Babai (2015)

  • Kosovo Selects EXILE for Oscars Race for Best International Feature Film

    Exile (Exil) directed by Visar Morina
    Exile (Exil) directed by Visar Morina

    Visar Morina’s Exile (Exil) which had its world premiere at the Sundance Film Festival will represent Kosovo in the International Feature Film category of the 93rd Academy Awards. Exile also screened at the Berlin International Film Festival and the Sarajevo Film Festival where the film won the top prize, the Heart of Sarajevo award.

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  • 2020 International Film Festival Rotterdam Reveals Full Film Lineup

    I Blame Society directed by Gillian Wallace Horvat
    I Blame Society directed by Gillian Wallace Horvat

    International Film Festival Rotterdam (IFFR) revealed the full film lineup of 2020, including the 10 films selected for the Tiger Competition. Also revealed: the selections of the Big Screen Competition and the revamped Bright Future Competition, the 2020 opening and closing films, the fifth theme program Ordinary Heroes and a special screening of David Cronenberg’s Crash (1996) with a live musical score by the Rotterdam Philharmonic Orchestra.

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  • Toronto’s Diaspora Film Festival to Showcase Music Films, DJANGO, HARMONIA, MORRIS FROM AMERICA

    [caption id="attachment_14117" align="aligncenter" width="1200"]MORRIS FROM AMERICA MORRIS FROM AMERICA[/caption] The 17th Diaspora Film Festival (DFF) will run from November 2 to 5, 2017 in Toronto under the theme Music of Diaspora. The festival will showcase films where music makes a major element of the storytelling, including DJANGO, HARMONIA, and MORRIS FROM AMERICA. The festival opens with the Toronto premiere of TEHRAN TABOO, which premiered at this year’s Cannes Film Festival 2017 and was nominated for Golden Camera and Critics’ Week prizes. THEY tells the story of young J who is exploring their gender identity. THEY was also nominated for Camera d’Or and Queer Palm at Cannes Film Festival 2017 and is also a Toronto premiere. Along with THEY there are three other films that deal with coming of age challenges. MORRIS FROM AMERICA is a comedy about a young African-American boy trying to fit in with German kids. In BABAI (Father), a young Kosovo boy goes through a difficult journey to Germany to find his dad, while in SON OF SOFIA, a young Russian boy finds a new dad when he decides to move to Greece to live with his mom. All Toronto premieres. HALAL FOR BEGINNERS is a fresh out of production Irish comedy about the first halal meet factory in Ireland, North American premiere. Shahab Hosseini, the winner of Best Actor at Cannes Film Festival 2016, plays an Iranian immigrant in the UK trying to forget his past with no plan for the future in the Toronto premiere of GHOLAM. In a reverse migration, a young Surinamer-Dutch man goes back to his hometown in search of his roots. DFF 17 closes with THE 90 MINUTES WAR, a palestinian-Israeli comedy where the politicians of both sides decide to resolve long-standing conflicts through a soccer match. [caption id="attachment_25245" align="aligncenter" width="1200"]Tehran Taboo Tehran Taboo[/caption] Tehran Taboo Ali Soozandeh, Germany/Austria, 2017, 96 min, in Farsi with English Subtitles Nominated, Camera d’Or and Critics’ Week Grand Prize, Cannes FF 2017; winner, FIPRESCI, Jerusalem FF2017 The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious laws. Django Etienne Comar, 2017, France, French, 117min Nominated for Golden Bear, Berlin FF 2017 1943, occupied Paris. Django Reinhardt the brilliant and carefree jazz guitarist plays to standing-room- only crowds. Meanwhile his gypsy brethren are being persecuted throughout Europe. They Anahita Ghazvinizadeh, US, 2017, 80 min Nominated, Camera d’Or, Queer Palm, Cannes FF 2017 Fourteen-year- old J goes by the pronoun ‘They’ and lives with their parents in the suburbs of Chicago. J is exploring their gender identity and has to make a decision whether or not to transition. Diaspora in Short A compilation of award winning short films from around the globe. Harmonia Ori Sivan, Israel, 2016, 98 min, in Hebrew and Arabic with English Subtitles Winner, Best Cinematography, Jerusalem FF 2016; Nominated for four Israeli Film Academy 2016 Harmonia is a modern adaptation of the mythological triangle between the childless Abraham and Sarah and young Hagar. When Hagar, a young horn player from East Jerusalem joins the West Side Orchestra, she bonds with Sarah and offers to have a baby for her from Abraham, her husband. Halal for Beginners Conor McDermottroe, Irland/Germany, 2017, 100 min, in English Partly based on true events, this warm-hearted comedy about Ireland’s first Halal meat factory tells the story of young Muslim Raghdan Aziz trying to find his place in the world of small town Sligo. Gholam Mitra Tabrizian, UK, 2017, 104 min, in Farsi and English with English Subtitles With Shahab Hosseini, winner of Best Actor, Cannes Film Festival 2017 Gholam is an enigmatic quiet Iranian cab driver. Once a war hero, he has disappeared from the battlefield without a trace. He does not want to look back into his past and has no conviction for the future. Babai Visar Morina, Germany/Kosovo, 2015, 104min, In German, Albanian, Serbian, English, with English Subtitles Winner, Best Director, Label Europa Cinema, Karlovy Vary FF 2015; One Feature Prize, Young German Cinema Award, Munich FF 2015 Ten-year- old Nori and his father Gezim roam the streets of Kosovo selling cigarette. When Gezim is lured west to Germany, Nori embarks on a dangerous journey to in search of his father. His tenacity, resilience, and sheer grit must be enough to guide him. Home Is Where the Heart Is Marc Waltman, The Netherlands, 2017, 100 min, in Dutch with English Subtitles Axel is a white Surinamer who has been living in The Netherlands for 20 years. When his mom calls the family back for Christmas Alex reluctantly returns back to Surinam with his wife. Over dinner, however, the situation explodes. Morris from America Chad Hartigan, Germany, 2016, 91 min, in German and English with English Subtitles Winner, Special Jury Award, Sundance FF 2016; Named Top Ten Independent Film by National Board of Review USA, 2016 Morris, a 13-year- old African-American moves to Heidelberg with his dad, a professional soccer coaches. After his attempts to fit in with German kids, he falls for a girl at a youth club. He finds his way to open up with his rapping talent and a help with his new German girlfriend. Son of Sofia Elina Psykou, France/Greece/Bulgaria, 2017, 111min, in Russian and Greek with English Subtitles Winner, Jury Award, Tribeca FF 2017, Special Award, Sarajevo FF 2017 Athens, 2004 summer Olympic Games. 11-year- old Misha arrives from Russia to live with his mother, Sofia. What he doesn’t know is that there is a father waiting for him there. While Greece is living the Olympic dream, Misha will get violently catapulted into the adult world. The 90 Minutes War Eyal Halfon, Israel/Germany/Portugal, 2016, 90 min, in Hebrew, Arabic, English, Portuguese, with English Subtitles After years of bloodshed, the Israeli-Palestinian conflict is about to be resolved. A moment before another round of violence, the ideal solution has been reached: a soccer game. One game that will decide who gets to stay in the holy land, and who must leave.

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  • 40 Submissions for Best Foreign Language Film to Compete for FIPRESCI Award at Palm Springs International Film Festival

    A Pigeon Sat on a Branch Reflecting on Existence (Sweden), Director: Roy Andersson The 27th Palm Springs International Film Festival (PSIFF), scheduled January 1-11, 2016, announced the films selected to compete for the FIPRESCI Award in the Awards Buzz section. The Festival will screen 40 of the 80 official submissions to the Academy of Motion Picture Arts and Sciences for Best Foreign Language Film. Additional film programs will be announced in the upcoming weeks. The Awards Buzz section is selected by Festival programmers as the strongest entries in this year’s Academy Awards® race. A special jury of international film critics will review these films to present the FIPRESCI Award for Best Foreign Language Film of the Year, as well as Best Actor and Best Actress in this category. The following 40 films are selected to screen (in alphabetical order by country): Bota (Albania), Directors: Iris Elezi, Thomas Logoreci https://vimeo.com/122133505 The Clan (Argentina), Director: Pablo Trapero https://www.youtube.com/watch?v=5gnQab2Qq14 The Brand New Testament (Belgium), Director: Jaco Van Dormael Our Everyday Life (Bosnia and Herzegovina), Director: Ines Tanovic The Second Mother (Brazil), Director: Anna Muylaert https://www.youtube.com/watch?v=SOrbWcObwR4 The Judgment (Bulgaria), Director: Stephan Komandarev https://www.youtube.com/watch?v=XRCAYsrl37s Felix and Meira (Canada), Director: Maxime Giroux https://www.youtube.com/watch?v=P8CeBCNrwvU The Club (Chile), Director: Pablo Larraín https://www.youtube.com/watch?v=e8c2DYoF7lA Embrace of the Serpent (Colombia), Director: Ciro Guerra https://www.youtube.com/watch?v=vS73P3hZvPA The High Sun (Croatia), Director: Dalibor Matanic https://www.youtube.com/watch?v=8PqrRvNMcU8 Home Care (Czech Republic), Director: Slávek Horák https://www.youtube.com/watch?v=LdP5dEndQkI A War (Denmark), Director: Tobias Lindholm https://www.youtube.com/watch?v=qRkE5ZrPzs0 1944 (Estonia), Director: Elmo Nüganen https://www.youtube.com/watch?v=E6A4nLqOW6s Lamb (Ethiopia), Director: Yared Zeleke https://www.youtube.com/watch?v=VKh2M2ooD3w The Fencer (Finland), Director: Klaus Härö https://www.youtube.com/watch?v=ShMAkhyC6bY Mustang (France), Director: Deniz Gamze Erguven https://www.youtube.com/watch?v=E5nyY8E6CPg Labyrinth of Lies (Germany), Director: Giulio Ricciarelli https://www.youtube.com/watch?v=1xU0Ywoww70 Ixcanul (Guatemala), Director: Jayro Bustamante https://www.youtube.com/watch?v=yMMP0Z21zqU Son of Saul (Hungary), Director: László Nemes https://www.youtube.com/watch?v=WOHDtPZmYj8 Rams (Iceland), Director: Grimur Hákonarson https://www.youtube.com/watch?v=SWOFWaltGRw Viva (Ireland), Director: Paddy Breathnach Baba Joon (Israel), Director: Yuval Delshad https://www.youtube.com/watch?v=YQLOlq1PfQs 100 Yen Love (Japan), Director: Masaharu Take https://www.youtube.com/watch?v=lwF-VZMEoFc Theeb (Jordan), Director: Naji Abu Nowar https://www.youtube.com/watch?v=UqUbMKf8c60 Babai (Kosovo), Director: Visar Morina https://www.youtube.com/watch?v=MXnmJBVtFBY Heavenly Nomadic (Kyrgyzstan), Director: Mirlan Abdykalykov https://www.youtube.com/watch?v=a5lJD36SBvo 600 Miles (Mexico), Director: Gabriel Ripstein https://www.youtube.com/watch?v=BGINGaYOlGs The Paradise Suite (Netherlands), Director: Joost van Ginkel https://www.youtube.com/watch?v=wezLXi_1Xpg The Wave (Norway), Director: Roar Uthaug https://www.youtube.com/watch?v=sIj4v8TfnyU Moor (Pakistan), Director: Jami Mahmood 11 Minutes (Poland), Director: Jerzy Skolimowski https://www.youtube.com/watch?v=8IlSOg1-6Tk Arabian Nights: Volume 2 – The Desolate One (Portugal), Director: Miguel Gomes https://www.youtube.com/watch?v=i59kera1ayM Aferim! (Romania), Director: Radu Jude https://www.youtube.com/watch?v=mmTYOY_jQWc Enclave (Serbia), Director: Goran Radovanovic https://www.youtube.com/watch?v=Dddfro-Vt9M Flowers (Spain), Directors: Jon Garaño, Jose Mari Goenaga https://www.youtube.com/watch?v=8L33oXnK75w A Pigeon Sat on a Branch Reflecting on Existence (Sweden), Director: Roy Andersson (pictured in main image above) https://www.youtube.com/watch?v=h7pna4laaAk Iraqi Odyssey (Switzerland), Director: Samir https://www.youtube.com/watch?v=LTs2IMlv7rY The Assassin (Taiwan), Director: Hou Hsiao-hsien https://www.youtube.com/watch?v=0bqNyl72eBw How to Win at Checkers (Every Time) (Thailand), Director: Josh Kim https://www.youtube.com/watch?v=JfXh86HUpAA Sivas (Turkey), Director: Kaan Müjdeci https://www.youtube.com/watch?v=OWeZ0bZz12M

