Becoming Astrid (Unga Astrid)

  • 2019 Palm Springs International Film Festival to Screen 223 Films, Opens with Kenneth Branagh’s ALL IS TRUE

    All is True 
    All is True 

    The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4,  and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.

    In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend. 

    Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend. 

    30th Palm Springs International Film Festival Film Lineup

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  • THE HATE U GIVE, UNITED SKATES Win Audience Awards at 54th Chicago International Film Festival

    [caption id="attachment_32085" align="aligncenter" width="1200"]THE HATE U GIVE THE HATE U GIVE[/caption] George Tillman, Jr.’s powerful and moving The Hate U Give has been voted winner of the Audience Award for Best English-language feature at this year’s 54th Chicago International Film Festival.   Amandla Stenberg stars as Starr Carter, a young woman who is constantly switching between two worlds: the poor, mostly black neighborhood where she lives and the rich, mostly white prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Now, facing pressures from all sides of the community, Starr must find her voice and stand up for what’s right. Pernille Fischer Christensen’s Becoming Astrid, a biopic about Astrid Lindgren (author of the Pippi Longstocking books), takes home the best foreign-language feature Audience Award. Variety called the film “a gorgeous piece of heritage filmmaking,” and it played to packed houses at ChiFilmFest! [caption id="attachment_29156" align="aligncenter" width="1200"]UNITED SKATES UNITED SKATES[/caption] Dyana Winkler and Tina Brown’s United Skates, a rousing tribute to roller skating’s pivotal role in the African American community, wins the Documentary Audience Award honor. Facing discriminatory policies and rink closures, committed skaters from around the country—including Chicago’s own Buddy Love—fight to preserve a space for people to come together and express themselves in sliding, bouncing, snapping glory. The Audience Award for Best Short Film goes to Darius Clark Monroe’s Black 14, a reflection on power and control in 1960’s America that uses archival footage to tell the story of a racial protest at the University of Wyoming.

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  • Specials Program of 60th Nordische Filmtage Lübeck to Feature Provocative Cinema + Ingmar Bergman Retrospective

    [caption id="attachment_32353" align="aligncenter" width="1200"]Bergman – a Year in a Life Bergman – a Year in a Life[/caption] Provocative cinema, historical film epics, and an homage to Swedish master director Ingmar Bergman are the hallmarks of the Specials section of the 60th Nordic Film Days Lübeck,  which runs from October 30 to November 4. In honor of the centenary of Bergman’s birth, the festival, which showed the maestro’s classic “Sawdust and Tinsel” at the very first NFL in 1956, will this year screen two relatively unknown Bergman gems – “From the Life of the Marionettes” (GER/SWE 1980), and “The Touch” (SWE/US 1970), in some cases newly digitized. In addition, the documentaries “Bergman – a Year in a Life” (SWE/NOR 2018), “Ingmar Bergman” (SWE 1971), and “The Memory of Ingmar Bergman” (FIN 2018) use personal remembrances, or special times in the director’s life, to take a look back at his life and work. Another film takes a very different approach to Bergman’s oeuvre. “Bergman revisited” (SWE 2018) is a compilation of short films – some irreverent, some experimental, some classic – by six Swedish filmmakers that completely reinterpret motifs from Bergman’s life and art. The Specials section also has a showcase for another world-renowned Swede. Pernille Fischer Christensen’s film “Becoming Astrid” is a complex portrait of beloved children’s and young adult author Astrid Lindgren, with Alba August giving an outstanding performance in the title role. The film focusses on the author’s early writing years, which were formative in her later life and work. The Specials section is also screening “Border”(SWE/DEN 2018), directed by Ali Abbasi, which won the main prize in the “Un Certain Regard” section at Cannes, and Sweden’s submission for the 2018 Oscar “U – July 22” (NOR 2018), Erik Poppe’s controversion treatment of the massacre at a Norwegian youth camp. Two period dramas from Denmark will take audiences back to the past: Bille August’s “A Fortunate Man” (DEN 2018), an adaptation of the eponymous Danish book classic, and the German-Danish co-production “In Love and War” (DEN/GER/CZE 2018), which was the first production to benefit from the new German-Danish Coproduction Development Initiative. The Specials section is rounded out with the newest film adaptation of a Jussi Adler Olsen book – “The Purity of Vengeance” (DEN/GER 2018), directed by Christoffer Boe, was shot partially in Hamburg. It’s another thrilling case for Detective Carl Mørck and his Department Q team.

