Eight classic films from Martin Scorsese’s The Film Foundation will screen at this year’s 2015 Seattle International Film Festival running May 14 through June 7, 2015. Taking place during the final week of the Festival are the North American premieres of two restored films: 1966’s Black Girl (La Noire de…) (pictured above) from “the father of African cinema” Ousmane Sembène on June 1 and 1978’s Alyam, Alyam from Moroccan master Ahmed El Maanoui on June 7.
Established in 1990 by Martin Scorsese, The Film Foundation is dedicated to protecting and preserving motion picture history and has helped to restore over 620 films in the last 25 years.
Carl Spence, SIFF’s Artistic Director, says, “Martin Scorsese has been shining a light on the urgent work of film preservation through The Film Foundation for 25 years. Through his efforts, we are able to publicly showcase these films from around the world that audiences would not otherwise have a chance to see projected on a big screen. The enthusiastic response from SIFF audiences is a testament to our belief that movie lovers from all walks of life want to experience films in cinemas. It is also fitting that we are presenting the North American premieres of two films from Africa – it pairs nicely with the 12 contemporary features being presented in our African Pictures spotlight.”
Jennifer Ahn, Managing Director of The Film Foundation, says, “We are delighted that the Seattle International Film Festival is focusing on the importance of film preservation with its tribute to The Film Foundation’s 25th Anniversary. We’re especially pleased that the festival is presenting two remarkable works of global cinema: Black Girl (1966), directed by Senegal’s Ousmane Sembène and Alyam, Alyam (1978) by Moroccan filmmaker Ahmed El Maanouni. These films were restored through The Film Foundation’s World Cinema Project, and we welcome this opportunity to collaborate with SIFF on their international premieres.”
Still to play:
Alyam, Alyam
Morocco | 1978 | 80 minutes | Ahmed El Maanouni
Following his father’s death, Abdelwahad is expected to provide for his mother and his seven brothers. But faced with the cycle of poverty that rural farmers seem doomed to repeat, he dares to hope for something better. Restoration by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Also played at SIFF 2015:
Black Girl
Senegal | 1966 | 65 minutes | Ousmane Sembène
This 1966 film explores the complex dynamics and larger post-colonial implications that arise between a young Senegalese maid and the French family that employs her. This quiet, observational drama was esteemed African filmmaker Ousmane Sembène’s first feature film. Restored by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Caught
USA | 1949 | 88 minutes | Max Ophüls
A model (Barbara Bel Geddes), a sociopathic millionaire (Robert Ryan), and a sympathetic pediatrician (James Mason) engage in a fraught romantic power struggle in Max Ophüls’ 1949 noir, only one of four movies the esteemed director made in the United States.
The Color of the Pomegranates
Armenia | 1969 | 77 minutes | Sergei Parajanov
Sergei Parajanov’s empirical masterpiece loosely follows the life of Sayat Nova, “King of Song,” an Armenian poet and musician born in the 18th century, through vibrant sets and costumes and hypnotic shots. This colorful and avant-garde masterpiece provides an utterly transformative cinematic experience.
The Dark Mirror
USA | 1946 | 85 minutes | Robert Siodmak
Robert Siodmak’s 1946 psychological thriller follows a pair of identical twins with dueling personalities, one of which is a suspect in the murder of a doctor. The Dark Mirror dips into terrifying evil doppelganger territory, while at the same time hitting all the disturbing aspects of an effective melodrama.
The Old Dark House
USA | 1932 | 71 minutes | James Whale
Long thought a lost film, this cult masterpiece from director James Whale (Frankenstein) is a twisted gothic thriller, equal parts macabre nightmare and camp farce, about three lost travelers who seek shelter in a crumbling Welsh manor. 35mm restoration by the Library of Congress with funding provided by The Film Foundation.
Rebel Without a Cause
USA | 1955 | 111 minutes | Nicholas Ray
That iconic red motorcycle jacket. An apron-wearing father. The brutal intensity of James Dean’s face, and Natalie Wood’s nurturing touch. This classic drama by renowned director Nicolas Ray is perhaps the perfectly crafted teen angst film, catapulting Dean’s short-lived film career and guaranteed to tear you apart.
The Red Shoes
United Kingdom | 1948 | 133 minutes | Emeric Pressburger, Michael Powell
Moira Shearer stars in this seminal 1948 drama from Michael Powell and Emeric Pressburger, one of the most highly regarded dance films in cinema history, about a young woman who works her way up the ladder of a prestigious ballet company.
