Blame

  • WE THE ANIMALS, EIGHTH GRADE, FIRST REFORMED Lead Nominations for 2019 Film Independent Spirit Awards

    [caption id="attachment_30337" align="aligncenter" width="1228"]WE THE ANIMALS We the Animals[/caption] We the Animals leads the nominations for the 2019 Film Independent Spirit Awards with 5 nods including Best First Feature, but missed out on a nomination for Best Feature. Nominees for Best Feature are Eighth Grade, First Reformed, If Beale Street Could Talk, Leave No Trace and You Were Never Really Here. Suspiria was selected to receive the Robert Altman Award, which is bestowed upon one film’s director, casting director and ensemble cast. The Altman Award was created in 2008 in honor of legendary director Robert Altman who was known for creating extraordinary ensemble casts. Winners of the Spirit Awards Filmmaker Grants will be announced at the Film Independent Spirit Awards Filmmaker Grant and Nominee Brunch on Saturday, January 5, 2019.

    2019 FILM INDEPENDENT SPIRIT AWARD NOMINATIONS

    BEST FEATURE

    (Award given to the producer. Executive Producers are not awarded.) Eighth Grade Producers: Eli Bush, Scott Rudin, Christopher Storer, Lila Yacoub First Reformed Producers: Jack Binder, Greg Clark, Gary Hamilton, Victoria Hill, David Hinojosa, Frank Murray, Deepak Sikka, Christine Vachon If Beale Street Could Talk Producers: Dede Gardner, Barry Jenkins, Jeremy Kleiner, Sara Murphy, Adele Romanski Leave No Trace Producers: Anne Harrison, Linda Reisman, Anne Rosellini You Were Never Really Here Producers: Rosa Attab, Pascal Caucheteux, Rebecca O’Brien, Lynne Ramsay, James Wilson

    BEST FIRST FEATURE

    (Award given to the director and producer) Hereditary Director: Ari Aster Producers: Kevin Frakes, Lars Knudsen, Buddy Patrick Sorry to Bother You Director: Boots Riley Producers: Nina Yang Bongiovi, Jonathan Duffy, Charles D. King, George Rush, Forest Whitaker, Kelly Williams The Tale Director/Producer: Jennifer Fox Producers: Sol Bondy, Lawrence Inglee, Mynette Louie, Oren Moverman, Simone Pero, Reka Posta, Laura Rister, Regina K. Scully, Lynda Weinman We the Animals Director: Jeremiah Zagar Producers: Andrew Goldman, Christina D. King, Paul Mezey, Jeremy Yaches Wildlife Director/Producer: Paul Dano Producers: Andrew Duncan, Jake Gyllenhaal, Riva Marker, Oren Moverman, Ann Ruark, Alex Saks

    JOHN CASSAVETES AWARD

    Given to the best feature made for under $500,000. (Award given to the writer, director and producer. Executive Producers are not awarded.) A Bread Factory Writer/Director/Producer: Patrick Wang Producers: Daryl Freimark, Matt Miller En el Séptimo Día Writer/Director/Producer: Jim McKay Producers: Alex Bach, Lindsey Cordero, Caroline Kaplan, Michael Stipe Never Goin’ Back Writer/Director: Augustine Frizzell Producers: Liz Cardenas, Toby Halbrooks, James M. Johnston Sócrates Writer/Director/Producer: Alex Moratto Writer: Thayná Mantesso Producers: Ramin Bahrani, Jefferson Paulino, Tammy Weiss Thunder Road Writer/Director: Jim Cummings Producers: Natalie Metzger, Zack Parker, Benjamin Weissner

    BEST DIRECTOR

    Debra Granik Leave No Trace Barry Jenkins If Beale Street Could Talk Tamara Jenkins Private Life Lynne Ramsay You Were Never Really Here Paul Schrader First Reformed

    BEST SCREENPLAY

    Richard Glatzer (Writer/Story By), Rebecca Lenkiewicz & Wash Westmoreland Colette Nicole Holofcener and Jeff Whitty Can You Ever Forgive Me? Tamara Jenkins Private Life Boots Riley Sorry to Bother You Paul Schrader First Reformed

    BEST FIRST SCREENPLAY

    Bo Burnham Eighth Grade Christina Choe Nancy Cory Finley Thoroughbreds Jennifer Fox The Tale Quinn Shephard (Writer/Story By), Laurie Shephard (Story By) Blame

    BEST CINEMATOGRAPHY

    Ashley Connor Madeline’s Madeline Diego Garcia Wildlife Benjamin Loeb Mandy Sayombhu Mukdeeprom Suspiria Zak Mulligan We the Animals

    BEST EDITING

    Joe Bini You Were Never Really Here Keiko Deguchi, Brian A. Kates, Jeremiah Zagar We the Animals Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart American Animals Anne Fabini, Alex Hall, Gary Levy The Tale Nick Houy Mid90s

    BEST FEMALE LEAD

    Glenn Close The Wife Toni Collette Hereditary Elsie Fisher Eighth Grade Regina Hall Support the Girls Helena Howard Madeline’s Madeline Carey Mulligan Wildlife

    BEST MALE LEAD

    John Cho Searching Daveed Diggs Blindspotting Ethan Hawke First Reformed Christian Malheiros Sócrates Joaquin Phoenix You Were Never Really Here

    BEST SUPPORTING FEMALE

    Kayli Carter Private Life Tyne Daly A Bread Factory Regina King If Beale Street Could Talk Thomasin Harcourt McKenzie Leave No Trace J. Smith-Cameron Nancy

    BEST SUPPORTING MALE

    Raúl Castillo We the Animals Adam Driver BLACKkKLANSMAN Richard E. Grant Can You Ever Forgive Me? Josh Hamilton Eighth Grade John David Washington Monsters and Men

    ROBERT ALTMAN AWARD

    Given to one film’s director, casting director and ensemble cast Suspiria Director: Luca Guadagnino Casting Directors: Avy Kaufman, Stella Savino Ensemble Cast: Malgosia Bela, Ingrid Caven, Lutz Ebersdorf, Elena Fokina, Mia Goth, Jessica Harper, Dakota Johnson, Gala Moody, Chloë Grace Moretz, Renée Soutendijk, Tilda Swinton, Sylvie Testud, Angela Winkler

    BEST DOCUMENTARY

    (Award given to the director and producer) Hale County This Morning, This Evening Director/Producer: RaMell Ross Producers: Joslyn Barnes, Su Kim Minding the Gap Director/Producer: Bing Liu Producer: Diane Quon Of Fathers and Sons Director: Talal Derki Producers: Hans Robert Eisenhauer, Ansgar Frerich, Eva Kemme, Tobias N. Siebert On Her Shoulders Director: Alexandria Bombach Producers: Hayley Pappas, Brock Williams Shirkers Director/Producer: Sandi Tan Producers: Jessica Levin, Maya Rudolph Won’t You Be My Neighbor? Director/Producer: Morgan Neville Producers: Caryn Capotosto, Nicholas Ma

    BEST INTERNATIONAL FILM

    (Award given to the director) Burning South Korea Director: Lee Chang-Dong The Favourite United Kingdom Director: Yorgos Lanthimos Happy as Lazzaro Italy Director: Alice Rohrwacher Roma Mexico Director: Alfonso Cuarón Shoplifters Japan Director: Kore-eda Hirokazu

    BONNIE AWARD

    Bonnie Tiburzi Caputo joined American Airlines in 1973 at age 24, becoming the first female pilot to fly for a major U.S. airline. In her honor, the second Bonnie Award will recognize a mid-career female director with a $50,000 unrestricted grant, sponsored by American Airlines. Debra Granik Tamara Jenkins Karyn Kusama PRODUCERS AWARD The 22nd annual Producers Award honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films. The award includes a $25,000 unrestricted grant. Jonathan Duffy and Kelly Williams Gabrielle Nadig Shrihari Sathe

    SOMEONE TO WATCH AWARD

    The 25th annual Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. The award includes a $25,000 unrestricted grant. Alex Moratto Director of Sócrates Ioana Uricaru Director of Lemonade Jeremiah Zagar Director of We the Animals

    TRUER THAN FICTION AWARD

    The 24th annual Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition. The award includes a $25,000 unrestricted grant. Alexandria Bombach Director of On Her Shoulders Bing Liu Director of Minding the Gap RaMell Ross Director of Hale County This Morning, This Evening

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  • VIDEO: Watch Trailer for Quinn Shephard’s High School Indie Drama BLAME Starring Nadia Alexander

