Advantageous

  • CAROL Leads Nominations for 2016 Spirit Awards

    Carol directed by Todd Haynes Carol directed by Todd Haynes lead nominations for the 2016 Spirit Awards with 6 nods including Best Feature, Best Director, Best Female Lead for both Cate Blanchett and Rooney Mara, Best Sreenplay and Best Cinematography. The other nominees for Best Feature included Anomalisa, Beasts of No Nation, Spotlight and Tangerine. Spotlight was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman who was known for creating extraordinary ensemble casts. “Spotlight is a remarkable film that excels on every level, but the Nominating Committee thought it was especially deserving of the Robert Altman Award,” said Welsh. “The film is beautifully cast with every member of the ensemble working together to tell the story of the Boston Globe investigating allegations of abuse in the Catholic Church.” Winners will be announced at the Spirit Awards on Saturday, February 27, 2016. 2016 FILM INDEPENDENT SPIRIT AWARD NOMINATIONS BEST FEATURE (Award given to the Producer. Executive Producers are not awarded.) Anomalisa Producers: Duke Johnson, Charlie Kaufman, Dino Stamatopoulos, Rosa Tran Beasts of No Nation Producers: Daniel Crown, Idris Elba, Cary Joji Fukunaga, Amy Kaufman, Daniela Taplin Lundberg, Riva Marker Carol Producers: Elizabeth Karlsen, Christine Vachon, Stephen Woolley Spotlight Producers: Blye Pagon Faust, Steve Golin, Nicole Rocklin, Michael Sugar Tangerine Producers: Sean Baker, Karrie Cox, Marcus Cox, Darren Dean, Shih-Ching Tsou BEST FIRST FEATURE – Award given to the director and producer. The Diary of a Teenage Girl Director: Marielle Heller Producers: Miranda Bailey, Anne Carey, Bert Hamelinck, Madeline Samit James White Director: Josh Mond Producers: Max Born, Antonio Campos, Sean Durkin, Melody Roscher, Eric Schultz Manos Sucias Director: Josef Kubota Wladyka Producers: Elena Greenlee, Márcia Nunes Mediterranea Director: Jonas Carpignano Producers: Jason Michael Berman, Chris Columbus, Jon Coplon, Christoph Daniel, Andrew Kortschak, John Lesher, Ryan Lough, Justin Nappi, Alain Peyrollaz, Gwyn Sannia, Marc Schmidheiny, Victor Shapiro, Ryan Zacarias Songs My Brothers Taught Me Director/Producer: Chloé Zhao Producers: Mollye Asher, Nina Yang Bongiovi, Angela C. Lee, Forest Whitaker JOHN CASSAVETES AWARD – Given to the best feature made for under $500,000. Award given to the writer, director and producer. Executive Producers are not awarded. Advantageous Writer/Director/Producer: Jennifer Phang Writer/Producer: Jacqueline Kim Producers: Robert Chang, Ken Jeong, Moon Molson, Theresa Navarro Christmas, Again Writer/Director/Producer: Charles Poekel Heaven Knows What Directors: Benny Safdie and Josh Safdie Writers: Ronald Bronstein, Josh Safdie Producers: Oscar Boyson, Sebastian Bear McClard Krisha Writer/Director/Producer: Trey Edward Shults Producers: Justin R. Chan, Chase Joliet, Wilson Smith Out of My Hand Writer/Director: Takeshi Fukunaga Writer/Producer: Donari Braxton Producer: Mike Fox BEST DIRECTOR Sean Baker; Tangerine Cary Joji Fukunaga; Beasts of No Nation Todd Haynes; Carol Duke Johnson & Charlie Kaufman; Anomalisa; Tom McCarthy Spotlight; David Robert Mitchell It Follows BEST SCREENPLAY Charlie Kaufman; Anomalisa Donald Margulies; The End of the Tour Tom McCarthy & Josh Singer; Spotlight Phyllis Nagy; Carol