The 2015 IDFA International Documentary Film Festival Amsterdam just officially opened with the screening of A Family Affair directed by Tom Fassaert (pictured above) and presented awards to filmmakers Thomas Vroege and Tom Fassaert. The 2015 Dutch Cultural Media Fund Documentary Award of €125,000 went to Thomas Vroege to fund his film plan for Theater of the Crowd, and Tom Fassaert, director of A Family Affair, received The Prins Bernhard Cultuurfonds Documentary Award of €50,000.
Theater of the Crowd is film essay on the ongoing refugee crisis in Europe; a documentary about freedom that follows the narrative principles of Greek tragedy. The refugee crisis is a threat to the fractured foundations of a continent undergoing an identity crisis. How should we go about defending the ideal of freedom? The jury had this to say about the winning film plan: ‘Making artistic choices demands faith in your abilities, sense of conviction and, above all, ambition. The winning plan is brimming with ambition. It is experimental and courageous and it dares to go way off the beaten track. Taking an essayistic approach to questioning and investigating this pressing social issue, it is both topical and timeless.’
Filmmaker and video artist Thomas Vroege was born in 1988 and graduated in 2012 from the St. Joost Art Academy in Breda. His graduation film The Son & The Stranger won him the Dutch Film Fund’s Wild Card Award for that year’s most promising graduation documentary. His short film So Help Me God, which premiered at the 2015 Netherlands Film Festival, focuses on the financial world and the seemingly unassailable position of bankers. Vroege is currently making 9 Days, an installation on the Syrian civil war. In preparation for this piece, he recently filmed 9 DAYS – From My Window in Aleppo. He is also working with Mark Jan van Tellingen on the development of PARANOIA.WATCH, an app that aims to make measurable the effect of terrorism on society.
The Prins Bernhard Cultuurfonds Documentary Award was presented to filmmaker Tom Fassaert for the production of a new documentary.
Tom Fassaert was born in Naarden in 1979 and graduated in 2006 from the Netherlands Film Academy with the short documentary Doel. This film led a year later to the release of his much-praised debut De Engel van Doel. Filmed in black-and-white, it tracks the decline of Doel, a Belgian village threatened by the expansion of the port of Antwerp. Fassaert has been working for the past few years on A Family Affair, in which he visits his grandmother Marianne in South Africa, hoping to discover more about his family’s history and his grandmother’s problematic relationship with her children. This honest and personal family drama has established Fassaert’s reputation as one of the Netherlands’ most talented filmmakers. A second, keenly anticipated, film is a confident and stylish tour de force, again with an excellent storyline. Fassaert knows what he wants to say, and he knows how to say it.
The Prins Bernhard Cultuurfonds Documentary Award rewards talented filmmakers with a sum of €50,000, enabling the recipient to make a documentary film of his or her own choice. The award is granted to documentary filmmakers who have already demonstrated their qualities in practice and gained some recognition for their work. The previous recipients of the award are Klaartje Quirijns (2011), Renzo Martens (2012), Boris Gerrets (2013) and Jessica Gorter (2014).
Lastly, IDFA director Ally Derks was made a Chevalier dans l’Ordre des Arts et Lettres, and the French ambassador to the Netherlands Laurent Pic presented her with the Ordre des Arts et Lettres.-
Filmmakers Thomas Vroege and Tom Fassaert Win Awards at 2015 IDFA
The 2015 IDFA International Documentary Film Festival Amsterdam just officially opened with the screening of A Family Affair directed by Tom Fassaert (pictured above) and presented awards to filmmakers Thomas Vroege and Tom Fassaert. The 2015 Dutch Cultural Media Fund Documentary Award of €125,000 went to Thomas Vroege to fund his film plan for Theater of the Crowd, and Tom Fassaert, director of A Family Affair, received The Prins Bernhard Cultuurfonds Documentary Award of €50,000.
Theater of the Crowd is film essay on the ongoing refugee crisis in Europe; a documentary about freedom that follows the narrative principles of Greek tragedy. The refugee crisis is a threat to the fractured foundations of a continent undergoing an identity crisis. How should we go about defending the ideal of freedom? The jury had this to say about the winning film plan: ‘Making artistic choices demands faith in your abilities, sense of conviction and, above all, ambition. The winning plan is brimming with ambition. It is experimental and courageous and it dares to go way off the beaten track. Taking an essayistic approach to questioning and investigating this pressing social issue, it is both topical and timeless.’
