LET THE CORPSES TAN[/caption]
With little more than two weeks to go, the 6th Ithaca Fantastik (IF) taking place November 3 to 12 in Ithaca, NY, unveiled its full features and short film lineup of 37 films from 20 countries.
In LET THE CORPSES TAN, Belgian duo Hélène Cattet and Bruno Forzani pay visual homage to Italian gangster films. Marc Meyers’s award-winning MY FRIEND DAHMER, based on the graphic novel of the same name, follows the teenage years of the budding serial killer. Ryan Prows’s mesmerizing and gritty LA tale LOWLIFE takes viewers on a high-energy organ-harvesting misadventure. And Deborah Haywoods’s beautifully disturbing and deeply personal PIN CUSHION explores intergenerational bullying in a small but toxic English town.
Playing to a full range of IF6’s retrospective theme—Italiano Psichedeliko—with a contemporary eye, Rupert Jones’s murder-mystery, KALEIDOSCOPE, mesmerizes with lush visuals and amazing performances from Sinead Matthews and Toby Jones. Rainer Sarnet’s NOVEMBER plunges vanguard film-lovers into a surrealist maelstrom of faith, witchcraft, and love, while German tale FREDDY/EDDY ushers in a doubled and troubled soul from the mind of Tini Tüllmann.
Any pure horror lovers in the room? Giddens Ko’s MON MON MON MONSTER blows minds with its thoughtful subtext on bullying dressed with gory violence. A Taiwanese echo to Haywoods’s PIN CUSHION, this film takes no prisoners. The same can be said about Gabriela Amaral’s FRIENDLY BEAST: What starts out as a classic social drama makes a sharp turn into more graphic territory demanding self-reflection. And for undead action, Robin Aubert’s LES AFFAMÉS – an art house Zombie film full of deep social commentary—is a brilliant homage to maestro George Romero’s ghoul metaphor.
Sometimes, real life is more Fantastik than fiction. Brad Abrahams’s documentary, LOVE AND SAUCERS, tells the improbable story of David Higgins’ intimate love for an alien and the art that followed. For sheer genre joy, Australian mockumentary TOP KNOT DETECTIVE is Aaron McCann and Dominic Pearce’s madcap love letter to late-night Japanese television—from Lone Wolf and Cub and Mute Samurai to Message from Space and Space Sheriff Gavan.
IF completes this year’s smorgasbord with the crazies: Adolfo Kolmerer and William James’s SNOWFLAKE, the prodigal son of Pulp Fiction and Synecdoche NY, with producer Eric Sonnenburg here for the sceening; Thomas Berg and Frederik Waldeland’s super-weird, laugh-out-loud VAMPYR VIDAR; and Jimmy Henderson’s JAILBREAK with its roots in HK martial arts cinema, Jean Paul Ly’s choreography, dynamic camerawork, and the incisive power of a Tony Jaa elbow strike.
IF also shines a spotlight on BLUE UNDERGROUND, Bill Lustig’s distribution company, with the 4K restoration of Gary Sherman’s DEATH LINE, a direct transfer from the camera negative—as close as you can get to a director’s true vision! Another new 4K transfer, Bob Clark’s DEAD BY NIGHT, offers a deep meditation on the effects of war …with a zombie trope.
Along with this incredible lineup, IF will also present its 2017 art show: THE STRANGE COLORS OF GILLES VRANCKX featuring the work of the Belgian poster genius behind art for Amer, The Strange Colors of Your Body’s Tears, LET THE CORPSES TAN, and more.
A Day
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6th Ithaca Fantastik Announces Lineup, LET THE CORPSES TAN, MY FRIEND DAHMER and More..
[caption id="attachment_24807" align="aligncenter" width="1023"]
LET THE CORPSES TAN[/caption]
With little more than two weeks to go, the 6th Ithaca Fantastik (IF) taking place November 3 to 12 in Ithaca, NY, unveiled its full features and short film lineup of 37 films from 20 countries.
In LET THE CORPSES TAN, Belgian duo Hélène Cattet and Bruno Forzani pay visual homage to Italian gangster films. Marc Meyers’s award-winning MY FRIEND DAHMER, based on the graphic novel of the same name, follows the teenage years of the budding serial killer. Ryan Prows’s mesmerizing and gritty LA tale LOWLIFE takes viewers on a high-energy organ-harvesting misadventure. And Deborah Haywoods’s beautifully disturbing and deeply personal PIN CUSHION explores intergenerational bullying in a small but toxic English town.
