A Decent Man (Un om la locul lui)

  • 13 Filmmakers to Compete for Kutxabank-New Directors Award at 2018 San Sebastián Film Festival

    [caption id="attachment_30728" align="aligncenter" width="1000"]Apuntes para una película de atracos (Notes for a Heist Film). Apuntes para una película de atracos (Notes for a Heist Film).[/caption] Thirteen first or second films by European, Asian and Latin American directors that will be competing for the Kutxabank-New Directors Award at the 2018 San Sebastián Film Festival. Koldo Almandoz (San Sebastián, 1973) has had an intense career in the world of short films, linked to the Kimuak programme and to the San Sebastián Festival, which programmed his first short, Razielen itzulera (The Return of Raziel), in 1997 in Zabaltegi, the section in which two decades later he presented his first full-length film, Sipo Phantasma (Ghost Ship), after premiering it in Rotterdam. Oreina (The Deer) is his second feature film. Elías León Siminiani (Santander, Spain, 1971), nominated for a Goya for Mapa (Map), is now presenting Apuntes para una película de atracos (Notes for a Heist Film). For her part, Nataliia Meshchaninova (Krasnodar, Russia, 1982), who competed in Rotterdam with her first full-length film, Kombinat ‘Nadezhda’ / The Hope Factory, focuses on the vet on a farm in Serdtse Mira / Core of the World. And after Ama Doren / Hold my hand, Ismet Sijarina in Nëntor i ftohtë / Cold November returns to the War in the Balkans, in this case to its background, when Kosovo’s autonomy was suppressed. Hadrian Marcu (Brăila, Rumanía, 1976) will be presenting Un om la locul lui / A Decent Man, about a man who is torn by an emotional conflict, that was selected last year in the first Glocal in Progress, the industry activity at the Festival aimed at European films in non-hegemonic languages. It stars Bodgan Dumitrache, who won the Silver Shell for best actor last year for his performance in Pororoca. The selection also includes the first film by Francisco Marise (La Plata, Argentina, 1985), Para la Guerra (To War), coproduced by the filmmaker, Javier Rebollo, who also takes part in the editing process, and the first film by Hiroshi Okuyama (Japan, 1996), the award-winning music video director, who makes his debut with Boku wa Iesu-sama ga kirai / Jesus. The short by Inés María Barrionuevo (Córdoba, Argentina, 1980), La quietud (2012), competed in the official section at Locarno, and her first feature film, Atlántida (2014), was selected at the Berlinale in the Generation 14plus section. In Julia y el zorro (Julia and the Fox) she deals with a woman and her twelve-year-old daughter who are going through a mourning process. The director, producer and actress Lila Avilés (Mexico, 1982), after working in theatre and presenting shorts at international festivals, in her first full-length film, entitled La camarista (The Chambermaid), describes the everyday life of one of the so-called ‘chambermaids’. After winning awards in his short-film career (with films like Teneriffa), Hannes Baumgartner (Männedorf, Switzerland, 1983) has been inspired in his first feature film Der läufer / Midnight Runner, by the true story of an athlete who starts to commit robberies and lead a double life. Snow, the graduation film by Laurits Flensted-Jensen (Aarhus, Denmark, 1985), was selected at Rotterdam and was chosen as best documentary short by the Danish Academy. His fictional short Melon Rainbow was once again programmed at the Dutch festival and won the most important award at Odense. Neon Heart is his first full-length film. After taking part in the Short Film Corner at Cannes with Grasshopper, the Vietnamese director Ash Mayfair (Ho Chi Minh City, 1985) is presenting her feature-film debut at San Sebastián with The Third Wife, whose screenplay was chosen by Spike Lee as the winner of his Spike Lee Film Production Fund Award in 2014. The short film Luisa no está en casa (Luisa is not Home) by Celia Rico Clavellino (Seville, 1982) was chosen in the