Death By Death

  • “The Assassin” “Death By Death” “The Birth of Saké” Among Winners of Palm Springs International Film Festival

    Hou Hsiao-Hsien the assassin The 27th Palm Springs International Film Festival (PSIFF) held from January 1 to 11, 2016, announced this year’s juried award winners. The Oscar shortlisted The Assassin (Taiwan), directed by Hou Hsiao-hsien won the FIPRESCI Prize for Best Foreign Language Film of the Year. In 9th-century China, during a time of political unrest, a beautiful woman, trained in the arts of swordsmanship, is sent to her home province on a lethal mission. The jury presented the award, “As one of the best films of a master director, and an example of the martial arts genre which is elevated into the realm of art by its superb visual style.” https://www.youtube.com/watch?v=0bqNyl72eBw FIPRESCI Prize for the Best Actor of the Year in a Foreign Language Film went to Sigurður Sigurjónsson and Theodór Júlíusson from Rams (Iceland), directed by Grimur Hakonarson, and the FIPRESCI Prize for Best Actress of the Year in a Foreign Language Film went to Alena Mihulová from Home Care (Czech Republic), directed by Slávek Horák. The New Voices/New Visions competition included 12 new international talents making their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution and are US premieres. The winner of the New Voices/New Visions award is Death By Death (Belgium/France), directed by Xavier Seron. The film is a tale about the relationship of anxious, part-time actor Michel and his ailing, overly attached mother, who has been told that she is living on borrowed time, but has no intention of dying. A special jury mention goes to Thithi (India/US). The Birth of Saké (Japan), directed by Erik Shirai, received The John Schlesinger Award, which is presented to a first-time documentary filmmaker. The film is about a beautiful and immersive portrait of life at the 144-year old Yoshida Brewery, a producer of world class sake. With changing times ahead and new regime led by the 6th generation heir, this is a rarified look at the personal and professional intensity needed to create a revered product and the artisans behind it. https://www.youtube.com/watch?v=xOcLBK5Oay4 The HP Bridging the Borders Award is presented by Cinema Without Borders and Hewlett Packard, which honors the film that is most successful in exemplifying art that promotes bringing the people of our world closer together. Umrika (India), directed by Prashant Nair, received the award. The film traces the journey from mountain village innocence to big city experience of young Rama, who follows in his older brother’s footsteps to discover if he made it to the USA, or came to a sticky end in Mumbai. https://www.youtube.com/watch?v=tFP3XkhfCeI The complete list of award winners are: FIPRESCI Prize for Best Foreign Language Film of the Year The Assassin (Taiwan), directed by Hou Hsiao-hsien FIPRESCI Prize for the Best Actor of the Year in a Foreign Language Film Sigurður Sigurjónsson and Theodór Júlíusson from Rams (Iceland) FIPRESCI Prize for Best Actress of the Year in a Foreign Language Film Alena Mihulová from Home Care (Czech Republic) New Voices/New Visions Award Winner: Death By Death (Belgium/France), directed by Xavier Seron Special Mention: Thithi (India/US), directed by Raam Reddy The John Schlesinger Award The Birth of Saké (Japan), directed by Erik Shirai HP Bridging the Borders Award Umrika (India), directed by Prashant Nair

    Read more


  • Palm Springs International Film Festival Announces Complete Line-up of Premieres, New Voices/New Visions Competition and Modern Masters