    BLAME by Quinn Shephard, Starring Chris Messina and Nadia Alexander Here is the new trailer for Blame, the debut of 22-year-old writer/director Quinn Shephard, and starring Nadia Alexander, winner of the award for Best Actress at 2017 Tribeca Film Festival for her performance in the film. Blame, also starring Chris Messina, Nadia Alexander, Owen Campbell, Luke Slattery, Trieste Kelly Dunn, Tessa Albertson, Sarah Mezzanotte, and Tate Donovan will open in New York and LA, and on VOD on January 5th, 2018. It’s the start of a new year at a small suburban high school and Abigail (Quinn Shephard) is an eternal outcast returning for the first time after a mysterious event the previous year. Facing constant bullying, Abigail escapes from her hostile surroundings by immersing herself in the worlds of the characters she reads about, much to the amusement of her manipulative classmate, Melissa (Nadia Alexander). When the girls’ intriguing new drama teacher Jeremy (Chris Messina) announces Arthur Miller’s ‘The Crucible” as their fall show, and casts Abigail over Melissa in the starring role, Abigail’s confidence blooms — but soon her relationship with Jeremy begins to move beyond the fantasy world she’s constructed. This taboo bond strikes a nerve in Melissa, fueling a vengeful jealousy that quickly spirals out of control — and brings about a chain of events that draws even further parallels to the madness of Salem. The riveting debut of 22-year-old writer/director Quinn Shephard, Blame examines the indelible stain of rumor and suspicion in the contemporary suburban high school while delving into the psyches of the cell phone generation. https://www.youtube.com/watch?v=m17PYWD3Hio

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  • Austin Film Festival Announces 2017 Film Lineup, CHAPPAQUIDDICK to Close Fest

    [caption id="attachment_24775" align="aligncenter" width="1200"]Chappaquiddick Chappaquiddick[/caption] The 24th Austin Film Festival (AFF) unveiled its lineup of feature films, and Chappaquiddick, a drama recounting Ted Kennedy’s infamous 1969 car accident resulting in the death of his campaign worker,  will close out the Festival. A staple of the Festival, AFF’s retrospective series this year will feature Philip D’Antoni’s 1973 drama The Seven-Ups presented by David Simon and George Pelecanos (The Deuce, The Wire), Jack Fisk’s 1981 film Raggedy Man—a tribute to Sam Shepard—presented by writer William D. Wittliff in partnership with the Wittliff Collections, and seminal 1987 action film Predator presented by Shane Black (Lethal Weapon, The Nice Guys) who is currently working on the film’s reboot. Additionally, already announced Extraordinary Contribution to Film awardee Walter Hill will present his cult classic The Warriors. In addition to the slate of 150+ films, AFF will present premieres and retrospectives of television programming, including the season 2 premiere of Hulu’s darkly comedic psychic drama Shut Eye , and the premiere of the Season Finale of HBO’s drama The Deuce. Also confirmed to attend is Dan Rather, who will help present the World Premiere of the documentary Fail State, chronicling the rise of predatory for-profit colleges. Writer/producer Gale Anne Hurd (The Terminator, The Walking Dead) will also be in attendance for AFF’s screening of documentary Mankiller about barrier-breaking female Cherokee leader Wilma Mankiller. Other World Premieres include Wild Honey (Francis Stokes’ comedy about a phone sex operator searching for love), Coming to My Senses (a documentary following a man’s journey to regain his mobility after an accident), and Transformer (chronicling the transition of world-renowned body builder Matt Kroczaelski into Janae after being outed as transgender). Making its US Premiere at AFF is comedy Don’t Talk to Irene, which also won AFF’s Comedy Screenplay Award in 2013. Written and directed by Pat Mills, Irene premiered this month at Toronto International Film Festival to a receptive audience. Austin Film Festival also revealed today their full Screenwriters Conference schedule, which will take place the first four days of the Festival, October 26-29. The Conference features a roster of prominent screenwriters in film and television, including Kenneth Lonergan, Keenen Ivory Wayans, Noah Hawley, Courtney A. Kemp, Lindsay Doran, Misha Green, Michael Arndt, Mark Frost, Michael Green, Sarah Gubbins, Christopher Vogler, Scott Frank, Megan Amram, John August, Eric Heisserer, and many more

    Austin Film Festival’s 2017 slate:

    Marquee Features:

    Lady Bird – Opening Night Film Writer/Director: Greta Gerwig The Current War – Centerpiece Film Writer: Michael Mitnick Director: Alfonso Gomez Chappaquiddick – Closing Night Film Writers: Taylor Allen, Andrew Logan Director: John Curran 24 Hours to Live Writers: Zach Dean, Jim McClain, Ron Mita Director: Brian Smrz 42 Grams Director: Jack C. Newell An Ordinary Man Writer/Director: Brad Silberling The Boy Downstairs Writer/Director: Sophie Brooks Blame Writers: Laurie Shephard, Quinn Shephard Director: Quinn Shephard Call Me By Your Name *REGIONAL PREMIERE Writers: James Ivory, Andre Aciman Director: Luca Guadagnino Darkest Hour *REGIONAL PREMIERE Writer: Anthony McCarten Director: Joe Wright Endings: The Good, the Bad, and the Insanely Great – The Movie Special Presentation by Michael Arndt Into the Night: Portraits of Life and Death Director: Helen Whitney Please Stand By Writer: Michael Golamco Director: Ben Lewin Permanent Writer/Director: Colette Burson Mansfield 66/67 Directors: P. David Ebersole, Todd Hughes Three Billboards Outside Ebbing, Missouri **REGIONAL PREMIERE Writer/Director: Martin McDonagh The Upside *REGIONAL PREMIERE Writers: Jon Hartmere Director: Neil Burger

    Marquee-TV Programming

    HBO’s The Deuce-Season Finale Writers: George Pelecanos, David Simon, Chris Yakaitis Director: Michelle MacLaren YouTube Red’s Do You Want to See a Dead Body? Creator: Rob Huebel Hulu’s Shut Eye Season 2 Premiere Episode: “We’re Not in Kansas Anymore” (Season Premiere) Executive Producer/Showrunner: John Shiban Executive Producers: Mark Johnson, Melissa Bernstein Writer: Amy Berg New Form Original Premieres Small Talk Creator: Becca Gleason Love Me Do Creator: Gaby Dunn Press Start Creators: Evan Beamer and Dave Childs

    Retrospective Programming

    Confessions of a Serial Killer (1985) – Presented by Mark Blair Writer/Director: Mark Blair Predator (1987) – Presented by Shane Black Writers: Jim Thomas, John Thomas Director: John McTiernan Raggedy Man (1981) – Presented by William D. Wittliff Writer: William D. Wittliff Director: Jack Fisk The Seven-Ups (1973) – Presented by George Pelecanos and David Simon Writers: Albert Ruben, Alexander Jacobs, Sonny Grosso Director: Philip D’Antoni The Warriors (1979) – Presented by Walter Hill Writers: Walter Hill, David Shaber, Sol Yurick (novel) Director: Walter Hill

    Narrative Features:

    Amanda and Jack Go Glamping Writer/Director: Brandon Dickerson An American in Texas Writers: Anthony Pedone, Stephen Floyd Director: Anthony Pedone Beauty Mark Writer/Director: Harris Doran Cast: Laura Bell Bundy, Jeff Kober, Madison Iseman Bleed. Scream. Beat! Writers: Aldo Miyashiro, Ãrika Villalobos, Abril Cárdenas Director: Aldo Miyashiro Boost Writer/Director: Darren Curtis Dabka Writer/Director: Bryan Buckley Flock of Four Writer: Gregory Caruso, Michael Nader Director: Gregory Caruso Here We Are Writer/Director: David Bellarosa High & Outside: a baseball noir Writer: Dan O’Dair Director: Evald Johnson Hollow in the Land Writer/Director: Scooter Corkle In Blue Writers: Jan-Willem den Bok & Jaap van Heusden Director: Jaap van Heusden Kafou Writers: Jasmuel Andri, Bruno Mourral, Gilbert Mirambeau Director: Bruno Mourral Logndagen Writer/Director: Yaghoob Keshavarz Sarkar Meerkat Moonship Writer/Director: Hanneke Schutte Quality Problems Writer/Director: Brooke Purdy Quest Writers: Santiago Rizzo & Darren Anderson Director: Santiago Rizzo Southern Tale Writer/Director: Tel Royal Space & Time Writer/Director: Shawn Gerrard Sun Dogs Writer: Jennifer Morrison Director: Anthony Tambakis Tenn Writer: Stacey Miller Director: James Franco House of Tomorrow Writer/Director: Peter Livolsi Time Trap Writer: Mark Dennis Directors: Mark Dennis, Ben Foster

    Comedy Vanguard Features

    Chasing the Blues Writer: Scott Smith, Kevin Guilfoile Director: Scott Smith Don’t Talk To Irene *US PREMIERE Writer/Director: Pat Mills Dr. Brinks & Dr. Brinks Writer: Josh Crockett, Jonathan Pappas Director: Josh Crockett The Great Unwashed Writer: Louis Fonseca, Nick Horseman Director: Louis Fonseca The Outdoorsman Writer: Ryan Gilmour Director: David Haskell Shop of Little Pleasures Writer: Julia Frick, Alice Frick Director: Julia Frick Wild Honey Writer/Director: Francis Stokes

    Dark Matters Features

    Bodies Writer: Joseph Baker Director: Tom Large Bullitt County Writer/Director: David McCracken Freddy/Eddy Writer/Director: Tini Tüllmann Ruin Me Writer: Trysta A. Bissett, Preston DeFrancis Director: Preston DeFrancis The Landing Writers/Directors: David Dodson and Mark Dodson Touched Writer/Director: Karl R. Hearne