Short Film Corner at Cannes and at Venice and won the Gaudí award for best short. Her first full-length film, Viaje al cuarto de una madre (Journey to a Mother’s Room), whose screenplay took part in the Berlinale Talents Script Station Lab, stars Lola Dueñas and Anna Castillo. The remaining titles making up the New Directors section will be announced in the coming weeks. APUNTES PARA UNA PELÍCULA DE ATRACOS (NOTES FOR A HEIST FILM) LEÓN SIMINIANI (SPAIN) Elías is a film director who dreamed of making a heist movie. During the summer of 2013 he reads a news story about the arrest of ‘The Vallecas Robin Hood’, the leader of ‘the sewers gang’. He then feels that he has found the opportunity to make his dream come true. He sends him a letter to the prison where he is serving his sentence. Against all odds, Elías receives a reply three weeks later. Robin Hood agrees for him to come and visit him in prison. BOKU WA IESU-SAMA GA KIRAI / JESUS HIROSHI OKUYAMA (JAPAN) Cast: Yura Sato, Riki Okuma Yura is a young boy whose family leaves Tokyo to live with his grandmother in the snowy countryside. Not only must he fit in at a new school, but it’s a Christian one. At first he is puzzled when he and his classmates are called to ‘worship’, but he gradually adjusts to his new environment. One day, in the middle of a prayer, he sees a very small Jesus appear before him. Each wish Yura makes to Jesus comes true, and he starts to have faith in the power of the Lord. DER LÄUFER / MIDNIGHT RUNNER HANNES BAUMGARTNER (SWITZERLAND ) Cast: Max Hubacher, Annina Euling, Luna Wedler, Sylvie Rohrer, Christophe Sermet, Saladin Dellers Jonas Widmer is one of the best runners in Switzerland and his focus is to attend the Olympic games. Besides the sport Jonas is a successful cook and plans to move in with his girlfriend Simone. But Jonas perfect life gets disturbed by the increasing memories of his late brother. He starts a tragic double life by robbing young women at night. After a true story. JULIA Y EL ZORRO (JULIA AND THE FOX) INES MARÍA BARRIONUEVO (ARGENTINA) Cast: Umbra Colombo, Pablo Limarzi, Victoria Castelo Arzubialde Julia, an ex-actress, and her daughter Emma move into a mansion in a village in Córdoba, Argentina. It is winter and Julia needs to fix up the house so she can sell it. Quite a while has gone by since the death of her husband and Emma’s father, but they are still in mourning. The days go gloomily by. Grief has made Julia quiet and cool with her daughter. One night Julia meets Gaspar, a life-long friend of hers. Gaspar tries to convince Julia to take part in a theatre competition. Julia, Emma and Gaspar find a way to rebuild their lives by starting a rather uncertain project to form a new type of family. LA CAMARISTA (THE CHAMBERMAID) LILA AVILÉS (MEXICO – USA) Cast: Gabriela Cartol, Teresa Sánchez Eve is a young chambermaid working in one of the most luxurious hotels in Mexico City, an exclusive glass tower inhabited by guests so wealthy she can only imagine their lives through intimate fantasies of the belongings they’ve left behind. Long, laborious shifts prevent Eve from caring for her child while she helps guests with their own children, but she believes her situation will improve if she gets promoted to work at executive-level suites, for which she accepts a grueling schedule. In keeping with this goal, she also enrolls in the hotel’s adult education program… NËNTOR I FTOHTË / COLD NOVEMBER ISMET SIJARINA (KOSOVO – ALBANIA – FORMER YUGOSLAV REPUBLIC OF MACEDONIA) Cast: Kushtrim Hoxha, Adriana Matoshi, Emir Hadzihafizbegovic, Fatmir Spahiu, Majlinda Kosumovic, Bislim Mucaj, Lum Veseli, Aurita Agushi In the beginning of the ’90s, Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. Whole institutional life was reorganized by new authorities, while the majority of citizens responded with peaceful demonstrations. During this evil time, Fadili who is working as an archivist has to choose between two options, being aware that both of them are wrong. In this