3 ½ Minutes Ten Bullets

  • ‘Chi-Raq’ ‘A Ballerina’s Tale’ Among 2015 African-American Film Critics Award Winners

    A Ballerina’s Tale, Nelson George Straight Outta Compton, the surprise summer box office hit centered on the 90’s rap group N.W.A., captured an overwhelming majority of the votes cast by members of the African-American Film Critics Association (AAFCA) for the 7th AAFCA Awards, including Best Picture. Best Independent Film went to Spike Lee’s “Chi-Raq”, and Best Documentary went to “A Ballerina’s Tale,” (pictured above) the feature documentary about ballerina Misty Copeland. “Our members found an interesting theme in many of the films released this year, giving a voice to communities who have generally been underserved and marginalized in society,” says AAFCA president Gil Robertson. “With movies like Straight Outta Compton, Chi-Raq, 3 1/2 Minutes and Dope, filmmakers brought to life many storylines that are a reflection of what’s happening in our world today, including the #BlackLivesMatter movement. Pictures like Carol and The Danish Girl, give voice to another community that is too often ridiculed and ignored by the status-quo. With Creed, the members of AAFCA found an opportunity to celebrate a film with “a” universal message of hope, honor and perseverance – something that everyone can embrace. Overall, it was a transformative year in cinema.” AAFCA will hold its 7th annual awards ceremony on Wednesday, February 10, 2016 at the Taglyan Complex in Hollywood, CA. The following is a complete list of 2015 AAFCA Awards winners. Best Picture: “Straight Outta Compton” (Universal Pictures) Best Director: Ryan Coogler –“Creed” (Warner Bros.) Best Ensemble: “Straight Outta Compton” (Universal Pictures) Best Actor: Will Smith “Concussion” (Sony) Best Actress: Teyonah Parris “Chi-Raq” (Roadside Attractions) Best Supporting Actor: Jason Mitchell “Straight Outta Compton” (Universal Pictures) Best Supporting Actress: Tessa Thompson “Creed” (Warner Bros.) Best Independent Film: “Chi-Raq” (Roadside Attractions) Best Screenplay: Rick Famuyiwa, “Dope” (Open Road Films) Breakout Performance: Michael B. Jordan “Creed” (Warner Bros.) Best Animation: “The Peanuts Movie” (20th Century Fox) Best Documentary: “A Ballerina’s Tale” (Sundance Selects) Best Song: “See You Again” Furious 7 (Atlantic Records) Best TV Comedy: “Black-ish” (ABC) Best TV Drama: “How to Get Away with Murder” (ABC) Best Cable/New Media TV Show: “Survivor’s Remorse” (Starz) AAFCA Top Ten Films of 2015 are as follows in order of distinction: 1. Straight Outta Compton (Universal Pictures) 2. Creed (Warner Bros.) 3. Mad Max: Fury Road (Warner Bros.) 4. Beasts of No Nation (Netflix) 5. The Martian (20th Century Fox) 6. 3-1/2 Minutes/Dope (HBO/Open Road Films) 7. Chi-Raq (Roadside Attractions) 8. Carol (Weinstein Co.) 9. The Big Short (Paramount Pictures) 10. The Danish Girl (Focus Features) AAFCA’s Special Achievement honors will be awarded to Codeblack Entertainment CEO, Jeff Clanagan; director John Singleton; Maverick Carter and LeBron James’ SpringHill Entertainment. New York Times film critic, Manohla Dargis will receive the organization’s Roger Ebert Award and HBO will receive the group’s Cinema Vanguard Award.

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  • Complete List + Trailers of 15 Documentary Feature Films Advancing in 2015 Oscar Race