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  • Complete List of Films + Trailers for 81 Countries in Competition for 2015 Foreign Language Film Oscar

    SAND DOLLARS Eighty-one countries have submitted films for consideration in the 2015 Foreign Language Film Oscar category for the 88th Academy Awards®. Paraguay is a first-time entrant. The 2015 submissions are: Afghanistan, “Utopia,” Hassan Nazer, director; https://www.youtube.com/watch?v=WZhbfzrKWLw Albania, “Bota,” Iris Elezi, Thomas Logoreci, directors; https://vimeo.com/122133505 Algeria, “Twilight of Shadows,” Mohamed Lakhdar Hamina, director; Argentina, “The Clan,” Pablo Trapero, director; https://www.youtube.com/watch?v=aWia2xcELuI Australia, “Arrows of the Thunder Dragon,” Greg Sneddon, director; https://www.youtube.com/watch?v=6TSHuWQjixA Austria, “Goodnight Mommy,” Veronika Franz, Severin Fiala, directors; https://www.youtube.com/watch?v=7u3GCfr0U94 Bangladesh, “Jalal’s Story,” Abu Shahed Emon, director; https://www.youtube.com/watch?v=8Cu0vvLRKsI Belgium, “The Brand New Testament,” Jaco Van Dormael, director; https://www.youtube.com/watch?v=l9jEA8uzHwQ Bosnia and Herzegovina, “Our Everyday Story,” Ines Tanović, director; https://www.youtube.com/watch?v=OO6fH-cZpzA Brazil, “The Second Mother,” Anna Muylaert, director; https://www.youtube.com/watch?v=iNjwuQcvGms Bulgaria, “The Judgment,” Stephan Komandarev, director; https://www.youtube.com/watch?v=XRCAYsrl37s Cambodia, “The Last Reel,” Sotho Kulikar, director; https://www.youtube.com/watch?v=v1XmFpUAVvw Canada, “Félix and Meira,” Maxime Giroux, director; https://www.youtube.com/watch?v=-HFbAjkmeYQ Chile, “The Club,” Pablo Larraín, director; https://www.youtube.com/watch?v=e8c2DYoF7lA China, “Go Away Mr. Tumor,” Han Yan, director; https://www.youtube.com/watch?v=65UUtHBHJZM Colombia, “Embrace of the Serpent,” Ciro Guerra, director; https://www.youtube.com/watch?v=vS73P3hZvPA Costa Rica, “Imprisoned,” Esteban Ramírez, director; https://www.youtube.com/watch?v=BFcdWPoxEzo Croatia, “The High Sun,” Dalibor Matanić, director; https://www.youtube.com/watch?v=pcWDMgipJ78 Czech Republic, “Home Care,” Slavek Horak, director; https://www.youtube.com/watch?v=LdP5dEndQkI Denmark, “A War,” Tobias Lindholm, director; https://www.youtube.com/watch?v=qRkE5ZrPzs0 Dominican Republic, “Sand Dollars,” Laura Amelia Guzmán, Israel Cárdenas, directors; (pictured above) https://www.youtube.com/watch?v=9HeEPnn7ioE Estonia, “1944,” Elmo Nüganen, director; https://www.youtube.com/watch?v=p4ni6KeO-AY Ethiopia, “Lamb,” Yared Zeleke, director; https://www.youtube.com/watch?v=VKh2M2ooD3w Finland, “The Fencer,” Klaus Härö, director; https://www.youtube.com/watch?v=ocTDfePRAOg France, “Mustang,” Deniz Gamze Ergüven, director; https://www.youtube.com/watch?v=Ud2yfvjdKRU Georgia, “Moira,” Levan Tutberidze, director; https://www.youtube.com/watch?v=myW9KtGw8sA Germany, “Labyrinth of Lies,” Giulio Ricciarelli, director; https://www.youtube.com/watch?v=1xU0Ywoww70 Greece, “Xenia,” Panos H. Koutras, director; https://www.youtube.com/watch?v=qaZ3mOod9hk Guatemala, “Ixcanul,” Jayro Bustamante, director; https://www.youtube.com/watch?v=yMMP0Z21zqU Hong Kong, “To the Fore,” Dante Lam, director; https://www.youtube.com/watch?v=Z3_4N1DoFbg Hungary, “Son of Saul,” László Nemes, director; https://www.youtube.com/watch?v=fDP3TZilWHc Iceland, “Rams,” Grímur Hákonarson, director; https://www.youtube.com/watch?v=SWOFWaltGRw India, “Court,” Chaitanya Tamhane, director; https://www.youtube.com/watch?v=4sc8z7zav9A Iran, “Muhammad: The Messenger of God,” Majid Majidi, director; https://www.youtube.com/watch?v=95HoUxTWGi0 Iraq, “Memories on Stone,” Shawkat Amin Korki, director; https://www.youtube.com/watch?v=kuBFjhUo5C8 Ireland, “Viva,” Paddy Breathnach, director; Israel, “Baba Joon,” Yuval Delshad, director; https://www.youtube.com/watch?v=YQLOlq1PfQs Italy, “Don’t Be Bad,” Claudio Caligari, director; Ivory Coast, “Run,” Philippe Lacôte, director; https://www.youtube.com/watch?v=9SDrpfbnKUk Japan, “100 Yen Love,” Masaharu Take, director; https://www.youtube.com/watch?v=lwF-VZMEoFc Jordan, “Theeb,” Naji Abu Nowar, director; https://www.youtube.com/watch?v=UqUbMKf8c60 Kazakhstan, “Stranger,” Yermek Tursunov, director; Kosovo, “Babai,” Visar Morina, director; https://www.youtube.com/watch?v=MXnmJBVtFBY Kyrgyzstan, “Heavenly Nomadic,” Mirlan Abdykalykov, director; Latvia, “Modris,” Juris Kursietis, director; https://www.youtube.com/watch?v=rWCxsRlW8Bg Lebanon, “Void,” Naji Bechara, Jad Beyrouthy, Zeina Makki, Tarek Korkomaz, Christelle Ighniades, Maria Abdel Karim, Salim Haber, directors; https://www.youtube.com/watch?v=U_ryTnlrB_s Lithuania, “The Summer of Sangaile,” Alanté Kavaïté, director; https://www.youtube.com/watch?v=HoijP-cGzfE Luxembourg, “Baby (A)lone,” Donato Rotunno, director; Macedonia, “Honey Night,” Ivo Trajkov, director; https://www.youtube.com/watch?v=vdaM3dbsgNo Malaysia, “Men Who Save the World,” Liew Seng Tat, director; https://www.youtube.com/watch?v=0DoUf5jSq_s Mexico, “600 Miles,” Gabriel Ripstein, director; https://www.youtube.com/watch?v=BGINGaYOlGs Montenegro, “You Carry Me,” Ivona Juka, director; Morocco, “Aida,” Driss Mrini, director; Nepal, “Talakjung vs Tulke,” Basnet Nischal, director; https://www.youtube.com/watch?v=Zl-JXV0JTzw Netherlands, “The Paradise Suite,” Joost van Ginkel, director; https://www.youtube.com/watch?v=yBxz3h3uhos Norway, “The Wave,” Roar Uthaug, director; https://www.youtube.com/watch?v=zIr90-aG26Y Pakistan, “Moor,” Jami, director; https://www.youtube.com/watch?v=DUgbkOedFOY Palestine, “The Wanted 18,” Amer Shomali, Paul Cowan, directors; https://www.youtube.com/watch?v=ekhTuZpMw54 Paraguay, “Cloudy Times,” Arami Ullón, director; https://www.youtube.com/watch?v=uSekF0ANW5o Peru, “NN,” Héctor Gálvez, director; https://www.youtube.com/watch?v=ZalPtyQSMus Philippines, “Heneral Luna,” Jerrold Tarog, director; https://www.youtube.com/watch?v=I_T1ykhy3Fg Poland, “11 Minutes,” Jerzy Skolimowski, director; https://www.youtube.com/watch?v=8IlSOg1-6Tk Portugal, “Arabian Nights – Volume 2, The Desolate One,” Miguel Gomes, director; https://www.youtube.com/watch?v=i59kera1ayM Romania, “Aferim!” Radu Jude, director; https://www.youtube.com/watch?v=mmTYOY_jQWc Russia, “Sunstroke,” Nikita Mikhalkov, director; https://www.youtube.com/watch?v=8WypoUHTWH8 Serbia, “Enclave,” Goran Radovanović, director; https://www.youtube.com/watch?v=Dddfro-Vt9M Singapore, “7 Letters,” Royston Tan, Kelvin Tong, Eric Khoo, Jack Neo, Tan Pin Pin,Boo Junfeng, K. Rajagopal, directors; https://www.youtube.com/watch?v=dI_Tp92v_OA Slovakia, “Goat,” Ivan Ostrochovský, director; https://www.youtube.com/watch?v=OOs0PTCC07A Slovenia, “The Tree,” Sonja Prosenc, director; https://www.youtube.com/watch?v=ZQlBmcyyVzg South Africa, “The Two of Us,” Ernest Nkosi, director; https://www.youtube.com/watch?v=Uv0y8n0Pu0E South Korea, “The Throne,” Lee Joon-ik, director; https://www.youtube.com/watch?v=pmsD3wvvGP8 Spain, “Flowers,” Jon Garaño, Jose Mari Goenaga, directors; https://www.youtube.com/watch?v=8L33oXnK75w Sweden, “A Pigeon Sat on a Branch Reflecting on Existence,” Roy Andersson, director; https://www.youtube.com/watch?v=h7pna4laaAk Switzerland, “Iraqi Odyssey,” Samir, director; https://www.youtube.com/watch?v=LTs2IMlv7rY Taiwan, “The Assassin,” Hou Hsiao-hsien, director; https://www.youtube.com/watch?v=0bqNyl72eBw Thailand, “How to Win at Checkers (Every Time),” Josh Kim, director; https://www.youtube.com/watch?v=JfXh86HUpAA Turkey, “Sivas,” Kaan Müjdeci, director; https://www.youtube.com/watch?v=OWeZ0bZz12M United Kingdom, “Under Milk Wood,” Kevin Allen, director; https://www.youtube.com/watch?v=hqHAwLeJzhU Uruguay, “A Moonless Night,” Germán Tejeira, director; https://www.youtube.com/watch?v=GV9N_SNC8DQ Venezuela, “Gone with the River,” Mario Crespo, director; https://vimeo.com/117647793 Vietnam, “Jackpot,” Dustin Nguyen, director. https://www.youtube.com/watch?v=O9NEbqrL9jw The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • 2015 Hamptons International Film Festival to Close with BRIDGE OF SPIES; Reveals Spotlight Films and World Cinema