way, he involuntarily and unwillingly, ‘swallows’ the shame, endures the pressure coming from all sides and deals with the bad reputation for just one reason: to provide welfare for his family. NEON HEART LAURITS FLENSTED-JENSEN (DENMARK) Cast: Victoria Carmen Sonne, Niklas Herskind, Noah Skovgaard Skands Neon Heart is a story about three people chasing life and each other. Laura is on her way to a porn film casting. Niklas is trying to take care of two men with Down’s Syndrome, and Frederik is out to gain respect as a hooligan. In glimpses and fragments of past and present, we follow the three characters on a journey full of taboos and desires. With a cast of mainly non-actors in authentic environments, Neon Heart confronts its audience with a world we would rather not look at. OREINA (THE DEER) KOLDO ALMANDOZ (SPAIN) Cast: Laulad Ahmed, Patxi Bisquert, Ramón Agirre, Iraia Elías, Erika Olaizola Khalil is a rootless young man who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother who he hasn’t spoken to in years. On the banks of the marshes, the tides mark the time for love and heartbreak, friendship and revenge. PARA LA GUERRA (TO WAR) FRANCISCO MARISE (CUBA – ARGENTINA – SPAIN) Para la guerra explores the memory and loneliness of a Cuban former internationalist soldier by observing his body and (extra)ordinary gestures. This is a bloodless war film without any shooting; a film about a wound, that ‘Sledgehammer’, ‘ El Rayado’, Andrés, has, this special forces veteran who tries to find his colleagues from the commando that survived their last mission 30 years ago. [caption id="attachment_30730" align="aligncenter" width="1000"]Core of the World (Serdtse Mira Core of the World (Serdtse Mira[/caption] SERDTSE MIRA / CORE OF THE WORLD NATALIIA MESHCHANINOVA (RUSSIA) Cast: Stepan Devonin, Dmitriy Podnozov, Jana Sekste Egor is a veterinarian on a rural farm which doubles as a hunting dog training center. He is a grown man, but deep inside he is a child who has been hurt and abandoned by everyone, including his own mother. All he wants is to care for the animals and to feel part of the close-knit family he works for. When animal rights activists invade this fragile microcosm, throwing off its delicate balance, Egor’s world begins to crumble… Or so it seems. THE THIRD WIFE ASH MAYFAIR (VIETNAM) Cast: Trần Nữ Yên Khê, Mai Thu Hường, Nguyễn Phương Trà My, Nguyễn Như Quỳnh In 19th century rural Vietnam, 14-year-old May becomes the third wife of wealthy landowner Hung. Soon she learns that she can only gain status by asserting herself as a woman who can give birth to a male child. May’s hope to change her status turns into a real and tantalizing possibility when she gets pregnant. Faced with forbidden love and its devastating consequences, May finally comes to an understanding of the brutal truth: the options available to her are few and far between. UN OM LA LOCUL LUI / A DECENT MAN HADRIAN MARCU (ROMANIA) Cast: Bogdan Dumitrache, Ada Gales, Madalina Constantin, Iulian Postelnicu, Adrian Titieni Petru is a drilling engineer living in a community of oil industry workers. Petru is quite conflicted. On one hand he is about to get married to his pregnant girlfriend Laura, on the other he is involved with the wife of one of his colleagues, Sonia, who had a serious work-related accident. His new life seems to begin while she feels hers is ending. Everything is thrown into chaos when Laura finds out about his relationship with Sonia. He feels guilt-ridden but also responsible for the upcoming baby. Participant in the first edition of Glocal in Progress. VIAJE AL CUARTO DE UNA MADRE (JOURNEY TO A MOTHER’S ROOM) CELIA RICO CLAVELLINO (SPAIN- FRANCE) Cast: Lola Dueñas, Anna Castillo, Pedro Casablanc Leonor wants to leave home, but she doesn’t dare to tell her mother. Estrella doesn’t want her to leave but is unable to keep her by her side either. Mother and daughter will have to face this new stage in life in which the world that they share starts to fall apart.