Filmmaker and video artist Thomas Vroege was born in 1988 and graduated in 2012 from the St. Joost Art Academy in Breda. His graduation film The Son & The Stranger won him the Dutch Film Fund’s Wild Card Award for that year’s most promising graduation documentary. His short film So Help Me God, which premiered at the 2015 Netherlands Film Festival, focuses on the financial world and the seemingly unassailable position of bankers. Vroege is currently making 9 Days, an installation on the Syrian civil war. In preparation for this piece, he recently filmed 9 DAYS – From My Window in Aleppo. He is also working with Mark Jan van Tellingen on the development of PARANOIA.WATCH, an app that aims to make measurable the effect of terrorism on society.
The Prins Bernhard Cultuurfonds Documentary Award was presented to filmmaker Tom Fassaert for the production of a new documentary.
Tom Fassaert was born in Naarden in 1979 and graduated in 2006 from the Netherlands Film Academy with the short documentary Doel. This film led a year later to the release of his much-praised debut De Engel van Doel. Filmed in black-and-white, it tracks the decline of Doel, a Belgian village threatened by the expansion of the port of Antwerp. Fassaert has been working for the past few years on A Family Affair, in which he visits his grandmother Marianne in South Africa, hoping to discover more about his family’s history and his grandmother’s problematic relationship with her children. This honest and personal family drama has established Fassaert’s reputation as one of the Netherlands’ most talented filmmakers. A second, keenly anticipated, film is a confident and stylish tour de force, again with an excellent storyline. Fassaert knows what he wants to say, and he knows how to say it.
The Prins Bernhard Cultuurfonds Documentary Award rewards talented filmmakers with a sum of €50,000, enabling the recipient to make a documentary film of his or her own choice. The award is granted to documentary filmmakers who have already demonstrated their qualities in practice and gained some recognition for their work. The previous recipients of the award are Klaartje Quirijns (2011), Renzo Martens (2012), Boris Gerrets (2013) and Jessica Gorter (2014).
Lastly, IDFA director Ally Derks was made a Chevalier dans l’Ordre des Arts et Lettres, and the French ambassador to the Netherlands Laurent Pic presented her with the Ordre des Arts et Lettres.
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“Tangerine” “Taxi” “The Tribe” Among 5 Films Nominated for 2016 Cinema Eye Heterodox Award
Five films have been nominated for the 2016 Cinema Eye Heterodox Award. The Heterodox Award honors a narrative fiction film that imaginatively incorporates nonfiction strategies, content and/or modes of production.
The five films nominated the 2016 Cinema Eye Heterodox Award are:
Arabian Nights: Volume One (The Restless One) directed by Miguel Gomes
https://www.youtube.com/watch?v=yONovEHyvXo
God Bless the Child directed by Robert Machoian and Rodrigo Ojeda-Beck
https://www.youtube.com/watch?v=kXAgEO4rMSw
Tangerine directed by Sean Baker
https://www.youtube.com/watch?v=ALSwWTb88ZU
Taxi directed by Jafar Panahi
https://www.youtube.com/watch?v=eM2tblIkL4g
The Tribe directed by Myroslav Slaboshpytskiy
https://www.youtube.com/watch?v=ZeYO_EoHP0k
This marks the sixth year for the Heterodox Award at Cinema Eye. Previous winners of the award were Matt Porterfield’s Putty Hill (2011), Mike Mills’ Beginners (2012), Jem Cohen’s Museum Hours (2013), Carlos Reygados’s Post Tenebras Lux (2014) and Richard Linklater’s Boyhood (2015).
The Heterodox prize will be presented on Tuesday, January 12th in New York City at the 2nd annual Honors Lunch during Cinema Eye Week.
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Dates Revealed for 2016 Durban International Film Festival
The annual Durban International Film Festival (DIFF) and the Durban FilmMart (DFM) have announced the dates for next year’s editions, which take place almost a month earlier than the usual July dates. The 2016 Durban International Film Festival will now take place from June 16 to 26, 2016 while the DFM will take place from 17 to 20 June, 2016
The events have been rescheduled due to a clash with the 21st International Aids Conference, which takes place at the end of Jul 2016. The AIDS conference will be using both the Elangeni and Maharani hotels, which are traditionally used as a festival and market hub.
DIFF is hosted by the University of KwaZulu-Natal’s Centre for Creative Arts and 2016 will mark its 37th edition. “Although it will require some concerted communication efforts, we are positive about the move to June,” says Kishore Gobardan Director of Professional Services in the College of Humanities at UKZN in which the CCA is housed. “The festival will now open on the Youth Day, which may free up people to take advantage of a possible long weekend, and creates thematic opportunities for the festival to look at the role of youth within the industry.”
The DFM is a joint project of the Thekwini Municipality’s industry arm, the Durban Film Office and the DIFF, and 2016 marks its 7th edition. Toni Monty the Head of Durban Film Office says, “This may work well in favour of the DFM and DIFF because it is just before the July summer holidays in Europe which is traditionally used as a recess period for film-makers, and that often impacts on their availability in July.”