    Steven Spielberg’s Bridge of Spies, starring Tom Hanks and Mark Rylance The 2015 Hamptons International Film Festival (HIFF) will close with Steven Spielberg’s BRIDGE OF SPIES on Monday, October 12, 2015 at Guild Hall in East Hampton. The festival announced its Spotlight Films along with its World Cinema and Shorts programs; and also revealed that Emily Blunt, Michael Moore and Dan Rather will be in attendance to take part in “A Conversation With…” for the 23rd installment. The Festival’s closing night film is three-time Academy Award®-winning Steven Spielberg’s BRIDGE OF SPIES, a dramatic thriller set against the backdrop of a series of historic events, BRIDGE OF SPIES is the story of James Donovan (two-time Academy Award® winner Tom Hanks), a Brooklyn lawyer who finds himself thrust into the center of the Cold War when the CIA sends him on the near impossible task to negotiate the release of a captured American U-2 pilot. Written by Matt Charman and Ethan Coen & Joel Coen, BRIDGE OF SPIES stars: three-time Tony Award® winner Mark Rylance, Scott Shepherd, Academy Award nominee Amy Ryan, Sebastian Koch, and Academy Award nominee Alan Alda. The Walt Disney Studios and Touchstone Pictures film will release in theaters on October 16, 2015. This year’s Spotlight Films include the North American Premiere of A ROYAL NIGHT OUT, the US Premieres of I SAW THE LIGHT, THE LADY IN THE VAN, LOUDER THAN BOMBS, the East Coast Premieres of ANOMALISA and MACBETH, and a Sneak Preview of BORN TO BE BLUE. The Spotlight Films will also feature SUFFRAGETTE, WHEN I LIVE MY LIFE OVER AGAIN, BROOKLYN, EXPERIMENTER, MEADOWLAND, and WHERE TO INVADE NEXT directed by Michael Moore, who will attend the festival along with taking part in “A Conversation With…” on Sunday, October 11th, at NOON at Bay Street Theater. This year’s World Cinema Documentary titles include the World Premieres of THE C WORD, CLASS DIVIDE, HARRY BENSON: SHOOT FIRST, the North American Premiere of BY SIDNEY LUMET, an American Masters Film, the US Premieres of BOLSHOI BABYLON, and the East Coast Premiere of SHERPA. Other films in the section include CROCODILE GENNADIY, DREAM/KILLER, HARRY & SNOWMAN, HOW TO DANCE IN OHIO, IN TRANSIT, PALIO, THE RUSSIAN WOODPECKER “OROSZ HARKÁLY.” The World Cinema Narrative films include the World Premiere of THE PREPPIE CONNECTION, the North American Premieres of CAFÉ DERBY, BABAI and A MONSTER WITH A THOUSAND HEADS “UN MONSTRU DE MIL CABEZAS,” the US Premieres of 11 MINUTES “11 MINUT,” ALL ABOUT THEM “À TROIS ON Y VA,” DHEEPAN, DISORDER “MARYLAND,” and the East Coast Premieres of 45 YEARS, ROOM, and THE WAVE. The section also includes THE CLUB “EL CLUB,” KRISHA, SON OF SAUL “SAUL FIA.” The 2015 Hamptons International Film Festival will also present a special screening of Morgan Neville and Robert Gordon’s BEST OF ENEMIES, winner of the 2015 SummerDocs Audience Award. HIFF will present 10 programs of short films this year, including the Narrative Short Film and Documentary Short Film Competition programs, the New York Women In Film and Television: Women Calling The Shots program, the Ahoy! Shorts for All Ages program and the Crafted program, which features three short films about auteur Claude Lanzmann, and artists Phil Toledano and Hilary Knight. HIFF previously announced Paolo Sorrentino’s YOUTH as the Southampton Opening Night Film, Tom McCarthy’s SPOTLIGHT as the Saturday Centerpiece Film and Todd Haynes’ CAROL as the Sunday Centerpiece Film, and its Documentary and Narrative Competition Films, which now also includes the North American Premiere of Jonas Carpignano’s MEDITERRANEA. The full line-up of the 23rd Hamptons International Film Festival is below. OPENING NIGHT FILM TRUTH (USA) Director: James Vanderbilt Academy Award® winners Cate Blanchett and Robert Redford star in James Vanderbilt’s sharp and insightful take on the controversial CBS 60 Minutes investigation of George W. Bush’s military record that ended Dan Rather’s career as the network’s anchorman. Adapted from producer Mary Mapes’ (Blanchett) account in her book “Truth and Duty: The Press, the President, and the Privilege of Power,” and featuring exceptional performances by a stellar cast, including Elisabeth Moss, Dennis Quaid, and Topher Grace, TRUTH is a polished and absorbing dramatization of the ever-changing relationship between journalism and politics in today’s media. SOUTHAMPTON OPENING NIGHT FILM YOUTH (Italy/France/UK/Switzerland) East Coast Premiere Director: Paolo Sorrentino The stunning new film from Academy Award® winner Paolo Sorrentino (THE GREAT BEAUTY), YOUTH follows two old friends as they vacation in a Swiss luxury resort. Fred (Michael Caine) is a retired composer and conductor, enjoying his retirement and Mick (Harvey Keitel) a film director planning his final film. While musing about their lives and illustrious careers, their pasts resurface and a sense of melancholy disrupts the vacation. With a phenomenal cast of characters, played by Rachel Weisz, Paul Dano, and the iconic Jane Fonda, YOUTH is a whimsical meditation on the crossroads of friendship and aging. Lusciously lensed and scored, the Swiss Alps serve as magical setting for this mesmerizing tour de force. CENTERPIECE SATURDAY SPOTLIGHT (USA) East Coast Premiere Director: Tom McCarthy Oscar® nominees Mark Ruffalo, Michael Keaton, and Rachel McAdams star as the Boston Globe’s Spotlight team, assigned by their newly appointed editor Martin Baron (Liev Schreiber) to investigate the allegations of abuse in the Catholic Church. For over a year, they pursued the story relentlessly, despite intense resistance from the highest levels of Boston’s religious, legal, and government establishment. Tom McCarthy’s SPOTLIGHT examines the true story of the Pulitzer Prize-winning investigation that uncovered a massive web of pedophilia and systemic cover-ups within the Catholic Church. Aided by a fantastic supporting cast (Stanley Tucci, Billy Crudup), SPOTLIGHT is a nuanced and thrilling procedural about the power and impact of great investigative journalism. CENTERPIECE SUNDAY CAROL (UK/USA) Director: Todd Haynes With groundbreaking performances from Cate Blanchett and Rooney Mara (winner of the Best Actress Award at the Cannes Film Festival) as two women entangled in an intoxicating love affair, director Todd Haynes (FAR FROM HEAVEN) illuminates the delicate intricacies of navigating forbidden desire in 1950s New York. Adapting Patricia Highsmith’s semi-autobiographical novel “The Price of Salt,” CAROL is the story of an unlikely bond between an ingenue shop girl dreaming of a better life and an older sophisticated woman trapped in a loveless marriage. A masterfully crafted love story, CAROL is an exquisite and poignant meditation on longing. CLOSING NIGHT FILM BRIDGE OF SPIES (USA) Director: Steven Spielberg A dramatic thriller set against the backdrop of a series of historic events, BRIDGE OF SPIES is the story of James Donovan (two-time Academy Award® winner Tom Hanks), a Brooklyn lawyer who finds himself thrust into the center of the Cold War when the CIA sends him on the near-impossible task to negotiate the release of a captured American U-2 pilot. Directed by three-time Academy Award®-winning director Steven Spielberg and written by Matt Charman and Ethan Coen & Joel Coen, BRIDGE OF SPIES stars: three-time Tony Award® winner Mark Rylance as Rudolf Abel, a KGB agent defended by Donovan; Scott Shepherd as CIA operative Hoffman; Academy Award nominee Amy Ryan as James’ wife, Mary; Sebastian Koch as East German lawyer Vogel; and Academy Award nominee Alan Alda as Thomas Watters, a partner at Donovan’s law firm. Inspired by remarkable true events, Spielberg captures the essence of a man who risked everything and vividly brings his personal journey to life. SPOTLIGHT FILMS BORN TO BE BLUE (USA/Canada/UK) Sneak Preview Director: Robert Budreau An intimate portrait of jazz legend Chet Baker (Ethan Hawke), BORN TO BE BLUE is a remarkable reimagining of the iconic musician’s comeback in the 1960s. When approached to star in a film about his heyday and given a chance at redemption, he finds that re-entering the spotlight may not come as smoothly as the notes that made him famous. With girlfriend Jane (Carmen Ejogo, SELMA) by his side, he struggles against addiction and a career-threatening injury to reclaim his former self. With a delicate touch, writer/director Robert Budreau paints an immersive and imaginative look at the trumpeter’s fragile story. BROOKLYN (Ireland/UK/Canada) Director: John Crowley Waving good-bye to her mother and sister in Ireland, Eilis Lacey (Saoirse Ronan) sets sail to follow her American dream in 1950s Brooklyn. With the support of a kind priest, Eilis finds work at an upscale department store and enrolls in school, but it’s only after she meets Tony (Emory Cohen) that she finally feels at home and romance heals her loneliness. When an unexpected tragedy forces Eilis to return home, she finds a renewed love for Ireland. With award-worthy performances and exquisite cinematography, John Crowley’s BROOKLYN is a beautiful tale of a young woman torn between two worlds. EXPERIMENTER (USA) Director: Michael Almereyda EXPERIMENTER follows the infamous social psychologist Stanley Milgram (Peter Sarsgaard), who conducted a series of highly controversial experiments on obedience and authority in the 1960s. In an attempt to better understand the horrific events of the Holocaust, Milgram observed and recorded the responses of a group of subjects instructed to deliver potentially fatal electric shocks to strangers concealed behind a closed door. A refreshing departure from the traditional biopic formula, director Michael Almereyda deftly investigates the inner psyche of this notorious character. With nuanced performances by Sarsgaard and Winona Ryder as Milgram’s wife, EXPERIMENTER is a compelling look at our willingness to follow orders despite our better judgment. I SAW THE LIGHT (USA) US Premiere Director: Marc Abraham Country music legend Hank Williams is brought to life in Marc Abraham’s I SAW THE LIGHT, a moving tale of success and personal hardship based on Colin Escott’s award-winning biography. Celebrated as one of the most influential singersongwriters of the 20th century, Williams compiled a lasting body of work before his untimely death at the age of 29. With brilliant and complex performances by Tom Hiddleston as Williams and Elizabeth Olsen as his ambitious wife, the film chronicles a restless soul, driven towards the spotlight and unable to resist the temptations that destroyed his health and personal life. THE LADY IN THE VAN (UK) US Premiere Director: Nicholas Hytner In this “mostly true” story, based on writer Alan Bennett’s (THE MADNESS OF GEORGE III, THE HISTORY BOYS) memoir and popular West End play, the extraordinary Maggie Smith stars as Miss Mary Shepherd, an eccentric high-born woman living out of her van. When Alan (Alex Jennings) moves into his new London home, he soon discovers Miss Shepherd, who mysteriously claims to speak directly with the Virgin Mary, and reluctantly offers her his driveway as a temporary home. Fifteen years later, she is still there. THE LADY IN THE VAN is a hilariously witty story of two strangers who form an unlikely friendship and lasting bond despite their best attempts to be left alone. LOUDER THAN BOMBS (Norway/France/Denmark) US Premiere Director: Joachim Trier On the eve of an exhibition honoring noted war photographer Isabelle Reed (Isabelle Huppert), whose career was cut short in the wake of her untimely death, a father and two sons grapple with her domestic and professional legacy. Flashbacks of Isabelle’s life intermingle with the present-day attempts of the Reeds to manage their grief amid combat of a different kind. Family patriarch Gene (Gabriel Byrne) discovers secrets about his late spouse while pursuing a new romance and struggling to connect with teenage son Conrad (Devin Druid) and adult son Jonah (Jesse Eisenberg). Past and present coalesce in sharp focus as the surviving Reeds come to terms with love and loss — locating in memories both painful and joyous the skills they need to soldier on… ANOMALISA (USA) East Coast Premiere Director: Charlie Kaufman, Duke Johnson Michael Stone is a man crippled by the mundanity of his life. On a business trip to Cincinnati, he checks into the Fregoli Hotel, where he is amazed to discover a possible escape from his desperation in the form of an unassuming Akron baked goods sales rep who may or may not be the love of his life. A beautifully tender and absurdly humorous dreamscape from the brilliant minds of Charlie Kaufman (SYNECDOCHE, NEW YORK) and Duke Johnson (“Community”), this is a darkly comedic and surreal journey. ANOMALISA confirms Charlie Kaufman’s place amongst the most important of American filmmakers, and announces Duke Johnson as a major creative force. MACBETH (France/UK/USA) East Coast Premiere Director: Justin Kurzel Director: Justin Kurzel Set in the war-torn countryside of 11th century Scotland, MACBETH is the classic story of a brutal warrior who is consumed and eventually defeated by his uncontrollable ambition. In this impressive update, Michael Fassbender and Academy Award® winner Marion Cotillard give award-worthy performances as one of literature’s most notorious couples. After a trio of witches prophesize his ascent to the throne, Macbeth and his cunning wife decide to seize the crown for themselves through brutality and murder. Violent and visceral, director Justin Kurzel delivers an exhilarating adaptation of one of Shakespeare’s most renowned tragedies. MEADOWLAND (USA) Director: Reed Morano In her dreamy directorial debut, celebrated cinematographer Reed Morano (KILL YOUR DARLINGS) examines the visceral and isolating experience of grief, and the distortion of reality that occurs following the loss of a child. MEADOWLAND follows distraught parents Sarah (Olivia Wilde) and Phil (Luke Wilson) a year after their 8- year-old son mysteriously disappeared from a gas station bathroom. In the wake of this unimaginable tragedy, they each struggle in their own way to heal. Phil attempts to ease his suffering with the help of a support group, while Sarah seeks a more destructive path. Wilde and Wilson, who give raw, emotional performances as the unraveling couple, are backed by an impressive cast of supporting actors, including Elisabeth Moss, John Leguizamo, Giovanni Ribisi, and Kevin Corrigan. A ROYAL NIGHT OUT (UK) North