Platform Cameron Bailey South Asia, Gala Presentations, Special Presentations, Platform Michèle Maheux Ireland, the Netherlands; Gala Presentations Kerri Craddock Western Europe, USA, Turkey, Gala Presentations, Special Presentations Brad Deane TIFF Cinematheque Dimitri Eipides Central and Eastern Europe, Central and Western Asia Giovanna Fulvi East and Southeast Asia Steve Gravestock Canada, the Philippines, Nordic Region Peter Kuplowsky* Midnight Madness Michael Lerman Primetime Elizabeth Muskala TIFF Kids Andrea Picard Wavelengths Thom Powers TIFF Docs Kiva Reardon* Africa and the Middle East Diana Sanchez Spain, Portugal, Latin America, Caribbean Theresa Scandiffio In Conversation With… Jane Schoettle Australia, New Zealand, Israel, USA Magali Simard Canada Jesse Wente TIFF Cinematheque Jason Anderson Short Cuts Danis Goulet Short Cuts Karina Rotenstein Industry programming *new to the programming team.
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Toronto’s 14th Human Rights Watch Film Festival Unveils Lineup, Opening with A SYRIAN LOVE STORY
[caption id="attachment_21041" align="aligncenter" width="1200"]
A Syrian Love Story[/caption]
Toronto’s 14th annual Human Rights Watch Film Festival, presented by TIFF and Human Rights Watch, will feature an eight-film lineup that galvanizes an impassioned call for social change through extraordinary stories of struggle, survival and hope. Showcasing brave cinematic works at the forefront of the human rights movement, the festival presents documentary feature films from Afghanistan, Canada, China, Egypt, France, the United States, Hong Kong, Lebanon, Syria, Mexico, Netherlands, Norway, Sweden, and the United Kingdom.
Running from March 29 to April 6 at TIFF Bell Lightbox, the festival kicks off with an opening night fundraising reception followed by a screening of A Syrian Love Story — a documentary that dives into the refugee experience through the telling of a love story between a Palestinian freedom fighter and a Syrian revolutionary who met as political prisoners — and closes with Nick de Pencier’s Black Code, which follows cyber stewards who travel the world to expose unprecedented levels of global digital espionage. Additional highlights include the Toronto premiere of Tickling Giants, which follows a popular television show host who has been dubbed “The Egyptian Jon Stewart,” and Alanis Obomsawin’s We Can’t Make the Same Mistake Twice, an epic documentary chronicle of a legal battle waged against the injustices inflicted on Indigenous children in Canada.
Complete film lineup
Opening Night Film.
A Syrian Love Story
dir. Sean McAllister | UK/France/Lebanon/Syria 2015 | 76 min. | 14A
International Documentary Film Festival Amsterdam 2015
Comrades and lovers Amer and Raghda met in a Syrian prison cell 15 years ago. When director Sean McAllister first meets their family in 2009, Raghda is back in prison, leaving Amer to look after their four boys alone; but as the Arab Spring sweeps the region, the family’s fate shifts irrevocably. Filmed over five years, the film charts their incredible odyssey to political freedom. For Raghda and Amer, it is a journey of hope, dreams and despair: for the revolution, their homeland and each other.
Wednesday, March 29 at 8 p.m.
Complicit
dirs. Heather White and Lynn Zhang
China/Hong Kong/USA/Netherlands 2017 | 88 min. | PG | North American Premiere
A courageous factory worker struggling with leukemia helps a group of young Chinese workers who have also been poisoned while making our favourite cell phones and electronic gadgets. Filmed over four years, this lushly photographed film takes the audience on an 8,000-mile journey to the world’s electronics factory floors and the neighbourhoods and hospitals surrounding the world’s largest electronics supplier, Foxconn. Complicit reveals the human costs of global outsourcing while highlighting the choices made by a group of inspired activists seeking change. Thursday, March 30 at 6:30 p.m.