The DIFF will soon be calling for submissions for the 2016 edition while the Durban FilmMart has already made a call for submissions of film projects with the due date being December 14, 2015.
The 9th Talents Durban the intensive programe of seminars, hands-on training, workshops and industry networking activities in partnership with Berlinale Talents will take place from June 17-21, 2016.
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“Romeo Is Bleeding” Wins Top Awards at 2015 St Louis International Film Festival
“Romeo Is Bleeding” directed by Jason Zeldes was a hit at the 2015 St Louis International Film Festival winning both the St. Louis Film Critics Association Joe Pollack and Joe Williams Awards for Best Documentary Feature and the Best of Fest Audience Choice Award – Leon Award for Best Documentary Film. In Romeo Is Bleeding, a young writer Donté Clark growing up in a city divided by a turf war, channels Shakespeare to help heal the ills of his community.
Other top winning films include “Once in a Lifetime” directed by Marie-Castille Mention-Schaar taking the St. Louis Film Critics Association Joe Pollack and Joe Williams Award for Best Narrative Feature. The other audience favorite films include “Unlikely Heroes” directed by Peter Luisi winning the TV5MONDE Award for Best International Film, and “The Last Mentsch” directed by Pierre-Henry Salfati voted Best Film.
24th Annual Whitaker St. Louis International Film Festival Awards
Charles Guggenheim Cinema St. Louis Award: Alex Winter
Women in Film Award: Rosemary Rodriguez
Contemporary Cinema Award: Trent Harris
Shorts Awards
Best Documentary Short: “The Surrender” directed by Stephen Maing
Best Local Short: “Ferguson 365” directed by Chris Phillips
Best Short Short: “Deathsong” directed by Malcolm Sutherland
Best International Short: “Levitation” directed by Marko Mestrovic
Best Animated Short: “Borrowed Time” directed by Andrew Coats & Lou Hamou-Lhadj
Best Live-Action Short: “Birthday” directed by Chris King
Best of Fest: “Beverley” directed by Alexander Thomas
Midrash Award
“Four Way Stop” directed by Efi da Silva
https://www.youtube.com/watch?v=uY5CpWtz2XQ
Interfaith Awards
Best Documentary Feature: “Thao’s Library” directed by Elizabeth Van Meter
https://vimeo.com/125478494
Best Narrative Feature: “Three Windows and a Hanging” directed by Isa Qosja
https://www.youtube.com/watch?v=JOnKHG13vXM
Alliance of Women Film Journalists’ EDA Award @ SLIFF
Best Documentary Feature: “Once My Mother” directed by Sophia Turkiewicz
https://www.youtube.com/watch?v=lO6aTLM8X5s
Best Narrative Feature: “Fidélio: Alice’s Odyssey” directed by Lucie Borleteau
https://www.youtube.com/watch?v=gF02VEgdlqw
St. Louis Film Critics Association Joe Pollack and Joe Williams Awards
Best Documentary Feature: “Romeo Is Bleeding” directed by Jason Zeldes
https://www.youtube.com/watch?v=Vjdh-TmRQCQ
Best Narrative Feature: “Once in a Lifetime” directed by Marie-Castille Mention-Schaar
https://www.youtube.com/watch?v=CdvhyY1_rxw
Best of Fest Audience Choice Awards
Leon Award for Best Documentary Film: “Romeo Is Bleeding” directed by Jason Zeldes
TV5MONDE Award for Best International Film: “Unlikely Heroes” directed by Peter Luisi
Best Film: “The Last Mentsch” directed by Pierre-Henry Salfati
https://www.youtube.com/watch?v=u9L_ypD7KnI
New Filmmakers Forum Emerging Director Award (The Bobbie)
“Aram, Aram” directed by Christopher Chambers
https://www.youtube.com/watch?v=4BNiJtVDrTY
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Restaurant Documentary KING GEORGES Serves February 2016 Release Date | TRAILER
KING GEORGES, a documentary that follows fiery French chef Georges Perrier’s crusade to save his world-renowned 40-year-old restaurant, Philadelphia’s Le Bec Fin, from closing, will be released in theaters on February 26, 2016 via Sundance Selects. The film directed by Erika Frankel just screened at 2015 DOC NYC.
Fiery French chef Georges Perrier is on a crusade to keep his 40-year-old landmark restaurant, Le Bec-Fin in Philadelphia, relevant. Times have changed and the culinary world is full of new stars and shifting tastes. Perrier’s contemporaries – at Lutece, La Cote Basque, L’Orangerie – are gone and he is the last man standing of his generation. But how long can he reign?
