The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin.
In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award.
Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France).
As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival.
Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.Claire’s Camera
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#PIFF41 2018 Portland International Film Festival Announces Lineup
The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin.
In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award.
Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France).
As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival.
Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.
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AFI FEST 2017 Announces World Cinema, Midnight and Youth and Family Lineup
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APRIL’S DAUGHTER (LAS HIJAS DE ABRIL)[/caption]
The American Film Institute announced today the films that will be featured in the World Cinema, Midnight and Youth and Family sections at AFI FEST 2017 presented by Audi.
The World Cinema section showcases the most celebrated international films of the year and features 30 films from 39 countries. The section includes 13 official Best Foreign Language Film Oscar® entries: A CIAMBRA (DIR Jonas Carpignano), A FANTASTIC WOMAN (UNA MUJER FANTASTICA) (DIR Sebastián Lelio), FOXTROT (DIR Samuel Maoz), HAPPY END (DIR Michael Haneke), HOCHELAGA, LAND OF SOULS (DIR François Girard), IN THE FADE (AUS DEM NICHTS) (DIR Fatih Akin), THE INSULT (L’INSULTE) (DIR Ziad Doueiri), LOVELESS (NELYUBOV) (DIR Andrey Zvyagintsev), NEWTON (DIR Amit V Masurkar), ON BODY AND SOUL (TESTRŐL ÉS LÉLEKRŐL) (DIR Ildikó Enyedi), SPOOR (POKOT) (DIR Agnieszka Holland), THELMA (DIR Joachim Trier) and WAJIB (DIR Annemarie Jacir).
The festival’s Midnight section will enthrall and petrify audiences with three international, genre-bending films: GOOD MANNERS (DIR Juliana Rojas, Marco Dutra), LET THE CORPSES TAN (DIR Hélène Cattet, Bruno Forzani) and V.I.P. (DIR Park Hoon-Jung).
AFI FEST will offer Youth and Family Programming for the next generation of storytellers and moviegoers, with the films THE BREADWINNER (DIR Nora Twomey) and MARY AND THE WITCH’S FLOWER (DIR Hiromasa Yonebayashi). At these screenings, AFI FEST will host students from several public middle and high schools across Los Angeles County for educational experiences. MARY AND THE WITCH’S FLOWER will also screen for the festival’s public audience.
WORLD CINEMA
APRIL’S DAUGHTER (LAS HIJAS DE ABRIL) – In AFI FEST alum Michel Franco’s latest feature, a domineering mother suddenly arrives to assist with her teenage daughter’s pregnancy. But her true motives will soon emerge. DIR Michel Franco. SCR Michel Franco. CAST Emma Suárez, Ana Valeria Becerril, Enrique Arrizon, Joanna Larequi, Hernán Mendoza. Mexico BEAUTY AND THE DOGS – Following a sexual assault, a young Tunisian woman must descend into a bureaucratic hell to report the incident and find justice. DIR Kaouther Ben Hania. SCR Kaouther Ben Hania. CAST Mariam Al Ferjani, Ghanem Zrelli, Noomane Hamda, Mohamed Akkari, Chedly Arfaoui, Anissa Daoud, Mourad Gharsalli. Tunisia, France, Sweden, Norway, Lebanon, Qatar, Switzerland BRIGHT SUNSHINE IN (UN BEAU SOLEIL INTÉRIEUR) – Juliette Binoche shines in the latest work from auteur Claire Denis, centering on a middle-aged woman hungry to find and hold onto love. DIR Claire Denis. SCR Claire Denis, Christine Angot. CAST Juliette Binoche, Xavier Beauvois, Philippe Katerine, Josiane Balasko, Sandrine Dumas, Nicolas Duvauchelle, Alex Descas, Laurent Grévill. France A CIAMBRA – Jonas Carpignano’s sophomore feature follows Pio, a streetwise teen in Calabria who must step up when his older brother lands in trouble with the police. DIR Jonas Carpignano. SCR