Dina

  • AutFest Film Festival Announces Final 2018 Program Lineup, ‘DINA’ ‘PLEASE STAND BY’ ‘ROMAN J. ISRAEL, ESQ’

    [caption id="attachment_19891" align="aligncenter" width="1200"]Dina Dina[/caption] AutFest International Film Festival announced its official program selections for its second annual film festival celebrating autism awareness “From Spectrum to Screen.” Presented by The Autism Society, AutFest will screen over 16 feature films, short films and television programs that promote autism awareness and/or are made by autistic filmmakers. AutFest will also honor Netflix’s hit show “Atypical” and ABC’s “The Good Doctor” with Spotlight Awards for their special portrayal of lead characters who are on the autistic spectrum. The Visionary Award will be presented to SONY Pictures Entertainment’s JEFF FROST, President of Sony Pictures Television Studios, and Co-Presidents of Sony Pictures Television CHRIS PARNELL and JASON CLODFELTER. AutFest takes place Saturday, April 28 – Sunday, April 28, 2018 at the Writers Guild Theater in Beverly Hills, CA. The 2nd Annual AutFest International Film Festival will present the following features, shorts and television programs to play in its 2018 program. For AutFest full schedule, please click here ATYPICAL / USA – Netflix (71 min.) Sun. April 29, 3:30 PM Created by Robia Rashid Followed by Panel with Creator Robin Rashid (The Goldbergs, How I Met Your Mother); Actors Jennifer Jason Leigh (The Hateful Eight),Brigette Lundy-Paine (Downsizing, The Glass Castle), Keir Gilchrist (It’s Kind of a Funny Story), Anthony Jacques, Layla Weiner and Nikki Guttman; Executive Producers Mary Rohlich (Baywatch, Identity Thief) and Seth Gordon (Identity Thief, Pixels); Author David Finch (The Journal of Best Practices) and Autism Consultant Michelle Dean Atypical is a coming of age story from the point-of-view of Sam (played by Keir Gilchrist), an 18-year-old on the autistic spectrum searching for love and independence. While Sam is on his funny and emotional journey of self-discovery, the rest of his family must grapple with change in their own lives while exploring the questions: what does it really mean to be “normal”? BARFI by Disney (2012) / India Sat. April 28, 8:00 PM Directed by Anurag Basu Followed by “Love & Relationships” Panel with Lindsey Nebeker, Alex Plank, Dani Bowman, Tammy Klein, Chris Tenney, and Autism Consultant Tara Reisbaum His parents named him Murphy, but everyone calls him Barfi. Always ready with a prank up his sleeve, he’s quite the charmer, especially with the ladies. In Darjeeling, Barfi is THE TALK of the town. Even though he can neither speak, not listen. His bittersweet relationship with two beautiful young ladies, Shruti and Jhilmil sets in motion a chain of events that will turn his life upside down. UTV Motion Pictures and director Anurag Basu invite you to witness the amusing, naughty, and sometimes crazy antics of Barfi. A heart-warming tale of selfless love and about finding happiness in the smallest things in life; that tells you no matter how tough your life may be, “Don’t worry. Be Barfi!” BIG MOUTH by Spectrum Laboratory / USA (Short) Sat. April 28, 10:00 AM When you just can’t handle your friend’s gossip, rambling on, and negativity anymore, do what Domonique Brown does, write a song about it. CIRCUMSTANTIAL / USA (Short) Sat. April 28, 10:00 AM Directed by Jesse Rapaport As Kevin (Jesse Rapaport), a young, autistic homeless man, wanders through a Southern California beach community, he crosses paths with another TRANSIENT MAN (Mark Strohman), with whom Kevin trades goods, and later a young TRANSIENT GIRL (Mair Mulroney), who steals food from Kevin and assaults him. DINA (2017) / USA Sat. April 28, 3:45 PM Directed by Dan Sickles and Antonio Santini Dina’s getting married in a few weeks and there’s still so much to do. Shehas to move her boyfriend, Scott, from his parents’ house to her apartment, and settle him in to only the second home he’s ever had, all while juggling his schedule as an early morning Wal-Mart door greeter. She has to get her dress, confirm arrangements with the venue, and make peace with her family, who remain nervous for their beloved Dina after the death of her first husband and the string of troubled relationships that followed. Throughout it all, in the face of obstacles large and small, Dina remains indomitable. She’s overcome tragedy and found the man she wants and, at age 48, is bent on building the life for herself that she believes she deserves. Dina is unstoppable, a force of nature, and as the star of her own life story, she’s an unconventional move protagonist the like of which hasn’t been seen before. https://www.youtube.com/watch?v=f4BSWA7pWuc EXTRAORDINARY PEOPLE / USA (Short) Sat. April 28, 10:00 AM Directed by Laura Hart McKinny and John McKinny Extraordinary People chronicles a business that inspires its staff, families and neighborhood with the belief that meaningful jobs change lives. It explores the lives of six young adults, diverse on the autism spectrum, in paying jobs that maximize their unique individual skills while building their confidence and community. THE GIRL INSIDE by Spectrum Laboratory (Short) Sat. April 28, 10:00 AM The struggle of a young autistic girl dealing with her two different personalities. The Girl Inside represents THE VOICE of Abbey’s autism and how she sometimes wants to “rip it out of her head and give it to someone else.” She just wants to have what typical kids have. THE GOOD DOCTOR (2017) ABC (43 min.) Sun. April 29, 5:50 PM Developed by David Shore Followed by Panel with Creator David Shore, Richard Schiff (Dr. Aaron Glassman), Nicholas Gonzalez (Dr. Neil Melendez), and Autism Consultant Melissa Reiner Dr. Shaun Murphy (Freddie Highmore), a young surgeon with autism and savant syndrome, relocates from a quiet country life to join the prestigious St. Bonaventure hospital’s surgical unit. Alone in the world and unable to personally connect with those around him, his only advocate, Dr. Aaron Glassman (Richard Schiff), challenges the skepticism and prejudices of the hospital’s board and staff when he brings him in to join the team. Shaun will need to work harder than he ever has before, as he navigates his new environment and relationships to prove to his colleagues that his extraordinary medical gifts will save lives. The series is from David Shore House, and Lost, and Hawaii Five-O star Daniel Dae Kim. MY GROWN UP FAMILY AND AUTISM / UK (Short) Sat. April 28, 10:00 AM Directed by Fran Landsman Fifteen years ago I made an award-winning film about an extraordinary family. Jacqui Jackson lived alone with her seven children, five of whom had a form of autism. I wanted to return to find out what becomes of autistic children when they become adults. What I discovered was both a heartbreaking and heartwarming story of love and determination. THE ODD ONE IN (Short) Sat. April 28, 10:00 AM Directed by Georgia Pfasciale Three individuals with autism share their stories about their desires, challenges, and accomplishments. The documentary also questions what it means to be aware of autism versus understanding it. PLEASE STAND BY (2017) / USA (93 min.) Sun. April 29, 10:30 AM Directed by Ben Lewin Followed by panel with Director Ben Lewin (The Sessions), Writer Michael Golcamo and Autism Consultant Elaine Hall A young autistic woman runs away from her caregiver in order to boldly go and deliver her 500-page Star Trek script to a writing competition in Hollywood. On an adventure full of laughter and tears, Wendy, played with exquisite delicacy by Dakota Fanning, follows the guiding spirit of Mr. Spock on her journey into the unknown. “It is there for us to conquer, not to fear.” https://www.youtube.com/watch?v=Rv3ulMyxOBM POWER RANGERS (2017) / USA (164 min.) Sat. April 28, 12:45 PM Directed by Dean Israelite Followed by Panel with RJ Cyler (War Machine) and John Gatins (Flight) The story follows five ordinary teens who must become something extraordinary when they learn that their small town of Angel Grove-and the world-is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discover they are the only ones who can save the planet. But to do so, they will have to overcome their real-life issues and before it’s too late, band together as the Power Rangers. PURSUIT OF JUSTICE (2018) / USA (Short) Sat. April 28, 10:00 AM Directed by Greg Byers ‘Pursuit of Justice’ tracks the advocacy of civil rights attorney Thomas F. Coleman, clinical psychologist Nora J. Baladerian, and a growing network of activists as they travel the country promoting reforms in adult guardianship proceedings involving seniors and adults with various disabilities. RANDY’S CANVAS (2018) / USA (102 min.) Sat. April 28, 5:50 PM Directed by Kevin Schmidt Randy’s Canvas tells the fictional story of a young man who was abandoned by his birth parents at a very young age who lives with his “brother from another mother” Henry, in the big city. Randy is an incredibly talented artist, has a kind heart and autism. When he falls in love for the first time, his life begins to spin out of control as he tries to deal with a roller coaster of emotions and first-time experiences. ROMAN J. ISRAEL, ESQ (2017) / USA (162 min.) Sun. April 29, 1:00 PM by Dan Gilroy Roman J. Israel, Esq. is a dramatic thriller set in the underbelly of the overburdened Los Angeles criminal court system. Denzel Washington stars as a driven, idealistic defense attorney whose life is upended when a turbulent series of events challenges the activism that has defined his career. Colin Farrell costars as the ambitious, monies lawyer who recruits Roman to his firm. https://www.youtube.com/watch?v=CItEtnp3nPY SISTERLY (Short) Sat. April 28, 10:00 AM Directed by Nina Vallado Nina and Lisa are two sisters destined to be the best of friends. When Lisa is diagnosed with autism at the age of two, Lisa’s voice disappears, and she is unable to communicate. Nina and Lisa search for connection, intimacy, and sisterhood despite the challenges of autism.  

    Read more


  • 2017 IDA Documentary Awards – DINA Wins Best Feature

    [caption id="attachment_19891" align="aligncenter" width="1200"]Dina Dina[/caption] Dina, directed by Dan Sickles and Antonio Santini, about a love story between two people who have autism spectrum disorder, won Best Feature at the 33rd International Documentary Association awards ceremony on Saturday in Hollywood. https://www.youtube.com/watch?v=f4BSWA7pWuc Other winners at the IDA Documentary Awards include Edith+Eddie directed by Laura Checkoway snagging the prize for Best Short. The short film tells the story of America’s oldest interracial newlyweds.

    2017 IDA Documentary Award winners:

    Best Feature Dina Directors/Producers: Antonio Santini and Dan Sickles The Orchard Best Short Edith+Eddie Director: Laura Checkoway Producer: Thomas Lee Wright Kartemquin Films Best Cinematography Machines Cinematography by: Rodrigo Trejo Villanueva Kino Lorber Best Editing Dawson City: Frozen Time Edited by: Bill Morrison Kino Lorber Best Music Brimstone & Glory Original Score by: Dan Romer and Benh Zeitlin Oscilloscope Laboratories Best Writing Donkeyote Written by: Chico Pereira, Manuel Pereira and Gabriel Molera Scottish Documentary Institute Pare Lorentz Award THE PARE LORENTZ AWARD RECOGNIZES FILMS THAT DEMONSTRATE EXEMPLARY FILMMAKING WHILE FOCUSING ON THE APPROPRIATE USE OF THE NATURAL ENVIRONMENT, JUSTICE FOR ALL AND THE ILLUMINATION OF PRESSING SOCIAL PROBLEMS. Watani: My Homeland (Recipient) Director: Marcel Mettelsiefen Intent to Destroy (Special Mention) Director: Joe Berlinger ABC News VideoSource Award THIS AWARD IS GIVEN EACH YEAR FOR THE BEST USE OF NEWS FOOTAGE AS AN INTEGRAL COMPONENT IN A DOCUMENTARY. LA 92 Directors: Dan Lindsay & TJ Martin National Geographic Best Curated Series Award Independent Lens Executive Producers: Lois Vossen and Sally Jo Fifer PBS Best Limited Series The Defiant Ones Executive Producers: Allen Hughes, Doug Pray, Andrew Kosove, Broderick Johnson, Laura Lancaster, Jerry Longarzo, Michael Lombardo, and Gene Kirkwood HBO Best Episodic Series Award Planet Earth II Executive Producer: Michael Gunton BBC AMERICA/BBC Worldwide Best Short Form Series Award The New York Times Op-Docs Executive Producer: Kathleen Lingo The New York Times David L. Wolper Student Documentary Award THIS AWARD RECOGNIZES EXCEPTIONAL ACHIEVEMENT IN NON-FICTION FILM AND VIDEO PRODUCTION AT THE UNIVERSITY LEVEL AND BRINGS GREATER PUBLIC AND INDUSTRY AWARENESS TO THE WORK OF STUDENTS IN THE DOCUMENTARY FIELD. Man on Fire Director: Joel Fendelman Producer: James Chase Sanchez University of Texas, Austin Career Achievement Award Lourdes Portillo Amicus Award Abigail Disney Emerging Documentary Filmmaker Award Yance Ford Courage Under Fire Award The filmmaking teams and subjects of: City of Ghosts Cries from Syria Hell on Earth: The Fall of Syria and the Rise of ISIS Last Men in Aleppo

    Read more


  • BRIMSTONE AND GLORY , CITY OF GHOSTS and STRONG ISLAND Lead Cinema Eye Honors Nominations

    [caption id="attachment_24386" align="aligncenter" width="1200"]Brimstone and Glory Brimstone & Glory[/caption] Three films – Viktor Jakovleski’s Brimstone & Glory, Matthew Heineman’s City of Ghosts and Yance Ford’s Strong Island – lead the 2018 Cinema Eye Honors nominations with 4 apiece. Five films received three nominations: Yuri Ancarani’s The Challenge, Jeff Orlowski’s Chasing Coral, Agnès Varda and JR’s Faces Places, Brett Morgen’s Jane and Jonathan Olshefski’s Quest. City of Ghosts, Faces Places, Quest and Strong Island are joined in the Outstanding Nonfiction Feature category by Frederick Weisman’s Ex Libris: The New York Public Library and Feras Fayyad’s Last Men in Aleppo. Kitty Green (Casting Jon Benet) joins the aforementioned Yuri Ancarani, Yance Ford, Matthew Heineman, Agnés Varda and JR, and Frederick Wiseman as a nominee in the Outstanding Achievement in Direction category. With his nomination, Frederick Wiseman becomes the first filmmaker in Cinema Eye history to be nominated three times for Outstanding Direction, having been previously nominated for La Danse – The Paris Opera Ballet and In Jackson Heights. He also received Cinema Eye’s 2012 Legacy Award for his 1967 classic Titicut Follies. Agnès Varda won the Outstanding Direction Award in 2010 for The Beaches of Agnés. Outstanding Direction nominees Kitty Green and Yuri Ancarani were both previously nominated for Outstanding Nonfiction Short, Green in 2016 for The Face of Ukraine: Casting Oksana Baiul and Ancarani was nominated twice for Il Capo (2012) and Da Vinci (2014). Chasing Coral received three nominations, including a nod for Outstanding Cinematography for director Jeff Orlowski, an Honor he won in 2013 for Chasing Ice. Stefan Nadelman, nominated for his Graphic Design work on the Grateful Dead documentary Long Strange Trip, won the same award in 2016 for Kurt Cobain: Montage of Heck. Ten films were nominated for the annual Audience Choice Prize, which includes many of the year’s most popular and talked about nonfiction films, notably Brett Morgen’s Jane, Ceyda Torun’s Kedi, Amanda Lipitz’ Step, Sabaah Folayan and Damon Davis’ Whose Streets? and Gethin Aldous and Jairus McLeary’s The Work. The winner in this category is voted on by the general public. This year’s Broadcast Nonfiction Filmmaking category includes a number of notable filmmakers, among them a previous Cinema Eye winner and a nominee. Fisher Stevens, a winner for Outstanding Production and Feature for The Cove (2010), is nominated this year with his co-director Alexis Bloom for Bright Lights: Starring Carrie FIsher and Debbie Reynolds (HBO). Ryan White, who was nominated for Production in 2015 for The Case Against 8, is up this year for his Netflix series The Keepers. Oscar nominee Ava DuVernay received her first Cinema Eye nomination for her Netflix film 13th, while veteran filmmaker Kristi Jacobson gets her first nod for the HBO feature doc  Solitary: Inside Red Onion State Prison. This year’s winners will be announced at the 2018 Honors Awards Ceremony on Thursday, January 11, 2018 at the Museum of the Moving Image in Astoria, Queens. The ceremony will be hosted, for the third consecutive year, by award-winning nonfiction filmmaker Steve James (The Interrupters, Life Itself, Hoop Dreams), who is a Cinema Eye nominee this year for his latest film, Abacus: Small Enough to Jail.

