Pop Aye – Kirsten Tan[/caption]
A record 92 countries have submitted films for consideration in the Foreign Language Film category for the 90th Academy Awards. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants.
The 2017 submissions are:
Afghanistan, “A Letter to the President,” Roya Sadat, director;
Albania, “Daybreak,” Gentian Koçi, director;
Algeria, “Road to Istanbul,” Rachid Bouchareb, director;
Argentina, “Zama,” Lucrecia Martel, director;
Armenia, “Yeva,” Anahit Abad, director;
Australia, “The Space Between,” Ruth Borgobello, director;
Austria, “Happy End,” Michael Haneke, director;
Azerbaijan, “Pomegranate Orchard,” Ilgar Najaf, director;
Bangladesh, “The Cage,” Akram Khan, director;
Belgium, “Racer and the Jailbird,” Michaël R. Roskam, director;
Bolivia, “Dark Skull,” Kiro Russo, director;
Bosnia and Herzegovina, “Men Don’t Cry,” Alen Drljević, director;
Brazil, “Bingo – The King of the Mornings,” Daniel Rezende, director;
Bulgaria, “Glory,” Petar Valchanov, Kristina Grozeva, directors;
Cambodia, “First They Killed My Father,” Angelina Jolie, director;
Canada, “Hochelaga, Land of Souls,” François Girard, director;
Chile, “A Fantastic Woman,” Sebastián Lelio, director;
China, “Wolf Warrior 2,” Wu Jing, director;
Colombia, “Guilty Men,” Iván D. Gaona, director;
Costa Rica, “The Sound of Things,” Ariel Escalante, director;
Croatia, “Quit Staring at My Plate,” Hana Jušić, director;
Czech Republic, “Ice Mother,” Bohdan Sláma, director;
Denmark, “You Disappear,” Peter Schønau Fog, director;
Dominican Republic, “Woodpeckers,” Jose Maria Cabral, director;
Ecuador, “Alba,” Ana Cristina Barragán, director;
Egypt, “Sheikh Jackson,” Amr Salama, director;
Estonia, “November,” Rainer Sarnet, director;
Finland, “Tom of Finland,” Dome Karukoski, director;
France, “BPM (Beats Per Minute),” Robin Campillo, director;
Georgia, “Scary Mother,” Ana Urushadze, director;
Germany, “In the Fade,” Fatih Akin, director;
Greece, “Amerika Square,” Yannis Sakaridis, director;
Haiti, “Ayiti Mon Amour,” Guetty Felin, director;
Honduras, “Morazán,” Hispano Durón, director;
Hong Kong, “Mad World,” Wong Chun, director;
Hungary, “On Body and Soul,” Ildikó Enyedi, director;
Iceland, “Under the Tree,” Hafsteinn Gunnar Sigurðsson, director;
India, “Newton,” Amit V Masurkar, director;
Indonesia, “Turah,” Wicaksono Wisnu Legowo, director;
Iran, “Breath,” Narges Abyar, director;
Iraq, “Reseba – The Dark Wind,” Hussein Hassan, director;
Ireland, “Song of Granite,” Pat Collins, director;
Israel, “Foxtrot,” Samuel Maoz, director;
Italy, “A Ciambra,” Jonas Carpignano, director;
Japan, “Her Love Boils Bathwater,” Ryota Nakano, director;
Kazakhstan, “The Road to Mother,” Akhan Satayev, director;
Kenya, “Kati Kati,” Mbithi Masya, director;
Kosovo, “Unwanted,” Edon Rizvanolli, director;
Kyrgyzstan, “Centaur,” Aktan Arym Kubat, director;
Lao People’s Democratic Republic, “Dearest Sister,” Mattie Do, director;
Latvia, “The Chronicles of Melanie,” Viestur Kairish, director;
Lebanon, “The Insult,” Ziad Doueiri, director;
Lithuania, “Frost,” Sharunas Bartas, director;
Luxembourg, “Barrage,” Laura Schroeder, director;
Mexico, “Tempestad,” Tatiana Huezo, director;
Mongolia, “The Children of Genghis,” Zolbayar Dorj, director;
Morocco, “Razzia,” Nabil Ayouch, director;
Mozambique, “The Train of Salt and Sugar,” Licinio Azevedo, director;
Nepal, “White Sun,” Deepak Rauniyar, director;
Netherlands, “Layla M.,” Mijke de Jong, director;
New Zealand, “One Thousand Ropes,” Tusi Tamasese, director;
Norway, “Thelma,” Joachim Trier, director;
Pakistan, “Saawan,” Farhan Alam, director;
Palestine, “Wajib,” Annemarie Jacir, director;
Panama, “Beyond Brotherhood,” Arianne Benedetti, director;