American Premiere Director: Julian Jarrold It’s Victory in Europe Day in 1945, and while the King and Queen of England (Rupert Everett and Emily Watson) prefer to observe the end of the Second World War as solemnly as possible, Princesses Elizabeth (Sarah Gadon) and Margaret (Bel Powley) are quite eager to participate in the revelry in the heart of London. Never before allowed to roam freely about in public, each girl is given a disguise, a chaperone, and a curfew. However, the girls quickly ditch their disapproving mother’s itineraries for an unforgettable night of adventure, drinking, and romance. SUFFRAGETTE (UK) Director: Sarah Gavron Inspired by true events, SUFFRAGETTE movingly explores the passion and heartbreak of those who risked all they had for women’s right to vote–their jobs, their homes, their children, and even their lives. Academy Award® nominees Carey Mulligan and Helena Bonham Carter, and three-time Academy Award® winner Meryl Streep lead the cast of the powerful drama about the fight for equality in early-20th- century Britain. The stirring story centers on Maud, a working wife and mother who becomes an activist for the Suffragette cause alongside women from all walks of life. SUFFRAGETTE is directed by BAFTA Award winner Sarah Gavron and written by Emmy Award® winner Abi Morgan WHEN I LIVE MY LIFE OVER AGAIN (USA) Director: Robert Edwards Escaping New York City, Jude (Amber Heard) heads to the wintry, desolate Hamptons for some self-reflection and reinvention. The daughter of a famed romantic crooner, Paul Lombard (Christopher Walken), Jude has inherited not only his musical talent, but also his vice of self-destruction. When the aging Paul attempts to revitalize his career with a self-penned comeback song, Jude is pressured to take initiative to shape her life. With a supporting cast that includes Oliver Platt and Hamish Linklater, WHEN I LIVE MY LIFE OVER AGAIN is a charming examination of regret, family, and the evolution of life. WHERE TO INVADE NEXT (USA) Director: Michael Moore In an unexpected twist, Michael Moore’s (BOWLING FOR COLUMBINE, FAHRENHEIT 9/11, SICKO) latest project, WHERE TO INVADE NEXT, does not refer to American imperialism, but rather to Moore himself. Armed with a camera and a flag, the Oscar®-winning documentarian “invades” a slew of European countries in an attempt to learn more about their successful practices and programs. From Norwegian prisons to female-run Icelandic banks, to Italian employee benefits, Moore travels around the world with the intention of bringing these progressive philosophies back to the States. A surprising departure, WHERE TO INVADE NEXT is a refreshingly optimistic look at the possibilities for the future. DOCUMENTARY COMPETITION CHUCK NORRIS VS COMMUNISM (UK/Romania/Germany) New York Premiere Director: Ilinca Calugareanu In the 1980s, the last decade before the revolution overthrew communist dictator Nicolae Ceausescu, Romania was marred by intense austerity, isolationism and a pervasive cultural blackout. For the oppressed population, a new form of escapism emerged: illicit video nights in which smuggled Western films were shown. The majority of the films were dubbed by the same person, Irina Nistor, one of the most recognizable voices in pre-revolution Romania. First-time director Ilinca Calugareanu’s endearing and entertaining documentary shows how the magic of film created an awakening that helped to instill the seeds of the revolution. A GERMAN YOUTH “UNE JEUNESSE ALLEMANDE” (France) East Coast Premiere Director: Jean-Gabriel Périot Covering a decade of worldwide political unrest (1965-1975), A GERMAN YOUTH is a compelling portrait of the Baader-Meinhof Group (a.k.a The Red Army Faction), a radical movement which drew into its orbit not only disillusioned students, but also established journalists and intellectuals as well as important filmmakers such as Michelangelo Antonioni, Jean Luc Godard and RW Fassbinder. Culled together from a fascinating pastiche of agitprop, news broadcasts, interviews, student films, and other archival footage, A GERMAN YOUTH provides the context for an ideology that shaped an entire generation. MISSING PEOPLE (USA) East Coast Premiere Director: David Shapiro Fifteen years after his debut film KEEP THE RIVER ON THE RIGHT, director David Shapiro returns to HIFF with MISSING PEOPLE. The documentary follows Martina Batan, the director of a prominent New York art gallery as she investigates her young brother’s long unsolved murder. At the same time, she obsessively researches and collects the work of New Orleans artist Roy Ferdinand whose paintings are known for their violent and graphic content depicting African American culture in pre-Katrina New Orleans. Martina’s journey is driven by both a hunger for closure and an inexplicable fascination with Ferdinand as an artist and as a loved one to a family she wedges herself into. NEWMAN (USA) World Premiere Director: Jon Fox Orphan. Entrepreneur. Recluse. Genius. Megalomaniac. Inventor Joseph Newman is all of the above. A controversial figure in the scientific community, Newman rose to notoriety with “The Newman Device,” an electromagnetic machine that he claimed produced more energy than it took to power it. What should have been a revolutionary discovery was stopped by a lengthy and disheartening legal battle with the United States Patent Office. In his enthralling debut, filmmaker Jon Fox deftly seeks to understand the enigmatic inventor — through intimate discussions with Newman’s colleagues and, surprisingly, with the man himself. THE VISIT “A LÁTOGATÁS” (Finland/Denmark) New York Premiere Director: Michael Madsen Imagining an event that has yet to happen – an alien invasion on Earth – Michael Madsen’s engrossing new documentary leads us on a captivating journey through surreal, slow-motion, dream-like tableaus intercut with interviews with scientists from NASA, SETI (Search For Extraterrestrial Life Institute) and experts from the UN. THE VISIT takes an imagined encounter and stimulates the implications and the potential response from humankind. With questions such as “What makes you happy?,” “Do you know what is good and what is evil?,” “How do you think?” and of course, “Why are you here?,” Madsen constructs an unsettling scenario that forces us to reconfigure our insular mentality and reflect on humanity. NARRATIVE COMPETITION EMBRACE OF THE SERPENT “EL ABRAZO DE LA SERPIENTE” (Colombia) East Coast Premiere Director: Ciro Guerra Inspired by the real experiences of explorers in the Amazon, EMBRACE OF THE SERPENT (Colombia’s submission for the Oscars®) centers on the relationship between Karamakate, a shaman of an extinct tribe carrying secrets and traditions, and two scientists in search of a sacred plant, capable of immense healing. Opting for powerful black and white cinematography, director Ciro Guerra tracks their parallel stories over 40 years with trips deep into the jungle. Winner of the top prize at the Cannes Directors Fortnight, the film intimately captures the thirst for knowledge and the ravages of colonialism that have destroyed the harmony and balance at the heart of the indigenous way of life. FRENCH BLOOD “UN FRANÇAIS” (France) US Premiere Director: Diastème Marco (Alban Lenoir) is a young Neo-Nazi and skinhead who, along with his friends, terrorizes the lower-class suburbs of Paris hoping to clear out the “scum” that is polluting the pure, white landscape of their beloved country. Spanning almost 3 decades in Marco’s life as he struggles to understand his own anger and brutal actions, this evocative and moving portrait–the sophomore effort from writer-director Diastème–offers a rare and unsettling look into the rise of xenophobia in France. With a brilliant performance by Lenoir, this poignant drama distinguishes itself as a unique and powerful work by an emerging talent. MEDITERRANEA (Italy/France/USA) North American Premiere Director: Jonas Carpignano Ayiva (Koudous Seihon) seizes the opportunity to leave Burkina Faso and find a better life for his daughter in Jonas Carpignano’s gripping feature debut, MEDITERRANEA. Joined by his best friend Abas (Alassane Sy), they embark on the treacherous journey by boat to Italy, only to find that getting to dry land is merely half the battle. Expanding on his award-winning short, A CHJÀNA (HIFF 2014), Carpignano artfully presents a complex portrait of immigration with both urgency and a humanist approach to understanding life on the margins. Inspired by real events and Seihon’s personal journey, MEDITERRANEA offers a profound and intimate look at the migrant crisis. RAMS “HRÚTAR” (Iceland) East Coast Premiere Director: Grímur Hákonarson Brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) live side-byside but have not spoken in forty years. Stubborn and competitive, they only communicate via handwritten notes delivered by their loyal sheepdog Somi. When a deadly virus threatens their prize-winning sheep and livelihood, they are forced to come together to save their unique family breed, and themselves, from extinction. Winner of the Un Certain Regard Award in Cannes, RAMS (Iceland’s submission for the Oscars®) details the hardships of daily farm work in remote Iceland with humanism and humor. Stunningly combining otherworldly landscapes and powerful performances, director Grímur Hákonarson expertly builds this gentle comedy to reveal a deeper and emotionally moving tale. TAKE ME TO THE RIVER (USA) East Coast Premiere Director: Matt Sobel Accompanying his parents to a Nebraskan family reunion couldn’t be more uncomfortable for Ryder (Logan Miller), a gay Californian teenager. For his mother’s sake he agrees to act “normal,” but nonetheless attracts some unwanted attention from his conservative relatives. The only one who seems to like him is 9-year-old Molly (Ursula Parker), but a strange encounter between the two of them raises many questions and places Ryder at the center of a long-buried family secret. A superbly acted drama from first-time filmmaker Matt Sobel, TAKE ME TO THE RIVER reveals itself through Ryder’s perplexed point of view, unfolding in an atmosphere of mystery and trepidation. WORLD CINEMA DOCUMENTARY BOLSHOI BABYLON (UK) New York Premiere Director: Nick Read Moscow’s Bolshoi Ballet is one of the most esteemed ballet institutions in the world. A high-stakes environment in which some of the best ballet dancers in the world vie for the top spot, only an injury away from a complete career collapse. Behind its gleaming facade lies a world of boundless ambition, intrigue, and corruption that all came to a tragic apex in the 2013 acid-attack against its creative director, Sergei Filin by one of the company’s dancers. Benefiting from an unprecedented access, director Nick Reed follows the company’s attempts to recover after the incident and to redirect the focus back to the talent and artistic brilliance of its dancers. BY SIDNEY LUMET (USA) North American Premiere Director: Nancy Buirski Nancy Buirski’s BY SIDNEY LUMET is an enthralling portrait of the work and life of one of American cinema’s most accomplished and prolific directors. In a neverbefore-seen conversation recorded three years before his death, Sidney Lumet looks back on everything from his early years growing up in the Yiddish theater world to his distinguished career as a filmmaker. From his classic breakout hit, 12 ANGRY MEN, to his gritty, socially conscious masterpieces DOG DAY AFTERNOON, SERPICO, and NETWORK, Lumet has captivated audiences for decades with his powerful and timeless films. With humor and humility, the celebrated director speaks candidly about his legacy as an artist. THE C WORD (USA) World Premiere Director: Meghan O’Hara Filmmaker and cancer survivor Meghan O’Hara (producer of FAHRENHEIT 9/11, BOWLING FOR COLUMBINE) wants to change the way we think about cancer. In this daring and intimate film, she investigates the connection between the current cancer epidemic and our western lifestyle, including medical professionals’ tendency to treat only the symptoms and not the underlying causes. Backed by personal experiences and the scientific validation of Dr. David Servan-Schreiber, O’Hara asks us to reconsider the way we currently treat cancer, and advocate instead for societywide lifestyle changes. Narrated by Academy Award® winner Morgan Freeman, THE C WORD challenges us to step up and take control of our health. CLASS DIVIDE (USA) World Premiere Director: Marc Levin Director Marc Levin (SCHMATTA: RAGS TO RICHES TO RAGS, HIFF ‘09 and HARD TIMES: LOST ON LONG ISLAND, Audience Award HIFF ‘11) presents CLASS DIVIDE, a look into the modern effects of gentrification in West Chelsea, New York, seen through the eyes of students from both sides of the street—one avenue and worlds apart. On one side of the intersection of 10th Avenue and 26th Street sits Avenues, a world-class private school with a $50,000 per year price tag; on the other side sits the Elliott-Chelsea public housing projects, home to thousands of low-income and underemployed residents. In the face of rising inequality, stagnant class mobility, gentrification and much more, the kids from both sides of the street grapple with their relationship to each other amid the stark transformation. CROCODILE GENNADIY (USA/Ukraine) Director: Steve Hoover After the fall of the Soviet Union, Ukraine was left with dysfunctional social and political institutions, resulting in an increase in child homelessness. Pastor Gennadiy Mokhnenko takes matters into his own hands by forcibly abducting drug-addicted children from the streets, and rehabilitating them at his in-patient facility. Over the course of a decade, Gennadiy builds a reputation as a local hero to some, an anarchic vigilante to others. Director Steve Hoover meticulously chronicles this thrilling story with style and dedication. From executive producer Terrence Malick comes CROCODILE GENNADIY, a complex character study of a man who will stop at nothing to carry out his mission. DREAM/KILLER (USA) Director: Andrew Jenks In 2005, Ryan Ferguson, a 21-year-old from Columbia, Missouri, was wrongly convicted of murder by way of a drug addict’s false confession. Andrew Jenks’ timely documentary DREAM/KILLER follows Ryan’s father, Bill, as he wages a decadelong war to prove Ryan’s innocence and overturn his 40-year sentence. Bill’s restless efforts eventually lead to the discovery of legal misconduct, exposing fault lines in the American criminal justice system. Digging