Playing to a full range of IF6’s retrospective theme—Italiano Psichedeliko—with a contemporary eye, Rupert Jones’s murder-mystery, KALEIDOSCOPE, mesmerizes with lush visuals and amazing performances from Sinead Matthews and Toby Jones. Rainer Sarnet’s NOVEMBER plunges vanguard film-lovers into a surrealist maelstrom of faith, witchcraft, and love, while German tale FREDDY/EDDY ushers in a doubled and troubled soul from the mind of Tini Tüllmann.
Any pure horror lovers in the room? Giddens Ko’s MON MON MON MONSTER blows minds with its thoughtful subtext on bullying dressed with gory violence. A Taiwanese echo to Haywoods’s PIN CUSHION, this film takes no prisoners. The same can be said about Gabriela Amaral’s FRIENDLY BEAST: What starts out as a classic social drama makes a sharp turn into more graphic territory demanding self-reflection. And for undead action, Robin Aubert’s LES AFFAMÉS – an art house Zombie film full of deep social commentary—is a brilliant homage to maestro George Romero’s ghoul metaphor.
Sometimes, real life is more Fantastik than fiction. Brad Abrahams’s documentary, LOVE AND SAUCERS, tells the improbable story of David Higgins’ intimate love for an alien and the art that followed. For sheer genre joy, Australian mockumentary TOP KNOT DETECTIVE is Aaron McCann and Dominic Pearce’s madcap love letter to late-night Japanese television—from Lone Wolf and Cub and Mute Samurai to Message from Space and Space Sheriff Gavan.
IF completes this year’s smorgasbord with the crazies: Adolfo Kolmerer and William James’s SNOWFLAKE, the prodigal son of Pulp Fiction and Synecdoche NY, with producer Eric Sonnenburg here for the sceening; Thomas Berg and Frederik Waldeland’s super-weird, laugh-out-loud VAMPYR VIDAR; and Jimmy Henderson’s JAILBREAK with its roots in HK martial arts cinema, Jean Paul Ly’s choreography, dynamic camerawork, and the incisive power of a Tony Jaa elbow strike.
IF also shines a spotlight on BLUE UNDERGROUND, Bill Lustig’s distribution company, with the 4K restoration of Gary Sherman’s DEATH LINE, a direct transfer from the camera negative—as close as you can get to a director’s true vision! Another new 4K transfer, Bob Clark’s DEAD BY NIGHT, offers a deep meditation on the effects of war …with a zombie trope.
Along with this incredible lineup, IF will also present its 2017 art show: THE STRANGE COLORS OF GILLES VRANCKX featuring the work of the Belgian poster genius behind art for Amer, The Strange Colors of Your Body’s Tears, LET THE CORPSES TAN, and more.
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28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More
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Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption]
150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th.
A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave.
After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change.
This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda.
The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year.
A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.
Stockholm International Film Festival – Program 2017
Stockholm XXVIII Competition
A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)Stockholm XXVIII Documentary Competition
A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)Stockholm Impact
Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)Open Zone
A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)American Independents
Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)Icons
Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)Discovery
Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)Documania
Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)Twilight Zone
A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)Spotlight
An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)Stockholm XXVIII Short Film Competition
A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)Special Event
Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film1 Km Film
Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved
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Ithaca Fantastik Reveals First Wave of Films, TRAGEDY GIRLS, THE ENDLESS and More
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TRAGEDY GIRLS[/caption]
The 2017 Ithaca Fantastik (IF) film festival returns to Ithaca, New York, November 3 to 12, 2017; and with less than a month and a half to go, IF is revealing, its first wave of titles, and an inspired retrospective.
Returning audiences will notice an expanded schedule as the festival grows from half a week to a full nine days. The festival’s two weekends will be dedicated to the best in current genre and festival cinema, with the week between featuring classic retrospective selections.
The first weekend begins with the return of the CINEMA PUR miniseries, from Finnish action comedy SAMURAI RAUNI (Mika Ratto, Finland) to the hyper-real dark fairy tale TIGERS ARE NOT AFRAID (Issa Lopez, Mexico). Turkey and Canada are well-represented again this year, with the SXSW award-winner INFLAME (Ceylan Ozgun Ozcelik, Turkey), and the TIFF midnight madness selection THE CRESCENT (Seth A. Smith, Canada).
The lineup wouldn’t be complete without a little witchcraft – HAGAZUSSA: A Heathen’s Curse (Lukas Feigelfeld, Germany) will haunt viewers long after the screening. Rounding out CINEMA PUR, the documentary BIGHT OF THE TWIN (Hazel McCarthy, US), about the personal journey of avant-garde performance artist Genesis Breyer P-Oridge, interlaces belief and grief in a beautiful and unexpected way.