    Nicholas Hytner’s THE LADY IN THE VAN The 27th Palm Springs International Film Festival (PSIFF) running from January 1-11, 2016 in Palm Springs, California, announced its line-up of Premieres, New Voices/New Visions competition and Modern Masters. “I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy’s Thithi (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ Interruption (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran’s Five Nights in Maine (USA), featuring David Oyelowo’s nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.” Showcasing the diversity of international cinema, Festival premieres will include: World premieres: 50 Days in the Desert (Luxembourg) directed by Fabrizio Maltese, Agnes (Germany/Belgium), the documentary Broadway: Beyond the Golden Age (US) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, The Carer (Hungary/UK), Going Going Gone (UK), Searchdog (US) and Set the Thames on Fire (UK). North American premieres: Banat (Italy/Romania/Bulgaria/Macedonia), Death By Death (Belgium/France), A Decent Man (Switzerland), Departure (France/UK), Fly Away Solo (India/France), Interruption (Greece/Croatia), A Korean in Paris (South Korea/France), The Memory of Water (Chile/Spain/Argentina/Germany), Moor (Pakistan), On My Mother’s Side (Canada), Paradise Trips (Belgium/Croatia), Rosita (Denmark), Spy Time (Spain), Tanna (Australia/Vanuatu), Thithi (India/US/Canada), Utopians (Hong Kong) and When a Tree Falls (Spain). U.S. premieres: 1944 (Estonia/Finland), 3000 Nights (Palestine/France/Jordan/Lebanon), Atomic Falafel (Israel/Germany/New Zealand), Belgian Rhapsody (Belgium), Beyond My Grandfather Allende (Chile/Mexico), Born to Dance (New Zealand), Closet Monster (Canada), Enclave (Serbia/Germany), The Endless River (South Africa/France), Endorphine (Canada), Exotica, Erotica, Etc. (France), Fire Song (Canada), Five Nights in Maine (US), A Heavy Heart (Germany), Home Care (Czech Republic/Slovakia), Let Them Come (Algeria/France), My Big Night (Spain), My Internship in Canada (Canada), The Other Side (Italy/France), Our Everyday Life (Bosnia, Herzegovina/Slovenia/Croatia), The Paradise Suite (Netherlands/Sweden/Bulgaria), Parched (India/US/UK), Parisienne (France), Sabali (Canada), Sleeping Giant (Canada), Summer Solstice (Poland/Germany), Trap (Philippines), The Violin Teacher (Brazil), Wedding Doll (Israel) and Zubaan (India). The New Voices/New Visions competition showcases 12 US premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution. Films selected for this year include: Banat (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio Death By Death (Belgium/France), Director Xavier Seron Departure (UK/France), Director Andrew Steggall Five Nights in Maine (US), Director Maris Curran and starring David Oyelowo A Heavy Heart (Germany), Director Thomas Stuber Home Care (Czech Republic/Slovakia), Director Slávek Horák Interruption (Greece/Croatia), Director Yorgos Zois Let Them Come (Algeria/France), Director Salem Brahimi Our Everyday Life (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanovic Paradise Trips (Belgium/Croatia), Director Raf Reyntjens Sleeping Giant (Canada), Director Andrew Cividino Thithi (India/US), Director Raam Reddy The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include: Cemetery Of Splendour (Thailand/UK), Director Apichatpong Weerasethakul Dheepan (France), Director Jacques Audiard Miss Sharon Jones! (US), Director Barbara Kopple Mountains May Depart (China/France/Japan), Director Jia Zhangke My Golden Days (France), Director Arnaud Desplechin My Mother (Italy/France), Director Nanni Moretti Our Little Sister (Japan), Director Hirokazu Kore-eda Sunset Song (UK/Luxembourg), Director Terence Davies Sweet Bean (Japan), Director Naomi Kawase Women He’s Undressed (Australia), Director Gillian Armstrong Other Festival films with notable talent and directors include: 45 Years (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay, Anomalisa (US) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh, Chronic (Mexico/France) starring Tim Roth, Closet Monster (Canada) with Connor Jessup and Isabella Rossellini, Eisenstein in Guanajuato (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, February (US/Canada) starring Kiernan Shipka and Emma Roberts, Hello, My Name is Doris (US) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root, Hitchcock/Truffaut (France/US) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater, The Invitation (US) starring Logan Marshall-Green and Michiel Huisman, The Lady in the Van (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, (pictured above) Louder Than Bombs (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert, Men & Chicken (Denmark) starring Mads Mikkelsen, Papa (Cuba) directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly, A Perfect Day (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko, The Seventh Fire (US) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and Where to Invade Next (US) directed by Michael Moore.

    Read more