Can’t Say Goodbye (No se decir adios) (2017)

  • Miami GEMS Festival Lineup is Here – THE FLORIDA PROJECT, CALL ME BY YOUR NAME and More

    [caption id="attachment_23729" align="aligncenter" width="1200"]The Florida Project THE FLORIDA PROJECT[/caption] Miami Film Festival unveiled the full line-up of their acclaimed 2017 Miami GEMS Festival, and among the many highlights will be the Miami premiere of Sean Baker’s The Florida Project and the US premiere of Antonio Méndez Esparza’s Florida film Life and Nothing More. Miami GEMS 2017 Festival, now in its third year, will take place October 12 to 15 at MDC’s Tower Theater Miami. It’s a fall extension of the annual, internationally-renowned Miami Film Festival that will celebrate its 35th edition on March 9 to 18, 2018. The Florida premiere of Luca Guadagnino’s Call Me By Your Name is the Opening Night Film of Miami GEMS 2017. Another major highlight is Ruben Östlund’s The Square, winner of the prestigious Palme d’Or at this year’s Cannes Film Festival, from a jury presided over by Pedro Almodóvar. A special presentation of Miami GEMS 2017 Festival will be a seminar conversation entitled Don’t Take Yes For An Answer, featuring Miami-Haitian filmmakers Edson Jean and Joshua Jean-Baptiste speaking about their recently-wrapped, eight-episode web series “Vakabon”, 100% filmed in Miami and due for release in 2018. The $2.5 million series was born out of a winning pitch that the Miami duo made to the Project Greenlight Digital Studio’s first “Get The Greenlight Digital Series” contest in early 2016. For the first time, Miami Film Festival will introduce a Virtual Reality (VR) sidebar throughout the Miami GEMS 2017 weekend, VR Escape, in partnership with MDC’s Miami Animation & Gaming International Complex (MAGIC). Festivalgoers will experience four 360° videos by Angel Manuel Soto, an L.A. based Puerto Rican artist and filmmaker and Miami Film Festival alumni (Soto’s feature The Farm (La granja) played in competition at the Festival’s 2015 edition).