The 40th Anniversary of the Giallo masterpiece SUSPIRIA (Dario Argento, 1977) provides an excellent occasion to revisit Italian exploitation classics with fresh eyes. The festival retrospective, ITALIANO PSICHEDELICO, will focus on the amazing visuals these inspired directors put on-screen. Selections include late 60s to mid 70s Italian films SUSPIRIA (Dario Argento, 1977), AUTOPSY (Armando Crispino, 1975), LE ORME (Luigi Bazzoni, Mario Fanelli, 1975), BABA YAGA (Corrado Farina, 1973), DEADLY SWEET (Tinto Brass, 1967), as well as more titles to be announced in wave two!
Continuing the weekend lineup, the festival will feature slasher comedy TRAGEDY GIRLS (Tyler McIntyre, UK), Tribeca award winner THE ENDLESS (Benson and Moorhead, USA), Graham Skipper’s directorial debut SEQUENCE BREAK (USA), Nordic ghost tale I REMEMBER YOU (Oskar Thor Axelsson, Iceland), and a twisted take on the timeloop trope A DAY (Sun-Ho Cho, South Korea).
Ithaca Fantastik would not be complete without its midnight series, featuring the riveting zombie comedy ZOMBIOLOGY (Alan Lo, Japan) and the surprising BRAVE STORM (Junya Okabe, Japan), which can be best described as an inventive and improbable mix between Terminator and Evangelion.
2017 Ithaca Fantastik First Wave of Films
BIGHT OF THE TWIN (Ithaca Premiere) Hazel Hill McCarthy III, US BRAVE STORM (North American premiere) Junya Okabe, Japan THE CRESCENT (Ithaca Premiere) Seth A. Smith, Canada A DAY (East Coast Premiere) Sun-Ho Cho, South Korea THE ENDLESS (Ithaca Premiere) Benson and Moorhead, USA HAGAZUSSA (Ithaca Premiere) Lukas Feigelfeld, Germany INFLAME (East Coast Premiere) Ceylan Ozgun Ozcelik, Turkey I REMEMBER YOU (Ithaca Premiere) Oskar Thor Axelsson, Iceland SAMURAI RAUNI (North American Premiere) Mika Ratto, Finland SEQUENCE BREAK (Ithaca Premiere) Graham Skipper, USA TIGERS ARE NOT AFRAID (East Coast Premiere) Issa Lopez, Mexico TRAGEDY GIRLS (Ithaca Premiere) Tyler McIntyre, UK ZOMBIOLOGY: ENJOY YOURSELF TONIGHT (Ithaca Premiere) Alan Lo, Hong KongRetrospective ITALIANO PSICHEDELIKO
AUTOPSY Armando Crispino, 1975 BABA YAGA Corrado Farina, 1973 DEADLY SWEET Tinto Brass, 1967 LE ORME Luigi Bazzoni, Mario Fanelli, 1975 SUSPIRIA Dario Argento, 1977
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Fantasia 2017 Unveils Poster and First Wave of Films, Opens with Action Thriller THE VILLAINESS
The Fantasia International Film Festival celebrates its 21st Anniversary in Montreal this summer, taking place from July 13-August 2, 2017, with its Frontières International Co-Production Market and Industry Rendez-Vous Weekend being held July 20-23. The full lineup of over 130 feature films will be announced July 5. In the meantime, the festival is excited to reveal a selected First Wave of titles, along with several special happenings.
In celebration of Montreal’s 375th anniversary, veteran Fantasia artist Donald Caron has created a poster the festival describes as “a visual love letter to our city with a piece that truly speaks for itself.”
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THE VILLAINESS[/caption]
Fantasia 2017 will start with a thunderous smash! After leaving the Cannes audience absolutely mesmerized with its groundbreaking and spectacular fight scenes and Kim Ok-vin’s ferocious, yet poignant interpretation, Jung Byung-gil’s action thriller THE VILLAINESS (North American Premiere) will be the Opening Film of this year’s edition of the Fantasia International Film Festival.
Following this astonishing jolt of raw adrenaline, who else than the Grand Maestro of international genre cinema could keep the pace? Fantasia favorite Takashi Miike, who received a well deserved Lifetime Achievement Award last year, will once again please his hordes of Montreal fans with the exuberant JOJO’S BIZARRE ADVENTURE: DIAMOND IS UNBREAKABLE (North American Premiere), masterfully adapted from Hirohiko Kitakubo’s cult manga and featuring a stellar cast led by Kento Yamazaki.
