CUSTODY (Jusqu’à la garde)[/caption]
The Audi Dublin International Film Festival 2018 announced the award winners, with Xavier Legrand’s Custody winning DFCC Best Film, and key Irish awards included DFCC Best Irish Film for Feargal Ward’s The Lonely Battle of Thomas Reid, DFCC Best Irish Director for Rebecca Daly (Good Favour) and The George Byrne Maverick Award for Stephen Rea (Black 47). The Fantastic Flix Children’s Jury awarded Best Feature to Room 213 and Best Short to Earthy Encounters.
The three joint winners of the ADIFF Discovery Award were announced as Mia Mullarkey (Mother & Baby), Rua Meegan & Trevor Whelan (Bordalo II: A Life of Waste), and TJ O’Grady Peyton (Wave). The winner of the Jury Prize for Best Irish Short Film was Mia Mullarkey for Mother & Baby. Best International Short Film was awarded to Iranian director Kaveh Mazaheri’s Retouch. The winner of the AUDIence Short Film Award was Steve Kenny’s Time Traveller.
Dawson City: Frozen Time
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2018 Audi Dublin International Film Festival Winners – Xavier Legrand’s “Custody” Wins Best Film
[caption id="attachment_24707" align="aligncenter" width="1200"] CUSTODY (Jusqu’à la garde)[/caption]
The Audi Dublin International Film Festival 2018 announced the award winners, with Xavier Legrand’s Custody winning DFCC Best Film, and key Irish awards included DFCC Best Irish Film for Feargal Ward’s The Lonely Battle of Thomas Reid, DFCC Best Irish Director for Rebecca Daly (Good Favour) and The George Byrne Maverick Award for Stephen Rea (Black 47). The Fantastic Flix Children’s Jury awarded Best Feature to Room 213 and Best Short to Earthy Encounters.
The three joint winners of the ADIFF Discovery Award were announced as Mia Mullarkey (Mother & Baby), Rua Meegan & Trevor Whelan (Bordalo II: A Life of Waste), and TJ O’Grady Peyton (Wave). The winner of the Jury Prize for Best Irish Short Film was Mia Mullarkey for Mother & Baby. Best International Short Film was awarded to Iranian director Kaveh Mazaheri’s Retouch. The winner of the AUDIence Short Film Award was Steve Kenny’s Time Traveller.
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GOOD TIME Tops Film Comment Magazine’s 2017 Best-of-Year LISTS
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Good Time[/caption]
Josh and Benny Safdie’s Good Time took the top spot among films released in 2017 on Film Comment magazine’s annual end-of-year list. Other top ranking films include Terence Davies’s A Quiet Passion, and Olivier Assayas’s Personal Shopper.
Of the films that screened at festivals worldwide but have not announced stateside distribution, Pedro Pinho’s The Nothing Factory, Sergei Loznitsa’s A Gentle Creature, and Heinz Emigholz’s Streetscapes [Dialogue] received the top rankings.
Published since 1962, Film Comment magazine features in-depth reviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world.
Film Comment’s Top 10 Films Released in 2017:
1. Good Time Josh and Benny Safdie, USA 2. A Quiet Passion Terence Davies, U.K./Belgium 3. Personal Shopper Olivier Assayas, France 4. Get Out Jordan Peele, USA 5. Nocturama Bertrand Bonello, France 6. Ex Libris: The New York Public Library Frederick Wiseman, USA 7. The Death of Louis XIV Albert Serra, France/Portugal/Spain 8. Faces Places Agnès Varda and JR, France 9. The Lost City of Z James Gray, USA 10. Lady Bird Greta Gerwig, USA Film Comment’s survey also ranks films that have screened and made notable appearances at festivals throughout the year, but remain without U.S. distribution at press time.Film Comment’s Top 10 Unreleased Films of 2017:
1. The Nothing Factory Pedro Pinho, Portugal 2. A Gentle Creature Sergei Loznitsa, France/Germany/Lithuania/The Netherlands 3. Streetscapes [Dialogue] Heinz Emigholz, Germany 4. Milla Valérie Massadian, France 5. Tonsler Park Kevin Jerome Everson, USA 6. Mrs. Fang Wang Bing, France/China/Germany 7. Spoor Agnieszka Holland and Kasia Adamik, Poland/Germany/Czech Republic 8. Le Fort des fous Narimane Mari, France/Algeria/Greece/Germany/Qatar 9. 3/4 Ilian Metev, Bulgaria 10. The Venerable W. Barbet Schroeder, France/Switzerland “Out of the hundreds of movies released in 2017, our esteemed contributors have distilled the year into an energized and energizing lineup of essential films,” said Editor-in-Chief Nicolas Rapold. “This selection reflects Film Comment’s love for the art and craft of cinema in its many forms, ranging from first-time filmmakers to 43rd-timers. Not to mention film’s many seasons: the top five all opened before the traditional fall frenzy of releases. Read all about it in Film Comment.” THE FILM COMMENT BEST OF 2017: THE COMPLETE LIST OF TOP 20 TITLES
RELEASED IN 2017
1. Good Time Josh and Benny Safdie, USA 2. A Quiet Passion Terence Davies, U.K./Belgium 3. Personal Shopper Olivier Assayas, France 4. Get Out Jordan Peele, USA 5. Nocturama Bertrand Bonello, France 6. Ex Libris: The New York Public Library Frederick Wiseman, USA 7. The Death of Louis XIV Albert Serra, France/Portugal/Spain 8. Faces Places Agnès Varda and JR, France 9. The Lost City of Z James Gray, USA 10. Lady Bird Greta Gerwig, USA Rankings #11-20 11. The Human Surge Eduardo Williams, Argentina 12. The Other Side of Hope Aki Kaurismäki, Finland 13. The Florida Project Sean Baker, USA 14. Dawson City: Frozen Time Bill Morrison, USA 15. Phantom Thread Paul Thomas Anderson, USA 16. On the Beach at Night Alone Hong Sangsoo, South Korea 17. Wonderstruck Todd Haynes, USA 18. Mudbound Dee Rees, USA 19. BPM: Beats Per Minute Robin Campillo, France 20. The Square Ruben Östlund, SwedenFILMS WITHOUT DISTRIBUTION IN 2017
1. The Nothing Factory Pedro Pinho, Portugal 2. A Gentle Creature Sergei Loznitsa, France/Germany/Lithuania/The Netherlands 3. Streetscapes [Dialogue] Heinz Emigholz, Germany 4. Milla Valérie Massadian, France 5. Tonsler Park Kevin Jerome Everson, USA 6. Mrs. Fang Wang Bing, France/China/Germany 7. Spoor Agnieszka Holland and Kasia Adamik, Poland/Germany/Czech Republic 8. Le Fort des fous Narimane Mari, France/Algeria/Greece/Germany/Qatar 9. 3/4 Ilian Metev, Bulgaria 10. The Venerable W. Barbet Schroeder, France/Switzerland Rankings #11-20 11. Golden Exits Alex Ross Perry, USA 12. Mrs. Hyde Serge Bozon, France 13. The Wandering Soap Opera Raúl Ruiz & Valeria Sarmiento, Chile 14. Life and Nothing More Antonio Méndez Esparza, Spain/USA 15. Until the Birds Return Karim Moussaoui, France/Algeria/Germany 16. Good Luck Ben Russell, France/Germany 17. Distant Constellation Shevaun Mizrahi, Turkey/USA 18. The Quartet (Elohim, Abaton, Coda, Ode) Nathaniel Dorsky, USA 19. Drift Helena Wittmann, Germany 20. Untitled Matthew Glawogger & Monika Willi, Austria
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PHANTOM THREAD Named Best Movie of 2017 by Boston Society of Film Critics
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Phantom Thread[/caption]
Phantom Thread was named the Best Picture of 2017 by the Boston Society of Film Critics on Sunday, and the film’s director Paul Thomas Anderson was named Best Director. The Square was voted Best Foreign-Language Film, and Dawson City: Frozen Time was named Best Documentary.