    Documentary Feature

    Augie Director: James Keach Beauty and Ruin Writer/Director: Marc de Guerre Coming to My Senses Director: Dominic Gill Fail State *WORLD PREMIERE Writers: Alexander Shebanow, Regina Sobel, Nicholas Adams Director: Alexander Shebanow Mankiller *REGIONAL PREMIERE Writer: Valerie Red-horse Mohl, Gale Anne Hurd Director: Valerie Red-horse Mohl Mr. Fish: Cartooning From the Deep End Director: Pablo Bryant Shot in the Dark Director: Dustin Nakao Haider Transformer Writer/Director: Michael Del Monte Triumph: The Untold Story of Perry Wallace Writers: Rich Gentile, Eli Spielman, Bruce Johnson What Haunts Us Writer: Mark Monroe Director: Paige Goldberg Tolmach

    Family Series

    Earth: One Amazing Day Writers: Frank Cottrell Boyce, Richard Dale, Geling Yan Directors: Richard Dale, Lixin Fan, Peter Webber Into the Who Knows! Writers: Micah Barber, Tony Faia

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  • Tribeca 2017: KEEP THE CHANGE, SON OF SOFIA, and BOBBI JENE Win Top Juried Awards

    [caption id="attachment_22103" align="aligncenter" width="1200"]Keep the Change Brandon Polansky as David Cohen and Samantha Elisofon as Sarah Silverstein in KEEP THE CHANGE. Photographer: Giacomo Belletti.[/caption] Keep the Change, Son of Sofia and Bobbi Jene won the top competition awards at the 16th Tribeca Film Festival award ceremony earlier tonight. Keep the Change won the award for Best U.S. Narrative, Son of Sofia won for Best International Narrative, and Bobbi Jene won for Best Documentary. For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA. “It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight. And how wonderful is it that the top awards in all five feature film categories were directed by women.” This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.

    The winners of awards of the 2017 Tribeca Film Festival

    U.S. NARRATIVE FEATURE COMPETITION CATEGORIES:

    The Founders Award for Best Narrative Feature – Keep the Change, written and directed by Rachel Israel. Jury Comment: “For her heartwarming, hilarious and consistently surprising reinvention of the New York romantic comedy, which opens a door to a world of vibrant characters not commonly seen on film, the U.S. Narrative Jury gives the Founders Award to Rachel Israel for Keep the Change.” Best Actor in a U.S. Narrative Feature Film – Alessandro Nivola in One Percent More Humid. Jury Comment: “For his raw, complex and deeply human portrayal of middle-aged teacher and writer who tries to rekindle his creativity by plunging into an ill-advised affair with a student, the award for Best Actor goes to Alessandro Nivola, in Liz W. Garcia’s One Percent More Humid.” Best Actress in a U.S. Narrative Feature Film – Nadia Alexander in Blame. Jury Comment: “For her powerful, multilayered and risky portrayal of a troubled teenager in Quinn Shepard’s accomplished directorial debut Blame, the award for Best Actress goes to Nadia Alexander.” Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Chris Teague for Love After Love. Jury Comment: “For creating a visual style that beautifully mirrors the fraught and messy landscape of grief, the cinematography award goes to Love After Love, shot by Chris Teague.” Best Screenplay in a U.S. Narrative Feature Film – Abundant Acreage Available written by Angus MacLachlan. Jury Comment: “For its portrayal, both universal and intimate, of two families who meet, clash and ultimately discover what it means to call a place home, the best screenplay award goes to Abundant Acreage, written and directed by Angus MacLachlan.”

    INTERNATIONAL NARRATIVE FEATURE COMPETITION CATEGORIES:

    The Best International Narrative Feature – Son of Sofia (O Gios tis Sofias) written and directed by Elina Psykou (Greece, Bulgaria, France). Jury Comment: “When we were watching these movies we were looking for something we hadn’t seen before. We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity of its difficult characters. The direction was assured, and its tone unique, and we look forward to seeing Elina Psykou’s next work. The Best International Narrative Feature Award goes to Son of Sofia.” Best Actor in an International Narrative Feature Film – Guillermo Pfening in Nobody’s Watching (Nadie Nos Mira) (Colombia, Argentina, Brazil, USA, Spain). Jury Comment: “For a performance of extraordinary vulnerability and commitment that anchored the film, the Best Actor Award goes to Guillermo Pfening for Nobody’s Watching.” Best Actress in an International Narrative Feature Film – Marie Leuenberger in The Divine Order (Die göttliche Ordnung) (Switzerland). Jury Comment: “For a performance that is patient, intelligent and graceful, that captured the liberation of a young woman the Best Actress Award goes to Marie Leuenberger for The Divine Order.” Best Cinematography in an International Narrative Feature Film – Cinematography by Mart Taniel for November (Estonia, Netherlands, Poland). Jury Comment: “We were particularly impressed by the high level of the cinematography of the films we’ve just seen which had very different styles and demands. One film was particularly audacious and showed supreme command of its visual language. The Best Cinematography Award goes to Mart Taniel for November.” Best Screenplay in an International Narrative Feature Film – Ice Mother (Bába z ledu) written by Bohdan Sláma (Slovakia, France). Jury Comment: “A screenplay can create a world. With warmth and humor, this movie leads us into a specific and eccentric world driven by an unlikely love story. The Best Screenplay Award goes to Bohdan Sláma for Ice Mother.”

    DOCUMENTARY COMPETITION CATEGORIES:

    Best Documentary Feature – Bobbi Jene, directed by Elvira Lind (USA, Denmark, Israel). Jury Comments: “In a diverse field of worthy films, one work captivated our jury with its exquisite blend of emotional depth and rigorous craft. Fulfilling the promise of classic cinema verite, where camera serves as both observer and provocation, this film connected two artists, filmmaker and subject, pushing nonfiction intimacy to bold new places. Our winner documents the deeply personal process of a brilliant woman finding her voice – paired with a director whose own artistic vision dances elegantly with that of her subject. We the jury give the Best Documentary Feature to Elvira Lind’s Bobbi Jene.” Best Documentary Cinematography – Cinematography by Elvira Lind for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For the film’s extraordinary relationship to an artist who is willing to go bare not only in performance but in stunningly intimate scenes that are poetic, honest and moving, seemingly without barriers between camera and subject, we give Best Cinematography to Elvira Lind for Bobbi Jene.” Best Documentary Editing – Editing by Adam Nielson for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For a film whose precise economy of construction creates space for the rich sensual palette of a committed artist going through a life change, and whose internal rhythms mirror the art it portrays, we give Best Editing to Adam Nielson for Bobbi Jene.” Special Jury Mention – True Conviction. “For its compelling storytelling and for introducing us to three heroic characters who transform the injustice they suffered into active change, we give a Special Jury Mention for Best Documentary Feature to Jamie Meltzer’s True Conviction.”

    BEST NEW NARRATIVE DIRECTOR COMPETITION:

    Best New Narrative Director – Rachel Israel, director of Keep the Change (U.S.). Jury Comments: “For this award, we were looking for a filmmaker with a fearless, authentic voice. Our decision was unanimous. This filmmaker created a world full of vibrant characters often under-represented in cinema. It is a unique, yet universal love story told in a way we’ve never seen. We anxiously await to see what this filmmaker does next. We are so thrilled to present the award for Best New Narrative Director to Rachel Israel for Keep the Change.”

    BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

    Albert Maysles New Documentary Director Award – Sarita Khurana and Smriti Mundhra for A Suitable Girl (U.S./India). Jury Comments: “For the top prize we chose a film that helped us to rethink the dynamics of love through a moving portrayal of a cultural tradition. With incredible access, heartfelt scenes and it’s strong verite style, The Albert Maysles Prize for first documentary feature goes to A Suitable Girl.” Special Jury Mention – Hondros. “In considering a wide range of subjects in our category we were moved by two different kinds of love stories. The film we decided to honor with a special mention delves into the fractured worlds of chaos and violence and the interconnectedness of humanity. A childhood friend carries on his legacy to show the enduring power of love. The special mention goes to Hondros.”