Jonas Carpignano. CAST Pio Amato, Koudous Seihon, Iolanda Amato, Damiano Amato, Francesco Pio Amato, Patrizia Amato, Rocco Amato, Susanna Amato. Italy, USA, France, Sweden CLAIRE’S CAMERA (KEUL-LE-EO-UI-KA-ME-LA) – This charming entry from Hong Sang-soo centers on the friendship between a Korean woman (Kim Min-hee) who’s recently lost her job and a wise Parisian teacher (Isabelle Huppert). DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Isabelle Huppert, Kim Min-hee, Chang Mi-hee, Jung Jin-young. South Korea THE DAY AFTER (GEU-HU) – Infused with director Hong Sang-soo’s signature realism and humor, this film follows an aspiring writer who gets caught up in the spectacular drama of her boss’ personal life. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Kwon Haehyo, Kim Min-hee, Kim Sae-byuk, Cho Yun-hee, Ki Ju-bong, Park Yea-ju, Kang Taeu. South Korea A FANTASTIC WOMAN (UNA MUJER FANTASTICA) – In Sebastián Lelio’s follow-up to GLORIA, trans actress Daniela Vega gives an astonishing debut performance as a woman who must navigate a hostile society after the death of her lover. DIR Sebastián Lelio. SCR Sebastián Lelio, Gonzalo Maza. CAST Daniela Vega, Francisco Reyes, Luis Gnecco, Aline Kuppenheim, Nicolás Saavedra, Amparo Noguera, Néstor Cantillana, Alejandro Goic, Antonia Zegers, Sergio Hernández. Chile, USA, Germany, Spain FOXTROT – An Israeli couple mourns the death of their soldier son in this audacious depiction of war and loss. DIR Samuel Maoz. SCR Samuel Maoz. CAST Lior Ashkenazi, Sarah Adler, Yonatan Shiray, Gefen Barkai, Dekel Adin, Shaul Amir, Itay Exlroad. Israel, Germany, France, Switzerland A GENTLE CREATURE (KROTKAYA) – An unnamed woman, trying to reach her imprisoned husband, descends into the bureaucratic hell of the Russian penal system in this masterful epic. DIR Sergei Loznitsa. SCR Sergei Loznitsa. CAST Vasilina Makovtseva, Marina Kleshcheva, Lia Akhedzhakova, Valeriu Andriuta, Boris Kamorzin, Sergei Kolesov. France, Germany, Lithuania, The Netherlands HAPPY END – Austrian auteur Michael Haneke returns with another chilling masterwork starring Isabelle Huppert and Jean-Louis Trintignant, focusing on a dysfunctional wealthy family. DIR Michael Haneke. SCR Michael Haneke. CAST Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Fantine Harduin, Franz Rogowski, Laura Verlinden, Aurelia Petit, Toby Jones. France, Austria, Germany HOCHELAGA, LAND OF SOULS (HOCHELAGA, TERRE DES ÂMES) – The history of Montreal is told with a poetic, episodic structure in this time-jumping drama, arriving in the year of Canada’s 150th anniversary. DIR François Girard. SCR François Girard. CAST Samian, Vincent Perez, Raoul Trujillo, Wahiakeron Gilbert, Emmanuel Schwartz, Tanaya Beatty, David La Haye, Sébastien Ricard, Siân Phillips, Linus Roache, Gilles Renaud, Naïade Aoun, Tony Nardi. Canada IN THE FADE (AUS DEM NICHTS) – Diane Kruger gives a career-topping performance in Fatih Akin’s complex thriller that follows a woman’s search for justice after an act of terrorism shatters her life. DIR Fatih Akin. SCR Fatih Akin, Hark Bohm. CAST Diane Kruger, Denis Moschitto, Johannes Krisch, Samia Chancrin, Numan Acar, Ulrich Tukur, Rafael Santana, Hanna Hilsdorf. Germany, France THE INSULT (L’INSULTE) – When a Palestinian refugee and a Christian nationalist have a fateful crossing of paths, long-simmering tensions in modern-day Lebanon rise to the surface — and spiral out of control. DIR Ziad Doueiri. SCR Ziad Doueiri, Joëlle Touma. CAST Adel Karam, Kamel El Basha, Camille Salameh, Diamand Bou Abboud, Rita Hayek, Talal El Jurdi, Christine Choueiri, Julia Kassar, Rifaat Torbey, Carlos Chahine. Lebanon, France LOVELESS (NELYUBOV) – Russian auteur Andrey Zvyagintsev returns to AFI FEST with a gut-wrenching drama about a divorcing couple who just want to offload their young son — that is, until he disappears. DIR Andrey