    Miami GEMS 2017 Film Lineup

    Call Me By Your Name (Italy / France), directed by Luca Guadagnino *OPENING NIGHT FILM A work of tenderness and beauty from the acclaimed director of splashy, sensual films as I Am Love and A Bigger Splash. An antiquities academic invites a young American Jewish scholar to stay with his family for a summer in Lombardy, with unexpected results. Starring Armie Hammer, Timothée Chalamet and Michael Stuhlbarg. A Sony Pictures Classics release. Can’t Say Goodbye (No se decir adios) (Spain), directed by Lino Escalera NORTH AMERICAN PREMIERE Spanish stars Nathalie Poza, Lola Dueñas and Juan Diego deliver some of the finest performances of their careers in this multi-award winning hit from the 2017 Malaga Film Festival. A family in crisis, a daughter in denial, a moment of truth… The Desert Bride (La novia del desierto) (Argentina/Chile), directed by Cecilia Atán and Valeria Pivato Starring the incomparable Chilean star Paulina Garcia (Gloria), this Cannes Un Certain Regard competitor is a beautiful road trip across the Argentine countryside. A Buenos Aires housekeeper who is let go after 3 decades of working for the same family must travel 700 miles for a new position in San Juan, but early in the voyage she loses all of her earthly possessions. Don’t Take Yes For An Answer: Edson Jean, Joshua Jean-Baptiste and VAKABON (USA), in conversation with Festival director Jaie Laplante Co-creators of the upcoming eight-episode web series “Vakabon” Edson Jean and Joshua Jean-Baptiste will candidly discuss the journey from shooting no-budget test-episodes to working with a 70-person crew and over 50 Miami-based actors on one epic Miami summer shoot. Eric Clapton: Life in 12 Bars (UK), directed by Lili Fini Zanuck Only the second woman ever to win an Academy Award for Best Picture, Lili Fini Zanuck (Driving Miss Daisy) has made an epic and emotionally overwhelming portrait of one of the great rock musicians of all-time. This will be a rare chance to see this incredible documentary in a big-screen, theatrical setting. Faces Places (France), directed by Agnès Varda and JR. Winner of the L’Oeil d’Or (Golden Eye) awarded by the French Writers Society as Best Documentary at the 2017 Cannes Film Festival, the legendary French director, a pioneer of the French New Wave alongside Jean-Luc Godard, partners with a young street artist with an enormous Instagram following for a whimsical exploration of the small French villages of Varda’s memories. The Florida Project (USA), directed by Sean Baker MIAMI GEMS 2017 PREVIEW FILM In constructing the most magical place on Earth, Disney planners would refer what would eventually become Walt Disney World in Orlando as “the Florida project”. Yet on the outskirts of the world’s most visited vacation resort lies a less cheerful façade, where a 22-year-old single mother of a six-year-old struggles to survive and create a sense of family on the margins. Willem Dafoe stars as the manager and sometimes father figure of a roadside motel on the outskirts of Orlando, in Sean Baker’s acclaimed film from Director’s Fortnight in Cannes 2017. In The Fade (Germany), directed by Fatih Akin *GERMANY OFFICIAL SUBMISSION TO 90TH ACADEMY AWARDS With a ferocious performance by Diane Kruger (the Best Actress winner at 2017 Cannes Film Festival), Fatih Akin explores our new world realities of terrorism impinging ever closer to home. A German woman’s world collapses when her Turkish husband and young son are murdered in a domestic radicalist’s bomb attack. Life and Nothing More (Spain/USA), directed by Antonio Méndez Esparza US PREMIERE An invigorating work of modern neorealism set on the fringes of urban Florida, Spanish writer-director Esparza displays an astonishing grasp of the conundrum of race, family and justice that suffuse our contemporary America. Life and Nothing More is essential cinema for our present moment. My Friend Dahmer (USA), directed by Marc Meyers With an astonishing central performance by Disney star Ross Lynch, this Tribeca Film Festival 2017 special presentation is a brilliant re-creation of pre-psycho 1970s jitters, and a devastating indictment of our society’s ability to cope with early detection signs of mental illness. No, a Flamenco Tale (Spain), directed by José Luis Tirado A beguiling fusion of thrilling cinema and passionate music, NO, a Flamenco Tale sweeps us off to a land where the joys and hardships of life are expressed in breathtaking spectacle and song. Son of Sofia (Greece / France / Bulgaria), directed by Elina Psikou Winner of Best International Narrative Feature at 2017 Tribeca Film Festival. A fantastical journey through an 11-year-old Russian boy’s fraught collision with the bewildering logic of the world of adults, when his mother sends for him to join her in Athens, Greece, where she introduces him to his harsh new Greek stepfather. The Square (Sweden), directed by Ruben Östlund *SWEDEN OFFICIAL SUBMISSION TO 90TH ACADEMY AWARDS The 2017 Palme d’Or winner is the first comedy to win the top prize at Cannes Film Festival in 23 years. From Ruben Östlund, director of the international hit Force Majeure, a jaw-dropping art-world satire. Starring Claes Bang, Elisabeth Moss and Dominic West. Summer 1993 (Estiu 1993) (Spain), directed by Carla Simón SPAIN OFFICIAL SUBMISSION TO 90TH ACADEMY AWARDS Winner of the Best First Feature Film award at the 2017 Berlin Film Festival, and the Grand Prize for Best Spanish Film at the 2017 Malaga Film Festival. In one sun-dappled, perfect summer, Frida will grow up more than any six-year-old should ever be expected to, as her new young step-parents struggle with the smiles and the tears. The Workshop (France), directed by Laurent Cantet Cantet’s follow-up to his Havana, Cuba film Return to Ithaca is a profound examination of contemporary education in all its social and pedagogical complexities. Returning to his native France, The Workshop is also a nail-biting thriller. VR Escape (USA), four works by Angel Manuel Soto An installation at MDC’s Tower Theater for the entire GEMS weekend will allow Festivalgoers to experience the new frontier of content creation via four short new works by Miami Film Festival alumni Soto.

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  • THE BAR, SUMMER 1993 Among Films in Made in Spain Showcase at San Sebastian International Film Festival