    2018 Cinema Eye Honors Award Nominations

    Outstanding Achievement in Nonfiction Feature Filmmaking

    City of Ghosts  Directed and Produced by Matthew Heineman Ex Libris: The New York Public Library  Directed and Produced by Frederick Wiseman Faces Places Directed by Agnès Varda and JR (Director) | Produced by Rosalie Varda Last Men in Aleppo  Directed by Feras Fayyad | Produced by Kareem Abeed, Stefan Kloos and Søren Steen Jespersen Quest  Directed by Jonathan Olshefski | Produced by Sabrina Schmidt Gordon Strong Island  Directed by Yance Ford | Produced by Joslyn Barnes and Yance Ford

    Outstanding Achievement in Direction

    Kitty Green | Casting JonBenet Matthew Heineman | City of Ghosts Yuri Ancarani | The Challenge Frederick Wiseman | Ex Libris: The New York Public Library Agnès Varda and JR | Faces Places Yance Ford | Strong Island

    Outstanding Achievement in Editing

    Bill Morrison | Dawson City: Frozen Time Joe Beshenkovsky | Jane TJ Martin | LA92 Keith Fraase and John Walter | Long Strange Trip Lindsay Utz | Quest Francisco Bello, Daniel Garber and David Barker | The Reagan Show

    Outstanding Achievement in Production

    Nominees to be Determined | Brimstone and Glory Matthew Heineman | City of Ghosts Heino Deckert, Ai Weiwei and Chin-Chin Yap | Human Flow Kareem Abeed, Stefan Kloos and Søren Steen Jespersen | Last Men in Aleppo Brenda Coughlin, Yoni Golijov and Laura Poitras | Risk

    Outstanding Achievement in Cinematography

    Tobias von dem Borne | Brimstone and Glory Yuri Ancarani, Luca Nervegna and Jonathan Ricquebourg | The Challenge Andrew Ackerman and Jeff Orlowski | Chasing Coral TBD | Human Flow Rodrigo Trejo Villanueva | Machines

    Outstanding Achievement in Original Music Score

    Dan Romer and Benh Zeitlin | Brimstone and Glory Francesco Fantini and Lorenzo Senni | The Challenge Alex Somers | Dawson City: Frozen Time Philip Glass | Jane Dan Deacon | Rat Film Hildur Gudnadóttir and Craig Sutherland | Strong Island

    Outstanding Achievement in Graphic Design or Animation

    Chad Herschberger | 78/52: Hitchcock’s Shower Scene Matt Schultz and Shawna Schultz | Chasing Coral Grant Nellessen | Citizen Jane: Battle for the City Daniel Gies and Emily Paige | Let There Be Light Stefan Nadelman | Long Strange Trip

    Audience Choice Prize

    Abacus: Small Enough to Jail |Directed by Steve James City of Ghosts | Directed by Matthew Heineman Chasing Coral | Directed by Jeff Orlowski Faces Places | Directed by Agnès Varda and JR Jane | Directed by Brett Morgen Kedi | Directed by Ceyda Torun Quest | Directed by Jonathan Olshefski Step | Directed by Amanda Lipitz Whose Streets? | Directed by Sabaah Folayan and Damon Davis The Work | Directed by Gethin Aldous and Jairus McLeary

    Outstanding Achievement in a Debut Feature Film

    Viktor Jakovleski | Brimstone and Glory Anna Zamecka | Communion Rahul Jain | Machines Theo Anthony | Rat Film Yance Ford | Strong Island

    Outstanding Achievement in Broadcast Nonfiction Filmmaking

    13th  Directed by Ava DuVernay | Produced by Ava DuVernay & Howard Barish | For Netflix: Executive Producers Ben Cotner, Adam Del Deo and Lisa Nishimura Abortion: Stories Women Tell Directed and Produced by Tracy Droz Tragos | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Sara Bernstein Bright Lights: Starring Carrie Fisher and Debbie Reynolds  Directed by Alexis Bloom & Fisher Stevens | Produced by Alexis Bloom, Fisher Stevens, Julie Nives & Todd Fisher | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Nancy Abraham Five Came Back  Directed by Laurent Bouzereau | Produced by John Battsek & Laurent Bouzereau | For Netflix: Executive Producers Ben Cotner, Adam Del Deo and Lisa Nishimura The Keepers  Directed by Ryan White | For Netflix: Executive Producers Ben Cotner, Jason Springarn-Koff and Lisa Nishimura Solitary: Inside Red Onion State Prison  Directed and Produced by Kristi Jacobson | Produced by Katie Mitchell and Julie Goldman | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Nancy Abraham

    Spotlight Award

    Donkeyote | Directed by Chico Pereira An Insignificant Man | Directed by Khushboo Ranka and Vinay Shukla Lots of Kids, a Monkey and a Castle | Directed by Gustavo Salmerón Plastic China | Directed by Jiuliang Wang Stranger in Paradise | Directed by Guido Hendrikx Taste of Cement | Directed by Ziad Kalthoum

    Outstanding Achievement in Nonfiction Short Filmmaking

    Edith+Eddie | Directed by Laura Checkoway Heroin(e) | Directed by Elaine McMillion Sheldon Little Potato | Directed by Wes Hurley and Nathan M. Miller Polonaise | Directed by Agnieszka Elbanowska The Rabbit Hunt | Directed by Patrick Bresnan Ten Meter Tower | Directed by Maximilien Van Aertryck & Axel Danielson

    The Unforgettables | Non-competitive Honor

    Chanterelle Sung, Hwei Lin Sung, Jill Sung, Thomas Sung & Vera Sung |Abacus: Small Enough to Jail Bobbi Jene Smith | Bobbi Jene Abdalaziz Alhamza, Hamoud Almousa and Mohamad Almusari | For City of Ghosts Ola Kaczanowska | Communion Dolores Huerta | Dolores Dina Buno and Scott Levin | Dina Agnès Varda | Faces Places Daje Shelton | For Ahkeem Dr. Grigory Rodchenkov | Icarus Dr. Jane Goodall | Jane Jim Carrey | Jim & Andy: The Great Beyond Christine’a Rainey, Christopher “Quest” Rainey, PJ Rainey and William Withers | Quest Yance Ford | Strong Island Jennifer Brea | Unrest Brian, Charles, Chris, Dark Cloud, Kiki and Vegas | The Work

    Read more


  • 170 Documentary Feature Films Submitted for 90th Academy Awards

    [caption id="attachment_25315" align="aligncenter" width="1200"]Gaga: Five Foot Two Gaga: Five Foot Two[/caption] One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: Abacus: Small Enough to Jail Aida’s Secrets Al Di Qua All the Rage All These Sleepless Nights AlphaGo The American Media and the Second Assassination of President John F. Kennedy And the Winner Isn’t Angels Within Architects of Denial Arthur Miller: Writer Atomic Homefront The B-Side: Elsa Dorfman’s Portrait Photography Bang! The Bert Berns Story Bending the Arc Big Sonia Bill Nye: Science Guy Birthright: A War Story Bobbi Jene Bombshell: The Hedy Lamarr Story Born in China Born to Lead: The Sal Aunese Story Boston Brimstone & Glory Bronx Gothic Burden California Typewriter Can’t Stop, Won’t Stop: A Bad Boy Story Casting JonBenet Chasing Coral Chasing Trane Chavela Citizen Jane: Battle for the City City of Ghosts Clive Davis: The Soundtrack of Our Lives Cries from Syria Cruel & Unusual Cuba and the Cameraman Dawson City: Frozen Time Dealt The Death and Life of Marsha P. Johnson Destination Unknown Dina Dolores Dream Big: Engineering Our World A Dying King: The Shah of Iran Eagles of Death Metal: Nos Amis (Our Friends) Earth: One Amazing Day 11/8/16 Elian Embargo Eric Clapton: Life in 12 Bars Escapes Everybody Knows… Elizabeth Murray Ex Libris – The New York Public Library Extraordinary Ordinary People Faces Places The Farthest The Final Year Finding Oscar 500 Years Food Evolution For Ahkeem The Force The Freedom to Marry From the Ashes Gaga: Five Foot Two A German Life Get Me Roger Stone Gilbert God Knows Where I Am Good Fortune A Gray State Hare Krishna! The Mantra, the Movement and the Swami Who Started It All Harold and Lillian: A Hollywood Love Story Hearing Is Believing Hell on Earth: The Fall of Syria and the Rise of ISIS Human Flow I Am Another You I Am Evidence I Am Jane Doe I Called Him Morgan Icarus If You’re Not in the Obit, Eat Breakfast The Incomparable Rose Hartman An Inconvenient Sequel: Truth to Power Intent to Destroy Jane Jeremiah Tower The Last Magnificent Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton Joan Didion: The Center Will Not Hold Joshua: Teenager vs. Superpower Karl Marx City Kedi Keep Quiet Kiki LA 92 The Last Dalai Lama? The Last Laugh Last Men in Aleppo Legion of Brothers Let It Fall: Los Angeles 1982 – 1992 Let’s Play Two Letters from Baghdad Long Strange Trip Look & See Machines Man in Red Bandana Mr. Gaga: A True Story of Love and Dance Motherland Mully My Scientology Movie Naples ’44 Neary’s – The Dream at the End of the Rainbow Night School No Greater Love No Stone Unturned Nobody Speak: Trials of the Free Press Nowhere to Hide Obit Oklahoma City One of Us The Paris Opera The Pathological Optimist Prosperity The Pulitzer at 100 Quest Rancher, Farmer, Fisherman The Rape of Recy Taylor The Reagan Show Restless Creature: Wendy Whelan Risk A River Below Rocky Ros Muc Rumble: The Indians Who Rocked the World Santoalla School Life Score: A Film Music Documentary Served Like a Girl The Settlers 78/52 Shadowman Shot! The Psycho Spiritual Mantra of Rock Sidemen: Long Road to Glory The Skyjacker’s Tale Sled Dogs Soufra Spettacolo Step Stopping Traffic: The Movement to End Sex-Trafficking Strong Island Surviving Peace Swim Team Take Every Wave: The Life of Laird Hamilton Take My Nose… Please! They Call Us Monsters 32 Pills: My Sister’s Suicide This Is Everything: Gigi Gorgeous Tickling Giants Trophy Twenty Two Unrest Vince Giordano – There’s a Future in the Past Voyeur Wait for Your Laugh Wasted! The Story of Food Waste Water & Power: A California Heist Whitney. Can I Be Me Whose Streets? The Work

    Read more


  • 28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] 150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th. A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave. After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change. This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda. The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year. A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.

    Stockholm International Film Festival – Program 2017

    Stockholm XXVIII Competition

    A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)

    Stockholm XXVIII Documentary Competition

    A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)

    Stockholm Impact

    Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)

    Open Zone

    A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)

    American Independents

    Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)

    Icons

    Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)

    Discovery

    Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)

    Documania

    Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)

    Twilight Zone

    A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)

    Spotlight

    An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)

    Stockholm XXVIII Short Film Competition

    A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)

    Special Event

    Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film

    1 Km Film

    Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

    Read more


  • DOC NYC 2017 to Close with NY Premiere of ERIC CLAPTON: LIFE IN 12 BARS + Announces Lineup

    [caption id="attachment_23415" align="aligncenter" width="1200"]Eric Clapton: Life in 12 Bars Eric Clapton: Life in 12 Bars[/caption] DOC NYC announced the full lineup of over 250 films and events for its eighth edition, running November 9 to 16 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.  Special Events include Closing Night Film, the NYC premiere of Eric Clapton: Life in 12 Bars, directed by Lili Fini Zanuck, with the acclaimed musician in attendance; Centerpiece Film, the world premiere of Far From the Tree, director Rachel Dretzin’s adaptation of Andrew Solomon’s bestselling book; and the NYC premiere of Wormwood, an ambitious new project from Errol Morris exploring the 1953 death of a CIA agent.  The NYC premiere Greg Barker’s The Final Year, accompanied by members of the Obama administration, will open the festival. World premieres at the festival include A Murder in Mansfield, by Barbara Kopple (Miss Sharon Jones!), which explores the impact of a 1989 murder on a family; Maynard, by Sam Pollard (Two Trains Runnin’), about Atlanta’s first black mayor, Maynard Jackson; Naila and the Uprising, by Julia Bacha (Budrus), about the hidden role women played in the First Intifada, a project that won last year’s DOC NYC Pitch Perfect competition;  Father’s Kingdom, by Larry Feinberg, exploring the legacy of Father Divine, who attracted over a million followers and claimed to be God; The Iconoclast, by King Adz, about notorious art forger Michel van Rijn; and The Godfathers of Hardcore, by Ian McFarland, on the long-lived NYC hardcore punk band Agnostic Front. Among this year’s U.S. premieres are David Bowie: The Last Five Years, by Francis Whately, an intimate look at the creative final years of the music icon; Antonio Lopez 1970: Sex Fashion & Disco, by James Crump, a portrait of the most influential fashion illustrator of 1970s New York and Paris; Scotty and the Secret History of Hollywood, by Matt Tyrnauer, about the man who was the secret sexual procurer to the stars; The Stranger, by past DOC NYC award winner Nicole N. Horanyi, about a woman who discovers the man of her dreams has secrets; Armed with Faith, by Geeta Gandbhir and Asad Faruqi, which follows the heroic Pakistani Bomb Disposal Unit; Soufra, by Thomas Morgan, and executive produced by Susan Sarandon, about a woman who starts her own successful catering company in a Lebanese refugee camp; EuroTrump, by Stephen Robert Morse and Nicholas Hampson, on the Dutch Donald Trump, Geert Wilders; and The Beatles, Hippies and Hells Angels: Inside the Crazy World of Apple, by Ben Lewis, a look back at the wild early days of Apple Corps. “Documentary storytellers help us make sense of the tumultuous times we’re living in with artistry, humor and inspiring characters,” said Director of Programming Basil Tsiokos. “This year’s DOC NYC line-up gives audiences fresh insight into high profile figures and shines a light on lesser-known individuals who leave a big impression.” Tsiokos led the program selection in collaboration with Artistic Director Thom Powers and Executive Director Raphaela Neihausen. The festival is curated in 18 sections that include two new strands: New World Order, with 6 films about global issues in the news, including Sky & Ground, which follows an extended family of refugees as they escape Syria; and Spiral, about the alarming rise of anti-Semitism in Europe. Centerstage, an 8-title section focused on performing and performers, presents the world premieres of The Problem with Apu, in which a South Asian-American comedian explores the impact of the character from The Simpsons; and Repeat Attenders, about musical theater superfans. In the festival’s two feature competition sections, 8 films appear under the Viewfinders section for distinct directorial visions. They include the world premiere of Mole Man, about an autistic man who has built a 50-room structure in his backyard; and the U.S. premieres of The Judge, about the first female Shari’a judge in the Middle East, and Silas, about a Liberian environmental activist. In the Metropolis competition section, 7 films are dedicated to stories set in New York City. They include the world premieres of The Iron Triangle, about the resistance to the urban renewal of Queens’ Willets Point; Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels, an unfiltered look at the founder of the controversial group; and Miracle on 42nd Street, about an apartment complex providing housing to performing artists, including past residents Alicia Keys, Terrence Howard and Angela Lansbury. Other returning sections include high-profile Special Events; national and global takes inAmerican Perspectives and International Perspectives; and thematic sections Fight the Power (on activism), Sonic Cinema (on music), True Crime (on crime), Science Nonfiction (on science and technology), Modern Family (on unconventional families),Wild Life (on animals), Art & Design (on artists), and Behind the Scenes (on filmmaking). Short-form content (85 films in total) is represented by the festival’s Shorts Competition and DOC NYC U (showcasing student work). The following is a breakdown of programming by section:

    OPENING NIGHT

    THE FINAL YEAR Dir: Greg Barker (NYC PREMIERE) Greg Barker gives an unprecedented look at the shaping of US foreign policy by following key members of outgoing US President Barack Obama’s administration.