This Summer, Fantasia will be saluting the groundbreaking work of independent American filmmaker Larry Cohen. Widely recognized as one of the godfathers of progressive, socially conscious genre cinema with such individualistic landmarks as the IT’S ALIVE films, BLACK CASEAR, Q, and THE STUFF, in addition to his distinctive screenwriting work for a plethora of other filmmakers, Cohen’s output has always been smart, character-driven, and boldly confrontational.
Larry Cohen will be awarded before the World Premiere of Steve Mitchell’s KING COHEN, a phenomenal documentary about the filmmaker’s extraordinary history and work, that features appearances by Martin Scorsese, John Landis, Yaphet Kotto, J.J. Abrams, Fred Williamson, Rick Baker, Joe Dante, and Eric Bogosian, among many others.
Following our past live performance events of METROPOLIS and THE PHANTOM OF THE OPERA, Gabriel Thibaudeau and Fantasia are re-teaming for a presentation of a unique cinematographic concert of Paul Leni’s 1928 classic THE MAN WHO LAUGHS, rightfully recognized as an early masterpiece of horror cinema. Thibaudeau’s original score for the film, which has been performed worldwide over the past 20 years, from Paris to São Paulo, Tokyo to New York, will be interpreted live by a nine-piece orchestra under the direction of the composer, featuring the Quatuor Molinari. Do not miss this true homage to silent cinema’s golden age!
Georgian-born French filmmaker Géla Babluani created one of the most significant thrillers of the last 15 years with his enthralling debut, the classic 13 TZAMETI. Now, after a seven-year hiatus following that film’s 2010 US remake, he has returned with MONEY’S MONEY – a taut robbery thriller whose stellar cast includes Benoît Magimel, Olivier Rabourdin, Vincent Rottiers, and Féodor Atkine. Fantasia will proudly be showcasing the film’s World Premiere.
Fantasia’s Axis Section presents two new animated films by Japan’s Yuasa Masaaki, who will attend the festival in person. Masaaki’s 2004 opus MIND GAME, showcasing his free-spirited sensibility, remains an all-time animated highlight of the festival’s programming history. First up, a wild jumble of characters and events that come together on one strange night in Kyoto, in the madcap, musical romantic comedy NIGHT IS SHORT, WALK ON GIRL (International Premiere). And then there’s LU OVER THE WALL (North American Premiere) – boy meets mermaid in this manic anime mash-up of Gothic folklore, wild fantasy, and feelgood teenage J-pop jams!
Fantasia will be presenting a special screening of Luc Besson’s hotly anticipated fantasy spectacular VALERIAN AND THE CITY OF A THOUSAND PLANETS. Based on the adored French comic series by Pierre Christin and Jean-Claude Mézières, the film stars Dane DeHaan, Cara Delevingne, Clive Owen, and Rihanna – and promises to be one of the most visually extravagant genre works the screen has ever seen.
The lives of an addict, a Luchador, a cartel organ smuggler, and an ex-con collide in this wildly original crime/drama/blacker-than-black comedy/thriller that’s as informed by Mexican subcultures as it is by American cinema. A ferocious feature debut by Ryan Prows, LOWLIFE is one of the most gobsmacking crime film discoveries that we’ve come across in years. Beg, cheat, or steal to be at our World Premiere and witness the birth of an unforgettable instant classic.
Director Cho Sun-ho amazes with his masterfully crafted first feature film A DAY (International Premiere), which tells the story of a famous doctor stuck in a time loop where he must try to save his daughter from a fatal car accident over and over again. Going far beyond the GROUNDHOG DAY concept in terms of emotional implication and unpredictable twists, this riveting thriller will keep you on the very edge of your seat! Cho Sun-ho is definitely a name to remember!
Fantasia is proud to be presenting the World Premiere of FRIENDLY BEAST, a bold and brilliant feature debut from Brazilian writer/director Gabriela Amaral Almeida. Easily one of the most provocative works you’ll encounter this year, the film concerns a restaurant owner going over the edge when an armed robbery is attempted at his establishment. He holds everyone captive at gunpoint – criminals and customers alike – and situations corrode into a nightmare state, guided by manipulation and raw compulsion.