Nowhere to Hide
dir. Zaradasht Ahmed | Norway/Sweden 2016 | 86 min. | 14A | Canadian Premiere
International Documentary Film Festival Amsterdam 2016
Nowhere to Hide follows male nurse Nori Sharif through five years of dramatic change, providing unique access into one of the world’s most dangerous and inaccessible areas: the “triangle of death” in central Iraq. Initially filming stories of survivors as American and Coalition troops retreat from Iraq in 2011, conflicts continue with Iraqi militias, and the population flees accompanied by most of the hospital staff; Nori is one of the few who remains. When ISIS advances on Jalawla in 2014 and takes over the city, he too must flee with his family at a moment’s notice, and turns the camera on himself.
PRECEDED BY:
Fantassút / Rain on the Borders
dir. Federica Foglia | Canada 2016 | 16 min. | 14A
Over 11,000 refugees from Syria, Iran, Iraq, Pakistan, Afghanistan and other countries lived for months in dismal conditions hoping for the borders to open, and to continue their journey through the Balkan route. Friday, March 31 at 6:30 p.m.
Tickling Giants
dir. Sara Tacksler | Egypt 2016 | 111 min. | 14A | Toronto Premiere
In the midst of the Egyptian Arab Spring, Bassem Youssef makes a decision that’s every mother’s worst nightmare: he leaves his job as a heart surgeon to become a full-time comedian. Dubbed “The Egyptian Jon Stewart,” Bassem creates the most-viewed television program in the Middle East: he has 30 million viewers per episode, compared to The Daily Show with Jon Stewart’s 2 million. In a country where free speech is not settled law, Bassem comes up with creative ways to non-violently challenge abuses of power. He endures physical threats, protests and legal action, all because of jokes. No unicorns or falafel were harmed in the making of this film. Saturday, April 1 at 6:30 p.m.
Introduction and Q&A by filmmaker Sara Tacksler.
We Can’t Make the Same Mistake Twice
dir. Alanis Obomsawin | Canada 2016 | 163 min. | PG
Toronto International Film Festival 2016
In 2007, the Child and Family Caring Society of Canada and the Assembly of First Nations filed a landmark discrimination complaint against Indian Affairs and Northern Development Canada. They argued that child and family welfare services provided to First Nations children on reserves and in Yukon were underfunded and inferior to services offered to other Canadian children. Veteran director Alanis Obomsawin’s We Can’t Make the Same Mistake Twice documents this epic court challenge, giving voice to the tenacious childcare workers at its epicenter. Sunday, April 2 at 2 p.m.
Introduction and Q&A by filmmaker Alanis Obomsawin.
Girl Unbound: The War to be Her
dir. Erin Heidenreich | Afghanistan 2016 | 80 min. | PG
Toronto International Film Festival 2016
In Waziristan, “one of the most dangerous places on earth,” Maria Toorpakai defies the Taliban by disguising herself as a boy so she can play sports freely. But when she becomes a rising star, her true identity is revealed, bringing death threats on her and her family. Undeterred, they continue to fight for their freedom. Tuesday, April 4 at 6:30 p.m.
No Dress Code Required
dir. Cristina Herrera Borquez | Mexico 2016 | 92 min. | PG | Canadian Premiere
International Documentary Film Festival Amsterdam 2016
Victor and Fernando are stylists in Mexicali, Mexico who are the go-to professionals for the city’s socialites. To their customers, they were a lovely couple — until they decided to legally marry. Losing the support of customers and friends and confronting a backlash of criticism, through their fight they woke up members of Mexicali’s society to fight homophobia and inequality. Wednesday, April 5 at 6 p.m.
Introduction by Kyle Knight, Researcher, Lesbian, Gay, Bisexual, and Transgender Rights Program, Human Rights Watch.
Closing Night Film.
Black Code
dir. Nick de Pencier | Canada 2015 | 90 min.
Toronto International Film Festival 2016
Based on the book by Prof. Ron Deibert, Black Code is the story of how the internet is being controlled and manipulated by governments in order to censor and monitor their citizens. As they battle for control of cyberspace, ideas of citizenship, privacy and democracy are challenged to the core. Thursday, April 6 at 6:30 p.m.
