Core of the World (Serdtse Mira)

  • Cuban Dancer Carlos Acosta Biopic YULI to Open 2019 Minneapolis St. Paul International Film Festival

    Yuli directed by Icíar Bollaín
    Yuli directed by Icíar Bollaín

    Yuli, a dazzling dramatization of the early life and work of legendary Cuban dancer Carlos Acosta will be the Opening Night Film of this year’s 38th Minneapolis St. Paul International Film Festival, which runs April 4 to 20, 2019.

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  • International Film Festival Rotterdam Reveals 47 Films in 2019 Bright Future

    The Yellow Night (A Noite Amarela)
    The Yellow Night (A Noite Amarela)

    International Film Festival Rotterdam (IFFR) revealed the complete selection of 47 feature films from all over the world in its Bright Future section, the festival’s home for upcoming filmmakers with their own style and vision. All feature film debuts that have their world or international premiere in Bright Future are selected for the Bright Future Competition and vie for a €10,000 award.

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  • 2019 Palm Springs International Film Festival to Screen 223 Films, Opens with Kenneth Branagh’s ALL IS TRUE

    All is True 
    All is True 

    The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4,  and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.

    In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend. 

    Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend. 

    30th Palm Springs International Film Festival Film Lineup

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  • International Film Festival Rotterdam Reveals First Films in 2019 Bright Future Program

    [caption id="attachment_33089" align="aligncenter" width="1200"]Thirty (Dreissig) by Simona Kostova Thirty (Dreissig) by Simona Kostova[/caption] International Film Festival Rotterdam (IFFR) revealed the first films for in the 2019 Bright Future program that spotlights upcoming filmmakers with their own style and vision. The Bright Future section comprises features, mid-lengths and shorts, and includes the feature film debuts competing for the Bright Future Award worth €10,000. Among the films selected so far are the world premieres of Viktor van der Valk’s neo-noir Nocturne (the Netherlands); Argentinian actress Romina Paula’s directing debut De nuevo otra vez; Ico Costa’s debut feature Alva (from the producers of Djon África, which was in IFFR 2018’s Tiger Competition); and Dreissig by Berlin-based filmmaker Simona Kostova. The international premiere of Fabiana, Brunna Laboissière’s portrait of a transgender truck driver, also screens in the Bright Future Competition. In addition to feature films, IFFR’s Bright Future section devotes plenty of space to mid-length and short films. Titles confirmed for Bright Future Mid-length include Derrière les volets by Messaline Raverdy and the world premiere of L’inconnu de Collegno by Maïder Fortuné. Stefano Canapa’s The Sound Drifts and Lawrence Abu Hamdan’s Walled Unwalled will both world premiere in Bright Future Short. The full Bright Future line-up will consist of approximately 50 feature films. The eight films in Tiger Competition, which is also part of the Bright Future section, will be announced early January 2019.

    Bright Future Competition

    Algiers By Night, Yanis Koussim, 2019, Algeria/France/Norway/Qatar, world premiere. As the sun sets over Algiers, a young photographer and various creatures of the night start to emerge. Alva, Ico Costa, 2019, Portugal/France/Argentina, world premiere. After his children are taken away by social services, a troubled loner seeks revenge and flees into the inhospitable forest. De nuevo otra vez/Again Once Again, Romina Paula, 2019, Argentina, world premiere. A delicate self-portrait about aging, maternity and sexuality. Romina Paula fictionalizes reality and explores being a daughter and new mother. Dreissig/Thirty, Simona Kostova, 2019, Germany, world premiere. Twenty-four hours in the lives of a group of colorful Berliners in their late twenties/early thirties, oscillating between a carefree existence and emptiness. Fabiana, Brunna Laboissière, 2018, Brazil, international premiere. As she approaches retirement, a transgender truck driver looks back on her life on the road, with a different sweetheart in every town Nocturne, Viktor van der Valk, 2019, Netherlands, world premiere. Lyrical film noir about two producers, an investor, a deadline, a woman, a gun and a hopelessly romantic boy. A volta ao mundo quando tinhas 30 anos/Around the World When You Were My Age, Aya Koretzky, 2018, Portugal, international premiere. Loving, captivating portrait of the director’s father based on the latter’s 1970 round the world journey.