Featuring colorful interviews with chefs Daniel Boulud, Thomas Keller, Eric Ripert and former Mayor of Philadelphia Ed Rendell, first-time director Erika Frankel follows Perrier over four years from Le Bec-Fin’s raging inferno of a kitchen to quiet moments at home, capturing an intimate glimpse of a world-renowned artist in the twilight of his career.
Perrier introduced America to grand European-style dining in the 1960’s and he went on to become one of the most accomplished chefs of his generation, honored and praised by the French government, James Beard Foundation and The New York Times. His Napoleonic demeanor, thick French accent and penchant for screaming, throwing plates and de-corking champagne bottles with a sword helped to build his legend. But underneath his commanding presence, he struggles with the demands of a grueling profession. His life revolves around work and at age 67, the pressure to keep things functioning at the high level he set forty years ago, is “killing me,” he says.
He partners with young chef Nicholas Elmi (winner of Top Chef 2014), hoping to reinvigorate Le Bec-Fin, but Perrier struggles to let go, still insisting on washing the dishes every night after dinner service as the dishwashers stand around idle. More than a documentary about food, KING GEORGES is a touching story about passion, aging and art.
https://www.youtube.com/watch?v=l4OIbnG2R0Y
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BIFA Winner Richard Ayoade to Host 2015 Moët British Independent Film Awards
BIFA-winning writer, director, presenter and actor Richard Ayoade will host the 2015 Moët British Independent Film Awards.
Richard was nominated for two BIFAs and a BAFTA for his debut film Submarine and won the BIFA for Best Screenplay. He starred in The Watch with Jonah Hill and co-wrote and directed The Double, starring Jesse Eisenberg. He won a BAFTA for playing Moss in The IT Crowd and featured in Nathan Barley, Time Trumpet and The Mighty Boosh, as well as Garth Marenghi’s Dark Place, which he also co-wrote and directed. His first book, Ayoade on Ayoade: A Cinematic Odyssey, was published by Faber & Faber in 2014.
Richard said: “I have come to accept that I am now contracted to host this year’s Moët British Independent Film Awards, following in the esteemed footsteps of whoever dropped out. I’ve been told it’s been an outstanding year for British film, but I remember people saying very similar things last year. Let’s celebrate regardless.”
BIFA said: “We are very excited that Richard will be hosting the Awards. He is funny, clever and a brilliant filmmaker. He also knows a spectacular amount about film. He’s the perfect host for the Awards and we’re really looking forward to the ceremony with him in charge.”
The Moët British Independent Film Awards will take place on Sunday December 6, 2015, at Old Billingsgate.
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7 Narrative Feature Film Projects Win Fall 2015 San Francisco Film Society (SFFS) / Kenneth Rainin Foundation Filmmaking Grants
Seven filmmaking teams will receive a total of $270,000 to help with the next stage of their creative process, from screenwriting to postproduction in the latest round of Fall 2015 San Francisco Film Society (SFFS) / Kenneth Rainin Foundation (KRF) Filmmaking Grants.
The SFFS / KRF program has funded more than 50 projects since its inception, including Jonas Carpignano’s Mediterranea, which premiered at the 2015 Cannes Film Festival and has created buzz all over the international festival circuit; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes and will be released in theaters this fall; Kat Candler’s Hellion and Ira Sachs’ Love Is Strange, both of which premiered to strong reviews at Sundance 2014; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Beasts of the Southern Wild, Benh Zeitlin’s debut phenomenon which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture).
FALL 2015 SFFS / KRF FILMMAKING GRANT WINNERS
The Fixer
Ian Olds, writer/director; Paul Felten, co-writer; Caroline von Kuhn, producer – $75,000 for postproduction
An Afghan journalist is exiled from his war-torn country to a small bohemian community in Northern California. When he attempts to turn his menial job on the local police blotter into “Afghan-style” coverage of local crime, he gets drawn into the backwoods of this small town — a shadow Northern California where sex is casual, true friendship is hard to come by and an unfamiliar form of violence burbles up all around him.
Freeland
Mario Furloni and Kate McLean, cowriter/directors; Laura Heberton, producer — $25,000 for packaging
In the last season of black market marijuana growing before legalization, a mother and daughter must reconcile their differences in order to survive in an increasingly inhospitable world.
Little Woods
Nia DaCosta, writer/director/producer; Rachael Fung, producer — $25,000 for packaging
Ollie sneaks into Canada to get medication for her terminally ill mother and other residents in her overwhelmed oil boomtown. She is caught and forced to stop her illegal business, even though it means leaving the people she aids with no better options. When her estranged sister Deb asks for her help, Ollie has to decide whether or not it’s worth it to help her when it will put both of their lives at risk.