    We Come as Friends The Academy of Motion Picture Arts and Sciences announced that 15 films in the Documentary Feature category will advance in the voting process for the 88th Academy Awards®. One hundred twenty-four films were originally submitted in the category. The 15 films are listed below in alphabetical order by title, with their production companies: “Amy,” On the Corner Films and Universal Music https://www.youtube.com/watch?v=_2yCIwmNuLE “Best of Enemies,” Sandbar https://www.youtube.com/watch?v=CzgfQvB2dvA “Cartel Land,” Our Time Projects and The Documentary Group https://www.youtube.com/watch?v=6vi9vWdUKEg “Going Clear: Scientology and the Prison of Belief,” Jigsaw Productions https://www.youtube.com/watch?v=zllYkNu1sl4 “He Named Me Malala,” Parkes-MacDonald and Little Room https://www.youtube.com/watch?v=3ghiYve6k68 “Heart of a Dog,” Canal Street Communications https://www.youtube.com/watch?v=v37BnyHefnY “The Hunting Ground,” Chain Camera Pictures https://www.youtube.com/watch?v=GBNHGi36nlM “Listen to Me Marlon,” Passion Pictures https://www.youtube.com/watch?v=DZlWjE_NJfI “The Look of Silence,” Final Cut for Real https://www.youtube.com/watch?v=dbPN8-juZUI “Meru,” Little Monster Films https://www.youtube.com/watch?v=1pZ1GzXPEO8 “3 1/2 Minutes, 10 Bullets,” The Filmmaker Fund, Motto Pictures, Lakehouse Films, Actual Films, JustFilms, MacArthur Foundation and Bertha BRITDOC https://www.youtube.com/watch?v=_USf1UQIAYg “We Come as Friends,” Adelante Films (pictured in main image) https://www.youtube.com/watch?v=-0uso3emlUg “What Happened, Miss Simone?,” RadicalMedia and Moxie Firecracker https://www.youtube.com/watch?v=moOQXZxriKY “Where to Invade Next,” Dog Eat Dog Productions https://www.youtube.com/watch?v=Ei747zi9iYY “Winter on Fire: Ukraine’s Fight for Freedom,” Pray for Ukraine Productions https://www.youtube.com/watch?v=RibAQHeDia8 The Academy’s Documentary Branch determined the shortlist in a preliminary round of voting. Documentary Branch members will now select the five nominees from among the 15 titles. The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • “IN THE MORNING” “Chapter & Verse” “The Man In 3B” Among Atlanta Premieres at 2015 BronzeLens Film Festival

    The Man In 3B The sixth annual BronzeLens Film Festival will take place November 5 – 8, 2015 at various venues throughout Atlanta. Headlining the festival are legendary filmmakers Abderrahmane Sissako and Suzanne de Passe. In addition, more than 49 films will be screened which includes a collection of features, shorts, narratives, webisodes and documentaries. 2015 BronzeLens Film Festival will present four nightly Atlanta premieres which kicks-off with a pre-festival screening of writer, director Nefertite Nguvu’s award winning film IN THE MORNING featuring Jacky Ido and Emayatzy Corinealdi; Chapter & Verse directed by Jamal Joseph featuring Omari Hardwick and Loretta Divine; Director Trey Haley’s The Man In 3B (pictured above) featuring Lamman Rucker, Christian Keyes and Bre’ly Evans; and the world premiere of A Christmas Baby, which marks the directorial debut of Rhonda Freeman-Baraka featuring Malinda Williams, Victoria Rowell and Karon Riley. France Atlanta in collaboration with BronzeLens will present one of the few contemporary filmmakers from Sub-Saharan Africa to have reached international recognition. Abderrahmane Sissako has received worldwide acclaim for his portrayal of life under the threat of Islamic radicalism in TIMBUKTU. The highest-grossing African film to open in France and in the US, the 2014 drama has received a multitude of awards including a Nomination at the 2015 Academy Awards for Best Foreign Language Film and 7 Césars Awards from the French Film Academy. The screening of TIMBUKTU will take place Saturday November 7 at 4:30 p.m. at the Hill Auditorium at the High Museum of Art followed by a talkback conversation moderated by Shadow and Act’s founding creator, writer and film critic Tambay A. Obenson. This event is organized in partnership with the High Museum of Art and Alliance Française d ‘Atlanta. All Shorts all day sponsored by BET Networks will screen 16 shorts and takes place Thursday, November 5 at festival headquarters in the Hyatt Regency Atlanta Learning Center. On Saturday November 7, BronzeLens will present Family Film Festival, a free screening of Karyn Parsons’ three animated short films: Garrett’s Gift, the true story of African American inventor Garrett Morgan, narrated by Queen Latifah; The Journey of Henry Box Car Brown, based on an enslaved man who mailed himself to freedom, narrated by Alfre Woodard and Atlanta premiere of The Janet Collins Story, animation featuring the first African American ballet soloist to perform. Also on Saturday November 7, the Sixth Annual BronzeLens Awards Show will salute The ‘Best of Festival’ filmmakers in their perspective categories, other noteworthy industry leaders and festival supporters will be honored November 7 at SCAD Show. Ambassador Andrew Young will receive the Chairman’s Award and Atlanta Convention and Visitor’s Bureau president and chief executive officer William Pate will receive the Founders Award. Cinema and Social Justice Sunday will feature the documentary about racial bias 3 1/2 Minutes, Ten Bullets, written and directed by Marc Silver and features Lelan Brunson, Angela B. Corey and Ron Davis.