Paraguay, “Los Buscadores,” Juan Carlos Maneglia, Tana Schembori, directors;
Peru, “Rosa Chumbe,” Jonatan Relayze, director;
Philippines, “Birdshot,” Mikhail Red, director;
Poland, “Spoor,” Agnieszka Holland, Kasia Adamik, directors;
Portugal, “Saint George,” Marco Martins, director;
Romania, “Fixeur,” Adrian Sitaru, director;
Russia, “Loveless,” Andrey Zvyagintsev, director;
Senegal, “Félicité,” Alain Gomis, director;
Serbia, “Requiem for Mrs. J.,” Bojan Vuletic, director;
Singapore, “Pop Aye,” Kirsten Tan, director;
Slovakia, “The Line,” Peter Bebjak, director;
Slovenia, “The Miner,” Hanna A. W. Slak, director;
South Africa, “The Wound,” John Trengove, director;
South Korea, “A Taxi Driver,” Jang Hoon, director;
Spain, “Summer 1993,” Carla Simón, director;
Sweden, “The Square,” Ruben Östlund, director;
Switzerland, “The Divine Order,” Petra Volpe, director;
Syria, “Little Gandhi,” Sam Kadi, director;
Taiwan, “Small Talk,” Hui-Chen Huang, director;
Thailand, “By the Time It Gets Dark,” Anocha Suwichakornpong, director;
Tunisia, “The Last of Us,” Ala Eddine Slim, director;
Turkey, “Ayla: The Daughter of War,” Can Ulkay, director;
Ukraine, “Black Level,” Valentyn Vasyanovych, director;
United Kingdom, “My Pure Land,” Sarmad Masud, director;
Uruguay, “Another Story of the World,” Guillermo Casanova, director;
Venezuela, “El Inca,” Ignacio Castillo Cottin, director;
Vietnam, “Father and Son,” Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.Amerika Square
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92 countries in Competition for Foreign Language Film Oscar at the 90th Academy Awards
[caption id="attachment_19636" align="aligncenter" width="1200"] Pop Aye – Kirsten Tan[/caption]
A record 92 countries have submitted films for consideration in the Foreign Language Film category for the 90th Academy Awards. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants.
The 2017 submissions are:
Afghanistan, “A Letter to the President,” Roya Sadat, director;
Albania, “Daybreak,” Gentian Koçi, director;
Algeria, “Road to Istanbul,” Rachid Bouchareb, director;
Argentina, “Zama,” Lucrecia Martel, director;
Armenia, “Yeva,” Anahit Abad, director;
Australia, “The Space Between,” Ruth Borgobello, director;
Austria, “Happy End,” Michael Haneke, director;
Azerbaijan, “Pomegranate Orchard,” Ilgar Najaf, director;
Bangladesh, “The Cage,” Akram Khan, director;
Belgium, “Racer and the Jailbird,” Michaël R. Roskam, director;
Bolivia, “Dark Skull,” Kiro Russo, director;
Bosnia and Herzegovina, “Men Don’t Cry,” Alen Drljević, director;
Brazil, “Bingo – The King of the Mornings,” Daniel Rezende, director;
Bulgaria, “Glory,” Petar Valchanov, Kristina Grozeva, directors;
Cambodia, “First They Killed My Father,” Angelina Jolie, director;
Canada, “Hochelaga, Land of Souls,” François Girard, director;
Chile, “A Fantastic Woman,” Sebastián Lelio, director;
China, “Wolf Warrior 2,” Wu Jing, director;
Colombia, “Guilty Men,” Iván D. Gaona, director;
Costa Rica, “The Sound of Things,” Ariel Escalante, director;
Croatia, “Quit Staring at My Plate,” Hana Jušić, director;
Czech Republic, “Ice Mother,” Bohdan Sláma, director;
Denmark, “You Disappear,” Peter Schønau Fog, director;
Dominican Republic, “Woodpeckers,” Jose Maria Cabral, director;
Ecuador, “Alba,” Ana Cristina Barragán, director;
Egypt, “Sheikh Jackson,” Amr Salama, director;
Estonia, “November,” Rainer Sarnet, director;
Finland, “Tom of Finland,” Dome Karukoski, director;
France, “BPM (Beats Per Minute),” Robin Campillo, director;
Georgia, “Scary Mother,” Ana Urushadze, director;
Germany, “In the Fade,” Fatih Akin, director;
Greece, “Amerika Square,” Yannis Sakaridis, director;