into a father’s fight to free his son, Jenks offers a sobering look at how easily a life can be lost to miscarriages of justice, and how an unwavering family bond can make all the difference. GOOD THINGS AWAIT “SÅ MEGET GODT I VENTE”(Denmark) East Coast Premiere Director: Phie Ambo Biodynamic farmer Niels Stokholm is committed to raising his herd of rare, Danish Red cattle according to their natural instincts. Practicing ancient agricultural techniques, all living things on his farm live in spiritual harmony. In his attempt to get an organic certification for his farm, Stokholm must overcome the unyielding bureaucracy of the EU. Risking everything for his beliefs, Stokholm hopes he won’t be one of the last biodynamic farmers, but rather the first of a new generation. Offering a refreshing alternative to “factory farming,” Phie Ambo’s visually stunning documentary makes a compelling case for nutrition, sustainability, and animal welfare. THE GREAT ALONE (USA) New York Premiere Director: Greg Kohs This is the inspiring comeback story of underdog Lance Mackey as he tries to live up to his father’s legendary 1978 win of the Iditarod race. His attempt to match his progenitor’s success was postponed when Lance was diagnosed with throat cancer in 2001. Through use of archival footage and home videos, we witness Lance’s unprecedented resilience and desire for greatness. An exhilarating experience, THE GREAT ALONE follows his lifelong journey to overcome his illness and become one of the greatest sled dog racers of all time. HARRY & SNOWMAN (USA) New York Premiere Director: Ron Davis At the end of World War II, Harry deLeyer journeyed to Long Island, New York, where he made a name for himself as a horse trainer and riding instructor at the exclusive Knox School. His career took a new turn when he paid $80 for an Amish plow horse named Snowman, bound for the glue factory. With the odds against them, Harry and Snowman went on to break show jumping records, becoming household names in the late 1950’s after winning the sport’s Triple Crown. The award winning documentary HARRY & SNOWMAN is a touching tale of a unique, decade-long friendship, told first-hand by Harry, now 85. HARRY BENSON: SHOOT FIRST (USA) World Premiere Director: Matthew Miele, Justin Bare HARRY BENSON: SHOOT FIRST chronicles the illustrious career of the prolific photographer who initially rose to fame alongside The Beatles, having been assigned to cover their inaugural trip to the United States. With unprecedented “behind the scenes” access, Benson captured some of the most vibrant and intimate portraits ever taken of the most popular band in history. His extensive portfolio includes iconic images of Winston Churchill, Bobby Fischer, Muhammad Ali, Greta Garbo, Michael Jackson, Dr. Martin Luther King, Jr., and the Robert F. Kennedy assassination. Now 85, workaholic Benson has no intention of stopping. HOW TO DANCE IN OHIO (USA) Director: Alexandra Shiva Finding a date, getting dressed up, and going to a school dance can be difficult for any teenager. For many living with autism, the idea of going to a spring formal is even more intimidating (and even frightening), considering the need to navigate social cues they don’t understand. Alexandra Shiva’s HOW TO DANCE IN OHIO follows a group of young people as they attempt to overcome their fears and prepare mentally, emotionally, and physically for this rite of passage. With a gentle and sensitive eye, Shiva follows the group through counseling and a series of role-play exercises leading up to the big dance. IN TRANSIT (USA) Directors: Albert Maysles, Lynn True, Nelson Walker, David Usui, Ben Wu In his final film, legendary documentarian Albert Maysles (GREY GARDENS, GIMME SHELTER, and HIFF Audience Award winner IRIS) boards the Empire Builder, the most active long-distance train route in America. In a series of thoughtful vignettes, Maysles and his four co-directors quietly capture the journeys of the various passengers and employers aboard the train. Against the backdrop of the wintry North American landscape, we learn each of their stories through personal anecdotes, snippets of overheard conversation, and hushed confessions between new friends. Harrowingly intimate, IN TRANSIT offers a new perspective on the cross-country journey, and acts as a moving farewell to the celebrated filmmaker. INDIAN POINT (USA) Director: Ivy Meeropol Just 35 miles from Times Square looms Indian Point Nuclear Power Plant, an aging facility that has raised a great deal of controversy in the surrounding community. Supported by the NRC (Nuclear Regulatory Commission), the plant’s safety has been a topic of debate for many years. With over 50 million people living in close proximity to the facility, director Ivy Meeropol offers a startling reality check in this powerful documentary. Compiling arguments from environmental activists, journalists, power plant employees and local residents, INDIAN POINT features varied points of view about one of the most concerning issues of our time. MY LOVE, DON’T CROSS THAT RIVER (South Korea) Director: Mo-young Jin An intimate portrait of an elderly couple nearing the end of life, MY LOVE, DON’T CROSS THAT RIVER is as delicate as it is raw. Observing this fragile couple in their South Korean home, director Mo-Young Jin’s camera acts as a fly-on-the-wall, observing a deep love painted through simple acts of affection—from a goodnatured leaf fight to a gentle caress of the cheek. No filmmaking tricks are necessary, as the honest and tender feelings emoted by this husband and wife are all that’s needed to tell this story of true love. PALIO (UK/Italy) Director: Cosima Spender Twice a summer, the Italian city of Siena transforms into a fierce battleground of jockeys representing each of the city’s ten districts in the Palio, the oldest horse race in the world. At the heart of the race are the jockeys, whose success means highesteemed praise but for whom failure could mean dishonor. Following the legendary Gigi Bruscheli, winner of 13 races, and his young protége Giovanni, PALIO gives a rich, all-access account of the city’s passionate relationship with the annual event. Playing like a classic sports drama, director Cosima Spender’s third documentary is a colorful and thrilling cinematic experience. THE RUSSIAN WOODPECKER “OROSZ HARKÁLY” (Ukraine/UK/USA) Director: Chad Gracia The Chernobyl disaster remains a mystery and for Ukrainian artist Fedor Alexandrovic, it fuels an obsession. Haunted by the events that forced his family to evacuate, Fedor begins to investigate the Duga, a massive radio antenna next to the nuclear plant. Once the most expensive Cold War weapon and possibly the key to understanding the explosion, the Duga leads Fedor and filmmaker Chad Gracia on a wild hunt for the truth. Weaving Soviet history with the current events in Ukraine, the Sundance Grand Jury prizewinner THE RUSSIAN WOODPECKER is a highly thrilling documentary about an artist’s courage and determination. SHERPA (Australia/Nepal) East Coast Premiere Director: Jennifer Peedom April 18, 2014. A 14,000-ton block of ice barrels down Mount Everest, killing 16 Sherpas in its frightening path. In the wake of the worst tragedy to ever befall the mountain, the remaining Sherpas unite to fight for respect and better working conditions, as their share of profits is not proportionate to the risks they regularly take. In Jennifer Peedom’s suspenseful documentary, these unsung heroes of the mountain they call Chomolungma, men who for over 60 years have guided Westerners to triumph upon Everest’s peak, step into the spotlight to tell their story. SONG OF LAHORE (USA/Pakistan) Directors: Andy Schocken, Sharmeen Obaid-Chinoy Lahore, Pakistan, was once known for its musical legacy, but with the Islamization of Pakistan in the 1970s, musicians have since struggled to continue their life’s work. When the talented musicians of Sachal Studios decide to fuse their traditional eastern sound with that of Dave Brubeck Quartet’s famous “Take Five,” they create a unique hybrid that unexpectedly finds its audience through social media. Garnering the attention of thousands, including legendary trumpeter Wynton Marsalis, they are invited to perform at Jazz at Lincoln Center. From directors Andy Schocken and Oscar® winner Sharmeen Obaid-Chinoy, SONG OF LAHORE is a real-life Cinderella story about the universal power of music. WORLD CINEMA NARRATIVE 11 MINUTES “11 MINUT” (Poland/Ireland) US Premiere Director: Jerzy Skolimowski After a 5-year absence from filmmaking, celebrated Polish auteur Jerzy Skolimowski (KNIFE IN THE WATER, ESSENTIAL KILLING) makes his glorious return with the gripping 11 MINUTES. Written and directed by Skolimowski, the thriller follows the same 11 minutes as experienced by a diverse group of characters, including a struggling actress, an ambulance driver, a would-be thief, and a hot dog vendor, whose lives are destined to intersect over a single day in Warsaw. Weaving through hotel rooms, private homes, and public spaces, Skolimowski captures the kinetic energy of a major metropolis filled with unique stories. Beautifully photographed and expertly paced, 11 MINUTES will keep you guessing until the very last second. 45 YEARS (UK) East Coast Premiere Director: Andrew Haigh In the midst of planning their 45th anniversary celebration, Kate (Charlotte Rampling) and Geoff’s (Tom Courtenay) seemingly happy marriage is suddenly called into question when he receives a letter concerning his first lover. Haunted by the past, Geoff withdraws into his memories, leaving Kate bewildered and insecure. As their anniversary approaches, Kate becomes increasingly troubled by how little she knows of her husband’s former affair, and how it may have unknowingly affected their own marriage. With outstanding and nuanced performances by Rampling and Courtenay, 45 YEARS quietly exposes the fragility of human relationships. ALL ABOUT THEM “À TROIS ON Y VA” (France) US Premiere Director: Jérôme Bonnell Charlotte (Sophie Verbeeck) and Micha (Félix Moati) are drifting away from each other and into the arms of Mélodie (Anaïs Demoustier), a young ambitious lawyer. Unaware that the other is having an affair with the same woman, their charade snowballs into a complicated mess of lies and lust, forcing each to reevaluate their relationship. Mélodie, on the other hand, is falling in love with both of them and finding it hard to juggle her romantic entanglements with work. Director Jérôme Bonnell’s ALL ABOUT THEM is a thoughtful rumination on the nature of relationships, carried by strong performances, humor, and passion. APRIL AND THE EXTRAORDINARY WORLD “AVRIL ET LE MONDE TRUQUÉ” (France/Canada/Belgium) East Coast Premiere Directors: Christian Desmares, Franck Ekinci In an alternate reality, where scientific innovation has stalled and electricity has yet to be invented, April (voiced by Academy Award® winner Marion Cotillard) is a young scientist trying to find her parents, who were mysteriously abducted while researching a powerful longevity serum. Accompanied by her talking cat Darwin and new friend Julius, April bravely embarks on a journey to discover the truth. From the producers of PERSEPOLIS and renowned graphic novelist Jacques Tardi, APRIL AND THE EXTRAORDINARY WORLD is a riveting adventure through a dystopian society where government agents and a master conspiracy stand in the way of human progress. BABAI (Germany/Kosovo/Macedonia/France) North American Premiere Director: Visar Morina Ten-year-old Nori (Val Maloku) and his father Gezim (Astrit Kabashi) roam the streets of Kosovo selling cigarettes and barely earning a living. Only a few years after the fall of the Berlin Wall, Gezim is lured west to Germany, leaving his son behind in search of a new life. Feeling deserted and desperate to claim some sense of stability, Nori embarks on a dangerous journey to Germany in search of his father—his “babai.” His tenacity, resilience, and sheer grit must be enough to guide him. BABAI (Kosovo’s submission for the Oscars®) marks the feature debuts of Maloku and Kosovo-born writer/director Visar Morina, both of whom demonstrate a profound maturity and quiet intensity in their respective crafts. CAFÉ DERBY (Belgium) International Premiere Director: Lenny Van Wesemael A born salesman, George can sell anything to anyone. When he hears about the Pope’s visit to a neighboring town, the anticipation of large crowds leads him to uproot his family and move his restaurant for the event that is sure to make him a millionaire. With unconditional support from his youngest daughter Sara, the wild adventure begins! Based on the true story of her extraordinary family, director Lenny Van Wesemael’s feature debut is a visual treat—a roller coaster ride seen through the unassuming eyes of young Sara, whose coming-of-age transpires softly throughout the film. THE CLUB “EL CLUB” (Chile) New York Premiere Director: Pablo Larraín In a quiet seaside town lies a home of repentance, inhabited by four dishonored priests and a former nun. After the admittance of a new priest creates a fatal stir, bringing unwelcomed visitors, including a victim of child molestation and a church bureaucrat, the home’s still atmosphere trembles. As old demons are brought to light, the priests are forced to bear the weight of their transgressions. Winner of the Grand Jury Prize at the Berlin International Film Festival and Chile’s submission for the Oscars®, THE CLUB’s muted colors, stellar ensemble cast, and dramatic score establish a somber mood that chillingly echoes the crimes of its lead characters. DHEEPAN (France) US Premiere Director: Jacques Audiard Winner of the Palm D’Or at the Cannes Film Festival, DHEEPAN is the stirring new film from renowned French director Jacques Audiard (A PROPHET, RUST AND BONE). Finding himself on the losing side of the brutal civil war in Sri Lanka, a Tamil rebel fighter (Antonythasan Jesuthasan) assumes the identity of a dead man named Dheepan in order to flee the country. Hoping to increase his chances of being granted asylum in Europe, he also finds a “wife” and a “daughter” to serve as his makeshift family. A fascinating observation on the immigrant experience, DHEEPAN follows the family as they struggle to build a new life and unexpectedly find themselves at the center of another conflict. DISORDER “MARYLAND” (France/Belgium) US Premiere Director: Alice Winocour Vincent (Matthias Schoenaerts, RUST AND BONE) is a Special Forces agent