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  • Benjamin Barber to Present Film Program at 2015 IDFA Reflecting on Jihad vs. McWorld

    This Is Exile: Diaries of Child Refugees (England) by Mani Y. Benchelah The 1995 book Jihad vs. McWorld by American political theorist Benjamin Barber forms the starting point for the special program Benjamin Barber: Jihad vs. McWorld 2015 at the upcoming 2015 IDFA International Documentary Film Festival Amsterdam. This year a new 20th anniversary edition of the book will be published with the subtitle ‘ISIS on the Internet’. Benjamin Barber At IDFA, Benjamin Barber, an internationally renowned political theorist and the author of eighteen books, will present his own selection of documentaries from the IDFA program that engage with many contemporary themes, including global capitalism, terrorism, the politics of fear, refugees, populism and economic inequality. 3 ½ Minutes, Ten Bullets (USA) by Marc Silver A Syrian Love Story (UK) by Sean McAllister Among the Believers (Pakistan/USA/India) by Mohammed Ali Naqvi & Hemal Trivedi At Home in the World (Denmark) by Andreas Koefoed Cartel Land (USA/Mexico) by Matthew Heineman Checks and Balances (France/Algeria) by Malek Bensmaïl The Chinese Mayor (China) by Hao Zhou The Dybbuk: A Tale of Wandering Souls (Poland/Ukraine/Sweden) by Krzysztof Kopczynski For Kibera! (Finland) by Kati Juurus Land Grabbing (Austria) by Kurt Langbein Steve Jobs: The Man in the Machine (USA) by Alex Gibney This Is Exile: Diaries of Child Refugees (England) by Mani Y. Benchelah (pictured above) Ukrainian Sheriffs (Ukraine/Latvia/Germany) by Roman Bondarchuk We Are Not Alone (Spain) by Pere Joan Ventura Welcome to Leith (USA) by Christopher K. Walker & Michael Nichols

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  • 124 Documentary Features Submitted For 2015 Oscar Race