Playing as part of STG Presents Trader Joe’s Silent Movie Mondays in June:
The Mark of Zorro (d: Fred Niblo, 1920)
My Best Girl (d: Sam Taylor, 1927)
The Unholy Three (d: Tod Browning, 1925)
Snow White (d: J. Searle Dawley, 1916)Oh the Days! (Alyam Alyam) (1978)
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8 Classic Films from Martin Scorsese’s The Film Foundation to Screen at 2015 Seattle International Film Festival
Eight classic films from Martin Scorsese’s The Film Foundation will screen at this year’s 2015 Seattle International Film Festival running May 14 through June 7, 2015. Taking place during the final week of the Festival are the North American premieres of two restored films: 1966’s Black Girl (La Noire de…) (pictured above) from “the father of African cinema” Ousmane Sembène on June 1 and 1978’s Alyam, Alyam from Moroccan master Ahmed El Maanoui on June 7.
Established in 1990 by Martin Scorsese, The Film Foundation is dedicated to protecting and preserving motion picture history and has helped to restore over 620 films in the last 25 years.
Carl Spence, SIFF’s Artistic Director, says, “Martin Scorsese has been shining a light on the urgent work of film preservation through The Film Foundation for 25 years. Through his efforts, we are able to publicly showcase these films from around the world that audiences would not otherwise have a chance to see projected on a big screen. The enthusiastic response from SIFF audiences is a testament to our belief that movie lovers from all walks of life want to experience films in cinemas. It is also fitting that we are presenting the North American premieres of two films from Africa – it pairs nicely with the 12 contemporary features being presented in our African Pictures spotlight.”
Jennifer Ahn, Managing Director of The Film Foundation, says, “We are delighted that the Seattle International Film Festival is focusing on the importance of film preservation with its tribute to The Film Foundation’s 25th Anniversary. We’re especially pleased that the festival is presenting two remarkable works of global cinema: Black Girl (1966), directed by Senegal’s Ousmane Sembène and Alyam, Alyam (1978) by Moroccan filmmaker Ahmed El Maanouni. These films were restored through The Film Foundation’s World Cinema Project, and we welcome this opportunity to collaborate with SIFF on their international premieres.”
Still to play:
Alyam, Alyam
Morocco | 1978 | 80 minutes | Ahmed El Maanouni
Following his father’s death, Abdelwahad is expected to provide for his mother and his seven brothers. But faced with the cycle of poverty that rural farmers seem doomed to repeat, he dares to hope for something better. Restoration by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Also played at SIFF 2015:
Black Girl
Senegal | 1966 | 65 minutes | Ousmane Sembène
This 1966 film explores the complex dynamics and larger post-colonial implications that arise between a young Senegalese maid and the French family that employs her. This quiet, observational drama was esteemed African filmmaker Ousmane Sembène’s first feature film. Restored by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Caught
USA | 1949 | 88 minutes | Max Ophüls
A model (Barbara Bel Geddes), a sociopathic millionaire (Robert Ryan), and a sympathetic pediatrician (James Mason) engage in a fraught romantic power struggle in Max Ophüls’ 1949 noir, only one of four movies the esteemed director made in the United States.
The Color of the Pomegranates
Armenia | 1969 | 77 minutes | Sergei Parajanov
Sergei Parajanov’s empirical masterpiece loosely follows the life of Sayat Nova, “King of Song,” an Armenian poet and musician born in the 18th century, through vibrant sets and costumes and hypnotic shots. This colorful and avant-garde masterpiece provides an utterly transformative cinematic experience.
The Dark Mirror
USA | 1946 | 85 minutes | Robert Siodmak
Robert Siodmak’s 1946 psychological thriller follows a pair of identical twins with dueling personalities, one of which is a suspect in the murder of a doctor. The Dark Mirror dips into terrifying evil doppelganger territory, while at the same time hitting all the disturbing aspects of an effective melodrama.
The Old Dark House
USA | 1932 | 71 minutes | James Whale
Long thought a lost film, this cult masterpiece from director James Whale (Frankenstein) is a twisted gothic thriller, equal parts macabre nightmare and camp farce, about three lost travelers who seek shelter in a crumbling Welsh manor. 35mm restoration by the Library of Congress with funding provided by The Film Foundation.
