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  • Russian Film LOVELESS Wins Best International Film at Munich Film Festival

    [caption id="attachment_22301" align="aligncenter" width="1200"]Loveless Loveless[/caption] The Russian film “Loveless” by Andrey Zvyagintsev won the ARRI / OSRAM Award for best international film, at the Munich Film Festival.  “Loveless” tells the story of Boris and Zhenya, going through a cruel divorce full of hatred and mutual accusations. Both have already have found new partners and both want as quickly as possible to leave the past behind. The past includes their son Alyosha, who suddenly disappears without a trace. “Loveless” won the Jury Prize at the Cannes Film Festival. A special mention was given to the Belgian film “Home” directed by Fien Troch. The CineVision Award for the best international junior film was won by The Nothing Factory (A Fábrica de Nada) directed by Pedro Pinho. The jury commented “The film tells the story of a group factory workers who lose their jobs, but refuse to give up. The story is told in a very emphatic way, played and filmed, but to want without arousing cheap pity. The film provides no easy answers, but forces us thinking itself. It is a startling and highly entertaining form of agitprop for the 21st century.” A special mention was awarded to “Los Perros” by the Chilean director Marcela Said. “Blind & Ugly” by Tom Lass won the FIPRESCI Prize 2017. The jury praised the balanced mix of drama, comedy and romance, as well as the successful occupation. The audience prize went to the film “Still Young” by David Schlichter and Fabian Halbig. The film portrays the story of four boys from Dillingen who met each other at school and wanted to play German rock: the band Killerpilze. The Children’s Film Festival Audience Award this year went to the team of directors Jakob Schuh, Jan Lachauer and Bin Han To for their animated film “Once Upon a Time … by Roald Dahl” ( “Revolting Rhymes“), co-produced by BBC and ZDF. ONE FUTURE PRIZE is awarded to the Italian film Pure Hearts (Cuori Puri) . The jury justified its decision by saying, “. Roberto de Paolis complex debut film opened an intelligent and very touching look at the socio-political problems of contemporary Italy First seemingly only a love story about two young people from very different social backgrounds, taking the 1980 in Rome born director refugee issues increasingly into focus. “

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