Ted Geoghegan’s sophomore feature, following 2015’s acclaimed WE ARE STILL HERE, confronts audiences with a very different kind of horror: our collective history. Set in 1814, MOHAWK tells the white-knuckle tale of two young Mohawk warriors and their British lover pursued by murderous American military renegades Hell-bent on blind revenge, and features a striking ensemble cast that includes Kaniehtiio Horn, Eamon Farren, Ezra Buzzington, Jonathan Huber (WWE Superstar Luke Harper), and Noah Segan. History often hurts, but sometimes it hits hard enough to kill.
The CAMERA LUCIDA Section is back at Fantasia for its eighth consecutive year! Opening with the Québec Premiere of David Lowery’s A GHOST STORY, a metaphysical exploration of love, longing, destiny and mortality that reunites the PETE’S DRAGON’s director with actors Rooney Mara and Casey Affleck, the section will once again showcase some of world cinema’s boldest and most innovative voices, at the very edge of genre cinema.
World premiering at Fantasia, Giordano Giulivi’s THE LAPLACE’S DEMON unfolds like an all-time great TWILIGHT ZONE episode directed by the three-headed offspring of Guy Maddin, Mario Bava, and Val Lewton! It will send you right over the edge with its unique mix of faux-vintage aesthetics, probabilistic science-fiction, and Gothic style. A total discovery, it beautifully balances pastiche, homage, and invention!
Also in the section, Yuya Ishii’s THE TOKYO NIGHT SKY IS ALWAYS THE DENSEST SHADE OF BLUE (Canadian Premiere) is an offbeat rom-com, a slacker dramedy, and a poetic ode to the Big City, all rolled into one virtuosic film from the director of THE GREAT PASSAGE, and based on the poetry of Tahi Saihate.
Geng Jun’s FREE AND EASY (also a Canadian Premiere) sees a soap salesman, a monk, and some lazy cops collide in a factory town in the Northeast of China. Putting the “dead” firmly back in deadpan, Geng’s comedy unfolds as an absurdist caper of Beckettian proportions, making for a great portrait of small-town crime in the wake of China’s rapid industrialization. The rest of this year’s Camera Lucida lineup will be revealed on July 5.
Years ago, Thailand gave the world ONG BAK. Then Indonesia surprised us with THE RAID. This year, it’s Cambodia’s turn to redefine the limits of action cinema with spectacular stunts and breathtaking fights at an unrelenting, frenetic pace. Explosively directed by Jimmy Henderson, JAILBREAK highlights the beauty and the know-how of a national cinema worth discovering. Don’t miss this!
YOU ONLY LIVE ONCE, the hilarious feature debut of Spanish stunt coordinator Federico Cueva, who has worked extensively on the films of Alex de la Iglesia and Santiago Segura, is an explosive action/comedy that sees a framed con man (Peter Lanzani) having to impersonate an orthodox Jew in order to escape ruthless killers – played by Segura, Gerard Depardieu, and Hugo Silva! Fantasia offers you the chance to be the first to see this incredible actioner outside its home country!
Fantasia favorite Yuichi Fukuda (HK: FORBIDDEN SUPERHERO) is back, with his biggest film yet: GINTAMA, based on Hideaki Sorachi’s long-running, best-selling shonen manga series – adapted to the big screen in all its comedic, swashbuckling, fourth-wall-breaking glory! Fukuda runs completely wild with the manga’s many sight gags and extravagant costumes, in what proves to be at once a must for diehard fans and a treat for manga enthusiasts in general; a crash-course in live-action done right!
From the Oscar-winning director of THE COUNTERFEITERS and the ANATOMIE films comes the crushingly intense COLD HELL – a film that crackles with elements of Giallo, horror, thriller, and full-throttle action cinema, anchored with powerful doses of socio-political confrontation. A tough-as-nails Turkish taxi driver (Violetta Schurawlow) in Vienna witnesses a murder and finds herself stalked by a fundamentalist serial killer inspired by Islam. After a lifetime of being under siege, she’s not about to run from anyone. What follows is anything but the usual cat and mouse formula, as ideology and hate clash up against ferocious, end-of-the-rope anger.
Danish madmen Casper Christensen and Frank Hvam became a comedy team for the ages in the unforgettable KLOWN series – the first film having won a Cheval Noir at Fantasia, where it had its North American Premiere. Now, they’re together again, as co-writers and stars, in Jesper Rofelt’s DAN DREAM, an ‘80s-set comedy about a group of eccentric men striving to make an electric car. Fantasia’s audience will be the very first to see the film outside of Denmark. Get excited!