Introduction and Q&A by filmmaker Nicholas De Pencier, with guest speaker Prof. Ron Deibert.
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LION to be Honored by International Centre for Missing & Exploited Children
[caption id="attachment_15650" align="aligncenter" width="1200"]
LION[/caption]
The 2017 Academy Award-nominated film LION will be honored at the 2017 Gala for Child Protection: Because All Children Deserve a Safe Childhood on Thursday, May 4 at 6 p.m. at Gotham Hall in New York City. The gala hosted by the International Centre for Missing & Exploited Children (ICMEC), will honor the film in recognition of its critical role in raising the global community’s awareness of the issue of missing children. Movie producer Harvey Weinstein, the co-founder of The Weinstein Company which released LION, will accept the 2017 Champion for Children award in honor of the film.
LION, starring Oscar-winning actress Nicole Kidman and Oscar-nominated actor Dev Patel, is based on the true story of Saroo Brierley. At the age of five, Brierley was separated from his brother in a train station and ultimately was forced to survive on the streets of Calcutta before being adopted by an Australian family. Later, as a grown man, played by Patel, he used Google Earth to reunite with his biological family in India. LION is considered a leading contender for the 2017 Best Picture Oscar, and actors Patel and Kidman have both received Best Supporting Actor Oscar nominations this year. In addition, Australian screenwriter Luke Davies was nominated for Best Adapted Screenplay.
In citing the work, Ambassador Maura Harty, ICMEC President and CEO, said: “The compelling film not only tells Saroo Brierley’s story, but it also captures the tragic pain and loss suffered by missing children and their families anywhere in the world. We are grateful that Harvey Weinstein and LION unsparingly, but eloquently, helps raise awareness of this critical issue.”
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Natasha Kermani’s IMITATION GIRL, Starring Lauren Ashley Carter to World Premiere at Cinequest Film Festival | VIDEO
[caption id="attachment_21019" align="aligncenter" width="1200"]
IMITATION GIRL[/caption]
Iranian-American filmmaker Natasha Kermani’s film IMITATION GIRL, featuring indie horror actress Lauren Ashley Carter (DARLING, POD), will celebrate its world premiere at the Cinequest Film & VR Festival 2017.
A mysterious being appears in the Southwestern desert and assumes the identity of the first person she sees – a woman on a magazine cover. Taken in by Iranian immigrants, she forms an understanding of her new surroundings, and comes to appreciate the beauty and the sadness of her new world. At the same time, Julianna, Imitation’s world-weary earthly double, knows both glitz and grit working as an entertainer in New York City, where her fraying life and relationships threaten her dreams for an audition that might finally set her on a happier path. On learning of Juliana’s existence, Imitation heads to New York, where only by sacrificing themselves to each other can the cosmic twins complete a full portrait of a woman.
IMITATION GIRL is Brooklyn-based Kermani’s first feature film and is a co-production between Illium Pictures and Cup of Joe Film. The film will World Premiere Saturday, March 4th at 7:30 PM at Cinequest in San Jose, California. The film will have repeat screenings Sun, March 5 at 4:05 PM, Tue, March 7 at 1:00 PM, Sat, March 11 at 6:30 PM and Sun, March 12 10:30 AM. [gallery type="rectangular" size="medium" ids="21017,21018,21019,21020"]
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Film Independent Renew Agreement for IFC to Air Film Independent Spirit Awards through 2020
Film Independent and IFC have renewed their exclusive agreement for IFC to telecast the annual Film Independent Spirit Awards in the U.S. through 2020. This year’s event airs live on IFC on Saturday, February 25 at 2 pm PT/5 pm ET. The show will be co-hosted by Nick Kroll (Loving, Sing, The League, Kroll Show) and John Mulaney (Oh, Hello On Broadway, Documentary Now!, Saturday Night Live). IFC began airing the Spirit Awards in 1994.
“IFC is the perfect home for the Film Independent Spirit Awards. They’re smart, irreverent, funny, and just crazy enough to do a live broadcast from a tent on a beach in February,” said Film Independent President Josh Welsh. “We’re thrilled to be renewing with them and look forward to making mischief together for three more years.”