The Lusty (working title)
Silas Howard, writer/director; Antonia Crane, cowriter; L.A. Teodosio, producer — $35,000 for screenwriting
In San Francisco in the late 1990s, an army of strippers at the Lusty Lady confront dangerous labor practices and go on to create the first exotic dancers’ union in the world. Based on a true story.
Ma/ddy
Devon Kirkpatrick, writer/director — $35,000 for screenwriting
In this dark comedy, life after death takes on a whole new meaning for a genderqueer widow following the loss of their wife.
Over The Eaves
Brent Green, writer/director; Thyra Heder, cowriter; Carly Hugo, Matt Parker and Alexandra Pitz, producers — $50,000 for preproduction
A young boy living on a farm begins inventing strange, hand-made machines to ease the family’s hard labor, but his ambitions quickly grow. When his most daring invention backfires and changes life on Earth forever, the townspeople struggle to understand whether he has done them harm or shown them what they have been missing.
Reza and the Refugees
Aaron Douglass Johnston, writer/director/producer; Laura Wagner, producer — $25,000 for packaging
A ragtag team of Middle Eastern political refugees in Holland enters the Eurovision song contest in an effort to save their friend from deportation and certain death.
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2015 AFI European Union Film Showcase Announces Complete Lineup; Opens with A PERFECT DAY, Closes with THE TREASURE
The American Film Institute (AFI) announced the complete slate of films for the 2015 AFI European Union Film Showcase, taking place December 1–20 at the AFI Silver Theatre and Cultural Center in Silver Spring, Maryland. This year’s AFI European Union Film Showcase will open December 1 with Fernando León de Aranoa’s A PERFECT DAY (Spain), a darkly comedic portrait of aid workers attempting to provide clean water during the aftermath of the Balkan War, starring Oscar® winners Benicio Del Toro (TRAFFIC, SICARIO) and Tim Robbins (MYSTIC RIVER, THE SHAWSHANK REDEMPTION) alongside Olga Kurylenko (QUANTUM OF SOLACE, OBLIVION) and Mélanie Thierry (THE ZERO THEOREM).
https://www.youtube.com/watch?v=eQfqygkNMqE
The Closing Night film, THE TREASURE (Romania), directed by Corneliu Porumboiu (POLICE, ADJECTIVE; 12:08 EAST OF BUCHAREST), is a deadpan comedy of manners that premiered at the Cannes Film Festival, where it won the Prix Un Certain Talent.
https://www.youtube.com/watch?v=d56mX1P6p2U
The Showcase’s Special Presentations section includes Paolo Sorrentino’s YOUTH (Italy) starring Michael Caine, Harvey Keitel, Jane Fonda, Paul Dano and Rachel Weisz; THE LADY IN THE VAN (United Kingdom) starring Maggie Smith; Jacques Audiard’s Cannes Palme d’Or winner DHEEPAN (France); BODY (Poland) directed by Malgorzata Szumowska, winner of the Best Director prize at the 2015 Berlin International Film Festival; 45 YEARS (United Kingdom) starring Charlotte Rampling and Tom Courtenay, winners of Best Actress and Actor at Berlin; Cannes Grand Prix Winner SON OF SAUL (Hungary); Berlin Silver Bear prize winner AFERIM! (Romania); festival favorite MY GOLDEN DAYS (France) directed by Arnaud Desplechin; Venice Film Festival premiere A WAR (Denmark) directed by Tobias Lindholm (A HIJACKING); and A ROYAL NIGHT OUT (United Kingdom) starring Sarah Gadon, Bel Powley, Emily Watson and Rupert Everett.
Other highlights include the U.S. premiere of MA MA (Spain) starring Penélope Cruz; DISORDER (France) starring Matthias Schoenaerts and Diane Kruger; THE WAIT (Italy) starring Juliette Binoche; SECOND COMING (United Kingdom) starring Idris Elba; Matteo Garrone’s TALE OF TALES (Italy) starring Salma Hayek, John C. Reilly and Vincent Cassel; KILL YOUR FRIENDS (United Kingdom) starring Nicholas Hoult, James Corden and Rosanna Arquette; and Nanni Moretti’s MIA MADRE starring John Turturro.
Among the films featured are a number of 2015 Oscar® submissions for Best Foreign Language Film, including THE HIGH SUN (Croatia); A WAR (Denmark); 1944 (Estonia); THE FENCER (Finland); SON OF SAUL (Hungary); THE SUMMER OF SANGAILE (Lithuania); BABY(A)LONE (Luxembourg); AFERIM! (Romania); and THE TREE (Slovenia). 2014 Oscar® submissions include SIMSHAR (Malta).