2017 Boston Society of Film Critics Awards, Commendations and Rediscoveries
Best Picture – Phantom Thread Best Actor – Daniel Kaluuya for Get Out Best Actress – Sally Hawkins for The Shape of Water Best Supporting Actor – Willem Dafoe for The Florida Project Best Supporting Actress – Laurie Metcalf for Lady Bird Best Director – Paul Thomas Anderson for Phantom Thread Best Screenplay – Greta Gerwig for Lady Bird Best Cinematography – Hoyte Van Hoytema for Dunkirk Best Documentary – Dawson City: Frozen Time Best Foreign-Language Film (awarded in memory of Jay Carr) – The Square Best Animated Film – Coco Best Film Editing (awarded in memory of Karen Schmeer) – David Lowery for A Ghost Story Best New Filmmaker (awarded in memory of David Brudnoy) – Jordan Peele for Get Out Best Ensemble Cast – The Meyerowitz Stories (New and Selected) Best Original Score – Jonny Greenwood for Phantom Thread Best Film Series “A Year of Women in Cinema” at The Brattle Theatre “Hachimiri Madness! Japanese Independents from the Punk Years” at The Harvard Film Archive “Harry Dean Stanton: Say Something True” at The Museum of Fine Arts Boston “Frederick Wiseman: For the Record” at The Museum of Fine Arts Boston “Robert Mitchum Centennial Tribute” at The Brattle Theatre Best Rediscoveries Targets [1968, Peter Bogdanovich] at The Brattle Theatre The Loom [1986, Stan Brakhage] (“Stan Brakhage’s Metaphors on Vision”) at The Harvard Film Archive Seven Beauties [1975, Lina Wertmuller] (“The Films of Lina Wertmuller”) at The Brattle Theatre The Brig [1964, Jonas Mekas] (“Scenes from the Life of a Happy Man … The Films of Jonas Mekas”) at The Harvard Film Archive A Bay of Blood [1971, Mario Bava] (“Mario Bava and the Birth of Italian Giallo”) at The Brattle Theatre Retrospective of the Year (awarded in memory of David Pendleton) “The Complete Jean Renoir” at The Harvard Film Archive Commendations To The Brattle Theatre for ensuring that the iconic Boston movieThe Friends of Eddie Coyle can once again be seen by cinema audiences. With no prints to be found of the 1973 film starring Robert Mitchum, the Brattle convinced Paramount Pictures that there was demand for the picture and made a significant financial contribution to the studio’s creation of a DCP of the digital restoration that had been done for a DVD release. To Boston-based musicians and silent-film-music scholars Martin Marks, Robert Humphreville and Jeff Rapsis, whose live accompaniment at silent-film screenings have delighted Boston audiences for many years. Their artistry was particularly sublime this year during the silent component of The Harvard Film Archive’s “That Certain Feeling … The Touch of Ernst Lubitsch,” a series requiring music for broad comedies, extravagant adventures and subtle dramas. To the Waltham-based, artist-run film collective AgX Boston, for creating a space dedicated to fostering skill-building and interest in photochemical-based moving images through workshops, events and collaborative experimentation.
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2017 IDA Documentary Awards – DINA Wins Best Feature
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Dina[/caption]
Dina, directed by Dan Sickles and Antonio Santini, about a love story between two people who have autism spectrum disorder, won Best Feature at the 33rd International Documentary Association awards ceremony on Saturday in Hollywood.
https://www.youtube.com/watch?v=f4BSWA7pWuc
Other winners at the IDA Documentary Awards include Edith+Eddie directed by Laura Checkoway snagging the prize for Best Short. The short film tells the story of America’s oldest interracial newlyweds.
2017 IDA Documentary Award winners:
Best Feature Dina Directors/Producers: Antonio Santini and Dan Sickles The Orchard Best Short Edith+Eddie Director: Laura Checkoway Producer: Thomas Lee Wright Kartemquin Films Best Cinematography Machines Cinematography by: Rodrigo Trejo Villanueva Kino Lorber Best Editing Dawson City: Frozen Time Edited by: Bill Morrison Kino Lorber Best Music Brimstone & Glory Original Score by: Dan Romer and Benh Zeitlin Oscilloscope Laboratories Best Writing Donkeyote Written by: Chico Pereira, Manuel Pereira and Gabriel Molera Scottish Documentary Institute Pare Lorentz Award THE PARE LORENTZ AWARD RECOGNIZES FILMS THAT DEMONSTRATE EXEMPLARY FILMMAKING WHILE FOCUSING ON THE APPROPRIATE USE OF THE NATURAL ENVIRONMENT, JUSTICE FOR ALL AND THE ILLUMINATION OF PRESSING SOCIAL PROBLEMS. Watani: My Homeland (Recipient) Director: Marcel Mettelsiefen Intent to Destroy (Special Mention) Director: Joe Berlinger ABC News VideoSource Award THIS AWARD IS GIVEN EACH YEAR FOR THE BEST USE OF NEWS FOOTAGE AS AN INTEGRAL