S. Craig Zahler; Bone Tomahawk BEST FIRST SCREENPLAY Jesse Andrews; Me and Earl and the Dying Girl Jonas Carpignano; Mediterranea Emma Donoghue; Room Marielle Heller; The Diary of a Teenage Girl John Magary, Story by Russell Harbaugh and Myna Joseph; The Mend BEST CINEMATOGRAPHY Cary Joji Fukunaga; Beasts of No Nation Michael Gioulakis; It Follows Ed Lachman; Carol Reed Morano; Meadowland Joshua James Richards; Songs My Brothers Taught Me BEST EDITING Ronald Bronstein and Benny Safdie; Heaven Knows What Tom McArdle; Spotlight Nathan Nugent; Room Julio C. Perez IV; It Follows Kristan Sprague; Manos Sucias BEST FEMALE LEAD Cate Blanchett; Carol Brie Larson; Room Rooney Mara; Carol Bel Powley; The Diary of a Teenage Girl Kitana Kiki Rodriguez; Tangerine BEST MALE LEAD Christopher Abbott; James White Abraham Attah; Beasts of No Nation Ben Mendelsohn; Mississippi Grind Jason Segel; The End of the Tour Koudous Seihon; Mediterranea BEST SUPPORTING FEMALE Robin Bartlett; H. Marin Ireland; Glass Chin Jennifer Jason Leigh; Anomalisa Cynthia Nixon; James White Mya Taylor; Tangerine BEST SUPPORTING MALE Kevin Corrigan; Results Paul Dano; Love & Mercy Idris Elba; Beasts of No Nation Richard Jenkins; Bone Tomahawk Michael Shannon; 99 Homes ROBERT ALTMAN AWARD – Given to one film’s director, casting director and ensemble cast. Spotlight Director: Tom McCarthy Casting Directors:Kerry Barden and Paul Schnee Ensemble Cast: Billy Crudup, Paul Guilfoyle, Neal Huff, Brian d’Arcy James, Michael Keaton, Rachel McAdams, Mark Ruffalo, Liev Schreiber, Jamey Sheridan, John Slattery, Stanley Tucci BEST DOCUMENTARY – Award given to the director and producer. (T)ERROR Directors/Producers: Lyric R. Cabral & David Felix Sutcliffe Producer: Christopher St. John Best of Enemies Directors/Producers: Robert Gordon and Morgan Neville Heart of a Dog Director/Producer: Laurie Anderson Producer: Dan Janvey The Look of Silence Director:Joshua Oppenheimer Producer: Signe Byrge Sørensen Meru Directors/Producers: Jimmy Chin and Elizabeth Chai Vasarhelyi Producer: Shannon Ethridge The Russian Woodpecker Director/Producer: Chad Gracia Producers: Ram Devineni, Mike Lerner BEST INTERNATIONAL FILM – Award given to the director. Embrace of the Serpent (Colombia); Director: Ciro Guerra Girlhood (France); Director: Céline Sciamma Mustang (France, Turkey); Director: Deniz Gamze Ergüven A Pigeon Sat on a Branch Reflecting on Existence (Sweden); Director: Roy Andersson Son of Saul (Hungary); Director: László Nemes 19th ANNUAL PIAGET PRODUCERS AWARD – The 19th annual Producers Award, sponsored by Piaget, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant funded by Piaget. Darren Dean Mel Eslyn Rebecca Green and Laura D. Smith 22nd ANNUAL KIEHL’S SOMEONE TO WATCH AWARD – The 22nd annual Someone to Watch Award, sponsored by Kiehl’s Since 1851, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant funded by Kiehl’s Since 1851. God Bless the Child; Directors: Robert Machoian & Rodrigo Ojeda-Beck King Jack; Director: Felix Thompson Songs My Brothers Taught Me; Director: Chloé Zhao 21st TRUER THAN FICTION AWARD – The 21st annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant. Among the Believers; Directors: Mohammed Ali Naqvi and Hemal Trivedi Incorruptible; Director: Elizabeth Chai Vasarhelyi A Woman Like Me; Directors: Elizabeth Giamatti and Alex Sichel