Complete list of U.S. premieres:
MA MA (Spain)
EVA NOVÁ (Slovakia)
THE SNAKE BROTHERS (Czech Republic)
THE MAGIC MOUNTAIN (France)
BABY(A)LONE (Luxembourg)
IMPRESSIONS OF A DROWNED MAN (Cyprus)
Complete list of East Coast premieres:
A WAR (Denmark)
THE WAIT (Italy)
YOU’RE UGLY TOO (Ireland)
(BE)LONGING (Portugal)
THE TREE (Slovenia)
SIMSHAR (Malta)
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“Motley’s Law” “Class Divide” Wins Grand Jury Prizes at 2015 DOC NYC
The 2015 DOC NYC announced its award-winners as well as news of record attendance. The Grand Jury Prize Winner in the Viewfinders Competition is Motley’s Law, directed by Nicole Horanyi, (pictured above) a portrait of Kimberley Motley, the only Western lawyer licensed to work in Afghanistan’s courts. The Grand Jury Prize Winner in the Metropolis Competition is HBO’s Class Divide, directed by Marc Levin, which takes a look at NYC’s gentrification and growing inequality through the microcosm of the Chelsea intersection of 10th Avenue and 26th Street.
Winners of the Grand Jury Prize in the Viewfinders and Metropolis competitions will receive a one-week theatrical, awards-qualifying run at the IFC Center in 2016. They will also receive a deliverables package provided by Technicolor-PostWorks New York.
Viewfinders Competition: The jury selected from among ten films in this section, chosen by the programmers for their distinct directorial visions.
Grand Jury Prize Winner: Motley’s Law, directed by Nicole Horanyi, is a portrait of Kimberley Motley, the only Western lawyer licensed to work in Afghanistan’s courts.
Jurors’ statement: “Motley’s Law brings the audience into the world of the fascinatingly brave Kimberley Motley. The film offers an unapologetic view of Motley’s practice. The excellent construction of the film exudes strong filmmaking qualities. A brave documentary film in every way.”
Special Mention: Newman directed by Jon Fox, in which a maverick inventor battles against the scientific establishment over a miraculous energy-producing machine.
https://www.youtube.com/watch?v=yHUPVFo1BhY
Jurors’ statement: “A compelling character-driven film, Newman keeps at his heart a sense of passion and possibly madness. When there is so little left in this world to inspire wonder, this film inspired many questions for the jury and stayed with them.”
Films featured in the Viewfinders section: The Anthropologist, dirs. Seth Kramer, Daniel A. Miller & Jeremy Newberger; Barge, dir. Ben Powell; Bluespace, dir. Ian Cheney; A Good American, dir. Friedrich Moser; I Am Sun Mu, dir. Adam Sjöberg; A Journey of a Thousand Miles: Peacekeepers, dirs. Sharmeen Obaid-Chinoy & Geeta Gandbhir; Motley’s Law, dir. Nicole Horanyi; Newman, dir. Jon Fox; P.S. Jerusalem, dir. Danae Elon; The Sunshine Makers, dir. Cosmo Feilding Mellen.
Metropolis Competition: The jury selected from among ten films in this section, which showcases films that exemplify the diverse range of stories in New York City.
Grand Jury Prize Winner: HBO’s Class Divide, directed by Marc Levin, takes a look at NYC’s gentrification and growing inequality through the microcosm of the Chelsea intersection of 10th Avenue and 26th Street.
Jurors’ statement: “Class Divide is a timely encapsulation of so many of the vital social and political questions facing New York City today. The film gives its viewers an of-the-moment window into so many of the tensions which define life in New York City – race, class, socio-economic injustice, real estate, opportunity and the lack of it… It’s a quintessential New York film.”
Special Mention: Missing People, directed by David Shapiro, in which a New York City gallerist, haunted by the unsolved murder of her brother, becomes obsessed with a New Orleans painter.
https://www.youtube.com/watch?v=P_DJ3BHfgD4
Jurors’ statement: “Missing People tackles the issues of human existence in a way that no other film in this category does.”
Films featured in the Metropolis section: Class Divide, dir. Marc Levin; Daddy Don’t Go, dir. Emily Abt; The Jazz Loft According to W. Eugene Smith, dir. Sara Fishko; Left on Purpose, dir. Justin Schein, co-dir. David Mehlman; The Lost Arcade, dir. Kurt Vincent; Miriam: Home Delivery, dir. Juliet Jordan; Missing People, dir. David Shapiro; OXD: One Extraordinary Day, dir. Craig Lowy; Tested, dir. Curtis Chin; Tree Man, dirs. Jon Reiner & Brad Rothschild.
Shorts Competition: All short films featured in the festival aside from the DOC NYC U section were eligible for this jury prize. The winning short film qualifies for consideration in the Documentary Short Subject category of the Annual Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules.