COMPONENT IN A DOCUMENTARY. LA 92 Directors: Dan Lindsay & TJ Martin National Geographic Best Curated Series Award Independent Lens Executive Producers: Lois Vossen and Sally Jo Fifer PBS Best Limited Series The Defiant Ones Executive Producers: Allen Hughes, Doug Pray, Andrew Kosove, Broderick Johnson, Laura Lancaster, Jerry Longarzo, Michael Lombardo, and Gene Kirkwood HBO Best Episodic Series Award Planet Earth II Executive Producer: Michael Gunton BBC AMERICA/BBC Worldwide Best Short Form Series Award The New York Times Op-Docs Executive Producer: Kathleen Lingo The New York Times David L. Wolper Student Documentary Award THIS AWARD RECOGNIZES EXCEPTIONAL ACHIEVEMENT IN NON-FICTION FILM AND VIDEO PRODUCTION AT THE UNIVERSITY LEVEL AND BRINGS GREATER PUBLIC AND INDUSTRY AWARENESS TO THE WORK OF STUDENTS IN THE DOCUMENTARY FIELD. Man on Fire Director: Joel Fendelman Producer: James Chase Sanchez University of Texas, Austin Career Achievement Award Lourdes Portillo Amicus Award Abigail Disney Emerging Documentary Filmmaker Award Yance Ford Courage Under Fire Award The filmmaking teams and subjects of: City of Ghosts Cries from Syria Hell on Earth: The Fall of Syria and the Rise of ISIS Last Men in Aleppo
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BRIMSTONE AND GLORY , CITY OF GHOSTS and STRONG ISLAND Lead Cinema Eye Honors Nominations
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Brimstone & Glory[/caption]
Three films – Viktor Jakovleski’s Brimstone & Glory, Matthew Heineman’s City of Ghosts and Yance Ford’s Strong Island – lead the 2018 Cinema Eye Honors nominations with 4 apiece. Five films received three nominations: Yuri Ancarani’s The Challenge, Jeff Orlowski’s Chasing Coral, Agnès Varda and JR’s Faces Places, Brett Morgen’s Jane and Jonathan Olshefski’s Quest.
City of Ghosts, Faces Places, Quest and Strong Island are joined in the Outstanding Nonfiction Feature category by Frederick Weisman’s Ex Libris: The New York Public Library and Feras Fayyad’s Last Men in Aleppo. Kitty Green (Casting Jon Benet) joins the aforementioned Yuri Ancarani, Yance Ford, Matthew Heineman, Agnés Varda and JR, and Frederick Wiseman as a nominee in the Outstanding Achievement in Direction category.
With his nomination, Frederick Wiseman becomes the first filmmaker in Cinema Eye history to be nominated three times for Outstanding Direction, having been previously nominated for La Danse – The Paris Opera Ballet and In Jackson Heights. He also received Cinema Eye’s 2012 Legacy Award for his 1967 classic Titicut Follies. Agnès Varda won the Outstanding Direction Award in 2010 for The Beaches of Agnés.
Outstanding Direction nominees Kitty Green and Yuri Ancarani were both previously nominated for Outstanding Nonfiction Short, Green in 2016 for The Face of Ukraine: Casting Oksana Baiul and Ancarani was nominated twice for Il Capo (2012) and Da Vinci (2014).
Chasing Coral received three nominations, including a nod for Outstanding Cinematography for director Jeff Orlowski, an Honor he won in 2013 for Chasing Ice. Stefan Nadelman, nominated for his Graphic Design work on the Grateful Dead documentary Long Strange Trip, won the same award in 2016 for Kurt Cobain: Montage of Heck.
Ten films were nominated for the annual Audience Choice Prize, which includes many of the year’s most popular and talked about nonfiction films, notably Brett Morgen’s Jane, Ceyda Torun’s Kedi, Amanda Lipitz’ Step, Sabaah Folayan and Damon Davis’ Whose Streets? and Gethin Aldous and Jairus McLeary’s The Work. The winner in this category is voted on by the general public.
This year’s Broadcast Nonfiction Filmmaking category includes a number of notable filmmakers, among them a previous Cinema Eye winner and a nominee. Fisher Stevens, a winner for Outstanding Production and Feature for The Cove (2010), is nominated this year with his co-director Alexis Bloom for Bright Lights: Starring Carrie FIsher and Debbie Reynolds (HBO). Ryan White, who was nominated for Production in 2015 for The Case Against 8, is up this year for his Netflix series The Keepers. Oscar nominee Ava DuVernay received her first Cinema Eye nomination for her Netflix film 13th, while veteran filmmaker Kristi Jacobson gets her first nod for the HBO feature doc Solitary: Inside Red Onion State Prison.
This year’s winners will be announced at the 2018 Honors Awards Ceremony on Thursday, January 11, 2018 at the Museum of the Moving Image in Astoria, Queens. The ceremony will be hosted, for the third consecutive year, by award-winning nonfiction filmmaker Steve James (The Interrupters, Life Itself, Hoop Dreams), who is a Cinema Eye nominee this year for his latest film, Abacus: Small Enough to Jail.