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  • 3 European Films in Production Selected for San Sebastian Film Festival’s 1st Glocal in Progress

    [caption id="attachment_23605" align="aligncenter" width="1200"]A Decent Man by Hadrian Marcu A Decent Man by Hadrian Marcu[/caption] Dantza (Spain), Izbrisana / Erased (Slovenia – Croatia – Serbia) and Un om la locul lui / A Decent Man (Romania) are the three European productions selected for the first edition of Glocal in Progress at the San Sebastian International Film Festival. The three feature films are all at the post-production stage and will be presented to an audience of producers, distributors, sales agents and programmers, among other professionals, offering them the chance of contributing to their completion and international distribution. Dantza will be the fifth participation by the Basque director Telmo Esnal at the San Sebastian Festival after presenting in New Directors in 2005 Aupa Etxebeste! co-written and co-directed with Asier Altuna; the short film Amona putz! in the Zinemira Basque Film Showcase in 2009; Urte berri on, amona! (Happy New Year Granma!) in Zabaltegi-New Directors in 2011 and the short Iraila from the collective film Kalebegiak, co-directed with Asier Altuna and presented at the Velodrome in the 64th edition. Izbrisana / Erased by Miha Mazzini, a co-production between Slovenia, Croatia and Serbia, and the Romanian production Un om la locul lui / A Decent Man, by Hadrian Marcu are the first films of their directors. This industry activity has the objective of lending greater visibility to European productions in non-hegemonic languages (those not filmed in German, Spanish, French, English, Italian and Russian). In 2016 alone, 21 films spoken totally or partially in said languages participated in the different competitions of the Festival, with Jätten / The Giant (Swedish) carrying off the Special Jury Prize and Park (Greek) the Kutxabank-New Directors Award. Glocal in Progress complements the work started in 2014 by the Basque Government Department of Culture and Language Policy with the creation of Glocal Cinema, an initiative intended to promote networks between the film industries which produce films in non-hegemonic languages. DANTZA TELMO ESNAL (SPAIN) Based on symbols and metaphors from Basque dances, Dantza is an imaginative musical film about the cycle of life and the development of society. Dance is used to deal with universal subjects in this film: amongst other things, survival, beliefs, celebrations, love and the never-ending struggle against death. The simple, clear narrative is backed up by songs, movement and rhythm. IZBRISANA / ERASED MIHA MAZZINI (SLOVENIA – CROATIA – SERBIA) Ana (36) gives birth in a local hospital and everything goes well. There is only a small, bureaucratic problem: Ana is not on the computer files. It must be a software glitch, nothing serious. After a few days, Ana is entangled in a web of Kafkaesque proportions: Not appearing in the computer means no social security, no permanent address. Ana is suddenly a foreigner, even though she spent all of her life in Slovenia. Legally, she doesn’t exist. So, her child is an orphan. And orphans can be put up for adoption. *On 26th February 1992 the Interior Ministry of the Republic of Slovenia erased 25,671 of its own nationals. The majority of those erased still have no legal status. UN OM LA LOCUL LUI / A DECENT MAN HADRIAN MARCU (ROMANIA) Petru, a drilling engineer living in a community of oil industry workers, has a conflict. On the one hand he is about to get married to his pregnant girlfriend, Laura, and on the other he is involved with the wife of one of his colleagues Sonia, who suffers an accident at work. Petru’s new life seems to be starting, while Sonia feels hers is ending. Although he feels indebeted to her, he also feels responsible towards his unborn child. Laura finds out about his relationship with Sonia, unleashing a series of events. Petru and Sonia end up seeking comfort in each other’s arms. Both suffer irreversible damage as they desperately attempt to survive.

