BATTLE OF THE SEXES[/caption]
141 scores from eligible feature-length films released in 2017 have qualified to be nominated in the Original Score category for the 90th Academy Awards.
To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Scores diluted by the use of preexisting music, diminished in impact by the predominant use of songs or any music not composed specifically for the film by the submitting composer, or assembled from the music of more than one composer shall not be eligible.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Alien: Covenant,” Jed Kurzel, composer
“All I See Is You,” Marc Streitenfeld, composer
“All the Money in the World,” Daniel Pemberton, composer
“Annabelle: Creation,” Benjamin Wallfisch, composer
“Band Aid,” Lucius, composer
“Battle of the Sexes,” Nicholas Britell, composer
“Baywatch,” Christopher Lennertz, composer
“Beauty and the Beast,” Alan Menken, composer
“The Big Sick,” Michael Andrews, composer
“Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers
“The Book of Henry,” Michael Giacchino, composer
“Born in China,” Barnaby Taylor, composer
“The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers
“Boston,” Jeff Beal, composer
“Brad’s Status,” Mark Mothersbaugh, composer
“Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers
“The Breadwinner,” Mychael Danna and Jeff Danna, composers
“Breathe,” Nitin Sawhney, composer
“Brigsby Bear,” David Wingo, composer
“Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers
“Captain Underpants The First Epic Movie,” Theodore Shapiro, composer
“Cars 3,” Randy Newman, composer
“The Circle,” Danny Elfman, composer
“Coco,” Michael Giacchino, composer
“Cries from Syria,” Martin Tillman, composer
“A Cure for Wellness,” Benjamin Wallfisch, composer
“Darkest Hour,” Dario Marianelli, composer
“Despicable Me 3,” Heitor Pereira, composer
“The Disaster Artist,” Dave Porter, composer
“A Dog’s Purpose,” Rachel Portman, composer
“Downsizing,” Rolfe Kent, composer
“Drawing Home,” Ben Holiday, composer
“Dunkirk,” Hans Zimmer, composer
“Earth: One Amazing Day,” Alex Heffes, composer
“A Fantastic Woman,” Matthew Herbert, composer
“The Fate of the Furious,” Brian Tyler, composer
“Father Figures,” Rob Simonsen, composer
“Ferdinand,” John Powell, composer
“Fifty Shades Darker,” Danny Elfman, composer
“Film Stars Don’t Die in Liverpool,” J. Ralph, composer
“First They Killed My Father,” Marco Beltrami and Buck Sanders, composers
“Get Out,” Michael Abels, composer
“A Ghost Story,” Daniel Hart, composer
“Gifted,” Rob Simonsen, composer
“The Glass Castle,” Joel P. West, composer
“Going in Style,” Rob Simonsen, composer
“Good Time,” Daniel Lopatin, composer
“Goodbye Christopher Robin,” Carter Burwell, composer
“Gook,” Roger Suen, composer
“Guardians of the Galaxy Vol. 2,” Tyler Bates, composer
“The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer
“Hostiles,” Max Richter, composer
“Human Flow,” Karsten Fundal, composer
“An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer
“It,” Benjamin Wallfisch, composer
“Jane,” Philip Glass, composer
“Jumanji: Welcome to the Jungle,” Henry Jackman, composer
“Justice League,” Danny Elfman, composer
“Kepler’s Dream,” Patrick Neil Doyle, composer
“King Arthur: Legend of the Sword,” Daniel Pemberton, composer
“Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers
“Kong: Skull Island,” Henry Jackman, composer
“LA 92,” Danny Bensi and Saunder Jurriaans, composers
“LBJ,” Marc Shaiman, composer
“Lady Bird,” Jon Brion, composer
“Lake of Fire,” Qutub-E-Kripa, composer
“Last Flag Flying,” Graham Reynolds, composer
“The Lego Batman Movie,” Lorne Balfe, composer
“The Lego Ninjago Movie,” Mark Mothersbaugh, composer