    60th Nordische Filmtage Lübeck Specials

    A Fortunate Man / Lykke-Per / Per im Glück Dänemark / Österreich / 2018 / 167 Min. Director(s): Bille August Bille August’s brilliant film adaptation of the classic Danish novel “A Fortunate Man” features young star Esben Smed Jensen in the title role. Becoming Astrid / Unga Astrid / Astrid Schweden / Dänemark / Deutschland / 2017 / 123 Min. Director(s): Pernille Fischer Christensen It’s the kind of life you’d expect to find in an Astrid Lindgren story – her life story, in fact. This biopic covers her early years and first stabs at writing. Bergman – A Year in a Life / Bergman – ett år, ett liv / Bergman – ein Jahr, ein Leben Schweden / Norwegen / 2018 / 116 Min. Director(s): Jane Magnusson Based on the fateful year of 1957, documentary film maker Jane Magnusson unfurls master director Ingmar Bergman’s fascinating work and life. Bergman Revisited / Bergman Revisited / Bergman Revisited Schweden / 2018 / 84 Min. Director(s): Pernilla August, Tomas Alfredson, Jane Magnusson, Linus Tunström, Lisa Aschan, Patrik Eklund Six contemporary short films that present surprising new interpretations of Ingmar Bergman’s life and work – some lyrical, some surreal, some uproariously funny. Border / Gräns / Border Schweden / Dänemark / 2018 / 101 Min. Director(s): Ali Abbasi Sweden’s entry for the 2019 Foreign Language Oscar. Customs officer Tina has a unique sense of human emotions – until she has an encounter that changes her life. From the Life of the Marionettes / Ur Marionetternas Liv / Aus dem Leben der Marionetten Deutschland / Österreich / 1980 / 104 Min. Director(s): Ingmar Bergman A galvanizing trip into the evil within humanity, filmed by Ingmar Bergman with Robert Atzorn and Gaby Dohm for German television in 1980. In Love and War / I krig og kærlighed / In Love and War Dänemark / Deutschland / Tschechien / 2018 / 135 Min. Director(s): Kasper Torsting An injured soldier returns from the frontline and becomes a deserter for the sake of love.  Epic tale about the fragility of emotions in World War One. Ingmar Bergman / Ingmar Bergman / Ingmar Bergman Schweden / 1971 / 55 Min. Director(s): Stig Björkman This fascinating and restored Ingmar Bergman portrait was shot during the American coproduction of “The Touch” in 1971. The Memory of Ingmar Bergman / Minnet av Ingmar Bergman / Erinnerung an Ingmar Bergman Finnland / 2018 / 57 Min. Director(s): Jörn Donner Producer and documentary filmmaker Jörn Donner takes a highly personal look back at his friend Ingmar Bergman. The film includes rare archive material. The Purity of Vengeance / Journal 64 / Verachtung Dänemark / Deutschland / 2018 / 119 Min. Director(s): Christoffer Boe Chief inspector Carl Mørck is back. “The Purity of Vengeance” is the thrilling film adaptation of the bestseller by acclaimed Danish author Jussi Adler-Olsen. The Touch / Beröringen / Die Berührung Schweden / USA / 1970 / 115 Min. Director(s): Ingmar Bergman Ingmar Bergman’s restored love story from 1971 with Elliot Gould, Max von Sydow and Bibi Anderson hadn’t seen a public screening for over 40 years. U – July 22 / Utøya 22. juli / Utøya 22. Juli Norwegen / 2018 / 95 Min. Director(s): Erik Poppe Controversial drama about an 18-year-old girl during the July 22, 2011 mass murder on the Norwegian island of Utøya. The film was shot in real time in one take.