suffering from PTSD after a recent tour in Afghanistan. In between assignments, he is hired to protect the lavish estate of a wealthy Lebanese businessman. While the owner is away, Vincent is charged to look after his beautiful wife Jessie (Diane Kruger, INGLORIOUS BASTERDS) and their young son Ali. Disoriented by paranoia and anxiety, Vincent obsessively looks for danger in every corner of the seemingly peaceful home. Expertly helmed by director Alice Winocour, DISORDER seamlessly transitions from nuanced character drama into a riveting, suspenseful thriller. FELL (Australia) North American Premiere Director: Kasimir Burgess Having lost his daughter in a tragic accident, Thomas (Matt Nable) withdraws from city life and takes on a new identity as a logger in the town where the accident took place, working side by side with the man who was responsible for his daughter’s death. Marden Dean’s breathtaking cinematography captures the lush, foreboding Victorian Alps and gracefully guides the viewer between two painfully divisive worlds. A tonal achievement, it’s hard to believe that this contemplative, image driven drama is Australian filmmaker Kasimir Burgess’s feature debut. JAMES WHITE (USA) East Coast Premiere Director: Josh Mond James (Christopher Abbott) is a troubled, unemployed twenty-something trying to survive the chaos of New York City one vice at a time. However, his perpetual adolescence is abruptly put on hold when his mother’s (Cynthia Nixon) battle with cancer forces him to sober up and take care of her. With the pressures and responsibilities of adulthood looming over him, James lashes out and alienates himself from his loved ones, but when his mother’s health takes a turn for the worse, James must find new strength or risk total self-destruction. With his directorial debut JAMES WHITE, Josh Mond explores the deep and complicated relationship between a mother and son, and features a breakout performance from Abbott. KRISHA (USA) Director: Trey Edward Shults Krisha is doing fine. Krisha is doing much better. She will face her family for Thanksgiving because she is sober and she is ready. After years of absence from her family, she returns to reconnect with her son, cook dinner, and prove to her family that she has changed for the better. Completely panicked and teetering on the edge of delirium, Krisha comes face-to-face with her past in the narrative feature Grand Jury Prize and Audience Award winner at this year’s SXSW. With knockout performances, the film tears apart the common portrait of addiction, favoring inventive sound design and raw cinematography. KRISHA is unlike anything you’ve seen before, yet strangely familiar. LABYRINTH OF LIES “IM LABYRINTH DES SCHWEIGENS” (Germany) Director: Giulio Ricciarelli Johann Radmann (Alexander Fehling, INGLOURIOUS BASTERDS) is a recently appointed public prosecutor frustrated by the tedious traffic offenses assigned to him. When a local journalist tries to bring the crimes committed at Auschwitz to public attention, Radmann takes on the case against the orders of his supervisor. Fighting against ignorance and willful denial, his investigation uncovers the real horror and lasting wounds in 1958 Germany. Giulio Ricciarelli’s moving and thoughtprovoking LABYRINTH OF LIES (Germany’s submission for the Oscars®) is an artfully rendered account of the fight to identify, locate, and bring the Nazis responsible to trial. A MONSTER WITH A THOUSAND HEADS “UN MONSTRU DE MIL CABEZAS” (Mexico) North American Premiere Director: Rodrigo Plá When her insurance company refuses to approve the care her husband needs to survive, Sonia Bonet (Jan Raluy) takes things into her own hands. Up against an unyielding bureaucracy and disinterested workers, she is pushed to her breaking point: with her son in tow, she attempts to fight the system. Rodrigo Plá’s (LA DEMORA, HIFF 2012) new film A MONSTER WITH A THOUSAND HEADS combines socio-political commentary with a tense hostage thriller. With his expertly executed look at fury in the face of injustice, award-winning Plá delivers on the tension and keeps you on the edge of your seat. THE PREPPIE CONNECTION (USA) World Premiere Director: Joseph Castelo Based on a true story, THE PREPPIE CONNECTION chronicles the exploits of Toby Hammel (Thomas Mann, ME AND EARL AND THE DYING GIRL), a working class prodigy who steps into the elite corridors of Sage Hall, a prep school in his hometown, yet a world away. Vying for acceptance in the privileged culture and trying to charm Alex Hayes (Lucy Fry, VAMPIRE ACADEMY), the beautiful and elusive girl of his dreams, Toby quickly learns the way into the “Preppies” is different than he expected – supplying them with cocaine. Toby uses his connections and fearlessness to impress his new friends, but finds that accessing the world of privilege comes at a steep cost. Director Joseph Castelo’s edgy new film offers a unique and intriguing twist on the line between friendship and fitting in, especially when taken too far. ROOM (Ireland/Canada) East Coast Premiere Director: Lenny Abrahamson Adapted from the bestselling novel by author and screenwriter Emma Donoghue, ROOM follows Jack (Jacob Tremblay) and his Ma (Brie Larson), who live in a small, locked room. Having never left Room, Jack believes that only the things in the room are real and that everything he sees on TV is make-believe. Right after his fifth birthday, Ma reveals the secret that has kept them confined to the room all these years. A harrowing journey of discovery ensues, and Jack has to come to terms with the fact that there’s more to the world outside Room. A profoundly emotional exploration of the bond between mother and son with gripping performances, including Academy Award® nominees Joan Allen and William H. Macy, ROOM demonstrates the unstoppable force with which these bonds prevail even in the darkest circumstances. SON OF SAUL “SAUL FIA” (Hungary) Director: László Nemes Winner of the Grand Prix Award at the Cannes Film Festival and Hungary’s submission for the Oscars®, SON OF SAUL is the monumental debut feature from Hungarian director László Nemes. Saul Auslander (Géza Röhrig) is a JewishHungarian prisoner in Auschwitz and a member of its Sonderkommando (the body disposal team). With a haunting opening scene that lingers on Saul’s ashen face, his journey through the inferno is transfixing and, ultimately, a poignant danse macabre. When he discovers the body of a boy among the corpses he risks everything to save the corpse from cremation and find a rabbi to recite Kaddish and give him a proper burial. With tightly lensed cinematography, Nemes skillfully recreates the claustrophobic, dehumanizing atmosphere of the camp and its unsettling banality of evil. UMRIKA (India) East Coast Premiere Director: Prashant Nair In the small Indian village of Jitvapur, America (UMRIKA, as it’s known in the local vernacular) is an alluring utopia, vividly detailed in the fantastic letters Udai sends to his younger brother Ramakant. With Udai’s precise whereabouts unknown, Ramakant embarks on a journey to locate his older brother. What unfolds is a refreshingly energetic coming-of-age film in which idyllic images of America help shape and catalyze Ramakant’s entry into adulthood. With a strong cast that includes Suraj Sharma (LIFE OF PI) and Tony Revolori (THE GRAND BUDAPEST HOTEL), UMRIKA is an inspired tale of love, disappointment, and growth. VIRGIN MOUNTAIN “FÚSI” (Iceland/Denmark) Director: Dagur Kári Shy and awkward, Fusi (Gunnar Jónsson ) is in in his forties and still lives with his mother. Expecting little from his routine life and seldom socializing with others, he floats through a life within his own barriers until the bouncy Sjöfn (Ilmur Kristjánsdóttir) unexpectedly enters his life and he is forced to take a leap. Director Dagur Kári’s fourth film, the award-winning VIRGIN MOUNTAIN is a skillfully told balancing act of two outcasts—a timid hermit and a seemingly grounded extrovert who forces the former out of his shell. THE WAVE “BØLGEN” (Norway) East Coast Premiere Director: Roar Uthaug Norway’s submission for the Academy Awards®, THE WAVE is based on a terrifyingly plausible scenario. Nestled among Norway’s stunning fjords, Geiranger is one of the most spectacular tourist destinations on the planet. But above it looms a mountain that geologists know will one day collapse, triggering a massive tsunami. When seismic readings on the mountainside start producing unusual data, no one wants to believe that this could be the big one, especially with tourist season at its peak. When the mountain does begins to crumble, every soul in Geiranger has just ten minutes to get to high-ground before the tsunami hits, consuming everything in its path in this pulse-pounding thriller. FILMS OF CONFLICT AND RESOLUTION THE ARMOR OF LIGHT (USA) Director: Abigail E. Disney With her directorial debut, THE ARMOR OF LIGHT, Abigail Disney presents a candid portrait of a brave evangelical minister who questioned whether someone could be both pro-life and pro-gun. A leader of the anti-abortion movement and his church, Reverend Rob Schenck was forced to reconsider his position after meeting Lucy McBath, a fellow Christian and gun control activist, whose son, Jordan Davis, was shot in Florida. Forming an unlikely alliance, the two embarked on a courageous journey, taking on the NRA and the church, giving hope to the idea that we can unite across party lines and find a common ground. DEMOCRATS (Denmark) Director: Camilla Nielsson More than two decades after president Robert Mugabe’s corrupt dictatorship began, international pressure forced Zimbabwe to assemble a bipartisan committee to begin writing the country’s first democratic constitution. With remarkable access and over the course of three years, director Camilla Nielsson traces the arduous process of negotiations led by two rivals appointed to head the committee as they compete and debate the democratic process. At times dramatic and often comical, DEMOCRATS balances the clash of personalities against the backdrop of Mugabe’s regime with intimate moments of honesty and respect. HE NAMED ME MALALA (USA) Director: Davis Guggenheim Academy Award® winner Davis Guggenheim’s (AN INCONVENIENT TRUTH, WAITING FOR SUPERMAN) latest documentary is a candid look into the life of Malala Yousafzai, the youngest recipient of the Nobel Peace Prize. An advocate for education and children’s rights, Malala was rushed to the hospital after being attacked by the Taliban on October 9, 2012. With the entire world rallied behind her, Malala recovered and co-founded The Malala Fund to empower girls worldwide by facilitating access to education with the belief that “one child, one teacher, one book and one pen can change the world.” THE HIGH SUN “ZVIZDAN” (Croatia/Slovenia/Serbia) US Premiere Director: Dalibor Matanic The inter-ethnic wars that tore Yugoslavia apart loom large in the background of Dalibor Matanić’s latest film THE HIGH SUN, winner of the Un Certain Regard Jury Prize at the Cannes Film Festival and Croatia’s submission for the Oscars®. Although never shown on screen, the tumult of the conflict seeps through and disrupts the lives of three young couples in stories that mirror the turmoil and healing process of a nation at war with itself. The tryptic spans decades: the first story is set in 1991 at the beginning of the war, the second one in 2001 at the end of the war, and the final one a decade later. With superb performances by Tihana Lazovic and Goran Markovic, THE HIGH SUN illuminates the tenacity of love across hatred and ethnic divides. THE UNCONDEMNED (USA) World Premiere Directors: Michele Mitchell, Nick Louvel THE UNCONDEMNED tells the gripping and world-changing story of a group of young international lawyers and activists who fought to make rape a crime of war, and the Rwandan women who came forward to testify, to win justice, where there had been none. Up until this point, rape had not been considered a war crime and was committed with impunity. A courtroom thriller and personal human drama, THE UNCONDEMNED beautifully interweaves the stories of the characters in this odyssey, leading to the trial in the International Criminal Court–and the results that changed the world of criminal justice forever COMPASSION, JUSTICE & ANIMAL RIGHTS THE CHAMPIONS (USA) World Premiere Director: Darcy Dennett THE CHAMPIONS is the powerful story of the brave individuals who rescued, rehabilitated, and adopted the pit-bulls from NFL quarterback Michael Vick’s violent dog-fighting ring. Despite tremendous pressure from animal welfare organizations to euthanize these animals, a handful of men and women stepped in to give the dogs a second chance. With her inspiring documentary, first time filmmaker Darcy Dennett proves the power of resilience and addresses a variety of important issues, including the unfair stigma surrounding this misunderstood breed, the exploitation of animals for the sake of entertainment, and the way society is too quick to forgive its star athletes. HOW TO CHANGE THE WORLD (UK/Canada) Director: Jerry Rothwell In 1971, a group of journalists, scientists, and hippies set sail on a mission to prevent American atomic tests on an Alaskan Island. Transformed by the experience, this small grassroots band of activists launched the start of the Greenpeace movement. Young, media-savvy, and with cameras in hand, they campaigned against the whaling industry and made front-page news. Compiling never before seen footage into a thrilling and high-energy film, Jerry Rothwell’s HOW TO CHANGE THE WORLD chronicles the rise of Greenpeace, their dynamic personalities, and the internal ideological debates about the mission of the organization. SPECIAL SCREENINGS BEST OF ENEMIES (USA) Audience Award Winner: SummerDocs Directors: Morgan Neville, Robert Gordon In 1968, liberal Gore Vidal and conservative William F. Buckley, Jr. were invited to participate in a series of nationally televised debates on the Democratic and Republican national conventions as an attempt to bump up ratings for ABC. BEST OF ENEMIES is the behind-the-scenes look at the explosive live event, filled with deep insults, both personal and political, that launched the shift in public debate from substance to spectacle. From filmmakers Robert Gordon and Academy Award® winner Morgan Neville (TWENTY FEET FROM STARDOM) comes a brilliant and often hilarious take on the verbal boxing match that changed the way we talk about politics.