2018 Cinema Eye Honors Award Nominations
Outstanding Achievement in Nonfiction Feature Filmmaking
City of Ghosts Directed and Produced by Matthew Heineman Ex Libris: The New York Public Library Directed and Produced by Frederick Wiseman Faces Places Directed by Agnès Varda and JR (Director) | Produced by Rosalie Varda Last Men in Aleppo Directed by Feras Fayyad | Produced by Kareem Abeed, Stefan Kloos and Søren Steen Jespersen Quest Directed by Jonathan Olshefski | Produced by Sabrina Schmidt Gordon Strong Island Directed by Yance Ford | Produced by Joslyn Barnes and Yance FordOutstanding Achievement in Direction
Kitty Green | Casting JonBenet Matthew Heineman | City of Ghosts Yuri Ancarani | The Challenge Frederick Wiseman | Ex Libris: The New York Public Library Agnès Varda and JR | Faces Places Yance Ford | Strong IslandOutstanding Achievement in Editing
Bill Morrison | Dawson City: Frozen Time Joe Beshenkovsky | Jane TJ Martin | LA92 Keith Fraase and John Walter | Long Strange Trip Lindsay Utz | Quest Francisco Bello, Daniel Garber and David Barker | The Reagan ShowOutstanding Achievement in Production
Nominees to be Determined | Brimstone and Glory Matthew Heineman | City of Ghosts Heino Deckert, Ai Weiwei and Chin-Chin Yap | Human Flow Kareem Abeed, Stefan Kloos and Søren Steen Jespersen | Last Men in Aleppo Brenda Coughlin, Yoni Golijov and Laura Poitras | RiskOutstanding Achievement in Cinematography
Tobias von dem Borne | Brimstone and Glory Yuri Ancarani, Luca Nervegna and Jonathan Ricquebourg | The Challenge Andrew Ackerman and Jeff Orlowski | Chasing Coral TBD | Human Flow Rodrigo Trejo Villanueva | MachinesOutstanding Achievement in Original Music Score
Dan Romer and Benh Zeitlin | Brimstone and Glory Francesco Fantini and Lorenzo Senni | The Challenge Alex Somers | Dawson City: Frozen Time Philip Glass | Jane Dan Deacon | Rat Film Hildur Gudnadóttir and Craig Sutherland | Strong IslandOutstanding Achievement in Graphic Design or Animation
Chad Herschberger | 78/52: Hitchcock’s Shower Scene Matt Schultz and Shawna Schultz | Chasing Coral Grant Nellessen | Citizen Jane: Battle for the City Daniel Gies and Emily Paige | Let There Be Light Stefan Nadelman | Long Strange TripAudience Choice Prize
Abacus: Small Enough to Jail |Directed by Steve James City of Ghosts | Directed by Matthew Heineman Chasing Coral | Directed by Jeff Orlowski Faces Places | Directed by Agnès Varda and JR Jane | Directed by Brett Morgen Kedi | Directed by Ceyda Torun Quest | Directed by Jonathan Olshefski Step | Directed by Amanda Lipitz Whose Streets? | Directed by Sabaah Folayan and Damon Davis The Work | Directed by Gethin Aldous and Jairus McLearyOutstanding Achievement in a Debut Feature Film
Viktor Jakovleski | Brimstone and Glory Anna Zamecka | Communion Rahul Jain | Machines Theo Anthony | Rat Film Yance Ford | Strong IslandOutstanding Achievement in Broadcast Nonfiction Filmmaking
13th Directed by Ava DuVernay | Produced by Ava DuVernay & Howard Barish | For Netflix: Executive Producers Ben Cotner, Adam Del Deo and Lisa Nishimura Abortion: Stories Women Tell Directed and Produced by Tracy Droz Tragos | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Sara Bernstein Bright Lights: Starring Carrie Fisher and Debbie Reynolds Directed by Alexis Bloom & Fisher Stevens | Produced by Alexis Bloom, Fisher Stevens, Julie Nives & Todd Fisher | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Nancy Abraham Five Came Back Directed by Laurent Bouzereau | Produced by John Battsek & Laurent Bouzereau | For Netflix: Executive Producers Ben Cotner, Adam Del Deo and Lisa Nishimura The Keepers Directed by Ryan White | For Netflix: Executive Producers Ben Cotner, Jason Springarn-Koff and Lisa Nishimura Solitary: Inside Red Onion State Prison Directed and Produced by Kristi Jacobson | Produced by Katie Mitchell and Julie Goldman | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Nancy AbrahamSpotlight Award
