
The 15th edition of the Zurich Film Festival (ZFF) which runs September 26 through October 6, will shine a light on Colombian cinema. The program will highlight a new generation of filmmakers whose work reflects on the country’s recent history.

The 15th edition of the Zurich Film Festival (ZFF) which runs September 26 through October 6, will shine a light on Colombian cinema. The program will highlight a new generation of filmmakers whose work reflects on the country’s recent history.
On Chesil Beach[/caption]
The Ashland Independent Film Festival announced its lineup for the five-day festival taking place April 12 to 16, 2018, and featuring over 120 films chosen from nearly a thousand films submitted to the festival, or specially selected by AIFF Artistic and Executive Director Richard Herskowitz.
Special screenings include the upcoming features First Reformed (directed by Paul Schrader and starring Ethan Hawke), On Chesil Beach with Saoirse Ronan, Brett Haley’s Hearts Beat Loud with Nick Offerman, Andrew Haigh’s Oregon-filmed Lean on Pete, and Borg vs. McEnroe, starring Shia LeBoeuf, plus 2018 Sundance Film Festival award-winning documentaries Minding the Gap, On Her Shoulders, and Crime + Punishment.
Gaga: Five Foot Two[/caption]
One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December.
Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The submitted features, listed in alphabetical order, are:
Abacus: Small Enough to Jail
Aida’s Secrets
Al Di Qua
All the Rage
All These Sleepless Nights
AlphaGo
The American Media and the Second Assassination of President John F. Kennedy
And the Winner Isn’t
Angels Within
Architects of Denial
Arthur Miller: Writer
Atomic Homefront
The B-Side: Elsa Dorfman’s Portrait Photography
Bang! The Bert Berns Story
Bending the Arc
Big Sonia
Bill Nye: Science Guy
Birthright: A War Story
Bobbi Jene
Bombshell: The Hedy Lamarr Story
Born in China
Born to Lead: The Sal Aunese Story
Boston
Brimstone & Glory
Bronx Gothic
Burden
California Typewriter
Can’t Stop, Won’t Stop: A Bad Boy Story
Casting JonBenet
Chasing Coral
Chasing Trane
Chavela
Citizen Jane: Battle for the City
City of Ghosts
Clive Davis: The Soundtrack of Our Lives
Cries from Syria
Cruel & Unusual
Cuba and the Cameraman
Dawson City: Frozen Time
Dealt
The Death and Life of Marsha P. Johnson
Destination Unknown
Dina
Dolores
Dream Big: Engineering Our World
A Dying King: The Shah of Iran
Eagles of Death Metal: Nos Amis (Our Friends)
Earth: One Amazing Day
11/8/16
Elian
Embargo
Eric Clapton: Life in 12 Bars
Escapes
Everybody Knows… Elizabeth Murray
Ex Libris – The New York Public Library
Extraordinary Ordinary People
Faces Places
The Farthest
The Final Year
Finding Oscar
500 Years
Food Evolution
For Ahkeem
The Force
The Freedom to Marry
From the Ashes
Gaga: Five Foot Two
A German Life
Get Me Roger Stone
Gilbert
God Knows Where I Am
Good Fortune
A Gray State
Hare Krishna! The Mantra, the Movement and the Swami Who Started It All
Harold and Lillian: A Hollywood Love Story
Hearing Is Believing
Hell on Earth: The Fall of Syria and the Rise of ISIS
Human Flow
I Am Another You
I Am Evidence
I Am Jane Doe
I Called Him Morgan
Icarus
If You’re Not in the Obit, Eat Breakfast
The Incomparable Rose Hartman
An Inconvenient Sequel: Truth to Power
Intent to Destroy
Jane
Jeremiah Tower The Last Magnificent
Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton
Joan Didion: The Center Will Not Hold
Joshua: Teenager vs. Superpower
Karl Marx City
Kedi
Keep Quiet
Kiki
LA 92
The Last Dalai Lama?
