Chevalier (2016)

  • Lineup Unveiled for 10th Anniversary of Los Angeles Greek Film Festival

    [caption id="attachment_13899" align="aligncenter" width="1300"]Worlds Apart Worlds Apart[/caption] The 2016 Los Angeles Greek Film Festival, celebrating its tenth anniversary, will run June 1 to 5, 2016 at the Egyptian Theatre in Hollywood, CA. This year’s festival will showcase more films, Q&A’s and festivities than ever before including a collaboration with Athens International CulinaryFilm Festival (AICFF) and a Gastronomical Sidebar complete with cuisine themed entertainment and top chef cooking demonstration with tasting. The 2016 Los Angeles Greek Film Festival will kick off with the North American premiere of Tassos Boulmetis’ bittersweet comedy “Mythopathy “(Notias) on Wednesday, June 1. The story is set during the 1970s military junta in Greece and follows a young boy, Stavros, as he copes with the ever changing social and political climate by reinventing established Greek myths and creating his own versions. This is the third feature from the award-winning “Touch of Spice” director. “Mythopathy” stars Hellenic Academy awardwinners Themis Panou (“Miss Violence”), Maria Kallimani (“Sto Spiti”) and introduces Giannis Niaros in his first feature starring role among others. Tasos Boulmetis, a former UCLA assistant professor and film school Alum, will be in attendance The Closing Night film will be Christopher Papakaliatis’ “Worlds Apart” in its debut outside of Greece. The film stars Academy Award® winner J.K. Simmons. “Worlds Apart” is the highest grossing Greek film since 2009, notably surpassing box office numbers in Greece for the long-awaited 2015 blockbusters “Star Wars: The Force Awakens” and “Spectre”. “Worlds Apart” fosters three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe as a whole, only to connect with a single story in the end. Christopher Papakaliatis and J.K. Simmons will be present for their film’s North American premiere. https://www.youtube.com/watch?time_continue=20&v=94D1XC83i3o Following the screening is the star-studded Orpheus Awards Ceremony where J.K. Simmons will receive the 2016 Orpheus at the ceremony hosted by “American Beauty” star Mena Suvari. Thursday, June 2 LAGFF will have a special tribute to iconic Greek director Alexis Damianos with a screening of the all-time favorite masterpiece “Evdokia” in its original 35mm format. First released in 1971, this Greek/UK co-production is a love story between a prostitute (Evdokia) and a sergeant (Yorgos). The film features an original Manos Loizos’ Rembetico musical piece and stars the late Maria Vassilou (Chrysothemis) and Chris Zorbas (Silhouettes). In 2002, the Greek Film Critics Association voted Evdokia as one the 5 best Greek films of all time. https://www.youtube.com/watch?v=mRedRJeihbw Thursday also offers writer/director Athina Rachel Tsangari’s critically acclaimed comedy “Chevalier”. Tsangari, who is attending this year’s festival, will also be conducting a Directing Master Class on Saturday, June 4 which is open to the public. https://www.youtube.com/watch?v=b10Bc8mVbHo There is something for every Cinephile on Friday, June 3 when the Festival screens 15 films beginning at 4:00 P.M. The TGIF program includes a searing look at relationships with Panos Karkanevatos’ “Riverbanks” (Ohthes) and Dimitri Anthanitis’ drama “Invisible”. Representative of Friday’s documentary offerings is Loukas Stamellos’ “Golden Dawn: A Personal Affair” about the Greek neo-Nazi party “Golden Dawn” and Vasilis Katsoupis’ “My Friend Larry Gus” about the Milan, Italy-based electronic artist. https://www.youtube.com/watch?v=X9_8H33wloc Preceding all narrative and documentary films is a litany of the best creative shorts of 2015 and 2016. Highlights include Haris Pantelidakis comedy “Pacino’s Way”, Nikos Tsemberopoulos’, “Simon Says” winner of the Grand Prize of the Competition Section Greek Film Short Film of the 21st Athens International Film Festival ‘Opening Nights’,Christos Liakouris’ family drama and festival circuit favorite “Pet” and “Stutterer” Benjamin Cleary and Serena Armitage’s 2016 Oscar Winner for Short Film (Live Action). Michael Paledimos, “Stutterer’s” Producer will be in attendance for the film with Q&A to follow. On Thursday June 2 and Saturday, June 4, LAGFF proudly hosts the films of the Athens International Culinary Film Festival (AICFF.ORG). The Gastronomical sidebar will offer savory treats like the moving yet joyful coming of age documentary from director Angelos Abatzoglou’s “Mustafa’s Sweet Dreams”; Taso Boulmetis award-winning relationship drama “A Touch of Spice” starring George Corraface as a forty-year-old chef who returns to Istanbul after years of exile. https://www.youtube.com/watch?v=w7nIP0wm6_4 https://www.youtube.com/watch?v=DioZyZQUDTY World-renowned award-winning chef, Doxis Bekris will be on hand to offer up a tantalizing cooking demonstration in the Egyptian courtyard with tastes of Greek cuisine for all in attendance. New this year, Loyola Marymount University (LMU) Professor of Classics Katerina Zacharia instituted an Interdisciplinary Core course on “Representations of Greece: Ancient and Modern” with embedded student internships at the Los Angeles Greek Film Festival. The 16 LMU-LAGFF interns and Prof. Zacharia assisted in the selection of this year’s program. LAGFF designated an LMU Special Selection slot at 10 pm on Saturday, June 4th 2016, during which the LAGFF-LMU interns selected Angelos Frantzis modern fantasy drama “Symptom” and the short “Pet” by Christos Liakouris for their screening. For the first time in Festival history, LAGFF is opening its screenings free of charge to all college students with a valid student ID. Discounted tickets to the Opening and Closing Night Galas for eligible students will also be offered.

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  • Louisiana International Film Festival Announces Official 2016 Lineup

    [caption id="attachment_9382" align="aligncenter" width="1200"]Born to be Blue. Robert Budreau BORN TO BE BLUE[/caption] The 2016 Louisiana International Film Festival (LIFF) announce its lineup of feature films, including Ethan Hawke as troubled jazz legend Chet Baker in BORN TO BE BLUE. The 2016 Louisiana International Film Festival slate of international and USA-made films includes the world premiere of earthquake relief documentary SEVEN DAYS IN NEPAL from executive producer D.A. Pennebaker (the legendary filmmaker of Don’t Look Back, Monterrey Pop and The War Room fame), Ethan Hawke as troubled jazz legend Chet Baker in BORN TO BE BLUE, and THE WRONG LIGHT about a filmmakers’ journey to document a non-profit in Thailand dedicated to helping victims of sex trafficking among others. In addition, this year’s festival boasts a brand new category: Southern Perspectives. Southern Perspectives is a regionally-focused slate that will include nearly a dozen movies telling a wide range a narratives from the American South—from the erosion of small town culture with BOGALUSA CHARM, to AFTER THE SPILL, a documentary exposing the details of BP’s Deepwater Horizon oil spill in the Gulf of Mexico. LIFF 2016 also is proud to showcase an impressive Women and Film category that includes 17 titles about women or directed by women, including Anne Fonteyne’s post-war Warsaw doctor drama THE INNOCENTS and Barbara Kopple’s MISS SHARON JONES!—the rousing music documentary following soul singer Sharon Jones’ battle with cancer and preparations for a world tour. A complete schedule of screenings will be released soon. Confirmed feature titles are listed in alphabetical order as follows.