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  • Palm Springs International Film Festival Announces Complete Line-up of Premieres, New Voices/New Visions Competition and Modern Masters

    Nicholas Hytner’s THE LADY IN THE VAN The 27th Palm Springs International Film Festival (PSIFF) running from January 1-11, 2016 in Palm Springs, California, announced its line-up of Premieres, New Voices/New Visions competition and Modern Masters. “I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy’s Thithi (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ Interruption (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran’s Five Nights in Maine (USA), featuring David Oyelowo’s nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.” Showcasing the diversity of international cinema, Festival premieres will include: World premieres: 50 Days in the Desert (Luxembourg) directed by Fabrizio Maltese, Agnes (Germany/Belgium), the documentary Broadway: Beyond the Golden Age (US) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, The Carer (Hungary/UK), Going Going Gone (UK), Searchdog (US) and Set the Thames on Fire (UK). North American premieres: Banat (Italy/Romania/Bulgaria/Macedonia), Death By Death (Belgium/France), A Decent Man (Switzerland), Departure (France/UK), Fly Away Solo (India/France), Interruption (Greece/Croatia), A Korean in Paris (South Korea/France), The Memory of Water (Chile/Spain/Argentina/Germany), Moor (Pakistan), On My Mother’s Side (Canada), Paradise Trips (Belgium/Croatia), Rosita (Denmark), Spy Time (Spain), Tanna (Australia/Vanuatu), Thithi (India/US/Canada), Utopians (Hong Kong) and When a Tree Falls (Spain). U.S. premieres: 1944 (Estonia/Finland), 3000 Nights (Palestine/France/Jordan/Lebanon), Atomic Falafel (Israel/Germany/New Zealand), Belgian Rhapsody (Belgium), Beyond My Grandfather Allende (Chile/Mexico), Born to Dance (New Zealand), Closet Monster (Canada), Enclave (Serbia/Germany), The Endless River (South Africa/France), Endorphine (Canada), Exotica, Erotica, Etc. (France), Fire Song (Canada), Five Nights in Maine (US), A Heavy Heart (Germany), Home Care (Czech Republic/Slovakia), Let Them Come (Algeria/France), My Big Night (Spain), My Internship in Canada (Canada), The Other Side (Italy/France), Our Everyday Life (Bosnia, Herzegovina/Slovenia/Croatia), The Paradise Suite (Netherlands/Sweden/Bulgaria), Parched (India/US/UK), Parisienne (France), Sabali (Canada), Sleeping Giant (Canada), Summer Solstice (Poland/Germany), Trap (Philippines), The Violin Teacher (Brazil), Wedding Doll (Israel) and Zubaan (India). The New Voices/New Visions competition showcases 12 US premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution. Films selected for this year include: Banat (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio Death By Death (Belgium/France), Director Xavier Seron Departure (UK/France), Director Andrew Steggall Five Nights in Maine (US), Director Maris Curran and starring David Oyelowo A Heavy Heart (Germany), Director Thomas Stuber Home Care (Czech Republic/Slovakia), Director Slávek Horák Interruption (Greece/Croatia), Director Yorgos Zois Let Them Come (Algeria/France), Director Salem Brahimi Our Everyday Life (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanovic Paradise Trips (Belgium/Croatia), Director Raf Reyntjens Sleeping Giant (Canada), Director Andrew Cividino Thithi (India/US), Director Raam Reddy The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include: Cemetery Of Splendour (Thailand/UK), Director Apichatpong Weerasethakul Dheepan (France), Director Jacques Audiard Miss Sharon Jones! (US), Director Barbara Kopple Mountains May Depart (China/France/Japan), Director Jia Zhangke My Golden Days (France), Director Arnaud Desplechin My Mother (Italy/France), Director Nanni Moretti Our Little Sister (Japan), Director Hirokazu Kore-eda Sunset Song (UK/Luxembourg), Director Terence Davies Sweet Bean (Japan), Director Naomi Kawase Women He’s Undressed (Australia), Director Gillian Armstrong Other Festival films with notable talent and directors include: 45 Years (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay, Anomalisa (US) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh, Chronic (Mexico/France) starring Tim Roth, Closet Monster (Canada) with Connor Jessup and Isabella Rossellini, Eisenstein in Guanajuato (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, February (US/Canada) starring Kiernan Shipka and Emma Roberts, Hello, My Name is Doris (US) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root, Hitchcock/Truffaut (France/US) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater, The Invitation (US) starring Logan Marshall-Green and Michiel Huisman, The Lady in the Van (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, (pictured above) Louder Than Bombs (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert, Men & Chicken (Denmark) starring Mads Mikkelsen, Papa (Cuba) directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly, A Perfect Day (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko, The Seventh Fire (US) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and Where to Invade Next (US) directed by Michael Moore.

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