    CLOSING NIGHT

    ERIC CLAPTON: LIFE IN 12 BARS Dir: Lili Fini Zanuck (NYC PREMIERE) An intimate, revealing musical odyssey on the life and career of guitar virtuoso Eric Clapton, told by those who have known him best.

    CENTERPIECE

    FAR FROM THE TREE Dir: Rachel Dretzin (WORLD PREMIERE) An adaptation of Andrew Solomon’s bestselling book examining how parents face their children’s extreme differences, challenging ideas of “normalcy.”

    SPECIAL EVENT

    WORMWOOD Dir: Errol Morris (NYC PREMIERE) DOC NYC’s Visionaries Lifetime Achievement Award recipient Errol Morris (The Fog of War) investigates the 1953 death of a CIA agent in this innovative new project.

    VIEWFINDERS COMPETITION

    THE JUDGE Dir: Erika Cohn (US PREMIERE) A vérité legal drama about the first woman appointed to a Shari’a court in the Middle East, providing rare insights into both Islamic law and gendered justice. LOVE, CECIL Dir: Lisa Immordino Vreeland (NYC PREMIERE) An affectionate portrait of Cecil Beaton, a multi-talented photographer, writer and painter who also designed sets and costumes for films like My Fair Lady. LOVE MEANS ZERO Dir: Jason Kohn (NYC PREMIERE) Infamous and influential tennis coach Nick Bollettieri has trained champions that include Andre Agassi and Boris Becker, but greatness comes at a personal price. MOLE MAN Dir: Guy Fiorita (WORLD PREMIERE) An autistic man is faced with the possibility of losing the only home he has ever known—and the remarkable 50-room structure he’s built in the backyard. NAILA AND THE UPRISING Dir: Julia Bacha (WORLD PREMIERE) Filmmaker Julia Bacha (Budrus) reveals the hidden history of the key role women played in the Palestinian uprising known as the First Intifada. SILAS Dirs: Anjali Nayar, Hawa Essuman (US PREMIERE) A rousing profile of Liberian activist Silas Siakor, a tireless crusader against illegal logging and a symbol of resistance for a new generation. THE STRANGER Dir: Nicole N. Horanyi (INTERNATIONAL PREMIERE) Amanda, a 25-year-old single mother, meets the man of her dreams on Facebook… but she soon discovers that the charming, worldly Casper has secrets. THIS IS CONGO Dir: Daniel McCabe (NYC PREMIERE) Filmmaker Daniel McCabe examines multiple sides of the fractious war in the Democratic Republic of Congo in this stunningly shot film.

    METROPOLIS COMPETITION

    ANTONIO LOPEZ 1970: SEX FASHION & DISCO Dir: James Crump (NORTH AMERICAN PREMIERE) A portrait of the most influential fashion illustrator of 1970s New York and Paris, known for discovering talents such as Pat Cleveland and Grace Jones. CRADLE OF CHAMPIONS Dir: Bartle Bull (NYC PREMIERE) Three amateur boxers compete for glory and life-changing opportunities in New York City’s legendary Golden Gloves tournament. THE IRON TRIANGLE Dirs: Prudence Katze, William Lehman (WORLD PREMIERE) Workers and owners of auto repair shops in Queens’ Willets Point face off against gentrification and urban renewal for the future of their livelihoods and community. MIRACLE ON 42ND STREET Dir: Alice Elliott (WORLD PREMIERE) The surprising history of Manhattan Plaza and its embrace of the performing arts, featuring famed former residents including Alicia Keys, Terrence Howard and Angela Lansbury. Screening with Lucy Walker’s Oh, What A Beautiful City (A City Symphony). A celebration of summertime in NYC. OH, RICK! Dirs: Dustin Sussman, Aaron Rosenbloom (WORLD PREMIERE) A profile of comedian Rick Crom, long-running emcee at Greenwich Village’s Comedy Cellar, featuring Ray Romano, Colin Quinn, Sarah Silverman and Wanda Sykes. STILL WATERS  Dir: Peter Gordon (WORLD PREMIERE) In Bushwick, where rapid gentrification is pushing out Latino families, a unique alternative after-school program serves as a haven for the community. VIGILANTE: THE INCREDIBLE TRUE STORY OF CURTIS SLIWA AND THE GUARDIAN ANGELS Dir: David Wexler (WORLD PREMIERE) An unfiltered look back at 1970s and ’80s NYC through the eyes of Curtis Sliwa, founder of the controversial crime prevention patrol the Guardian Angels.

    AMERICAN PERSPECTIVES

    12TH AND CLAIRMOUNT Dir: Brian Kaufman (NYC PREMIERE) Hundreds of hours of home movies, archival footage, illustrations and new oral histories offer multiple perspectives of the 1967 Detroit uprising. 32 PILLS: MY SISTER’S SUICIDE Dir: Hope Litoff (NYC PREMIERE) Years after the suicide of her sister Ruth, a talented but troubled artist, director Hope Litoff tries to make sense of her loss. FAIL STATE Dir: Alex Shebanow (NYC PREMIERE) Executive produced by Dan Rather, Fail State explores the dark side of higher education in America, focusing on the rise of for-profit colleges. FATHER’S KINGDOM Dir: Lenny Feinberg (WORLD PREMIERE ) In the first half of the 20th century, Father Divine, an African-American spiritual leader, gained over a million followers by claiming to be God. THE GROWING SEASON Dir: Evan Briggs (WORLD PREMIERE) An intimate, bittersweet portrait of growing up and growing old, set in a nursing home that also houses a preschool program. MAYNARD Dir: Sam Pollard (WORLD PREMIERE) Director Sam Pollard constructs a portrait of charismatic trailblazer Maynard Jackson, who became Atlanta’s first black mayor in 1973. METH STORM Dirs: Brent Renaud, Craig Renaud (NYC PREMIERE ) DEA agents face the Sisyphean task of curbing the influx of Mexican ice, a more potent form of meth, into poor, rural communities in Arkansas. SHOT IN THE DARK Dir: Dustin Nakao Haider (NYC PREMIERE) Orr Academy’s high school basketball team is a refuge from the brutal realities of the streets of Chicago’s West Side.

    INTERNATIONAL PERSPECTIVES

    ARMED WITH FAITH Dirs: Geeta Gandbhir, Asad Faruqi (NORTH AMERICAN PREMIERE) A suspenseful portrait of the men of the Pakistani Bomb Disposal Unit, who risk their own lives every day to combat homegrown and international terrorism. ASK THE SEXPERT Dir: Vaishali Sinha (NYC PREMIERE) A lighthearted look at India’s Dan Savage, Dr. Mahinder Watsa, a 93-year-old retired gynecologist. Is he a hero of progress or an enemy of traditional values? A BETTER MAN Dirs: Attiya Khan, Lawrence Jackman (US PREMIERE) Twenty years after their break-up, filmmaker Attiya Khan confronts her ex-boyfriend to take responsibility for their abusive relationship. CUBA AND THE CAMERAMAN Dir: Jon Alpert (NYC PREMIERE) For more than 40 years, acclaimed filmmaker Jon Alpert has enjoyed privileged access to Cuba, chronicling its changes from Havana to the countryside. ISLAND SOLDIER Dir: Nathan Fitch (NYC PREMIERE) Residents of the remote islands of Micronesia question whether the benefits of US protection are worth the human costs of fighting its wars. LOVESICK Dirs: Ann S. Kim, Priya Giri Desai (WORLD PREMIERE) In India, where marriage is a must but AIDS carries a stigma, Dr. Suniti Solomon serves as matchmaker for her HIV-positive patients. THE PINK HOUSE Dir: Sascha Ettinger Epstein (INTERNATIONAL PREMIERE) In a remote Australian gold-mining town, a genteel 70-year-old madam struggles to keep the oldest working brothel afloat in this entertaining portrait. Screening with Sam Ketay’s A Wonderful Place. Octogenarian Norma shares stories while giving a tour of her property atop her John Deere tractor. SOUFRA Dir: Thomas Morgan (NORTH AMERICAN PREMIERE) Working with a diverse group of Middle Eastern women, Mariam Shaar attempts to expand her catering company, based in a refugee camp near Beirut.

    NEW WORLD ORDER

    EUROTRUMP Dirs: Stephen Robert Morse, Nicholas Hampson (NORTH AMERICAN PREMIERE) An in-depth exploration of Geert Wilders, the “Dutch Donald Trump,” as the controversial politician seems poised to become the Prime Minister of the Netherlands. INSHA’ALLAH DEMOCRACY Dir: Mohammed Ali Naqvi (NORTH AMERICAN PREMIERE) Following Pakistan’s former dictator, General Pervez Musharraf, as he runs for president, the filmmaker questions if democracy is truly possible in Pakistan. PLAYING GOD Dir: Karin Jurschick (US PREMIERE) A candid, complex portrait of compensation assessor Ken Feinberg, a man tasked with putting a dollar value on human lives in the wake of tragedies like 9/11 and Sandy Hook. RECRUITING FOR JIHAD Dirs: Adil Khan Farooq, Ulrik Imtiaz Rolfsen (NYC PREMIERE) Over several years, a journalist follows a charismatic, outspoken Norwegian missionary as he recruits young converts to Islam, and to fight for ISIS in Syria. SKY & GROUND Dirs: Talya Tibbon, Joshua Bennett (WORLD PREMIERE) A compelling, ground-level immersion into the greatest humanitarian crisis of our time, accompanying a large, extended family by foot from Syria to asylum in Germany. SPIRAL Dir: Laura Fairrie (US PREMIERE) An urgent, alarming look at the rise of anti-Semitism, Holocaust denial and physical and verbal assaults against Jews throughout Europe, particularly in France.

    CENTERSTAGE

    BEHIND THE CURTAIN: TODRICK HALL Dir: Katherine Fairfax Wright (NYC PREMIERE) American Idol contestant and RuPaul’s Drag Race judge Todrick Hall races to complete an autobiographical musical and take the live show on the road to his devoted fans. GETTING NAKED: A BURLESQUE STORY Dir: James Lester (NORTH AMERICAN PREMIERE) Uncovering New York City’s neo-burlesque subculture, this entertaining film offers a lingering look at several sexy denizens of the nightlife scene. THE PROBLEM WITH APU Dir: Michael Melamedoff (WORLD PREMIERE) South Asian-American comedian Hari Kondabolu confronts his long-standing “nemesis,” Apu Nahasapeemapetilon, better known as the Kwik-E-Mart owner on The Simpsons. REBELS ON POINTE Dir: Bobbi Jo Hart (NYC PREMIERE) A globetrotting profile of NYC’s beloved Les Ballets Trockadero de Monte Carlo, an all-male dance troupe that fuses camp humor with classical ballet performed in drag. REPEAT ATTENDERS Dir: Mark Dooley (WORLD PREMIERE) An entertaining portrait of musical theatre superfans, for whom shows like Les Miz,Starlight Express and Cats are an obsession, a refuge and a place where they belong. Screening with Ben Kitnick’s Catskills. An 86-year-old dancer remembers the heyday of the upstate resort community. SAMMY DAVIS, JR.: I’VE GOTTA BE ME Dir: Sam Pollard (NYC PREMIERE) A star-studded roster of interviewees (including Jerry Lewis, Whoopi Goldberg and Billy Crystal) pay tribute to the legendary, multi-talented song-and-dance man. SIGHTED EYES/FEELING HEART Dir: Tracy Heather Strain (NYC PREMIERE) A moving account of the life of black playwright, communist, feminist, lesbian and outspoken trailblazer Lorraine Hansberry (A Raisin in the Sun). STANDING UP Dir: Jonathan Miller (WORLD PREMIERE) An Egyptian lawyer, a couch-surfing custodian and an Orthodox Jew walk into a comedy club… and end up starring in a film about three unlikely aspiring stand-up comics.

    TRUE CRIME

    COLD BLOODED: THE CLUTTER FAMILY KILLINGS Dir: Joe Berlinger (SNEAK PREVIEW) Oscar®-nominated filmmaker Joe Berlinger reexamines the infamous 1959 murder of a Kansas family that Truman Capote explored in his landmark nonfiction novel In Cold Blood. (USA, 86 min.) THE ICONOCLAST Dir: King Adz (WORLD PREMIERE) A portrait of a Dutch art connoisseur and descendant of Rembrandt – in truth, a con man who made millions trafficking in forged and stolen art and antiquities. A MURDER IN MANSFIELD Dir: Barbara Kopple (WORLD PREMIERE) Oscar®-winning filmmaker Barbara Kopple explores the legacy of the 1989 murder of Noreen Boyle in Mansfield, Ohio and its impact on her family. WHAT HAUNTS US Dir: Paige Goldberg Tolmach (NYC PREMIERE) An investigation into a rash of suicides among the men in the filmmaker’s high school graduating class reveals a disturbing cover-up centered around a popular coach. Screening with Elivia Shaw and Paloma Martinez’s The Shift. Spend an overnight shift with the emergency dispatchers for the city of San Francisco. WHITE BOY Dir: Shawn Rech (NYC PREMIERE) The story of “White Boy Rick,” a legend of Detroit’s drug world in the 1980s, still imprisoned for a juvenile offense for the past 30 years.

    SCIENCE NONFICTION

    THE EXPERIMENTAL CITY Dir: Chad Freidrichs (NYC PREMIERE) A fascinating chronicle of an almost successful attempt to build the city of the future by a visionary scientist and futurist comic strip writer in the 1960s. HAPPENING: A CLEAN ENERGY REVOLUTION Dir: James Redford (NYC PREMIERE) Seeking hope for a sustainable tomorrow, filmmaker James Redford crosses the country to chronicle the clean energy revolution already taking place. HOT GREASE Dirs: Sam Wainwright Douglas, Paul Lovelace, Jessica Wolfson (WORLD PREMIERE) A fascinating look at biodiesel, a growing industry with the potential to undercut the dominance of Big Oil—and it all starts with recycled cooking oil. THE NEW FIRE Dir: David Schumacher (NYC PREMIERE) Innovative young nuclear engineers attempt to develop next-generation reactors to provide clean and safe solutions to the world’s future energy needs.

    WILD LIFE

    DONKEYOTE Dir: Chico Pereira (NYC PREMIERE) A 73-year-old Spanish man dreams of walking the Trail of Tears with his donkey and his dog—but getting to America from Spain presents a challenge. EATING ANIMALS Dir: Christopher Quinn (NYC PREMIERE) Based on the book by Jonathan Safran Foer and produced and narrated by Natalie Portman, this unflinching exposé looks at the devastating costs of our dietary choices. RODENTS OF UNUSUAL SIZE Dirs: Quinn Costello, Chris Metzler, Jeff Springer (WORLD PREMIERE) This quirky film follows bounty hunters and other colorful Gulf residents as they try to defend Louisiana from the invasive giant swamp rat known as the nutria. Screening with Olivier Bernier’s A Garbage Story. Over 30 years in the garbage business, Nick has become a bonafide trash connoisseur. SAMANTHA’S AMAZING ACROCATS Dir: Jacob Feiring (NYC PREMIERE) A woman pins her dreams of stardom on a traveling cat circus, but how long can she hold on as debt mounts and success seems elusive? Screening with Jeff Reichert and Farihah Zaman’s Nobody Loves Me. High in the Andes, a frog with an unusual appearance is threatened with extinction.