    FEATURE FILMS – LIFF 2016

    The Adderall Diaries (USA) 105 min. James Franco heads a cast that includes Ed Harris, Christian Slater and Amber Heard in this heady thriller based on the bestselling memoir by Stephen Elliott. Burdened with writer’s block and an escalating drug problem, Elliott becomes obsessed with a high-profile murder case that unleashes childhood memories of his cruel and distant father. When Daddy suddenly appears with his own story to tell, fact and fiction merge in an amphetamine-induced haze. After The Spill (USA) 62 min. Five years after Katrina devastated the coast of Louisiana, the BP operated Deepwater Horizon exploded and spilling 200 million gallons of oil into the Gulf of Mexico. Melissa Leo narrates this in-depth look at the worst ecological disaster in North American history, the effect of the spill and Big Oil’s production operations on the Louisiana coast. L’Attesa (Italy|France) 100 min. Juliette Binoche is simply magnificent as a Sicilian woman so grief-stricken by the sudden death of her son that she tells his new girlfriend (Lou de Laâge) – who has travelled from Paris to meet him – that he is delayed on business. And so ‘the wait’ (l’attesa) begins, and the lie becomes a ticking bomb. Marked by striking images and painterly lighting, L’Attesa is an intense psychological drama. Baskin (Turkey) 97 min. A backup squad of Turkish police called to a desolate mansion stumble upon a squalid and blood-soaked den of satanic ritual. Winner of the ‘Best Director’ award at Fantastic Fest, Baskin was hailed as “a meticulously crafted baroque puzzle box… a film to dread, a film that slips deep into the psyche and uncovers the topography of hidden nightmares.” Bogalusa Charm (USA) 83 min. WORLD PREMIERE. ‘Charming’ is not a word easily applied to Bogalusa, Louisiana with its smelly paper mill, closed up shops and aging population. However, one business is still going strong: a charm school that transforms local girls into ladies. Native son Steve Richardson portrays this dot on the map with affection, insight, and sadness while addressing a bigger American malaise: the erosion of small town life. Born to Be Blue (USA|Canada|UK) 97 min. Ethan Hawke turns in a soulful, sexy, and often funny performance – for which he learned to play the trumpet – as Jazz legend Chet Baker whose battle with addiction was as famous as his music. Set in 60s California with flashbacks to 50s New York, the film focuses on Baker’s search for redemption while juggling a new girlfriend, a movie offer and plans for a comeback at jazz mecca Birdland. Boy and the World (Brazil) 80 min. No dialogue is required to tell the beguiling story of a small boy who follows his father from their idyllic farm to an overpopulated city where he discovers an alien industrial and automated world. A soundscape of pan-flute, samba, and Brazilian hip-hop mixes with whirling carnival colors and exploding fireworks in this dazzling and completely original Oscar-nominated animated feature. Chevalier (Greece) 99 min. A female director casts a witty, sardonic eye on men and their competitive drive in this highly original film. Six men on a luxury yacht invent a series of surreal games complete with oblique rules and a point system. As the stakes heighten, comparisons are made, measurements taken, songs butchered, blood tested. Friends will become rivals and rivals will do anything to win. Community (UK) 78 min. Do packs of feral working class teenagers, high on super addictive weed, really roam the Drayman Housing Estate in Essex? The cops stay clear, but when 2 filmmakers arrive to debunk the myth, they soon find themselves on the menu! Bloody and brutal, Jason Ford’s shocker is a bold example of the new wave of hoodie-horror films to come out of the UK. [caption id="attachment_9801" align="aligncenter" width="1200"]Dheepan Dheepan[/caption] Dheepan (France) 115 min. Winner of the 2015 Cannes Palme d’Or, this gritty film tells the story of Dheepan, a refugee from Sri Lanka and a former Tamil Tiger, who concocts a fake family to gain passage to France. But his violent past still haunts him. Slow-burning tension punctuated by explosions of violence mark Jacques Audiard’s timely, passionate film about a driven man caught in a unique moral dilemma. El Clan (Argentina) 110 min. Alejandro, a teen rugby star manipulated into helping his family profit from a series of meticulously planned abductions, discovers that the father he reveres is a cold-blooded killer. Produced by Pedro Amoldovar and based on the real-life exploits of the notorious Puccios, El Clan uses upbeat 80s pop as an ironic comment on the cynicism and immorality of the waning Argentinian dictatorship. Embrace of the Serpent (Columbia) 125 min. This Oscar nominee from Columbia, set in the Amazon jungle and inspired by the journals of two German explorers, follows a shaman and his unlikely travel companions in search of a rare psychedelic, medicinal herb. First-time director Ciro Guerra employs stunning black and white widescreen cinematography to take us deep into the heart of darkness… merging two parallel stories, 40 years apart, into a hallucinatory finale. The Fits (USA) 72 min. Director Anna Rose Holmer celebrates the physicality and fluidity of adolescence in her infectious character study of Toni, an African American tomboy who boxes at the same gym where a dance drill team practices. Toni yearns to join the tight-knit tribe of older girls but when mysterious fits of shaking and fainting strike the troupe, her desire for acceptance becomes complicated. Giving Birth in America (US) 46 min. Maternal health nonprofit Every Mother Counts presents a new three-part, short documentary series, “Giving Birth in America,” to examine some of the key reasons that the U.S. is falling so far behind in maternal healthcare. Each short film follows pregnant women and their healthcare providers in Florida, Montana and New York in the days leading up to delivery. Together, they navigate challenges of race, poverty, chronic illness, overuse of medical interventions and other inequalities that impact maternal health outcomes in America. Special Guest Christy Turlington Burns in attendance for Q&A. Ingrid Bergman in Her Own Words (Sweden) 114 min. Three-time Oscar-winner Ingrid Bergman was a creative woman and loving mother who forged a career that few actresses do: from Swedish ingénue to Hollywood star, from exile in Italy with director Roberto Rossellini to cherished international stage and screen legend. Bergman’s own home movies, newsreels, and recollections by daughters Isabella and Pia combine to paint a nuanced portrait of a gifted, intelligent and sometimes conflicted individual. The Innocents (France|Poland) 115 min. In this dramatic, nuanced film set in post-war Warsaw, a Red Cross doctor who is summoned to a convent to deliver a baby in the middle of the night, discovers a pious, cloistered community brutalized by Soviet soldiers. Rising star Lou de Laâge (L’Attesa) gives a great performance as an idealistic young woman who puts herself in danger to guard a shameful secret. Is That a Gun in Your Pocket? (USA) 97 min. Small town Texas is rocked by an epic battle of the sexes when the local women band together to withhold sex until their men rid the town of guns. With a cast that includes Andrea Anders, Cloris Leachman and John Heard, this raunchy comedy/satire that won the audience award at the recent Sedona Film Festival tackles one of the hot-button issues of modern society. Ixcanul (Guatemala) 93 min. Eking out an existence on the remote slopes of a volcano (Ixcanul), a teenager admits to her loving mother that she is pregnant by the local dreamboat who has departed for America. Impoverished and unable to speak Spanish, the family embarks on a perilous journey to the big city to save the life of the child. A debut feature and winner of 13 international festival prizes, Ixcanul is a universal human tale. Lit Lo And Behold, Reveries of the Connected World (USA) 98 min. The droll, tech-phobic Werner Herzog – who has travelled to Antarctica and up the Amazon to document mankind’s dreams and fears – now explores the Internet’s unknown impact on human interaction, pro and con. Tracking its origins from a classroom at UCLA, thru its present day ‘dark side’, into a future world of robot cars and intergalactic tourism, the film is both scary and thrilling in its implications. Lost & Found (USA) 90 min. Two brothers forced to spend the summer on an island in Canada embark on a treasure hunt when they discover a map left behind by their eccentric wealthy grandfather who has mysteriously vanished. Pitting their wits against a ruthless land developer and two thugs, the boys uncover more than treasure and learn that the bonds of family are the most valuable riches of all. Marguerite (France) 127 min. Catherine Frot, Best Actress winner at this year’s Césars, is divine as a woman who dreams the impossible dream and possesses the innocence, madness and wealth to pursue it. Marguerite’s passion is opera and her delusion – fueled by the sycophants who swill champagne in her castle outside Paris – is that she sings beautifully. Ironically, this delightful comedy about sour notes is awash in gorgeous music, and features sumptuous 1920s clothes and décor. The Mayor: Life of Riley (USA) 66 min. The massacre of nine African Americans by a white supremacist on June 17, 2015 in Charleston, S. C. was a “worst nightmare” for Joseph P. Riley Jr, an Irish Catholic Democrat and the city’s mayor for an incredible 40 years. From the Civil Rights era forward, Riley was a visionary, fighting for inclusion in the face of divisiveness and for the restoration of once shabby Charleston to its former architectural glory. [caption id="attachment_9499" align="aligncenter" width="1500"]Sharon Jones MISS SHARON JONES![/caption] Miss Sharon Jones! (USA) 93 min. A cinema verité portrait of soul singer Sharon Jones as she battles cancer, develops a new album, and readies for a world tour. The film, bursting with funk and soul music, features toe-tapping excerpts of Jones’s performances with the Dap-Kings. Whether she is breaking barriers in the music business or beating disease, Jones is a fighter and a survivor, and Kopple’s rousing tribute celebrates the singer as an effusive life force 5 Missing People (USA) 76 min. Missing People is a nonfiction mystery about Martina Batan, a prominent New York art dealer, who investigates her brother’s long unsolved murder while obsessively collecting and researching the violent work and life of an outsider artist from New Orleans. As Martina struggles to process her discoveries, the inevitable collision of these parallel narratives leads to a chain of dramatic events. My Father, Die (USA) 102 min. Deaf and mute since having his hearing knocked out at the age of 12, Asher – played by action star Joe Anderson (Hercules, The Grey) – has been training to avenge himself on Ivan, the man that killed his older brother 21 years earlier. And now that his nemesis is out of prison, he gets his chance. But Asher’s target also happens to be his father. No Greater Love (USA) 92 min. The place is mountainous Kunar Province, Afghanistan, infamous for jihad, guerrilla warfare, and suicide bombers; and the soldier armed with the camera, not a gun, is Chaplain Justin Roberts. In this heartstopping and heart-wrenching documentary, distinguished by extraordinary combat footage, Roberts follows his comrades in the legendary ‘No Slack’ battalion from battlefield to home front where many veterans face other enemies: PTSD, depression and loneliness. Norman Lear: Just Another Version of You (USA) 91 min. A warm portrait of the father of hit shows like All in the Family, Maud and The Jeffersons. Now a spry 92, Lear reflects on his role as the first television producer to use the genre of American sitcom to address serious subjects – racism, feminism, and homosexuality. In the words of Robert Redford he “brought humanity, edge, humor and vulnerability into the mainstream.” The Ones Below (UK) 87 min. Affluent professionals Kate and Justin are expecting their first baby, as are sexy Teresa and domineering Jon, the mysterious new couple in the downstairs flat. Suppressing her fears about motherhood, Kate bonds with her extroverted neighbor until an awkward dinner party turns tragic and a burgeoning friendship implodes. A dash of Polanski and Haneke season this eerie, stylish debut feature by acclaimed UK theater director David Farr. Presenting Princess Shaw (Israel) 80 min. Samantha Montgomery, 38, lives alone in one of New Orleans’ toughest neighborhoods working as a caregiver for the elderly. But at night she transforms into Princess Shaw, belting out original songs at local clubs and posting homemade a cappella clips on YouTube. Completely unaware that a secret admirer – an Israeli musician living on a kibbutz outside Tel Aviv – will change her life forever. Raiders! (USA) 106 min. The 35th anniversary of Raiders of the Lost Ark would not be complete without this true story of two 11- year-old Mississippi kids who in 1982 remade the Hollywood blockbuster scene by scene with a Super 8mm camera. After 7 turbulent years that tested their resolve and strained their friendship, there was one scene left un-filmed. Thirty-three years later, the ‘boys’ reunite to realize their childhood dream. Rams (Iceland) 93 min. Brothers Gummi and Kiddi have been estranged for years, living separate lives on neighboring sheep farms in rural Iceland. When a fatal disease suddenly infects Kiddi’s herd, he schemes to save the breed while this isolated community comes to grips with its own economic extinction. A wry, charmingly deadpan and poignant comedy, Rams is the recipient of 17 international festival awards. Search Engines (USA) 98 min. This imaginative satire focuses on man’s relationship to his cell phone and suggests that technology can lead us astray from meaning, purpose and love. It’s Thanksgiving, and family and friends have just gathered to celebrate togetherness. But when cell phone reception mysteriously goes dead throughout the house, 6 each character is thrown into crisis: marriages are tested, values questioned, and futures hang in the balance. Seven Days in Nepal (USA) 62 min. WORLD PREMIERE. On April 2015, just before noon in Nepal, an earthquake took everything the Bajagain family possessed: house, farm, cattle, happiness. This cinema verité documentary takes us into the devastation with New Orleans contractor Michael Fanasci, a Katrina survivor, and Minoj Ghimire, a Nepali student from Missouri, who bring much-needed building materials – and hope – to a devastated family. Sidemen: Long Road to Glory (USA) 78 min. An intimate look at the lives and legacies of piano player Pinetop Perkins, drummer Willie Smith, and guitarist Hubert Sumlin, all of whom were Muddy Waters and Howlin’ Wolf sidemen. This rousing film depicts these artists’ thru their last interviews and their final live performances together and features additional music and personal insights from blues and rock stars inspired by these legendary sidemen. Songs My Brothers Taught Me (USA) 98 min. Two siblings coping with the loss of their father forms the heart of Chloé Zhao’s stunning directorial debut set among the Lakota people of South Dakota’s Pine Ridge Indian Reservation. In her directorial debut, Zhao sketches a complex, sensitive portrait of a community connected not only thru a rich cultural heritage but also by deep inner conflicts that manifest themselves in destructive ways. [caption id="attachment_11673" align="aligncenter" width="900"]Sunset Song Terence Davies Sunset Song[/caption] Sunset Song (UK) 135 min. Master director Terence Davies brings an epic sweep and grandeur to this saga of a young woman who comes of age in rugged north Scotland and sees her family beset by tragedy and the ravages of WWI.Though burdened with a stern father and an alcoholic husband, Chris endures. A woman with a passion for life, she draws strength from the ancient land and looks to the future. Tickled (New Zealand) 92 min. After stumbling upon a bizarre “competitive endurance tickling” video online, wherein young men are paid to be tied up and tickled, reporter David Farrier reaches out to Jane O’Brien Media… only to be threatened with extreme legal action. Not one to be bullied, he digs deeper, uncovering a vast empire of secret identities and criminal activity. “Tense and increasingly weird… painful and funny and deeply sad.” – Screen Daily Vita Activa: The Spirit of Hannah Arendt (Israel) 125 min. This no-holds documentary provides a rare insight into the philosopher, author and outspoken intellectual Hannah Arendt who incited anger, praise, devotion, and scorn up to and beyond her death in 1975. A German Jew who fled Europe for New York in 1941, Arendt coined the phrase “the banality of evil” to describe how someone as seemingly insignificant as Eichmann could be responsible for the Holocaust. The Wrong Light (USA) 77 min. Setting out to document a non-profit in Thailand dedicated to helping victims of sex trafficking, two idealistic filmmakers uncover a shocking truth: none of the ‘saved’ girls were victims of the sex trade; and Mickey, its charismatic leader, is perpetrating a scam to extort money from wealthy Westerners. This just completed film is an illuminating expose of an insidious industry dubbed ‘poverty porn.’

