A Machine to Live In

  • ‘Identifying Features’ Wins Future/future Competition at Portland International Film Festival

    David Illescas appears Sin Señas Particulares by Fernanda Valadez, an official selection of the World Cinema Dramatic Competition at the 2020 Sundance Film Festival.
    David Illescas appears Identifying Features (Sin Señas Particulares) by Fernanda Valadez | photo by Claudia Bercerril.

    Identifying Features, the debut feature from director Fernanda Valadez, is the winner of the 44th Portland International Film Festival’s Future/future competition. The film, an intriguing and confident first feature following a mother’s journey to find out what happened to her son along the Mexican border, was awarded the honor as well as a $1,000 prize.

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  • Portland International Film Festival Announces 2021 Future/future Competition Lineup

    A Kaddish for Bernie Madoff
    A Kaddish for Bernie Madoff

    Portland International Film Festival unveiled the films in the 2021 Future/future competition highlighting boundary-pushing new cinema from emerging filmmakers and represents some of the most exciting new voices in global cinema.

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  • 44th Portland International Film Festival Announces First Wave of Films + Events

    The Shepherdess and the Seven Songs
    The Shepherdess and the Seven Songs

    The 44th Portland International Film Festival (PIFF 44) taking place March 5 – 14, 2021, announced the first wave of films and special events. Due to the ongoing COVID-19 pandemic, PIFF 44 will be held as a hybrid event with a combination of virtual and drive-in screenings.

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  • 20 Feature Films Selected For 2018 IFP Filmmaker Labs

    [caption id="attachment_29372" align="aligncenter" width="1280"]Lost Bayou by Brian C Miller Richard Lost Bayou by Brian C Miller Richard[/caption] The Independent Filmmaker Project (IFP) has selected 20 feature films for the IFP Filmmaker Labs, IFP’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. Combining documentary and narrative features together for the first time, the program begins today, running May 21-25 at the Made in NY Media Center by IFP located in DUMBO, Brooklyn. The Filmmaker Labs continues its dedication to supporting underrepresented voices, with over 60% of this year’s attending Lab Fellows, and over 70% of the directors specifically, being diverse in regards to gender, ethnicity, sexual oreientation, and disability. Furthermore, this year’s Labs projects represent a range of creative visions from all over the world, with films shot around the United States, as well as Brazil, Costa Rica, Ghana, Lebanon, Mexico, Russia, South Korea, and the United Kingdom. “In today’s independent film landscape, with modes of distribution and exhibition in seemingly constant flux, the Filmmaker Labs remain firm in their commitment to supporting the next generation of boundary-pushing filmmakers,” says Joana Vicente, IFP’s Executive Director. “By removing the boundaries between non-fiction and fiction storytelling labs, these ambitious, wildly diverse and highly international Lab projects will receive more opportunities than ever to have their voices heard.”