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  • American Film BOB AND THE TREES Win Top Prize at 50th Karlovy Vary International Film Festival

    Bob and the Trees 50th Karlovy Vary International Film Festival The American film, Bob and the Trees, starring Bob Tarasuk, playing himself, as Bob, a fifty-year old logger, struggling to make ends meet in a threatened industry, was awarded with the Crystal Globe at the 50th Karlovy Vary International Film Festival. Tarasuk accepted the Festival Grand Prix in person, together with director Diego Ongaro (pictured above). “This really is a surprise. We had virtually no money to shoot the film so I had to invest my and my wife’s money, and I would like to thank everybody involved in making the film” stated director Ongaro, noting that he still has not found a distributor. Bob Tarasuk, too, expressed his amazement: “I have never won anything so far. Indeed, I have never left the States before, but my grandmother was Czech and my grandfather Ukrainian so I dedicate this award to them.” The Special Jury Prize went to Austrian director Peter Brunner for the film Those Who Fall Have Wings, a drama on coming to terms with the death of a loved one. Kosovan Visar Morina received the Best Director Award for his film Babai, a story about a small boy setting off on a journey to find his father. The Grand Prix for Best Documentary Film went to Helena Třeštíková for Mallory.  Life hasn’t been easy on Mallory but after the birth of her son she tries desperately to kick her drug habit, and to stop living on the street. She wants to turn her back on her dark past and help those she knows best – people on the fringes of society. In her latest long-term documentary, Helena Třeštíková demonstrates that even seemingly hopeless lives needn’t be cut short halfway. The prize for the best film of the East of the West Competition was awarded to social drama The Wednesday Child by the Hungarian director Lili Horváth, a tale of a young girl who wants to secure better circumstances for her child than she had. OFFICIAL SELECTION – COMPETITION GRAND JURY Tim League, USA Angelina Nikonova, Russia Ólafur Darri Ólafsson, Iceland Hengameh Panahi, France Ondřej Zach, Czech Republic GRAND PRIX – CRYSTAL GLOBE (25 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Bob and the Trees Directed by: Diego Ongaro USA, 2015 SPECIAL JURY PRIZE (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Those Who Fall Have Wings / Jeder der fällt hat Flügel Directed by: Peter Brunner Austria, 2015 BEST DIRECTOR AWARD Visar Morina for the film Babai Germany, Kosovo, Macedonia, France, 2015 BEST ACTRESS AWARD Alena Mihulová for her role in the film Home Care / Domácí péče Directed by: Slávek Horák Czech Republic, Slovakia, 2015 EAST OF THE WEST – COMPETITION EAST OF THE WEST JURY Gaby Babić, Germany Alexis Grivas, Greece Tomáš Luňák, Czech Republic Ivan I. Tverdovsky, Russia Olena Yershova, Ukraine EAST OF THE WEST AWARD (20 000 USD) The financial award is shared equally by the director and producer of the award-winning film. The Wednesday Child / Szerdai gyerek Directed by: Lili Horváth Hungary, Germany, 2015 SPECIAL JURY MENTION The World Is Mine / Lumea e a mea Directed by: Nicolae Constantin Tănase Romania, 2015 DOCUMENTARY FILMS – COMPETITION DOCUMENTARY FILMS JURY Paolo Bertolin, Italy Teodora Ana Mihai, Romania Ivana Pauerová Miloševič, Czech Republic BEST DOCUMENTARY FILM OVER 60 MINUTES (5 000 USD) Mallory Directed by: Helena Třeštíková Czech Republic, 2015 SPECIAL JURY MENTION The Father Tapes / Vaterfilm Directed by: Albert Meisl Austria, 2015 BEST DOCUMENTARY FILM UNDER 30 MINUTES (5 000 USD) White Death / Muerta Blanca Directed by: Roberto Collío Chile, 2015 SPECIAL JURY MENTION Women in Sink Directed by: Iris Zaki Great Britain, Israel, 2015 FORUM OF INDEPENDENTS – COMPETITION FORUM OF INDEPENDENTS JURY Katrin Gebbe, Germany Michael Málek, Czech Republic Yeo Joon Han, Malaysia FORUM OF INDEPENDENTS AWARD The winning film will be purchased by Czech Television for the flat fee of 5000 EUR. Tangerine Directed by: Sean Baker USA, 2015 AUDIENCE AWARD Youth / La giovinezza Directed by: Paolo Sorrentino Italy, France, Switzerland, Great Britain, 2015 Crystal Globe for Outstanding Artistic Contribution to World Cinema Richard Gere, USA Festival President’s Award for Contribution to Czech Cinematography Iva Janžurová, Czech Republic NON-STATUTORY AWARDS AWARD OF INTERNATIONAL FILM CRITICS (FIPRESCI) Awarded by The International Federation of Film Critics (FIPRESCI). FIPRESCI JURY Pamela Cohn, USA, Germany Swapan Kumar Ghosh, India Radovan Holub, Czech Republic Eva Peydró, Spain Srđan Vucinic, Serbia Box Directed by: Florin Şerban Romania, Germany, France, 2015 THE ECUMENICAL JURY AWARD THE ECUMENICAL JURY Michael Otřísal, Czech Republic Vít Poláček, Czech Republic Lothar Strüber, Germany Rita Weinert, Germany Bob and the Trees Directed by: Diego Ongaro USA, 2015 SPECIAL JURY MENTION Song of Songs / Pesn pesney Directed by: Eva Neymann Ukraine, 2015 FEDEORA AWARD Awarded by the Federation of Film Critics of Europe and The Mediterranean (FEDEORA) to the best film from East of the West – Competition FEDEORA JURY Ronald Bergan, United Kingdom James Evans, United Kingdom Dubravka Lakić, Serbia Heavenly Nomadic / Sutak Directed by: Mirlan Abdykalykov Kyrgysztan, 2015 The Wednesday Child / Szerdai gyerek Directed by: Lili Horváth Hungary, Germany 2015 EUROPA CINEMAS LABEL AWARD For the best European film in the Official Selection – Competition and in the East of the West – Competition. Europa Cinemas Label jury Erika Borsos, Hungary Caroline Dragacci, France David O’Mahony, Ireland Jens Schneiderheinze, Germany Babai Directed by: Visar Morina Germany, Kosovo, Macedonia, France, 2015 BEST ACTOR AWARD Kryštof Hádek for his role in the film The Snake Brothers / Kobry a užovky Directed by: Jan Prušinovský Czech Republic, 2015 SPECIAL JURY MENTION The Magic Mountain / La montagne magique Directed by: Anca Damian Romania, France, Poland, 2015 SPECIAL JURY MENTION Antonia Directed by: Ferdinando Cito Filomarino Italy, Greece, 2015 Works in Progress 2015 15 selected projects were presented in the Works in Progress 2015. The most promising project selected by the International Jury received the award of 10 000 Euros in services from the event’s partner Barrandov Studios. THE WORKS IN PROGRESS JURY 2015 Paz Lázaro, Berlin International Film Festival (Germany) Titus Kreyenberg, unafilm (Germany) Jan Naszewski, New Europe Film Sales (Poland) AWARD OF 10 000 EUROS IN SERVICES FOR THE MOST PROMISING PROJECT Park Directed by: Sofia Exarchou Greece, 2015 image via 50th Karlovy Vary International Film Festival