     

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  • Films Featuring Tony Robbins, Pee-Wee Herman, Added to Lineup for 2016 SXSW Film Festival

    Pee-wee’s Big Holiday Films featuring the return of Pee-wee, and an intimate behind-the-scenes experience with Tony Robbins, are among six newly added titles to the lineup for the 2016 SXSW Film Festival. SXSW Film 2016 will feature nine days of innovative and entertaining film screenings and five days of inspiring panels, hands-on workshops from March 11 to 19, 2016 New films added to lineup for 2016 SXSW FILM FESTIVAL Beware the Slenderman Director: Irene Taylor Brodsky In this horrifyingly modern fairytale lurks an online Boogeyman and two 12-year-old girls who would kill for him. The entrance to the internet quickly leads to its darkest basement. How responsible are our children for what they find there? (World Premiere) Chevalier (Greece) Director: Athina Rachel Tsangari, Screenwriters: Efthimis Filippou, Athina Rachel Tsangari Six men on a fishing trip on a luxury yacht decide to play a game to compete. Things will be compared. Things will be measured. Songs will be butchered, blood will be tested. Friends will become rivals and rivals will become hungry. Cast: Yorgos Kentros, Panos Koronis, Vangelis Mourikis, Makis Papadimitriou, Yorgos Pirpassopoulos, Sakis Rouvas. Midnight Special Director/Screenwriter: Jeff Nichols A father goes on the run to protect his young son and uncover the truth behind the boy’s special powers in the sci-fi thriller Midnight Special, a film as supernatural as it is intimately human. Cast: Michael Shannon, Joel Edgerton, Kirsten Dunst, Adam Driver, Jaeden Lieberher, Sam Shepard. (North American Premiere) Pee-wee’s Big Holiday Director: John Lee, Screenwriters: Paul Reubens, Paul Rust In Pee-wee’s Big Holiday, a fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday in this epic story of friendship and destiny. Cast: Paul Reubens, Joe Manganiello, Jessica Pohly, Alia Shawkat, Stephanie Beatriz. (World Premiere) Preacher Directors: Seth Rogen, Evan Goldberg, Screenwriter: Sam Catlin Preacher is a supernatural, twisted and darkly comedic drama that follows a West Texas preacher named Jesse Custer, who – along with his ex-girlfriend Tulip and an Irish vagabond named Cassidy – is thrust into a crazy world, much bigger than he is. Cast: Dominic Cooper, Ruth Negga, Joseph Gilgun, Ian Colletti, W. Earl Brown, Lucy Griffiths. (World Premiere) Tony Robbins: I Am Not Your Guru Director: Joe Berlinger Granted unprecedented access, Berlinger captures renowned life and business strategist Tony Robbins behind the scenes of his mega seminar Date with Destiny, pulling back the curtain on this life-altering and controversial event, the zealous participants and the man himself. (World Premiere)

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  • Carol, The Assassin, Among Films on Film Comment 2015 Best-of-Year Lists

    The Assassin Hou Hsiao-hsien (Nie Yinniang, Taiwan 2015) Film Comment’s annual end-of-the-year survey of film critics, journalists, film-section editors, and past and present contributors is out, and Todd Haynes’s Carol, Hou Hsiao-hsien’s The Assassin (pictured above), and George Miller’s Mad Max: Fury Road take the top spots among films released in 2015. Of the films that made appearances at film festivals or special screenings worldwide but have not received stateside distribution this year, Hong Sangsoo’s Right Now, Wrong Then, Athina Rachel Tsangari’s Chevalier, and Ben Rivers’s The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers received the top rankings. Film Comment 2015 Top 10 Films Released in: 1. Carol Todd Haynes, U.S. 2. The Assassin Hou Hsiao-hsien, Taiwan 3. Mad Max: Fury Road George Miller, U.S. 4. Clouds of Sils Maria Olivier Assayas, France 5. Arabian Nights Miguel Gomes, Portugal 6. Timbuktu Abderrahmane Sissako, Mauritania/France 7. Spotlight Tom McCarthy, U.S. 8. Phoenix Christian Petzold, Germany 9. Inside Out Pete Docter & Ronnie del Carmen, U.S. 10. The Look of Silence Joshua Oppenheimer, Denmark/Indonesia The rankings of other films making strong showings during the awards season are John Crowley’s Brooklyn (#18), Frederick Wiseman’s In Jackson Heights (#13), and Steven Spielberg’s Bridge of Spies (#20). Hou Hsiao-hsien’s The Assassin (#2) was the cover subject of Film Comment magazine’s September/October issue, and László Nemes’s Son of Saul (#14) was the cover subject of the November/December issue. Film Comment’s survey also ranks films that have screened and made notable appearances at festivals throughout the year, but remain without U.S. distribution at press time. Film Comment 2015 Top 10 Unreleased Films: 1. Right Now, Wrong Then Hong Sangsoo, South Korea 2. Chevalier Athina Rachel Tsangari, Greece 3. The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers Ben Rivers, U.K. 4. The Academy of Muses José Luis Guerín, Spain 5. Don’t Blink – Robert Frank Laura Israel, U.S. 6. Cosmos Andrzej Zulawski, Poland 7. Journey to the Shore Kiyoshi Kurosawa, Japan 8. Happy Hour Ryusuke Hamaguchi, Japan 9. Lost and Beautiful Pietro Marcello, Italy 10. Minotaur Nicolas Pereda, Mexico Film Comment editor Gavin Smith said: “The 20 films that critics have voted for can be divided into four categories: mainstream Hollywood critical and box-office hits (3), American art-house-inclined indies (7), foreign-language art movies in a variety of familiar modes (5), and foreign-language movies that challenge viewers to enter cinematic realms they’ve never previously experienced (5). That balance, which happens to be encapsulated in the top five in micro form, feels about right for the agenda of this magazine, which, since the very beginning, has been to champion the best in cinema wherever it hails from, all creatures great and small. Since we managed to run features on 11 of these and sung the praises of another five, it’s a pleasure to close out the year on a high note.”

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  • AFI FEST 2015 Reveals the Last Batch of Films – Films in World Cinema, Breakthrough, Midnight, Shorts and Cinema’s Legacy programs