    THE NORA EPHRON PRIZE

    The Nora Ephron Prize: Petra Volpe, writer/director of The Divine Order (Switzerland). Jury Comments: “For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), complex characterization of the female experience, seamless navigation of both drama and comedy, and true embodiment of the personal being political, we award the Nora Ephron Prize to Petra Volpe for her film The Divine Order.” Special Jury Mention: Keep the Change

    SHORT FILM COMPETITION CATEGORIES:

    Best Narrative Short – Retouch, directed by Kaveh Mazaheri (Iran). Jury Comments: “For its message of choice, liberty, and renewal where the lines of morality and honesty are blurred, leaving the audiences own projection of the events open for discussion and introspection. We appreciated the unification of the aesthetic and the ethical. The winner of the Best Narrative Short goes to Retouch.” Best Animated Short – Odd is an Egg (Odd er et egg) directed by Kristin Ulseth (Norway). Jury Comments: “We found the story of this animated short sweet and moving. We were also very impressed with beautiful visuals, which were artistic, cool and haunting. The filmmaker shows great promise. Best Animated Short goes to Kristin Ulseth for her film, Odd is an Egg.” Best Documentary Short – The Good Fight directed by Ben Holman (U.S., UK, Brail). Jury Comments: “An unflinching portrait of finding hope in a world of danger; a journey of perseverance in the face of tragedy; an uplifting and visually compelling story of redemption. The winner of the Best Documentary Short is The Good Fight.” Special Jury Mention – Resurface: “Shedding light on the struggle for normalcy, hope, and recovery that US Veterans face every day, this is the story of reviving the human spirit through connecting with something deeply powerful and larger than the self: the Natural World.” Student Visionary Award – Fry Day directed by Laura Moss (U.S.). Jury Comments: “For its success in balancing an immersive coming of age experience with relevant social commentary in a historically specific context; compelling performances and expert filmmaking, the student visionary award goes to Fry Day.” Special Jury Mention – Dive: “Visceral, deeply moving meditative and exquisitely constructed / A nuanced examination of love and moving on after grief. Dive receives a Special Jury Mention.”

    STORYSCAPES AWARD

    Storyscapes Award: TREEHUGGER: WAWONA created by Barnaby Steel (Co-Founder, Creative Director), Ersin Han Ersin (artist, Creative Director) and Robin McNicholas (Co-founder, Creative Director) of Marshmallow Laser Feast . Jury Comments: “The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience. The Storyscapes Award goes to TREEHUGGER: WAWONA.” The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week. The Tribeca X Award is a juried section recognizing the intersection of advertising and entertainment and Tribeca also presented the first Tribeca Snapchat Short Award, a new official category

    TRIBECA X AWARD

    Tribeca X Award: Chris Fonseca: Keep It Moving by 72andSunny for Smirnoff Ice. Directed by Zachary Heinzerling

    TRIBECA SNAPCHAT SHORTS

    Tribeca Snapchat Short award: Magic Show directed by Annie Hubbard.

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  • 2017 Tribeca Film Festival Announces Exiciting Feature Film Line Up

    [caption id="attachment_21224" align="aligncenter" width="1200"]Ice Mother (Bába z ledu) Zuzana KrÛnerov· as Hana in ICE MOTHER.[/caption] The Tribeca Film Festival today unveiled an exciting slate of films that will premiere at the 2017 festival. The Festival announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. The 16th Tribeca Film Festival takes place April 19 to 3, 2017. To honor Earth Day, which falls during the Festival, the programmers chose to highlight documentaries that focus on critical and timely issues that have an impact on our planet, including climate change, food waste, and animal extinction. Each of these films will screen on Earth Day, April 22, as well as throughout the Festival. This will be reflected in other sections of the festival programming as well, including VR and Tribeca N.O.W. The films selections are as follows:

    U.S. Narrative Competition

    Aardvark, directed and written by Brian Shoaf. (USA) – World Premiere. While battling her own anxieties, therapist Emily Milburton (Jenny Slate) spends her time listening to other people’s problems. Her professional and personal worlds collide when Emily’s newest patient, Josh Norman (Zachary Quinto), walks through her door. Mentally ill and experiencing hallucinations, Josh harbors complex feelings for his estranged brother, Craig (Jon Hamm). Things begin to get interesting when Emily falls for Craig. With Sheila Vand, Tonya Pinkins, Marin Ireland. Abundant Acreage Available, directed and written by Angus MacLachlan. (USA) – World Premiere. Still reeling over the recent death of their father, siblings Jesse (Terry Kinney) and Tracy (Amy Ryan) are attempting to settle into their new lives in his absence. Their simple existence is unexpectedly disrupted by the sudden arrival of three mysterious brothers, camping on their land and possessing a surprising connection to their family farm. With Max Gail, Francis Guinan, Steve Coulter. Blame, directed and written by Quinn Shephard. (USA) – World Premiere. Abigail (Quinn Shephard) is an outcast who seeks solace in fantasy worlds. When high school drama teacher Jeremy (Chris Messina) casts her in Arthur Miller’s ‘The Crucible,’ Abigail’s confidence blooms. But soon her relationship with Jeremy begins to move beyond innocent flirtation, and it in turn fuels a vengeful jealousy that quickly spirals out of control and brings about a chain of events that draws parallels to Salem. With Nadia Alexander, Tate Donovan, Trieste Kelly Dunn, Tessa Albertson. The Endless, directed by Justin Benson and Aaron Moorhead, written by Justin Benson. (USA) – World Premiere. Years after escaping a cult as teenagers, brothers Aaron and Justin return to their former home after receiving a mysterious message. While Aaron is quickly drawn back into the fold, Justin remains uneasy. However, neither can deny it when strange events begin happening that seem to mirror the cult’s unusual axioms. Following their Tribeca breakout, Resolution, Justin Benson and Aaron Moorhead direct and star in another intensely original genre hybrid. With Tate Ellington, Callie Hernandez, James Jordan, Lew Temple. Flower, directed by Max Winkler, written by Alex McAulay, Max Winkler, Matt Spicer. (USA) – World Premiere. Rebellious and quick-witted, 17-year-old firecracker Erica Vandross (Zoey Deutch) kills time with her friends gawking at older men in bowling alleys and sexually scheming guys out of their money. However, her biggest scheme is still to come when her mother asks her boyfriend and his troubled, fresh-out-of-rehab son to move in with them in this biting dark comedy. With Kathryn Hahn, Adam Scott, Tim Heidecker, Joey Morgan, Dylan Gelula. Keep the Change, directed and written by Rachel Israel. (USA) – World Premiere. In a support group for adults living with autism, David—a smooth talker struggling to hide his disability—meets a woman with similar learning challenges, and they quickly forge an intimate bond. Starring a cast of nonprofessional actors on the autism spectrum, Keep the Change details an underrepresented community with authenticity, optimism and humor. With Brandon Polansky, Samantha Elisofon, Nicky Gottlieb, Will Deaver, Jessica Walter, Tibor Feldman. Love After Love, directed by Russell Harbaugh, written by Russell Harbaugh, Eric Mendelsohn. (USA) – World Premiere. The world of a mother and her two adult sons feels emotionally untethered following the death of their family’s patriarch. Andie MacDowell, Chris O’Dowd, and James Adomian deliver searing performances in this absorbing story of a family losing and regaining their equilibrium in the wake of loss. With Juliet Rylance, Dree Hemingway, Gareth Williams. One Percent More Humid, directed and written by Liz W. Garcia. (USA) – World Premiere. Catherine (Julia Garner) and Iris (Juno Temple) are childhood friends home from college for a hot New England summer. As they attempt to enjoy parties and skinny-dipping and the usual vacation hijinks, a shared trauma in their past becomes increasingly difficult to suppress. As the wedge between the friends grows, they each pursue forbidden affairs to cope. With Alessandro Nivola, Maggie Siff, Philip Ettinger, Mamoudou Athie. Saturday Church, directed and written by Damon Cardasis. (USA) – World Premiere. 14-year-old Ulysses is a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose. He finds escape in a rich fantasy life of music and dance, and soon with a vibrant transgender youth community called Saturday Church. Damon Cardasis’ directorial debut is a rousing celebration of one boy’s search for his identity.With Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia. Thirst Street, directed by Nathan Silver, written by Nathan Silver, C. Mason Wells. (USA, France) – World Premiere. There’s a fine line between lust and obsession—and for flight attendant Gina (Lindsay Burdge), that line is often difficult to see. Grieving over a lover’s suicide, Gina loses her grip on reality after falling for a suave Parisian bartender. Tribeca alum Nathan Silver (Actor Martinez) takes cues from ‘70s Euro erotic psychodramas in this gorgeously retro and piercingly intimate look at one-sided love. With Damien Bonnard, Esther Garrel, Lola Bessis, Jacques Nolot, Françoise Lebrun. In English, French with subtitles.