Grand Jury Prize Co-winner: Pink Boy, directed by Eric Rockey, is an intimate portrait of a gender-non-conforming child growing up in conservative, rural Florida.
https://vimeo.com/134578861
Jurors’ statement: “Creative and well-crafted, Pink Boy is a tender and heartfelt portrait of a transgender boy and his protective loving mother that stayed with this jury long after the film was over. The filmmakers clearly earned the trust of their subjects and managed to produce a film with editorial and emotional resonance.”
Grand Jury Prize Co-winner: The Surrender, directed by Steven Maing, focuses on a man who is indicted for allegedly jeopardizing national security.
Jurors’ statement: “This quietly powerful film documents Stephen Kim, a State Department intelligence analyst accused of espionage, in his last few days as a free man before facing a long prison sentence. The aggressive prosecution of leakers isn’t an easy story to tell. But, through beautiful imagery and intimate character moments, The Surrender builds to a gut-wrenching conclusion.”
Special Mentions: A Passion of Gold and Fire, directed by Sébastien Pins; The Bad Boy of Bowling, directed by Bryan Storkel; and German Shepherd, directed by Nils Bergendal.
DOC NYC U Competition: This new program featured the best short-form student work coming out of the city’s top documentary programs at New York University, Columbia University, The School of Visual Arts, and New York Film Academy. Their faculties chose the films and the festival provided a platform for their selections.
Best Film: Fairy Tales, directed by Rongfei Guo (New York University), is a profile of a rural working-class Chinese girl turned social media sensation.
https://www.youtube.com/watch?v=BeVNXqKix3Y
Jurors’ statement: “The jury recognizes this film for its unique character and story. Fairy Tales employs creative techniques, attention to detail, and a confidence in directorial style.”
Special Mentions: Alive and Kicking, directed by Lara-Ann de Wet (New York Film Academy); Last Days of Domino, directed by Yuqi Kang (School of Visual Arts).
SundanceNow Doc Club Audience Award: Features from both competitive sections were eligible for this award, based on audience balloting at the primary screening of each film.
Winner: Left on Purpose, directed by Justin Schein and co-directed by David Mehlman, begins as the portrait of the life of an antiwar radical but instead threatens to become about his suicide.
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10 Live Action Short Films Advance in 2015 Oscar Race | TRAILERS
The Academy of Motion Picture Arts and Sciences today announced that 10 live action short films will advance in the voting process for the 88th Academy Awards®. One hundred forty-four pictures had originally qualified in the category.
The 10 films are listed below in alphabetical order by title, with their production companies:
“Ave Maria,” Basil Khalil, director, and Eric Dupont, producer (Incognito Films)
https://www.youtube.com/watch?v=vC7B8q6J9s4
“Bad Hunter,” Sahim Omar Kalifa, director, and Dries Phlypo, producer (A Private View)
https://www.youtube.com/watch?v=XEwVhi_iSl4
“Bis Gleich (Till Then),” Philippe Brenninkmeyer, producer, and Tara Lynn Orr, writer (avenueROAD Films) (pictured in main image above)
“Contrapelo (Against the Grain),” Gareth Dunnet-Alcocer, director, and Pin-Chun Liu, producer (Ochenta y Cinco Films)
“Day One,” Henry Hughes, director (American Film Institute)
“Everything Will Be Okay (Alles Wird Gut),” Patrick Vollrath, director (Filmakademie Wien)
https://www.youtube.com/watch?v=JPrRmiJXTVY
“The Free Man (Zi You Ren),” Quah Boon-Lip, director (Taipei National University of the Arts)
“Shok,” Jamie Donoughue, director (Eagle Eye Films)
“Stutterer,” Benjamin Cleary, director (Bare Golly Films)
https://www.youtube.com/watch?v=tnlBGQUn0tM
“Winter Light,” Julian Higgins, director, and Josh Pence, producer (Innerlight Films and Prelude Pictures)
Members of the Short Films and Feature Animation Branch viewed all the eligible entries for the preliminary round of voting.
Short Films and Feature Animation Branch members will now select five nominees from among the 10 titles on the shortlist. Branch screenings will be held in Los Angeles, London, New York and San Francisco in December.
The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at
the Academy’s Samuel Goldwyn Theater in Beverly Hills.
The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland
Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar
presentation also will be televised live in more than 225 countries and territories worldwide.

Norwegian director Joachim Trier’s Louder Than Bombs was awarded the Bronze Horse for Best film at the 2015 Stockholm International Film Festival. In Louder Than Bombs “an upcoming exhibition celebrating photographer Isabelle Reed three years after her untimely death brings her eldest son Jonah back to the family house – forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently.”
Mediterranea by Jonas Carpignano was also a big winner, taking the awards for Best First Film, Telia Film Award, and Best Actor for Koudous Seihon.