    Bright Future

    Black Mother, Khalik Allah, 2018, Jamaica/USA Life’s key elements come together in this visual film symphony and ode to today’s colorful Jamaica. Core of the World, Natalya Meshchaninova, 2018, Russia/Lithuania Compassion and cruelty are not far apart in the work of a shy vet at a Russian stock farm. The Day I Lost My Shadow, Soudade Kaadan, 2018, Lebanon A young Syrian mother’s search for bottled gas ends in a panic-stricken journey. Awarded Best Debut in Venice. Introduzione all’oscuro, Gastón Solnicki, 2018, Argentina/Austria A personal, cinematic gesture born of sadness over the death of a friend. It’s also a unique guide to Viennese culture. The Load, Ognjen Glavonić, 2018, Serbia/France/Croatia/Iran/Qatar During the NATO bombardments of 1999, a truck driver has to take a mysterious load to Belgrade. Subtle narrative bursting with menace. Long Day’s Journey Into Night, Bi Gan, 2018, China/France Past and present intertwine in this visually stunning, partially 3D second film by Chinese talent Bi Gan. The Man Who Surprised Everyone, Aleksey Chupov/Natasha Merkulova, 2018, Russia/Estonia/France A terminally ill forest ranger wants to live out his final months as a woman. In a remote Siberian community he pays dearly. Nona. If They Soak Me, I’ll Burn Them, Camila José Donoso, 2019, Chile, world premiere.  A hybrid fiction featuring the director’s intriguing grandmother as an anarchist warrior in a Chilean town ravaged by forest fires. The Proposal, Jill Magid, 2018, USA Strange things happen in the struggle to make the hidden archives of architect Luis Barragán public again. The Seven Last Words, Kaveh Nabatian/Ariane Lorrain/Sophie Goyette/Juan Andrés Arango/Sophie Deraspe/Karl Lemieux/Caroline Monnet, 2019, Canada, world premiere.  Challenging and varied omnibus film by seven Canadian filmmakers, inspired by Joseph Haydn’s composition around the last words of Jesus. Sophia Antipolis, Virgil Vernier, 2018, France In southern France, mysterious links appear in the fortunes of five people connected to an elusive young woman called Sophia. Tarde para morir joven/Too Late to Die Young, Dominga Sotomayor, 2018, Chile/Brazil/Argentina/Netherlands/Qatar Coming-of-age story about three Chilean teenagers reflects the growing pains of Chile’s new democracy in the early 1990s.

    Bright Future Mid-length

    Derrière les volets, Messaline Raverdy, 2018, Belgium Poetic research into the Raverdy coffee plant as a record for the next generation. The filmmaker searches for her past and the women in the factory. L’inconnu de Collegno, Maïder Fortuné, 2019, France, world premiere.  In an attempt to reveal his past, a man is interrogated in an empty room. Several characters are brought in to solve the mystery.

    Bright Future Short

    Fog, Inger Lise Hansen, 2018, Norway The spectacle of fog appearing in Oslo, the Azores, Beijing and Newfoundland, beautifully captured in various film formats. The Sound Drifts, Stefano Canapa, 2019, France, world premiere.  Hypnotizing audio tracks dance to the soundtrack of Canapa’s previous film about Jérôme Noetinger, Metamkine’s sound artist. Cinema for your ears! Van ver staat het stil/Still from afar, Eva van Tongeren, 2018, Belgium, international premiere.  An exchange of letters between the filmmaker and a pedophile evokes powerful emotions. But she wants to understand his motives. Walled Unwalled, Lawrence Abu Hamdan, 2019, Lebanon, world premiere.  A monologue staged inside a trio of Cold War Era sound effect studios in East Berlin unfolding a narrative derived from legal cases that revolve around evidence heard or experienced through walls. what remains, belit sağ, 2019, Netherlands, world premiere Many people in the Kurdish city of Cizre are trapped between life and death. belit sağ conjures up apparitions in her images.

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  • First Films Confirmed for 2019 International Film Festival Rotterdam

    [caption id="attachment_32564" align="aligncenter" width="2048"]The Day I Lost My Shadow The Day I Lost My Shadow[/caption] As the 48th edition of International Film Festival Rotterdam (IFFR) fast approaches, the festival is announcing the first 26 confirmed titles, including new films by Claire Denis, Jia Zhangke and Garin Nugroho.  IFFR 2019 will take place from January23 to February 3, 2019. The confirmed titles include the world premiere of Simona Kostova’s Dreissig and the international premiere of Fabienne Godet’s Nos vies formidables. Other filmmakers on the selection list so far are Nadine Labaki with her new film Capernaum and Khalik Allah with his Black Mother, a piercing reflection on Jamaican identity which won the Yellow Robin Award at Curaçao IFFR in April 2018. BNK48: Girls Don’t Cry, a European premiere, is a remarkable documentary feature by Nawapol Thamrongrattanarit chronicling the intense lives of a group of pop singers living together in Bangkok. And with I diari di Angela – Noi due cineasti Yervant Gianikian has created a moving portrait of his partner in cinema Angela Ricci Lucchi, who passed away in 2018. Three of the films selected so far received support from IFFR’s Hubert Bals Fund (HBF) in previous years: The Day I Lost My Shadow by Soudade Kaadan and Rafiki by Wanuri Kahiu in 2016, The Load by Ognjen Glavonić in 2013. IFFR celebrates film art from all over the world and presents its program within four sections, each with its own distinct character: Bright Future (including the Tiger Competition and the Ammodo Tiger Short Competition), Voices, Deep Focus and Perspectives. Short films are strongly represented throughout all sections. Festival director Bero Beyer: “We’re delighted to present an appealing and rich first selection of titles to screen at our upcoming festival. There are names we’ve seen before in Rotterdam, and ones that are brand new. Together they exemplify the type of bold and daring cinema we like to celebrate at IFFR.”

    Bright Future

    Black Mother, Khalik Allah, 2018, Jamaica/USA Core of the World, Natalia Meshchaninova, 2018, Russia/Lithuania The Day I Lost My Shadow, Soudade Kaadan, 2018, Lebanon (supported by HBF in 2016) Dreissig/Thirty, Simona Kostova, 2019, Germany, world premiere The Load, Ognjen Glavonić, 2018, Serbia/France/Croatia/Iran/Qatar (supported by HBF in 2013) Long Day’s Journey Into Night, Bi Gan, 2018, China/France The Proposal, Jill Magid, 2018, USA

    Voices

    BNK48: Girls Don’t Cry, Nawapol Thamrongrattanarit, 2018, Thailand, European premiere Knife + Heart, Yann Gonzalez, 2018, France/Mexico Memories of My Body, Garin Nugroho, 2018, Indonesia The Mountain, Rick Alverson, 2018, USA Nos vies formidables/Our Wonderful Lives, Fabienne Godet, 2018, France, international premiere Tel Aviv on Fire, Sameh Zoabi, 2018, Israel/France/Luxembourg/Belgium

    Voices: Limelight

    Ash Is Purest White, Jia Zhangke, 2018, China/France De Camino – Een feature-length selfie, Martin de Vries, 2019, Netherlands, world premiere Capernaum, Nadine Labaki, 2018, Lebanon Leto/Summer, Kirill Serebrennikov, 2018, Russia/France Rafiki, Wanuri Kahiu, 2018, Kenya/South Africa (supported by HBF in 2016)

    Deep focus

    High Life, Claire Denis, 2018, Germany/France/USA/United Kingdom/Poland I diari di Angela – Noi due cineasti, Yervant Gianikian, 2018, Italy

    Short films

    Anteu, João Vladimiro, 2018, Portugal/France Lost Tune, Reetu Sattar, 2019, Bangladesh, world premiere Primeiro ato/First Act, Matheus Parizi, 2019, Brazil, world premiere Pwdre Ser (the rot of stars), Charlotte Pryce, 2019, USA, world premiere Salt, Pepper to Taste, Teymur Hajiyev, 2019, Azerbaijan, world premiere Van ver staat het stil/Still from afar, Eva van Tongeren, 2018, Belgium, international premiere

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  • Toronto International Film Festival to Spotlight 48 Films in 2018 Contemporary World Cinema Program

    [caption id="attachment_31415" align="aligncenter" width="1200"]Look at Me Look at Me[/caption] The Toronto International Film Festival will spotlight 48 films from international filmmakers in this year’s 2018 Contemporary World Cinema roster  with a strong presence from Latin America and Eastern Europe — telling stories of identity, depicting family dynamics, and making bold political statements. Several of the the impressive 27 World Premieres in the program are from TIFF veterans, including Belmonte from Uruguay’s Federico Veiroj, The Other Story from Israel’s Avi Nesher, Stupid Young Heart from Finnish Academy Award nominee Selma Vilhunen, Quién te Cantará from Spain’s Carlos Vermut, and Look at Me from Tunisia’s Nejib Belkadhi. The program also highlights film selections that have already captivated audiences worldwide this year, including “I Do Not Care If We Go Down In History As Barbarians” by Radu Jude, Birds of Passage by directing duo Cristina Gallego and Ciro Guerra, and Border by Ali Abbasi.

    2018 Toronto International Film Festival Contemporary World Cinema Program

    The Accused ( Acusada) Gonzalo Tobal | Argentina North American Premiere Angel (Un Ange) Koen Mortier | Belgium/Netherlands/Senegal International Premiere Asako I & II ( Netemo Sametemo) Ryusuke Hamaguchi | Japan/France North American Premiere Before the Frost ( Før Frosten) Michael Noer | Denmark World Premiere Belmonte Federico Veiroj | Uruguay/Spain/Mexico World Premiere Birds of Passage ( Pájaros de verano) Cristina Gallego, Ciro Guerra | Colombia/Denmark/Mexico/France Canadian Premiere Black 47 Lance Daly | Ireland/Luxembourg North American Premiere The Black Book Valeria Sarmiento | Portugal/France World Premiere Border ( Gräns) Ali Abbasi | Sweden/Denmark North American Premiere Bulbul Can Sing Rima Das | India World Premiere Core of the World Natalia Meshchaninova | Russia/Lithuania International Premiere The Dive ( Hatzlila) Yona Rozenkier | Israel North American Premiere Donbass Sergei Loznitsa | Germany/Ukraine/France/Netherlands/Romania North American Premiere El Ángel Luis Ortega | Argentina/Spain North American Premiere EXT. Night ( Leil Khargi ) Ahmad Abdalla | Egypt/United Arab Emirates World Premiere The Factory (Завод (Zavod)) Yury Bykov | Russia/France/Armenia World Premiere Florianópolis Dream ( Sueño Florianópolis) Ana Katz | Argentina/Brazil/France North American Premiere “I Do Not Care If We Go Down In History As Barbarians” ( Îmi este indiferent dacă în istorie vom intra ca barbari) Radu Jude | Romania/Czech Republic/France/Bulgaria/Germany North American Premiere Jinpa ( Zhuang Si Le Yi Zhi Yang ) Pema Tseden | China North American Premiere Let Me Fall (Lof mer ad falla) Baldvin Z | Iceland/Finland/Germany International Premiere Look at Me Nejib Belkadhi | Qatar/France/Tunisia World Premiere Minuscule – Mandibles From Far Away ( Minuscule – Les Mandibules du Bout du Monde) Thomas Szabo, Hélène Giraud | France World Premiere The Most Beautiful Couple (Das schönste Paar) Sven Taddicken | Germany/France World Premiere Museum (Museo) Alonso Ruizpalacios | Mexico North American Premiere One Last Deal (Tuntematon mestari) Klaus Härö | Finland World Premiere The Other Story (Sipur Acher) Avi Nesher | Israel World Premiere Quién te Cantará Carlos Vermut | Spain/France World Premiere The Realm (El Reino) Rodrigo Sorogoyen | Spain/France World Premiere Redemption (Geula) Boaz Yehonatan Yacov, Joseph Madmony | Israel North American Premiere Retrospekt Esther Rots | Netherlands/Belgium World Premiere Roads in February (Les routes en février) Katherine Jerkovic | Canada/Uruguay World Premiere Rosie Paddy Breathnach | Ireland World Premiere Sew the Winter to my Skin Jahmil X.T. Qubeka | South Africa/Germany World Premiere Sibel Çagla Zencirci, Guillaume Giovanetti | France/Germany/Luxembourg/Turkey North American Premiere Stupid Young Heart (Hölmö nuori sydän) Selma Vilhunen | Finland/Netherlands/Sweden World Premiere Styx Wolfgang Fischer | Germany/Austria North American Premiere The Sweet Requiem (Kyoyang Ngarmo) Ritu Sarin, Tenzing Sonam | India/USA World Premiere That Time of Year (Den Tid På Året) Paprika Steen | Denmark World Premiere Ulysses & Mona Sébastien Betbeder | France World Premiere The Vice of Hope (Il Vizio Della Speranza) Edoardo de Angelis | Italy World Premiere Winter Flies (Všechno bude) Olmo Omerzu | Czech Republic/Slovenia/Poland/Slovakia International Premiere Working Woman (Isha Ovedet) Michal Aviad | Israel International Premiere Previously announced Canadian titles in the Contemporary World Cinema program include Darlene Naponse’s Falls Around Her, Bruce Sweeney’s Kingsway, Renée Beaulieu’s Les Salopes or the Naturally Wanton Pleasure of Skin, Thom Fitzgerald’s Splinters, Sébastien Pilote’s The Fireflies Are Gone, and Maxime Giroux’s The Great Darkened Days.

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  • 13 Filmmakers to Compete for Kutxabank-New Directors Award at 2018 San Sebastián Film Festival

    [caption id="attachment_30728" align="aligncenter" width="1000"]Apuntes para una película de atracos (Notes for a Heist Film). Apuntes para una película de atracos (Notes for a Heist Film).[/caption] Thirteen first or second films by European, Asian and Latin American directors that will be competing for the Kutxabank-New Directors Award at the 2018 San Sebastián Film Festival. Koldo Almandoz (San Sebastián, 1973) has had an intense career in the world of short films, linked to the Kimuak programme and to the San Sebastián Festival, which programmed his first short, Razielen itzulera (The Return of Raziel), in 1997 in Zabaltegi, the section in which two decades later he presented his first full-length film, Sipo Phantasma (Ghost Ship), after premiering it in Rotterdam. Oreina (The Deer) is his second feature film. Elías León Siminiani (Santander, Spain, 1971), nominated for a Goya for Mapa (Map), is now presenting Apuntes para una película de atracos (Notes for a Heist Film). For her part, Nataliia Meshchaninova (Krasnodar, Russia, 1982), who competed in Rotterdam with her first full-length film, Kombinat ‘Nadezhda’ / The Hope Factory, focuses on the vet on a farm in Serdtse Mira / Core of the World. And after Ama Doren / Hold my hand, Ismet Sijarina in Nëntor i ftohtë / Cold November returns to the War in the Balkans, in this case to its background, when Kosovo’s autonomy was suppressed. Hadrian Marcu (Brăila, Rumanía, 1976) will be presenting Un om la locul lui / A Decent Man, about a man who is torn by an emotional conflict, that was selected last year in the first Glocal in Progress, the industry activity at the Festival aimed at European films in non-hegemonic languages. It stars Bodgan Dumitrache, who won the Silver Shell for best actor last year for his performance in Pororoca. The selection also includes the first film by Francisco Marise (La Plata, Argentina, 1985), Para la Guerra (To War), coproduced by the filmmaker, Javier Rebollo, who also takes part in the editing process, and the first film by Hiroshi Okuyama (Japan, 1996), the award-winning music video director, who makes his debut with Boku wa Iesu-sama ga kirai / Jesus. The short by Inés María Barrionuevo (Córdoba, Argentina, 1980), La quietud (2012), competed in the official section at Locarno, and her first feature film, Atlántida (2014), was selected at the Berlinale in the Generation 14plus section. In Julia y el zorro (Julia and the Fox) she deals with a woman and her twelve-year-old daughter who are going through a mourning process. The director, producer and actress Lila Avilés (Mexico, 1982), after working in theatre and presenting shorts at international festivals, in her first full-length film, entitled La camarista (The Chambermaid), describes the everyday life of one of the so-called ‘chambermaids’. After winning awards in his short-film career (with films like Teneriffa), Hannes Baumgartner (Männedorf, Switzerland, 1983) has been inspired in his first feature film Der läufer / Midnight Runner, by the true story of an athlete who starts to commit robberies and lead a double life. Snow, the graduation film by Laurits Flensted-Jensen (Aarhus, Denmark, 1985), was selected at Rotterdam and was chosen as best documentary short by the Danish Academy. His fictional short Melon Rainbow was once again programmed at the Dutch festival and won the most important award at Odense. Neon Heart is his first full-length film. After taking part in the Short Film Corner at Cannes with Grasshopper, the Vietnamese director Ash Mayfair (Ho Chi Minh City, 1985) is presenting her feature-film debut at San Sebastián with The Third Wife, whose screenplay was chosen by Spike Lee as the winner of his Spike Lee Film Production Fund Award in 2014. The short film Luisa no está en casa (Luisa is not Home) by Celia Rico Clavellino (Seville, 1982) was chosen in the Short Film Corner at Cannes and at Venice and won the Gaudí award for best short. Her first full-length film, Viaje al cuarto de una madre (Journey to a Mother’s Room), whose screenplay took part in the Berlinale Talents Script Station Lab, stars Lola Dueñas and Anna Castillo. The remaining titles making up the New Directors section will be announced in the coming weeks. APUNTES PARA UNA PELÍCULA DE ATRACOS (NOTES FOR A HEIST FILM) LEÓN SIMINIANI (SPAIN) Elías is a film director who dreamed of making a heist movie. During the summer of 2013 he reads a news story about the arrest of ‘The Vallecas Robin Hood’, the leader of ‘the sewers gang’. He then feels that he has found the opportunity to make his dream come true. He sends him a letter to the prison where he is serving his sentence. Against all odds, Elías receives a reply three weeks later. Robin Hood agrees for him to come and visit him in prison. BOKU WA IESU-SAMA GA KIRAI / JESUS HIROSHI OKUYAMA (JAPAN) Cast: Yura Sato, Riki Okuma Yura is a young boy whose family leaves Tokyo to live with his grandmother in the snowy countryside. Not only must he fit in at a new school, but it’s a Christian one. At first he is puzzled when he and his classmates are called to ‘worship’, but he gradually adjusts to his new environment. One day, in the middle of a prayer, he sees a very small Jesus appear before him. Each wish Yura makes to Jesus comes true, and he starts to have faith in the power of the Lord. DER LÄUFER / MIDNIGHT RUNNER HANNES BAUMGARTNER (SWITZERLAND ) Cast: Max Hubacher, Annina Euling, Luna Wedler, Sylvie Rohrer, Christophe Sermet, Saladin Dellers Jonas Widmer is one of the best runners in Switzerland and his focus is to attend the Olympic games. Besides the sport Jonas is a successful cook and plans to move in with his girlfriend Simone. But Jonas perfect life gets disturbed by the increasing memories of his late brother. He starts a tragic double life by robbing young women at night. After a true story. JULIA Y EL ZORRO (JULIA AND THE FOX) INES MARÍA BARRIONUEVO (ARGENTINA) Cast: Umbra Colombo, Pablo Limarzi, Victoria Castelo Arzubialde Julia, an ex-actress, and her daughter Emma move into a mansion in a village in Córdoba, Argentina. It is winter and Julia needs to fix up the house so she can sell it. Quite a while has gone by since the death of her husband and Emma’s father, but they are still in mourning. The days go gloomily by. Grief has made Julia quiet and cool with her daughter. One night Julia meets Gaspar, a life-long friend of hers. Gaspar tries to convince Julia to take part in a theatre competition. Julia, Emma and Gaspar find a way to rebuild their lives by starting a rather uncertain project to form a new type of family. LA CAMARISTA (THE CHAMBERMAID) LILA AVILÉS (MEXICO – USA) Cast: Gabriela Cartol, Teresa Sánchez Eve is a young chambermaid working in one of the most luxurious hotels in Mexico City, an exclusive glass tower inhabited by guests so wealthy she can only imagine their lives through intimate fantasies of the belongings they’ve left behind. Long, laborious shifts prevent Eve from caring for her child while she helps guests with their own children, but she believes her situation will improve if she gets promoted to work at executive-level suites, for which she accepts a grueling schedule. In keeping with this goal, she also enrolls in the hotel’s adult education program… NËNTOR I FTOHTË / COLD NOVEMBER ISMET SIJARINA (KOSOVO – ALBANIA – FORMER YUGOSLAV REPUBLIC OF MACEDONIA) Cast: Kushtrim Hoxha, Adriana Matoshi, Emir Hadzihafizbegovic, Fatmir Spahiu, Majlinda Kosumovic, Bislim Mucaj, Lum Veseli, Aurita Agushi In the beginning of the ’90s, Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. Whole institutional life was reorganized by new authorities, while the majority of citizens responded with peaceful demonstrations. During this evil time, Fadili who is working as an archivist has to choose between two options, being aware that both of them are wrong. In this way, he involuntarily and unwillingly, ‘swallows’ the shame, endures the pressure coming from all sides and deals with the bad reputation for just one reason: to provide welfare for his family. NEON HEART LAURITS FLENSTED-JENSEN (DENMARK) Cast: Victoria Carmen Sonne, Niklas Herskind, Noah Skovgaard Skands Neon Heart is a story about three people chasing life and each other. Laura is on her way to a porn film casting. Niklas is trying to take care of two men with Down’s Syndrome, and Frederik is out to gain respect as a hooligan. In glimpses and fragments of past and present, we follow the three characters on a journey full of taboos and desires. With a cast of mainly non-actors in authentic environments, Neon Heart confronts its audience with a world we would rather not look at. OREINA (THE DEER) KOLDO ALMANDOZ (SPAIN) Cast: Laulad Ahmed, Patxi Bisquert, Ramón Agirre, Iraia Elías, Erika Olaizola Khalil is a rootless young man who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother who he hasn’t spoken to in years. On the banks of the marshes, the tides mark the time for love and heartbreak, friendship and revenge. PARA LA GUERRA (TO WAR) FRANCISCO MARISE (CUBA – ARGENTINA – SPAIN) Para la guerra explores the memory and loneliness of a Cuban former internationalist soldier by observing his body and (extra)ordinary gestures. This is a bloodless war film without any shooting; a film about a wound, that ‘Sledgehammer’, ‘ El Rayado’, Andrés, has, this special forces veteran who tries to find his colleagues from the commando that survived their last mission 30 years ago. [caption id="attachment_30730" align="aligncenter" width="1000"]Core of the World (Serdtse Mira Core of the World (Serdtse Mira[/caption] SERDTSE MIRA / CORE OF THE WORLD NATALIIA MESHCHANINOVA (RUSSIA) Cast: Stepan Devonin, Dmitriy Podnozov, Jana Sekste Egor is a veterinarian on a rural farm which doubles as a hunting dog training center. He is a grown man, but deep inside he is a child who has been hurt and abandoned by everyone, including his own mother. All he wants is to care for the animals and to feel part of the close-knit family he works for. When animal rights activists invade this fragile microcosm, throwing off its delicate balance, Egor’s world begins to crumble… Or so it seems. THE THIRD WIFE ASH MAYFAIR (VIETNAM) Cast: Trần Nữ Yên Khê, Mai Thu Hường, Nguyễn Phương Trà My, Nguyễn Như Quỳnh In 19th century rural Vietnam, 14-year-old May becomes the third wife of wealthy landowner Hung. Soon she learns that she can only gain status by asserting herself as a woman who can give birth to a male child. May’s hope to change her status turns into a real and tantalizing possibility when she gets pregnant. Faced with forbidden love and its devastating consequences, May finally comes to an understanding of the brutal truth: the options available to her are few and far between. UN OM LA LOCUL LUI / A DECENT MAN HADRIAN MARCU (ROMANIA) Cast: Bogdan Dumitrache, Ada Gales, Madalina Constantin, Iulian Postelnicu, Adrian Titieni Petru is a drilling engineer living in a community of oil industry workers. Petru is quite conflicted. On one hand he is about to get married to his pregnant girlfriend Laura, on the other he is involved with the wife of one of his colleagues, Sonia, who had a serious work-related accident. His new life seems to begin while she feels hers is ending. Everything is thrown into chaos when Laura finds out about his relationship with Sonia. He feels guilt-ridden but also responsible for the upcoming baby. Participant in the first edition of Glocal in Progress. VIAJE AL CUARTO DE UNA MADRE (JOURNEY TO A MOTHER’S ROOM) CELIA RICO CLAVELLINO (SPAIN- FRANCE) Cast: Lola Dueñas, Anna Castillo, Pedro Casablanc Leonor wants to leave home, but she doesn’t dare to tell her mother. Estrella doesn’t want her to leave but is unable to keep her by her side either. Mother and daughter will have to face this new stage in life in which the world that they share starts to fall apart.

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