    ART & DESIGN

    44 PAGES Dir: Tony Shaff (NYC PREMIERE) A heartwarming, behind-the-scenes look at the creation of the landmark 70th anniversary issue of beloved children’s magazine, Highlights. BIG TIME Dir: Kaspar Astrup Schröder (NYC PREMIERE) A portrait of superstar Danish architect Bjarke Ingels as he takes on his largest project yet, relocating to New York City to create the new 2 World Trade Center. FIVE SEASONS: THE GARDENS OF PIET OUDOLF Dir: Thomas Piper (NORTH AMERICAN PREMIERE) A portrait of visionary landscape designer Piet Oudolf, known for public works like the High Line that redefine our conception of gardens as works of art. LARGER THAN LIFE Dir: Tiffany Bartok (NYC PREMIERE) An intimate look at the life and death of Kevyn Aucoin, who moved from small town Louisiana to become a legendary makeup artist to supermodels and celebrities. MADDMAN: THE STEVE MADDEN STORY Dir: Ben Patterson (NYC PREMIERE) The rags-to-riches story of designer footwear mogul Steve Madden, who nearly lost everything because of his connections to notorious “Wolf of Wall Street,” Jordan Belfort. MORE ART UPSTAIRS Dir: Jody Hassett Sanchez (NYC PREMIERE) Who gets to decide what is good art? A competition touting the biggest cash prize in the art world finds cultural elitism butting up against Midwest populism. MR. FISH: CARTOONING FROM THE DEEP END Dir: Pablo Bryant (NYC PREMIERE) Finding it increasingly challenging to publish his subversive art, will controversial political cartoonist Mr. Fish be forced to sell out in order to sell his art?

    MODERN FAMILY

    6 WEEKS TO MOTHER’S DAY Dir: Marvin Blunte (WORLD PREMIERE) In a remote jungle in Thailand, a unique democratic school provides orphans with education and empowerment under the watchful eyes of the woman they call Mother Aew. AMAZONA Dir: Clare Weiskopf (NORTH AMERICAN PREMIERE) The director tries to make sense of the elder woman’s decision to leave her children behind to live in the jungle after a family tragedy. ELISH’S NOTEBOOKS Dir: Golan Rise (INTERNATIONAL PREMIERE) Discovering a secret cache of journals written for them by their late mother, Elisheva’s children confront their complex feelings for their emotionally distant parent. HARMONY Dir: Lidia Sheinin (NORTH AMERICAN PREMIERE) Battle lines are drawn when an elderly Russian woman finds her comfortable apartment invaded by her family. Screening with Laura Checkoway’s Edith+Eddie. The love story of America’s oldest interracial newlyweds is threatened by a family feud. LIFE TO COME Dir: Claudio Capanna (US PREMIERE) Surrounded by the sounds of machines and doctors in white coats, severely premature twins Eden and Léandro fight for their survival. LOTS OF KIDS, A MONKEY AND A CASTLE Dir: Gustavo Salmerón (NYC PREMIERE) Spanish actor-turned-director Gustavo Salmerón captures his eccentric, extraordinary mother, who had three dreams: having lots of kids, a monkey and a castle. PLOT 35 Dir: Eric Caravaca (NORTH AMERICAN PREMIERE) French actor-turned-director Eric Caravaca unearths personal family history in search of his sister Charlotte, who died as a toddler before he was born. Screening with Matt Sukkar’s Durango. Adolescent brothers cope with loss over a summer in bucolic Colorado. THANK YOU FOR COMING Dir: Sara Lamm (NYC PREMIERE) After learning she was conceived via a sperm donor, Sara becomes a genealogical detective, navigating ancestry databases and DNA tests for clues to his identity.

    BEHIND THE SCENES

    BLUE VELVET REVISITED Dir: Peter Braatz (NYC PREMIERE) Three decades after documenting the filming of David Lynch’s Blue Velvet, the director crafts an unconventional yet accessible meditation on the cult classic film. JIM & ANDY: THE GREAT BEYOND… Dir: Chris Smith (NYC PREMIERE) Offbeat documentarian Chris Smith (American Movie) reveals just how fully Jim Carrey took on the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon. KING COHEN Dir: Steve Mitchell (NYC PREMIERE) A look at the heyday of guerrilla filmmaking through a celebration of the work of maverick filmmaker Larry Cohen, known as “the John Cassavetes of exploitation.” SAVING BRINTON Dirs: Andrew Sherburne, Tommy Haines (NYC PREMIERE) An eccentric collector is on a mission to restore and preserve a cache of early films and cinema memorabilia, the legacy of a pioneering but forgotten Iowa showman. SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD Dir: Matt Tyrnauer (US PREMIERE) A deliciously scandalous portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.

    FIGHT THE POWER

    ATOMIC HOMEFRONT Dir: Rebecca Cammisa (NYC PREMIERE) A citizens’ movement confronts government bureaucracy to uncover the atomic secrets of St. Louis, Missouri in order to keep their families safe. BALTIMORE RISING Dir: Sonja Sohn Actress Sonja Sohn (HBO’s The Wire) returns to Baltimore in her directorial debut to chronicle the city in the wake of Freddie Gray’s death. MANKILLER Dir: Valerie Red-Horse Mohl (NYC PREMIERE) Wilma Mankiller rose from poverty to become the first female chief of the Cherokee nation, battling rampant sexism, political rivals and health challenges. NOTHING WITHOUT US Dir: Harriet Hirshorn (NYC PREMIERE) Female activists, scientists and scholars in the US and Africa demonstrates the vital role that women have played—and continue to play—in the global fight against HIV/AIDS. THE OTHER SIDE OF EVERYTHING Dir: Mila Turajlic (NYC PREMIERE) A locked door in her family’s Belgrade home provides the gateway to understanding the filmmaker’s remarkable mother and Serbia’s tumultuous political inheritance. QUEERCORE: HOW TO PUNK A REVOLUTION Dir: Yony Leyser (NYC PREMIERE) Misfits in both the mainstream gay and homophobic punk scenes, Bruce LaBruce and GB Jones invented a radical underground subculture that spread around the world. UNFRACTURED Dir: Chanda Chevannes (INTERNATIONAL PREMIERE) Shot over the last year of the historic grassroots fight against fracking in New York state, a raw, intimate look at biologist and activist Sandra Steingraber. ZERO WEEKS Dir: Ky Dickens (NYC PREMIERE) In most countries, workers have paid leave and job security to care for a newborn or family emergency—but not in the US, costing us all a heavy price.

    SONIC CINEMA

    THE BEATLES, HIPPIES AND HELLS ANGELS: INSIDE THE CRAZY WORLD OF APPLE Dir: Ben Lewis (NORTH AMERICAN PREMIERE) An entertaining look behind the scenes at Apple Corps, which The Beatles hoped would allow them to spread their countercultural message throughout the world. BILL FRISELL: A PORTRAIT Dir: Emma Franz (NYC PREMIERE) A warm profile of Bill Frisell, a widely inventive guitarist who crosses musical boundaries, featuring Bonnie Raitt, Hal Willner, Paul Simon, Nels Cline, and more. DAVID BOWIE: THE LAST FIVE YEARS Dir: Francis Whately (US PREMIERE) An intimate look at the remarkably creative final years of David Bowie, through the production of his final two albums, and the stage musical, Lazarus. THE GODFATHERS OF HARDCORE Dir: Ian McFarland (WORLD PREMIERE) For over 35 years and still going strong, Agnostic Front’s Vinnie Stigma and Roger Miret have been synonymous with the New York punk scene. HELLO HELLO HELLO : LEE RANALDO : ELECTRIC TRIM Dir: Fred Riedel (NYC PREMIERE) Legendary Sonic Youth guitarist Lee Ranaldo embarks on the recording of a new experimental concept album with a little help from some friends. ITZHAK Dir: Alison Chernick (NYC PREMIERE) Widely considered the greatest living violinist, Itzhak Perlman takes us on a journey through his music and life. STREETLIGHT HARMONIES Dir: Brent Wilson (WORLD PREMIERE) A who’s who of musicians trace the evolution of doo wop in the 1950s, from street corners to radio stations all across America.

    SHORTS

    Shorts: Body Language On the limits and potential of the human body, exploring dance, tattoos, pro wrestling, meditation and light sensitivity. Shorts: City Lights The ups and downs of city living, featuring artists, improv, hard work, boxing and table tennis. Shorts: Dream Weavers About fulfilling dreams and reimagining the world, featuring Cuban cigar factory workers, men seeking wives, a mail-order bride and more. Shorts: The Future is Feminine Everyday women and girls who inspire, including a housekeeper turned real estate entrepreneur, children’s rights advocate, unlikely athletes and special birthday girl. Shorts: Justice For All True crime and the criminal justice system, exploring death row, surveillance, juvenile offenders, police corruption, war criminals and capital punishment. Shorts: Mother Earth Protecting the planet, from Standing Rock and anti-fracking activism, to saving orangutans and sea turtles. Shorts: The New Normal America, before and after 11/8/16, exploring the Trump campaign, a divided electorate, immigration anxiety, fake news and disturbing parallels to past regimes. Shorts: Recorded Memory The past looms large in these affecting stories about confronting family relationships, reckoning with career decisions, remembering trauma and more. Shorts: Strange But True Quirky real life stories exploring insomnia, dreams, fetishes, first love, conspiracy theories and psychic abilities. Shorts: Surviving the System Finding oneself in and out of the criminal justice system, in stories about a police traffic stop that escalates into violence and a restaurant offering former prisoners a second chance.

    DOC NYC U

    DOC NYC U: THE NEW SCHOOL SHOWCASE Selections from The New School’s Documentary Media Studies program, featuring a tap dancer, migratory birds, New York life, selfies and a yodeling punk singer destined for greatness. DOC NYC U: NEW YORK FILM ACADEMY SHOWCASE NYFA selections profile a Hiroshima orphan, a Central Park mainstay, a wolf rescuer, a persecuted journalist and a lost city. DOC NYC U: NEW YORK UNIVERSITY SHOWCASE NYU’s NewsDoc offerings explore a controversial Tibetan boarding school program in China and the growing popularity of taxi driving as a career for women in India. DOC NYC U: COLUMBIA UNIVERSITY SHOWCASE Work from Columbia Journalism School’s Documentary Project profiles deportation fears under Trump, a drug crisis in the Muslim community and adult illiteracy. DOC NYC U: SCHOOL OF VISUAL ARTS SHOWCASE SVA’s SocDoc program presents profiles of artists, musicians, designers, a vintage barbershop, broken hearts and Native American activism.

    SHORT LIST

    ABACUS: SMALL ENOUGH TO JAIL Dir: Steve James Steve James (Hoop Dreams) profiles a small, family-run Chinatown bank—the only financial institution indicted following the 2008 financial crisis. Courtesy of PBS Distribution. THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY Dir: Errol Morris DOC NYC’s Visionaries Lifetime Achievement Award recipient Errol Morris (The Fog of War) profiles legendary large-format photographer Elsa Dorfman. Courtesy of NEON/Netflix. CHASING CORAL Dir: Jeff Orlowski Following his acclaimed film Chasing Ice, director Jeff Orlowski sets out to chronicle the environmental devastation happening to the world’s coral reefs. Courtesy of Netflix. CITY OF GHOSTS Dir: Matthew Heineman Anonymous Syrian citizen journalists risk their lives to stand up against ISIS and report the truth about the Syrian conflict. Courtesy of Amazon Studios/A&E IndieFilms/IFC Films. DINA Dirs: Antonio Santini, Dan Sickles An unforgettable couple, both on the autism spectrum, navigate the complexities of sex and romance in this Sundance Grand Jury Prize winning film. Courtesy of The Orchard. FACES PLACES Dirs: Agnès Varda, JR French New Wave legend Agnès Varda and acclaimed photographer JR travel the French countryside, celebrating ordinary people through extraordinary photo murals. Courtesy of Cohen Media Group. THE FINAL YEAR Dir: Greg Barker (NYC PREMIERE) Greg Barker gives an unprecedented look at the shaping of US foreign policy by following key members of outgoing US President Barack Obama’s administration. Courtesy of Motto Pictures/Passion Pictures. THE FORCE Dir: Peter Nicks An immersion into the beleaguered Oakland Police Department as it attempts to reform its scandal-ridden image. Courtesy of Kino Lorber/PBS Independent Lens. ICARUS Dir: Bryan Fogel An unexpected exposé of a complex doping operation at the heart of Russia’s Olympics program. Courtesy of Netflix. JANE Dir: Brett Morgen Brett Morgen (On the Ropes) reconstitutes 50-year-old National Geographic footage into a poetic look at primatologist Jane Goodall. Courtesy of National Geographic Documentary Films. KEDI Dir: Ceyda Torun This infectious portrait captures Istanbul through the eyes of its colorful street cats.Courtesy of Oscilloscope Laboratories/YouTube Red. ONE OF US Dirs: Heidi Ewing, Rachel Grady This year’s Visionaries Tribute honorees Heidi Ewing and Rachel Grady (Jesus Camp) penetrate the insular world of New York’s Hasidic community. Courtesy of Netflix. RISK Dir: Laura Poitras Oscar-winning filmmaker Laura Poitras (Citizenfour) creates a complex portrait of Wikileaks founder Julian Assange and his team. Courtesy of NEON/Showtime Documentary Films. STEP Dir: Amanda Lipitz The inaugural class of the Baltimore Leadership School for Young Women strives for success both academically and through its fierce step dancing team. Courtesy of Fox Searchlight. STRONG ISLAND Dir: Yance Ford Yance Ford explores the long-lasting impact on his African-American family of his brother’s murder, killed by a white man who was never punished for his crime. Courtesy of Netflix.

    Read more


  • Street Cats of Istanbul Documentary KEDI, Leads 2nd Critics’ Choice Documentary Awards Nominations

    [caption id="attachment_20047" align="aligncenter" width="1200"]Kedi Kedi[/caption] Kedi, a beautiful documentary about the street cats of Istanbul, leads the nominations for the second annual Critics’ Choice Documentary Awards, with nominations for Best Documentary, Best First Documentary, Most Innovative Documentary, Best Director for Ceyda Torun, and Most Compelling Living Subject of a Documentary for The Cats of Istanbul. https://www.youtube.com/watch?v=lKq7UqplcL8 California Typewriter, Chasing Coral, City of Ghosts, Cries From Syria,  and  Dawson City: Frozen Time,  followed with three nominations each; and  Abacus: Small Enough to Jail and  An Inconvenient Sequel: Truth to Power  receiving two nominations each. The second annual awards ceremony takes place November 2 in Brooklyn.  Academy Award and seven-time Emmy nominated filmmaker Joe Berlinger will receive the Critics’ Choice Impact Award.