    A MONSTER WITH A THOUSAND HEADS AFI FEST 2015 announced the films that will screen in the World Cinema, Breakthrough, Midnight, Shorts and Cinema’s Legacy programs. AFI FEST will take place November 5–12, 2015, in the heart of Hollywood. World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award® consideration. WORLD CINEMA SELECTIONS (29 Titles) The World Cinema section showcases the most acclaimed international films of the year. Radu Jude, AFERIM! AFERIM! – This Romanian Western is an odyssey through the landscape of feudal Eastern Europe, following a father and son on a mission to find a gypsy. DIR Radu Jude. SCR Radu Jude, Florin Lazarescu. CAST Teodor Corban, Mihai Comanoiu, Cuzin Toma, Alexandru Dabija, Alexandru Bindea, Luminița Gheorghiu, Victor Rebengiuc, Alberto Dinache, Mihaela Sîrbu. Romania/Bulgaria/Czech Republic BLOOD OF MY BLOOD (SANGUE DEL MIO SANGUE) – In this dual narrative, lust plays out in a 17th-century convent and a modern-day count lives a bizarre life within those same walls. DIR Marco Bellocchio. SCR Marco Bellocchio. CAST Roberto Herlitzka, Pier Giorgio Bellocchio, Lidiya Liberman, Fausto Russo Alesi, Alba Rohrwacher, Federica Fracassi, Alberto Cracco, Bruno Cariello, Toni Bertorelli, Filippo Timi, Elena Bellocchio, Ivan Franek, Patrizia Bettini, Sebastiano Filocamo, Alberto Bellocchio. Italy/France/Switzerland. U.S. Premiere Chevalier Athina Rachel Tsangari CHEVALIER – In this wonderfully absurdist farce, six men at sea play a strange game that measures every aspect of who they are. DIR Athina Rachel Tsangari. SCR Athina Rachel Tsangari, Efthimis Filippou. CAST Yorgos Kentros, Panos Koronis, Vangelis Mourikis, Makis Papadimitriou, Yorgos Pirpassopoulos, Sakis Rouvas, Yiannis Drakopoulos, Nikos Orfanos, Kostas Philippoglou. Greece CHRONIC – Tim Roth stars as an end-of-life caregiver who struggles with the intense relationships he develops with his patients. DIR Michel Franco. SCR Michel Franco. CAST Tim Roth, Robin Bartlett, Michael Cristofer, Sarah Sutherland, Nailea Norvind, Rachel Pickup, David Dastmalchian, Bitsie Tulloch. Mexico/France THE CLAN (EL CLAN) – Argentina’s submission for the Best Foreign Language Film Oscar® follows the vicious crime saga of the notorious Puccio family. DIR Pablo Trapero. SCR Pablo Trapero. CAST Guillermo Francella, Peter Lanzani, Lili Popovich, Gastón Cocchiarale, Giselle Motta, Franco Masini, Antonia Bengoechea, Stefania Koessl. Argentina/Spain THE CLUB (EL CLUB) – At a bucolic seaside home for aging priests, the arrival of a new member unearths long-buried secrets about the Catholic Church. DIR Pablo Larraín. SCR Guillermo Calderón, Daniel Villalobos, Pablo Larraín. CAST Alfredo Castro, Roberto Farías, Antonia Zegers, Jaime Vadell, Alejandro Goic. Chile Dheepan DHEEPAN – In this 2015 Cannes Palme d’Or winner, a refugee concocts a fake family to gain passage to France — but his violent past still haunts him. DIR Jacques Audiard. SCR Noé Debré, Thomas Bidegain, Jacques Audiard. CAST Jesuthasan Antonythasan, Kalieaswari Srinivasan, Claudine Vinasithamby, Vincent Rottiers, Marc Zinga. France EMBRACE OF THE SERPENT (EL ABRAZO DE LA SERPIENTE) – This hypnotic epic follows the journey of a shaman and a German explorer in the Colombian Amazon. DIR Ciro Guerra. SCR Ciro Guerra, Jacques Toulemonde Vidal. CAST Jan Bijvoet, Brionne Davis, Nilbio Torres, Antonio Bolívar, Yauenkü Miguee. Colombia/Venezuela/Argentina FREE IN DEED – When a young mother brings her special-needs son to a local storefront church for healing, a Pentecostal minister is forced to confront his own demons. DIR Jake Mahaffy. SCR Jake Mahaffy. CAST David Harewood, Edwina Findley, RaJay Chandler, Preston Shannon, Prophetess Libra, Helen Bowman, Zoe Lewis, Kathy Smith. USA/New Zealand. North American Premiere IN THE SHADOW OF WOMEN (L’OMBRE DES FEMMES) – Master French filmmaker Philippe Garrel returns with this gentle, profound tale of a Parisian couple dealing with mutual infidelity. DIR Philippe Garrel. SCR Jean-Claude Carrière, Caroline Deruas, Arlette Langmann, Philippe Garrel. CAST Clotilde Courau, Stanislas Merhar, Lena Paugam, Vimala Pons, Antoinette Moya, Jean Pommier, Thérèse Quentin, Mounir Margoum, Louis Garrel. France/Switzerland Nicholas Hytner’s THE LADY IN THE VAN THE LADY IN THE VAN – Maggie Smith stars as a cantankerous yet eloquent homeless woman who sets up residence on the curb outside the home of a single writer. DIR Nicholas Hytner. SCR Alan Bennett. CAST Maggie Smith, Alex Jennings, Frances De La Tour, Roger Allam. UK LANDFILL HARMONIC – In a landfill community in Paraguay, inhabitants turn trash into unique instruments for a world-touring orchestra of young musicians. DIR Brad Allgood, Graham Townsley. USA A MONSTER WITH A THOUSAND HEADS – (pictured in main image above)A Mexican woman with a cancer-stricken husband embarks on a series of increasingly violent confrontations with uncaring insurance stakeholders and bureaucrats. DIR Rodrigo Plá. SCR Laura Santullo. CAST Jana Raluy, Sebastián Aguirre Boëda, Hugo Albores, Nora Huerta, Daniel Giménez Cacho, Emilio Echeverria, Ilya Cazés, Noé Hernández, Verónica Falcón. Mexico. North American Premiere MOUNTAINS MAY DEPART – Jia Zhang-ke’s tender, melancholic epic follows a capitalist Chinese family over a quarter-century of intense change. DIR Jia Zhang-ke. SCR Jia Zhang-ke. CAST Zhao Tao, Zhang Yi, Liang Jin Dong, Dong Zijian, Sylvia Chang, Han Sanming. China/France/Japan EL MOVIMIENTO – In this stark black-and-white vision of anarchy, groups of armed men belonging to “The Movement” cause havoc on a war-scarred landscape. DIR Benjamín Naishtat. SCR Benjamin Naishtat. CAST Pablo Cedrón, Marcelo Pompei, Francisco Lumerman, Céline Latil, Alberto Suarez, Agustin Rittano. Argentina. U.S. Premiere MY GOLDEN DAYS – Upon a man’s arrival home after years away abroad, he reflects on his youth, spent with little parental guidance, and ultimately a turbulent love affair. DIR Arnaud Desplechin. SCR Arnaud Desplechin, Julie Peyr. CAST Quentin Dolmaire, Lou Roy-Lecollinet, Mathieu Amalric, Dinara Drukarova. France NAHID – A poor Iranian mother enters a “temporary marriage” with a well-off hotelier — with devastating results. DIR Ida Panahandeh. SCR Ida Panahandeh, Arsalan Amiri. CAST Sareh Bayat, Pejman Bazeghi, Navid Mohammad Zadeh, Milad Hossein Pour, Pouria Rahimi, Nasrin Babaei. Iran NEON BULL (BOI NEON) – A young cowboy working the Brazilian rodeo circuit dreams of becoming a famous fashion designer. DIR Gabriel Mascaro. SCR Gabriel Mascaro. CAST Juliano Cazarré, Aline Santana, Carlos Pessoa, Maeve Jinkings. Brazil/Uruguay/Netherlands NO HOME MOVIE – The late Chantal Akerman’s sweet, melancholic ode to her mother, an Auschwitz survivor, is about home and the wild places beyond it. DIR Chantal Akerman. SCR Chantal Akerman. Belgium OUR LITTLE SISTER (UMIMACHI DIARY) – At a family patriarch’s funeral, three sisters make the impulsive decision to invite their much younger half-sister to live with them in the city. DIR Hirokazu Kore-eda. SCR Hirokazu Kore-eda. CAST Haruka Ayase, Masami Nagasawa, Kaho, Suzu Hirose. Japan PARADISE – In this powerful film, shot guerrilla-style on the streets of Tehran, a violent act throws the life of a 25-year-old woman into turmoil. DIR Sina Ataeian Dena. SCR Sina Ataeian Dena. CAST Dorna Dibaj, Fateme Naghavi, Fariba Kamran, Nahid Moslemi, Roya Afshar. Iran/Germany RAMS, Director: Grímur Hákonarson RAMS (HRUTAR) – Two estranged brothers in rural Iceland must come together when a fatal outbreak strikes their sheep herds. DIR Grímur Hákonarson. SCR Grímur Hákonarson. CAST Sigurður Sigurjónsson, Theodór Júlíusson, Charlotte Bøving. Iceland RIGHT NOW, WRONG THEN (JIGEUMEUN MATGO GEUTTAENEUN TEULLIDA)– In Hong Sang-soo’s latest, a director spends 24 hours with an attractive artist. This story then repeats itself midway through the film, but with important variations. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Jung Jae-young, Kim Min-hee. South Korea SON OF SAUL (SAUL FIA) – This sparse yet resonant film, set in Auschwitz near the end of World War II, follows an internee on a mission to give a young boy a proper burial. DIR László Nemes. SCR László Nemes, Clara Royer. CAST Géza Röhrig, Levente Molnar, Urs Rechn, Todd Charmont, Sándor Zsotér, Marcin Czarnik, Jerzy Walczak, Uwe Lauer, Christian Harting, Kamil Dobrowlski, Amitai Kedar, István Pion, Juli Jakab, Levente Orbán. Hungary SWEET BEAN (AN) – In this heartwarming yet subtle tale, an aging Japanese woman brings surprise success to a small bakery with her special homemade recipe. DIR Naomi Kawase. SCR Naomi Kawase. CAST Nagase Masatoshi, Kiki Kirin, Uchida Kyara. Japan TALE OF TALES (IL RACCONTO DEI RACCONTI) – From the director of GOMORRAH, this collection of three ancient fairy tales features a star-studded cast set against the backdrop of Italy’s greatest wonders. DIR Matteo Garrone. SCR Edoardo Albinati, Ugo Chiti, Matteo Garrone, Massimo Gaudioso. CAST Salma Hayek, Vincent Cassel, Toby Jones, Shirley Henderson, Hayley Carmichael, Bebe Cave, Stacy Martin, Christian Lees, Jonah Lees, Guillaume Delaunay, Alba Rohrwacher, Massimo Ceccherini, John C. Reilly. Italy THE TREASURE (COMOARA) – A financially struggling family man enters into a crackpot plan to find buried treasure in this masterfully deadpan comedy. DIR Corneliu Porumboiu. SCR Corneliu Porumboiu. CAST Cuzin Toma, Adrian Purcarescu, Corneliu Cozmei, Cristina Toma, Nicodim Toma. France/Romania A WAR – When a routine mission in Afghanistan turns ugly, a company commander must make an impossible decision to save his men. DIR Tobias Lindholm. SCR Tobias Lindholm. CAST Pilou Asbæk, Tuva Novotny, Dar Salim, Søren Malling, Charlotte Munck, Dulfi Al-Jabouri. Denmark. U.S. Premiere THE WHITE KNIGHTS (LES CHEVALIERS BLANCS) – This drama from Joachim Lafosse centers on the 2007 Zoé’s Ark scandal, when a French NGO illegally trafficked orphans out of war-torn Africa. DIR Joachim Lafosse. SCR Joachim Lafosse, Bulle Decarpentries, Thomas Van Zuylen. CAST Vincent Lindon, Valérie Donzelli, Reda Kateb, Louise Bourgoin, Rougalta Bintou Saleh. France/Belgium MIDNIGHT SELECTIONS (3 Titles) These dark and macabre films from around the world will grip audiences with terror. Baskin, Can Evrenol BASKIN – A squad of Turkish policemen become entrapped in the basement of a cult of Devil-worshipping amputees. DIR Can Evrenol. SCR Can Evrenol, Cem Ozuduru, Ogulcan Eren Akay, Ercin Sadikoglu. CAST Gorkem Kasal, Ergun Kuyucu, Muharrem Bayrak, Mehmet Fatih Dokgoz, Sabahattin Yakut, Mehmet Cerrahoglu. Turkey DER NACHTMAHR – A teenage girl who experiences severe nightmares makes a meaningful connection with a strange creature that has been haunting her. DIR AKIZ. SCR AKIZ. CAST Carolyn Genzkow, Kim Gordon, Julika Jenkins, Arnd Klawitter, Wilson Gonzalez Ochsenknecht, Alexander Scheer, Sina Tkotsch. Germany SOUTHBOUND – In this refreshing take on the horror anthology, a series of characters encounter sinister forces on an isolated desert road. DIR Roxanne Benjamin, David Bruckner, Patrick Horvath, Radio Silence. SCR Roxanne Benjamin, Susan Burke, Matt Bettinelli-Olpin, David Bruckner, Dallas Hallam, Patrick Horvath. CAST Chad Villella, Matt Bettinelli-Olpin, Kristina Pesic, Fabianne Therese, Nathalie Love, Hannah Marks, Dana Gould, Susan Burke, Davey Johnson, Anessa Ramsey, Mather Zickel, Fabianne Therese Karla Droege, Zoe Cooper, Roxanne Benjamin, Justin Welborn, David Yow, Tipper Newton, Matt Peters, Maria Olsen, Tyler Tuione, Kate Beahan, Gerald Downey, Hassie Harrison, Larry Fessenden. USA BREAKTHROUGH SELECTIONS (5 Titles) The Breakthrough section is dedicated to the true discoveries of the programming process. It exists as a platform for artists at a crucial stage in their career to share their innovative work with enthusiastic audiences. THE LIAR – In this tightly wound thriller, beautiful, immaculately dressed Ah-young attempts to fool everyone into believing that she has it all. She doesn’t. DIR Kim Dong-myung. SCR Kim Dong-myung. CAST Kim Kkobbi, Chun Sin-hwan, Lee Sun-hee, Le Da-hae, Jang Seo-ee, Shin Yeon-suk, Kwon Nam-hee, Han Jin-hee. Korea MA – Director Celia Rowlson-Hall uses her background as a choreographer to create MA, a modern-day retelling of Mother Mary’s pilgrimage. DIR Celia Rowlson-Hall. SCR Celia Rowlson-Hall. CAST Celia Rowlson-Hall, Andrew Pastides, Amy Seimetz, Matt Lauria, Peter Vack. USA. U.S. Premiere THE MYSTERIOUS DEATH OF PÉROLA (A MISTERIOSA MORTE DE PÉROLA) – A young student, living alone in an old apartment, begins to lose herself in loneliness until reality merges with dreams. DIR Guto Parente. SCR Guto Parente. CAST Ticiana Augusto Lima, Guto Parente. Brazil/France. North