Zvyagintsev. SCR Oleg Negin, Andrey Zvyagintsev. CAST Maryana Spivak, Alexey Rozin, Matvey Novikov, Marina Vasilyeva, Andris Keishs, Alexey Fateev. Russia, France, Belgium, Germany A MAN OF INTEGRITY – When an Iranian farmer refuses to play ball with corrupt local thugs, he soon learns the steep price for holding onto his principles. DIR Mohammad Rasoulof. SCR Mohammad Rasoulof. CAST Reza Akhlaghirad, Soudabeh Beizaee, Nasim Adabi, Missagh Zareh, Zeinab Shabani, Zhila Shahi, Majib Potki. Iran MARLINA THE MURDERER IN FOUR ACTS (MARLINA SI PEMBUNUH DALAM EMPAT BABAK) – A humble Indonesian woman becomes a stealthy master of revenge in this modern feminist Western. DIR Mouly Surya. SCR Mouly Surya, Rama Adi. CAST Marsha Timothy, Dea Panendra, Yoga Pratama, Egi Fedly. Indonesia, France, Malaysia, Thailand MR. LONG – In this deft, soulful work of genre filmmaking, a notorious hitman trying to allude gangsters finds refuge in a dilapidated part of Tokyo, where he befriends a troubled mother and her child. DIR SABU. SCR SABU. CAST Chang Chen, Sho Aoyagi, Yiti Yao, Runyin Bai. Japan, Hong Kong, China, Taiwan, Germany MRS HYDE (MADAME HYDE) – Isabelle Huppert is sublime as MADAME HYDE, a meek chemistry teacher who experiences a fantastic awakening following a lab accident. DIR Serge Bozon. SCR Axelle Ropert, Serge Bozon. CAST Isabelle Huppert, Romain Duris, José Garcia, Adda Senani, Guillaume Verdier, Patricia Barzyk, Pierre Léon, Jamal Barbouche. France, Belgium NEWTON – An idealistic election monitor is determined to make the voices of 76 villagers heard in this humorous and humanistic portrait of Indian democracy. DIR Amit V Masurkar. SCR Mayank Tewari, Amit V Masurkar. CAST Rajkummar Rao, Pankaj Tripathi, Anjali Patil, Raghubir Yadav. India ON BODY AND SOUL (TESTRŐL ÉS LÉLEKRŐL) – In this Berlinale Golden Bear winner, two very different employees at a slaughterhouse discover they share the same dreams at night. DIR Ildikó Enyedi. SCR Ildikó Enyedi. CAST Alexandra Borbély, Géza Morcsányi, Réka Tenki, Zoltán Schneider, Ervin Nagy, Pál Mácsai, Itala Békés, Tamás Jordán, Éva Bata. Hungary THE OTHER SIDE OF HOPE (TOIVON TUOLLA PUOLEN) – Finnish auteur Aki Kaurismäki turns his sights on a Syrian refugee in Helsinki in this moving, hopeful and hilariously deadpan masterwork. DIR Aki Kaurismäki. SCR Aki Kaurismäki. CAST Sherwan Haji, Sakari Kuosmanen, Ilkka Koivula, Janne Hyytiäinen, Nuppu Koivu, Kaija Pakarinen, Niroz Haji, Simon Hussein Al-Bazoon. Finland, Germany A SEASON IN FRANCE (UNE SAISON EN FRANCE) – A migrant from the Central African Republic struggles to gain asylum in France and raise his two children in this urgently empathetic new work from Chadian auteur Mahamat-Saleh Haroun. DIR Mahamat-Saleh Haroun. SCR Mahamat-Saleh Haroun. CAST Eriq Ebouaney, Sandrine Bonnaire, Aalayna Lys, Ibrahim Burama Darboe, Bibi Tanga, Léonie Simaga, Régine Conas, Khampha Thammavongsa. France A SKIN SO SOFT (TA PEAU SI LISSE) – Denis Côté returns to AFI FEST with this hybrid documentary examining hyper-masculinity within a group of Québécois bodybuilders. DIR Denis Côté. SCR Denis Côté. CAST Alexis Légaré, Benoit Lapierre, Cédric Doyon, Jean-François Bouchard, Ronald Yang, Maxim Lemire. Canada SPOOR (POKOT) – Polish master Agnieszka Holland delivers an animal rights murder mystery for the ages in this genre-bending, gloriously twisted thriller. DIR Agnieszka Holland. SCR Olga Tokarczuk, Agnieszka Holland. CAST Agnieszka Mandat, Wiktor Zborowski, Miroslav Krobot, Jakub Gierszał, Patricia Volny, Tomasz Kot, Borys Szyc, Andrzej Grabowski. Poland, Germany, Czech Republic, Sweden, Slovak Republic SWEET COUNTRY – An Aboriginal man and his wife are forced to go on the run into the Outback in this brilliant, heart-rending revisionist Western set in 1929 Australia. DIR Warwick Thornton. SCR David Tranter, Steven McGregor. CAST Sam Neill, Bryan Brown, Ewen