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  • BABAI is Big Winner with 3 New German Cinema Award 2015 at Munich Film Festival

    Babai, Visar Morinas Visar Morinas debut film “Babai” (Father) won three New German Cinema Award 2015 at Filmfest München (Munich Film Festival). Visar Morina received the Award for Best Director and Best Screenplay for his debut.  In addition, its two main characters Astrit Kabashi and Val Maloku were jointly awarded the Award New German Cinema Theater. “Babai” explores the story of Nori (Val Maloku) and his father Gezim (Astrit Kabashi) both street cigarette vendor in Kosovo of nineties, during Milosevic regime, where the father wants to find a way to illegally migrate to Germany and his son does everything he can so he could be with his father. Caught between the wish to live together and the need to deal with the harsh reality, the father-son relationship comes to a point where nothing between them is as it used to be. Happy Hour Franz Müller The New German Cinema Award for Best Production went to Steve Hudson, Sonja Ewers for Happy Hour.  The warm-hearted comedy by Franz Müller revolves around a man freshly abandoned by his wife in his forties, who travels with two buddies to Ireland to celebrate being a man. The winners Award New German Cinema 2015 Award New German Cinema director (30,000 euros) Visar Morina for Babai The jury: “No lies No Poznan Not a moment of self-indulgence Not a false note, the film brings tears in her eyes – Wuttränen, tears of impotence and grief – and brings the audience but then full of hope and…. much greater force and especially responsibility back to life. responsibility for our lives. Life. The life that we lead people. Together. Babai is a masterpiece of a young master, before we bow deeply. ” “Babai” is a production of NiKo film in co-production with Produksioni Krusha, Skopje Film Studio and Eaux Vives Productions. Director / Screenwriter: Visar Morina. Award New German Cinema screenplay (10,000 euros) Visar Morina for Babai The jury: “If all the fears are finally silenced before failure, the fear of not enough to be laughed Excluded and to be alone when all the wrong sometime no longer applies, then sometimes stirs a quiet voice for drinks and….. . Although shy Merciless, with no sugar -.. but full of truth and love Babai is written from the first to the last sentence in this voice Banned, agitated and overwhelmed, we have listened to her. ” Award New German Cinema Theater (10,000 euros) Val Maloku, Astrit Kabashi for Babai The jury: “In the film Babai have us Val Maloku as son and Astrit Kabashi when his father in her first film roles absolutely convinced and touches like the son like a little adult faced his father so that he has left and betrayed him because. he fled without him to Germany, just took off, will be unforgettable. The father in turn is always opposite in conflict with his natural desire for a new chance at life and his feelings the son who forces him to assume responsibility and his role as to meet father. The two are in their interaction as natural and sincere, as if they had the story actually experienced. We understand by it what people happen to us, if not met our desire for a normal, independent life without further ado and we have to fight. Val Maloku and Astrit Kabashi have touched us and shaken by their game at heart. ” Award New German Cinema Production (20,000 euros) Steve Hudson, Sonja Ewers for Happy Hour The jury: “A film that the jury completely carried away and really convinced on all its artisanal levels A warm-hearted constellation of narrow Ü40 friends in their common self-discovery Strip to Ireland Wild Irish countryside, their songs and drink, but above all the.. heart-warming, of course gripping Irish Women loosen and lead them out of their cramped thinking and living patterns. These worldly-wise and the very fact witty comedy captivates A through by a great writer, brisk timing, famous wit, charm and a wonderful camera. and by successful low marketing budget production, with a high potential with its grandiose performers to meet like-minded couples at the box office. ” “Happy Hour” is a production the gringo films GmbH in co-production with film Boutique – Katharina Jacob & Markéta Polednová GbR and Ripple World Pictures. Director / Screenwriter: Franz Müller.

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