American Premiere NECKTIE YOUTH – Set in Johannesburg, South Africa, this bristling debut looks at a group of millennials, all peripherally related to a wealthy white teen who commits suicide. DIR Sibs Shongwe-La Mer. SCR Sibs Shongwe-La Mer. CAST Bonko Khoza, Sibs Shongwe-La Mer, Colleen Balchin, Kamogelo Moloi, Emma Tollman, Jonathan Young, Kelly Bates, Ricci-Lee Kalish, Giovanna Winetzki. Netherlands/South Africa THOSE WHO FEEL THE FIRE BURNING – This poetic experimental documentary captures with raw force the modern migrant experience in Europe, as seen through the eyes of a deceased shipwreck victim. DIR Morgan Knibbe. SCR Morgan Knibbe. Netherlands CINEMA’S LEGACY SELECTIONS (5 Titles) Now in its third year, Cinema’s Legacy is AFI FEST’s celebration of motion picture history, and a special opportunity to screen both classic films and films about the history of cinema. FLYING DOWN TO RIO (1933) – Dolores Del Río, the glamorous face of AFI FEST 2015, stars in this pre-Code musical with Fred Astaire, Ginger Rogers and fabulous song-and-dance routines. DIR Thornton Freeland. SCR Cyril Hume, H.W. Hanemann, Erwin Gelsey. CAST Dolores Del Rio, Gene Raymond, Raul Roulien, Ginger Rogers, Fred Astaire, Blanche Frederici, Franklin Pangborn, Eric Blore. USA THE FORBIDDEN ROOM – Winnipeg filmmakers Guy Maddin and Evan Johnson search the human subconscious in this cinematic head-trip. DIR Guy Maddin, Evan Johnson. SCR Guy Maddin, Evan Johnson, Robert Kotyk. CAST Roy Dupuis, Clara Furey, Louis Negin, Mathieu Amalric, Geraldine Chaplin, Amira Casar, Charlotte Rampling, Karine Vanasse, Jacques Nolot, Udo Kier. Canada Hitchcock/Truffaut Kent Jones HITCHCOCK/TRUFFAUT – For one week in 1962, French New Wave auteur François Truffaut interviewed the master of suspense, Alfred Hitchcock. DIR Kent Jones. SCR Kent Jones, Serge Toubiana. CAST Martin Scorsese, David Fincher, Arnaud Desplechin, Wes Anderson, James Gray, Richard Linklater, Olivier Assayas, Kiyoshi Kurosawa, Peter Bogdanovich, Paul Schrader. France/USA SAFETY LAST! (1923) – In Harold Lloyd’s brilliant and most famous film, the great silent comedian plays a small-town bumpkin in the big city who plans a breathless publicity stunt to attract attention for the department store where he works. DIR Fred C. Newmeyer, Sam Taylor. SCR Hal Roach, Sam Taylor, Tim Whelan. CAST Harold Lloyd, Mildred Davis, Bill Strother, Noah Young, Wescott Clarke. USA SEMBENE! – In this intimate documentary, the work of Senegalese filmmaker Ousmane Sembène is spotlighted, showing why he came to be known as the Father of African Cinema. DIR Samba Gadjigo, Jason Silverman. Senegal/USA SHORTS SELECTIONS (53 Titles) BAD AT DANCING – A perpetual third wheel and awkward outsider inserts herself into her roommate’s relationship. DIR Joanna Arnow. SCR Joanna Arnow. CAST Eleanore Pienta, Keith Poulson, Joanna Arnow. USA BLOOD BELOW THE SKIN – Three teenage girls from different social circles form unexpected bonds when they discover the secrets that lie below the skin. DIR Jennifer Reeder. SCR Jennifer Reeder. CAST Jennifer Estlin, Kelsey Ashby-Middleton, Morgan Reesh, Tj Jagodowsky, Marissa Castillo. USA BOYS (POJKARNA) – At a home for wayward boys, Markus prepares for a very important appointment. DIR Isabella Carbonell. SCR Isabella Carbonell, Babak Najafi. CAST Sebastian Hiort af Ornäs, Marcus Lindgren, Rainer Gerdes. Sweden BUS NUT – The 1955 Montgomery bus boycott is articulated as an educational video on school bus safety. DIR Akosua Adoma Owusu. CAST MaameYaa Boafo. USA COLOR NEUTRAL – A color explosion sparkles, bubbles and fractures in this handcrafted 16mm short from film artist Jennifer Reeves. DIR Jennifer Reeves. USA DRAGSTRIP – A moment or two before the race. DIR Daniel Claridge, Pacho Velez. USA E.T.E.R.N.I.T – A Tunisian immigrant working in asbestos removal must make a radical choice in the name of his family. DIR Giovanni Aloi. SCR Nicolo Galbiati. CAST Ali Salhi, Serena Grandi, Alessandro Castiglloni, Mohamed Omar Abd Rabou, Youssef Tarek, Stefano Piumi, Alessandro Palumbo, Andrea Pompa, Roberta Madeo. France EVERYTHING WILL BE OKAY (ALLES WIRD GUT) – A divorced father picks up his eight-year-old daughter. It seems like every second weekend, but something isn’t right. DIR Patrick Vollrath. SCR Patrick Vollrath. CAST Simon Schwarz, Julia Pointner. Germany/Austria THE EXQUISITE CORPUS – Based on various erotic films and advertising rushes, myriad fragments are melted into a single sensuous, humorous, gruesome and ecstatic dream. DIR Peter Tscherkassky. Austria FRANKENSTEIN’S BRIDE (LA NOVIA DE FRANKENSTEIN) – At her summer job, Ivana learns it’s easy to create a circle of lies, fiction and love when you’re bored. DIR Francisco Lezama, Agostina Gálvez. SCR Francisco Lezama, Agostina Gálvez. CAST Miel Bargman, Renzo Cozza, Claudia Cantero, Mariel Fernández, Jair Jesús Toledo. Argentina FUCKKKYOUUU – A lonely girl finds love and rejection with her past self in this alluring collaboration with Flying Lotus. DIR Eddie Alcazar. SCR Eddie Alcazar. CAST Jesse Sullivan, Charles Baker. USA GRAND FINALE – The end of a Fourth of July evening in Detroit. DIR Kevin Jerome Everson. USA GROUP B – A rally car driver mounts a comeback after a long and troubled absence. DIR Nick Rowland. SCR Joe Murtagh. CAST Richard Madden, Michael Smiley, Dominic Wolf, Andrei Alen, Matthew Jure, Stephen Bent, Alexander Cambell. UK HALF WET – A man with large pores tries to escape the realization that he’s slowly evaporating. DIR Sophie Koko Gate. UK I REMEMBER NOTHING – An epileptic seizure told in five phases. DIR Zia Anger. SCR Zia Anger. CAST Audrey Turner, Eve Alpert, India Menuez, Adinah Dancyger, Lola Kirke. USA LANCASTER, CA – A portrait of love in the California desert. DIR Mike Ott. SCR Cory Zacharia. CAST Cory Zacharia, John Brotherton. USA THE LITTLE DEPUTY – Trevor tries to have his photo taken with his father. DIR Trevor Anderson. SCR Trevor Anderson. CAST Trevor Anderson, Luke Oswald, Rob Chaulk, Trevor Schmidt, Lynn Anderson. Canada MAMAN(S) – Eight-year-old Aida and her family are thrown into chaos when her father returns from Senegal with a new wife. DIR Maïmouna Doucouré. SCR Maïmouna Doucouré. CAST Sokhna Diallo, Maimouna Gueye, Azize Diabate, Mareme N’dlaye, Eriq Ebouaney, Maissa Toumoutou, Aida Diallo, Khemissa Zarouel. France MANOMAN – Beware what lies within. DIR Simon Cartwright. SCR Simon Cartwright. CAST Gordon Pearson. UK MARYLAND PUBLIC TELEVISION INTERVIEWS THE REAGANS – The President nails an interview. Featuring: The First Lady and surprise guest. DIR Pacho Velez. USA MYNARSKI DEATH PLUMMET (MYNARSKI CHUTE MORTELLE) – A handmade historical micro-epic and psychedelic photochemical war picture about self-sacrifice, immortality and jellyfish. DIR Matthew Rankin. SCR Matthew Rankin. CAST Alek Rzeszowski, Robert Vilar, Annie St-Pierre, Louis Negin. Canada OBJECT – A hypnotic underwater search from the point of view of the rescue team, the diver and the people waiting on shore. DIR Paulina Skibińska. SCR Paulina Skibińska. Poland OF THE UNKNOWN – In Hong Kong, millionaires and the working poor live side by side. DIR Eva Weber. UK/Hong Kong PALM ROT – An old Florida fumigator comes face to face with a mysterious threat. DIR Ryan Gillis. SCR Ryan Gillis. CAST Greg Tonner. USA PATTERN FOR SURVIVAL – A key ingredient in any survival situation is the mental attitude of the individuals involved. DIR Kelly Sears. USA THE PETER CASSIDY PROJECT – In 1972, a reporter and his team attempt to discover the truth behind an infamous director and the controversial advertisements he directed in the late ’60s. DIR Noah Lee. SCR Noah Lee. CAST Peter Falls, Lewis Pullman, Eden Brolin. USA PINK GRAPEFRUIT – A young married couple, two single friends and a long weekend in Palm Springs. DIR Michael Mohan. SCR Chris Levitus, Michael Mohan. CAST Wendy McColm, Nathan Stewart-Jarrett, Nora Kirkpatrick, Matt Peters. USA POSTINDUSTRIAL – Eleven floors of thoughts held tight by iron brackets. DIR Boris Pramatarov. Bulgaria PYROMANCE – A lonely pyrotechnician finds an unlikely spark on the eve of the 4th of July fireworks show. DIR John de Menil. SCR John de Menil. CAST Paul McCarthy Boyington, Anna Khaja, Brantley Black, Karen Strassman. USA RATE ME – A portrait of a teen escort comes to life via online user reviews. DIR Fyzal Boulifa. SCR Fyzal Boulifa. CAST Zehra Zorba. UK THE RETURN OF ERKIN – A man just released from a long-term prison discovers that his former life has vanished, never to return. DIR Maria Guskova. SCR Maria Guskova. CAST Kahramonjon Mamasaliyev. Russia REVIEW – A young woman recounts a story to a group of friends who listen with rapt attention, but the tale sounds very familiar. DIR Dustin Guy Defa. USA RONALD REAGAN LIGHTS THE LIGHTS – The President conducts a delicate task. DIR Pacho Velez. USA RONALD REAGAN PARDONS A TURKEY – The President makes a tough call. DIR Pacho Velez. USA SEA CHILD – A young girl on the verge of womanhood is consumed by nightmares. DIR Minha Kim. SCR Islay Bell-Webb. CAST Rachel Park. UK SERENITY – Everyone remembers their first time. Everyone has regrets. DIR Jack Dunphy. SCR Jack Dunphy. CAST Jack Dunphy. USA SHARE – The victim of an unspeakable act gone viral returns to high school. DIR Pippa Bianco. SCR Pippa Bianco. CAST Taissa Farmiga, Keir Gilchrist, Madisen Beaty, Andre Royo. USA THE SUN LIKE A BIG DARK ANIMAL (EL SOL COMO UN GRAN ANIMAL OSCURO) – Even computers need love. DIR Ronnie Rivera, Christina Felisgrau. SCR Bernardo Britto, Ronnie Rivera. CAST Agustina Woodgate. USA SWIMMING IN YOUR SKIN AGAIN – A film about motherhood, banality, Miami, the water, the divine feminine and how to sing in church in a way that calls forth your own adulthood. DIR Terence Nance. SCR Terence Nance. CAST Norvis, Jr., Hadassah Amani, Genoa O’Brien, Vickie Lynn Washington-Nance. USA TAKE WHAT YOU CAN CARRY – When a young woman living abroad receives a letter from home, it’s what she needs to fuse her transient self with the person she’s always known herself to be. DIR Matthew Porterfield. SCR Matthew Porterfield. CAST Hannah Gross, Jean-Christophe Folly, Angela Schanelec, Gob Squad. USA TEETH – That which is neglected, is lost. DIR Tom Brown, Daniel Gray. SCR Tom Brown, Daniel Gray. CAST Richard E. Grant. UK/Hungary/USA THE FACE OF UKRAINE: CASTING OKSANA BAIUL – Adorned in pink sequins, little girls from war-torn Ukraine audition to play the role of Olympic champion figure skater Oksana Baiul. DIR Kitty Green. SCR Kitty Green. Ukraine/Australia TRACKS – An amateur skateboarder is left to care for his girlfriend’s young daughter on the day of a championship tournament. DIR Logan Sandler. SCR Logan Sandler, Carly Stone. CAST Keith Stanfield, Lana Schwartz, Dominique Razon. USA TUESDAY (SALI) – An ordinary school day for a teenage girl in Istanbul. DIR Ziya Demirel. SCR Ziya Demirel, Buket Coşkuner. CAST Melis Balaban. Turkey/France TWELVE TALES TOLD – The dream factory folds in on itself. DIR Lurf Johann. Austria TWO FILMS ABOUT LONELINESS – A split screen separates two distinct worlds that are closer than they appear. DIR William Bishop-Stephens, Christopher Eales. SCR William Bishop-Stephens, Christopher Eales. CAST Tim Key, Detlef Bierstedt. UK UNDER THE SUN (RI GUANG ZHI XIA) – An attempted act of kindness sets two families on an irrevocable collision course from which there is no return. DIR Qiu Yang. SCR Qiu Yang. CAST Zhu Ping, Sun Zhongwei, Bai Lihong, Gong Weiming. Australia/China VICTOR XX – In a small seaside town, a young person makes a personal discovery when they experiment with their gender. DIR Ian Garrido. SCR Ian Garrido. CAST Alba Martínez, Shei Benzidour, Yolanda Cruz. Spain VOLTA (BOATA) – Nina is told she is just going for a walk. DIR Stella Kyriakopoulos. SCR Stella Kyriakopoulos. CAST Marissa Triandafyllidou, Katerina Douka, Giorgos Valais. Greece WAVES ’98 – Omar is lured into the depths of segregated Beirut. Isolated from reality, he struggles to keep his sense of home. DIR Ely Dagher. SCR Ely Dagher. CAST Elie Bassila. Lebanon/Qatar WORLD OF TOMORROW – A little girl is taken on a mind-bending tour of the distant future in the latest opus from Don Hertzfeldt. DIR Don Hertzfeldt. SCR Don Hertzfeldt. CAST Julia Pott, Winona Mae. USA YELLOW FIEBER – Athens was covered in a strange yellow dust. No one expected what was about to happen. DIR Konstantina Kotzamani. SCR Konstantina Kotzamani. CAST Mamadou Diallo, Eytuchia Stefanidou. Greece YOLO – Filmed in the remains of Soweto’s historic Sans Souci Cinema (1948-1998), YOLO is a makeshift structuralist mash-up created in collaboration with the Eat My Dust youth collective. DIR Ben Russell. USA/South Africa