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  • Berlinale 2018: “U – July 22” and Ed Sheeran Documentary “Songwriter” Finalize Competition and Berlinale Special Lineups

    [caption id="attachment_26891" align="aligncenter" width="1200"]Ed Sheeran in "Songwriter" Ed Sheeran in “Songwriter”[/caption] The addition of two new films Utøya 22. juli (U – July 22) by Erik Poppe, and Songwriter by Murray Cummings complete the lineups of the Competition and Berlinale Special programs of the 68th Berlin International Film Festival. The Norwegian film Utøya 22. juli (U – July 22) by Erik Poppe completes the Competition program, which features 24 films, 19 of which will be competing for the Golden Bear and the Silver Bears. The documentary Songwriter by Murray Cummings completes the Berlinale Special program. The film follows British singer-songwriter Ed Sheeran as he creates his latest album and provides an intimate look at the musician’s work.

    Competition

    Utøya 22. juli (U – July 22) Norway by Erik Poppe with Andrea Berntzen, Aleksander Holmen, Brede Fristad, Elli Rhiannon Müller Osbourne, Solveig Koløen Birkeland, Sorosh Sadat, Ada Eide World premiere

    Berlinale Special Gala at the Friedrichstadt-Palast

    Songwriter – Documentary United Kingdom by Murray Cummings World premiere

    Competition films:

    3 Tage in Quiberon (3 Days in Quiberon) by Emily Atef (Germany / Austria / France) 7 Days in Entebbe by José Padilha (USA / United Kingdom) – Out of competition Ága by Milko Lazarov (Bulgaria / Germany / France) – Out of competition Ang Panahon ng Halimaw (Season of the Devil) by Lav Diaz (Philippines) Black 47 by Lance Daly (Ireland / Luxembourg) – Out of competition Damsel by David Zellner and Nathan Zellner (USA) Don’t Worry, He Won’t Get Far on Foot by Gus Van Sant (USA) Dovlatov by Alexey German Jr. (Russian Federation / Poland / Serbia) Eldorado by Markus Imhoof (Switzerland / Germany) – Documentary, out of competition Eva by Benoit Jacquot (France / Belgium) Figlia mia (Daughter of Mine) by Laura Bispuri (Italy / Germany / Switzerland) Las herederas (The Heiresses) by Marcelo Martinessi (Paraguay / Uruguay / Germany / Brazil / Norway / France) – First Feature In den Gängen (In the Aisles) by Thomas Stuber (Germany) Isle of Dogs by Wes Anderson (United Kingdom / Germany) – Animation Khook (Pig) by Mani Haghighi (Iran) Mein Bruder heißt Robert und ist ein Idiot (My Brother’s Name is Robert and He is an Idiot) by Philip Gröning (Germany / France / Switzerland) Museo (Museum) by Alonso Ruizpalacios (Mexico) La prière (The Prayer) by Cédric Kahn (France) Toppen av ingenting (The Real Estate) by Måns Månsson and Axel Petersén (Sweden / United Kingdom) Touch Me Not by Adina Pintilie (Romania / Germany / Czech Republic / Bulgaria / France) – First Feature Transit by Christian Petzold (Germany / France) Twarz (Mug) by Małgorzata Szumowska (Poland) Unsane by Steven Soderbergh (USA) – Out of competition Utøya 22. juli (U – July 22) by Erik Poppe (Norway)

    Berlinale Special films:

    AMERICA Land of the FreeKS by Ulli Lommel (Germany / USA) – Documentary Form The Bookshop by Isabel Coixet (Spain / United Kingdom / Germany) Gurrumul by Paul Williams (Australia) – Documentary, debut film The Happy Prince by Rupert Everett (Germany / Belgium / Italy) The Interpreter by Martin Šulík (Slovak Republic / Czech Republic / Austria) Monster Hunt 2 by Raman Hui (People’s Republic of China / Hong Kong, China) RYŪICHI SAKAMOTO: async AT THE PARK AVENUE ARMORY by Stephen Nomura Schible (USA / Japan) – Documentary Das schweigende Klassenzimmer (The Silent Revolution) by Lars Kraume (Germany) Songwriter by Murray Cummings (United Kingdom) – Documentary Unga Astrid (Becoming Astrid) by Pernille Fischer Christensen (Sweden / Germany / Denmark) Usedom – Der freie Blick aufs Meer by Heinz Brinkmann (Germany) – Documentary Viaje a los Pueblos Fumigados (A Journey to the Fumigated Towns) by Fernando Solanas (Argentina) – Documentary

    Berlinale Special – Berlinale Series:

    Bad Banks – Director: Christian Schwochow – Head writer: Oliver Kienle, based on a concept by Lisa Blumenberg (Germany / Luxembourg) Heimebane (Home Ground) – Creator: Johan Fasting – Director: Arild Andresen (Norway) Liberty – Creator: Asger Leth – Director: Mikael Marcimain (Denmark) The Looming Tower – Creators: Dan Futterman, Alex Gibney, Lawrence Wright – Director: Alex Gibney – Written by Dan Futterman, based on the book by Lawrence Wright (USA) Picnic at Hanging Rock – Director: Larysa Kondracki (episodes 1-3) – Written by Beatrix Christian, Alice Addison (Australia) Sleeping Bears – Creator and director: Keren Margalit (Israel) The Terror – Showrunners: David Kajganich and Soo Hugh – Director: Edward Berger (episodes 1-3), (USA)

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  • Berlinale 2018: More Films Added to Competition and Berlinale Special Lineup

    [caption id="attachment_26657" align="aligncenter" width="1200"]Museum Museum[/caption] Another five films, including Steven Soderberg’s Unsane, and Gael García Bernal in Alonso Ruizpalacios’ Museum, have been added to the Competition lineup of the 68th Berlin International Film Festival; and a further six films have been invited to participate in the Berlinale Special Program. The 68th Berlin International Film Festival will take place from February 15 to 25, 2018.  The complete program will be presented on February 6, 2018.

    Competition

    7 days in Entebbe USA / United Kingdom By José Padilha ( The Elite Squad, Garapa ) With Rosamund Pike, Daniel Brühl, Eddie Marsan, Lior Ashkenazi, Denis Menochet, Ben Schnetzer, Angel Bonanni, Juan Pablo Raba, Nonso Anozie World Premiere – Out of competition Ága Bulgaria / Germany / France By Milko Lazarov ( Otchuzhdenie ) With Mikhail Aprosimov, Feodosia Ivanova, Galina Tikhonova, Sergey Egorov, Afanasiy Kylaev World premiere – Out of competition Season of the Devil (Ang panahon ng halimaw) Philippines By Lav Diaz ( A Lullaby to the Sorrowful Mystery ) with Piolo Pascual, Shaina Magdayao, Pinky Amador, Bituin Escalante, Hazel Orencio, Joel Saracho, Bart Guingona, Angel Aquino, Lilit Reyes, Don Melvin Boongaling World premiere Museum (Museo) Mexico By Alonso Ruizpalacios ( Güeros ) With Gael Garcia Bernal, Leonardo Ortizgris, Alfredo Castro, Simon Russell Beale, Bernardo Velasco, Leticia Breedy, Ilse Salas, Lisa Owen World premiere Unsane USA By Steven Soderbergh ( Traffic, The Good German ) With Claire Foy, Joshua Leonard, Jay Pharoah, Juno Temple, Aimee Mullins, Amy Irving World premiere – Out of competition

    Berlinale Special

    Berlinale Special Gala at the Friedrichstadt-Palast The Happy Prince Germany / Belgium / Italy By Rupert Everett With Colin Firth, Emily Watson, Colin Morgan, Edwin Thomas, Rupert Everett’s European Premiere – First Feature Becoming Astrid (Unga Astrid) Sweden / Germany / Denmark By Pernille Fischer Christensen ( A Soap, A Family, Someones You Love ) With Alba August, Trine Dyrholm, Magnus Krepper, Maria Bonnevie, Henrik Rafaelsen World premiere

    Berlinale Special at the Haus der Berliner Festspiele

    AMERICA Land of the Freeks – Documentary Form Germany By Ulli Lommel ( Tenderness of the Wolves, The Boogey Man, Absolute Evil ) With Ulli Lommel, Tanner King Barklow, Nola Roeper, Gil Kofman, Chris Kriesa, Lilith Stangenberg, Tatjana Lommel, Max Brauer World Premiere Tribute to Ulli Lommel RYŪICHI SAKAMOTO: async AT THE PARK AVENUE ARMORY – Documentary USA / Japan By Stephen Nomura Schible ( Ryūichi Sakamoto: Coda ) International premiere