    International Narrative Competition

    The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe. (Switzerland) – International Premiere. Political leaders in Switzerland cited ‘Divine Order’ as the reason why women still did not have the right to vote as late as 1970. Director Petra Volpe explores this surprising history through the story of Nora, a quiet housewife from a quaint village searching for the fierce suffragette leader inside her. With Marie Leuenberger, Max Simonischek, Rachel Braunschweig, Sibylle Brunner, Marta Zoffoli, Bettina Sucky. In Swiss-German with subtitles. Holy Air (Hawa Moqaddas), directed and written by Shady Srour. (Israel) – World Premiere. Desperate to care for his pregnant wife and ailing father, Adam (writer/director Shady Srour) embarks on his latest, riskiest business venture: selling bottled holy air. A sharp comedy set in modern-day Nazareth, Holy Air examines the complicated emotions that go into living as a modern, progressive, Christian family on the world’s most spiritual ground. With Laëtitia Eïdo, Shmulik Calderon, Tareq Copti, Dalia Okal, Bian Anteer. In Arabic, English, French, Hebrew, Italian with subtitles. Ice Mother (Bába z ledu), directed and written by Bohdan Sláma. (Czech Republic, Slovakia, France) – International Premiere. Hana lives alone in a big villa with only weekly visits from her two belligerent sons and their families to look forward to. While on a stroll with her grandson one day, she rescues Brona, an elderly ice swimmer with a hen for a best friend, from drowning. This encounter invigorates Hana, introducing her to a new hobby and unexpected romance. With Zuzana Kronerová, Pavel Nový, Daniel Vízek, Václav Neužil. In Czech with subtitles. King of Peking, directed and written by Sam Voutas. (China, USA, Australia) – World Premiere. Big Wong and his son Little Wong are traveling film projectionists, screening Hollywood movies for local villagers. Faced with losing custody of his son, Big Wong starts making and selling illegal bootleg DVDs out of the old movie theater where he works, despite Little Wong’s objections. More than a father-son story, King of Peking is a love letter to cinema. With Zhao Jun, Wang Naixun, Han Qing, Si Chao, Geng Bowen, Yi Long. In Mandarin with subtitles. Newton, directed by Amit V Masurkar, written by Mayank Tewari, Amit V Masurka. (India) – North American Premiere. India, the world’s largest democracy, is preparing for an election—and with more than 800 million voters, this is a logistical puzzle of epic proportions. With disarming charm, this film probes the nature of democracy as Newton, a young, idealistic office worker, becomes the torch bearer for political fairness when he volunteers to head up a polling station in the deepest jungle for 76 remote voters. With Rajkummar Rao, Anjali Patil, Pankaj Tripathi, Raghubir Yadav. In Hindi with subtitles. Nobody’s Watching (Nadie Nos Mira), directed by Julia Solomonoff, written by Julia Solomonoff, Christina Lazaridi. (Colombia, Argentina, Brazil, USA, Spain) – World Premiere. After giving up a successful soap opera career in his native Argentina for a chance to make it in New York, Nico finds himself staying afloat with odd jobs bartending and babysitting. In a moving depiction of the vibrant city, Nobody’s Watchingquestions who is watching and how we adjust ourselves accordingly. With Guillermo Pfening, Rafael Ferro, Paola Baldion, Elena Roger, Cristina Morrison, Kerri Sohn, Marco Antonio Caponi. In English, Spanish with subtitles. November, directed and written by Rainer Sarnet. (Estonia) – International Premiere. Dive into the cold, snowy landscape of 19th-century Estonia, where werewolves and spirits roam free, and Jesus co-exists with kratts, the farmers’ mythological helpers made of tools and bones. Farmer girl Liina’s doomed romance with local boy Hans is at the center of director Rainer Sarnet’s pagan, black and white world, where the characters search for meaning in their surroundings and ponder the existence of the soul. With Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser. In Estonian with subtitles. Sambá, directed by Laura Amelia Guzmán and Israel Cárdenas, written by Ettore D’Alessandro, Carolina Encarnacion. (Dominican Republic) – World Premiere. Cisco has his back against the ropes. After spending 15 years in an American jail, he’s returned to the Dominican Republic yet is unable to get a job, a problem compounded by his mother’s ailing health and his younger brother’s delinquent habits. To make money, he’s resorted to illegal street fighting. But Cisco finds a possible salvation in Nichi, an Italian ex-boxer who sees dollar signs in Cisco’s gritty fighting skills. With Algenis Pérez Soto, Ettore D’Alessandro, Laura Gómez, Ricardo A. Toribio. In Spanish with subtitles. Son of Sofia (O Gios tis Sofias), directed and written by Elina Psykou. (Bulgaria, France, Greece) – World Premiere. Set during the 2004 Summer Olympic Games, 11-year-old Misha is travelling from Russia to live with his mother in Athens in the home of an elderly Greek man she works for. When he learns this man is actually his new father, Misha runs away but doesn’t have the stomach for life on the streets. Returning to his new home, he clings to the stories he grew up with, melding them with reality to create a dark urban fairytale. With Viktor Khomut, Valery Tcheplanowa, Thanasis Papageorgiou, Artemis Havalits, Christos Stergioglou, Iro Maltezou. In Greek, Russian with subtitles. Tom of Finland, directed by Dome Karukoski, written by Aleksi Bardy. (Finland, Sweden, Denmark, Germany) – International Premiere. This is the true story of cult artist Touko Laaksonen, better known as Tom of Finland, and the events that influenced his iconic homoerotic drawings. From Finnish army uniforms to motorcycle leathers, Tom finds inspiration in his European post-war surroundings, even as conservative Finland is not quite ready for his transgressive work. Eventually Tom and his art make their way to dazzling Los Angeles in time for the sexual revolution and its aftermath. With Pekka Strang, Lauri Tilkanen, Werner Daehn, Jessica Grabowsky. In Finnish with subtitles.

    World Documentary Competition

    Bobbi Jene, directed by Elvira Lind, written by Elvira Lind, Adam Nielsen. (Denmark, Israel, USA) – World Premiere. In her moving and cinematic documentary, Elvira Lind follows American dancer Bobbi Jene Smith as she makes the decision of a lifetime. Bobbi returns to the U.S., leaving behind a loving boyfriend and a successful 10-year run as a star dancer of the famous Israeli dance company Batsheva. Lind intimately portrays Bobbi’s rigorous creative process as she starts fresh in San Francisco, while still working to maintain a long-distance relationship. Copwatch, directed by Camilla Hall. (USA) – World Premiere. In 1990, a California citizen journalist began recording police interactions with the public. A one-man operation, he titled his work “Copwatch.” Now, decades later, the initiative has expanded to cities around the country, including New York, where Ramsey Orta filmed Eric Garner’s fatal arrest. In her feature film debut, director Camilla Hall crafts an intriguing and timely profile of citizen-journalist-activists who seek to disrupt the ever-present challenge of police violence. The Death and Life of Marsha P. Johnson, directed by David France, written by David France, Mark Blane. (USA) – World Premiere. Featuring never-before-seen footage and rediscovered interviews, Academy Award nominee David France (How to Survive a Plague) follows a new investigation into the mysterious death of self-described “street queen” Marsha P. Johnson. Credited as one of the courageous black transgender activists who instigated the Stonewall Riots of 1969, thereby spearheading the modern gay civil rights movement. The Departure, directed by Lana Wilson. (USA) – World Premiere. Lana Wilson follows up her award-winning film, After Tiller, with this profile of Ittetsu Nemoto, a Buddhist priest renowned for saving the lives of countless suicidal people. But Nemoto, suffering from heart disease and supporting his wife and young son, risks his life carrying the heavy emotional load to support those who no longer want to live. When saving others takes such a toll, can he find the resiliency to save himself? In Japanese with subtitles. No Man’s Land, directed by David Byars. (USA) – World Premiere. “We are patriots,” utters one of the characters in David Byars’ detailed, on-the-ground account of the standoff between ranchers occupying Oregon’s Malheur National Wildlife Refuge and federal authorities. That statement—believed to be true by the armed occupiers—underlines the film, which unspools in measured pace and slowly unpacks its loaded meaning. The Reagan Show, directed by Pacho Velez and Sierra Pettengill, written by Josh Alexander, Pacho Velez. (USA) – World Premiere. Constructed entirely through 1980s network news and videotapes created by the Reagan administration itself, Velez and Pettengill’s prescient documentary presents Ronald Reagan as the first made-for-TV president—a man whose experience as a performer and public relations expert made him a unique match for an emerging modern political landscape, and for his chief rival: charismatic Soviet leader Mikhail Gorbachev. A River Below, directed by Mark Grieco. (Colombia, USA) – World Premiere. Deep in the Amazon, a renowned marine biologist and a reality TV star are each working to save the indigenous pink river dolphin from being hunted to extinction. When a scandal erupts, ethical questions are raised as murky as the waters of the Amazon River. Mark Grieco’s (Marmato) surprising documentary digs into the ethics of activism in the modern media age. In English, Portuguese, Spanish with subtitles. Earth Day Screening The Sensitives, directed by Drew Xanthopoulos. (USA) – World Premiere. Meet the Sensitives, people who are debilitatingly sensitive to modern life—electricity, chemicals, you name it. Their symptoms and coping mechanisms might vary, but they all face the unusual and heartbreaking choice of either living in dangerous and uncertain conditions with their loved ones, or in physical and technological isolation. Director Drew Xanthopoulos captures their lives in cinematic verite style. Shadowman, directed and written by Oren Jacoby. (USA) – World Premiere. In the early 1980s, Richard Hambleton was New York City’s precursor to Banksy, a rogue street artist whose silhouette paintings haunted the sides of Manhattan buildings. Like so many other geniuses of his time, he fell victim to drug addiction, even as his work continued to rise in both demand and value. Shadowman doubles as both a time capsule of a forgotten New York City era, and a redemption story. A Suitable Girl, directed by Smriti Mundhra and Sarita Khurana. (USA, India) – World Premiere. Dipti, Amrita, Ritu and Seema are all young, modern women in India looking to get married—some desperately, some reluctantly. A Suitable Girl follows them over the course of four years as they juggle family, career and friends, intimately capturing their thoughts on arranged marriage, giving them a voice, and offering a unique perspective into the nuances of this institution. In English, Hindi, Kannada, Marathi with subtitles. True Conviction, directed by Jamie Meltzer, written by Jamie Meltzer, Jeff Gilbert. (USA) – World Premiere. There’s a new detective agency in Dallas, Texas, started by three exonerated men, with decades in prison served between them, who look to free innocent people from behind bars. True Conviction follows these change-makers with no small task in front of them as they rebuild their lives and families, learn to investigate cases, work to support one another, and try and fix the criminal justice system. When God Sleeps, directed and written by Till Schauder. (USA, Germany) – World Premiere. “My songs didn’t make me famous. The fatwa did.” And so we embark on the journey of rapper Shahin Najafi, whose bold style and transgressive lyrics put him in the crosshairs of religious clerics in his native Iran. When God Sleeps tells the story of this tireless artist-activist against the backdrop of the 2015 Paris terrorist attacks and the European right-wing backlash against Middle Eastern refugees. In English, Farsi, German with subtitles.