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  • ‘Chevalier’ ‘Sherpa’ ‘The Witch’ Win Top Awards at 2015 London Film Festival

    Chevalier Athina Rachel Tsangari Chevalier directed by Athina Rachel Tsangari is the winner of the Best Film Award at the 2015 London Film Festival. In the film, six men set out on the Aegean Sea aboard a yacht, and before long, male bonding and one-upmanship give way to a loosely defined yet hotly contested competition to determine which of them is “the best in general.” https://www.youtube.com/watch?v=FZckUiocInM Pawel Pawlikowski, whose Ida won the LFF Best Film prize in 2013, and is the president of the Official Competition jury at this year’s festival said, “Chevalier is a study of male antagonism seen through the eyes of a brave and original filmmaker. With great formal rigour and irresistible wit, Athina Rachel Tsangari has managed to make a film that is both a hilarious comedy and a deeply disturbing statement on the condition of western humanity”. The Grierson Award for the best documentary went to Jennifer Peedom’s “gripping and urgent documentary: Sherpa, which indelibly captures tragedy and mayhem on Mount Everest.” https://www.youtube.com/watch?v=_TL-ZbtvuT8 The Sutherland Award presented to the director of the most original and imaginative first feature in the Festival, went to Robert Eggers’ The Witch about a 17th century New England family torn apart by tension and the suspicion of witchcraft. https://www.youtube.com/watch?v=iQXmlf3Sefg The inaugural Best Short Film Award went to An Old Dog’s Diary, a lyrical film portrait of Francis Newton Souza, one of the key Indian artists of the 20th-century, inspired by his personal writings, letters, drawings and possessions. 2015 London Film Festival Award winners Chevalier – Athina Rachel Tsangari, wins Best Film Award The Witch – Robert Eggers, wins Sutherland Award (Best First Feature) Sherpa – Jennifer Peedom, wins Grierson Award (Best Documentary) An Old Dog’s Diary – Shai Heredia and Shumona Goel, wins Best Short Film Award Cate Blanchett received the BFI Fellowship, presented by Ian McKellen

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  • MUSTANG and TOTO AND HIS SISTERS Win Top Awards at 21st Sarajevo Film Festival

    MUSTANG directed by Deniz Gamze Ergüven MUSTANG directed by Deniz Gamze Ergüven is the winner of the Heart of Sarajevo Award for Best Feature Film at the 21st Sarajevo Film Festival. Mustang stars Güneş Sensoy, Doğba Doğuslu, Tuğba Sunguroğlu, Elit Işcan, Ilayda Akdoğan, Nihal Koldaş, and Ayberk Pekcan.
    It’s the beginning of the summer. In a village in the north of Turkey, Lale and her four sisters come home from school, innocently playing with boys. The supposed debauchery of their games causes a scandal with unintended consequences. The family home slowly turns into a prison, classes on housework and cooking replace school, and marriages begin to be arranged. The five sisters, driven by the same desire for freedom, fight back against the limits imposed on them.
    https://www.youtube.com/watch?v=rU9JAN8LtIk TOTO AND HIS SISTERS / TOTO ŞI SURORILE LUI directed by Alexander Nanau is the winner of the Heart of Sarajevo Award for Best Documentary Film.
    TOTO ŞI SURORILE LUI brings us the astonishing family story of Toto (10), and his sisters, Ana (17) and Andreea (15). During their mother’s imprisonment, Toto passionately learns dancing, reading and writing, while his sisters try to keep the family together in a world that has long forgotten what the innocence of childhood should be. What happens when we discover that we can get more from life than our parents have to offer ?
    https://www.youtube.com/watch?v=MXtjJbB1Oh4 21st Sarajevo Film Festival Awards OFFICIAL AWARDS COMPETITION PROGRAM – FEATURE FILM HEART OF SARAJEVO FOR BEST FEATURE FILM MUSTANG Turkey, France, Germany, Qatar Director: Deniz Gamze Ergüven SPECIAL JURY PRIZE SON OF SAUL / SAUL FIA Hungary Director: László Nemes SPECIAL JURY MENTION CHEVALIER Greece Director: Athina Rachel Tsangari HEART OF SARAJEVO FOR BEST ACTRESS Güneş Şensoy, Doga Doğuşlu, Tuğba Sunguroğlu, Elit İşcan, Ilayda Akdoğan (MUSTANG / Turkey, France, Germany, Qatar) HEART OF SARAJEVO FOR BEST ACTOR Yorgos Kéntros, Vangelis Mouríkis, Panos Kóronis, Makis Papadimitríou, Yorgos Pyrpassópoulos, Sakis Rouvás (CHEVALIER / Greece) COMPETITION PROGRAMME – SHORT FILM HEART OF SARAJEVO FOR BEST SHORT FILM A MATTER OF WILL / BISERNA OBALA Montenegro Director: Dušan Kasalica SPECIAL JURY MENTION DAMAGED GOODS / KALO Bosnia and Herzegovina Director: Nermin Hamzagić SPECIAL JURY MENTION TUESDAY / SALI Turkey, France Director: Ziya Demirel COMPETITION PROGRAMME – DOCUMENTARY FILM HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM TOTO AND HIS SISTERS / TOTO ŞI SURORILE LUI Romania Director: Alexander Nanau SPECIAL JURY PRIZE FOR COMPETITION PROGRAMME DOCUMENTARY FILM TITITÁ Hungary Director: Tamás Almási SPECIAL JURY MENTION FLOTEL EUROPA Denmark, Serbia Director: Vladimir Tomić HUMAN RIGHTS AWARD ONE DAY IN SARAJEVO / JEDAN DAN U SARAJEVU Bosnia and Herzegovina, Austria Director: Jasmila Žbanić Award for the best film of the Competition Programme – Documentary Film dealing with the subject of human rights. HONORARY HEART OF SARAJEVO Atom Egoyan, director Benicio Del Toro, actor KATRIN CARTLIDGE FOUNDATION AWARD 2015 Ran Huang CINELINK AWARDS EURIMAGES COPRODUCTION DEVELOPMENT AWARD A BALLADE Aida Begić / Adis Đapo ARTE INTERNATIONAL RELATIONS CINELINK AWARD HAMARAT APARTMENT Huseyin Karabey / Su Baloglu MACEDONIAN FILM AGENCY CINELINK AWARD THE SON Ines Tanović / Alem Babić LIVING PICTURES SERVICE CINELINK AWARD SOLDIERS Ivana Mladenović / Ada Solomon SYNCHRO FILM VIENNA CINELINK AWARD A BALLADE Aida Begić / Adis Đapo HAMARAT APARTMENT Huseyin Karabey / Su Baloglu THE SON Ines Tanović / Alem Babić EAVE SCHOLARSHIP Alem Babić WORK IN PROGRESS AWARDS POST REPUBLIC AWARD THE FIXER Adrian Sitaru / Anamaria Antoci RESTART AWARD GODLESS Ralitza Petrova / Rossitsa Valkanova YOUNG AUDIENCE AWARD NEXT TO ME Serbia Stevan Filipović 21st SARAJEVO FILM FESTIVAL PARTNERS AWARDS HT ERONET AUDIENCE AWARD FOR BEST FEATURE FILM MUSTANG Turkey, France, Germany, Qatar Deniz Gamze Erguven HT ERONET AUDIENCE AWARD FOR BEST DOCUMENTARY FILM CHASING A DREAM Bosnia and Herzegovina, Serbia, Croatia Mladen Mitrović ASSOCIATION OF FILMMAKERS IN B&H – “IVICA MATIĆ” AWARD Mirsad Purivatra for his contribution to B&H cinema Zoran Galić for his contribution to B&H cinema CINEUROPA PRIZE SUPERWORLD Austria Karl Markovics CICAE AWARD THE HIGH SUN Croatia, Serbia, Slovenia Dalibor Matanić EDN TALENT GRANT I LIKE THAT SUPER MOST THE BEST Croatia Eva Kraljević SARAJEVO SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS 2015 TRANSLATOR Turkey Emre Kayiş Best Pack & Pitch Award (Talents Sarajevo Pack & Pitch) The best pitch Anda Puscas Ismet Kurtulus BH FILM STUDENT PROGRAMME AWARD Best film: VEJDA: ENCHANTED WORLD OF FAIRIES Julia Klier (ASU Sarajevo) Special Jury Award IMPERATIV Jelena Ilić Todorović (Akademija umjetnosti Banja Luka) Special Jury Mention WOYZECK Adi Selimović (ASU Sarajevo) DOCU ROUGH CUT BOUTIQUE AWARDS Work in Progress Digital Cube Award KORIDA Siniša Vidović HBO Adria Award KORIDA Siniša Vidović IDFA Award LITTLE BERLIN WALL Toma Chagelishvili CAT &Docs Award CINEMA, MON AMOUR Alexandru Belc Croatian Radiotelevision Award (HRT) CINEMA, MON AMOUR Alexandru Belc