“The Film Independent Spirit Awards provide an important platform for emerging independent voices, celebrating the industry’s best and brightest.” said Jennifer Caserta, president of IFC. “It’s a true privilege for IFC to remain the broadcast home for the Film Independent Spirit Awards and we are pleased to continue our longstanding and successful relationship.”
2017 marks the 32nd year of the awards that celebrate the best in independent film, which have aired on IFC for more than two decades. Joel Gallen of Tenth Planet Productions returns for his third year as executive producer, producer Shawn Davis returns for his 15th show. Danielle Federico and Andrew Schaff will be co-producing the awards.
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LIFE Starring Jake Gyllenhaal, Ryan Reynolds to Close 2017 SXSW Film Festival
[caption id="attachment_21010" align="aligncenter" width="1200"]
Life directed by Daniel Espinosa[/caption]
The World Premiere of Life directed by Daniel Espinosa has been selected as the Closing Night Film of the South by Southwest (SXSW) Conference and Festivals. Life is a terrifying sci-fi thriller about a team of scientists aboard the International Space Station whose mission of discovery turns to one of primal fear when they find a rapidly evolving life form that caused extinction on Mars, and now threatens the crew and all life on Earth. The SXSW will take place March 10 to 19, 2017, with the closing night film screening on Saturday March 18, 2017 at the Zach Theatre.
“We are thrilled to close out the 2017 SXSW Film Festival with such a special film as Life,” said Janet Pierson, Director of Film. “Our audiences will love this taut space thriller’s twists and turns as well as its amazing cast.”
“I’m so honored that Life has been chosen as the closing film at South by Southwest,” added Daniel Espinosa. “The people that flock to Austin each year are some of the most engaged and passionate fans of film out there and are the perfect audience to introduce our visceral sci-fi thriller. I hope that, with Life, we find new ways to entertain them, terrify them, and thrill them.”
Life features an ensemble cast of Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya. The film is directed by Daniel Espinosa, written by Rhett Reese & Paul Wernick and produced by David Ellison, Dana Goldberg, Bonnie Curtis, and Julie Lynn. Columbia Pictures and Skydance will release the film on March 24, 2017.
SXSW also announced several titles titles set to screen at the 2017 event, including world premieres Atomic Blonde directed by David Leitch and featuring an ensemble cast including Charlize Theron, James McAvoy and John Goodman, and Parker Smith’s Ramblin’ Freak. Another addition includes a celebratory 10th Anniversary screening of Gary Hustwit’s Helvetica, plus VR projects Miyubi and The People’s House by Félix Lajeunesse and Paul Raphaël.
Late titles added to the 2017 SXSW Film Festival:
HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema. Atomic Blonde Director: David Leitch, Screenwriter: Kurt Johnstad, Based on the Oni Press graphic novel series by Antony Johnston Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. Cast List: Charlize Theron, James McAvoy, John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones (World Premiere) Life (UK) Director: Daniel Espinosa, Screenwriters: Rhett Reese, Paul Wernick Life is a terrifying sci-fi thriller about a team of scientists aboard the International Space Station whose mission of discovery turns to one of primal fear when they find a rapidly evolving life form that caused extinction on Mars, and now threatens the crew and all life on Earth. Cast List: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya (World Premiere)VISIONS
Visions filmmakers are audacious, risk-taking artists in the new cinema landscape who demonstrate raw innovation and creativity in documentary and narrative filmmaking. Ramblin’ Freak Director: Parker Smith In the wake of a devastating personal tragedy, a struggling would-be filmmaker finds a revealing home video in an old camcorder purchased on eBay and takes off with his cat on a cross-country road trip to find its owner: “The Man Whose Arms Exploded” Cast: Parker Smith, Gregg Valentino (World Premiere)VIRTUAL REALITY
Virtual reality and augmented reality technologies are finding new ways to enhance our ability to perceive the world that surrounds us, and in many instances they are redefining how we experience the world. The 38 projects presented in our new Virtual Cinema emphasize storytelling, ingenuity and also showcase how other industries are embracing this new medium. Miyubi Directors: Félix Lajeunesse, Paul Raphaël Love in the age of obsolescence. The People’s House Directors: Félix Lajeunesse, Paul Raphaël An intimate tour of the White House that gives the viewer extraordinary access to explore the iconic institution’s profound history – from the past eight years of the Obama administration to defining events of the last two centuries.SPECIAL EVENTS
Live soundtracks, cult re-issues and much more. Our Special Events section offers unusual, unexpected and unique one-off film events. Helvetica: 10th Anniversary Screening Director: Gary Hustwit The pioneering design documentary Helvetica premiered at SXSW in 2007, and kickstarted a wave of dozens of design films that have been released since. Join director Gary Hustwit for this special 10th Anniversary screening of Helvetica.