    SPOTLIGHT NARRATIVE

    The Boy Downstairs, directed and written by Sophie Brooks. (USA) – World Premiere. Zosia Mamet exhibits winsome charm as Diana, navigating the rite of passage of every single New Yorker: the search for an apartment. She seemingly finds a jewel of a home until realizing her downstairs neighbor is her ex whose heart she broke. Like a true New Yorker, she keeps the apartment. With Matthew Shear, Deirdre O’Connell, Sarah Ramos, Diana Irvine. Buster’s Mal Heart, directed and written by Sarah Adina Smith. (USA) – New York Premiere. A fugitive hotly pursued by rangers reviews the pathway to his present circumstances and finds conflicting stories. A spellbinding Rami Malek (Mr. Robot) brings impressive range to Sarah Adina Smith’s sophomore feature: a twisting, mind-bending thriller in which the typical rules don’t apply, least of all to a man who cannot be certain of anything he’s done. With DJ Qualls, Kate Lyn Sheil, Sukha Belle Potter, Lin Shaye. A Well Go USA release. Chuck, directed by Philippe Falardeau, written by Jeff Feuerzeig, Jerry Stahl. (USA) – US Premiere. Chuck is the true story of Chuck Wepner (Liev Schreiber), the man who inspired the billion-dollar film seriesRocky—a liquor salesman from New Jersey who went 15 rounds with Muhammad Ali. Wepner suffered numerous losses, knockouts, and broken noses in his ten years in the ring, and lived an epic life of drugs, booze, and wild women outside of it. With Elisabeth Moss, Ron Perlman, Naomi Watts, Jim Gaffigan, Michael Rapaport. An IFC Films release. The Clapper, directed and written by Dito Montiel. (USA) – World Premiere. Ed Helms stars as Eddie Krumble, a professional audience member who gains unwanted notoriety when a late-night talk show turns his life into a national obsession, threatening his budding relationship with gas station attendant Judy (Amanda Seyfried). Directed by Dito Montiel (Boulevard, Tribeca ‘14), The Clapper is a heartfelt comedy featuring Tracy Morgan, Adam Levine, Russell Peters, PJ Byrne, and appearances from Rob Gronkowski, Mark Cuban and the late Alan Thicke. Dabka, directed and written by Bryan Buckley. (USA) – World Premiere. When rookie journalist Jay Bahadur (Evan Peters) has an inspiring chance encounter with his idol (Al Pacino), he uproots his life and moves to Somalia looking for the story of a lifetime. Hooking up with a local fixer (Barkhad Abdi), he attempts to embed himself with the local Somali pirates, only to find himself quickly in over his head. Based on the true story of one reporter’s risk-taking adventure that ultimately brought the world an unprecedented first-person account of the pirates of Somalia. With Melanie Griffith. In English, Somali with subtitles. The Dinner, directed and written by Oren Moverman. (USA) – North American Premiere. Two brothers, congressman Stan and caustic former teacher Paul, are locked in sibling rivalry and are forced to come head to head over a dinner with their wives. As the two couples (Richard Gere, Laura Linney, Steve Coogan and Rebecca Hall) sit down to dine, their dark family secrets are drudged on to the table along with the main course, in this adaptation of the Herman Koch bestseller. With Chloe Sevigny. An Orchard release. Literally, Right Before Aaron, directed and written by Ryan Eggold. (USA) – World Premiere. Still reeling from his breakup with college sweetheart Allison (Cobie Smulders), Adam’s (Justin Long) world is thrown into further chaos when he’s surprisingly invited to attend her wedding. Over a surreal weekend, he stumbles through a nightmarish rehearsal dinner and drinks his way through the reception as he thinks back on where it all went wrong with the one that got away. Ryan Eggold directs this refreshingly unconventional romantic comedy. With John Cho, Luis Guzman, Kristen Schaal, Leah Thompson, Ryan Hansen. The Lovers, directed and written by Azazel Jacobs. (USA) – World Premiere. Years into a dispassionate marriage, a long-married couple, both seriously involved with other people, resolve to call it quits. To their surprise, their decision reignites a dormant spark that leads to an impulsive affair. Broadway legend Tracy Letts and the always-luminous Debra Winger shine in writer/director Azazel Jacob’s (Terri) latest. With Debra Winger, Tracy Letts, Melora Walters, Aiden Gillen, Tyler Ross, Jessica Sula. An A24 release. Manifesto, directed and written by Julian Rosefeldt. (Germany) – New York Premiere. All current art is fake. Nothing is original. These are some of the statements exposed in artist Julian Rosefeldt’s stunning piece. Starring Cate Blanchett, we witness a series of vignettes which draw upon artist manifestos that question the true nature of art. A chameleonic Blanchett gives a tour-de-force performance as she transforms in each segment like never before. A FilmRise Release. Permission, directed and written by Brian Crano. (USA) – World Premiere. Anna (Rebecca Hall) and Will (Dan Stevens) are the definition of long-term monogamy, and with great careers, an impending marriage, and a potential new home, things couldn’t be better. But after a close friend’s joke about her non-existent sexual experience hits too close to home, Anna proposes to Will an experiment to broaden their horizons without sabotaging their relationship: to try an open relationship—together. With Gina Gershon, Francois Arnaud, Morgan Spector, David Joseph Craig, Jason Sudeikis. Rock’n Roll, directed by Guillaume Canet, written by Guillaume Canet, Rodolphe Lauga, Philippe Lefebvre. (France) – International Premiere. Real-life couple Guillaume Canet and Marion Cotillard play themselves in this satirical comedy about a couple dealing with aging in the limelight. After Guillaume gets told by a co-star that he’s just not that cool anymore, he goes to increasingly extreme lengths to prove her wrong, putting his happy domestic life to the test. With Gilles Lellouche, Philippe Lefebvre, Camille Rowe, Yvan Attal. In French with subtitles. Sweet Virginia, directed by Jamie Dagg, written by The China Brothers. (USA) – World Premiere. Jon Bernthal, Rosemarie DeWitt, Imogen Poots, Odessa Young, and a spectacular Christopher Abbott star in this gritty neo-Western with echoes of the early Coen Brothers: a burglary-homicide rattles the residents of a small Alaska town. Jamie Dagg’s sophomore feature is a haunting drama about the predator in each of us, and the prices we pay to start over. Take Me, directed by Pat Healy, written by Mike Makowsky. (USA) – World Premiere. Ray is in the boutique simulated abduction business. It’s an understandably threadbare market, so he jumps at the chance when a mysterious call contracts him for a weekend kidnapping with a handsome payday at the end. But the job isn’t all that it seems. A black comedy that threads the needle between crime thriller and slapstick farce, Take Me is as twisty as it is funny. With Taylor Schilling, Pat Healy, Alycia Delmore, Jim O’Heir. Thumper, directed and written by Jordan Ross. (USA) – World Premiere. This suspenseful crime drama follows Kat Carter (Eliza Taylor), the troubled new girl in a school harboring a deep secret. When she attracts the attention of the volatile gang leader Wyatt (a menacing Pablo Schreiber), Kat’s own hidden secrets threaten to put her life in danger. Executive Produced by Cary Fukunaga, the film features raw supporting turns from Lena Headey, Daniel Webber, Ben Feldman, and Grant Harvey. The Trip to Spain, directed by Michael Winterbottom. (U.K.) – World Premiere. Steve Coogan and Rob Brydon reunite with director Michael Winterbottom for another chapter in their hilarious road trip series. This time taking their wit and appetites on a tour through picturesque Spain’s finest fine dining, Coogan and Brydon trade celebrity impressions and witty banter over paella and gazpacho, their comic observations on fame and friendship as dry as the finest Spanish wine. With Marta Barrio, Claire Keelan, Margo Stilley. An IFC Films release.