“The Leisure Seeker,” Carlo Virzì, composer
“Let It Fall,” Mark Isham, composer
“Life,” Jon Ekstrand, composer
“Logan,” Marco Beltrami, composer
“The Lost City of Z,” Christopher Spelman, composer
“Loveless,” Evgueni Galperine and Sacha Galperine, composers
“Loving Vincent,” Clint Mansell, composer
“The Man Who Invented Christmas,” Mychael Danna, composer
“Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer
“Marshall,” Marcus Miller, composer
“Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer
“Maudie,” Michael Timmins, composer
“Molly’s Game,” Daniel Pemberton, composer
“Moomins and the Winter Wonderland,” Łukasz Targosz, composer
“The Mountain between Us,” Ramin Djawadi, composer
“Mudbound,” Tamar-kali, composer
“The Mummy,” Brian Tyler, composer
“Murder on the Orient Express,” Patrick Doyle, composer
“My Cousin Rachel,” Rael Jones, composer
“Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer
“Okja,” Jaeil Jung, composer
“Oklahoma City,” David Cieri, composer
“The Only Living Boy in New York,” Rob Simonsen, composer
“Only the Brave,” Joseph Trapanese, composer
“Our Souls at Night,” Elliot Goldenthal, composer
“Paris Can Wait,” Laura Karpman, composer
“Patti Cake$,” Geremy Jasper and Jason Binnick, composers
“Phantom Thread,” Jonny Greenwood, composer
“The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers
“Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer
“The Post,” John Williams, composer
“Professor Marston and the Wonder Women,” Tom Howe, composer
“The Promise,” Gabriel Yared, composer
“Pulimurugan,” Gopi Sundar, composer
“Raw,” Jim Williams, composer
“Roman J. Israel, Esq.,” James Newton Howard, composer
“Saban’s Power Rangers,” Brian Tyler, composer
“Same Kind of Different as Me,” John Paesano, composer
“The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers
“Served Like a Girl,” Michael A. Levine, composer
“The Shack,” Aaron Zigman, composer
“The Shape of Water,” Alexandre Desplat, composer
“Slipaway,” Tao Liu, composer
“Smurfs: The Lost Village,” Christopher Lennertz, composer
“Spider-Man: Homecoming,” Michael Giacchino, composer
“Split,” West Dylan Thordson, composer
“The Star,” John Paesano, composer
“Star Wars: The Last Jedi,” John Williams, composer
“Step,” Laura Karpman and Raphael Saadiq, composers
“Stronger,” Michael Brook, composer
“Suburbicon,” Alexandre Desplat, composer
“Swing Away,” Tao Zervas, composer
“Thank You for Your Service,” Thomas Newman, composer
“Their Finest,” Rachel Portman, composer
“Thelma,” Ola Fløttum, composer
“Thor: Ragnarok,” Mark Mothersbaugh, composer
“Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer
“Tickling Giants,” Paul Tyan, composer
“Tommy’s Honour,” Christian Henson, composer
“Trafficked,” David Das, composer
“Transformers: The Last Knight,” Steve Jablonsky, composer
“XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers
“Victoria & Abdul,” Thomas Newman, composer
“Voice from the Stone,” Michael Wandmacher, composer
“Wakefield,” Aaron Zigman, composer
“War for the Planet of the Apes,” Michael Giacchino, composer
“Wilson,” Jon Brion, composer
“Wind River,” Nick Cave and Warren Ellis, composers
“Wonder,” Marcelo Zarvos, composer
“Wonder Woman,” Rupert Gregson-Williams, composer
“Wonderstruck,” Carter Burwell, composer
“Year by the Sea,” Alexander Janko, composerAnnabelle: Creation
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141 Scores in Contention for Nominations for the 90th Academy Awards
[caption id="attachment_23776" align="aligncenter" width="1000"] BATTLE OF THE SEXES[/caption]
141 scores from eligible feature-length films released in 2017 have qualified to be nominated in the Original Score category for the 90th Academy Awards.