Rebel Without a Cause
USA | 1955 | 111 minutes | Nicholas Ray
That iconic red motorcycle jacket. An apron-wearing father. The brutal intensity of James Dean’s face, and Natalie Wood’s nurturing touch. This classic drama by renowned director Nicolas Ray is perhaps the perfectly crafted teen angst film, catapulting Dean’s short-lived film career and guaranteed to tear you apart.
The Red Shoes
United Kingdom | 1948 | 133 minutes | Emeric Pressburger, Michael Powell
Moira Shearer stars in this seminal 1948 drama from Michael Powell and Emeric Pressburger, one of the most highly regarded dance films in cinema history, about a young woman who works her way up the ladder of a prestigious ballet company.
Playing as part of STG Presents Trader Joe’s Silent Movie Mondays in June:
The Mark of Zorro (d: Fred Niblo, 1920)
My Best Girl (d: Sam Taylor, 1927)
The Unholy Three (d: Tod Browning, 1925)
Snow White (d: J. Searle Dawley, 1916)
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Films on African Pictures Program is First Announced for 2015 Seattle International Film Festival
The 41st Seattle International Film Festival to be held May 14 to June 7, 2015, unveiled the 14 feature films of its third annual African Pictures program. Since 2013, African Pictures has presented documentaries, narrative features, and short films from 25 African countries. With something for everyone — from ethereal and experimental to gritty and provocative — African Pictures showcases a microcosm of world cinema available only at SIFF.
Topping the 2015 program is The Boda Boda Thieves (pictured above), an absorbing urban narrative from SIFF sophomore Donald Mugisha (The Kampala Story, 2012), who will be in attendance for the North American premiere of his new film. Fans of U-Carmen eKhayelitsha (2005) will be glad to see the North American premiere of director Mark Dornford-May’s striking modern South African opera,Breathe Umphefumlo, adapted with deftness and compassion from Puccini’s “La Bohème.”
Also traveling to Seattle, up-and-coming director Cheick Fantamady Camara will appear at screenings of his expansive drama Morbayassa in its North American premiere, representing Guinean film in African Pictures at SIFF for the first time. This story of inter-generational and inter-continental culture clash is anchored by a masterful performance from Fatoumata Diawara (Timbuktu, 2014). SIFF 2015 will also feature the North American premiere of Sugarcane Shadows, the first film from the island nation of Mauritius ever to play in a US festival.
Making its North American premiere among four short films in African Pictures 2015 is I’m Not Hereby 15-year-old South African Jack Markovitz, presented as part of SIFF’s youth-centered FutureWave program.
The African Pictures Film & Party will feature Excuse My French, a coming-of-age comedy from Egyptian director Amr Salama (Asma’a, 2011; Tahrir, 2011: The Good, the Bad, and the Politician, 2011). A lively celebration will follow at the Northwest African American Museum in Seattle.
The following African Pictures titles are the first films to be announced among official selections of the 2015 Seattle International Film Festival.
Alyam, Alyam
d: Ahmed El Maanouni, Morocco 1978, 80 min
Following his father’s death, Abdelwahad is expected to provide for his mother and his seven brothers. But faced with the cycle of poverty that rural farmers seem doomed to repeat, he dares to hope for something better. Restored by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Beats of the Antonov
d: Hajooj Kuka, Sudan/South Africa 2014, 65 min
Set in the Blue Nile and Nuba Mountain regions of Sudan, Beats of the Antonov celebrates South Sudan’s vibrant musical culture surviving by any means necessary in the face of their prolonged civil war.
Beti and Amare
d: Andy Siege, Ethiopia/Germany 2014, 94 min
In this dreamy sci-fi fantasy, teenage Beti is forced to hide away in her uncle’s isolated hut to avoid Mussolini’s troops. Her strange dreams lead her to fall in love with a man who emerges from a glowing egg and may be a vampire.
Black Girl (La Noire de…)
d: Ousmane Sembène, Senegal/France 1966, 65 min
This 1966 film explores the complex dynamics and larger post-colonial implications that arise between a young Senegalese maid and the French family that employs her. This quiet, observational drama was esteemed African filmmaker Ousmane Sembène’s first feature film. Restored by The Film Foundation’s World Cinema Project in collaboration with the Sembène Estate, Institut National de l’Audiovisuel, INA and Centre National de Cinématographie, CNC.Restoration carried out at Cineteca di Bologna/L’Immagine Ritrovata Laboratory; 4k scan performed at Eclair laboratories.