    Winter on Fire: Ukraine's Fight for Freedom, directed by Evgeny Afineevsky One hundred twenty-four features have been submitted for consideration in the Documentary Feature category for the 88th Academy Awards®. The submitted features, listed in alphabetical order, are: “Above and Beyond” “All Things Must Pass” “Amy” “The Armor of Light” “Ballet 422” “Batkid Begins” “Becoming Bulletproof” “Being Evel” “Beltracchi – The Art of Forgery” “Best of Enemies” “The Black Panthers: Vanguard of the Revolution” “Bolshoi Babylon” “Brand: A Second Coming” “A Brave Heart: The Lizzie Velasquez Story” “Call Me Lucky” “Cartel Land” “Censored Voices” “Champs” “CodeGirl” “Coming Home” “Dark Horse” “Deli Man” “Dior and I” “The Diplomat” “(Dis)Honesty – The Truth about Lies” “Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll” “Dreamcatcher” “dream/killer” “Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon” “Eating Happiness” “Every Last Child” “Evidence of Harm” “Farewell to Hollywood” “Finders Keepers” “The Forecaster” “Frame by Frame” “Gardeners of Eden” “A Gay Girl in Damascus: The Amina Profile” “Godspeed: The Story of Page Jones” “Going Clear: Scientology and the Prison of Belief” “He Named Me Malala” “Heart of a Dog” “Hitchcock/Truffaut” “How to Change the World” “Human” “The Hunting Ground” “I Am Chris Farley” “In Jackson Heights” “In My Father’s House” “India’s Daughter” “Ingrid Bergman – In Her Own Words” “Iraqi Odyssey” “Iris” “Janis: Little Girl Blue” “Karski & the Lords of Humanity” “Killing Them Safely” “Kurt Cobain: Montage of Heck” “Lambert & Stamp” “A Lego Brickumentary” “Listen to Me Marlon” “Live from New York!” “The Look of Silence” “Meet the Patels” “Meru” “The Mind of Mark DeFriest” “Misery Loves Comedy” “Monkey Kingdom” “A Murder in the Park” “My Italian Secret” “My Voice, My Life” “1971” “Of Men and War” “One Cut, One Life” “Only the Dead See the End of War” “The Outrageous Sophie Tucker” “Peace Officer” “The Pearl Button” “Pink & Blue: Colors of Hereditary Cancer” “Poached” “Polyfaces” “The Prime Ministers: Soldiers and Peacemakers” “Prophet’s Prey” “Racing Extinction” “The Resurrection of Jake the Snake” “Ride the Thunder – A Vietnam War Story of Victory & Betrayal” “Rosenwald” “The Russian Woodpecker” “Searching for Home: Coming Back from War” “Seeds of Time” “Sembene!” “The Seven Five” “Seymour: An Introduction” “Sherpa” “A Sinner in Mecca” “Something Better to Come” “Song from the Forest” “Song of Lahore” “Steve Jobs: The Man in the Machine” “Steve McQueen: The Man & Le Mans” “Stray Dog” “Sunshine Superman” “Sweet Micky for President” “Tab Hunter Confidential” “The Tainted Veil” “Tap World” “(T)error” “Thao’s Library” “Those Who Feel the Fire Burning” “3 1/2 Minutes, Ten Bullets” “The Touch of an Angel” “TransFatty Lives” “The True Cost” “Twinsters” “Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists” “The Wanted 18” “We Are Many” “We Come as Friends” “We Were Not Just…Bicycle Thieves. Neorealism” “Welcome to Leith” “What Happened, Miss Simone?” “What Our Fathers Did: A Nazi Legacy” “Where to Invade Next” “Winter on Fire: Ukraine’s Fight for Freedom” (pictured above) “The Wolfpack” Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • IMPERIAL DREAMS, 3 1/2 MINUTES, TEN BULLETS, TIME TO GO, Win Top Honors at 2015 Montreal International Black Film Festival

    Imperial Dreams directed by Malik Vitthal The 2015 Montreal International Black Film Festival held from September 29 to October 4, 2015, announced its prize winners at the Festival’s closing ceremonies on Sunday.  Malik Vital’s Imperial Dreams won the award for Best Narrative Feature, Marc Silver’s 31/2 Minutes, Ten Bullets won the award for Best Documentary Feature, and Loîc Barché’s Le Commencement won the award for Best Narrative Short. Winners of 2015 Montreal International Black Film Festival BEST NARRATIVE FEATURE: Malik Vital’s Imperial Dreams (USA) In Imperial Dreams, a 21-year-old reformed gangster’s devotion to his family and his future is put to the test when he is released from prison and returns to his old stomping grounds in Watts, Los Angeles. Honorable mentions to: Ernest Nkosi’s Thina Sobabili (South Africa) BEST DOCUMENTARY FEATURE: Marc Silver’s 3 1/2 Minutes, Ten Bullets (USA) 3 1⁄2 MINUTES, TEN BULLETS dissects the shooting death of 17-year old Jordan Davis by Michael Dunn in Jacksonville, Florida on Black Friday 2012. The film examines the aftermath of this systemic tragedy, the contradictions within the American criminal justice system—particularly the implications of the “Stand Your Ground” self-defence law— and the racial prejudices that ensued. With intimate access, the film follows the trial of Dunn and its deep impact on Jordan’s family and friends. https://www.youtube.com/watch?v=RKbCoRA__UI Honorable mention to: Michiel Thomas’ Game Face (USA) and Stanley Nelson’s Black Panthers: Vanguard of the Revolution (USA) BEST NARRATIVE SHORT: Loîc Barché’s Le Commencement (Time To Go) (France) Ever since he was a child, the Musician has had only one goal: becoming a great guitar player. Now thirty, he’s living with a young welder, Elsa, who wants to build a life with him. But the Musician knows that for as long as he hasn’t achieved his goal he will never be able to commit to anything or anyone else. One night, however, Elsa convinces him to take a job in a music shop in a nearby city. But on the way there, the Musician meets a strange man who promises to make his dreams come true in exchange for his soul… Honorable mention to: Anna Muso’s Ran Fast (USA)