The Last Laugh
Last Men in Aleppo
Legion of Brothers
Let It Fall: Los Angeles 1982 – 1992
Let’s Play Two
Letters from Baghdad
Long Strange Trip
Look & See
Machines
Man in Red Bandana
Mr. Gaga: A True Story of Love and Dance
Motherland
Mully
My Scientology Movie
Naples ’44
Neary’s – The Dream at the End of the Rainbow
Night School
No Greater Love
No Stone Unturned
Nobody Speak: Trials of the Free Press
Nowhere to Hide
Obit
Oklahoma City
One of Us
The Paris Opera
The Pathological Optimist
Prosperity
The Pulitzer at 100
Quest
Rancher, Farmer, Fisherman
The Rape of Recy Taylor
The Reagan Show
Restless Creature: Wendy Whelan
Risk
A River Below
Rocky Ros Muc
Rumble: The Indians Who Rocked the World
Santoalla
School Life
Score: A Film Music Documentary
Served Like a Girl
The Settlers
78/52
Shadowman
Shot! The Psycho Spiritual Mantra of Rock
Sidemen: Long Road to Glory
The Skyjacker’s Tale
Sled Dogs
Soufra
Spettacolo
Step
Stopping Traffic: The Movement to End Sex-Trafficking
Strong Island
Surviving Peace
Swim Team
Take Every Wave: The Life of Laird Hamilton
Take My Nose… Please!
They Call Us Monsters
32 Pills: My Sister’s Suicide
This Is Everything: Gigi Gorgeous
Tickling Giants
Trophy
Twenty Two
Unrest
Vince Giordano – There’s a Future in the Past
Voyeur
Wait for Your Laugh
Wasted! The Story of Food Waste
Water & Power: A California Heist
Whitney. Can I Be Me
Whose Streets?
The Work
MACHINES by Rahul Jainmac[/caption]
The 13th Zurich Film Festival has awarded their Golden Eyes to POP AYE by Kirsten Tan from Singapore for International Feature Film; MACHINES by Rahul Jain from India, Germany and Finland for International Documentary Film; and BLUE MY MIND by Lisa Brühlmann from Switzerland for Focus: Switzerland, Germany, Austria.
The Emerging Swiss Talent Award for a Swiss film went to AVANT LA FIN DE L’ÉTÉ / BEFORE SUMMER ENDS by Maryam Goormaghtigh (Switzerland, France) and the Critics’ Choice Award goes to BLUE MY MIND by Lisa Brühlmann (Switzerland).
The Audience Award went to A RIVER BELOW by Mark Grieco (Colombia, USA).
Shot in the Dark by Dustin Nakao Haider[/caption]
The 2017 Camden International Film Festival (CIFF) will take place September 14 to 17, 2017 throughout Camden, Rockport and Rockland, Maine, and present 37 features, 35 short films, and a dozen virtual reality experiences from 30 countries. Keeping with CIFF’s mission to discover and support new talent in nonfiction filmmaking, over half of the lineup’s 37 features are made by first- or second-time filmmakers.
CIFF will open with the world premiere of Dustin Nakao Haider’s Shot in the Dark. Additional highlights include titles making their US debut following premieres at the 2017 Toronto International Film Festival (Love Means Zero, Eric Clapton: Life In 12 Bars, Cocaine Prison), the North American premieres of films coming from Locarno (Sand und Blut, Did You Wonder Who Fired The Gun?) and Venice (This Is Congo), award-winning films from Visions du Reel (Taste of Cement, All That Passes By Through a Window That Doesn’t Open) and Berlin (El Mar La Mar, House In The Fields, Devil’s Freedom) alongside some of the year’s top documentaries (Abacus: Small Enough to Jail, Whose Streets?, The Work).
The 13th Camden International Film Festival is a program of the Points North Institute. This year, eight projects that have participated in the Points North Institute’s Artist Programs will be screening at CIFF. These titles include All That Passes By Through A Window That Doesn’t Open, No Man’s Land, The Cage Fighter, The Family I Had, The Reagan Show, The Sensitives, Whose Streets? and Commodity City. These films have garnered awards and debuted at prestigious festivals including Sundance, Locarno, Tribeca, Rotterdam, and Visions du Reel.
“Screening at CIFF this year feels like a homecoming,” says Sabaah Folayan, Director of Whose Streets?, distributed by Magnolia Pictures. “This community believed in our project when it was still just an idea and it means everything to be able to come back and share the finished film.”
This year also features an expanded 2nd edition of Storyforms: Remixing Reality, CIFF’s exhibition of VR, immersive media, and installations. For the first time, Storyforms will present “room-scale” and “walk-around” VR experiences. Highlights include Tree by Milica Zec and Winslow Porter, which comes to CIFF after showing at Sundance, Tribeca and Cannes. Storyforms will also include a sneak preview of the latest groundbreaking walk-around VR experience produced in a new collaboration between FRONTLINE PBS and Nonny de la Peña’s Emblematic Group, which brings climate change to life as never before, allowing viewers to travel alongside NASA scientists to a place where the glaciers are melting faster and faster.