Donkeyote | Directed by Chico Pereira An Insignificant Man | Directed by Khushboo Ranka and Vinay Shukla Lots of Kids, a Monkey and a Castle | Directed by Gustavo Salmerón Plastic China | Directed by Jiuliang Wang Stranger in Paradise | Directed by Guido Hendrikx Taste of Cement | Directed by Ziad KalthoumOutstanding Achievement in Nonfiction Short Filmmaking
Edith+Eddie | Directed by Laura Checkoway Heroin(e) | Directed by Elaine McMillion Sheldon Little Potato | Directed by Wes Hurley and Nathan M. Miller Polonaise | Directed by Agnieszka Elbanowska The Rabbit Hunt | Directed by Patrick Bresnan Ten Meter Tower | Directed by Maximilien Van Aertryck & Axel DanielsonThe Unforgettables | Non-competitive Honor
Chanterelle Sung, Hwei Lin Sung, Jill Sung, Thomas Sung & Vera Sung |Abacus: Small Enough to Jail Bobbi Jene Smith | Bobbi Jene Abdalaziz Alhamza, Hamoud Almousa and Mohamad Almusari | For City of Ghosts Ola Kaczanowska | Communion Dolores Huerta | Dolores Dina Buno and Scott Levin | Dina Agnès Varda | Faces Places Daje Shelton | For Ahkeem Dr. Grigory Rodchenkov | Icarus Dr. Jane Goodall | Jane Jim Carrey | Jim & Andy: The Great Beyond Christine’a Rainey, Christopher “Quest” Rainey, PJ Rainey and William Withers | Quest Yance Ford | Strong Island Jennifer Brea | Unrest Brian, Charles, Chris, Dark Cloud, Kiki and Vegas | The Work
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170 Documentary Feature Films Submitted for 90th Academy Awards
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Gaga: Five Foot Two[/caption]
One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December.
Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The submitted features, listed in alphabetical order, are:
Abacus: Small Enough to Jail
Aida’s Secrets
Al Di Qua
All the Rage
All These Sleepless Nights
AlphaGo
The American Media and the Second Assassination of President John F. Kennedy
And the Winner Isn’t
Angels Within
Architects of Denial
Arthur Miller: Writer
Atomic Homefront
The B-Side: Elsa Dorfman’s Portrait Photography
Bang! The Bert Berns Story
Bending the Arc
Big Sonia
Bill Nye: Science Guy
Birthright: A War Story
Bobbi Jene
Bombshell: The Hedy Lamarr Story
Born in China
Born to Lead: The Sal Aunese Story
Boston
Brimstone & Glory
Bronx Gothic
Burden
California Typewriter
Can’t Stop, Won’t Stop: A Bad Boy Story
Casting JonBenet
Chasing Coral
Chasing Trane
Chavela
Citizen Jane: Battle for the City
City of Ghosts
Clive Davis: The Soundtrack of Our Lives
Cries from Syria
Cruel & Unusual
Cuba and the Cameraman
Dawson City: Frozen Time
Dealt
The Death and Life of Marsha P. Johnson
Destination Unknown
Dina
Dolores
Dream Big: Engineering Our World
A Dying King: The Shah of Iran
Eagles of Death Metal: Nos Amis (Our Friends)
Earth: One Amazing Day
11/8/16
Elian
Embargo
Eric Clapton: Life in 12 Bars
Escapes
Everybody Knows… Elizabeth Murray
Ex Libris – The New York Public Library
Extraordinary Ordinary People
Faces Places
The Farthest
The Final Year
Finding Oscar
500 Years
Food Evolution
For Ahkeem
The Force
The Freedom to Marry
From the Ashes
Gaga: Five Foot Two
A German Life
Get Me Roger Stone
Gilbert
God Knows Where I Am
Good Fortune
A Gray State
Hare Krishna! The Mantra, the Movement and the Swami Who Started It All
Harold and Lillian: A Hollywood Love Story
Hearing Is Believing
Hell on Earth: The Fall of Syria and the Rise of ISIS
Human Flow
I Am Another You
I Am Evidence
I Am Jane Doe
I Called Him Morgan
Icarus
If You’re Not in the Obit, Eat Breakfast
The Incomparable Rose Hartman
An Inconvenient Sequel: Truth to Power
Intent to Destroy
Jane
Jeremiah Tower The Last Magnificent
Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton
Joan Didion: The Center Will Not Hold
Joshua: Teenager vs. Superpower
Karl Marx City
Kedi
Keep Quiet
Kiki
LA 92
The Last Dalai Lama?