To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Scores diluted by the use of preexisting music, diminished in impact by the predominant use of songs or any music not composed specifically for the film by the submitting composer, or assembled from the music of more than one composer shall not be eligible.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Alien: Covenant,” Jed Kurzel, composer
“All I See Is You,” Marc Streitenfeld, composer
“All the Money in the World,” Daniel Pemberton, composer
“Annabelle: Creation,” Benjamin Wallfisch, composer
“Band Aid,” Lucius, composer
“Battle of the Sexes,” Nicholas Britell, composer
“Baywatch,” Christopher Lennertz, composer
“Beauty and the Beast,” Alan Menken, composer
“The Big Sick,” Michael Andrews, composer
“Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers
“The Book of Henry,” Michael Giacchino, composer
“Born in China,” Barnaby Taylor, composer
“The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers
“Boston,” Jeff Beal, composer
“Brad’s Status,” Mark Mothersbaugh, composer
“Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers
“The Breadwinner,” Mychael Danna and Jeff Danna, composers
“Breathe,” Nitin Sawhney, composer
“Brigsby Bear,” David Wingo, composer
“Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers
“Captain Underpants The First Epic Movie,” Theodore Shapiro, composer
“Cars 3,” Randy Newman, composer
“The Circle,” Danny Elfman, composer
“Coco,” Michael Giacchino, composer
“Cries from Syria,” Martin Tillman, composer
“A Cure for Wellness,” Benjamin Wallfisch, composer
“Darkest Hour,” Dario Marianelli, composer
“Despicable Me 3,” Heitor Pereira, composer
“The Disaster Artist,” Dave Porter, composer
“A Dog’s Purpose,” Rachel Portman, composer
“Downsizing,” Rolfe Kent, composer
“Drawing Home,” Ben Holiday, composer
“Dunkirk,” Hans Zimmer, composer
“Earth: One Amazing Day,” Alex Heffes, composer
“A Fantastic Woman,” Matthew Herbert, composer
“The Fate of the Furious,” Brian Tyler, composer
“Father Figures,” Rob Simonsen, composer
“Ferdinand,” John Powell, composer
“Fifty Shades Darker,” Danny Elfman, composer
“Film Stars Don’t Die in Liverpool,” J. Ralph, composer
“First They Killed My Father,” Marco Beltrami and Buck Sanders, composers
“Get Out,” Michael Abels, composer
“A Ghost Story,” Daniel Hart, composer
“Gifted,” Rob Simonsen, composer
“The Glass Castle,” Joel P. West, composer
“Going in Style,” Rob Simonsen, composer
“Good Time,” Daniel Lopatin, composer
“Goodbye Christopher Robin,” Carter Burwell, composer
“Gook,” Roger Suen, composer
“Guardians of the Galaxy Vol. 2,” Tyler Bates, composer
“The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer
“Hostiles,” Max Richter, composer
“Human Flow,” Karsten Fundal, composer
“An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer
“It,” Benjamin Wallfisch, composer
“Jane,” Philip Glass, composer
“Jumanji: Welcome to the Jungle,” Henry Jackman, composer
“Justice League,” Danny Elfman, composer
“Kepler’s Dream,” Patrick Neil Doyle, composer
“King Arthur: Legend of the Sword,” Daniel Pemberton, composer
“Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers
“Kong: Skull Island,” Henry Jackman, composer
“LA 92,” Danny Bensi and Saunder Jurriaans, composers
“LBJ,” Marc Shaiman, composer
“Lady Bird,” Jon Brion, composer
“Lake of Fire,” Qutub-E-Kripa, composer
“Last Flag Flying,” Graham Reynolds, composer
“The Lego Batman Movie,” Lorne Balfe, composer
“The Lego Ninjago Movie,” Mark Mothersbaugh, composer
“The Leisure Seeker,” Carlo Virzì, composer
“Let It Fall,” Mark Isham, composer
“Life,” Jon Ekstrand, composer