GURRUMUL ELCHO DREAMING[/caption]
The 2017 Melbourne International Film Festival (MIFF) unveiled its full program line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from August 3 to 20, 2017.
“What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.”
The festival will kick off with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, and will wind up with the world premiere Closing Night screening of Paul Williams’ GURRUMUL ELCHO DREAMING. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master.
Joining the MIFF guest line-up are Australia’s Melissa George, starring in the MIFF Premiere Fund-supported THE BUTTERFLY TREE; Italian director Luca Guadagnino with his acclaimed new film CALL ME BY YOUR NAME, a sensuous story of first love and the end of adolescence; and newcomer Jennifer Brea making her way to MIFF with UNREST, a feature documentary capturing her darkest moments as she is derailed by Chronic Fatigue Syndrome.
Further international guests include Peter Mackie Burns, the debut feature director of DAPHNE, a refreshing portrait of contemporary womanhood; Francis Lee, with his depiction of British rural life in GOD’S OWN COUNTRY; Slavko Martinov, the force behind the entertaining flockumentary PECKING ORDER; Gabe Klinger on behalf of PORTO, a film presented in Super 8, 16mm and breathtaking 35mm; director Sami Saif and cinematographer Anders Löfstedt with their music documentary THE ALLINS; Thai filmmaker Anocha Suwichakornpong, winner of the Top Prize at the 2016 Thai National Film Association Awards for her feature BY THE TIME IT GETS DARK; and Annie Goldson, director of KIM DOTCOM: CAUGHT IN THE WEB, a documentary about the court case surrounding the internet’s most wanted criminal. MIFF guests also include Daniel Borgman, director of LOVING PIA, a winsome tale blurring documentary and fiction; and Florian Habicht, director of SPOOKERS, a film focusing on a former psychiatric hospital that is now a haunted attraction.
Following last year’s success, VIRTUAL REALITY (VR) returns to MIFF in 2017. Leading the charge is the world premiere of Lucas Taylor’s INSIDE MANUS, taking the audience behind the razor wire to meet the asylum seekers on the Manus Island detention centre. Other VR world premieres include Lester Francois’ RONE, a distinctive portrait of the Melbourne street artist; Khoa Do and Piers Mussared’s THE EXTRACTION, a work imagining a perilous journey through the post apocalypse; and Christopher Bailey’s ACROSS, set in a world where two beings live in opposite cliffs – where one side is a paradise and the other a wasteland.
The VR program continues with Jeff Goldblum making a cameo appearance in MIYUBI, a feature length film about a family’s relationship with its Japanese toy robot, from co-directors Félix Lajeunesse and Paul Raphaël; George Gittoes expands upon his MIFF 2015 feature Snow Monkey, taking audiences on a VR tour to Afghanistan in the world premiere of FUN FAIR JALALABAD; and Ben Smith’s THE HUNT FOR THE YIDAKI, the companion piece to the MIFF 2017 Premiere Fund-supported feature WESTWIND: DJALU’S LEGACY, will also receive its world premiere. Meanwhile UNREST VR, a film about Chronic Fatigue Syndrome – made by Amaury La Burthe and other key collaborators on Notes on Blindness: Into Darkness (MIFF 2016) – screens as an expansion piece to Jennifer Brea’s feature documentary, also showing at MIFF 2017.
In addition to UNREST, MIFF’s much-loved DOCUMENTARIES program delivers an array of gripping real-life character studies. Catch WINNIE, Pascale Lamche’s Sundance Directing Award-winning portrait of Winnie Madikizela-Mandela, variously viewed as the wife of South Africa’s most revered leader, the mother and/or enemy of her nation and a revolutionary force in her own right; Andres Veiel’s BEUYS: ART AS A WEAPON, an extensive look at the felt-clad, hat-wearing German performance artist Joseph Beuys; and DINA, the Sundance Grand Jury Prize-winner from Dan Sickles and Antonio Santini that offers a heartfelt and heart-melting portrait of love in all its strangeness and wonder.