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  • BLACK PANTHERS Film Wins Best of Fest at 2015 RiverRun International Film Festival

    The Black Panthers: Vanguard of the Revolution THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION directed by Stanley Nelson took home the Audience Award “Best of Fest” at the 17th annual RiverRun International Film Festival which ran April 16 to 26, 2015.  In the film, Stanley Nelson weaves together voices from varied perspectives who lived the story of the Black Panther Party, including police, FBI informants, journalists, white supporters, and detractors, those who remained loyal to the party and those who left it. AUDIENCE AWARDS The Audience Award “Best of Fest” was presented to: THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION / USA (Director: Stanley Nelson) — Whether they were right or wrong, the Black Panther Party and its leadership remain powerful and enduring figures in our popular imagination even today. Stanley Nelson’s film weaves together voices from varied perspectives who lived this story– police, FBI informants, journalists, white supporters, and detractors, those who remained loyal to the party and those who left it. The Kilpatrick Townsend & Stockton LLP Audience Award for Best Narrative Feature was presented to: ANYWHERE ELSE / Israel / Germany (Director: Ester Amrami) — Noa, an Israeli grad student working on her thesis in Berlin about untranslatable words, returns home to find her family less than enamored with her life choices and struggles to define her connections to both place and family. The Audience Award for Best Documentary Feature was presented to: 3 ½ MINUTES / USA (Director: Marc Silver) — This gripping documentary dissects the shooting death of 17-year-old Jordan Davis, the aftermath of this systemic tragedy and contradictions within the American criminal justice system. The Altered States Audience Award for Best Indie was presented to: PROUD CITIZEN / USA (Director: Thomas Southerland) — After winning second place in a play writing contest, a Bulgarian woman travels to small town Kentucky for the premiere of her play. Expecting southern hospitality, she instead finds an America full of dichotomy in this funny, heartwarming and sometimes heartbreaking meditation on the comfort (and discomfort) of strangers. NARRATIVE COMPETITION The Best Narrative Feature Award was presented to: MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) — Kurdish childhood friends Hussein and Alan naively resolve to produce a film about the genocide of Kurdish people in Iraq, specifically the Anfal campaign of 1988. They learn that in order to will the film into existence they must put everything on the line–even their own lives. The Peter Brunette Award for Best Director was presented to: Naomi Kawase, STILL THE WATER / Japan / Spain / France Best Actor was presented to: Hussein Hassan MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) Best Actress was presented to: Julieta Diaz, REFUGIADO / Argentina / France / Columbia / Poland (Director: Diego Lerman) Best Cinematography – Narrative Feature was presented to: Yutaka Yamazuki, STILL THE WATER / Japan / Spain / France (Director: Naomi Kawase Best Screenplay was presented to: THE SECOND MOTHER / Brazil (Director: Anna Muylaert) Special Jury Prize for Editing: Ebrahim Saeedi, MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) Honorable Mention for Cinematography: Sara Mishara, FELIX AND MEIRA / Canada (Director: Maxime Giroux) Honorable Mention for Actress: Hadas Yaron, FELIX AND MEIRA / Canada (Director: Maxime Giroux) Honorable Mention for Actor: James ‘Primo’ Grant, FIVE STAR / USA (Director: Keith Miller) DOCUMENTARY COMPETITION Best Documentary Feature : THE CHINESE MAYOR / China (Director: Hao Zhou) — Controversial Chinese politician Geng Yanbo demolished 140,000 households and relocated half a million people in order to restore ancient relic walls for the sake of the region’s tourism industry. The film investigates one mayor’s mission to save his city and uncovers the secret workings of China’s Communist Party. Jury statement: “We chose “The Chinese Mayor” as Best Documentary Feature for its incredible level of access, the ambiguity of its story arc, the complexity of Mayor Geng, and its ability to give the audience an inside look at a culture we might not be familiar with.” Best Director — Documentary Feature was presented to: Joshua Oppenheimer for THE