    Second Critics’ Choice Documentary Awards Nominations

    BEST DOCUMENTARY

    Abacus: Small Enough to Jail – Director: Steve James (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production) Beware the Slenderman – Director: Irene Taylor Brodsky (HBO, Warner Bros. Television Distribution / HBO Documentary Films, Vermilion Films) Bright Lights: Starring Carrie Fisher and Debbie Reynolds – Directors: Alexis Bloom, Fisher Stevens (HBO / Bloomfish Pictures, HBO Documentary Films, Insurgent Docs, RatPac Documentary Films) California Typewriter – Director: Doug Nichol (Gravitas Ventures / American Buffalo Pictures) Chasing Coral – Director: Jeff Orlowski (Netflix / Exposure Labs) City of Ghosts – Director: Matthew Heineman (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Cries From Syria – Director: Evgeny Afineevsky (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dawson City: Frozen Time – Director: Bill Morrison (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Eagles of Death Metal: Nos Amis – Director: Colin Hanks (HBO / Live Nation Productions, Company Name) Ex Libris: The New York Public Library – Director: Frederick Wiseman (Zipporah Films) Faces Places – Directors: Agnès Varda & JR (Cohen Media Group / Ciné Tamaris, Social Animals, Rouge International, Arte France Cinéma, Arches Films) Jane – Director: Brett Morgen (National Geographic Documentary Films / National Geographic Studios, Public Road Productions) Kedi – Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) One of Us – Directors: Heidi Ewing, Rachel Grady (Netflix / Loki Films) Spettacolo – Directors: Jeff Malmberg, Chris Shellen (Grasshopper Film / Open Face) Strong Island – Director: Yance Ford (Netflix / Yanceville Films, Louverture Films)

    BEST DIRECTOR

    Evgeny Afineevsky – Cries from Syria (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Amir Bar-Lev – Long Strange Trip (Amazon / Amazon Studios, Double E Pictures, Sikelia Productions, AOMA Sunshine Films) Matthew Heineman – City of Ghosts (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Bill Morrison – Dawson City: Frozen Time (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Doug Nichol – California Typewriter (Gravitas Ventures / American Buffalo Pictures) Jeff Orlowski – Chasing Coral (Netflix / Exposure Labs) Irene Taylor Brodsky – Beware the Slenderman (HBO, Warner Bros. Television Distribution / HBO Documentary Films, Vermilion Films) Ceyda Torun – Kedi (Oscilloscope Laboratories, YouTube Red / Termite Films) Agnès Varda & JR – Faces Places (Cohen Media Group / Ciné Tamaris, Social Animals, Rouge International, Arte France Cinéma, Arches Films) Frederick Wiseman – Ex Libris: The New York Public Library (Zipporah Films)

    BEST FIRST DOCUMENTARY

    California Typewriter – Director: Doug Nichol (Gravitas Ventures / American Buffalo Pictures) Kedi – Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) Nowhere to Hide – Director: Zaradasht Ahmed (East Village Entertainment / Ten Thousand Images) Step – Director: Amanda Lipitz (Fox Searchlight / Impact Partners, Stick Figure Productions) Strong Island – Director: Yance Ford (Netflix / Yanceville Films, Louverture Films) Whose Streets? – Director: Sabaah Folayan, Co-Director: Damon Davis (Magnolia Pictures)

    BEST POLITICAL DOCUMENTARY

    11/8/16 – Directors: Duane Andersen, Don Argott & Sheena M. Joyce, Yung Chang, Garth Donovan, Petra Epperlein & Michael Tucker, Vikram Gandhi, Raul Gasteazoro, Jamie Goncalves, Andrew Beck Grace, Alma Har’el, Daniel Junge, Alison Klayman, Ciara Lacy, Martha Shane, Elaine McMillion Sheldon, Bassam Tariq (The Orchard / Cinetic Media) Abacus: Small Enough to Jail – Director: Steve James (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production) An Inconvenient Sequel: Truth to Power – Directors: Bonni Cohen, Jon Shenk (Paramount / Actual Films, Participant Media) City of Ghosts – Director: Matthew Heineman (Amazon Studios, A&E IndieFilms, IFC Films / Our Time Projects) Dolores – Director: Peter Bratt (PBS Distribution / 5 Stick Films) The Reagan Show – Directors: Sierra Pettengill, Pacho Velez (Gravitas Ventures, CNN Films)

    BEST SPORTS DOCUMENTARY

    AlphaGo – Director: Greg Kohs (Submarine Entertainment / Moxie Pictures, Reel As Dirt) Disgraced – Director: Pat Kondelis (Showtime Networks / Bat Bridge Entertainment) Icarus – Director: Bryan Fogel (Netflix / Alex Productions, Diamond Docs, Impact Partners) Speed Sisters – Director: Amber Fares (First Run Features) Take Every Wave: The Life of Laird Hamilton – Director: Rory Kennedy (Sundance Selects / Moxie Firecracker Films) Trophy – Directors: Christina Clusiau, Shaul Schwarz (CNN Films, The Orchard / Candescent Films, Pulse Films, Reel Peak Films)

    BEST MUSIC DOCUMENTARY

    Clive Davis: The Soundtrack of our Lives – Director: Chris Perkel (Apple Music / IM Global, Scott Free Productions) Contemporary Color – Directors: Bill Ross IV, Turner Ross (Oscilloscope / The Department of Motion Pictures, Public Domain, Todo Mundo) Eagles of Death Metal: Nos Amis – Director: Colin Hanks (HBO / Live Nation Productions, Company Name) I Called Him Morgan – Director: Kasper Collin (FilmRise, Submarine Entertainment / Kasper Collin Produktion, Sveriges Television, Film i Väst) Long Strange Trip – Director: Amir Bar-Lev (Amazon / Amazon Studios, Double E Pictures, Sikelia Productions, AOMA Sunshine Films) Rumble: The Indians Who Rocked the World – Director: Catherine Bainbridge, Co-Director: Alfonso Maiorana (Kino Lorber / ARTE G.E.I.E, Rezolution Pictures)

    MOST COMPELLING LIVING SUBJECT OF A DOCUMENTARY

    The Cats of Istanbul – Kedi (Oscilloscope Laboratories, YouTube Red / Termite Films) Etty – One of Us (Netflix / Loki Films) Al Gore – An Inconvenient Sequel: Truth to Power (Paramount / Actual Films, Participant Media) Laird Hamilton – Take Every Wave: The Life of Laird Hamilton (Sundance Selects / Moxie Firecracker Films) Dolores Huerta – Dolores (PBS / 5 Stick Films) Gigi Lazzarato – This is Everything: Gigi Gorgeous (YouTube Red / SelectNext, Cabin Creek Films) The Sung Family – Abacus: Small Enough to Jail (PBS / Blue Ice Films, Mitten Media, Motto Pictures, Kartemquin Films Production)

    MOST INNOVATIVE DOCUMENTARY

    78/52 – Director: Alexandre O. Philippe (IFC Midnight / ARTE, Exhibit A Pictures, Milkhaus, Screen Division, Sensorshot Productions) Casting JonBenet – Director: Kitty Green (Netflix / Forensic Films, Symbolic Exchange, Meridian Entertainment) Dawson City: Frozen Time – Director: Bill Morrison (Kino Lorber / Hypnotic Pictures, Picture Palace Pictures) Karl Marx City – Directors: Petra Epperlein, Michael Tucker (Bond/360 / Pepper & Bones) Kedi – Director: Ceyda Torun (Oscilloscope Laboratories, YouTube Red / Termite Films) Last Men in Aleppo – Director: Firas Fayyad, Co-Director: Steen Johannessen (Grasshopper Film / Aleppo Media Center, Larm Film)

    BEST SONG IN A DOCUMENTARY

    An Inconvenient Sequel: Truth to Power – “Truth to Power” – OneRepublic (Paramount / Actual Films, Participant Media) Chasing Coral – “Tell Me How Long” – Kristen Bell (Netflix / Exposure Labs) Cries From Syria – “Prayers for This World” – Cher (HBO / Afineevsky – Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dina – “Best I Can” – Michael Cera featuring Sharon Van Etten (The Orchard / Cinereach, El Peligro, Killer Films) Served Like a Girl – “Dancing Through the Wreckage” – Pat Benatar (Entertainment Studios, Freestyle Digital Media) Step – “Jump” – Cynthia Erivo (Fox Searchlight / Impact Partners, Stick Figure Productions)

    BEST LIMITED DOCUMENTARY SERIES (TV/STREAMING)

    The Defiant Ones (HBO) Five Came Back (Netflix / Amblin Television, IACF Productions, Netflix, Passion Pictures, Rock Paper Scissors Entertainment) The Keepers (Netflix / Film 45, Tripod Media) The Nineties (CNN / CNN, Playtone, Herzog & Company) Planet Earth II (BBC America, AMC, SundanceTV / BBC Natural History Unit, BBC America, ZDF, Tencent, France Télévisions) The Vietnam War (PBS / Florentine Films, WETA-TV Washington)

    BEST ONGOING DOCUMENTARY SERIES (TV/STREAMING)

    30 for 30 (ESPN / ESPN Films) American Masters (PBS / WNET New York City) Frontline (PBS / WGBH-TV Boston) Independent Lens (PBS / Independent Television Service, Inc.) POV (PBS / American Documentary, Inc.) VICE (HBO / VICE Media)

    Read more


  • Melbourne International Film Festival Unveils 2017 Lineup, Closes with Paul Williams’ GURRUMUL ELCHO DREAMING