    Read more

  • Nikole Beckwith, Jennifer Phang, Stewart Thorndike Win Inaugural SFFS Women Filmmaker Fellowships

    Advantageous_Jennifer Phang The San Francisco Film Society yesterday announced the inaugural recipients of its SFFS Women Filmmaker Fellowships, a brand new suite of services designed to support female writer/directors working on their second or third narrative feature through a combination of financial backing, innovative programs and events, mentorship services, industry connections and a growing community of fellow filmmakers. Supported by the Kenneth Rainin Foundation and facilitated by Filmmaker360, the Film Society’s filmmaker services department, these fellowships provide direct assistance to an under-served group of storytellers and help to build sustainable careers for women filmmakers all over the world. Participants in the SFFS Women Filmmaker Fellowship must be working on a second or third English-language narrative feature screenplay. They must have had a previous film premiere at a major international festival and priority is given to women working in the genres of science fiction, comedy, action, thriller and horror, which are traditionally under-represented for women filmmakers. “We’re thrilled to be kicking off this new initiative with such talented individuals, and to help bridge the support gap we have seen for many women in finding the resources they need, especially on their second or third feature film projects,” said Michele Turnure-Salleo, director of Filmmaker360. “It’s also very satisfying to support kick-ass women making edgy sci-fi, horror and comedies, and we hope this initiative contributes to leveling the playing field in those areas. Like our SFFS Producers Initiative, this program focuses on backing people rather than individual projects, and we are committed to helping these amazing folks realize their creative visions.” In 2013 and 2014, academic institutions such as the Annenberg School for Communication and Journalism at the University of Southern California and the Center for Study of Women in Television and Film at San Diego State produced substantive reports on the state of women in the film industry, revealing startling statistics that point to drastic gender inequality. The latter group, for example, reports that in 2013, women accounted for just 6% of directors, 10% of writers, 15% of executive producers, 17% of editors and 3% of cinematographers. Additionally, women were found more likely to be working on romantic comedies, dramas or documentaries than the top-grossing genres of animation, sci-fi, action and horror. “We all benefit from a more accurate and diverse portrayal of society on film,” said Jennifer Rainin, CEO of the Kenneth Rainin Foundation. “As more than 50% of the population, it’s imperative that women have opportunities to share their stories on screen and that we see female characters valued as much as males, yet there’s a lack of progress on these issues and little funding for female filmmakers working in narrative. Recognizing this gap, we’ve created the Women Filmmaker Fellowships as a way to build a critical mass of female filmmakers enjoying sustainable and thriving careers. I hope it inspires other film organizations and philanthropists to join us in building out this initiative, and to replicate this model.” Designed to grow organically over time to include additional programs and events, the SFFS Women Filmmaker Fellowship is currently seeking additional funding partners. For more information, visit sffs.org/filmmaker360. 2015 SFFS WOMEN FILMMAKER FELLOWS Nikole Beckwith Nikole Beckwith is from Newburyport, Massachusetts. Her plays have been developed and performed with the Public Theater, Playwrights Horizons, Clubbed Thumb, HERE Arts Center, Colt Coeur, Lesser America, 3LD and Rattlestick Playwrights Theater among others. Her newest play Untitled Matriarch Play (or Seven Sisters) was written at the National Theatre of London’s Studio and premiered in rep at the Royal Court under the direction of Artistic Director Vicky Featherstone. Also a pen and ink artist, Beckwith’s comics have been featured on NPR, WNYC, the Huffington Post and the Hairpin, among others. Her first film Stockholm, Pennsylvania (2012 Nicholl Fellowship, 2012 Black List, 2013 Sundance Screenwriters Lab), which was adapted from her stage play of the same name, premiered at the 2015 Sundance Film Festival in the US Dramatic Competition. She lives in Brooklyn. Jennifer Phang Jennifer Phang’s sophomore feature Advantageous (pictured above) won the US Dramatic Competition Special Jury Prize in Collaborative Vision at Sundance 2015. The film will play at the San Francisco International Film Festival and BAM Cinemafest, and is expected to see a release in June. Her award-winning debut feature Half-Life premiered in 2008 at the Tokyo International and Sundance film festivals. It screened at SXSW and was distributed by Sundance Channel. She was invited to Sundance Institute Screenwriters Lab and was awarded a SFFS FilmHouse Residency and Sundance Institute Feature Film Grants in support of Advantageous. Phang was originally commissioned to create Advantageous as a short film for the ITVS Futurestates Program. A Berkeley-born daughter of a Chinese-Malaysian father and Vietnamese mother, Phang graduated from the MFA directing program at the American Film Institute. Stewart Thorndike Stewart Thorndike is a writer/director from Tacoma, Washington. She makes female-driven genre films and her first film, Lyle, was hailed as a “lesbianRosemary’s Baby” after its premiere at Outfest, where star Gaby Hoffmann won the Grand Jury Award for Best Actress. Thorndike attended NYU’s graduate film program and her thesis short film, Tess and Nana, premiered at SXSW. Stewart’s next film, The Stay, is about a group of women at a hotel who are told to do bad things by a haunted TED Talk, with Chloe Sevigny attached to star in the 2015 production. She is currently developing her second horror feature, Daughter, about a love triangle between a single mother, her troubled teenage daughter and the witch who moves in next door. Thorndike plans to shoot Daughter in 2016. SFFS Women Filmmaker Fellowships will take place from April to October each year, overlapping with the Film Society’s previously announced Producers Fellowship programs and the San Francisco International Film Festival (April 23 – May 7). Program support includes: *  A $25,000 – $40,000 cash grant, which must be used for living expenses. Individual amounts depend on place of residence and estimated travel costs to participate in Bay Area fellowship components. *  Placement in FilmHouse Residency program and access to all FilmHouse programs and activities. *  One-on-one consultation with film industry experts from the Bay Area and beyond regarding casting, financing, budgeting, legal issues, distribution and other relevant topics. *  Weekly one-on-one consultation services provided by Filmmaker360 staff, with feedback on screenplays, verbal pitch strategies and written materials such as synopsis and treatment. *  Presentations and networking opportunities with Bay Area narrative filmmakers. *  Expenses covered for one 3-day networking trip with a Filmmaker360 staff member from San Francisco to Los Angeles, for meetings with established industry professionals.

    Read more

  • “Me and Earl and the Dying Girl” Win Top Awards at Sundance

    Me and Earl and the Dying Girl,Me and Earl and the Dying Girl,

    Me and Earl and the Dying Girl, directed by Alfonso Gomez-Rejon is the Winner of the U. S. Grand Jury Prize – Dramatic and the Audience Award – U.S. Dramatic at the 2015 Sundance Film Festival.

    Accepting the award, Alfonso Gomez-Rejon said “I want to thank entire cast and crew actors, Thomas Mann, Olivia Cooke, RJ Cyler, Connie Britton, Nick Offerman and Molly Shannon. This movie was about processing the loss and celebrate the life of a beautiful man, my father. So thanks again for this opportunity.”

    The winners and awards of 2015 Sundance Film Festival

    Winner of the Directing Award: U.S. Documentary:
    Cartel Land    , directed by Matthew Heinema

    Winner of the Directing Award: U.S. Dramatic:
    The Witch    , directed by Robert Eggers

    Winner of the U.S. Grand Jury Prize: Documentary:
    The Wolfpack    , directed by Crystal Moselle

    Winner of the U. S. Grand Jury Prize: Dramatic:
    Me and Earl and the Dying Girl    , directed by Alfonso Gomez-Rejon

    Winner of the U.S. Documentary Special Jury Award for Social Impact:
    3 ½ Minutes,     directed by Marc Silver

    Winner for U.S. Dramatic Special Jury Award for Collaborate Vision:
    Advantageous, directd by Jennifer Phang

    Winner for U.S. Dramatic Special Jury Award for Excellence in Editing:
    Dope    , edited by Lee Haugen

    Winner of the Cinematography Award: U.S. Dramatic:
    The Diary of a Teenage Girl    , cinematography by Brandon Trost

    Winner of the Waldo Salt Screenwriting Award: U.S. Dramatic:
    The Stanford Prison Experiment    , screenplay by Tim Talbott

    Winner of Audience Award: U.S. Documentary:
    Meru    , directed by Jimmy Chin and E. Chai Vasarhelyi

    Winner of the Audience Award: U.S. Dramatic:
    Me and Earl and the Dying Girl    , directed by Alfonso Gomez-Rejon

    Winner of the Cinematography Award: U.S. Documentary:
    Cartel Land    , by Matthew Heineman

    Winner of the U.S. Documentary Special Jury Award for Break Out First Feature:
    (T)error    , directed by Lyric R. Cabral and David Felix Sutcliffe

    Winner for U. S. Documentary Special Jury award for Verité Filmmaking:
    Western,     directed by Bill Ross and Turner Ross

    Winner of the Audience Award: Best Of Next
    James White    , directed by Josh Mond

    Winner of the Audience Award for World Cinema Dramatic:
    Umrika, directed by Prashant Nair

    Winner of the World Cinema Dramatic Special Jury Award for Acting:
    The Second Mother    , Regina Casé and Camila Márdila

    Winner of the World Cinema Dramatic Special Jury Award for Acting:
    Glassland    , Jack Reynor

    Winner of the World Cinema Dramatic Special Jury Award for Cinematography:
    Partisan    , Germain McMicking

    Winner of the World Cinema Dramatic Directing Award:
    The Summer of Sangaile    , directed by Alanté Kavaïté

    Winner of the World Cinema Dramatic Grand Jury Prize:
    Slow West    , directed by John Maclean

    Winner of the World Cinema Documentary Editing Award:
    How to Change the World,     edited by Jim Scott

    Winner of the World Cinema Documentary Special Jury Award for Impact:
    Pervert Park    , directed by Frida Barkfors and Lasse Barkfors

    Winner of the World Cinema Documentary Special Jury Award for Unparalleled Access:
    The Chinese Mayor,     directed by Hao Zhou

    Winner of the World Cinema Documentary Directing Award:
    Dreamcatcher,     directed by Kim Longinotto

    Winner of the World Cinema Documentary Grand Jury Prize:
    Russian Woodpecker,     directed by Chad Gracia

    Winner of the Alfred P. Sloan Feature Film Prize:
    The Stanford Prison Experiment,     directed by Kyle Patrick Alvarez

     

     

    Read more