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  • SON OF SAUL, Paul Thomas Anderson’s JUNUN Among 53rd New York Film Festival Special Events and Revivals Lineup

    SON OF SAUL The 53rd New York Film Festival (NYFF), taking place September 25 – October 11 announced the lineup for Special Events and Revivals. The Special Events lineup includes important new works and premieres, as well as a very special celebration of a beloved musical fantasia. The Revivals selections includes 11 international masterpieces from renowned filmmakers whose diverse and eclectic works have been digitally remastered, restored, and preserved with the assistance of generous partners, including Martin Scorsese’s Film Foundation, celebrating its 25th anniversary. The Special Events lineup returns with Film Comment Presents, originally launched during NYFF in 2013 with the premiere of the award-winning 12 Years a Slave. This year’s selection, Son of Saul, (pictured above) László Nemes’s shattering film about the horror of Auschwitz, recently won the Grand Prix at Cannes, and has been selected as Hungary’s official entry for the foreign-language film category of the Academy Awards. Making its North American Premiere in the festival is Noah Baumbach and Jake Paltrow’s film portrait De Palma, chronicling director Brian De Palma’s illustrious six-decade-long career, his life, and his personal views on the filmmaking process (De Palma’s masterful Blow Out will also screen in Revivals). Another established American filmmaker turning his attention from narrative to intimate documentary study is Paul Thomas Anderson, whose latest film, Junun, will World Premiere in the Special Events section. Junun follows the musical journey of his close friend and collaborator Jonny Greenwood to northern India, to record an album with an Israeli musician Shye Ben Tzur and illustrious local musicians. Additional highlights include renowned artist Laurie Anderson (this year’s NYFF poster designer!) who will premiere her first feature in 30 years, a personal essay entitled Heart of a Dog. Anderson’s response to a commission from Arte, the film is a work of braided joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. The recently announced NYFF Filmmaker in Residence, Athina Rachel Tsangari, will also present her latest film, Chevalier, which will be making its U.S. Premiere fresh on the heels of the Locarno and Toronto International Film Festivals. Following the NYFF tradition of special anniversary screenings (which in the past have included The Princess Bride’s 25th anniversary, This Is Spinal Tap’s 30th anniversary, and Dazed and Confused’s 20th anniversary), the festival is proud to present a special evening celebrating the 15th anniversary of Joel and Ethan Coen’s beloved roots-musical fantasia O Brother, Where Art Thou?, set in the rural south in the 1930s and based on Homer’s The Odyssey. The Coen Brothers and cast members will be on hand for this journey, and there will be a special musical performance. The Revivals selection for this year’s festival includes a diverse group of 11 international offerings from master filmmakers like Akira Kurosawa, Brian De Palma, Hou Hsiao-hsien, King Hu, Manoel de Oliveira, and more. These restorations include a suite of movies that have been restored with the assistance of Martin Scorsese’s nonprofit Film Foundation. Established in 1990, the Foundation has helped to save, protect, and preserve over 700 films, working in partnership with archives and studios from around the globe. This year’s Revivals section includes seven films restored with the Foundation’s help: Ousmane Sembene’s Black Girl, Hou Hsiao-hsien’s The Boys from Fengkuei, Ernst Lubitsch’s Heaven Can Wait, Lino Brocka’s Insiang, John Ford’s The Long Voyage Home, Marcel Ophüls’ The Memory of Justice, and Luchino Visconti’sRocco and His Brothers. The Lubitsch film will be screened in a new 35mm print, courtesy of 20th Century Fox. Not to be missed is Akira Kurosawa’s astonishing Ran, the NYFF’s 1985 Opening Night selection, returning to the festival in a newly restored version, where the color palette is unlike that of any other movie made before or since. King Hu’s three-years-in-the-making masterpiece, A Touch of Zen, will also be shown in a beautiful restoration, which was presented at this year’s edition of Cannes, 40 years after the film’s first unveiling to Western eyes. The late, great Manoel de Oliveira’s 1982 film Visit, or Memories and Confessions will also be included in the Revivals lineup this year, after having been hidden away from audiences by the filmmaker himself for over 30 years. FILMS & DESCRIPTIONS Special Events Filmmaker in Residence Screening: Chevalier Athina Rachel Tsangari, Greece, 2015, DCP, 104m Greek with English subtitles Six men set out on the Aegean Sea aboard a yacht, and before long, male bonding and one-upmanship give way to a loosely defined yet hotly contested competition to determine which of them is “the best in general.” As the games and trials grow more elaborate and absurd—everything is up for judgment, from sleeping positions to cholesterol levels to furniture-assembly skills—insecurities emerge and power relations shift. As in her 2010 breakthrough, Attenberg, Athina Rachel Tsangari, the Film Society of Lincoln Center’s 2015 Filmmaker in Residence, balances anthropological precision with a wry and wholly original sense of humor. Impeccably staged, crisply photographed, and buoyed by eclectic soundtrack choices (Petula Clark, Mark Lanegan), this maritime psychodrama becomes both funnier and richer in its implications as it progresses. What begins as a lampoon of bourgeois machismo and male anxiety develops into an incisive allegory for the state of contemporary Greece, and leaves a final impression as an empathetic, razor-sharp study of human nature itself. The Filmmaker in Residence program was launched in 2013 by the Film Society of Lincoln Center and Jaeger-LeCoultre as an annual initiative designed to support filmmakers at an early stage in the creative process against the backdrop of New York City and the New York Film Festival (NYFF). U.S. Premiere De Palma Noah Baumbach & Jake Paltrow, USA, 2015, DCP, 107m Noah Baumbach and Jake Paltrow’s fleet and bountiful portrait covers the career of the number one iconoclast of American cinema, the man who gave us Carrie, Dressed to Kill, Blow Out, and Carlito’s Way. Their film moves at the speed of De Palma’s thought (and sometimes works in subtle, witty counterpoint) as he goes title by title, covering his life from science nerd to New Hollywood bad boy to grand old man, and describes his ever-shifting position in this thing we call the movie business. Deceptively simple, De Palma is finally many things at once. It is a film about the craft of filmmaking—how it’s practiced and how it can be so easily distorted and debased. It’s an insightful and often hilarious tour through American moviemaking from the 1960s to the present, and a primer on how movies are made and unmade. And it’s a surprising, lively, and unexpectedly moving portrait of a great, irascible, unapologetic, and uncompromising New York artist. In conjunction with this film, we will also be showing De Palma’s masterpiece Blow Out. North American Premiere Heart of a Dog Laurie Anderson, USA/France, 2015, DCP, 75m In Laurie Anderson’s plainspoken all-American observational-autobiographical art, voices and harmonies and rhythms and images are juxtaposed and layered, metaphors are generated, and the mind of the viewer/listener is sent spinning into the stratosphere. It’s been nine years since her last film and almost 30 since her last feature. Heart of a Dog is her response to a commission from Arte, a work of braided joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Life in the neighborhood—downtown New York after 9/11… the archiving of surveillance records in ziggurat-like structures… Lolabelle’s passage through the bardo… recollections of deaths and near-deaths, terrors personal and global, sad goodbyes and funny ones, dreams and imagined flights… acceptance: Heart of a Dog is as immediate as a paragraph by Kerouac, as disarmingly playful as a Cole Porter melody, as rhapsodically composed as a poem by Whitman, and a thing of rare beauty. Junun Paul Thomas Anderson, USA, 2015, English and Indian, DCP, 54m English, Hindu, Hebrew, and Urdu with English subtitles Earlier this year, Paul Thomas Anderson joined his close friend and collaborator Jonny Greenwood on a trip to Rajasthan in northwest India, where they were hosted by the Maharaja of Jodhpur, and he brought his camera with him. Their destination was the 15th-century Mehrangarh Fort, where Greenwood (with the help of Radiohead engineer Nigel Godrich) was recording an album with Israeli composer Shye Ben Tzur and an amazing group of musicians: Aamir Bhiyani, Soheb Bhiyani, Ajaj Damami, Sabir Damami, Hazmat, and Bhanwaru Khan on brass; Ehtisham Khan Ajmeri, Nihal Khan, Nathu Lal Solanki, Narsi Lal Solanki, and Chugge Khan on percussion; Zaki Ali Qawwal, Zakir Ali Qawwal, Afshana Khan, Razia Sultan, Gufran Ali, and Shazib Ali on vocals; and Dara Khan and Asin Khan on strings. The finished film, just under an hour, is pure magic. Junun lives and breathes music, music-making, and the close camaraderie of artistic collaboration. It’s a lovely impressionistic mosaic and a one-of-a-kind sonic experience: the music will blow your mind. World Premiere Anniversary Screening: O Brother, Where Art Thou? Joel and Ethan Coen, 2000, USA, DCP, 107m This year marks the 15th anniversary of Joel and Ethan Coen’s beloved roots-musical fantasia, “based upon The Odyssey, by Homer,” about three escaped convicts (George Clooney, Tim Blake Nelson, and John Turturro) trying to get back home in the rural South of the 1930s. Bigger than life, endlessly surprising, eye-popping (“they wanted it to look like an old hand-tinted picture,” said DP Roger Deakins), and as giddily and defiantly unclassifiable as all other Coen films, O Brother, Where Art Thou? is, among many other things, a celebration of American music. With a score curated and produced by T-Bone Burnett, the movie sings with voices and sounds of some of the best musicians in the country, including Ralph Stanley, the Fairfield Four, Alison Krauss, John Hartford, Emmylou Harris, and Gillian Welch, and the melodies of classics like “Big Rock Candy Mountain,” “I’ll Fly Away,” and the film’s touchstone, “Man of Constant Sorrow.” Cast members, musical guests, and Joel and Ethan Coen will be on hand. Bring your instrument! A Touchstone Pictures and Universal Pictures release. Film Comment Presents: Son of Saul László Nemes, Hungary, 2015, 35mm, 107m Hungarian and German with English subtitles A film that looks into the abyss, this shattering portrait of the horror of Auschwitz follows Saul (Géza Röhrig), a Sonderkommando tasked with delivering his fellow Jews to the gas chamber. Determined to give a young boy a proper Jewish burial, Saul descends through the death camp’s circles of Hell, while a rebellion brews among the prisoners. A bombshell debut from director and co-writer László Nemes, Son of Saul is an utterly harrowing, ultra-immersive experience, and not for the fainthearted. With undeniably virtuoso plan-séquence camerawork in the mode of Nemes’s teacher Béla Tarr, this startling film represents a new benchmark in the historic cinematic depictions of the Holocaust. A deeply troubling work, sure to be one of the year’s most controversial films. A Sony Picture Classics release. Revivals Blow Out Brian De Palma, USA, 1981, 35mm, 107m One of Brian De Palma’s greatest films and one of the great American films of the 1980s, Blow Out is such a hallucinatory, emotionally and visually commanding experience that the term “thriller” seems insufficient. De Palma takes a variety of elements—the Kennedy assassination; Chappaquiddick; Antonioni’s Blow-Up; the slasher genre that was then in full flower; elements of Detective Bob Leuci’s experiences working undercover for the Knapp Commission; the harshness and sadness of American life; and, as ever, Hitchcock’s Vertigo—and swirls and mixes them into a film that builds to a truly shattering conclusion. With John Travolta, in what is undoubtedly his greatest performance, as the sound man for low-budget movies who accidentally records a murder; Nancy Allen, absolutely heartbreaking, as the girl caught in the middle; John Lithgow as the hired killer; and De Palma stalwart Dennis Franz as the world’s biggest sleaze. This was the second of three collaborations between De Palma and the master DP