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Ghanian Film and Film Independent Spirit Award Nominee NAKOM Sets March 3rd Release Date | Trailer
[caption id="attachment_20737" align="aligncenter" width="1200"]
Nakom[/caption]
Nakom, directed by the female team of TW Pittman and Daniela Norris, and nominated for the John Cassavetes Film Independent Spirit Award for the best new film made for under $500,000, will be released by Corinth Films. The film, starring Jacob Ayanaba, Justina Kulidu, Shetu Mussah, Grace Ayariga, Aziz Abdul, Esther Issaka, Mamudu Asigiri, and Thomas Kulidu, will open Friday March 3rd at New York’s Cinema Village in Manhattan.
Set in present day Ghana, Nakom follows Iddrisu, a talented medical student who is summoned home by his sister after their father’s sudden death. Iddrisu reluctantly returns home to the village of Nakom, buries his father and temporarily assumes the head of the impoverished household and farm, inheriting not only the delicate task of planting a successful crop but also a debt left by the deceased patriarch that could destroy the family. Attempting to maintain part of his studies from the confines of a small hut, Iddrisu becomes increasingly frustrated with the incessant physical and emotional needs of those around him, the demanding toil of the land and lack of rain. A contentious relationship with his uncle Napolean, to whom the sizeable debt is owed, is further complicated by the unplanned pregnancy of Napolean’s granddaughter who was sent to live with Iddrisu’s family. As the new patriarch grapples with tradition and familial duty, he is met with varying shades of contempt by both family and villagers who compare him with his father expecting a resemblance. Iddrisu’s patience and wisdom are tempered by the strange paradox created by his faith in God and desire for control, the latter of which he cannot have so long as he stays in Nakom. As circumstances swell, Iddrisu suddenly begins to realize that no future for him exists in the place where he is needed the most, even despite an offer by the village Chieftain to remain in Nakom to become an elder and marry his daughter. [gallery size="medium" type="rectangular" ids="20737,20738,20746,20745,20744,20743,20742,20741,20740,20739"]
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KRISHA Wins Big at 1st American Independent Film Awards
[caption id="attachment_20733" align="aligncenter" width="1200"]
Krisha[/caption]
Krisha by director Trey Edward Shults is the big winner of the 1st American Independent Film Awards (AIFAs), winning the awards for Best Film, Best Director, Best Original Screenplay (Shults), Best Lead Performance (Krisha Fairchild) and Best Score (Brian McOmber). Krisha premiered at the SXSW Film Festival in 2015, and was distributed by A24 Films in March of 2016.
The award for the NoBudge Film went to Benjamin Crotty’s Fort Buchanan, while the Michael Cimino Best Film award (1 to 3 Million dollar budget) went to Anna Biller’s The Love Witch.
The American Independent Film Awards is dedicated to promoting and supporting independent films, filmmakers and film technicians. The voting body consists of U.S. based and international film festival programmers and North American based film critics.