“Logan,” Marco Beltrami, composer
“The Lost City of Z,” Christopher Spelman, composer
“Loveless,” Evgueni Galperine and Sacha Galperine, composers
“Loving Vincent,” Clint Mansell, composer
“The Man Who Invented Christmas,” Mychael Danna, composer
“Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer
“Marshall,” Marcus Miller, composer
“Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer
“Maudie,” Michael Timmins, composer
“Molly’s Game,” Daniel Pemberton, composer
“Moomins and the Winter Wonderland,” Łukasz Targosz, composer
“The Mountain between Us,” Ramin Djawadi, composer
“Mudbound,” Tamar-kali, composer
“The Mummy,” Brian Tyler, composer
“Murder on the Orient Express,” Patrick Doyle, composer
“My Cousin Rachel,” Rael Jones, composer
“Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer
“Okja,” Jaeil Jung, composer
“Oklahoma City,” David Cieri, composer
“The Only Living Boy in New York,” Rob Simonsen, composer
“Only the Brave,” Joseph Trapanese, composer
“Our Souls at Night,” Elliot Goldenthal, composer
“Paris Can Wait,” Laura Karpman, composer
“Patti Cake$,” Geremy Jasper and Jason Binnick, composers
“Phantom Thread,” Jonny Greenwood, composer
“The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers
“Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer
“The Post,” John Williams, composer
“Professor Marston and the Wonder Women,” Tom Howe, composer
“The Promise,” Gabriel Yared, composer
“Pulimurugan,” Gopi Sundar, composer
“Raw,” Jim Williams, composer
“Roman J. Israel, Esq.,” James Newton Howard, composer
“Saban’s Power Rangers,” Brian Tyler, composer
“Same Kind of Different as Me,” John Paesano, composer
“The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers
“Served Like a Girl,” Michael A. Levine, composer
“The Shack,” Aaron Zigman, composer
“The Shape of Water,” Alexandre Desplat, composer
“Slipaway,” Tao Liu, composer
“Smurfs: The Lost Village,” Christopher Lennertz, composer
“Spider-Man: Homecoming,” Michael Giacchino, composer
“Split,” West Dylan Thordson, composer
“The Star,” John Paesano, composer
“Star Wars: The Last Jedi,” John Williams, composer
“Step,” Laura Karpman and Raphael Saadiq, composers
“Stronger,” Michael Brook, composer
“Suburbicon,” Alexandre Desplat, composer
“Swing Away,” Tao Zervas, composer
“Thank You for Your Service,” Thomas Newman, composer
“Their Finest,” Rachel Portman, composer
“Thelma,” Ola Fløttum, composer
“Thor: Ragnarok,” Mark Mothersbaugh, composer
“Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer
“Tickling Giants,” Paul Tyan, composer
“Tommy’s Honour,” Christian Henson, composer
“Trafficked,” David Das, composer
“Transformers: The Last Knight,” Steve Jablonsky, composer
“XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers
“Victoria & Abdul,” Thomas Newman, composer
“Voice from the Stone,” Michael Wandmacher, composer
“Wakefield,” Aaron Zigman, composer
“War for the Planet of the Apes,” Michael Giacchino, composer
“Wilson,” Jon Brion, composer
“Wind River,” Nick Cave and Warren Ellis, composers
“Wonder,” Marcelo Zarvos, composer
“Wonder Woman,” Rupert Gregson-Williams, composer
“Wonderstruck,” Carter Burwell, composer
“Year by the Sea,” Alexander Janko, composer
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LA Film Festival to Host Gala Screening of David F. Sandberg’s ANNABELLE: CREATION
[caption id="attachment_22389" align="aligncenter" width="1200"]
Annabelle: Creation[/caption]
The LA Film Festival will host the Gala Screening of Annabelle: Creation, directed by David F. Sandberg and starring Stephanie Sigman, Talitha Bateman, Lulu Wilson with Anthony LaPaglia and Miranda Otto.