    Berlinale Special at Kino International

    The Interpreter Slovak Republic / Czech Republic / Austria By Martin Šulík ( The Garden , Landscape , Gypsy ) With Peter Simonischek, Jiří Menzel, Zuzana Mauréry, Attila Mokos and Anna Rakovská World premiere Usedom – The Sea View – Documentary Germany By Heinz Brinkmann ( The Carbide Factory, Come Into The Garden, The Boehme Case – The Wondrous Life Of A Left-Handed Man )

    Competition

    3 Days in Quiberon ( 3 Tage in Quiberon ) by Emily Atef (Germany / Austria / France) 7 Days in Entebbe by José Padilha (USA / United Kingdom) – Out of competition AGA by Milko Lazarov (Bulgaria / Germany / France) – Out of competition Season of the Devil (Ang panahon ng halimaw) by Lav Diaz (Philippines) Black 47 by Lance Daly (Ireland / Luxembourg) – Out of competition Damsel by David Zellner and Nathan Zellner (USA) Do not Worry, He Will not Get Far on Foot by Gus Van Sant (USA) Dovlatov by Alexey German Jr. (Russian Federation / Poland / Serbia) Eldorado by Markus Imhoof (Switzerland / Germany) – Documentary, out of competition Eva by Benoit Jacquot (France) Figlia mia ( Daughter of Mine ) by Laura Bispuri (Italy / Germany / Switzerland) The Heiresses (Las herederas) by Marcelo Nessi Marti (Paraguay / Germany / Uruguay / Norway / Brazil / France) – First Feature In the Aisles (In den Gängen) by Thomas Stuber (Germany) Isle of Dogs by Wes Anderson ( United Kingdom / Germany) – Entertainment Pig (Khook) by Mani Haghighi (Iran) My brother’s name is Robert, and He is an Idiot (Mein Bruder heißt Robert und ist ein Idiot ) by Philip Gröning (Germany / France / Switzerland) Museo ( Museum ) by Alonso Ruizpalacios (Mexico) La prière ( The Prayer ) by Cédric Kahn (France) The Real Estate (Toppen av ingenting) by Måns Månsson and Axel Petersén (Sweden / United Kingdom) Touch Me Not by Adina Pintilie (Romania / Germany / Czech Republic / Bulgaria / France) – First Feature Transit by Christian Petzold (Germany / France) Mug (Twarz) by Małgorzata Szumowska (Poland) Unsane by Steven Soderbergh (USA) – Out of competition

    Berlinale Special

    AMERICA Land of the Freeks by Ulli Lommel (Germany) – The Bookshop by Isabel Coixet ( Spain / United Kingdom / Germany) The Happy Prince by Rupert Everett (Germany / Belgium / Italy) Gurrumul by Paul Williams (Australia) – Documentary, debut movie The Interpreter by Martin Šulík ( Slovak Republic / Czech Republic / Austria ) Monster Hunt 2 by Raman Hui (People’s Republic of China / Hong Kong, China) RYŪICHI SAKAMOTO: async AT THE PARK AVENUE ARMORY by Stephen Nomura Schible (USA / Japan) – Documentary The Silent Revolution (Das schweigende Klassenzimmer) by Lars Kraume (Germany) Becoming Astrid (Unga Astrid) by Pernille Fischer Christensen (Sweden / Germany / Denmark) Usedom – The clear sea view by Heinz Brinkmann (Germany) – Documentary A Journey to the Fumigated Towns (Viaje a los Pueblos Fumigados) by Fernando Solanas (Argentina) – Documentary

    Berlinale Special – Berlinale Series

    Bad Banks – Director: Christian Schwochow – Head writer: Oliver Kienle, based on a concept by Lisa Blumenberg (Germany / Luxembourg) Home Ground (Heimebane) – Creator: Johan Fasting – Director: Arild Andresen (Norway) Liberty – Creator: Asger Leth – Director: Mikael Marcimain (Denmark) The Looming Tower – Creators: Dan Futterman, Alex Gibney, Lawrence Wright – Director: Alex Gibney – Written by Dan Futterman, based on the book by Lawrence Wright (USA) Picnic at Hanging Rock – Director: Larysa Kondracki (episodes 1-3) – Written by Beatrix Christian, Alice Addison (Australia) Sleeping Bears – Creator and director: Keren Margalit (Israel) The Terror – Showrunners: David Kajganich and Soo Hugh – Director: Edward Berger (episodes 1-3), (USA)

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