Leslie, Hamilton Morris, Thomas M. Wright, Matt Day, Natassia Gorey-Furber. Australia THELMA – A young Norwegian woman from a devoutly Christian background begins experiencing fantastic powers in the latest work from Joachim Trier. DIR Joachim Trier. SCR Eskil Vogt, Joachim Trier. CAST Eili Harboe, Kaya Wilkins, Henrik Rafaelsen, Ellen Dorrit Petersen, Grethe Eltervåg, Marte Magnusdotter Solem, Anders Mossling, Vanessa Borgli, Steinar Klouman Hallert, Ingrid Giæver, Oskar Pask, Gorm Grømer, Camilla Belsvik, Martha Kjørven. Norway, Sweden, France, Denmark WAJIB – A Palestinian father and son deal with ideological differences as they drive around Nazareth delivering wedding invitations in this moving, subtle drama. DIR Annemarie Jacir. SCR Annemarie Jacir. CAST Mohammad Bakri, Saleh Bakri, Maria Zreik, Rana Alamuddin. Palestine, France, Germany, Colombia, Norway, Qatar, United Arab Emirates WALKING PAST THE FUTURE (LU GUO WEI LAI) – A young woman and her family deal with the fallout of widespread factory layoffs in this elegant portrait of the socioeconomic realities of contemporary China. DIR Li Ruijun. SCR Li Ruijun. CAST Yang Zishan, Yin Fang. China WESTERN – Masculine hostility and violence simmer to the surface in this slow-burn masterstroke from new German auteur Valeska Grisebach. DIR Valeska Grisebach. SCR Valeska Grisebach. CAST Meinhard Neumann, Reinhardt Wetrek, Syuleyman Alilov Letifov, Veneta Frangova, Vyara Borisova, Kevin Bashev. Germany, Bulgaria, Austria THE WORKSHOP (L’ATELIER) – Facing a dangerous threat, a Parisian teacher must teach her students how to stand up for what’s right in the latest film from Laurent Cantet (Palme d’Or winner THE CLASS). DIR Laurent Cantet. SCR Robin Campillo, Laurent Cantet. CAST Marina Foïs, Matthieu Lucci, Warda Rammach, Issam Talbi, Florian Beaujean, Mamadou Doumbia, Julien Souve, Mélissa Guilbert, Olivier Thouret, Lény Sellam. FranceMIDNIGHT
GOOD MANNERS (AS BOAS MANEIRAS) – Clara gets a nanny job for a high-class woman with an intensifying hunger for meat in this genre-bending tale of love, sacrifice and compassion. DIR Juliana Rojas, Marco Dutra. SCR Juliana Rojas, Marco Dutra. CAST Isabél Zuaa, Marjorie Estiano, Miguel Lobo. Brazil, France LET THE CORPSES TAN (LAISSEZ BRONZER LES CADAVRES) – A sun-soaked adventure fueled by machine-gunfire and leather, LET THE CORPSES TAN is an audacious heist film with style to burn. DIR Hélène Cattet, Bruno Forzani. SCR Hélène Cattet, Bruno Forzani. CAST Elina Löwensohn, Stéphane Ferrara, Hervé Sogne, Bernie Bonvoisin, Pierre Nisse, Marc Barbé, Michelangelo Marchese. Belgium, France V.I.P. – A buttoned-up federal agent, a world-weary cop and a mysterious lone wolf join forces to take down a serial killer in this tense Korean thriller. DIR Park Hoon-Jung. SCR Park Hoon-Jung. CAST Jang Dong-gun, Kim Myung-min, Park Hee-soon, Lee Jong-suk. South KoreaYOUTH AND FAMILY
THE BREADWINNER – This timely, inspiring and beautifully animated tale follows an 11-year-old girl growing up under the Taliban in Afghanistan, who must disguise herself as a boy to support her family. DIR Nora Twomey. SCR Anita Doron. CAST Saara Chaudry, Soma Chhaya, Laara Sadiq, Shaista Latif, Ali Badshah, Kawa Ada, Noorin Gulamgaus. Canada, Ireland, Luxembourg MARY AND THE WITCH’S FLOWER (MEARI TO MAJO NO HANA) – Based on Mary Stewart’s 1971 children’s book “The Little Broomstick,” this film tells the story of a young girl who discovers a flower that grants magical powers, but only for one night. DIR Hiromasa Yonebayashi. SCR Riko Sakaguchi, Hiromasa Yonebayashi. CAST Ruby Barnhill, Kate Winslet, Jim Broadbent, Ewen Bremner, Lynda Baron. Japan AFI FEST takes place November 9 to 16, 2017, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre, Dolby Cinema at the Vine, the Mark Goodson Screening Room at the American Film Institute and The Hollywood Roosevelt.