Vilmos Zsigmond. MGM Home Entertainment. Ran Akira Kurosawa, Japan/France, 1985, DCP, 160m Japanese with English subtitles The 1985 New York Film Festival opened with Akira Kurosawa’s astonishing medieval epic, inspired by the life of Mori Motonari, a 16th-century warlord with three sons. It was only after he began writing that the filmmaker started to see parallels with King Lear. It took a decade for Kurosawa to bring his grand conception to the screen—he actually painted storyboards of every shot along the way, and made another great film, Kagemusha, as a dry run. The finished work he eventually gave us was, to put it mildly, a mind-blowing experience. Tatsuya Nakadai is the warlord, Akira Terao, Jinpachi Nezu, and Daisuke Ryu are his sons, Mieko Harada is the terrifying Lady Kaede, the score is by Toru Takemitsu, but the dominant force looming over every single element of this film, down to the smallest detail, is Kurosawa himself. The color palette of Ran is unlike that of any other movie made before or since, as you’ll see in this newly restored version. Restoration by StudioCanal with the participation of Kadokawa Pictures. A Rialto Films release. A Touch of Zen King Hu, Hong Kong, 1971/75, DCP, 200m Mandarin with English subtitles When it comes to the wuxia film, all roads lead back to the great King Hu: supreme fantasist, Ming dynasty scholar, and incomparable artist. For years, Hu labored on his own, creating one exquisitely crafted film after another (with astonishing pre-CGI visual effects), elevating the martial-arts genre to unparalleled heights and, as the film critic and producer Peggy Chiao noted in her obituary for Hu, single-handedly introducing Chinese cinema to the rest of the world. Hu’s three-years-in-the-making masterpiece, A Touch of Zen, was released in truncated form in Hong Kong in 1971 and yanked from theaters after a week. A close-to-complete version was constructed by Hu and shown at the 1975 Cannes Film Festival, where Hu won a grand prize for technical achievement (which earned King Hu an apology from his studio heads). This beautiful restoration of A Touch of Zen was presented at this year’s edition of Cannes, 40 years after the film’s first unveiling to Western eyes. Restored in 4K by L’Immagine Ritrovata, with original materials provided by the Taiwan Film Institute. A Janus Films release. Visit, or Memories and Confessions Manoel de Oliveira, Portugal, 1982, 35mm, 73m Portuguese with English subtitles The late, great Manoel de Oliveira stipulated that this film—made in 1982—be screened publicly only after his death. One of the Portuguese master’s most exquisite and moving films, and certainly his most personal, Visit assumes the rare form of an auto-elegy. A prowling camera finds Oliveira, who died at 106 this past April, in the Porto house where he had lived for four decades and that he is preparing to leave due to mounting debts. He addresses the audience directly, setting the film’s droll, convivial tone, and discusses a wide range of topics (family history, cinema, architecture), shares home movies, and reenacts his run-in with the military dictatorship. Oliveira’s improbable career took the form of a long goodbye, but this actual farewell is no less touching in its simplicity and lucidity. He made the film at age 73, presumably expecting he was near the end of his life. He would in fact live another 33 years and make another 25 or so films, some of them among his greatest, in an extended twilight that was also an artistic prime unlike any other. An Instituto Portugues de Cinema release. Celebrating 25 Years of The Film Foundation This year marks the 25th anniversary of The Film Foundation. Following his successful campaign in the early ’80s to develop a more durable color film stock, Martin Scorsese founded the organization to raise awareness of the fragility of film and to create a genuine consciousness of film preservation. Since its inception in 1990, TFF has partnered with archives, studios, and labs around the world to restore over 700 films. We’re presenting seven of their newest restorations. Black Girl / La Noire de… Ousmane Sembene, France/Senegal, 1965, DCP, 65m French with English subtitles Ousmane Sembene’s first feature—really, the movie that opened the way for African cinema in the West—is by turns tough, swift, and true in its aim. A young woman (Mbissine Thérèse Diop) leaves Senegal with dreams of a more carefree and glamorous existence in France, where she procures a job as a live-in maid and nanny for a young couple in the French Riviera. She is gradually deadened by the endless routines and tasks and rhythms of life in the tiny apartment, and by the dissatisfactions felt by the husband and wife, which they project onto their “black girl.” Sembene’s “perfect short story,” wrote Manny Farber, naming it as his movie of 1969, “is unlike anything in the film library: translucent and no tricks, amazingly pure, but spiritualized.” A formative and eye-opening work, and one of Sembene’s finest. Restored by The Film Foundation’s World Cinema Project in collaboration with the Sembene Estate, Institut National de l’Audiovisuel, INA, Eclair laboratories, and Centre National de Cinématographie. Restoration carried out at Cineteca di Bologna/L’Immagine Ritrovata Laboratory. A Janus Films release. The Boys from Fengkuei Hou Hsiao-hsien, Taiwan, 1983, DCP, 101m Mandarin with English subtitles This “group portrait of four laddish adolescents on the razzle in Kaohsiung as they approach the onset of adult life” (Tony Rayns) is Hou Hsiao-hsien’s fourth film, but he has long considered it to be the real beginning of his career as a moviemaker. “I had very intense feelings at the time,” Hou told Sam Ho, “and I think the film has an intense energy. An artist’s early work might be lacking in craft but, at the same time, be very powerful, very direct. Later, when I wanted to return to that initial intensity, I no longer could.” In the tradition of Fellini’s I Vitelloni, The Boys from Fengkuei is a deeply personal look back at the director’s own adolescence—at the boredom of living in the middle of nowhere and the overwhelming need to get up and move, and get out and away to the big city. A glorious young-man’s film, and the first great work of the Taiwanese New Wave. Restoration by the Cineteca di Bologna. A Cinémathèque Royale de Belgique release. Heaven Can Wait Ernst Lubitsch, USA, 1943, 35mm, 112m The legendary Ernst Lubitsch’s portrait of a turn-of-the-century hedonist extraordinaire begins at the gate of hell—not Dante’s Inferno but a handsome art-deco waiting room, where a courtly Satan (Laird Cregar) conducts an admission interview with the recently deceased Henry Van Cleve (Don Ameche). Henry’s leisurely stroll through the past is a very funny comedy of manners and a lovely rendering of Old New York. Lubitsch’s writing with Samson Raphaelson — Satan: “I presume your funeral was satisfactory.” Henry: “Well, there was a lot of crying, so I believe everybody had a good time.”—and his meticulous direction are all of a piece. The film’s glorious, candy-box Technicolor has now been beautifully restored by Schawn Belston and his team at 20th Century Fox, just in time for the 100th Anniversary of the Fox Film Corporation. With Gene Tierney, Louis Calhern, Eugene Pallette, Marjorie Main, and Charles Coburn as Henry’s grandfather and fellow black sheep. Restored by 20th Century Fox in collaboration with the Academy Film Archive and The Film Foundation. A 20th Century Fox release. Insiang Lino Brocka, Philippines, 1976, DCP, 95m Tagalog and Filipino with English subtitles In Lino Brocka’s searing 1976 melodrama (one could use the same adjective to describe all of his melodramas), the eponymous heroine, played by Hilda Koronel, is raped by her mother’s boyfriend, then blamed for provoking the act and forced out of her own home. “Insiang is, first and foremost, a character analysis,” wrote the director. “I need this character to recreate the ‘violence’ stemming from urban overpopulation, to show the annihilation of a human being, the loss of human dignity caused by the physical and social environment…” The people in Brocka’s films live in dire circumstances, offset by their extreme vitality and their electrically charged encounters. Insiang, a failure on its home ground but the first film from the Philippines to be invited to Cannes, is one of its director’s best. It is also the second of Brocka’s works to be restored by the World Cinema Project. With Mona Lisa as Insiang’s mother. Restored in 2015 by Cineteca di Bologna/L’Immagine Ritrovata. Restoration funding provided by The Film Foundation’s World Cinema Project and the Film Development Council of the Philippines. A Film Foundation release. The Long Voyage Home John Ford, USA, 1940, DCP, 105m Independently produced by Walter Wanger, John Ford’s soulful, heartbreaking film is based on four Eugene O’Neill one-acts about life at sea (the playwright himself loved the movie so much that he acquired his own 16mm print). Ford, working with his screenwriter Dudley Nichols and his brilliant cameraman Gregg Toland (they had just collaborated on The Grapes of Wrath), updates the plays to World War II and condenses the action, creating tonal variations on the aching loneliness of life at sea and the longing for home. In the words of Ford biographer Joseph McBride, the director and his DP “broke all the rules of conventional Hollywood cinematography” and created “a doom-laden mood with deep pools of light and shadow”—seen to full advantage in this beautiful restoration. The Long Voyage Home is a true ensemble piece featuring many of the actors that comprised Ford’s “stock company,” including Thomas Mitchell, Barry Fitzgerald and his brother Arthur Shields, John Qualen, and, unforgettably, John Wayne as the Swedish sailor Ole. Restored by the UCLA Film & Television Archive. Restoration funding provided by the Hollywood Foreign Press Association and The Film Foundation. A Westchester Films and Shout! Factory release. The Memory of Justice Marcel Ophüls, UK/USA/France/Germany, 1976, DCP, 278m French with English subtitles The third of Marcel Ophüls’ monumental inquiries into the questions of individual and collective guilt fueling the calamities of war and genocide, The Memory of Justice examines the defining tragedies of the Western world in the second half of the 20th century, from the Nuremberg trials through the French-Algerian war to the disaster of Vietnam, building from a vast range of interviews, from Telford Taylor (Counsel for the Prosecution at Nuremberg, later a harsh critic of our escalating involvement in Vietnam) to Nazi architect Albert Speer to Daniel Ellsberg and Joan Baez. As Vincent Canby wrote in The New York Times when The Memory of Justice was screened at the 1976 New York Film Festival, Ophüls’ film “expands the possibilities of the documentary motion picture in such a way that all future films of this sort will be compared to it.” Seldom seen since its premiere and then only in rare 16mm prints, the film has now been painstakingly restored. Restored by the Academy Film Archive in association with Paramount Pictures and The Film Foundation. Restoration funding provided by The Material World Charitable Foundation, Righteous Persons Foundation, and The Film Foundation. A Film Foundation release. Rocco and His Brothers Luchino Visconti, Italy/France, 1960, DCP, 177m Italian with English subtitles Luchino Visconti’s rich and expansive masterpiece, the story of a mother and her grown sons who head north from Lucania in search of work and new lives, has an emotional intensity and a tragic grandeur matched by few other films. Visconti turned to Giovanni Testori, Thomas Mann, Dostoyevsky, and Arthur Miller for inspiration, and he achieved an truly epic sweep: in one beautifully realized scene after another, we observe the tragic progress of a tightly knit family coming apart, one frayed thread at a time. Alain Delon is Rocco, Renato Salvatori is his brother Simone, Annie Girardot is the woman who comes between them, and Katina Paxinou is the matriarch, Rosaria. Rocco and His Brothers, one of the great and defining films of its era, has now been beautifully restored, and Giuseppe Rotunno’s black-and-white images are once again as pearly and lustrous as they were meant to be. Restored by Cineteca di Bologna/L’Immagine Ritrovata in association with Titanus, TF1 Droits Audiovisuels, and The Film Foundation. Restoration funding provided by Gucci and The Film Foundation. A Milestone Film release.

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