1st American Independent Film Awards winners
BEST FILM (10 Noms) #10. White Girl – Director: Elizabeth Wood #9. Always Shine – Director: Sophia Takal #8. The Other Side – Director: Roberto Minervini #7. Henry Gamble’s Birthday Party – Director: Stephen Cone #6. The Eyes of My Mother – Director: Nicolas Pesce #5. Little Sister – Director: Zach Clark #4. The Invitation – Director: Karyn Kusama #3. Kate Plays Christine – Director: Robert Greene #2. The Fits – Director: Anna Rose Holmer #1. Krisha – Director: Trey Edward Shults BEST DIRECTOR Trey Edward Shults, Krisha BEST ORIGINAL SCREENPLAY Trey Edward Shults, Krisha BEST IMPROVISATIONAL SCREENPLAY Kate Plays Christine BEST LEAD PERFORMANCE Krisha Fairchild, Krisha BEST SUPPORTING PERFORMANCE Molly Shannon, Other People BEST CINEMATOGRAPHER Paul Yee, The Fits BEST EDITOR Robert Greene, Kate Plays Christine BEST COSTUME DESIGN Christina Blackaller, The Greasy Strangler BEST PRODUCTION DESIGN Sam Hensen, The Eyes of My Mother BEST HAIR & MAKE-UP Michelle Sfarzo, The Greasy Strangler BEST SCORE Brian McOmber, Krisha The NOBUDGE FILM AWARD Fort Buchanan, Benjamin Crotty THE MICHAEL CIMINO BEST FILM AWARD (Films with a budget between 1M to 3M) Winner: The Love Witch – Director: Anna Biller Runner up: Certain Women – Director: Kelly Reichardt
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SOME FREAKS, FIRST LADY OF THE REVOLUTION Among 2017 Oxford Film Festival Winners
[caption id="attachment_16212" align="aligncenter" width="1200"]
SOME FREAKS[/caption]
The 2017 Oxford Film Festival celebrated the best of the fest, handing out Hoka awards for Ian MacAllister-McDonald’s SOME FREAKS for Best Narrative Feature, Andrea Kalin’s FIRST LADY OF THE REVOLUTION for Best Documentary Feature, Julie Sokolow’s WOMAN ON FIRE for Best LGBTQ Feature, and the presentation of the Lisa Blount Memorial Acting Award to Victoria Negri for her performance in GOLD STAR.
There was a rare tie for the Audience Award honors with Raoul Peck’s I AM NOT YOUR NEGRO and Sally Sussman’s MIDNIGHT RETURN: THE STORY OF BILLY HAYES AND TURKEY sharing the award.
Oxford Film Festival Executive Director Melanie Addington said, “For the past two years, the Oxford Film Festival has enjoyed larger audiences to go along with the increased number of films we have accepted and presented. There is a lot of satisfaction to see that, as this film festival continues to grow and adapt with our increased base of enthusiastic film fans and the local film community, that the ambition and quality of the films we present somehow continues to trend upward as well.”
2017 OXFORD FF AWARD-WINNING FILMS
SOME FREAKS – BEST NARRATIVE FEATURE Director: Ian MacAllister-McDonald Country: United States, Running Time: 95min When one-eyed high school senior Matt meets 250 lb. Jill, he falls more in love than he ever thought possible. However, when graduation comes and Jill moves cross-country to go to college, she then loses over 50 lbs. – much to Matt’s surprise when he arrives to visit her. While Matt struggles to accept Jill’s new body, Jill begins to question whether Matt is really the man she wants to date. As the distance widens between them, the characters are propelled onto a collision course with brutality and loss, forcing them to confront who they are, who they were, and who everyone thinks they’re supposed to be. FIRST LADY OF THE REVOLUTION – BEST DOCUMENTARY FEATURE Director: Andrea Kalin Countries: Costa Rica, United States, Running Time: 67min While visiting an aunt and uncle in the exotic countryside of Costa Rica, a young Southern belle from Alabama accepts a ride on the back of a motorcycle belonging to a charismatic local farmer—a ride that would propel her down narrow mountain roads and into history. DON’T COME AROUND HERE – BEST MISSISSIPPI FEATURE Director: Navid Sanati Country: United States, Running Time: 95min When he learns that his father may not have much longer to live, Chuck goes back to the home he ran away from. There he must come to terms with his troubled brother