The Last Laugh
Last Men in Aleppo
Legion of Brothers
Let It Fall: Los Angeles 1982 – 1992
Let’s Play Two
Letters from Baghdad
Long Strange Trip
Look & See
Machines
Man in Red Bandana
Mr. Gaga: A True Story of Love and Dance
Motherland
Mully
My Scientology Movie
Naples ’44
Neary’s – The Dream at the End of the Rainbow
Night School
No Greater Love
No Stone Unturned
Nobody Speak: Trials of the Free Press
Nowhere to Hide
Obit
Oklahoma City
One of Us
The Paris Opera
The Pathological Optimist
Prosperity
The Pulitzer at 100
Quest
Rancher, Farmer, Fisherman
The Rape of Recy Taylor
The Reagan Show
Restless Creature: Wendy Whelan
Risk
A River Below
Rocky Ros Muc
Rumble: The Indians Who Rocked the World
Santoalla
School Life
Score: A Film Music Documentary
Served Like a Girl
The Settlers
78/52
Shadowman
Shot! The Psycho Spiritual Mantra of Rock
Sidemen: Long Road to Glory
The Skyjacker’s Tale
Sled Dogs
Soufra
Spettacolo
Step
Stopping Traffic: The Movement to End Sex-Trafficking
Strong Island
Surviving Peace
Swim Team
Take Every Wave: The Life of Laird Hamilton
Take My Nose… Please!
They Call Us Monsters
32 Pills: My Sister’s Suicide
This Is Everything: Gigi Gorgeous
Tickling Giants
Trophy
Twenty Two
Unrest
Vince Giordano – There’s a Future in the Past
Voyeur
Wait for Your Laugh
Wasted! The Story of Food Waste
Water & Power: A California Heist
Whitney. Can I Be Me
Whose Streets?
The Work
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Street Cats of Istanbul Documentary KEDI, Leads 2nd Critics’ Choice Documentary Awards Nominations
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Kedi[/caption]
Kedi, a beautiful documentary about the street cats of Istanbul, leads the nominations for the second annual Critics’ Choice Documentary Awards, with nominations for Best Documentary, Best First Documentary, Most Innovative Documentary, Best Director for Ceyda Torun, and Most Compelling Living Subject of a Documentary for The Cats of Istanbul.
https://www.youtube.com/watch?v=lKq7UqplcL8
California Typewriter, Chasing Coral, City of Ghosts, Cries From Syria, and Dawson City: Frozen Time, followed with three nominations each; and Abacus: Small Enough to Jail and An Inconvenient Sequel: Truth to Power receiving two nominations each.
The second annual awards ceremony takes place November 2 in Brooklyn. Academy Award and seven-time Emmy nominated filmmaker Joe Berlinger will receive the Critics’ Choice Impact Award.
Second Critics’ Choice Documentary Awards Nominations
BEST DOCUMENTARY
Abacus: Small Enough to Jail – Director: Steve James (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production) Beware the Slenderman – Director: Irene Taylor Brodsky (HBO, Warner Bros. Television Distribution / HBO Documentary Films, Vermilion Films) Bright Lights: Starring Carrie Fisher and Debbie Reynolds – Directors: Alexis Bloom, Fisher Stevens (HBO / Bloomfish Pictures, HBO Documentary Films, Insurgent Docs, RatPac Documentary Films) California Typewriter – Director: Doug Nichol (Gravitas Ventures / American Buffalo Pictures) Chasing Coral – Director: Jeff Orlowski (Netflix / Exposure Labs) City of Ghosts – Director: Matthew Heineman (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Cries From Syria – Director: Evgeny Afineevsky (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dawson City: Frozen Time – Director: Bill Morrison (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Eagles of Death Metal: Nos Amis – Director: Colin Hanks (HBO / Live Nation Productions, Company Name) Ex Libris: The New York Public Library – Director: Frederick Wiseman (Zipporah Films) Faces Places – Directors: Agnès Varda & JR (Cohen Media Group / Ciné Tamaris, Social Animals, Rouge International, Arte France Cinéma, Arches Films) Jane – Director: Brett Morgen (National Geographic Documentary Films / National Geographic Studios, Public Road Productions) Kedi – Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) One of Us – Directors: Heidi Ewing, Rachel Grady (Netflix / Loki Films) Spettacolo – Directors: Jeff Malmberg, Chris Shellen (Grasshopper Film / Open Face) Strong Island – Director: Yance Ford (Netflix / Yanceville Films, Louverture Films)BEST DIRECTOR