    [caption id="attachment_24368" align="aligncenter" width="1200"]THE BAR (EL BAR) THE BAR (EL BAR)[/caption] Made in Spain, a showcase of Spanish films at the 2017 San Sebastian International Film Festival will feature eleven films, including the latest works from acclaimed directors such as Álex de la Iglesia, Agustí Villaronga and Paco Plaza. Among the debuts are Pieles, by Eduardo Casanova, which had its premiere in the Panorama section of the Berlin Film Festival; Estiu 1993 / Summer 1993, by Carla Simón, winner of Best First Film at the Berlinale and Gold Biznaga at the Malaga Festival, the first awards in a long list of accolades; Júlia ist, Silver Biznaga for Best Film and Best Directing at the Malaga Festival, the first film by Elena Martín, star of Las amigas de Ágata; No sé decir adios (Can’t Say Goodbye), by Lino Escalera, winner of four awards at the Malaga Festival, including Special Jury Prize; and La mano invisible (The Invisible Hand), first feature film by David Macián. The film, inspired in the novel of the same name by Isaac Rosa, premiered in Seville and was selected for the San Sebastian Human Rights Festival, among others. Gabriel Velázquez participated in Zabaltegi in 2007 with Amateurs, with a screenplay penned by Blanca Torres. The two now present Análisis de sangre azul (Analysis of Blue Blood), selected for the Seville, Nantes, Barcelona and Toulouse festivals. Demonios tus ojos (Sister of Mine), premiered at the Rotterdam Festival, is the third work from Pedro Aguilera. Both his debut, La influencia (The Influence), premiered at the Directors’ Fortnight in Cannes, and his second film, Naufragio (Wreckage), screened at San Sebastian. Víctor García León, who competed in the Official Selection with Vete de mí (Silver Shell for Best Actor), will present Selfie, recipient of a Special Jury Mention and the Critics’ Award at Malaga. Incerta glòria / Uncertain Glory is the latest film by Agustí Villaronga, who made his debut in San Sebastian with Tras el cristal (In a Glass Cage, Zabaltegi-New Directors, 1986) and has harvested two Best Actress Silver Shells at the Festival (with Pa negre /Black Bread and El rey de la Havana / The King of Havana). El bar (The Bar), which premiered in Berlin, is the latest proposal from the filmmaker Álex de la Iglesia, who has participated in San Sebastian Festival’s Official Selection with several of his films, such as La comunidad (Common Wealth, Silver Shell for Carmen Maura), Las brujas de Zugarramurdi (Witching & Bitching) and Mi gran noche (My Big Night). Paco Plaza, co-creator of the film REC with Jaume Balagueró, will present his latest genre movie, Verónica.