If Nicolas Machiavelli would’ve written a comic book with an edgy sense of humor, it would look like Usamaru Furuya’s manga Teiichi no Kuni. Akira Nagai, director of the Fantasia 2016 success IF CATS DISAPPEARED FROM THE WORLD, adapts this witty mix of political satire and coming of age story without falling one second into outrageous cynicism. With a dynamic performance from actor Masaki Suda who bring just enough humanity to his aspiring politician character, TEIICHI: BATTLE OF THE SUPREME HIGH (North American Premiere) is the perfect film to maintain a bit of sanity in today’s political context.
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BRIGSBY BEAR[/caption]
After celebrating its World Premiere at Sundance and its European launch at Cannes (Critic’s Week), Dave McCary’s extraordinary BRIGSBY BEAR will have its Canadian bow at Fantasia. Brigsby Bear Adventures is a children’s TV show produced for an audience of one: James (Kyle Mooney). When the show abruptly ends, James’s life changes forever, and he sets out to finish the story himself. Co-starring Mark Hamill, Claire Danes, and Greg Kinnear, BRIGSBY BEAR is an inventive and touching outsider comedy about the power of storytelling that easily ranks among the most charming films you’ll encounter this year.
Liu Jian’s award-winning 2010 debut, PIERCING 1, marked him as China’s first world-class independent animator, and established an austere, understated visual style and caustic social commentary that has carried through to his latest. Making its Canadian Premiere at Fantasia 2017, Liu’s bold second feature, the Berlinale breakout HAVE A NICE DAY is a bitter, bitingly funny slice of low-key neo-noir, in which a memorable bunch of nobodies chase a bag of cash and strike hopeless bargains with fate.
ADDITIONAL FIRST WAVE TITLES INCLUDE:
68 KILL
USA – Dir: Trent Haaga
Matthew Gray Gubler and AnnaLynne McCord incinerate the screen in this crazy scumbag thrill-ride of white-trash crime and kink that manages to subversively play with gender and be a toxic anti-romantic bloodbath of a comedy in the same breathless blow. Winner: Audience Award (Midnighters), SXSW 2017. Canadian Premiere.
BAD GENIUS
Thailand – Dir: Nattawut Poonpiriya
When Lynn (Chutimon Chuengcharoensukying) discovers that her academic skills can bring her thousands of baht if she helps her wealthy friends cheat at exams, she elaborates a complex scheme. What if OCEAN’S ELEVEN would somehow meet THE BREAKFAST CLUB? Well, it happened! A breathtaking coming-of-age thriller that is way smarter than anything you can expect! Official Selection: New York Asian Film Festival. Canadian Premiere.
BASTARD SWORDSMAN
Hong Kong – Dir: Tony Liu
Who will truly master the silkworm technique and bring balance to the martial world? The last surviving 35mm copy of the Shaw Brothers gem will blast you with its avalanche of unfettered lunacy. First Canadian screening in 30 years!
BITCH
USA – Dir: Marianna Palka
The provocative tale of a woman (Palka) who snaps under crushing life pressures and assumes the psyche of a vicious dog. A sharp, feminist satire that’s alternately uncomfortably funny and confrontational with a warrior soul, BITCH is a stunning achievement in every sense. Official Selection: Sundance 2017, Chicago Critics Film Festival 2017. Canadian Premiere.
DEAD MAN TELLS HIS OWN TALE
Argentina – Dir: Fabián Forte
Misogynist alpha male Angel has it all – money, power, family, sex. His only problem is, he’s dead. Gender politics are unpacked in Fabián Forte’s subversive black comedy dosed with unexpected terror. Official Selection: Morbido 2016, Fantasporto 2017. Canadian Premiere.
DEAD SHACK
Canada – Dir: Peter Ricq
A rural Canadian mix of DEAD ALIVE, SCOUTS GUIDE TO THE ZOMBIE APOCALYPSE, and ’80s kids’ movies! Director Peter Ricq (creator of the animated series FREAKTOWN) keeps things fast, light, and full of fight. Official Selection: Neuchetal Fantastic Film Festival 2017, Lund 2017. North American Premiere.
THE ENDLESS
USA – Dir: Justin Benson and Aaron Moorehead
Two brothers return to the cult they fled from years ago to discover that the group’s beliefs may be more sane than they once thought. SPRING and RESOLUTION announced Benson and Moorehead as unconventional genre forces to be reckoned with. THE ENDLESS – in which the gifted filmmaking duo also star – confirms their brilliance beyond any question. Official Selection: Tribeca 2017. Canadian Premiere.