    2018 IFP DOCUMENTARY LAB FELLOWS

    512 Hours :For 512 hours, hundreds of thousands of visitors from around the world flocked to experience the latest exhibition by acclaimed performance artist, Marina Abramović. Her idea was simple: remove the distractions from everyday life and experience something new. What that experience would be, Abramović had no idea. It was an experiment, she recognized, that could succeed or fail. Adina Istrate (Director, Producer), Giannina La Salvia (Director, Producer), Irina Albita (Co-Producer) Bloodthicker :Bloodthicker is the story of Young Juve, T.Y. and Lil’ Soulja Slim, three young rappers and friends whose fathers were three of the most influential Southern rappers. Their journeys to success are fraught with the appeals of excess and the trappings of street culture, immutably influenced by their fathers’ distinct legacies. Zac Manuel (Writer, Director, DP, Editor), Chris Haney (Writer, Producer), Justin Fontenot (Executive Producer). Border South: Under intense U.S. pressure to stem immigration from Central America, Mexico cracks down on the old trails north, forcing migrants into more dangerous territory. Told against the backdrop of the North American migrant trail, Border South weaves together migrant stories from different vantage points. Raúl O. Paz Pastrana (Director, Producer, DP), Ellen Knechel (Editor, Co-Producer). The Burning Field: The Burning Field is a uniquely intimate portrait of life in an environmental wasteland, as seen through the eyes of four Ghanian children who spend their days burning computers and other electronic appliances in the largest unregulated e-waste dump on earth. Justin Weinrich (Writer, Director, Producer, DP, Editor). Charm Circle: Catalyzed by her sister’s upcoming polyamorous wedding, filmmaker Nira Burstein delves into the most significant partnership she’s been witness to—that of her parents, which is in a constant state of chaos. A meditation on love, family, dreams and sacrifice, Charm Circle explores what makes marriage a tie that binds. Nira Burstein (Writer, Director, DP), Jameka Autry (Producer). Chèche Lavi (Looking for Life): A month before the presidential election of 2016, thousands of Haitian refugees appear at the US-Mexico border in Tijuana. Among them are Robens and James, two friends whose American dream unravels in the eye of a complex geopolitical storm. With no way forward and no way back, what comes next for these travelers? Sam Ellison (Director, DP), Abraham Ávila (Producer), Rachel Cantave (Producer). Flood: A filmmaker tries to fix her problems with her evangelical father in a screenplay with a happy ending. When her plan backfires, she quits writing lines, starts to listen, and becomes a character in her own movie. Katy Scoggin (Writer, Director, Producer, DP) The In Between: At the intersection of northern Mexico and Southwest Texas exists a symbiotic community spanning two countries. Through a collection of interweaving vignettes, The In Between explores the border and is a poetic ode to the greater reality of it, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity. Robie Flores (Director, Producer, DP, Editor), Alejandro Flores (Producer, DP). A Machine to Live In: This sci-fi documentary paints a complex portrait of life and myth in the space-age city of Brasilia, a sixties-era architectural mega-project, and the flourishing landscape of cults, religious movements, and transcendental spaces that have emerged around it. The film is assembled from found documents and texts from key figures who were called to chronicle this monumental social experiment. Yoni Goldstein (Writer, Director), Meredith Zielke (Director, Editor), Sebastian Alvarez (Producer). Socks on Fire — Uncle John and the Copper Headed Water Rattlers :A failed poet takes up cinematic arms when he returns home to Hokes Bluff, Alabama to discover that his aunt has locked his drag-queen uncle out of the family home. Through a series of stylized reenactments and an editorial investigation into family VHS footage, Socks on Fire documents the fluidity of identity, personality, and performance in one particular place, among one particular family. Bo McGuire (Writer, Director), Tatiana Bears (Producer), Max Allman (Editor).

    2018 IFP NARRATIVE LAB FELLOWS

    1982: An 11-year-old boy is determined to tell a girl in his class that he loves her but has trouble finding the courage to do so until the unexpected occurs; an air invasion reaches Beirut and the school is being evacuated. He gets even more determined. Oualid Mouaness (Director, Writer). Aquí y Ahora: Lara’s world takes an unexpected turn when she decides to leave her home country of Costa Rica for the first time to join a dance company in Berlin. Paz León (Director, Writer). Clementine: A heartbroken woman steals away to her estranged lover’s lake house and becomes entangled with a teenage girl. Lara Jean Gallagher (Director, Writer), Aimee Lynn Barneburg (Producer), Alexander Morris (Editor). House of Hummingbird: Seoul, 1994 — In the year the Seongsu bridge collapsed, a teenage girl named Eunhee wanders the city searching for love. Bora Kim (Director, Writer, Producer), Zoe Sua Cho (Producer, Editor). Lost Bayou: After news of her mother’s death, a struggling addict ventures out into the Louisiana swampland to reconnect with her estranged “traiteur” (Cajun faith healer) father, only to discover he is hiding a troubling secret aboard his houseboat. Brian C Miller Richard (Director, Editor), Kenneth Reynolds (Producer), Hunter Burke (Producer, Writer). Nhomlaau: A young South Sudanese woman is staggering away from a past event that contradicts the way she was brought up. Tormented with guilt and condemnation, she tries to discover who she really is and seek liberty. Asantewaa Prempeh (Director, Writer), Natalie Eakin (Producer), Emily Iason (Producer). Noah Land: Omer struggles to fulfill his father’s dying wish to be buried under the “Noah Tree” – a tree his father swears he planted but the surrounding village believes that the tree was planted centuries ago by Noah the prophet. Cenk Ertürk (Director, Writer), Alp Ertürk (Producer). Sanzaru: As dementia engulfs her employer, a fragile home health aide begins to question her own sanity. Xia Magnus (Director, Writer), Alyssa Polk (Producer), Joshua Raymond Lee (Editor). Saul at Night: With an odd worldwide curfew in place, one man’s life of solitude is interrupted when he meets another woman who suffers from the same bizarre affliction that he does. Cory Santilli (Director), Kentucker Audley (Co-producer), Bart Breve (Editor). Siberia and Him: Two men fall into forbidden love in a rundown town of Siberia, Russia. Viatcheslav Kopturevskiy (Director, Writer), Anya Elnikova (Producer), Wayland Bell (Cinematographer).

     2018 Filmmaker Lab Leaders

    Jennifer MacArthur, Producer (Whose Streets?) and Media Strategist (Borderline Media) Heidi Reinberg, Producer (93QUEEN) Shrihari Sathe, Producer (It Felt Like Love; A Woman, A Part) Pierce Varous, Producer (Always Shine, H.); Founder, Nice Dissolve Under the leadership of IFP Deputy Director & Head of Programming, Amy Dotson, Senior Director of Programming, Milton Tabbot, and Senior Program Manager & Producer, Zach Mandinach, the Labs will support the creative teams as they prepare to finish and release their films into the world. Now in its fourteenth year, the IFP Filmmaker Labs support first-time feature filmmakers when they need it most: through the completion, marketing, and distribution of their debut narrative and documentary features. Each year, IFP selects ten narrative feature films and documentary feature films currently in post-production for the Labs. Through their participation, Filmmaker Labs Fellows receive support from IFP Staff and mentorship from leading industry members and filmmakers. Selected Fellows take part in three modules of the Lab: the Time Warner Foundation Completion Lab in May, IFP Week in September, and a Marketing & Distribution Lab in November. Over the course of these first five days of the Lab program, known as the Time Warner Foundation Completion Lab, Lab Fellows will receive knowledge, resources and mentorship in regards to editing, music composing & supervison, sound design, post-production budget, as well as developing marketing materials and festival stratagies, sales & distribution plans, and building a sense of career sustainability as independent artists. Alumni of the IFP Labs recently came off a successful year, on the festival ciricuit and in theatrical release. Recent projects of note include Elan and Jonathan Bogarín’s 306 Hollywood, Christina Choe’s Nancy, Paula Eiselt’s 93QUEEN, Nijla Mu’min’s Jinn, RaMell Ross’ Hale County This Morning, This Evening, Sandi Tan’s Shirkers, Cathy Yan’s Dead Pigs, and more. Past Lab Fellows launching new work this past year include Dee Rees, Chloé Zhao, Alexandre Moors, Matt Ruskin, Nanfu Wang, Laura Checkoway, Penny Lane, and PJ Raval, as well as many others that continue to expand their careers in audio storytelling, new media, and television, with past Lab Fellows writing or directing for shows such as Atlanta, The Girlfriend Experience, Girls, Queen of the South, and Queen Sugar. image credit

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  • Six Documentary Films Win 2017 SFFILM Documentary Film Fund Awards

    [caption id="attachment_23721" align="aligncenter" width="1200"]The Feeling of Being Watched The Feeling of Being Watched[/caption] SFFILM announced the six winners of the 2017 SFFILM Documentary Film Fund awards totaling $125,000, which support feature-length documentaries in postproduction. Assia Boundaoui’s The Feeling of Being Watched, RaMell Ross’ Hale County, This Morning, This Evening, Leslie Tai’s How to Have an American Baby, Luke Lorentzen’s Midnight Family, Heaven Through the Back Door by Anna Fitch and Banker White, and A Machine to Live In by Yoni Goldstein and Meredith Zielke, were each awarded significant funding that will help push them towards completion. The SFFILM Documentary Film Fund has an excellent track record for championing important films that have gone on to earn great acclaim. Previous DFF winners include Peter Nicks’s The Force, which won the 2017 Sundance Film Festival Directing Award for documentary and SFFILM Festival’s Bay Area Documentary Award, and will be released this fall by Kino Lorber; Peter Bratt’s Dolores, which won the 2017 SFFILM Festival Audience Award for Documentary Feature following its Sundance premiere; Jamie Meltzer’s True Conviction, which won a Special Jury Mention for Documentary Feature at the Tribeca Film Festival; and Zachary Heinzerling’s Cutie and the Boxer, which won Sundance’s Directing Award for documentary and was nominated for the 2014 Academy Award® for Best Documentary Feature; among many others. Since its launch in 2011, the SFFILM Documentary Film Fund has distributed nearly half a million dollars to advance new work by filmmakers nationwide. The 2017 Documentary Film Fund is made possible thanks to an expanded gift from the Jenerosity Foundation. The panelists who reviewed the ten finalists’ submissions are Jennifer Battat, founder of the Jenerosity Foundation; Noah Cowan, SFFILM Executive Director; Caroline von Kühn, Director of Artist Development at SFFILM; Jenny Slattery, Associate Director of Foundations and Artist Development at SFFILM and independent producer Corey Tong. “We are thrilled to support these six filmmaking teams, each of which is telling an important story with boldness and passion,” remarked the jury. “This group of projects represents a wide range of artistic visions, subjects, and approaches to nonfiction filmmaking—from the intimate portrayal of an independent woman’s last days to an arresting journey into the surreal, futuristic city of Brasilia. We very much look forward to supporting these films as they evolve, make their way into the world, and leave their imprint on audiences, fellow filmmakers, and our collective sense of what can be achieved through the documentary form.”

    2017 DOCUMENTARY FILM FUND WINNERS

    The Feeling of Being Watched – Assia Boundaoui, director/producer; Jessica Devaney, producer – $25,000 When a filmmaker investigates rumors of surveillance in her Arab-American neighborhood in Chicago, she uncovers one of the largest FBI terrorism probes conducted before 9/11 and reveals its enduring impact on the community. Hale County, This Morning, This Evening – RaMell Ross, director; Joslyn Barnes and Su Kim, producers – $15,000 What is the experience of coming-of-age in the Black Belt region of the US? This film presents the lives of two young men in a series of visual movements that replace narrative arc with orchestral form. Heaven Through the Back Door – Anna Fitch and Banker White, co-director/producers; Sara Dosa, producer – $20,000 Heaven Through the Backdoor is a contemplative documentary that tells the story of Yo (Yolanda Shae), a fiercely independent 88-year old woman whose unique brand of individualist feminism impacts how she chooses to live in the final years of her life. (Former SFFILM FilmHouse resident; Bay Area-based project) How to Have an American Baby – Leslie Tai, director/producer; Jillian Schultz, co-producer – $20,000 There is a city in Southern California that abounds with pregnant women from China. Told through multiple perspectives, How to Have an American Baby is a kaleidoscopic voyage behind the closed doors of the Chinese birth tourism industry. (SFFILM FilmHouse resident; SFFILM fiscally sponsored filmmaker; Bay Area-based project) A Machine to Live In – Yoni Goldstein and Meredith Zielke, co-directors; Sebastian Alvarez, producer; Andrew Benz, co-producer – $20,000 Hovering over what remains of Brazil’s modernist future, this film looks at how social control, rational design, and space-age architecture gave rise to a vast landscape of transcendental and mystical utopias. (Bay Area-based project) Midnight Family – Luke Lorentzen, director; Kellen Quinn, producer; Daniela Alatorre,and Elena Fortes, co-producers – $25,000 In Mexico City, 16-year-old Juan Ochoa struggles to legitimize his family’s unlicensed ambulance business, as corrupt police in the neighborhood begin to target this cutthroat industry.

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  • SFFILM Selects 10 Finalists for 2017 SFFILM Documentary Film Fund Grants