    [caption id="attachment_23090" align="aligncenter" width="1200"]GURRUMUL ELCHO DREAMING GURRUMUL ELCHO DREAMING[/caption] The 2017 Melbourne International Film Festival (MIFF) unveiled its full program line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from August 3 to 20, 2017. “What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.” The festival will kick off with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, and will wind up with the world premiere Closing Night screening of Paul Williams’ GURRUMUL ELCHO DREAMING. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master. Joining the MIFF guest line-up are Australia’s Melissa George, starring in the MIFF Premiere Fund-supported THE BUTTERFLY TREE; Italian director Luca Guadagnino with his acclaimed new film CALL ME BY YOUR NAME, a sensuous story of first love and the end of adolescence; and newcomer Jennifer Brea making her way to MIFF with UNREST, a feature documentary capturing her darkest moments as she is derailed by Chronic Fatigue Syndrome. Further international guests include Peter Mackie Burns, the debut feature director of DAPHNE, a refreshing portrait of contemporary womanhood; Francis Lee, with his depiction of British rural life in GOD’S OWN COUNTRY; Slavko Martinov, the force behind the entertaining flockumentary PECKING ORDER; Gabe Klinger on behalf of PORTO, a film presented in Super 8, 16mm and breathtaking 35mm; director Sami Saif and cinematographer Anders Löfstedt with their music documentary THE ALLINS; Thai filmmaker Anocha Suwichakornpong, winner of the Top Prize at the 2016 Thai National Film Association Awards for her feature BY THE TIME IT GETS DARK; and Annie Goldson, director of KIM DOTCOM: CAUGHT IN THE WEB, a documentary about the court case surrounding the internet’s most wanted criminal. MIFF guests also include Daniel Borgman, director of LOVING PIA, a winsome tale blurring documentary and fiction; and Florian Habicht, director of SPOOKERS, a film focusing on a former psychiatric hospital that is now a haunted attraction. Following last year’s success, VIRTUAL REALITY (VR) returns to MIFF in 2017. Leading the charge is the world premiere of Lucas Taylor’s INSIDE MANUS, taking the audience behind the razor wire to meet the asylum seekers on the Manus Island detention centre. Other VR world premieres include Lester Francois’ RONE, a distinctive portrait of the Melbourne street artist; Khoa Do and Piers Mussared’s THE EXTRACTION, a work imagining a perilous journey through the post apocalypse; and Christopher Bailey’s ACROSS, set in a world where two beings live in opposite cliffs – where one side is a paradise and the other a wasteland. The VR program continues with Jeff Goldblum making a cameo appearance in MIYUBI, a feature length film about a family’s relationship with its Japanese toy robot, from co-directors Félix Lajeunesse and Paul Raphaël; George Gittoes expands upon his MIFF 2015 feature Snow Monkey, taking audiences on a VR tour to Afghanistan in the world premiere of FUN FAIR JALALABAD; and Ben Smith’s THE HUNT FOR THE YIDAKI, the companion piece to the MIFF 2017 Premiere Fund-supported feature WESTWIND: DJALU’S LEGACY, will also receive its world premiere. Meanwhile UNREST VR, a film about Chronic Fatigue Syndrome – made by Amaury La Burthe and other key collaborators on Notes on Blindness: Into Darkness (MIFF 2016) – screens as an expansion piece to Jennifer Brea’s feature documentary, also showing at MIFF 2017. In addition to UNREST, MIFF’s much-loved DOCUMENTARIES program delivers an array of gripping real-life character studies. Catch WINNIE, Pascale Lamche’s Sundance Directing Award-winning portrait of Winnie Madikizela-Mandela, variously viewed as the wife of South Africa’s most revered leader, the mother and/or enemy of her nation and a revolutionary force in her own right; Andres Veiel’s BEUYS: ART AS A WEAPON, an extensive look at the felt-clad, hat-wearing German performance artist Joseph Beuys; and DINA, the Sundance Grand Jury Prize-winner from Dan Sickles and Antonio Santini that offers a heartfelt and heart-melting portrait of love in all its strangeness and wonder. The Documentaries program also takes audiences behind the closed doors of wildly diverse environments. In the remarkable debut film THE WORK, America’s most hardened criminals share their demons with the everyday public during the world’s most intense group therapy session in Jairus McLeary and Gethin Aldous’ SXSW Grand Jury Prize-winner; Jean-Stéphane Bron’s THE PARIS OPERA is a film candidly charting the day-to-day drama during a season of upheaval for the revered company; and ROLLER DREAMS finds Australian director Kate Hickey tracking down the original stars of the Venice Beach 80s roller dancing movement to build a funky portrait of the rise and fall of the craze. MIFF’s toe-tapping MUSIC ON FILM program dances to its own beat with THE ALLINS where award-winning Danish documentarian Sami Saif turn his lens on the most outrageous musician to ever live – GG Allin – revealing the man behind the maniac behind the music; and in Kyoko Miyake’s TOKYO IDOLS, teenage girl pop stars grapple with finding fame and the creeping fixation of their male fan bases in an eye-opening look at Japanese idol culture. Musical influencers take centre stage in the Sundance Special Jury Prize-winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD, where Catherine Bainbridge sets out to reinstate Native American trailblazers to their rightful place in the pop music pantheon; and Lucy Walker, director of the MIFF 2013 Best Documentary Audience Award-winner The Crash Reel, returns with BUENA VISTA SOCIAL CLUB: ADIOS, a touching farewell to the beloved son cubano musicians as they complete their final tour. A stellar line-up of homegrown talent will be showcased in AUSTRALIAN FILMS. Marking the halfway point of the festival will be the CENTREPIECE GALA world premiere screening of THREE SUMMERS, the first Australian film from comedian Ben Elton. Romantic leads Robert Sheehan and Rebecca Breeds are joined by a glittering ensemble featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters for an of-the-moment, multi-story comedy set over three years at a fictional folk-music festival. Continuing the Australian Films showcase, David Wenham makes his feature directorial debut with a Before Sunrise-style romance set to the distinctive sounds of Megan Washington with ELLIPSIS, starring Emily Barclay and Benedict Samuel; MIFF offers an exclusive preview of the second series of GLITCH, a Matchbox Pictures production commissioned by ABC TV and co-produced by Netflix, set in a fictional Victorian town where deceased former residents have crawled out of their graves in the local cemetery; and in a special screening presented by the National Film and Sound Archive’s digital restoration program – NFSA RESTORES, MIFF will also present the classic rip-roaring homegrown action flick, SHAME, where an award-winning Deborra-Lee Furness – also a guest of MIFF 2017 – turns the tables on a country town’s entrenched male violence. Celebrating its 10th birthday in 2017, the MIFF PREMIERE FUND stages six world premieres (each with its director in attendance) comprising: Greg McLean’s MIFF Opening Night Film JUNGLE, starring Daniel Radcliffe; Luke Shanahan’s uniquely stylish psychological thriller RABBIT, featuring The Great Gatsby’s Adelaide Clemens playing identical twins linked by more than just DNA; MIFF guests Melissa George and Ed Oxenbould starring alongside Ewen Leslie and Sophie Lowe in Priscilla Cameron’s THE BUTTERFLY TREE, a coming-of-age tale of love and loss tinged with magical realism; Eddie Martin’s HAVE YOU SEEN THE LISTERS?, an intimate account of the cost of success of Australia’s most renowned street artist, Anthony Lister (also a guest of the festival); Naina Sen’s THE SONG KEEPERS, telling the incredible story of a hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women’s Choir (who will also attend the festival); and Ben Strunin’s WESTWIND: DJALU’s LEGACY, portraying the quest of Yolngu elder Djalu Gurruwiwi (who will attend the festival) to preserve his songlines with a little help from global pop star Gotye. Marking the MIFF Premiere Fund’s 10-year milestone, the festival will also screen three retrospective highlights from the Fund’s early years: the 2009 MIFF Opening Night film BALIBO, written and directed by Robert Connolly and starring Oscar Isaac, Anthony LaPaglia and MIFF Ambassador Gyton Grantley; Amiel Courtin-Wilson’s BASTARDY, a poetic and impressionistic portrait of the life of indigenous arts personality Jack Charles; and Ana Kokkinos’ all-star ensemble BLESSED, which features Frances O’Connor in an AFI Award-winning performance. PIONEERING WOMEN, a program of 80s and early 90s Australian films directed by women, will pay tribute to some of the country’s finest cinematic trailblazers, including director Ann Turner with the world premiere of her digitally restored horror meets coming-of-age drama CELIA; Gillian Armstrong with a digital restoration screening of STARSTRUCK, the iconic and colourful musical comedy about two Sydney teenagers who try to break into the music biz to save the family pub (which also features an appearance by MIFF Ambassador Geoffrey Rush). Both films are proudly presented by the National Film and Sound Archive’s restoration program – NFSA RESTORES. Don’t miss this opportunity to revisit other classics such as BEDEVIL (directed by Tracey Moffatt), THE BIG STEAL (directed by Nadia Tass) and FLOATING LIFE (directed by Clara Law), with guest Q&As and a Conversation panel in store among other events. MIFF’s ever popular NIGHT SHIFT program returns with innovative horror and genre films including A PRAYER BEFORE DAWN, in which French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 2008) returns to the brutal underworlds of masculine violence, in an adaptation of Billy Moore’s memoir of his time in Bangkok’s notorious Klong Prem prison; MY FRIEND DAHMER, Marc Meyers’ disturbing vision of America’s most notorious serial killer during his adolescence, featuring a breathtaking performance by Disney star Ross Lynch; and BLOODLANDS, a brutal mix of family blood feud and supernatural horror marking the first ever co-production between Australia and Albania, directed by Steven Kastrissios (The Horseman, MIFF 2008). For the first time in its history MIFF will also present a SCI-FI program, showcasing a selection of the genre’s best films including IKARIE XB-1, Jindřich Polák’s little-known pioneering masterpiece that influenced everything from Star Trek to 2001: A Space Odyssey… and beyond; INVENTION FOR DESTRUCTION, from inventive animator Karel Zeman, the first steampunk film, bringing the stories and visuals of Jules Verne to life; LE DERNIER COMBAT, a work taking audiences back to where it all began for renowned sci-fi director Luc Besson, with his striking 1983 film starring Jean Reno in his feature debut; and STRANGE DAYS, featuring Ralph Fiennes, Angela Bassett and Juliette Lewis, Kathryn Bigelow’s 20-year-old, James Cameron-scripted, VR tech-noir. And for the night owls, running all night at the Astor Theatre is MIFF’s inaugural SCI-FI MARATHON, presenting a collection of the genre’s most venerated, controversial and enduring or under-appreciated fan favourites. For full details visit miff.com.au/marathon. The TRUE CRIME program returns in 2017 with some of the most intriguing and sinister stories of our time. Oscar-nominated documentarian David France (How to Survive a Plague, MIFF 2012) delivers a piercing survey of the origins of transgender activism and a search for justice in THE DEATH AND LIFE OF MARTHA P JOHNSON; Erik Nelson’s A GRAY STATE is a riveting murder mystery, political thriller and unparalleled psychological profile about rising alt-right filmmaker and Iraq veteran David Crowley and his family; and Pete Nicks’ THE FORCE is an award-winning look at the day-to-day operations of the Oakland Police Department as it grapples with endemic corruption, sexism and racial violence. ANIMAL DOCUMENTARIES, a new program strand for 2017, puts the spotlight on some of the world’s most intriguing creatures. TROPHY sees Shaul Schwarz (Narco Cultura, MIFF 2013) and Christina Clusiau take on a charged debate in a controversial film that will upend everything audiences thought they knew about animal conservation; PECKING ORDER, the year’s best feel-good flockumentary from Slavko Martinov, introduces us to people taking the world of chicken fancying as seriously as life and death; and A RIVER BELOW, Mark Grieco’s provocative and murky morality tale about a TV conservationist’s battle to save the Amazon’s disappearing pink river dolphin, will leave audiences shocked and awed. MIFF’s HEADLINERS program will bring audiences the most-buzzed about films from the festival circuit. Highlights include Ruben Östlund’s Palme d’Or-winning THE SQUARE, a film marking the director as modern cinema’s most savage and inventive satirist; Claire Denis’ Cannes Director’s Fortnight award-winning romantic comedy LET THE SUNSHINE IN, starring Juliette Binoche; Geremy Jasper’s fabulous Sundance triumph PATTI CAKE$, featuring Australian acting discovery Danielle Macdonald in the role of a New Jersey battler and aspiring rapper; SONG TO SONG, a love story from Terrence Malick set against the backdrop of the Austin music scene, featuring Ryan Gosling, Rooney Mara, Michael Fassbender and Natalie Portman; and THE PARTY, Sally Potter’s caustic comic satire of a broken England, with a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall. Showcasing MIFF’s admiration for the inimitable British director, this year the festival also proudly presents a SALLY POTTER RETROSPECTIVE. Screening the complete oeuvre of Potter’s feature films, along with a selection of her early shorts from 1969 to 1986, the retrospective includes: THE TANGO LESSON, where Potter plays opposite Argentine tango performer Pablo Verón for a seductive dance of reality and fiction; ORLANDO, the director’s stunning second film featuring a triumphant lead performance by Tilda Swinton as the androgynous titular character living across four centuries; THE GOLD DIGGERS, Potter’s seminal work that came to influence and define feminist cinema of the 1980s; and GINGER AND ROSA, starring Alice Englert and Elle Fanning as two friends threatened by a belief-shattering betrayal. The festival’s INTERNATIONAL program is packed with innovative cinema from countries near and afar. MIFF Patron Geoffrey Rush shines as Alberto Giacometti in Stanley Tucci’s FINAL PORTRAIT, a snapshot of several weeks the artist spent trying to paint author James Lord; Fatih Akin (Head-On, MIFF 2004) delivers the morally charged thriller IN THE FADE, featuring Diane Kruger in the performance that won her Best Actress at Cannes; and from Aisling Walsh comes MAUDIE, starring Oscar nominees Sally Hawkins and Ethan Hawke exploring the sensitive but rousing true tale of Maud Lewis, one of Canada’s most inspiring folk artists. Some 14 of Australia and New Zealand’s hottest emerging directors will have their short films premiere in the festival’s ACCELERATOR program and also participate in Accelerator Lab, MIFF’s prestigious development workshop assisting directors to transition to feature filmmaking. They are W.A.M (Bill) Bleakley; Nina Buxton; Kate Lefoe; Frank Magree; Zoe McIntosh; Victoria McIntyre; Greta Nash; Tin Pang; Simon Portus; Nikki Richardson; Rachel Ross; John Sheedy; Nick Waterman; and Dave Whitehead. The MIFF SHORTS program will screen local and international films spanning animation, documentary, experimental works and more, with highlights including the riveting INDONESIAN SHORTS, a program screening works from some of Australia’s closest neighbours, and Cannes Short Film Palme d’Or winner A GENTLE NIGHT, from MIFF Accelerator alumnus Qiu Yang, while other Accelerator alumni directors returning with new short films are Alice Englert, Audrey Lam, Nora Niasari, Julietta Boscolo, Billie Pleffer, Dylan River and Alena Lodkina.  

    Read more


  • LEMON, GOOK, BITCH Among 7 Films from 2017 Sundance Selected to Screen at Sundance NEXT FEST

    [caption id="attachment_19434" align="aligncenter" width="1200"]Lemon Lemon[/caption] Seven films from the 2017 Sundance Film Festival, paired with three energizing musical performances will screen at the upcoming Sundance NEXT FEST. The fest lights up Los Angeles August 10-13 at The Theatre at Ace Hotel Downtown Los Angeles, and this year will include presentation of the Institute’s Vanguard Awards to Quentin Tarantino and Dee Rees. The festival’s NEXT FEST After Dark program on Thursday, August 10, will feature a 25th anniversary screening of Reservoir Dogs on restored 35mm and presentation of the Institute’s Vanguard Leadership Award to Quentin Tarantino.  Reservoir Dogs debuted at the 1992 Sundance Film Festival following Tarantino’s participation in the Institute’s Directors Lab and returned to its roots with a From the Collection screening at this year’s Festival. Sundance NEXT FEST continues on Friday with the LA premiere of absurd comedy Lemon directed by Janicza Bravo, with a performance by powerhouse vocalist Lizzo. Saturday’s lineup includes: Sundance NEXT FEST’s first-ever episodic selection — a special screening of seven episodes of the comedic drama Gente-fied, created by Marvin Lemus; the 2017 Sundance Film Festival’s Audience Award: NEXT-winner Gook; and Bitch, starring Jason Ritter and Jaime King, paired with a performance by Sleigh Bells who just released their fourth LP, Jessica Rabbit. Sunday’s events include: the Los Angeles premieres of Dina, a documentary about an unconventional love story that took home the Grand Jury Prize in Park City; Alex Ross Perry’s latest film Golden Exits; and Michelle Morgan’s witty love letter to the city of angels, LA Times, accompanied by a live performance by LA-based duo Electric Guest, the band behind the hit “Dear to Me.” Additional program elements for the daytime screenings, including live Q&As with movie icons, will be announced. Sundance alum Dee Rees, writer and director of Pariah, Bessie and Mudbound, will receive the Vanguard Award at Sundance NEXT FEST, celebrating an emerging artist with creative independence. Rees is an alumna of Sundance Screenwriters, Creative Producing and Directors Labs. She has been the recipient of Sundance Institute’s Time Warner Fellowship and Annenberg Film Fellowship and premiered two feature films at the Sundance Film Festival, Pariah in 2011 and Mudbound in 2017. The Vanguard Award includes a cash grant and mentorship from industry professionals and Institute staff. Rees will be the sixth recipient of this award; past recipients include Damien Chazelle (Whiplash), Benh Zeitlin (Beasts of the Southern Wild) and Ryan Coogler (Fruitvale Station). The Vanguard Award was founded in 2011 to mark the 30th anniversary of the Sundance Institute Feature Film Program and its founding director, Michelle Satter. Thursday, August 10 7:30 p.m. – Reservoir Dogs Reservoir Dogs / U.S.A. (Director and screenwriter: Quentin Tarantino) — They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush and the ruthless killers realize one of them is a police informant. But which one? This 25th anniversary screening will be presented on a 35mm print. Cast: Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi, Lawrence Tierney, Michael Madsen. 25th ANNIVERSARY Friday, August 11 8:00 p.m. – Lemon + Lizzo Lemon / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Brett Gelman) — Lemon: a person or thing that proves defective, imperfect, or unsatisfactory. A man whose blind girlfriend is leaving him, whose career is going nowhere and whose family is disappointed in him—Isaac Lachmann is 40. He doesn’t know how he got there. Things were supposed to work out differently. Cast: Brett Gelman, Judy Greer, Michael Cera, Nia Long, Shiri Appleby, Fred Melamed. LOS ANGELES PREMIERE Lizzo wields the kind of voice that’s right at home in soul, pop, hip-hop, R&B, rock and gospel. The vivacious and versatile vocalist’s impassioned delivery and dynamic range bonds the six tracks on her major label debut EP, Coconut Oil (Nice Life Recording Company/Atlantic Records). Lauded by Noisey, Entertainment Weekly, Paste, Rolling Stone, Spin, Idolator, and more, the EP boasted the hit “Good As Hell,” which was featured on the Original Soundtrack to Barbershop: The Next Cut and churned out over 7.3 million Spotify streams and 1.3 million YouTube views in less than six months. Saturday, August 12 12:00 p.m. – Gente-fied Gente-fied / U.S.A. (Director, creator and co-writer: Marvin Lemus, Co-writer: Linda Yvette Chavez, Executive Producers: Charles D. King, Aaliyah Williams, America Ferrera) — Seven characters deal with the effects of change in L.A.’s Boyle Heights. Bicultural millennials and old-school business owners hustle to create spaces that celebrate their Latino identities—even while faced with rent hikes, a housing crisis, and a steady stream of outsiders threatening to gentrify their barrio. NEXT FEST will screen all seven episodes of this short-form episodic series. Cast: Edsson Morales, Alicia Sixtos, Victoria Ortiz, Yareli Arizmendi, Salvador Velez Jr, Rafael Sigler, Art Bonilla. LOS ANGELES PREMIERE 4:00 p.m. – Gook Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel—Korean American brothers who run a shoe store in Paramount, California—form an unlikely friendship with Kamilla, an 11-year-old African American girl. As Daniel dreams of becoming a recording artist and Eli struggles to keep the store afloat, LA’s racial tensions erupt during the infamous 1992 riots. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz. Winner of the Audience Award: NEXT at the 2017 Sundance Film Festival. 8:00 p.m. – Bitch + Sleigh Bells Bitch / U.S.A. (Director and screenwriter: Marianna Palka) — A woman snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis. Cast: Jason Ritter, Jaime King, Marianna Palka, Brighton Sharbino, Rio Mangini, Kingston Foster. LOS ANGELES PREMIERE Sleigh Bells wasted no time after getting off the ground in 2009, releasing three blistering records in four years. Ready for a break from the road, they took their time on their fourth LP, Jessica Rabbit, writing and finishing the record several times only to realize that they wanted to push themselves and the music further. The result is an intense and vulnerable record that’s highly evolved and completely uncategorizable, a major statement from a band wholly committed to advancing their dynamic, uncompromising vision. Jessica Rabbit is the first release on the band’s own record label, Torn Clean. Sunday, August 13 12:00 p.m. – Dina Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story. LOS ANGELES PREMIERE. Winner of the U.S. Grand Jury Prize: Documentary at the 2017 Sundance Film Festival. 4:00 p.m. – Golden Exits Golden Exits / U.S.A. (Director and screenwriter: Alex Ross Perry) — The arrival of a young foreign girl disrupts the lives and emotional balances of two Brooklyn families. Cast: Emily Browning, Adam Horovitz, Mary-Louise Parker, Lily Rabe, Jason Schwartzman, Chloë Sevigny. LOS ANGELES PREMIERE 8:00 p.m. – L.A. Times + Electric Guest L.A. Times / U.S.A. (Director and screenwriter: Michelle Morgan) — In this classically styled comedy of manners set in Los Angeles, sophisticated thirtysomethings try to determine whether ideal happiness exists in coupledom or if the perfectly suited couple is actually just an urban myth. Cast: Michelle Morgan, Dree Hemingway, Jorma Taccone, Kentucker Audley, Margarita Levieva, Adam Shapiro. LOS ANGELES PREMIERE Electric Guest – L.A.-based duo Asa Taccone and Matthew Compton – recently released Plural on Downtown/Interscope Records. The record finds the duo at the absolute top of their game, infusing their version of electronic r&b with an even more confident, adventurous spirit than their 2012 debut album, Mondo, displayed, which Rolling Stone called “a Beck-ian journey into L.A. slacker soul, full of hooky neon jams.” MTV named Electric Guest an Artist To Watch, NME tagged them as a Band Of The Week, and they made the rounds at festivals in addition to taking late night TV by storm with performances on Letterman, Fallon, Conan and more.