GAME OF DEATH
Canada – Dir: Sebastien Landry and Laurence Baz Morias
A hard-partying pack of teens are forced into a desperate game of kill-or-be-killed after playing the wrong retro game in this high-energy, blood-spattered brainchild of Montreal filmmakers Sebastien Landry and Laurence Baz Morais. Official Selection: SXSW 2017, Jeonju International Film Festival 2017. Canadian Premiere.
KILLING GROUND
Australia – Dir: Damien Power
A young couple (Harriet Dyer; Ian Medows) on a romantic getaway in the Australian wilderness encounter a dangerous pair of locals (Aaron Pedersen; Aaron Glenane) and a make deadly discovery in this inventively intense thriller that brings audiences back to the glory days of Aussie genre cinema and sun-drenched outback horror. Official Selection: Sundance Film Festival. Canadian Premiere.
KODOKU MEATBALL MACHINE
Japan – Dir: Yoshihiro Nishimura
People are turning into bizarre organic/mechanical creatures who terrorize the last survivors of a decimated, dome-covered Tokyo. Yoshihiro Nishimura (TOKYO GORE POLICE), Japan’s master of extreme make-up effects, is back with more of his gory creativity and his formidable capacity to create hellish – but funny – monsters. Official Selection: SXSW 2017, Night Visions 2017, The Overlook Film Festival 2017. Canadian Premiere.
MAYHEM
USA – Dir: Joe Lynch
Amid a frightening viral outbreak that leaves the infected temporarily unable to control their impulses – and subsequently not criminally responsible for their behaviour – a lawyer (THE WALKING DEAD’s Steven Yeun) and shafted homeowner (Samara Weaving) fight to confront the top executives who wronged them. A cheerfully ferocious middle finger salute to cutthroat corporate culture. Official Selection: SXSW 2017. Canadian Premiere.
M.F.A.
USA – Dir: Natalia Leite
After being sexually assaulted by a fellow classmate, an art student (Francesca Eastwood) becomes an avenging vigilante, refusing the vulnerability of victimization and exacting cold-blooded – and bloody – revenge. Official Selection SXSW 2017, Galway Film Fleadh 2017. Canadian Premiere.
MON MON MON MONSTERS
Taiwan – Dir: Giddens Ko
In a shabby Taipei neighborhood plagued by nocturnal killings, four teenage boys find trouble… and trouble finds them. A twisted coming-of-age film from the writer of MACHI ACTION and an impressive blend of genres, bouncing from comedy to horror in matters of seconds without ever making a mess. Official selection: Hong Kong International Film Festival 2017, Udine Far East Film Festival 2017, New York Asian Film Festival 2017. Canadian Premiere.
MUSEUM
Japan – Dir: Keishi Ohtomo
Fantasia favorite Keishi Ohtomo (the RUROUNI KENSHIN trilogy) is back with MUSEUM, based on Ryosuke Tomoe’s 2013 manga of the same name. It’s overworked cop vs. sadistic, frog-headed killer in this gruesome and deranged, horror-tinged thriller in the tradition of David Fincher’s SE7EN! Official Selection: Sitges 2016, Busan 2016. Canadian Premiere.
MY FRIEND DAHMER
USA – Dir: Marc Meyers
Ross Lynch stars in the haunting, sad, funny, and true story of Jeffrey Dahmer in high school, based on Derf Backderf’s critically acclaimed 2012 graphic novel of the same name and Meyers’s own 2014 Black List script. Also starring Anne Heche, Dallas Roberts, and Vincent Kartheiser. Official Selection: Tribeca 2017. Canadian Premiere.
NAPPING PRINCESS
Japan – Dir: Kenji Kamiyama
The divide between teenage Kokone’s fanciful reveries and the real world is crumbling in NAPPING PRINCESS, a sleek Japanese anime that blends steampunk fantasy and plugged-in techno-thrillers. From acclaimed director Kenji Kamiyama (GHOST IN THE SHELL: SAC, CYBORG 009, and EDEN OF THE EAST). Canadian Premiere.
NIGHT OF THE VIRGIN
Spain – Dir: Roberto San Sebastián
The first time is often clumsy and awkward, but for Nico the virgin, it’s the beginning of an endless nightmare. An unmissable comedy/horror rollercoaster of blood and lust that features some of the most grotesquely imaginative grossouts we’ve seen in years. Official Selection: Fantaspoa 2017, FrightFest 2017. Canadian Premiere.
PORK PIE
New Zealand – Dir: Matt Murphy
A trio of young misfits in pursuit of lost love race the length of the country in a stolen Mini Cooper S. Avoiding the law and with nothing to lose, they become folk heroes and most wanted criminals as they find themselves caught in the crosshairs of a media frenzy and escalating police operation. North American Premiere.