    SPOTLIGHT DOCUMENTARY

    ACORN and the Firestorm, directed and written by Reuben Atlas and Sam Pollard. (USA) – World Premiere. For 40 years, the community-organizing group ACORN advocated for America’s poorest communities, while its detractors accused it of promoting government waste and the worst of liberal policies. Riding high on the momentum of Barack Obama’s presidential victory in 2008, ACORN was at its social zenith when a hidden-camera video sparked a national scandal and brought it all crashing down. AlphaGo, directed by Greg Kohs. (USA) – World Premiere. With simple rules but a near-infinite number of possible outcomes, the ancient Chinese board game Go has long been considered the holy grail of artificial intelligence. Director Greg Kohs’ absorbing documentary chronicles Google’s DeepMind team as it takes on one of the world’s top Go players in a weeklong tournament, pitting man against machine in a competition that reveals as much about the workings of the human mind as it does the future of AI. In English, Korean with subtitles. Blurred Lines: Inside the Art World, directed and written by Barry Avrich. (Canada) – World Premiere. Barry Avrich’s in-depth and eye-opening documentary pulls back the curtain on the behind-the-scenes dealings revolving around the contemporary art world. Reputable artists, critics, auctioneers and collectors demystify the often illusive and complex relationship between art and commerce in this film, which features extraordinary access to industry players. ELIÁN, directed by Tim Golden, Ross McDonnell. (USA) – World Premiere. Thanksgiving, 1999: Two fishermen on the Florida Straits find a young Cuban boy, Elián González, floating alone in an inner tube. Their discovery evolves into a custody battle between Elián’s Cuban father and his Miami-located relatives that brings the conflict between Cuba and the U.S. to the forefront. Eighteen years later, ELIÁN, executive produced by Alex Gibney, gives the now grown-up Elián the chance to tell his own side of the story. In English, Spanish with subtitles. Frank Serpico, directed and written by Antonino D’Ambrosio. (USA) – World Premiere. With unprecedented access to a notoriously reclusive subject, Antonino D’Ambrosio creates a powerful portrait of Frank Serpico, the former NYPD officer who in the 1970s blew the whistle on the corruption and payoffs running rampant in the department. The true story that inspired Sidney Lumet’s American crime classic that bears his name. Get Me Roger Stone, directed and written by Dylan Bank, Daniel DiMauro, Morgan Pehme. (USA) – World Premiere. With his bespoke suits and collection of Nixon memorabilia, political firebrand and noted eccentric Roger Stone has been a fixture of Republican politics since the 1970s, yet at the same time has always been an outsider. Despite its success, his brand of confrontational (some would say “dirty”) politics was always publicly rejected by the conservative mainstream, though with the shocking ascendancy of his longtime pet project Donald Trump (interviewed in the film), Stone—the ultimate political trickster—would likely say he was just ahead of his time. A Netflix release. Gilbert, directed by Neil Berkeley, written by Neil Berkeley, James Leche. (USA) – World Premiere. Legendary comedian Gilbert Gottfried has had quite a career. Rocketing to fame in the 1980s, he was thrust into the public consciousness almost immediately thanks to his brash personality, unique worldview, and off-kilter comic timing. Now, foul-mouthed and unapologetic after decades of flying solo in both his work and in his personal life, Gilbert has shockingly reinvented himself…as a family man. With Jay Leno, Bill Burr, Jeff Ross, Whoopi Goldberg, Howie Mandel. A Gray State, directed by Erik Nelson. (USA) – World Premiere. Christmas, 2014: filmmaker, veteran and charismatic up-and-coming voice of alt-right politics David Crowley and his family are killed in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists. Executive produced by Werner Herzog, A Gray State combs through Crowley’s photographs, videos and recordings to investigate what happens when an ideology becomes an all-consuming obsession. Hell on Earth: The Fall of Syria and the Rise of ISIS, directed by Sebastian Junger and Nick Quested, written by Mark Monroe. (USA) – World Premiere. Chronicling Syria’s descent into unbridled chaos, this gripping and insightful work captures the Syrian war’s harrowing carnage, political and social consequences, and, most importantly, its human toll. From personal stories of family survival and tragedy to keen insight from top experts from around the world, acclaimed filmmaker and author Sebastian Junger and Nick Quested create an informative and comprehensive documentary, as the story continues to unfold. In English, French, Arabic, Kurdish with subtitles. A National Geographic release. Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden. (USA) – World Premiere. Beginning with the war in Kosovo in 1999, award-winning photographer Chris Hondros served as a witness to conflict for over a decade before being killed in Libya in 2011. In Hondros, director and childhood friend Greg Campbell creates a portrait of a man with not only great depth and sensitivity, but a passion for his craft, and an unending talent for creating breathtaking imagery. Executive produced by Jake Gyllenhaal. In Arabic, English with subtitles. I Am Evidence, directed by Trish Adlesic and Geeta Gandbhir. (USA) – World Premiere. Every year in cities around the United States, it is estimated that hundreds of thousands of rape kits are left untested in police storage facilities. Produced by Mariska Hargitay, I Am Evidence exposes this shocking reality, bringing attention to the way in which police have historically processed sexual assault cases. Through an exploration of survivors’ accounts, the film sheds light on these disturbing statistics, and shows what can be achieved when evidence—and the individuals it represents—are treated with the respect we all deserve. An HBO Documentary Film release. LA 92, directed by Daniel Lindsay, TJ Martin. (USA) – World Premiere. Few images are seared into the American consciousness with the anger and clarity of the beating of Rodney King and the riots following his abusers’ acquittal. Twenty-five years later, Academy Award-winning directors Daniel Lindsay and TJ Martin draw on archival news images and unseen footage to paint an in-depth portrait of those riots and the tempestuous relationship between Los Angeles’ African-American community and those charged with protecting it. A National Geographic release. No Stone Unturned, directed by Alex Gibney. (USA, Northern Ireland) – World Premiere. In 1994, six men were gunned down and five wounded in a pub while watching a World Cup soccer match in Loughinisland, Northern Ireland. With a police investigation that was perfunctory at best, the case remained unsolved. In this non-fiction murder mystery, Academy Award-winning documentarian Alex Gibney reopens the original case to investigate why no culprit was ever brought to justice. WASTED! The Story of Food Waste, directed by Anna Chai and Nari Kye. (USA) – World Premiere. Each year, $218 billion—or 1.3 billion tons—of food is thrown out. With nearly a billion people worldwide facing starvation, food conservation is a more urgent issue than ever before. Executive produced by Anthony Bourdain, Chai and Kye’s fast-paced and forward-thinking food doc takes viewers on a tour of inventive new ideas for recycling waste and maximizing sustainability from innovative chefs like Massimo Bottura, Dan Barber and Danny Bowien, who turn scraps into feasts before our eyes. Earth Day Screening Whitney. “can I be me,” directed by Nick Broomfield and Rudi Dolezal, written by Nick Broomfield. (U.K.) – World Premiere. Whitney Houston was the most awarded female recording artist of all time, with more consecutive number one hits than The Beatles, and on top of that she was America’s Sweetheart. Yet despite her fame, talent, and success, she died tragically at the age of 48. Featuring largely never-before-seen footage and Broomfield and Dolezal’s moving documentary tells the story of the girl behind the voice. A Showtime release. Year of the Scab, directed by John Dorsey. (USA) – World Premiere. During the 1987 NFL strike, teams scrambled to assemble temporary replacements to fill in for their boycotting players. The Washington Redskins were notable for their “scabs,” a collection of cast-offs who nonetheless rode a surprising wave of momentum against all odds. “Year of the Scab” revisits this ultimate underdog story and the men whose ordinary lives were interrupted. Those so-called “scabs” helped break the strike and bring their team to victory, only to struggle for their place in the sports history books.  An ESPN Films release.