LOOK OF SILENCE / Denmark / Finland / Indonesia / Norway / UK — Through Joshua Oppenheimer’s work filming perpetrators of the Indonesian genocide, a family of survivors discovers the identities of the men who killed their son. The youngest brother is determined to break the spell of silence, and so confronts the men responsible for his brother’s murder–something unimaginable in a country where killers remain in power. Jury statement: “We recognize this film for his bold clarity of vision and unflinching commitment to the material. “The Look of Silence” is a remarkable film that bears Oppenheimer’s unmistakable stamp with every choice he makes as a filmmaker.” Special Jury Prize: WELCOME TO LEITH / USA (Co-directors: Michael Beach Nichols and Christopher Walker) — In the tiny town of Leith, North Dakota, notorious white supremacist Craig Cobb is attempting a hostile takeover. Filmed in the days leading up to Cobb’s arrest for terrorizing the townspeople, the film is an eerie document of American DIY ideals. SHORTS COMPETITION Best Documentary Short was presented to: CAILLEACH / UK (Director: Rosie Reed Hillman) — Morag is 86. She lives alone at the end of a track looking out to sea on her croft on the Isle of Harris, Outer Hebrides, with her three cats and twelve sheep. Morag was born in this house and has lived here her whole life, following five generations of the family who came before her. Cailleach is a portrait of Morag and her simple and peaceful life as she contemplates her next chapter, shares her unique sense of independence and the connection she has to her wild island home. As the winner of the jury award for Best Documentary Short, ‘Cailleach’ is now eligible to be considered for a 2016 Academy Award®. Jury statement: “Cailleach” was selected“for its reflective and cinematic portrait of an 86-year-old woman getting on with life no matter the circumstances.” Honorable Mention to the documentary short: NOTES FROM LIBERIA / USA / Liberia (Co-Directors: Ryo Murakami and Judd Ehrlich) — Crafted from footage shot by the late Japanese cinematographer Ryo Murakami on the Firestone Tire and Rubber Plantation in Liberia, the film traces Ryo’s journey from Monrovia, where the traumas of a brutal fifteen-year civil war still simmer beneath the surface, to the remote plantation village of Harbel. Jury statement: “For its poignant investigation of the Firestone rubber plantation in Liberia, the Short Documentary honorable mention goes to “Notes from Liberia” by Judd Ehrlich and the late Ryo Murakami.” Accepting the award is the film’s producer, Takeshi Fukunaga. Best Narrative Short was presented to: THE KÁRMÁN LINE / UK / (Director: Oscar Sharp) — When a mother acquires a rare condition that sees her lift off the ground at a slow but ever increasing rate, her husband and daughter are forced to come to terms with losing her. Jury statement: “Seamlessly transitioning between levity and pathos, we award “The Kármán Line” for its moving and original take on impending loss as seen through the eyes of an ordinary family in an extraordinary situation.” Special Jury Prize was presented to: ÁRTÚN / Iceland / Denmark / (Director: Gudmundur Arnar Gudmundsson) — A small town boy in Iceland decides to travel to the big city with his friends in search of his first romantic encounter. The city holds more in store for them than they anticipated. Best Student Short: ROTA / USA (Director: Jean-Jacques Martinod) — An abandoned warehouse becomes a surreal theater where men are challenged to risk their lives on stage to a game of chance. Jury statement: “For making us complicit in a bizarre underground world we never asked to be a part of, we award best student short to ‘Rota.’” Best Animated Short was presented to: BEAR STORY / Chile (Director: Gabriel Osorio Vargas) — An old bear goes out every day to a busy street corner. Through a tin marionette theater of his own making, he reveals his extraordinary life story. As the winner of the jury award for Best Animated Short, ‘Bear Story’ is now eligible to be considered for a 2016 Academy Award®. Jury Statement: “With its mechanical tin toy aesthetic and clever take on narrative vs. reality, we and the audience enjoyed the film’s tale of a bears tragic and ultimately heroic life story.” Best Student Animated Short: THE PRESENT / Germany (Director: Jacob Frey) — Jake spends most of his time playing video games indoors, until his mom decides to give him an unexpected present.