Award-winning film company Focus Features will commemorate its 15th anniversary at the LA Film Festival with five movies including revival programming and a newly added advance screening of Sofia Coppola’s The Beguiled starring Colin Farrell, Nicole Kidman, Kirsten Dunst and Elle Fanning, with the director in-person for a Q&A.
Additional Festival Special Screenings and Events include a conversation with Fred Armisen and Carrie Brownstein, Portlandia: A Look Back and A Look Forward; a conversation with the stars of IFC’s Baroness Von Sketch Show moderated by Lea DeLaria; a day-long screening of every episode of Documentary Now!; and the LA Premiere of Karam Gill’s documentary G-Funk, featuring a post-screening performance with Warren G and special guests.
The festival also unveiled the panels for Diversity Speaks and the Global Media Makers.
“This year’s program is beautifully rich and varied,” said Film Independent President Josh Welsh. “From Sofia Coppola’s new film The Beguiled, to our expanded Diversity Speaks program, to the legendary Warren G performing after Karam Gill’s G-Funk and Festival Alumnus David F. Sandberg’s Annabelle: Creation, we can’t wait to share it all with Los Angeles.”
Gala Screening
Annabelle: Creation, dir. David F. Sandberg, Advance Screening Several years after the tragic death of their little girl, a doll maker and his wife welcome a nun and several girls from a shuttered orphanage into their home. They soon become the target of the doll maker’s possessed creation, Annabelle. Warner Bros. Pictures will release the film in theaters on August 11.Free Event: Global Media Makers Screening & Panel
Thursday, June 15, ArcLight Culver City Global Media Makers is an innovative cultural exchange program that fosters supportive ongoing relationships between leading U.S. and international filmmaking talent. Ali, the Goat and Ibrahim, dir. Sherif El Bendary, Egypt, LA Premiere Ali believes his late girlfriend’s soul has been reincarnated in a goat. Ali, his goat and his friend Ibrahim embark on a journey of friendship and self-discovery across Egypt to reverse the curse. Post screening panel with producer and Global Media Makers’ Fellow Hossam Elouan, and other filmmakers participating in the program, who will explore filmmaking in the region and discuss the importance of telling stories from an inside perspective. Global Media Makers is supported through a partnership between Film Independent and the U.S. Department of State Bureau of Educational and Cultural Affairs.Free Event: Diversity Speaks Panels
Saturday, June 17 and Sunday, June 18, Kirk Douglas Theatre Addressing topical issues relating to diversity and inclusiveness both on and off the screen, Diversity Speaks’ focus is to expand the definition of diversity and act as a call to action for the entertainment industry. Cis in a Trans World: Transgender Visibility: Members of the trans creative community will discuss on-screen cis appropriation in depictions of trans stories, panelists include Candis Cayne (The Magicians), Mari Walker (Swim) and Rachel Crowl (And Then There Was Eve). Whitewashing: Asian and Asian-American Representation in Film/TV: Leonardo Nam (Westworld), Kelly Hu (The Scorpion King), Kelvin Yu (Master of None), Ally Maki (Wrecked), Phil Yu (Angry Asian Man blog), Bruce Thierry Cheung (Don’t Come Back from the Moon) and Gloria Fan (VP of Current Programming, FOX) will discuss packaging of Asian cultural properties. The Other: Documenting Marginalized Stories: Panelists Sydney Freeland (Deidra & Laney Rob a Train), Valerie Red-Horse Mohl (Mankiller), Amy York Rubin (Boxed In), Xan Aranda (Room 104) and Marvin Lemus (Gente-fied) will shine a light on how these filmmakers and storytellers work within, and around, the current systems to be seen and heard. Reclaiming Gay for Pay: What It Means to be ‘Out’ in Hollywood: Panelists Lena Waithe (Master of None, Twenties), Keiynan Lonsdale (The Flash), Noah Galvin (The Real O’Neals) and Guy Branum (Talk Show the Game Show) question why it remains difficult to come out in Hollywood and the future of storytelling for the LGBTQ+ creative community. The panel will be moderated by Marc Malkin of E!. State of Emergency: 25 Years After the LA Riots. Panelists Sacha Jenkins (Burn Motherfucker, Burn!), Grace Lee (K-TOWN ‘92), Daniel Lindsay (LA ’92) and T.J. Martin (LA ’92) look back on the LA Riots and the continued impact they have on the city at large and the narratives it produces and inspires.Additional Festival Screenings & Events