Lenny, his own fears, and a secret he has been hiding for years. SHAKE ‘EM ON DOWN – BEST MUSIC DOCUMENTARY Director: Joe York Country: United States, Running Time: 57min SHAKE ‘EM ON DOWN tells the story of Mississippi Fred McDowell, the godfather of the North Mississippi style of blues. WOMAN ON FIRE – BEST LGBTQ FILM Director: Julie Sokolow Country: United States, Running Time: 95min As a third-generation firefighter, Brooke Guinan has a passion for heroism that runs in her blood. But when Brooke transitions from male to female in her father’s workplace, it poses not only a challenge to a macho profession, but also to the customs of the people she cares about the most – her traditional family. GOODBYE NEENAW – BEST NARRATIVE SHORT Director: Donald Ian Black Country: United States, Running Time: 5:59min David and Jennifer are a brother and sister dealing with the recent and sudden loss of their grandmother who raised them from a young age in the absence of their parents. They are traveling deep into the California mountains to scatter Neenaw’s ashes when a mishap occurs. ON SUNDAY – SPECIAL JURY PRIZE – NARRATIVE SHORT Director: David Lea Country: United Kingdom, Running Time: 6:30min An old man and his dog make their routine walk to the isolated cliff tops of deepest Cornwall…but this time they’re not alone. REFUGE – BEST DOCUMENTARY SHORT Director: Matthew Firpo Country: Greece, Running Time: 20min REFUGE is a chronicle of human stories from the European Refugee Crisis, focused on humanity and hope. THROUGH THE WALL – SPECIAL JURY PRIZE – DOCUMENTARY SHORT Director: Tim Nackashi Country: United States, Running Time: 6:20min A short documentary about a family divided by the US/Mexico border. OTHA TURNER – BEST MISSISSIPPI SHORT FILM Director: Ava Lowrey Country: United States, Running Time: 6:02min In the late 1950’s, fife and drum legend Otha Turner began hosting annual Labor Day picnics at his property in Gravel Springs, Mississippi. This short documentary film digs into the archives to take us back in time to Labor Day 1978. PRISMA – SPECIAL JURY PRIZE – MISSISSIPPI SHORT FILM Director: Coop Cooper Country: United States, Running Time: 9:13min A corporate promotional VHS tape from 1984 conceals a hidden signal which is said to grant increased health, longevity and psychic powers to those who watch it. View at your own risk. BROKEN PATHS – BEST MISSISSIPPI MUSIC VIDEO Director: J.B Lawrence Country: United States, Running Time: 4:44min Debut music video filmed in Brandon, Miss. Created by Stace and Cassie and J. B. Lawrence. LESS HELL, MORE ANGEL – REEL SOUTH AWARD Director: Christian D’Andrea Country: United States, Running Time: 11:20min In Mississippi, I came across black and white biker clubs doing something surprising… hugging. And blessing each other. I, PHILLIP – BEST VIRTUAL REALITY (VR) Director: Pierre Zandrowicz Country: France, Running Time: 14min In early 2005, David Hanson is developing his first android human. His name is Phil and it is simply the copy of the famous science fiction author Philip K. Dick. THE TRADER – BEST EXPERIMENTAL FILM Directors: Manuel Alvarez Diestro, Sergio Belinchon Country: Spain, Running Time: 12:06min A successful stock trader decides to start a journey far from the trading floor. PACO – BEST NEW MEDIA Director: Catalina Jordan Alvarez Country: United States, Running Time: 12:10min He wants you to bounce on his lap. GUNNER JACKSON – SPECIAL JURY AWARD FOR ACTING – NEW MEDIA Christian Strevy Director: Christian Strevy Country: United States, Running Time: 8:52min My name is Jason Gunner Jackson, and I know without a doubt that I am a target of a multi-agency program that intends to surveil, track, and document my life. THE FOX AND THE WHALE – BEST ANIMATION Director: Robin Joseph Country: Canada, Running Time: 12:03min The tale of a curious fox who goes in search of an elusive whale. A journey of pursuit, longing and discovery. A LITTLE LOVE GOES A LONG CLAY – SPECIAL JURY AWARD FOR CONCEPT – ANIMATION Director: Juliet Buckholdt Country: United States (Mississippi), Running Time: 3:20min This video was made as a school project about stopping social media bullying. Victoria Negri (GOLD STAR) – Lisa Blount Memorial Acting Award Erin Heidenreich (GIRL UNBOUND) – Alice Guy-Blaché Female Filmmaker award Juliet Buckholdt (A LITTLE LOVE GOES A LONG CLAY) – Pat Rasberry Emerging Mississippi Filmmaker Award BREAKFAST – BEST EDITING Director: Tyler Byrnes Country: United States, Running Time: 9:44min When a young man suffering from anorexia is pressured to eat breakfast by his boyfriend, the couple are thrust into another world where their anxieties and frustrations are made horrifyingly real. I AM NOT YOUR NEGRO – AUDIENCE AWARD WINNER (TIE) Director: Raoul Peck Countries: United States, France, Running Time: 95min Writer James Baldwin tells the story of race in modern America with his unfinished novel, Remember This House. MIDNIGHT RETURN: THE STORY OF BILLY HAYES AND TURKEY – AUDIENCE AWARD WINNER (TIE) Director: Sally Sussman Country: United States, Running Time: 99min Documentary explores the emotional and political power of film, as seen through the lens of the blockbuster hit MIDNIGHT EXPRESS, a movie that turned the real Billy Hayes into an international celebrity and made him the enemy of Turkey. Join Hayes on a daring journey back to Turkey as he faces the country still haunted by MIDNIGHT EXPRESS.
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Watch First Official Trailer for Irish Coming of Age Comedy HANDSOME DEVIL
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HANDSOME DEVIL[/caption]
Here is the first official trailer for Handsome Devil, an Irish funny, music-drenched coming-of-age story set in an elite Dublin rugby school from writer-director John Butler. Handsome Devil which premiered at Toronto International Film Festival stars Andrew Scott (Sherlock, Spectre) alongside rising stars Fionn O’Shea and Nicholas Galitzine.
Heading up a cast of bright new talent is Fionn O’Shea as gawky, sixteen year-old Ned, a bright, artistic lad who faces his own hell on earth when he is sent to an all-boys Irish boarding school where the manly pursuit of rugby is virtually a religion. He steels himself for the loneliness, ridicule and constant insinuations about his sexuality. Everything changes with the arrival of his new roommate Conor (Nicholas Galitzine), a star player in the rugby team, and inspirational English teacher Dan Sherry (Sherlock and Spectre star Andrew Scott). Ned and Conor bond over a mutual appreciation of cool music and an unlikely friendship blossoms and faces unbearable pressures from a school grimly attached to its narrow macho values.
A music-mad 16-year-old outcast at rugby-mad boarding school forms an unlikely friendship with his dashing new roommate, in this funny and observant coming-of-age tale from Irish novelist and filmmaker John Butler.
This tender look at the travails of teenage life is the story of the worst thing Ned (Fionn O’Shea) ever did. It’s also the story of the best thing that ever happened to Ned. With his dyed hair, willowy build, and penchant for sexually ambivalent pop and rock from generations past, 16-year-old Ned has never fit in at the rugby-mad boarding school his father insists he attend. Determined to simply keep his nose down and weather another year of loneliness and bullying, Ned is pleasantly surprised when he develops a friendship with his dashing new roommate, Conor (Nicholas Galitzine), a rugby virtuoso with issues of his own. The boys bond over music and start to practice guitar together. At the encouragement of their English teacher (Andrew Scott), Ned and Conor enter a talent show at a local girls’ school. As both talent show and rugby season loom, however, the pressure on Conor to choose between manly athletic discipline and more artistic pursuits threatens to tear him apart — while Ned is increasingly tempted to betray Conor’s trust in order to save his own skin. Toronto International Film Festival https://www.youtube.com/watch?v=-j1i94L8PMk