The Documentaries program also takes audiences behind the closed doors of wildly diverse environments. In the remarkable debut film THE WORK, America’s most hardened criminals share their demons with the everyday public during the world’s most intense group therapy session in Jairus McLeary and Gethin Aldous’ SXSW Grand Jury Prize-winner; Jean-Stéphane Bron’s THE PARIS OPERA is a film candidly charting the day-to-day drama during a season of upheaval for the revered company; and ROLLER DREAMS finds Australian director Kate Hickey tracking down the original stars of the Venice Beach 80s roller dancing movement to build a funky portrait of the rise and fall of the craze.
MIFF’s toe-tapping MUSIC ON FILM program dances to its own beat with THE ALLINS where award-winning Danish documentarian Sami Saif turn his lens on the most outrageous musician to ever live – GG Allin – revealing the man behind the maniac behind the music; and in Kyoko Miyake’s TOKYO IDOLS, teenage girl pop stars grapple with finding fame and the creeping fixation of their male fan bases in an eye-opening look at Japanese idol culture.
Musical influencers take centre stage in the Sundance Special Jury Prize-winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD, where Catherine Bainbridge sets out to reinstate Native American trailblazers to their rightful place in the pop music pantheon; and Lucy Walker, director of the MIFF 2013 Best Documentary Audience Award-winner The Crash Reel, returns with BUENA VISTA SOCIAL CLUB: ADIOS, a touching farewell to the beloved son cubano musicians as they complete their final tour.
A stellar line-up of homegrown talent will be showcased in AUSTRALIAN FILMS. Marking the halfway point of the festival will be the CENTREPIECE GALA world premiere screening of THREE SUMMERS, the first Australian film from comedian Ben Elton. Romantic leads Robert Sheehan and Rebecca Breeds are joined by a glittering ensemble featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters for an of-the-moment, multi-story comedy set over three years at a fictional folk-music festival.
Continuing the Australian Films showcase, David Wenham makes his feature directorial debut with a Before Sunrise-style romance set to the distinctive sounds of Megan Washington with ELLIPSIS, starring Emily Barclay and Benedict Samuel; MIFF offers an exclusive preview of the second series of GLITCH, a Matchbox Pictures production commissioned by ABC TV and co-produced by Netflix, set in a fictional Victorian town where deceased former residents have crawled out of their graves in the local cemetery; and in a special screening presented by the National Film and Sound Archive’s digital restoration program – NFSA RESTORES, MIFF will also present the classic rip-roaring homegrown action flick, SHAME, where an award-winning Deborra-Lee Furness – also a guest of MIFF 2017 – turns the tables on a country town’s entrenched male violence.
Celebrating its 10th birthday in 2017, the MIFF PREMIERE FUND stages six world premieres (each with its director in attendance) comprising: Greg McLean’s MIFF Opening Night Film JUNGLE, starring Daniel Radcliffe; Luke Shanahan’s uniquely stylish psychological thriller RABBIT, featuring The Great Gatsby’s Adelaide Clemens playing identical twins linked by more than just DNA; MIFF guests Melissa George and Ed Oxenbould starring alongside Ewen Leslie and Sophie Lowe in Priscilla Cameron’s THE BUTTERFLY TREE, a coming-of-age tale of love and loss tinged with magical realism; Eddie Martin’s HAVE YOU SEEN THE LISTERS?, an intimate account of the cost of success of Australia’s most renowned street artist, Anthony Lister (also a guest of the festival); Naina Sen’s THE SONG KEEPERS, telling the incredible story of a hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women’s Choir (who will also attend the festival); and Ben Strunin’s WESTWIND: DJALU’s LEGACY, portraying the quest of Yolngu elder Djalu Gurruwiwi (who will attend the festival) to preserve his songlines with a little help from global pop star Gotye.
Marking the MIFF Premiere Fund’s 10-year milestone, the festival will also screen three retrospective highlights from the Fund’s early years: the 2009 MIFF Opening Night film BALIBO, written and directed by Robert Connolly and starring Oscar Isaac, Anthony LaPaglia and MIFF Ambassador Gyton Grantley; Amiel Courtin-Wilson’s BASTARDY, a poetic and impressionistic portrait of the life of indigenous arts personality Jack Charles; and Ana Kokkinos’ all-star ensemble BLESSED, which features Frances O’Connor in an AFI Award-winning performance.