    [caption id="attachment_23721" align="aligncenter" width="1200"]The Feeling of Being Watched The Feeling of Being Watched[/caption] SFFILM has selected ten finalists for the 2017 SFFILM Documentary Film Fund which will award $125,000 to support feature-length documentaries in postproduction. The SFFILM Documentary Film Fund is a partnership with the Jenerosity Foundation and was created to support singular nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. Finalists were selected from more than 300 applicants, and winners will be announced in early September. The SFFILM Documentary Film Fund has an excellent track record for championing important films that have gone on to earn great acclaim. Previous DFF winners include Peter Nicks’s The Force, which won the 2017 Sundance Film Festival Directing Award for documentary and SFFILM Festival’s Bay Area Documentary Award, and will be released this fall by Kino Lorber; Peter Bratt’s Dolores, which won the 2017 SFFILM Festival Audience Award for Documentary Feature following its Sundance premiere; Jamie Meltzer’s True Conviction, which won a Special Jury Mention for Documentary Feature at the Tribeca Film Festival; and Zachary Heinzerling’s Cutie and the Boxer, which won Sundance’s Directing Award for documentary and was nominated for the 2014 Academy Award® for Best Documentary Feature; among many others. Since its launch in 2011, the SFFILM Documentary Film Fund has distributed nearly half a million dollars to advance new work by filmmakers nationwide. The 2017 Documentary Film Fund is made possible thanks to an expanded gift from the Jenerosity Foundation.

    2017 DOCUMENTARY FILM FUND FINALISTS

    The Feeling of Being Watched Assia Boundaoui, director/producer; Jessica Devaney, producer When a filmmaker investigates rumors of surveillance in her Arab-American neighborhood in Chicago, she uncovers one of the largest FBI terrorism probes conducted before 9/11 and reveals its enduring impact on the community. Hale County, This Morning, This Evening RaMell Ross, director; Joslyn Barnes and Su Hyeon Kim, producers What is the experience of coming-of-age in the Black Belt region of the US? This film presents the lives of two young men in a series of visual movements that replace narrative arc with orchestral form. Heaven Through the Back Door Anna Fitch and Banker White, co-director/producers; Sara Dosa, producer Heaven Through the Backdoor is a contemplative documentary that tells the story of Yo (Yolanda Shae), a fiercely independent 88-year old woman whose unique brand of individualist feminism impacts how she chooses to live in the final years of her life. (Former SFFILM FilmHouse Resident) How to Have an American Baby Leslie Tai, director/producer; Jillian Schultz, co-producer There is a city in Southern California that abounds with pregnant women from China. Told through multiple perspectives, How to Have an American Baby is a kaleidoscopic voyage behind the closed doors of the Chinese birth tourism industry. (SFFILM FilmHouse Resident, SFFILM fiscally sponsored filmmaker) The Judge Erika Cohn, director/producer; Sara Maamouri, co-producer The Judge provides rare insight into Shari’a law (Islamic law), an often misunderstood legal framework for Muslims, told through the eyes of Kholoud Al-Faqih, the first woman judge to be appointed to the Middle East’s religious courts. (SFFILM fiscally sponsored filmmaker) El Lugar de la Memoria Juan Pablo González, director; Makena Buchanan, Jamie Gonçalves, and Ilana Coleman, producers As economic and social conditions become dire, a wave of suicides among young people disrupts life in a small Mexican town. Through daily rituals and ceremonies amongst the people in this community, El Lugar de la Memoriapresents a reflection on the reconfiguration of rural life in Mexico. A Machine to Live In Yoni Goldstein and Meredith Zielke, co-directors; Sebastian Alvarez, producer; Andrew Benz, co-producer Hovering over what remains of Brazil’s modernist future, this film looks at how social control, rational design, and space-age architecture gave rise to a vast landscape of transcendental and mystical utopias. Midnight Family Luke Lorentzen, director; Kellen Quinn, producer; Daniela Alatorre,and Elena Fortes, co-producers In Mexico City, 16-year-old Juan Ochoa struggles to legitimize his family’s unlicensed ambulance business, as corrupt police in the neighborhood begin to target this cutthroat industry. Pahokee Ivete Lucas and Patrick Bresnan, co-director/producers; Maida Brankman, producer Pahokee, Florida (pop. 6,094): one hour by car across Palm Beach County from the presidential opulence of Mar-a-Lago. Against a backdrop of industrial agriculture and economic isolation, high school students from different racial and cultural backgrounds forge a sense of meaning and community via elaborate and colorful rites of passage. Pigeon Kings Milena Pastreich, director/producer; Michael Sherman and Matthew Perniciaro, producers Keith London, the godfather of Birmingham Rollers, and his mentee, Choo Choo, survive life in South Central LA through their dedication to somersaulting pigeons. image via The Feeling of Being Watched

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