The Boda Boda Thieves (Abaabi ba boda boda)
NORTH AMERICAN PREMIERE
d: Donald Mugisha, Uganda/Kenya 2015, 85 min
On teenage boy Abel’s first day of work as a boda boda (moto-taxi) driver to support his poor family, his bike is stolen, leaving him in pursuit of the ruthless thief who stole their livelihood. A Bicycle Thieves for urban Africa.
Breathe Umphefumlo
NORTH AMERICAN PREMIERE
d: Mark Dornford-May, South Africa/United Kingdom 2015, 89 min
Combining “La Boheme” with the tuberculosis epidemic in South Africa, Breathe Umphefumloprovides a dynamic twist on the classic opera through a uniquely African context and emotional urgency that’s not to be missed.
Challat of Tunis (Le Challat de Tunis)
d: Kaouther Ben Hania, Tunisia/France 2014, 90 min
A masked assailant rides through the Tunisian capital on a motor scooter slashing the backsides of women in jeans and short skirts in Kaouther Ben Hania’s genre-bending mockumentary about sexist attitudes in Arab culture.
Décor
d: Ahmad Abdalla, Egypt 2014, 116 min
An overworked film production designer begins to lose her grip on reality, slipping into the life she is creating on her latest movie set. This meta-movie playfully comments on the conventions of the classic “women’s picture.”
Excuse My French (Lamoakhzaa)
AFRICAN PICTURES FILM & PARTY
d: Amr Salama, Egypt 2014, 99 min
In this family comedy and Egyptian box office smash, 12-year-old Hany, a precocious kid from a privileged Coptic Christian family, must adjust when a change in circumstances sends him to the local majority-Muslim public school.
I Am the People (Je Suis le Peuple)
d: Anna Roussillon, France 2014, 111 min
I Am the People chronicles the 2011 revolution in Egypt and subsequent events from the perspective of a poor farming family in the country’s south, a depiction of world events refreshing in its warmth, wit, and humanity.
The Malagasy Way (Ady Gasy)
d: Lova Nantenaina, Madagascar/France 2014, 84 min
Filmed with a fascinated lens, this documentary explores the way of the Malagasy people and a third-world community portrait that is anything but bleak, as it celebrates a culture where wealth isn’t needed to find happiness and joy in the things you do.
Morbayassa
NORTH AMERICAN PREMIERE
d: Cheick Fantamady Camara, Guinea 2015, 122 min
Bella befriends a UN worker who promises to help her escape her domineering pimp and find the daughter she gave up for adoption 15 year ago in this tense, female-centered drama.
Run
d: Philippe Lacôte, Ivory Coast/France 2014, 97 min
After assassinating the Prime Minister, Run looks back on the varied mentors in his life, from a village rainmaker to a professional eater to the imperious revolutionary who’s living the gangster life, in this striking feature debut which reflects Ivory Coast’s recent, tumultuous history.
Sugarcane Shadows (Lonbraz Kann)
NORTH AMERICAN PREMIERE
d: David Constantin, Mauritius/France 2014, 88 min
Residents of Mauritius fight to maintain their culture despite a pervasive tourism economy and increased globalization. Gorgeous cinematography and non-actor authenticity ground David Constantin’s first feature.
The following short films will screen during SIFF 2015 as part of African Pictures.
The Call
NORTH AMERICAN PREMIERE
d: Zamo Mkhwanazi, South Africa 2014, 11 min
An emotionally disconnected taxi driver realizes that he does not want his prostitute girlfriend to abort the child that could be his.
I’m Not Here
NORTH AMERICAN PREMIERE
d: Jack Markovitz, South Africa 2014, 9 min
After his calls are repeatedly ignored, a young man turns to Facebook to tell a girl what he thinks
A Quiet Memory (Uma Memória Quieta)
US PREMIERE
d: Inadelso Cossa, Mozambique 2014, 14 min
Langa dramatically details his history as a political prisoner in 1970s Mozambique.
Treat (Zawadi)
d: Richard Card, Kenya 2014, 12 min
In the Kenyan slums of Kibera, a ten-year-old boy hustles to provide for his family, taking him away from his crush on her birthday.