Evgeny Afineevsky – Cries from Syria (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Amir Bar-Lev – Long Strange Trip (Amazon / Amazon Studios, Double E Pictures, Sikelia Productions, AOMA Sunshine Films) Matthew Heineman – City of Ghosts (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Bill Morrison – Dawson City: Frozen Time (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Doug Nichol – California Typewriter (Gravitas Ventures / American Buffalo Pictures) Jeff Orlowski – Chasing Coral (Netflix / Exposure Labs) Irene Taylor Brodsky – Beware the Slenderman (HBO, Warner Bros. Television Distribution / HBO Documentary Films, Vermilion Films) Ceyda Torun – Kedi (Oscilloscope Laboratories, YouTube Red / Termite Films) Agnès Varda & JR – Faces Places (Cohen Media Group / Ciné Tamaris, Social Animals, Rouge International, Arte France Cinéma, Arches Films) Frederick Wiseman – Ex Libris: The New York Public Library (Zipporah Films)BEST FIRST DOCUMENTARY
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The Cats of Istanbul – Kedi (Oscilloscope Laboratories, YouTube Red / Termite Films) Etty – One of Us (Netflix / Loki Films) Al Gore – An Inconvenient Sequel: Truth to Power (Paramount / Actual Films, Participant Media) Laird Hamilton – Take Every Wave: The Life of Laird Hamilton (Sundance Selects / Moxie Firecracker Films) Dolores Huerta – Dolores (PBS / 5 Stick Films) Gigi Lazzarato – This is Everything: Gigi Gorgeous (YouTube Red / SelectNext, Cabin Creek Films) The Sung Family – Abacus: Small Enough to Jail (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production)MOST INNOVATIVE DOCUMENTARY
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An Inconvenient Sequel: Truth to Power – “Truth to Power” – OneRepublic (Paramount / Actual Films, Participant Media) Chasing Coral – “Tell Me How Long” – Kristen Bell (Netflix / Exposure Labs) Cries From Syria – “Prayers for This World” – Cher (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dina – “Best I Can” – Michael Cera featuring Sharon Van Etten (The Orchard / Cinereach, El Peligro, Killer Films) Served Like a Girl – “Dancing Through the Wreckage” – Pat Benatar (Entertainment Studios, Freestyle Digital Media) Step – “Jump” – Cynthia Erivo (Fox Searchlight / Impact Partners, Stick Figure Productions)BEST LIMITED DOCUMENTARY SERIES (TV/STREAMING)
The Defiant Ones (HBO) Five Came Back (Netflix / Amblin Television, IACF Productions, Netflix, Passion Pictures, Rock Paper Scissors Entertainment) The Keepers (Netflix / Film 45, Tripod Media) The Nineties (CNN / CNN, Playtone, Herzog & Company) Planet Earth II (BBC America, AMC, SundanceTV / BBC Natural History Unit, BBC America, ZDF, Tencent, France Télévisions) The Vietnam War (PBS / Florentine Films, WETA-TV Washington)BEST ONGOING DOCUMENTARY SERIES (TV/STREAMING)
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Bill Morrison Unearths a Treasure Trove of Silent-Era Cinema in DAWSON CITY: FROZEN TIME | Trailer
[caption id="attachment_22483" align="aligncenter" width="1024"]
First Avenue in Dawson City, 1898. – DAWSON CITY: FROZEN TIME[/caption]
Bill Morrison’s mesmerizing new film, Dawson City: Frozen Time will open in New York on Friday, June 9 at the IFC Center with a national rollout to follow.
Dawson City: Frozen Time pieces together the bizarre true history of a collection of over 500 nitrate film prints from the 1910s and 1920s, which were lost for decades until being discovered buried under a hockey rink in a former Klondike gold rush town. Using these rare silent movies and a rich sampling of newsreels and historical photographs, fused with an enigmatic score by Sigur Rós collaborator Alex Somers (Captain Fantastic), this haunting cinematic mosaic depicts the unique history of Dawson City by chronicling the life cycle of a singular film collection through its exile, burial, rediscovery, and salvation. In telling this story of “one of the most astonishing and unexpected bonanzas in cinematic history” (Lawrence Weschler, Vanity Fair), director Bill Morrison conjures the forgotten ties between the fledgling movie industry and Manifest Destiny in North America.
The films of Bill Morrison combine a documentarian’s thirst for uncovering hidden histories with an archivist’s obsession for recovering lost cinematic treasures. Morrison’s Decasia (2002) was heralded by Errol Morris as “the best film ever made” and critic J. Hoberman called it “the most widely acclaimed American avant-garde film of the fin de siècle.” His other notable films include The Miners’ Hymns (2011), a document of the early 20th-century coal mines of northern England, and The Great Flood (2013), a collaboration with Bill Frisell inspired by the Mississippi River Flood of 1927.
https://www.youtube.com/watch?v=stxrwpvQZIs