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Melbourne International Film Festival to Feature 35 Films From Cannes
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The Square[/caption]
The Melbourne International Film Festival (MIFF) will present big award winners from this year’s Cannes Film Festival, including the 2017 Palme d’Or winning The Square, a deliriously strange detonation of art and imagination from Swedish director Ruben Öslund (Force Majeure, MIFF 14), featuring a riveting performance from Danish actor Claes Bang and scene stealing performances from Elizabeth Moss (also appearing in Top of the Lake: China Girl, MIFF 17) and Dominic West. Other films include Loveless, the must-see winner of the Jury Prize at this year’s Cannes – a razor-sharp portrayal of a marriage in the state of collapse from one of the greatest Russian filmmakers working today, Andrey Zvyagintsev (Leviathan, Elena, MIFF 11); and BPM, from French director Robin Campillo, (Eastern Boys, MIFF 14; They Came Back, MIFF 05) winner of this year’s Cannes Grand Jury Prize and Queer Palm winner, which dives headfirst into the passions, protests and politics of ‘90s AIDS activism.
International purveyor of the bizarre and MIFF favourite Yorgos Lanthimos is back with regular co-writer Efthymis Filippou (The Lobster, MIFF 15; Alps MIFF 12) for The Killing of a Sacred Deer – bringing Colin Farrell and Nicole Kidman together in a darkly comic modern rendering of an ancient Greek morality play; and Julianne Moore reunites with Todd Haynes for the enchanting Wonderstruck, an intoxicating, visually ravishing adaptation of Brian Selznick’s (writer of Hugo) illustrated tale of two deaf runaways and the glimmering, redemptive magic of cinema.
Thrillers that packed a punch include Good Time, where Robert Pattinson electrifies in the pulse-quickening heist thriller from American indie stars Josh and Benny Safdie who were subjects of a MIFF focus in 2015, with an electronic score by Oneohtrix Point End; and In the Fade, from Germany’s Faith Akin where Diane Kruger delivers her Best Actress-winning performance as a mother dealing with the aftermath of her Kurdish husband and young son’s death in a neo-Nazi hate crime.
Films from European directors that set Cannes ablaze include master auteur Michael Haneke’s (Amour, MIFF 12, The White Ribbon, MIFF 09) Happy End, which sees the director reunite with the great Isabelle Huppert and Jean-Louis Trintignant in a cutting portrait of bourgeois European Life; Let the Sunshine In, the Directors’ Fortnight award-winning new film from iconic French director Claire Denis (Bastards, MIFF 13), with Juliette Binoche delivering a shining performance in the starring role; and veteran French director Philippe Garrel’s (In the Shadow of Women, MIFF 15) Lover for a Day, shot in lyrical monochrome and starring his daughter Esther in her first major role, which once again brings a poetic touch to his perennial themes of fidelity and sexual freedom.
Also from France, the grande dame of the French New Wave Agnès Varda revives the spirit of The Gleaners and I (MIFF 01) with Faces Places, a picaresque romp through rural France, where she is joined in her travel by the artist JR; and The Venerable W, which sees Barbet Schroeder complete his “trilogy of evil” with a stunning portrayal of xenophobic demagogy in an unexpected quarter: Buddhist monks in the Republic of Myanmar.
Films exploring corruption and injustice include the winner of the prestigious Un Certain Regard prize A Man of Integrity, from acclaimed Iranian writer/director Mohammed Rasoulof (Manuscripts Don’t Burn, MIFF 13; Iron Island, MIFF 05), which is a potent thriller that captures one man’s desperate battle to stand up to a corrupt system; and Tehran Taboo, the boundary-pushing new animation from Iranian-born first-time feature director Ali Soozandeh, which tackles the sexual taboos of Islamic society and reveals a world of hypocrisy and political corruption.