Haiti, “Ayiti Mon Amour,” Guetty Felin, director;
Honduras, “Morazán,” Hispano Durón, director;
Hong Kong, “Mad World,” Wong Chun, director;
Hungary, “On Body and Soul,” Ildikó Enyedi, director;
Iceland, “Under the Tree,” Hafsteinn Gunnar Sigurðsson, director;
India, “Newton,” Amit V Masurkar, director;
Indonesia, “Turah,” Wicaksono Wisnu Legowo, director;
Iran, “Breath,” Narges Abyar, director;
Iraq, “Reseba – The Dark Wind,” Hussein Hassan, director;
Ireland, “Song of Granite,” Pat Collins, director;
Israel, “Foxtrot,” Samuel Maoz, director;
Italy, “A Ciambra,” Jonas Carpignano, director;
Japan, “Her Love Boils Bathwater,” Ryota Nakano, director;
Kazakhstan, “The Road to Mother,” Akhan Satayev, director;
Kenya, “Kati Kati,” Mbithi Masya, director;
Kosovo, “Unwanted,” Edon Rizvanolli, director;
Kyrgyzstan, “Centaur,” Aktan Arym Kubat, director;
Lao People’s Democratic Republic, “Dearest Sister,” Mattie Do, director;
Latvia, “The Chronicles of Melanie,” Viestur Kairish, director;
Lebanon, “The Insult,” Ziad Doueiri, director;
Lithuania, “Frost,” Sharunas Bartas, director;
Luxembourg, “Barrage,” Laura Schroeder, director;
Mexico, “Tempestad,” Tatiana Huezo, director;
Mongolia, “The Children of Genghis,” Zolbayar Dorj, director;
Morocco, “Razzia,” Nabil Ayouch, director;
Mozambique, “The Train of Salt and Sugar,” Licinio Azevedo, director;
Nepal, “White Sun,” Deepak Rauniyar, director;
Netherlands, “Layla M.,” Mijke de Jong, director;
New Zealand, “One Thousand Ropes,” Tusi Tamasese, director;
Norway, “Thelma,” Joachim Trier, director;
Pakistan, “Saawan,” Farhan Alam, director;
Palestine, “Wajib,” Annemarie Jacir, director;
Panama, “Beyond Brotherhood,” Arianne Benedetti, director;
Paraguay, “Los Buscadores,” Juan Carlos Maneglia, Tana Schembori, directors;
Peru, “Rosa Chumbe,” Jonatan Relayze, director;
Philippines, “Birdshot,” Mikhail Red, director;
Poland, “Spoor,” Agnieszka Holland, Kasia Adamik, directors;
Portugal, “Saint George,” Marco Martins, director;
Romania, “Fixeur,” Adrian Sitaru, director;
Russia, “Loveless,” Andrey Zvyagintsev, director;
Senegal, “Félicité,” Alain Gomis, director;
Serbia, “Requiem for Mrs. J.,” Bojan Vuletic, director;
Singapore, “Pop Aye,” Kirsten Tan, director;
Slovakia, “The Line,” Peter Bebjak, director;
Slovenia, “The Miner,” Hanna A. W. Slak, director;
South Africa, “The Wound,” John Trengove, director;
South Korea, “A Taxi Driver,” Jang Hoon, director;
Spain, “Summer 1993,” Carla Simón, director;
Sweden, “The Square,” Ruben Östlund, director;
Switzerland, “The Divine Order,” Petra Volpe, director;
Syria, “Little Gandhi,” Sam Kadi, director;
Taiwan, “Small Talk,” Hui-Chen Huang, director;
Thailand, “By the Time It Gets Dark,” Anocha Suwichakornpong, director;
Tunisia, “The Last of Us,” Ala Eddine Slim, director;
Turkey, “Ayla: The Daughter of War,” Can Ulkay, director;
Ukraine, “Black Level,” Valentyn Vasyanovych, director;
United Kingdom, “My Pure Land,” Sarmad Masud, director;
Uruguay, “Another Story of the World,” Guillermo Casanova, director;
Venezuela, “El Inca,” Ignacio Castillo Cottin, director;
Vietnam, “Father and Son,” Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
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AMERIKA SQUARE is Greece’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Amerika Square (Plateia Amerikis) directed by Yannis Sakaridis is Greece’s submission for the Best Foreign-language Film at the 90th Academy Awards. The film premiered last year at the Busan International Film Festival, and has won numerous awards including the FIPRESCI Prize at Thessaloniki International Film Festival, and Best Feature at the Los Angeles Greek Film Festival.
Filmmaker Yannis Sakaridis presents a clever satirical view of the Greek migrant crisis by exploring both xenophobic and sympathetic sentiments of Greeks towards foreigners escaping the war and hardships that engulfed their native lands. Told from three different points of view, the story follow through to an upbeat, yet realistic and plausible ending.
Nakos is an unemployed inhabitant of the small neighborhood of Amerika Square who grows increasingly disgruntled at the influx of Middle Eastern migrants coming to Athens. Much of Nakos’ frustration stems from his inability to do anything about the new demographics of his neighborhood, a situation he spends most of his time brooding over instead of undertaking measures to address the much bigger problem at hand – his dead-end life. The pathetic Nakos has few close allies – his parents with whom he lives and childhood friend Billy, the selfless tattoo artist next door in whom Nakos confides his hatred of immigrants. What Nakos does not confide in Billy is a sinister plan to eliminate some of the migrants utilizing a desperate measure that accomplishes a chain reaction only resulting in the loss of Nakos’ few remaining friends. Billy, a lost soul himself who has wittingly and unwittingly impacted countless other lost souls through his line of work, seizes upon an opportunity to help two migrants escape from Athens; one of which a beautiful African singer with whom he falls in love and sees that she escapes to France at great cost to himself; the other a weary Syrian doctor escaping the war in Aleppo and trying desperately to reunite with his 9 year old daughter who has been smuggled to Germany ahead of him.
In the end, sympathy and selflessness resonate more brightly than intolerance and Nakos finds his anti-migrant attitude to have cost him his only allies and the shreds of pride and dignity that had been clutching all along.
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AMERIKA SQUARE to Open, SON OF SOFIA to Close 2017 Los Angeles Greek Film Festival
[caption id="attachment_17461" align="aligncenter" width="1200"]
Amerika Square[/caption]
The West coast premiere of Yannis Sakaridis’ award-winning Amerika Square (Plateia Amerikis) will open the 11th Annual Los Angeles Greek Film Festival on Wednesday, June 7. Nakos, a banal racist, had enough of the thousands of refugees in his neighborhood, Amerika Square in the center of Athens. Tarek, a Syrian ex-Military doctor, is looking for a deal to smuggle out of Greece with his daughter. Billy, a tattoo artist, falls in love with Tereza, an African singer who is also looking for an escape by the sea. The three stories merge, while time is running out for everyone. Amerika Square took the FIPRESCI award at the 2016 Thessaloniki Film Festival.
Thursday, June 8, has several films and documentaries including the world premiere of Anastasios Papapostolou’s short documentary The Greek that follows the story of one-armed Greek boxer Vaggelis ‘Cobra’ Chatzis.
Nikos Koundouros’ The Ogre of Athens (Oh Drakos) also screens on Thursday. The film, marked a departure role for comic actor Dinos Iliopoulos. Iliopoulos plays a mousy, timid man who, due to mistaken identity, becomes embroiled in a high crime life and death situation. THE OGRE OF ATHENS has been consistently voted the number one Greek film of all time by the Hellenic Film Critics’ Association. The screening is LAGFF’s homage to the director and his works following his passing this February at age 90. This screening is free to the public to attend.
Late night spot on Thursday belongs to the west coast premiere of Petros Charalambous’ Boy On The Bridge (To Agori Sti Gefyra”). The drama is based on a novel by the British-Cypriot Eve Makis who penned the script with Stavros Pamballis. The film is the true story of a boy whose idyllic life in a Mediterranean village is disturbed by a crime that claims his innocence.
Friday’s schedule includes the screening of – Michele Poulos’ documentary and Los Angeles premiere A Late Style Of Fire: Larry Levis, American Poet which chronicles the writer’s childhood, three marriages, friendships with other famous poets and self-destructive behavior.
Babis Tsokas’ documentary and west coast premiere Our Own Maria Callas, a voyage into the mythical world of the famous soprano, will also be shown, in a tribute to Callas’ passing away 40 years ago. Our Own Maria Callas is free and open to the public.
Saturday’s program includes a screening and Los Angeles premiere of writer-director Clio Fanouraki’s uplifting first feature Xamou. This second coming of age story finds Georges Corraface (A Touch Of Spice) an aging hotel promoter recently out of work and job prospects, fighting depression until his wife lures him outside of his self-imposed exile. He discovers a renewed life and career as his family and neighbors reintroduce him to the wonders and beauty of his home island of Crete. This spectacularly visual film is edited by Yorgos Mavropsaridis (The Lobster, Dogtooth).
Swing Away John O’Hurley, Shannon Elizabeth star in Michael A. Nickles drama about a professional golfer who travels to her grandparents in Greece to avoid the harsh spotlight and Sofia Exarchou’s new Greek Cinema feature PARK about Athens Olympic Village, ten years after the Games, where wilding youths, injured retired athletes and stray dogs roam among ruins and decaying sports venues.
Before each feature and throughout the festival is an array of short narratives and documentaries from up and coming as well as established filmmakers.
Shorts include Daphne Matziaraki’s Academy Award ® nominated 4.1 Miles which will play before Amerika Square opening night. Friday Giannis Ziogkase’s Ethnophobia will play with Boy On The Bridge. The west coast premiere of Phedon Papamichael’s dramatic short A Beautiful Day, written by Angeliki Giannakopoulos and starring James Brolin and Francis Fisher will screen with the U.S. premiere of Sotiris Tsafoulias’ feature crime thriller The Other Me.
Sunday ushers in a new documentary slot from 12:00 – 4:00 P.M. including well known sports filmmaker Constantine Papanicolaou’s U.S. premiere of Frozen Ambrosia about his skiing adventure on Greece’s Mount Olympus and about the little-known winter tourism in Greece and the world premiere of George Lagdaris’ With The Hoes And The Terrarium Forks chronicling evolution of the village of Zagora which developed cooperatively over the last 100 years and passes on this tradition from generation to generation.
[caption id="attachment_21925" align="aligncenter" width="1200"]
The family (Thanasis Papageorgiou, Valery Tscheplanow, Victor Khomut) watches TV in SON OF SOFIA. Photo credit: Dionysis Eftimiopoulos.[/caption]
Closing the Festival is the west coast premiere of Elina Psykou’s drama Son Of Sofia. In April, the film took Best Picture in the International Narrative Feature Competition at the Tribeca Film Festival. Psykou, known for The Eternal Return of Antonis Paraskevas, has created a dark fairy tale featuring 11-year-old Misha, a young Russian boy who is brought to Athens by his mother to live and is surprised to learn she has remarried. Misha’s imagination soon takes over to protect him from his new life, and he creates a journey that puts make believe against stark reality.
The festival will finally wrap with the Orpheus Awards that honor the best of the Festival’s feature, short and documentary films as voted by the 2017 Jury with one film receiving the Orpheus Audience Award honor. Also, the festival selects one filmmaker or actor whose contributions to the entertainment industry have exceeded those of their peers. This year, the festival honoree is Oscar-winning writer/producer/director Alexander Payne. Payne will receive the Orpheus for his contributions to worldwide entertainment and the preservation of film itself.