Premieres – added titles: World premieres of fiction and documentary films featuring noteworthy talent. Story of a Girl, dir. Kyra Sedgwick, USA, World Premiere You Get Me, dir. Brent Bonacorso, USA, World Premiere Focus 15 Founded 15 years ago this spring, Focus Features will celebrate its anniversary at the LA Film Festival with revival showings from its library of iconic movies and with screenings of highly anticipated new Focus movies, including the Festival’s Opening Night Film The Book of Henry, directed by Colin Trevorrow, screening on Wednesday, June 14, and Sofia Coppola’s The Beguiled. The Beguiled, dir. Sofia Coppola, USA, Special Advance Screening Thursday, June 15, LACMA The story unfolds during the Civil War, at a Southern girls’ boarding school. Its sheltered young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events. Focus Features will release The Beguiled in theatres on June 23. Q&A with Sofia Coppola to follow screening of The Beguiled. A screening of Lost in Translation will follow the screening of The Beguiled. Lost in Translation, dir. Sofia Coppola, USA, 2003 Thursday, June 15, LACMA Shot entirely on location in Japan, Sofia Coppola’s Lost in Translation is a valentine to the nature of close friendships and to the city of Tokyo. Moonrise Kingdom, dir. Wes Anderson, USA, 2012 Saturday, June 17, ArcLight Culver City Set on an island off the coast of New England in summer 1965, Wes Anderson’s Moonrise Kingdom tells the story of two 12-year-olds who fall in love, make a secret pact, and run away together into the wilderness. The Kids Are Alright, dir. Lisa Cholodenko, USA, 2010 Wednesday, June 21, ArcLight Culver City Nic and Jules are married with two teenage children. An unexpected new chapter begins for them as family ties are defined, re-defined, and then re-re defined. Portlandia: A Look Back and A Look Forward Thursday, June 15, Kirk Douglas Theatre For the past seven seasons, Portlandia’s observational humor has been one step ahead of the cultural conversation. As the series gears up for its eighth and final installment, we hear from multi-hyphenates Fred Armisen and Carrie Brownstein about the show’s celebrated history and what’s next in advance of the final season. Baroness Von Sketch Show Friday, June 16, Kirk Douglas Theatre Hailing from north of the border, these Baronesses of the Baroness Von Sketch Show are producing the best comedy you’ve never seen….until now! Catch a sneak peek before the show premieres on IFC. Lea DeLaria (Orange is the New Black) will moderate a conversation with the stars Carolyn Taylor, Meredith MacNeill, Aurora Browne and Jennifer Whalen. Free Event: Documentary Now! Sunday, June 18, ArcLight Culver City Catch every episode back-to-back of IFC’s Documentary Now! on the big screen. Starring Fred Armisen and Bill Hader, the series pays homage to some of the world’s best-known documentaries. G-Funk dir. Karam Gill, USA, LA Premiere Friday, June 16, The Theatre at Ace Hotel This “G-Funkumentary” tells the story of three friends from Long Beach, Warren G, Nate Dogg and Snoop Dogg, and their collaboration in creating one of the most essential styles of West Coast hip hop. The screening will be followed by a performance featuring Warren G and special guests. Free Event: Burn Motherfucker, Burn!, dir. Sacha Jenkins, USA Monday, June 19, ArcLight Santa Monica On April 29, 1992, Los Angeles exploded when four police officers were acquitted in the beating of Rodney King. But a fire beneath the feet of Angelenos had been melting flesh for years. BURN! chronicles the root causes of disenfranchisement in LA while also examining the role law enforcement has played throughout.