The complete list of awards for 2015 Stockholm International Film Festival
Best film: Louder Than Bombs by Joachim Trier
The prize for best film goes to an aesthetic masterpiece, a film that innovatively uses all cinematic components to move freely between present, past, dream and imagination. With this tightly woven family drama, the director gradually patches together our broken inner places and makes us visible to ourselves – and to each other.
https://www.youtube.com/watch?v=QO1dLlaGvTs
Best first film: Mediterranea by Jonas Carpignano
The prize goes to a director who takes us on a journey to a place where reality triumphs with its hidden contempt. An unsentimental yet tender film about dreams, struggles and hopes for a better life that at the same time mirrors the contemporary state of the world. The director has with this knockout of a debut created a multifaceted and pressing real-life drama that leaves no one unaffected.
https://www.youtube.com/watch?v=sk4SrMxTiS4
Best director: László Nemes, Son of Saul
The award goes to a film that makes us hold our breath and instead become part of the film’s own pulse. With furious pacing, constant motion, a consistently subjective point-of-view and with long, meticulous and masterly executed sequences, the director takes a whole new perspective on a subject that has been depicted countless times, but never with this intensity – and never this good.
https://www.youtube.com/watch?v=WOHDtPZmYj8
Best script: Deniz Gamze Ergüven and Alice Winocour, Mustang
The writers of this film depict a serious topic with both humor and warmth. It is a touching story of sisterhood, an empowering film that challenges patriarchal oppression with its stale views on female sexuality. Conservative values are placed in opposition to modern society, the life within each of us – and every person’s right to their own bodies.
https://www.youtube.com/watch?v=rU9JAN8LtIk
Best cinematography: Manuel Dacosse, Evolution
The prize for best cinematography goes to a cinematic masterpiece, a story that could as well take place in the subconscious as on a metaphorical plane or another planet. A hauntingly beautiful universe distilled through the lens of a master, with a singular visual expression that provokes goose bumps in the soul.
https://www.youtube.com/watch?v=PkKZ2qx5f6g
Best actress: Julija Steponaityte, The Summer of Sangaile
The prize for best female lead goes to an actress who illuminates the screen with her absolute presence. It is a subtle yet multifaceted acting we are witnessing, at the same time cool and vulnerable, arrogant and passionate. She makes us curious – and we want to see more!
https://www.youtube.com/watch?v=YY2990FsBAA
Best actor: Koudous Seihon, Mediterranea
The prize for best male lead goes to an actor who owns the story in every scene. It’s a portrait of a fighter, a street-smart survivor and a fellow human, who opens our hearts on his journey through a torn world full of dangers. He manages to convey a feeling of hope and faith in humanity in the midst of the brutal reality of the story.
Best documentary: Behemoth by Liang Zhao
Abandon all hope you who enter here. This filmmaker digs deep inside the bowels of its subject, showing us the monster of greed hiding in our destructive civilization. This film unveils hell right here on earth in a beautiful, emotive and poetic way. Through the power of great imagery, storytelling and empathy we are given a chance to perceive and finally end this abuse of the earth than of each other. Pure and utterly necessary.
https://www.youtube.com/watch?v=-4kbx8x748Y
Stockholm Impact Award: Leena Yadav, Parched
Through superb acting giving a unique insight into the minds and hearts of women in rural India told with colourful, sensual cinematography. This film is a paradoxical celebration of life in tough circumstances, creating both anger and joy, giving fuel for debate as well as hope for change when addressing a burning question that affects, not half, but the whole of our society.
https://www.youtube.com/watch?v=OpqKBf36bQ0
Best short film: A Few Seconds by Nora El Hourch
In a very unique and bold way of storytelling the director manage to show how much humanity in the characters in such a short time. There are so many layers of emotions in this film. We are excited to discover this new talent in her future work.
https://www.youtube.com/watch?v=L0k3EJYdF6U
Stockholm Rising Star: Aliette Opheim
This year’s Rising Star is awarded an actor who inhabits a deep sensibility as well as an immense power. Who delves into diverse roles with great courage and integrity. With the sense of carrying a secret.
Telia Film Award: Mediterranea by Jonas Carpignano
With a warm, humanistic touch Jonas Carpignano has written and directed a film with acute relevance and unexpected humour. Populated by brilliantly crafted and depicted characters with complexity, throughout the story, with an outstanding Koudous Seihon in the male lead. A beautiful film that humanizes what it is to live in the world today and offers a unique glimpse into experiences shared by many of the people fleeing across the Mediterranean Sea.
FIPRESCI best film:
Thirty-three independent documentary films have been selected for 2015 Sundance Institute Documentary Film Program support.
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