PIONEERING WOMEN, a program of 80s and early 90s Australian films directed by women, will pay tribute to some of the country’s finest cinematic trailblazers, including director Ann Turner with the world premiere of her digitally restored horror meets coming-of-age drama CELIA; Gillian Armstrong with a digital restoration screening of STARSTRUCK, the iconic and colourful musical comedy about two Sydney teenagers who try to break into the music biz to save the family pub (which also features an appearance by MIFF Ambassador Geoffrey Rush). Both films are proudly presented by the National Film and Sound Archive’s restoration program – NFSA RESTORES. Don’t miss this opportunity to revisit other classics such as BEDEVIL (directed by Tracey Moffatt), THE BIG STEAL (directed by Nadia Tass) and FLOATING LIFE (directed by Clara Law), with guest Q&As and a Conversation panel in store among other events.
MIFF’s ever popular NIGHT SHIFT program returns with innovative horror and genre films including A PRAYER BEFORE DAWN, in which French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 2008) returns to the brutal underworlds of masculine violence, in an adaptation of Billy Moore’s memoir of his time in Bangkok’s notorious Klong Prem prison; MY FRIEND DAHMER, Marc Meyers’ disturbing vision of America’s most notorious serial killer during his adolescence, featuring a breathtaking performance by Disney star Ross Lynch; and BLOODLANDS, a brutal mix of family blood feud and supernatural horror marking the first ever co-production between Australia and Albania, directed by Steven Kastrissios (The Horseman, MIFF 2008).
For the first time in its history MIFF will also present a SCI-FI program, showcasing a selection of the genre’s best films including IKARIE XB-1, Jindřich Polák’s little-known pioneering masterpiece that influenced everything from Star Trek to 2001: A Space Odyssey… and beyond; INVENTION FOR DESTRUCTION, from inventive animator Karel Zeman, the first steampunk film, bringing the stories and visuals of Jules Verne to life; LE DERNIER COMBAT, a work taking audiences back to where it all began for renowned sci-fi director Luc Besson, with his striking 1983 film starring Jean Reno in his feature debut; and STRANGE DAYS, featuring Ralph Fiennes, Angela Bassett and Juliette Lewis, Kathryn Bigelow’s 20-year-old, James Cameron-scripted, VR tech-noir. And for the night owls, running all night at the Astor Theatre is MIFF’s inaugural SCI-FI MARATHON, presenting a collection of the genre’s most venerated, controversial and enduring or under-appreciated fan favourites. For full details visit miff.com.au/marathon.
The TRUE CRIME program returns in 2017 with some of the most intriguing and sinister stories of our time. Oscar-nominated documentarian David France (How to Survive a Plague, MIFF 2012) delivers a piercing survey of the origins of transgender activism and a search for justice in THE DEATH AND LIFE OF MARTHA P JOHNSON; Erik Nelson’s A GRAY STATE is a riveting murder mystery, political thriller and unparalleled psychological profile about rising alt-right filmmaker and Iraq veteran David Crowley and his family; and Pete Nicks’ THE FORCE is an award-winning look at the day-to-day operations of the Oakland Police Department as it grapples with endemic corruption, sexism and racial violence.
ANIMAL DOCUMENTARIES, a new program strand for 2017, puts the spotlight on some of the world’s most intriguing creatures. TROPHY sees Shaul Schwarz (Narco Cultura, MIFF 2013) and Christina Clusiau take on a charged debate in a controversial film that will upend everything audiences thought they knew about animal conservation; PECKING ORDER, the year’s best feel-good flockumentary from Slavko Martinov, introduces us to people taking the world of chicken fancying as seriously as life and death; and A RIVER BELOW, Mark Grieco’s provocative and murky morality tale about a TV conservationist’s battle to save the Amazon’s disappearing pink river dolphin, will leave audiences shocked and awed.
MIFF’s HEADLINERS program will bring audiences the most-buzzed about films from the festival circuit. Highlights include Ruben Östlund’s Palme d’Or-winning THE SQUARE, a film marking the director as modern cinema’s most savage and inventive satirist; Claire Denis’ Cannes Director’s Fortnight award-winning romantic comedy LET THE SUNSHINE IN, starring Juliette Binoche; Geremy Jasper’s fabulous Sundance triumph PATTI CAKE$, featuring Australian acting discovery Danielle Macdonald in the role of a New Jersey battler and aspiring rapper; SONG TO SONG, a love story from Terrence Malick set against the backdrop of the Austin music scene, featuring Ryan Gosling, Rooney Mara, Michael Fassbender and Natalie Portman; and THE PARTY, Sally Potter’s caustic comic satire of a broken England, with a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall.