Works of distinct individuality from exciting new voices in the cinematic landscape include the satirical and witty I Am Not a Witch, inspired by real-life rural witch camps in Africa and directed by first-time feature director Ryngano Nyoni, with cinematography by David Gallego (Embrace of the Serpent); Marlina the Murderer in Four Acts, a “feminist Indonesian Spaghetti Western” (The Irish Times) directed by a shining star of the blossoming Indonesian film industry, Mouly Surya; and Michael Franco’s (Chronic, MIFF 15) Un Certain Regard Jury Prize winner April’s Daughter, a gripping depiction of maternal devotion gone wrong, with Emma Suárez (Pedro Almodóvar’s Julieta, MIFF 16) mesmerising as the ruthlessly calculating mother.
Continuing to uncover and capture the bizarre and bold, the festival is proud to present Nothingwood, first-time documentarian Sonia Krunlund’s rousing portrait of Afghani writer/actor/director Salim Shaheen that captures the auteur using the resources available to him to make cheap, fast, out-of-nothing films starring himself, his friends and his family, which bring hope to his adoring fans in Afghanistan’s climate of violence; co-produced by Toni’s Erdmann’s Maren Ade, Western is the acclaimed Cannes hit from German writer/director Valeska Grisebach (Longing, MIFF 05) that uses non-actors in a European standoff to evoke the spirit of the titular American genre; starring and co-written by Saturday Night Live’s Kyle Mooney, helmed by frequent collaborator Dave McCary and produced by Andy Samberg, Brigsby Bear is the latest thigh-slapping comedic effort to double as an SNL “Where Are They Now?” reunion special; and hope springs from Josh Hartnett, a blonde wig and a Tokyo-to-California jaunt in Oh Lucy!, Atsuko Hirayangi’s affectionate expansion of her MIFF 2014 short of the same name.
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Patti Cake$[/caption]
The festival will feature the Australian premiere of the entire second season of Top of the Lake: China Girl, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman, and offering a unique opportunity to see the series before its television premiere on BBC First on Foxtel; and Patti Cake$, music video director Jeremy Gasper’s feature debut about an aspiring rapper, starring Australian actress Danielle McDonald in her sensational breakout performance.
Slower, more meditative works centered around image, exploration and self-reflexivity include Claire’s Camera, in which Isabelle Huppert reunites with director Hong Sang-soo to present an uncomplicated and refreshing meditation on the joy of chance encounters and the power of art; 24 Frames, a minimalist hymn to the capturing of images and the final work by the late Iranian master Abbas Kiarostami; and Naomi Kawase’s (Still the Water, MIFF 14) Radiance, which explores the complexity of cinematic images through description alone, as protagonist Misako writes voiceovers for vision impaired film viewers.
Scoring an award at the Cannes Directors’ Fortnight, Jonas Carpignano’s (Mediterranea, MIFF 15) latest, A Ciambra, explores the European refugee crisis in a heart-wrenching, ultra-realist tour of the outcast and refugee communities of Italy’s south; and in Hungarian phenomenon Kornél Mundruczó’s (White God, MIFF 14) Jupiter’s Moon, the superhero genre collides with the rolling tragedy of that same crisis in an action-packed assault on tribalism, human indecency of the basic laws of gravity.
Set to screen at MIFF as part of Night Shift, A Prayer Before Dawn is a claustrophobic, face-pulping mash of growling sound, kinetic editing and so-real-you-have-to-flinch fight scenes from French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 08); and Blade of the Immortal is samurai, swords and Takashi Miike – celebrating his 100th feature with the tale of an immortal swordsman looking to reclaim his soul.
Hot from the Un Certain Regard section, Closeness explores family relations intermingled with ethnic tensions in a stunning, disturbing debut from young Russian filmmaker Kantemir Balagov; shot in nine parts, each in sweeping unbroken takes, Beauty and the Dogs is based on a real incident of a young Tunisian student plunged into an infuriating and intimidating bureaucratic nightmare; and Until the Birds Return, a film of three stunningly rendered dispatches from the still-scarred people and landscapes of modern Algeria, by young gun of North African cinema Karim Moussaoui.
And finally, Chilean filmmaker Marcela Said’s sophomore feature Los Perros explodes class privilege when a wealthy woman – the dynamite Antonia Zeger – falls for her older riding instructor, a man accused of war crimes; and A Gentle Creature, the latest film by Sergei Loznitsa (The Event MIFF 16; In the Fog, MIFF 12) that shifts from rusted realism to dreamy fantasy as it follows a woman (Vasilina Makovtseva) on a voyage through multiple layers of violence, indignity and human cruelty.