    Made in Spain

    ANÁLISIS DE SANGRE AZUL (ANALYSIS OF BLUE BLOOD) BLANCA TORRES, GABRIEL VELÁZQUEZ (SPAIN) Cast: Anders Lindstrom Análisis de sangre azul narrates the adventures of a British aristocrat who suffered a fall in the Pyrenees only to come round in a mental asylum early last century. The doctor in psychiatry Pedro Martínez records with his 16mm camera the progress of this man suffering from disorientation and memory loss. However, the doctor’s hidden intentions will drive him to take advantage of this “rare specimen’s” arrival to test his theories of evolution. DEMONIOS TUS OJOS (SISTER OF MINE) PEDRO AGUILERA (SPAIN – COLOMBIA) Cast: Julio Perillán, Ivana Baquero, Lucía Guerrero, Nicolás Coronado, Elisabet Gelabert, Juan Pablo Shuk One night, Oliver, a young film director living in Los Angeles, discovers on an erotic website that one of the stars of the explicit videos is his younger sister, Aurora. Surprised and bewildered, he decides to go to Madrid; it’s been years since he saw his family. Thus begins an obsessive search for answers, an intimate journey towards confusion and the truth of the image, a tale of domination and manipulation, of moral limits and the loss of vital and audiovisual innocence. EL BAR (THE BAR) ÁLEX DE LA IGLESIA (SPAIN – ARGENTINA) Cast: Blanca Suárez, Mario Casas, Carmen Machi, Secun de la Rosa, Jaime Ordóñez, Terele Pávez, Joaquín Climent, Alejandro Awada Nine in the morning. A motley crew are having breakfast in a bar in the centre of Madrid. One of them is in a hurry; on his way out the door he’s shot in the head. No-one dares to help him. They’re trapped. ESTIU 1993 / SUMMER 1993 CARLA SIMÓN (SPAIN) Cast: Laia Artigas, Paula Robles, Bruna Cusí, David Verdaguer In summer 1993 and following the death of her parents, 6 year-old Frida is taken from Barcelona to the Catalonian countryside. She lives with her aunt and uncle, her new legal guardians. Life in the country is a challenge for her – time passes differently in her new home and the surrounding nature is mysterious and distant. Now she has a younger sister to look after. She also has to deal with new feelings, like jealousy. The family works hard to achieve a fragile balance and bring normality to their lives. Occasionally they listen to jazz in the garden, go on family outings to a fiesta or to the swimming pool. These are happy times. Slowly, Frida starts realising she’s there to stay and must adapt to her new environment. Before summer ends, Frida will have to face up to herself. INCERTA GLÒRIA / UNCERTAIN GLORY AGUSTÍ VILLARONGA (SPAIN) Cast: Oriol Pla, Terele Pávez, Luisa Gavasa, Juan Diego, Marcel Borras, Núria Prims, Bruna Cusi The Aragon Front, 1937. Lluís, a young Republican officer sent to a temporarily inactive post, meets and falls for Carlana, an enigmatic widow. The girl convinces him to forge a document giving her the title of Lady of the region. Lluís’s best friend, Solèras, a demoted officer, discovers the fraud and, in exchange for keeping quiet about it, demands that he moves away from the Barcelona bombardments Trini, Lluís’s wife, with whom he is secretly in love, and her son. When Trini comes to the village, it won’t be long before she discovers Lluís’s betrayals as a ‘state of war’ settles in between the two, shaking all of their moral foundations. JÚLIA IST ELENA MARTÍN GIMENO (SPAIN) Cast: Elena Martín, Oriol Puig, Jakob D’Aprile, Laura Weissmahr, Carla Linares Júlia decides to go on Erasmus to Berlin. She will leave home for the first time, giving it little thought, launching herself into adventure. The city, cold and grey, will give her a frostier welcome than expected and she will face her expectations with reality: her existence will seem far removed from the new life she had dreamt of in the lecture rooms of Barcelona School of Architecture. LA MANO INVISIBLE (THE INVISIBLE HAND) DAVID MACIÁN (SPAIN) Cast: Josean Bengoetxea, Bárbara Santa-Cruz, Marta Larralde, Luis Callejo, José Luis Torrijo, Marina Salas, Daniel Pérez Prada, Edu Ferrés, Esther Ortega, Elisabet Gelabert, Bruto Pomeroy In an industrial building, eleven people are hired to go about their work in front of an audience: a bricklayer, a butcher, a seamstress, a telephone operator, a waiter, a message boy, a mechanic, a computer specialist and a cleaner. Artwork, reality show, macabre experiment: they don’t know what’s in store for them, or who is behind the hand that moves the strings of this perverse little puppet theatre. NO SÉ DECIR ADIÓS (CAN´T SAY GOODBYE) LINO ESCALERA (SPAIN) Cast: Nathalie Poza, Juan Diego, Lola Dueñas Carla gets a call from her sister: her father, with whom she fell out some time ago, is ill. That same day, Carla takes a flight to Almeria, to the home of her childhood. There, the doctors say that her father has only months to live. She refuses to accept the diagnosis and, against everyone’s opinion, decides to take him to Barcelona for treatment. The two embark on a journey to escape from a reality that neither dares to confront. And it will be in this flight that they will finally find one another and have the opportunity to say their goodbyes. PIELES (SKINS) EDUARDO CASANOVA (SPAIN) Cast: Macarena Gómez, Jon Kortajarena, Candela Peña, Carmen Machi, Ana Polvorosa, Secun de la Rosa, Joaquín Climent Physical appearance conditions us in regard to society, whether or not it is our choice. Pieles is the tale of physically diverse people whose differences have forced them to hide, shut themselves away or group together. Samantha, a woman with an inverted digestive system, Laura, a girl with no eyes, or Ana, a woman with a deformed face. Lonely people who struggle to find their place in a society that only understands one kind of physical appearance, and which excludes and mistreats those who don’t fit in. SELFIE VÍCTOR GARCÍA LEÓN (SPAIN) Cast: Santiago Alverú, Macarena Sanz, Javier Carramiñana, Pepe Ocio, Alicia Rubio, Clara Alvarado A government minister has just been arrested by the police, accused of corruption, embezzlement of public funds, money laundering and another eighteen money-related crimes. This is the tale of his son. The adventures of Bosco from the moment he is thrown out of his luxurious chalet in Moraleja until he approaches the Podemos HQ to ask for a job; his sentimental torment after his girlfriend of perfect teeth and lazy lip leaves him, until he is accepted by a blind social worker, educator in a school for the disabled; his miseries from the moment he is expelled from his exclusive Master in Directing until his fearful wanderings around the streets of the Lavapiés district. If this was a romantic comedy, Bosco would learn a lesson; life would teach him something… and finally there would be a ray of light, the hope of change. He would find the love of his life. Or perhaps renew his faith in humans. Or simply a new path… or some kind of love for animals. Something. Unfortunately, this is not a romantic comedy. VERÓNICA PACO PLAZA (SPAIN) Cast: Sandra Escacena, Bruna González, Claudia Placer, Iván Chavero, Consuelo Trujillo, Ana Torrent Madrid, the 90s. In the middle of the night, the police receive a call. Amid screams of terror, they hear children shouting out about the presence of strange phenomena in their flat, deep in a working-class district. Two days earlier, Verónica, their older sister, had used the Ouija board at school. Without realising it, she has just opened the door to something supernatural, inexplicable, which will move into her house over the next hours, becoming increasingly more incontrollable and, above all, very, very dangerous.

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