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  • Complete Film Lineup Announced for 2015 Sarasota Film Festival

    Narrative Centerpiece, his Sundance hit THE END OF THE TOUR starring Jesse Eisenberg and Jason Segel Complete Film Lineup Announced for 2015 Sarasota Film Festival

    The Sarasota Film Festival announced its full line-up, including its Narrative Feature Competition, Independent Visions Competition, Documentary Feature Competition, its Sundance/Gate Foundation Shorts, its Centerpiece and Spotlight films, and its Best of the Web Program for the 2015 Festival taking place  April 10th Through April 19th, 2015.

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  • “Me and Earl and the Dying Girl” Win Top Awards at Sundance

    Me and Earl and the Dying Girl,Me and Earl and the Dying Girl,

    Me and Earl and the Dying Girl, directed by Alfonso Gomez-Rejon is the Winner of the U. S. Grand Jury Prize – Dramatic and the Audience Award – U.S. Dramatic at the 2015 Sundance Film Festival.

    Accepting the award, Alfonso Gomez-Rejon said “I want to thank entire cast and crew actors, Thomas Mann, Olivia Cooke, RJ Cyler, Connie Britton, Nick Offerman and Molly Shannon. This movie was about processing the loss and celebrate the life of a beautiful man, my father. So thanks again for this opportunity.”

    The winners and awards of 2015 Sundance Film Festival

    Winner of the Directing Award: U.S. Documentary:
    Cartel Land
    , directed by Matthew Heinema

    Winner of the Directing Award: U.S. Dramatic:
    The Witch
    , directed by Robert Eggers

    Winner of the U.S. Grand Jury Prize: Documentary:
    The Wolfpack
    , directed by Crystal Moselle

    Winner of the U. S. Grand Jury Prize: Dramatic:
    Me and Earl and the Dying Girl
    , directed by Alfonso Gomez-Rejon

    Winner of the U.S. Documentary Special Jury Award for Social Impact:
    3 ½ Minutes,
    directed by Marc Silver

    Winner for U.S. Dramatic Special Jury Award for Collaborate Vision:
    Advantageous, directd by Jennifer Phang

    Winner for U.S. Dramatic Special Jury Award for Excellence in Editing:
    Dope
    , edited by Lee Haugen

    Winner of the Cinematography Award: U.S. Dramatic:
    The Diary of a Teenage Girl
    , cinematography by Brandon Trost

    Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic:
    The Stanford Prison Experiment
    , screenplay by Tim Talbott

    Winner of Audience Award: U.S. Documentary:
    Meru
    , directed by Jimmy Chin and E. Chai Vasarhelyi

    Winner of the Audience Award: U.S. Dramatic:
    Me and Earl and the Dying Girl
    , directed by Alfonso Gomez-Rejon

    Winner of the Cinematography Award: U.S. Documentary:
    Cartel Land
    , by Matthew Heineman

    Winner of the U.S. Documentary Special Jury Award for Break Out First Feature:
    (T)error
    , directed by Lyric R. Cabral and David Felix Sutcliffe

    Winner for U. S. Documentary Special Jury award for Verité Filmmaking:
    Western,
    directed by Bill Ross and Turner Ross

    Winner of the Audience Award: Best Of Next
    James White
    , directed by Josh Mond

    Winner of the Audience Award for World Cinema Dramatic:
    Umrika, directed by Prashant Nair

    Winner of the World Cinema Dramatic Special Jury Award for Acting:
    The Second Mother
    , Regina Casé and Camila Márdila

    Winner of the World Cinema Dramatic Special Jury Award for Acting:
    Glassland
    , Jack Reynor

    Winner of the World Cinema Dramatic Special Jury Award for Cinematography:
    Partisan
    , Germain McMicking

    Winner of the World Cinema Dramatic Directing Award:
    The Summer of Sangaile
    , directed by Alanté Kavaïté

    Winner of the World Cinema Dramatic Grand Jury Prize:
    Slow West
    , directed by John Maclean

    Winner of the World Cinema Documentary Editing Award:
    How to Change the World, 
    edited by Jim Scott

    Winner of the World Cinema Documentary Special Jury Award for Impact:
    Pervert Park
    , directed by Frida Barkfors and Lasse Barkfors

    Winner of the World Cinema Documentary Special Jury Award for Unparalleled Access:
    The Chinese Mayor,
    directed by Hao Zhou

    Winner of the World Cinema Documentary Directing Award:
    Dreamcatcher,
    directed by Kim Longinotto

    Winner of the World Cinema Documentary Grand Jury Prize:
    Russian Woodpecker,
    directed by Chad Gracia

    Winner of the Alfred P. Sloan Feature Film Prize:
    The Stanford Prison Experiment,
    directed by Kyle Patrick Alvarez

     

     

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