    Read more


  • 2017 Lighthouse International Film Festival Unveils Lineup, Opens with KING OF PEKING

    [caption id="attachment_22330" align="aligncenter" width="1200"]KING OF PEKING KING OF PEKING[/caption] The 2017 Lighthouse International Film Festival (LIFF) will open with Sam Voutas’ acclaimed KING OF PEKING, a rousing Beijing-set love letter to cinema that brought cheering audiences to their feet at Tribeca 2017. “From the opening frames of KING OF PEKING, I knew that it was special and a film that the LIFF audience will love,” says Lighthouse International Film Festival’s Eric Johnson. “Sam Voutas has made a film that speaks to cinephiles in a unique way, filled with moments that show film’s ability to act as a universal bond, while also telling a terrific story with a ton of heart and laughs. It is punctuated by pitch-perfect turns from his actors and it all comes together to form a sublime way to kick off the 2017 festival. We are thrilled to champion the emergence of one of the most exciting young directors working today by opening with KING OF PEKING.” In addition, the festival announced the complete lineup for its ninth annual event, which will take place June 8 to 11, 2017 on Long Beach Island, New Jersey. LIFF will again present both Documentary and Narrative Centerpiece Films, including Jonathan Olshefski’s QUEST as Documentary Centerpiece. A vérité portrait of a North Philadelphia family that was shot over the course of a decade, it tells the tale of Christopher “Quest” Rainey, along with his wife Christine (aka “Ma Quest”). They open the door to their home music studio, which serves as a creative sanctuary from the strife that grips their neighborhood. Over the years, the family evolves as everyday life brings a mix of joy and unexpected crisis. Set against the backdrop of a country now in turmoil, the film is a tender depiction of an American family whose journey is a profound testament to love, healing and hope. QUEST will screen at The Long Beach Island Foundation of the Arts & Sciences on June 10th. The Festival’s Narrative Centerpiece film is FITS AND STARTS, the feature directorial debut of Laura Terruso. The acclaimed comedy stars The Daily Show’s Wyatt Cenac as a struggling writer who has been toiling away at the same novel for years. His wife (Jennifer Greta Lee) is a hot young literary figure, who has just released a new masterpiece. When her publisher invites the couple to an artists’ salon at his home in Connecticut, the pair embark on a twisted journey, and David must face his demons and try to “not be weird” among the waspy salon guests and competitive art set in attendance. He encounters a dentist with publishing aspirations, a book critic full of condescending advice, a fellow writer who may know his wife a little too well, an old “friend” and a high powered bipolar literary agent who just might be able to help him… for a price. FITS AND STARTS will screen on June 9th at The Long Beach Island Foundation of the Arts & Sciences, with Laura Terruso in attendance for a Q&A after the film. Closing the 2017 Festival will be MISSING IN EUROPE, director Tamar Halpern’s tense new thriller about a cyber security expert visiting Serbia under the guise of attending a conference for work, but is really there to check in on her daughter, Karissa, who has been studying abroad. Their happy reunion is cut short when Karissa and her classmate Lara go clubbing and seemingly disappear into thin air. Sara is certain that her daughter has been abducted. Utilizing a host of hacking skills and following the clues Karissa is leaving behind, she starts to uncover a major sex trafficking ring. Even worse, it seems the local police force is in on it. With nobody to trust but herself, Sara uses every tool at her disposal to locate her daughter before she’s sold to the highest bidder and disappears forever. MISSING IN EUROPE will screen at The Long Beach Island Foundation of the Arts & Sciences on June 11th, with director Tamar Halpern on hand for a Q&A afterward. OPENING NIGHT FILM King of Peking, Sam Voutas, China NARRATIVE CENTERPIECE FILM Fits and Starts, Laura Terruso, USA DOCUMENTARY CENTERPIECE FILM Quest, Jonathan Olshefski, USA CLOSING NIGHT FILM Missing in Europe, Tamar Halopern, USA SPOTLIGHT FILMS Bad Black, Nabwana I.G.G., Uganda Dina, Dan Sickles and Antonio Santini, USA Gaza Surf Club, Philip Gnadt and Mickey Yamine, Germany Infinity Baby, Bob Byington, USA The Journey, Nick Hamm, UK Person to Person, Dustin Guy Defa, USA The Road Movie, Dimitrii Kalashnikov, Belarus/Russia/Serbia/Bosnia & Herzegovina/Croatia NARRATIVE COMPETITION FILMS A Bad Idea Gone Wrong, Jason Headley, USA Brave New Jersey, Jody Lambert, USA The Dunning Man, Michael Clayton, USA Gold Star, Victoria Negri, USA Man Underground, Michael Borowiec and Sam Marine, USA Memories of Summer, Adam Guzinski, Poland Our Father, Meni Yaish, Israel Woven, Nagwa Ibrahim and Salome Mulugeta. USA DOCUMENTARY COMPETITION FILMS The Crest, Mark Covino, USA One October, Rachel Shuman, USA The Oyster Farmers, Angela Anderson and Corinne Gray Ruff, USA Santoalla, Andrew Becker and Daniel Mehrer, USA/Spain Swim Team, Lara Stolman, USA That Way Madness Lies, Sandra Luckow, USA EPISODIC CONTENT Black Magic for White Boys, Onur Tukel, USA SHORT FILMS The Accord, R.C. Cone, USA/Iceland Another Girl, Austin Kase, USA The Bake Sale, Susan Skoog, USA The Best and the Loneliest Days, Qianzhu Luo, USA Break-In, Christopher Cox, USA Bruce Loves You, Darin Quan, USA C.I.T., Cara Consilvio, USA Candice and Peter’s Smokin’ Hot Date, Leanne Bishop and Michael Mason, Canada Catherine, Britt Raes, Belgium The Collection, Adam Roffman, USA Commercial Crabberman (A Livelyhood On The Barengat Bay), Andrew DiAngelis, USA Le Creuset, Don Downie, USA Deadbeat, Jesse R. Tendler, USA Demonoid (1971), Alaric Rocha, USA Do No Harm, Roseanne Liang, New Zealand Dogs and Tacos, Steven Bachrach, USA Don’t Think About It, Niv Klainer, USA Election Night, Ryan Scafuro, USA/England Epiphany V, Kevin Newbury, USA La Folia, Adam Grannick, USA For Marta, Isabel Ellison, USA Fresh Blood, Richa Rudola, USA Fry Day, Laura Moss, USA Good Luck (in Farsi), Jessica Cummings, USA Hilda, Kiira Benzing, USA The Hobbyist, George Vatistas, USA I’m Sticking With You, Eric Shahinian, USA Innocent or Otherwise, Alex Forstenhausler, USA Juliet Remembered, Tamzin Merchant, UK Life and Sand, Simon Mendes, USA Lone Signal, Jessi Erian Colon, USA Nanny, Kathy Meng, USA Night Shift, Marshall Tyler, USA The Other End, Sudeep Kanwal, USA/India The Other Side, Griselda San Martin, Spain The Poet and the Professor, Ariel Kavoussi, USA Prerequesite, Geoffrey Guerrero, USA Refugee, Joyce Chen, Emily Chen, and Emily Moore, USA Rikishi, Julien Menanteau, Germany Rose’s Children, Josh Adwar and Jamie Dolan, USA Says, David C. Lynch, Ireland The Scarecrow, Phillip Rhys, USA The Seven Men of Hanukkah, Daryl Lathon, USA Shapers, Graham Willoughby, USA Silver Lining, Joe Kolbow, USA Siren Song: Women Singers of Pakistan, Fawzia Afzal-Khan, India/Pakistan The Skull, Graceann Dorse, USA The Spectrum, Sean MacLaughlin and Quinn MacLaughlin, USA Spell Claire, Greg Emetaz, USA Static, Kevin Hoyer, USA Stitched, Heather Taylor, USA Sure-Fire, Michael Goldburg, USA Test of Courage, Rena Dumont, Germany Twin Days, Alex Markman, USA Wake, Kristen Kress Parness, USA

    Read more


  • Rooftop Films Announces 2017 Summer Series Lineup, BAND AID, THE BAD BATCH and More

    [caption id="attachment_19867" align="aligncenter" width="1200"]Band Aid Adam Pally, Fred Armisen and Zoe Lister-Jones appear in Band Aid by Zoe Lister-Jones[/caption] The Rooftop Films 2017 Summer Series will take place May 19th to August 19th, featuring more than 45 outdoor screenings in more than 10 venues. The series will kick off on Friday, May 19th, with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20th Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance indie hit, Band Aid, free and outdoors at House of Vans in Greenpoint, Brooklyn. Starring Lister-Jones, Adam Pally (“The Mindy Project”), and Fred Armisen (“Portlandia”), Band Aid tells the story of a couple attempting to piece their marriage back together by turning their fights into indie rock lyrics.  Band Aid opens in theaters June 2nd, courtesy of IFC Films. Lister-Jones’ film is but one of many of this year’s best independent comedies playing at Rooftop this summer. In addition Rooftop films will present a sneak preview screening of Michael Showalter’s acclaimed new comedy, The Big Sick, starring and co-written by Kumail Nanjiani, prior to its June 23rd theatrical release by Lionsgate and Amazon Studios. Additional high-profile comedies include Rough Night, Lucia Aniello’s bachelorette-party-gone-wrong comedy starring Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz; Writer, director, and star Noël Wells’ Austin-based feature film debut Mr. Roosevelt; Jessica Williams’ big screen breakout role in Jim Strouse’s The Incredible Jessica James; and Dave McCary’s magical feature film, Brigsby Bear. The 2017 Summer Series also brings with it the triumphant return of Rooftop Films Alumni and Filmmakers’ Fund Grantees. The festival, in partnership with NEON, welcomes back Rooftop Films Piper-Heidsieck Feature Film Grant winner, Ana Lily Amirpour, for a night of complete dystopian debauchery with an exclusive screening of her new film, The Bad Batch, at the House of Vans in Greenpoint. Also returning is Joshua Z Weinstein with his Brooklyn-based, Rooftop/Brigade Festival Publicity Grant winning Menashe and Lauren Wolkstein and Christopher Radcliffe with The Strange Ones, an enigmatic and lush story, adapted into a feature film with the help of the Rooftop Films Eastern Effects Equipment Grant. Rooftop will also present special screenings of some of the most exciting documentaries of the year, including the US premiere of Vanessa Stockley’s fascinating Grey Gardens-in-Manhattan tale, The Genius and the Opera Singer; the NY premiere of Jeff Unay’s much-lauded MMA doc, The Cage Fighter; The US premiere of Maple J. Razsa and Milton Guillén’s The Maribor Uprising: A Live Participatory Film; Jairus McLeary and Gethin Aldous’ powerful SXSW-winning The Work; the gorgeous and sensitive Sundance-winning Dina; and the most entertaining found footage film of the year, Dmitry Kalashnikov’s Russian dash-cam doc, The Road Movie. It wouldn’t be Rooftop Films without cutting-edge evenings of short films. 2017 programming features the return of Summer Series staples, including the romantic short films of “Love is Short,” the innovative animation of “Dark Toons,” the uncanny short films of “Trapped,” the best of this year’s “New York Nonfiction,” and “The New American Paradise,” an evening of WTF short stories from outside the liberal bubble.

    ROOFTOP FILMS 2017 SUMMER SERIES OPENING WEEKEND

    Friday, May 19, 2017 This is What We Mean by Short Films On the roof of The Old American Can Factory. 232 Third St. Brooklyn Rooftop turns 21 this year. We’re legal, but not playing it safe. On opening night, we’re celebrating with our favorite stories from moral grey zones and uncharted territories: a mushroom of colorful balloons kills two before escaping to Canada, an unnatural presence enters tickle fight, a subversive dance number takes down the patriarchy, and a Russian circus meltdown is played in reverse. Saturday, May 20, 2017 Band Aid (Zoe Lister-Jones) Outdoors at House of Vans. 25 Franklin St. Brooklyn Band Aid, the refreshingly raw, real, and hilarious feature debut from Zoe Lister-Jones, is the story of a couple, Anna (Zoe Lister-Jones) and Ben (Adam Pally), who can’t stop fighting. Advised by their therapist to try and work through their grief unconventionally, they are reminded of their shared love of music. In a last-ditch effort to save their marriage, they decide to turn all their fights into song, and with the help of their neighbor Dave (Fred Armisen), they start a band. A story of love, loss, and rock and roll, Band Aid is a witty and perceptive view of modern love, with some seriously catchy pop hooks to boot. An IFC Films release.