REPLACE
Germany/Canada – Dir: Norbert Keil
Afflicted with a dermatological disease, young and beautiful Kira discovers she can replace her skin with that of other girls. REPLACE is a visually sumptuous and grotesque horror/science-fiction creation, co-scripted by Richard Stanley and co-starring genre legend Barbara Crampton. Canadian Premiere.
RON GOOSSENS, LOW-BUDGET STUNTMAN
Netherlands – Dir: Steffen Haars and Flip Van der Kuil
A failed stunt makes Ron Goossens an overnight national celebrity in Holland, in the incendiary new comedy from the team who gave you the insane NEW KIDS films! Official Selection: Fantaspoa 2017, Neuchâtel International Fantastic Film Festival 2017. North American Premiere.
SEQUENCE BREAK
USA – Dir: Graham Skipper
A loner’s budding romance is menaced by a mysterious arcade game that’s a portal to the cosmos in this masterful melding of retro ’80s horror nostalgia and Lovecraftian doom. The directorial debut of actor Graham Skipper (THE MIND’S EYE), SEQUENCE BREAK won Best Feature Film at the 2017 Chattanooga Film Festival. International Premiere.
SPLIT
South Korea – Dir: Choi Kook-hee
A fallen bowling champion (OLDBOY’s Yoo Ji-tae) attempts to team up with an autistic prodigy (POETRY’s David Lee) to rack big money with underground bowling gambles. Built like a genuine sports drama, SPLIT has way more to offer than the traditional competition story… but it will still make you cheer for the protagonists until the end credits! Official Selection: New York Asian Film Festival 2017. Canadian Premiere.
SUPER DARK TIMES
USA – Dir: Kevin Phillips
An emotionally incinerating and strangely dream-like gaze into the shadowy crevices of teenage psychology, directed with vivid imagination, telling a powerful story about adolescence’s end and the darkening of innocence, friendship, loyalty… and murder. Official Selection: Rotterdam Film Festival 2017. Canadian Premiere.
THOUSAND CUTS
France – Dir: Eric Valette
From the maker of MALEFIQUE and ONE MISSED CALL comes a compelling story about wine, drugs, neighbors, neophobia, and politics, in which a hitman seeks a place to hide. Starring Tomer Sisley (SLEEPLESS NIGHT). Official Selection: Rotterdam Film Festival 2017. North American Premiere.
TOKYO IDOLS
UK/Canada/Japan – Dir: Kyoko Miyake
“Idols”, girl bands and their pop music, permeate every moment of Japanese life. TOKYO IDOLS peeks behind the curtains of this industry, explores a cultural phenomenon driven by an obsession with young female sexuality, and the growing disconnect between men and women in hyper-modern societies. Official Selection: Sundance 2017, Hot Docs 2017, DOXA 2017, Japan Cuts 2017. Québec Premiere.
TOM OF FINLAND
Finland – Dir: Dome Karukoski
Award-winning filmmaker Dome Karukoski (LAPLAND ODYSSEY) brings the life and work of one of the most influential and celebrated figures of twentieth century gay culture to the screen in this extraordinary story of revolution and acceptance through counter-cultural art. Official Selection: Goteborg Film Festival 2017, Edinburgh International Film Festival 2017, Tribeca 2017. Canadian Premiere.
VAMPIRE CLEANUP DEPARTMENT
Hong Kong – Dir: Yan Pak-Wing and Chiu Sin-Hang
A motley crew of misfits tackle the bloodthirsty hopping vampires descending on Hong Kong! Laughter, kung fu, horror, and insanity, with a gallery of HK icons! Official Selection: Udine Far East Film Festival 2017, Bucheon International Film Festival 2017. Canadian Premiere.
WHAT A WONDERFUL FAMILY! 2
Japan – Dir: Yoji Yamada
The Hirata family is back, and Grandpa is acting up again! This sequel reunites legendary director Yoji Yamada (of the TORA-SAN series) with the exceptional cast of the first film for another round of hilarious, multi-generational slapstick comedy! Official Selection: Beijing International Film Festival 2017, Shanghai International Film Festival 2017. Canadian Premiere.
WU KONG
China/Hong Kong – Dir: Derek Kwok
Award-winning director Derek Kwok (GALLANTS) reboots the famous Monkey King legend from the popular novel, with fresh vigour of epic proportions that you’ll love for 10,000 years. To be released during the same week in China and North America. Québec Premiere.