Showcasing MIFF’s admiration for the inimitable British director, this year the festival also proudly presents a SALLY POTTER RETROSPECTIVE. Screening the complete oeuvre of Potter’s feature films, along with a selection of her early shorts from 1969 to 1986, the retrospective includes: THE TANGO LESSON, where Potter plays opposite Argentine tango performer Pablo Verón for a seductive dance of reality and fiction; ORLANDO, the director’s stunning second film featuring a triumphant lead performance by Tilda Swinton as the androgynous titular character living across four centuries; THE GOLD DIGGERS, Potter’s seminal work that came to influence and define feminist cinema of the 1980s; and GINGER AND ROSA, starring Alice Englert and Elle Fanning as two friends threatened by a belief-shattering betrayal.
The festival’s INTERNATIONAL program is packed with innovative cinema from countries near and afar. MIFF Patron Geoffrey Rush shines as Alberto Giacometti in Stanley Tucci’s FINAL PORTRAIT, a snapshot of several weeks the artist spent trying to paint author James Lord; Fatih Akin (Head-On, MIFF 2004) delivers the morally charged thriller IN THE FADE, featuring Diane Kruger in the performance that won her Best Actress at Cannes; and from Aisling Walsh comes MAUDIE, starring Oscar nominees Sally Hawkins and Ethan Hawke exploring the sensitive but rousing true tale of Maud Lewis, one of Canada’s most inspiring folk artists.
Some 14 of Australia and New Zealand’s hottest emerging directors will have their short films premiere in the festival’s ACCELERATOR program and also participate in Accelerator Lab, MIFF’s prestigious development workshop assisting directors to transition to feature filmmaking. They are W.A.M (Bill) Bleakley; Nina Buxton; Kate Lefoe; Frank Magree; Zoe McIntosh; Victoria McIntyre; Greta Nash; Tin Pang; Simon Portus; Nikki Richardson; Rachel Ross; John Sheedy; Nick Waterman; and Dave Whitehead.
The MIFF SHORTS program will screen local and international films spanning animation, documentary, experimental works and more, with highlights including the riveting INDONESIAN SHORTS, a program screening works from some of Australia’s closest neighbours, and Cannes Short Film Palme d’Or winner A GENTLE NIGHT, from MIFF Accelerator alumnus Qiu Yang, while other Accelerator alumni directors returning with new short films are Alice Englert, Audrey Lam, Nora Niasari, Julietta Boscolo, Billie Pleffer, Dylan River and Alena Lodkina.
The Amazon River. Film still from A RIVER BELOW. Photo credit: Helkin RenÈ Diaz.[/caption]
A River Below directed by Mark Greico is an investigative journey into the Amazon that follows a TV star and a renowned marine biologist as they each attempt to save the endangered pink river dolphin from being hunted to extinction.
The film has its World Premiere at the 2017 Tribeca Film Festival in the Documentary competition.
A River Below captures the Amazon in all its complexity as it examines the actions of environmental activists using the media in an age where truth is a relative term. The film follows a reality TV star and a renowned marine biologist as they each attempt to save the Amazon pink river dolphin from being hunted to extinction. With gorgeous, sweeping aerial views we gain perspective from above, but as the film plunges deep into the murky, tangled rivers, we uncover a scandal that has no simple solution. A RIVER BELOW is a completely unexpected film – a knotty poem of duality and dissonance and a journey into ourselves as we attempt to better this world.
Director Mark Greico’s last film MARMATO was an official selection at the 2014 Sundance Film Festival and went to win numerous awards.
Zuzana KrÛnerov· as Hana in ICE MOTHER.[/caption]
The Tribeca Film Festival today unveiled an exciting slate of films that will premiere at the 2017 festival. The Festival announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, featuring the best in psychological thriller, horror, sci-fi, and cult cinema.
The 16th Tribeca Film Festival takes place April 19 to 3, 2017.
To honor Earth Day, which falls during the Festival, the programmers chose to highlight documentaries that focus on critical and timely issues that have an impact on our planet, including climate change, food waste, and animal extinction. Each of these films will screen on Earth Day, April 22, as well as throughout the Festival. This will be reflected in other sections of the festival programming as well, including VR and Tribeca N.O.W.
The films selections are as follows:
