Divide and Conquer: The Story of Roger Ailes[/caption]
The 26th Hamptons International Film Festival on Monday, announced their award winners at a ceremony in East Hampton, with the top awards going to ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch and DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom.
ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch, won the Award for Best Narrative Feature, and DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom, received the Award for Best Documentary Feature. FENCE “GARDHI”, directed by Lendita Zeqiraj, and GUAXUMA, directed by Nara Normande, received the Award for Best Narrative Short Film and for Best Documentary Short Film, respectively. Both Short Films will qualify for Academy® consideration. All four films were directed by female filmmakers.
BORDER “GRÄNS”, directed by Ali Abbasi, received a Special Jury Prize for acting for the two lead actors, Eva Melander and Eero Milonoff. The film was selected as Sweden’s official entry for the Best Foreign Language Film Oscar.
AND BREATHE NORMALLY, directed by Ísold Uggadóttir (HIFF Screenwriters Lab 2015 Alumni), was awarded the 2018 Brizzolara Family Foundation Award for a Film of Conflict and Resolution, which is accompanied by a $5,000 cash prize.
CROSS MY HEART, directed by Sontenish Myers, was awarded the Vimeo Staff Pick Award, which provides a $3,000 cash prize and Vimeo Staff Pick to winning film.
ONLY THE WIND IS LISTENING, directed by Emily Anderson, was awarded the Suffolk County Next Exposure Grant. This program supports the completion of high quality, original, director-driven, low-budget independent films from both emerging and established filmmakers who have completed 50% of principal photography within Suffolk County. The film was awarded a $3,000 grant.
THE CAT RESCUERS, directed by Rob Fruchtman and Steven Lawrence, was awarded the Zelda Penzel Giving Voice to the Voiceless Award. This award is presented to a film that raises public awareness about contemporary social issues, including the moral and ethical treatment and the rights of animals as well as environmental protection. The film was awarded a $2,500 grant.
THE SILENCE OF OTHERS was presented with the Victor Rabinowitz & Joanne Grant Award 2 2 for Social Justice. The film is directed by Almudena Carracedo and Robert Bahar. The annual award is handed to a film that exemplifies the values of peace, equality, global justice and civil liberties, and is named after iconic civil rights lawyer Victor Rabinowitz and his wife Joanne Grant, an author, filmmaker and journalist. The award, which is accompanied by a cash prize of $1,500, is named in honor of two people who spent their entire lives fighting for those values.
Terry Lawler, the outgoing longtime Executive Director of NYWIFT, was presented with the “Industry Advocate for Women Award” from HIFF Executive Director Anne Chaisson. This was the inaugural presentation named to an industry advocate for women.
Alan Alda was also honored with the “The Dick Cavett Artistic Champion Award,” presented by Alec Baldwin at the festival; and 2018 Breakthrough Artists included Kayli Carter (PRIVATE LIFE), Cory Michael Smith (1985) & Amandla Stenberg (THE HATE U GIVE).
Cross My Heart
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ALL GOOD and DIVIDE AND CONQUER Win Top Awards at 2018 Hamptons International Film Festival
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Divide and Conquer: The Story of Roger Ailes[/caption]
The 26th Hamptons International Film Festival on Monday, announced their award winners at a ceremony in East Hampton, with the top awards going to ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch and DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom.
ALL GOOD “ALLES IST GUT”, directed by Eva Trobisch, won the Award for Best Narrative Feature, and DIVIDE AND CONQUER: THE STORY OF ROGER AILES, directed by Alexis Bloom, received the Award for Best Documentary Feature. FENCE “GARDHI”, directed by Lendita Zeqiraj, and GUAXUMA, directed by Nara Normande, received the Award for Best Narrative Short Film and for Best Documentary Short Film, respectively. Both Short Films will qualify for Academy® consideration. All four films were directed by female filmmakers.
BORDER “GRÄNS”, directed by Ali Abbasi, received a Special Jury Prize for acting for the two lead actors, Eva Melander and Eero Milonoff. The film was selected as Sweden’s official entry for the Best Foreign Language Film Oscar.
AND BREATHE NORMALLY, directed by Ísold Uggadóttir (HIFF Screenwriters Lab 2015 Alumni), was awarded the 2018 Brizzolara Family Foundation Award for a Film of Conflict and Resolution, which is accompanied by a $5,000 cash prize.
CROSS MY HEART, directed by Sontenish Myers, was awarded the Vimeo Staff Pick Award, which provides a $3,000 cash prize and Vimeo Staff Pick to winning film.
ONLY THE WIND IS LISTENING, directed by Emily Anderson, was awarded the Suffolk County Next Exposure Grant. This program supports the completion of high quality, original, director-driven, low-budget independent films from both emerging and established filmmakers who have completed 50% of principal photography within Suffolk County. The film was awarded a $3,000 grant.
THE CAT RESCUERS, directed by Rob Fruchtman and Steven Lawrence, was awarded the Zelda Penzel Giving Voice to the Voiceless Award. This award is presented to a film that raises public awareness about contemporary social issues, including the moral and ethical treatment and the rights of animals as well as environmental protection. The film was awarded a $2,500 grant.
THE SILENCE OF OTHERS was presented with the Victor Rabinowitz & Joanne Grant Award 2 2 for Social Justice. The film is directed by Almudena Carracedo and Robert Bahar. The annual award is handed to a film that exemplifies the values of peace, equality, global justice and civil liberties, and is named after iconic civil rights lawyer Victor Rabinowitz and his wife Joanne Grant, an author, filmmaker and journalist. The award, which is accompanied by a cash prize of $1,500, is named in honor of two people who spent their entire lives fighting for those values.
Terry Lawler, the outgoing longtime Executive Director of NYWIFT, was presented with the “Industry Advocate for Women Award” from HIFF Executive Director Anne Chaisson. This was the inaugural presentation named to an industry advocate for women.
Alan Alda was also honored with the “The Dick Cavett Artistic Champion Award,” presented by Alec Baldwin at the festival; and 2018 Breakthrough Artists included Kayli Carter (PRIVATE LIFE), Cory Michael Smith (1985) & Amandla Stenberg (THE HATE U GIVE).
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Berlin International Film Festival Reveals First Films in 2018 Generation Program
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Unicórnio (Unicorn), Regie/director: Eduardo Nunes[/caption]
The 41st edition of the Generation program at the Berlin International Film Festival will highlight the festival’s reputation for presenting ambitious new discoveries in international contemporary film to young people told at eye level.
“Generation shows films that stay close to the daily lives and fields of experience of children and young people, frequently in challenging situations. And we won’t ever tire of promoting a broader understanding of film for young viewers. At the same time, a visit to Generation has to be a joyful one, an adventure – and whet the appetite for more great cinema,” comments section head Maryanne Redpath.
16 feature-length films have already been selected for the competition programs Kplus and 14plus. In the diverse cinematic formats characteristic of the section, narratives follow their young protagonists through magical worlds of imagery, creating their very own realities that make the contradictions of the fragile adult world visible in subtle ways.
The complete 2018 Generation program will be publicized in mid-January.
Generation 14plus
303 Germany By Hans Weingartner World premiere 303 tells the story of two university students, Jule (Mala Emde) and Jan (Anton Spieker) who leave Berlin together in an old camper on a road trip south, but for different reasons. As they philosophise on the world and themselves in passionate discussions, director Hans Weingartner maintains a natural closeness to the two young people against breathtaking backgrounds. After his contribution for the episodic film Germany 09, 13 Short Films About The State Of The Nation (Competition 2009), Weingartner, who was also a GWFF Best First Feature Award jury member in 2006, presents his second film at the Berlinale. Cobain Netherlands / Belgium / Germany By Nanouk Leopold World premiere After Wolfsbergen (Forum 2007), Brownian Movement (Forum 2011) and Boven is Het Still (Panorama 2013), Dutch director Nanouk Leopold will be represented at the 2018 festival in the Generation 14plus competition. In her characteristic style of quiet radicalism, her newest film follows 15-year-old Cobain as he wanders through the city in search of his self-destructive mother. On his way he runs into her old friends, social workers and the methadone clinic. In his feature film debut, Bas Keizer gently and stirringly embodies the young man who must grow up far before his time. Danmark (Denmark) Denmark By Kasper Rune Larsen International premiere When 16-year-old Josephine finds out she’s pregnant, she sleeps with laconic Norge and tells him he’s the father. What follows is a wary approach in which questions on responsibility and commitment become increasingly important for the two young people. In his feature film debut, in attentively registered gestures and looks, and keenly observed bodies, faces and things the two protagonists say or don’t say, Kasper Rune Larsen paints a perceptive portrait of young people with deep respect for their wishes and fears, their mistakes and desires. Güvercin (The Pigeon) Turkey By Banu Sıvacı World premiere Only on the roof of his parents’ house, above the alleys of a slum in Adana, with his beloved pigeons, can Yusuf find peace, and himself. Finding a foothold in the dystopian world outside is more difficult. Banu Sıvacı’s feature film debut – which she also wrote and produced – follows Yusuf in sharply composed imagery through difficult times. His expressions and the twists and turns of his body open up his very own inner world that has lots to tell about the outside one. Les faux tatouages (Tattoos) Canada By Pascal Plante International premiere In Les faux tatouages (Tattoos), Pascal Plante tells the story of young love – tenderly, but without drifting into pathos. Misfit Theo, played by Anthony Therrien (lead in Corbo, Generation 14plus 2015), meets Mag on his 18th birthday, and she invites him to spend the night with her. Music is the language they have in common: Framed by wild punk rhythms and filled with youthful passion, a relationship unfolds whose intensity is only increased by its unavoidably approaching end. With great candour and precision, Plante captures the hopes and dreams of young people on their path into an uncertain future. Para Aduma (Red Cow) Israel By Tsivia Barkai World premiere Director, Berlinale Talents alumna and Jerusalem native Tsivia Barkai was already a guest of Generation in the 2006 14plus competition with her first short film Vika. In her feature film debut, she tells the story of patriarchic order, and youthful desire and rebellion. Benny, a young woman, lives in East Jerusalem and sees her father’s religious, utopian nationalism with increasing scepticism – unlike the secret embraces of her girlfriend Yael. A story told in pictures as powerful as the stormy yearnings of its heroine. Unicórnio (Unicorn) Brazil By Eduardo Nunes International premiere The mysterious drama by Brazilian director Eduardo Nunes develops the story of 13-year-old Maria, who lives alone with her mother in rural isolation. When a young man moves into the neighborhood with his herd of goats, their lives are thrown off balance. Using intoxicatingly immersive images, Nunes transmits the radical language and magical realism of author Hilda Hilst into a mystical, fairy-tale world in an imposing widescreen format. Virus Tropical Columbia / France By Santiago Caicedo European premiere Paola is growing up in Quito, Ecuador, as the youngest of three sisters. Dreams burst, companies fail, love grows and withers. In his feature film debut, director Santiago Caicedos translates the autobiographical story of the Ecuadorian comic illustrator Powerpaola into fast-paced, graphically daring, animated images. Emancipatory protest and a declaration of love combine to form an ironic perspective on contemporary Latin America.Generation Kplus
Allons enfants (Cléo & Paul) France By Stéphane Demoustier World premiere Three-and-a-half-year-old Cléo is the reigning hide-and-seek champion. But then one day she forgets which path she took in the park. Suddenly the world is full of strangers staring at their smartphones. Cléo sets out on her own in the hustle-bustle of Paris in search of her brother Paul, who is only slightly older – and lost as well. In tender proximity to its tiny protagonists, this laconic cinematic fairy tale by Stéphane Demoustier turns the daily urban doldrums into a marvelous cosmos of wonderful things, places and encounters. Den utrolige historie om den kæmpestore pære (The Incredible Story of the Giant Pear) Denmark By Philip Einstein Lipski, Amalie Næsby Fick, Jørgen Lerdam International premiere Mitcho and Sebastian are quite surprised when they fish a message in a bottle out of the water one day. Inside is a letter from the mayor J.B., who vanished without a trace, and a seed that grows into a giant pear overnight. The pear turns into a sailboat and suddenly the anxious Sebastian and the hydrophobic Mitcho find themselves in the middle of the ocean with a mad professor. Based on the picture book by Jakob Martin Strid, this fast-paced, magical animation by a trio of directors tells the story of an adventurous journey to the mysterious island where Mayor J.B. is now believed to be located. Dikkertje Dap (My Giraffe) Netherlands / Belgium / Germany By Barbara Bredero International premiere Patterson’s best friend has a long neck and soft, brightly-spotted fur. His name is Raf, he was born the same day as Patterson, and he is: a talking giraffe. Now the two of them are turning four, and soon it’ll be their first day of school. Only animals aren’t allowed at school. Inspired by the classic Dutch children’s song and poem by Annie M.G. Schmidt, and told with a wink, this film is an imaginative story on value and flux in an unusual friendship. El día que resistía (The day I Resisted) Argentina / France By Alessia Chiesa World premiere They play hide-and-seek, read to each other, roughhouse and tumble with their dog Coco: At first glance, the siblings Fan (8), Tino (6) and Claa (4) lead an unburdened childhood life. But they are completely alone, and the forest is just outside, and wasn’t there something about a big bad wolf? With ample sensuality, Berlinale Talents alumna and Argentina native Alessia Chiesa’s feature-length debut unfolds into a dreamy but increasingly gloomy world. Gordon och Paddy (Gordon and Paddy) Sweden By Linda Hambäck International premiere Told in wildly popular Scandinavian whodunit style, frog police chief Gordon, voiced by Stellan Skarsgård, and his assistant Paddy (Melinda Kinnaman) uphold the law of the forest, track down nut thieves and protect forest residents from the fox. Courteousness is legal and dirty tricks are illegal. But that’s always a question of perspective, as this absorbing animation shows using oodles of charm and attention to detail, by filmmaker Linda Hambäck, born in South Korea. Les rois mongols (Cross My Heart) Canada By Luc Picard European premiere Montreal, October 1970. Twelve-year-old Manon’s poverty-stricken family breaks apart: His father has cancer and his mother is on the verge of a nervous breakdown. When Manon and her little brother are to be taken to a foster family, she makes a daredevil plan. Featuring stirring actors and skillfully linked to the real-life upheavals, this film manages to create a moving portrayal of those times, simultaneously exposing the lies and lack of understanding in the grown-up world in tragic and humorous ways. Sekala Niskala (The Seen and Unseen) Indonesia / Netherlands / Australia / Qatar By Kamila Andini European premiere In Sekala Niskala (The Seen and Unseen), Indonesian director Kamila Andini, who presented her debut film The Mirror Never Lies at the Berlinale (Generation 2012) searches for answers to the question of how to say goodbye to a beloved person. Shaped by the Balinese understanding of Sekala – the seen, and Niskala – the unseen, Andini gives the world experience of a ten-year-old girl and her very ill twin brother an imagery of remarkable expressive power. Supa Modo Germany / Kenya By Likarion Wainaina World premiere This drama by Kenyan director Likarion Wainaina, co-produced by Tom Tykwer, tells the inspiring story of nine-year-old Jo. In her acting debut, Stycie Waweru embodies with touching earnestness the terminally ill girl who dreams of being a superhero. Against all odds and battling the time left her, a whole village takes it upon themselves to make Jo’s last wish a reality: to make a film and star in it. Wainaina succeeds in creating a deeply moving observation of the comforting value of imagination in the face of the finiteness of a still young life.

Touch Me Not by Adina Pintilie[/caption]
It’s awards time at the 68th Berlin International Film Festival, and