    VIEWPOINTS

    City of Ghosts, directed by Matthew Heineman. (USA) – New York Premiere, Documentary. The fearless citizen-journalists of “Raqqa is Being Slaughtered Silently” (RBSS) risk their lives on a daily basis to document and expose the atrocities of the Islamic State in their home city of Raqqa, Syria. Academy Award-nominee Matthew Heineman (Cartel Land) returns to Tribeca with an immersive and deeply personal documentary chronicling the lives of these activists. In Arabic with subtitles. An Amazon Studios release. Dog Years, directed and written by Adam Rifkin. (USA) – World Premiere, Narrative. Vic Edwards (Burt Reynolds) was one of the biggest movie stars in the world, known for his mustachioed good looks and cocky swagger. With his Hollywood glory a distant memory, the now-octogenarian Vic is prompted to reassess his life with the passing of his beloved dog and the arrival of an invitation to receive a lifetime achievement award from the (fictional) International Nashville Film Festival. With Ariel Winter, Chevy Chase, Clark Duke, Ellar Coltrane, Juston Street. The Family I Had, directed by Katie Green and Carlye Rubin, written by Tina Grapenthin, Katie Green, Carlye Rubin. (USA) – World Premiere, Documentary. In The Family I Had, a mother recalls how her seemingly brilliant teenage son came to shatter their idyllic family through one horribly violent and shocking act. Now, left to pick up the pieces, the survivors test the boundaries of their newly defined reality in this moving true crime exploration of the nature and limits of familial love. The Farthest, directed and written by Emer Reynolds. (Ireland) – International Premiere, Documentary. On the 40th anniversary of Voyager’s eleven-billion-mile flight (and counting), experience a comprehensive behind-the-scenes account from those who built and nurtured this unprecedented deep space achievement. Emer Reynolds creates a vivid celebration of curiosity and exploration for the most audacious project in human history, and one of humankind’s greatest successes. Flames, directed and written by Zefrey Throwell and Josephine Decker. (USA) – World Premiere. Filmed over five years, Flames follows real-life couple Josephine Decker and Zefrey Throwell from the white-hot passion of first love to the heartbreak of breaking up. But for these two filmmakers, the end of the relationship wasn’t the end of the story. As they continue filming, reconstructing what happened and where it went wrong, lines begin to blur between what was real and what was “the film”—if there’s even a difference anymore. With Hollis Witherspoon, Michael Melamedoff, Joe Swanberg, Matthew Levy. For Ahkeem, directed by Jeremy S. Levine and Landon Van Soest. (USA) – North American Premiere, Documentary. Beginning one year before the events in Ferguson, Missouri, Levine and Van Soest’s intimate and cinematic For Ahkeem is the coming of age story of 17-year-old Daje Shelton in neighboring North St. Louis. Falling in love and fighting with mom, Daje struggles with typical teen growing pains, but also must increasingly combat the institutional and social roadblocks that keep black teens like her from succeeding in America. The Last Animals, directed by Kate Brooks, written by Kate Brooks and Mark Monroe. (USA) – World Premiere, Documentary. Photojournalist Kate Brooks turns her lens from war zones to a new kind of genocide in this sweeping and sobering film. As the single-digit population of the Northern White Rhino ticks closer to extinction, Brooks exposes the epidemic of highly effective poachers and trafficking syndicates, and the heroic efforts of conservationists, park rangers, and scientists to protect these majestic creatures. In Czech, English, French, Lingala with subtitles. Earth Day Screening Mr Long, directed and written by SABU. (Japan, Hong Kong, China, Taiwan R.O.C., Germany) – North American Premiere, Narrative. Following an assignment gone wrong in Tokyo, professional Taiwanese hitman Mr. Long (Chang Chen) finds himself stranded without a passport in a run-down Japanese village. So naturally Long does what any cold-hearted killer would do in his situation: befriend the locals and open a wildly popular noodle cart. Moving artfully between scenes of slickly choreographed violence and charming, whimsical drama, Japanese director SABU’s latest is a refreshing twist on the gangster genre, offering a surprisingly tender and heartwarming fable of redemption. In Japanese, Mandarin, Taiwanese with subtitles. My Art, directed and written by Laurie Simmons. (USA) – North American Premiere, Narrative. For cultured artist Ellie (Laurie Simmons), age really isn’t anything but a number. Unhappy with where her career has gone, the single New York City socialite flees upstate to recharge her creative spark away from the big city’s various distractions. There, she attracts the romantic interests of three men and figures out what she wants from life—even though she’s 65 years old. With Lena Dunham, Robert Clohessy, John Rothman, Josh Safdie, Parker Posey, Blair Brown, Barbara Sukowa. My Friend Dahmer, directed and written by Marc Meyers. (USA) – World Premiere, Narrative. Before Jeffrey Dahmer became one of the most notorious serial killers of all time, he was a teenage loner. Conducting grisly experiments in a makeshift backyard lab, Jeff was invisible to most, until his increasingly bizarre behavior unexpectedly attracted friends. Based on the cult graphic novel, My Friend Dahmer chronicles the origins of the man, the monster…the high school senior. With Ross Lynch, Anne Heche, Dallas Roberts, Alex Wolff, Tommy Nelson, and Vincent Kartheiser. Pilgrimage, directed by Brendan Muldowney, written by Jamie Hannigan. (USA, Ireland) – World Premiere, Narrative. In 13th-century Ireland, a cadre of monks travel through the war-torn countryside on a mission to bring their land’s most sacred relic to Rome. But other forces are gaining on them, as the true significance of the relic becomes dangerously apparent. A period drama crossed with an action/adventure road movie, Pilgrimage delivers a profound lesson on religious fervor and the savagery of soldiers with a cause. With Tom Holland, Richard Armitage, Jon Bernthal, John Lynch, Stanley Weber. A Thousand Junkies, directed and written by Tommy Swerdlow. (USA) – World Premiere, Narrative. Three heroin addicts crisscross Los Angeles in search of relief in this comedy balanced on the fine line between reliance and dependence. With a sensitive eye and gift for the absurd, writer/director/co-star Tommy Swerdlow crafts both the inevitable and the wholly unexpected: a drug movie that struggles to find any drugs, and a road movie that drives in circles. With TJ Bowen, Blake Heron, Bill Pullman, Steven Weber, Dinarte de Freitas. The Wedding Plan (Laavor et HaKir), directed and written by Rama Burshtein. (Israel) – New York Premiere, Narrative. Spirited bride-to-be Michal is dumped by her fiancé a month before their wedding. Undeterred, she keeps her wedding date, leaving it to fate to provide a suitable groom. With invitations sent, venue booked, and the clock counting down to the big day, Michal goes to increasingly elaborate lengths in her search for Mr. Right, in writer-director Rama Burshtein’s (Fill the Void) funny and poignant romantic comedy. With Noa Kooler, Amos Tamam, Oz Zehavi. In Hebrew with subtitles. A Roadside Attractions release.

    MIDNIGHT

    Devil’s Gate, directed by Clay Staub, written by Peter Aperlo, Clay Staub. (Canada, USA) – World Premiere, Narrative. Struggling to overcome a recent professional tragedy, a tough-as-nails FBI agent (Amanda Schull) relocates to a small North Dakota town to investigate the disappearance of a local woman and her young son. The search leads to the missing woman’s husband’s (Milo Ventimiglia) secluded farm, on which answers, new mysteries, and God-fearing terrors await. Not to mention, something locked and caged down in the basement. With Shawn Ashmore, Bridget Regan, Jonathan Frakes. Dumb: The Story of Big Brother Magazine, directed by Patrick O’Dell. (USA) – World Premiere, Documentary. Dumb: The Story of Big Brother Magazine charts the rise and fall of the irreverent, boundary-pushing “Big Brother Magazine”, whose taboo-breaking stunts and unapologetically crass humor spawned MTV’s Jackass and a generation of skaters. Featuring a trove of original footage and interviews with the magazine’s major players, Dumb celebrates the lowbrow legacy of this touchstone of 90’s counterculture. With Johnny Knoxville, Spike Jonze, Steve Rocco, Bam Margera, Steve-O, Tony Hawk, Chad Muska. A Hulu release. Hounds of Love, directed and written by Ben Young. (Australia) – New York Premiere, Narrative. Dark forces lurk behind the sunny façade of an unassuming Australian suburb in Ben Young’s stylish directorial debut. This ‘80s-set true crime thriller follows 17-year-old Vicki on the night she’s abducted by a disturbed couple. While bound to a bed inside of the kidnappers’ home and subjected to psychological and physical torture, Vicki must find a way to drive a wedge between her unhinged captors and escape by any means necessary. With Emma Booth, Ashleigh Cummings, Stephen Curry, Susie Porter, Damian de Montemas, Harrison Gilbertson. A Gunpowder & Sky release. Presented in partnership with Venice Days. Psychopaths, directed and written by Mickey Keating. (USA) – World Premiere, Narrative. Over the course of one excessively blood-soaked night, multiple serial killers’ paths cross, leaving a trail of bodies and begging the question: Which psychopath will live to see morning? One of the most exciting and unclassifiable new voices in indie horror, Mickey Keating delivers his wildest ride yet with this ultra-stylish and uber-violent descent into madness. With Ashley Bell, James Landry Hébert, Mark Kassen, Angela Trimbur, Larry Fessenden, Jeremy Gardner, Sam Zimmerman. Super Dark Times, directed by Kevin Phillips, written by Ben Collins, Luke Piotrowski. (USA) – North American Premiere, Narrative. Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence in Kevin Phillips’ atmospheric ‘90s-set mystery-thriller. With Owen Campbell, Charlie Tahan, Elizabeth Cappuccino, Max Talisman, Sawyer Barth, Amy Hargreaves. Tilt, directed by Kasra Farahani, written by Jason O’Leary, Kasra Farahani. (USA) – World Premiere, Narrative. There’s something off about Joe. Although his pregnant girlfriend, Joanne, supports him as he devotes more and more time to his passion project, a sprawling documentary about America’s “golden age,” both the film and Joe are becoming increasingly unhinged. Joanne is growing worried about Joseph’s odd behavior…but not as worried as she should be. With Joseph Cross, Alexia Rasmussen, Kelvin Yu, Jessy Hodges, CS Lee.

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