    FEATURE FILMS

    The Bad Batch (Ana Lily Amirpour) The Bad Batch follows Arlen (Suki Waterhouse) after she’s left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Jason Momoa). With her life on the line, she makes her way to The Dream (Keanu Reeves). As she adjusts to life in ‘the bad batch’ Arlen discovers that being good or bad mostly depends on who’s standing next to you. Winner of the Rooftop Films Piper-Heidsieck Feature Film Grant. A NEON release. Beach Rats (Eliza Hittman) Frankie, an aimless teenager on the outer edges of Brooklyn, is having a miserable summer. With his father dying and his mother wanting him to find a girlfriend, Frankie escapes the bleakness of his home life by causing trouble with his delinquent friends and flirting with older men online. When his chatting and webcamming intensify, he finally starts hooking up with guys at a nearby cruising beach while simultaneously entering into a cautious relationship with a young woman. As Frankie struggles to reconcile his competing desires, his decisions leave him hurtling toward irreparable consequences. A NEON release. The Big Sick (Michael Showalter) Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, The Big Sick tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Holly Hunter and Ray Romano) who he’s never met, while dealing with the emotional tug-of war between his family and his heart. The Big Sick is directed by Michael Showalter (Hello My Name Is Doris) and produced by Judd Apatow (Trainwreck, This Is 40) and Barry Mendel (Trainwreck, The Royal Tenenbaums). A Lionsgate and Amazon Studios release. Friday, June 30, 2017 Brigsby Bear (Dave McCary) On the roof of New Design High School. 350 Grand St. Manhattan After 25 years of secluded existence with his protective parents in their isolated, off-the-grid home, James (Kyle Mooney) is tossed out into a new life in relatively daunting Cedar Hills, Utah. As his world upends, the most shocking revelation to James is that he’s the only person who has ever watched his favorite television program, Brigsby Bear Adventures. Struggling to adjust to the show’s abrupt end, he begins to see Brigsby’s lessons as his only way to make sense of a big, scary new world, and James decides to make a movie to end Brigsby’s story—and re-begin his own. A Sony Pictures Classics release. Friday, June 23, 2017 The Cage Fighter (Jeff Unay) On the roof of The Old American Can Factory. 232 Third St. Brooklyn A blue-collar family man breaks the promise he’d made years ago to never fight again. Now 40 years old, with a wife and four children who need him, Joe Carman risks everything—his marriage, his family, his financial security— to go back into the fighting cage and come to terms with his past. After party presented by Visit Seattle. California Dreams (Mike Ott) From acclaimed director Mike Ott (Lake Los Angeles, Actor Martinez) comes the new comedy documentary feature California Dreams, presenting five unique individuals in pursuit of a big life change. Through auditions set up in small towns across Southern California, the film shows genuine characters with big Hollywood aspirations who, for various reasons, have never had the opportunity to pursue their dreams. With subjects including celebrity impersonators, aspiring writers, and a former nurse, this bitingly funny film reveals the strange and entrancing hypnotic grip that Hollywood has, in some way or form, on everyone. Wednesday, August 2, 2017 The Challenge (Yuri Ancarani) Outdoors at Socrates Sculpture Park. 32-01 Vernon Blvd. Queens. If you have it, spend it: Italian artist Yuri Ancarani’s visually striking documentary enters the surreal world of wealthy Qatari sheikhs who moonlight as amateur falconers, with no expenses spared along the way. The Challenge follows these men through the rituals that define their lives: perilously racing blacked-out SUVs up and down sand dunes; sharing communal meals; taking their Ferraris out for a spin with their pet cheetahs riding shotgun; and much more. Ancarani’s film is a sly meditation on the collective pursuit of idiosyncratic desires. A Kino Lorber Release. Dayveon (Amman Abbasi) In the wake of his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming his rural Arkansas town. When he falls in with a local gang, he becomes drawn to the camaraderie and violence of their world. A FilmRise release. Dina (Dan Sickles, Antonio Santini) Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy. An Orchard release. Saturday, May 27, 2017 The Genius and the Opera Singer (Vanessa Stockley) On the roof of New Design High School. 350 Grand St. Manhattan A 92-year-old former opera singer and her volatile daughter have inhabited a rent-controlled Manhattan penthouse for the last fifty-five years – along with their obese chihuahua, Angelina Jolie. An unsettling portrait of a mother-daughter relationship, The Genius and the Opera Singer explores their intense emotional states and the knotted riddle of their past. US Premiere. Tuesday, July 25, 2017 The Incredible Jessica James (Jim Strouse) On the roof of The William Vale. 111 N 12th St. Brooklyn Jessica Williams (“The Daily Show”) stars as a young, aspiring playwright in New York City who is struggling to get over a recent breakup. She is forced to go on a date with the recently divorced Boone, played by Chris O’Dowd (Bridesmaids) and the unlikely duo discover how to make it through the tough times in a social media obsessed post-relationship universe. Lakeith Stanfield (FX’s “Atlanta”, Straight Outta Compton) and Noël Wells (Netflix’s “Master of None”) co-star. The film was written and directed by Jim Strouse and produced by Michael B. Clark and Alex Turtletaub of Beachside. Jessica Williams and Kerri Hundley serve as executive producers. A Netflix release. L.A. Times (Michelle Morgan) Annette (Michelle Morgan) and Elliot (Jorma Taccone) are a mostly-happy, moderately-neurotic LA couple. Maybe Annette doesn’t enjoy game nights or taco stands as much as Elliot does, but no relationship is perfect, right? Rather than embracing their differences, Annette can only compare their relationship to their happy couple friends. This cannot be endorsed by Annette’s beautiful but romantically troubled best friend, Baker (Dree Hemingway), who is very well-versed on the bleakness of the LA dating scene. Taking its cues from classic mid-20th Century comedies with a stylish and contemporary spin, L.A. Times is an irreverent tale of life and the search for elusive love in the 21st Century. Friday, June 16, 2017 The Maribor Uprisings: A Live Participatory Documentary (Maple J. Rasza, Milton Guillén) Outdoors at Metrotech Commons. 5 Metrotech Center. Brooklyn In the once prosperous industrial city of Maribor, Slovenia, anger over political corruption became unruly revolt. In The Maribor Uprisings–part film, part conversation and part interactive experiment–you are invited to participate in the protests. Drawing on the dramatic frontline footage from a video activist collective embedded within the uprisings, you begin in Maribor as crowds surround and ransack City Hall under a hailstorm of tear gas canisters. As a group, you must choose which cameras you will follow and therefore how the events will unfold. Like those who joined the actual uprisings, you will decide between joining non-violent protests or following rowdy crowds towards City Hall and greater conflict. These events stand as an example for any number of ideological stand-offs today. What sparks outrage? How are participants swept up in—and changed by—confrontations with police? Could something like this happen in your city? What would you do? US Premiere. Menashe (Joshua Z Weinstein) Set within the New York Hasidic community in Borough Park, Brooklyn, Menashe follows a kind but hapless grocery store clerk trying to maintain custody of his son Rieven after his wife, Lea, passes away. Since they live in a tradition-bound culture that requires a mother present in every home, Rieven is supposed to be adopted by the boy’s strict, married uncle, but Menashe’s Rabbi decides to grant him one week to spend with Rieven prior to Lea’s memorial. Their time together creates an emotional moment of father/son bonding as well as offers Menashe a final chance to prove to his skeptical community that he can be a capable parent. Winner of the Rooftop Films Brigade Festival Publicity Grant. An A24 release. Tuesday, August 8, 2017 Monkey Business: The Adventures of Curious George’s Creators (Ema Ryan Yamazaki) On the roof of the JCC in Manhattan. 334 Amsterdam Ave. Manhattan Featuring a narrow escape from the Nazis on makeshift bicycles, Monkey Business explores the extraordinary lives of Hans and Margret Rey, the authors of the beloved Curious George children’s books. New York Premiere. An Orchard release. Saturday, June 17, 2017 Mr. Roosevelt (Noël Wells) On the roof of New Design High School. 350 Grand St. Manhattan Emily Martin (Noël Wells) is a struggling 20-something who moved to Los Angeles to pursue a career in comedy after graduating college in Austin, Texas. When a loved one falls sick, she returns to Austin and runs into her ex-boyfriend, as well as his amazing and intimidating new girlfriend. Low on funds and stuck in Texas for the weekend, Emily stays with the two of them in her old, but miraculously remodeled house. She quickly finds her way into the circle of a local female badass who shows Emily a good time and tries to keep her from spinning out as she goes toe-to-toe with the new girlfriend, all the ways her ex has changed, and ultimately, her own choices and guilt about leaving the past behind. Quest (Jonathan Olshefski) Filmed with vérité intimacy for close to a decade, Quest is a portrait of a family in North Philadelphia. Christopher “Quest” Rainey, along with his wife Christine’a (aka “Ma Quest”), open the door to their home music studio, which serves as a creative sanctuary from the strife that grips their neighborhood. Over the years, the family evolves as everyday life brings a mix of joy and unexpected crisis. Set against the backdrop of a country now in turmoil, the film is a tender depiction of an American family whose journey is a profound testament to love, healing and hope. Friday, June 2, 2017 Rat Film (Theo Anthony) On the roof of The Old American Can Factory. 232 Third St. Brooklyn Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. Rat Film is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them–to explore the history of Baltimore. “There’s never been a rat problem in Baltimore, it’s always been a people problem.” A Cinema Guild release. The Road Movie (Dmitrii Kalashnikov) A fascinating mosaic of asphalt adventures, landscape photography, and some of the craziest shit you’ve ever seen, Kalashnikov’s THE ROAD MOVIE is a stunning compilation of video footage shot exclusively via dashboard cameras in Russian automobiles. The dash-cam phenomenon permeates Russian roads thoroughly, capturing a vivid range of spectacles through the windshield, including a comet crashing down to Earth, an epic forest fire, and no shortage of angry motorists taking road rage to wholly new and unexpected levels. All the while, accompanied by bemused commentary from unseen and often stoic drivers and passengers. An Oscilloscope Laboratories release. Wednesday, June 14, 2017 Rough Night (Lucia Aniello) On the roof of The William Vale. 111 N 12th St. Brooklyn In Rough Night, an edgy R-rated comedy, five best friends from college (played by Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz) reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most. A Columbia Pictures release. The Strange Ones (Lauren Wolkstein, Christopher Radcliff) Mysterious events surround two travelers, seemingly brothers, as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. Winner of the Rooftop Films Eastern Effects Equipment Grant. Friday, July 7, 2017 Whose Streets? (Sabaah Folayan, Damon Davis) On the roof of New Design High School. 350 Grand St. Manhattan Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the National Guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. A Magnolia Pictures release. The Work (Jairus McLeary, Gethin Aldous) Set inside a single room in Folsom Prison, The Work follows three men from outside as they participate in a four-day group therapy retreat with level-four convicts. Over the four days, each man in the room takes his turn at delving deep into his past. The raw and revealing process that the incarcerated men undertake exceeds the expectations of the free men, ripping them out of their comfort zones and forcing them to see themselves and the prisoners in unexpected ways. An Orchard release.

    SHORT FILM PROGRAMS

    Thursday, July 27, 2017 Animation Block Party In the courtyard of Industry City. 274 36 St. Brooklyn Experience the year’s best animated short films at the incomparable Animation Block Party! Saturday, June 3, 2017 Dark Toons: Animated Short Films On the roof of New Design High School. 350 Grand St. Manhattan These toons are chocked full of furry animals and imaginative creatures but they are not for Sunday morning. The twisted and perverse landscapes of our annual Dark Toons program provide a unique backdrop for stories of life askew. From a true story of forced labor at communist-era prison that kept megastores in the West fully-stocked to a beautifully-animated and probably-alcoholic badger which has a run-in with the law and a woman who can’t stop growing fingers, these tales remind us that animation is the ideal medium to glimpse the darker side of life. Tuesday, May 30, 2017 Love is Short: Romantic Short Films On the roofs of The William Vale. 111 N 12th St. Brooklyn “Love is so short, forgetting is so long.” Neruda wrote it, but these protagonists live it. In this program of short films, animated birds, sultry nights-in, and dismembered zombie heads are all members of love’s seductive cult. Come relish in these stories of the beautifully imagined and harshly-real consequences of love’s choices. Thursday, May 25, 2017 The New American Paradise: Short Films Outdoors at Metrotech Commons. 5 Metrotech Center. Brooklyn Pop your New York bubble on a journey to the more peculiar corners of the modern U.S of A. In the land of drive-in churches, carnival boardwalks, border walls, and get-rich-quick schemes, any one of us could end up on the downside of the American dream: another desperado with a mask melted onto our face, searching for a nugget at the bottom of a dirty tin can. Friday, June 9, 2017 New York Nonfiction On the roof of New Design High School. 350 Grand St. Manhattan You see them every day. They’re on the train with you. They’re in your bodega. They’re your neighbors. But after this program of short films, we guarantee you’ll see them in a new light. Ours is a city full of record-holding record holders, spousal adoptions, trash havens, civil rights pioneers, lapsed goth kids, sexting teens, rambles full of leathermen, and unending change; and we like it that way… for the most part. Saturday, August 20, 2017 Rooftop Shots In the courtyard of Industry City. 274 36 St. Brooklyn CLOSING NIGHT! It’s hard to say goodbye. These short films will ease the pain. After-party presented by Visit Seattle. Seattle Shorts Presented by Visit Seattle Sundance Short Films Highlights from Sundance 2017 include these wild, weird and wonderful short films. Saturday, July 10, 2017 Trapped: Uncanny Short Films In the courtyard of Industry City. 274 36 St. Brooklyn Join us for a program of stories most unusual: the meeting of a spaceman and a cave man; an encounter with an alien phenomenon via public access television; and the imagined experiences of the forgotten subject of a famous photograph. These amusing and disquieting short films offer mix-tape portraits, analytic tragicomedies of infinite human desire and potentially-killer workplace procedurals. Experience startling cinematic spectacles you won’t soon forget.

    Read more


  • 2017 Sundance Film Festival: London Unveils Lineup of 14 Feature, 15 Short Films + Special Events

      [caption id="attachment_22056" align="aligncenter" width="1200"]Sundance Film Festival: London at Picturehouse Central Sundance Film Festival: London at Picturehouse Central[/caption] The 2017 Sundance Film Festival: London, taking place June1 to 4 at Picturehouse Central will present 14 feature films direct from this year’s Sundance Film Festival in Park City, Utah.  The festival will open with the International premiere of Miguel Arteta’s Beatriz at Dinner, and it will close four days later with the UK premiere of David Lowery’s critically acclaimed A Ghost Story, starring Casey Affleck and Rooney Mara. The 2017 festival will also include a short film program with 15 shorts, including a strand dedicated to new UK shorts. For the first time, the program will include a “Surprise Film” screening which promises festivalgoers an exclusive chance to catch an audience hit from this year’s festival in Park City. Additionally, the Sundance Film Festival: London will introduce an Audience Favorite award for 2017, giving festivalgoers the chance to vote for their favorite features, with the winner announced at the close of the festival. The Special Events program comprises three panel events and an “In Conversation” event with renowned guests, providing incredible insights into the filmmaking process. The “Independent Film Trumps Reality” panel will examine independent filmmaking in the current political climate, involving directors at the festival whose films have gained a new level of currency in the age of Trump, while the “On Collaboration: Documentary Practices and Process” panel (presented by Dropbox) will explore the themes of diversity, accessibility and progress in documentary, and the short filmmaker panel “Art vs. Stepping Stone” (presented in association with London Short Film Festival) will pose the question, “Are shorts simply a stepping stone or do they sustain a filmmaker throughout a career?” Acclaimed director David Lowery, whose highly anticipated film A Ghost Story will close the festival, will participate in an “In Conversation” event (presented in association with Empire magazine) which will be followed by a special screening of his earlier feature, Ain’t Them Bodies Saints.

    FEATURE FILM PROGRAM

    Beatriz at Dinner (Director: Miguel Arteta, Screenwriter: Mike White) – Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same. Principal cast: Salma Hayek, John Lithgow, Chloë Sevigny, Amy Landecker, Jay Duplass, Connie Britton International premiere The Big Sick (Director: Michael Showalter, Screenwriters: Emily V. Gordon, Kumail Nanjiani) – Based on the real-life courtship: Pakistan-born comedian Kumail and grad student Emily fall in love, but they struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. Principal cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher International premiere Bitch (Director/Screenwriter: Marianna Palka) – A woman snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis. Principal cast: Jason Ritter, Jaime King, Marianna Palka, Brighton Sharbino, Rio Mangini, Kingston Foster International premiere Bushwick (Directors: Cary Murnion, Jonathan Millot, Screenwriters: Nick Damici, Graham Reznick) – Lucy emerges from a Brooklyn subway to find that her neighborhood is under attack by black-clad military soldiers. An ex-Marine corpsman, Stupe, reluctantly helps her fight for survival through a civil war, as Texas attempts to secede from the United States of America. Principal cast: Dave Bautista, Brittany Snow, Angelic Zambrana, Jeremie Harris, Myra Lucretia Taylor, Arturo Castro UK premiere Chasing Coral (Director: Jeff Orlowski) – Coral reefs around the world are vanishing at an unprecedented rate. A team of divers, photographers, and scientists set out on a thrilling ocean adventure to discover why and to reveal the underwater mystery to the world. (Documentary) Special preview screening Winner of the Audience Award: U.S. Documentary Crown Heights (Director/Screenwriter: Matt Ruskin) – When Colin Warner is wrongfully convicted of murder, his best friend, Carl King, devotes his life to proving Colin’s innocence. Adapted from This American Life, this is the incredible true story of their harrowing quest for justice. Principal cast: Lakeith Stanfield, Nnamdi Asomugha, Natalie Paul, Bill Camp, Nestor Carbonell, Amari Cheatom International premiere Winner of Audience Award: US Dramatic Dina (Directors: Dan Sickles, Antonio Santini) – An eccentric suburban woman and a Walmart door greeter navigate their evolving relationship in this unconventional love story. (Documentary) Special preview screening Winner of the U.S. Grand Jury Prize: Documentary A Ghost Story (Director/screenwriter: David Lowery) – This is the story of a ghost and the house he haunts. Principal cast: Casey Affleck, Rooney Mara, Will Oldham, Sonia Acevedo, Rob Zabrecky, Liz Franke UK premiere Icarus (Director: Bryan Fogel) – When Bryan Fogel sets out to uncover the truth about doping in sports, a chance meeting with a Russian scientist transforms his story from a personal experiment into a geopolitical thriller involving dirty urine, unexplained death, and Olympic Gold—exposing the biggest scandal in sports history. (Documentary) UK premiere Winner of U.S. Documentary Special Jury Award: The Orwell Award The Incredible Jessica James (Director/Screenwriter: Jim Strouse) – Jessica James, an aspiring NYC playwright, is struggling to get over a recent breakup. She sees a light at the end of the tunnel when she meets the recently divorced Boone. Together, they discover how to make it through the tough times while realizing they like each other—a lot. Principal cast: Jessica Williams, Chris O’Dowd, Lakeith Stanfield, Noël Wells European premiere Marjorie Prime (Director/Screenwriter: Michael Almereyda) – In the near future—a time of artificial intelligence—86-year-old Marjorie has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance? Principal cast: Jon Hamm, Geena Davis, Lois Smith, Tim Robbins UK premiere Winner of the Alfred P. Sloan Feature Film Prize Walking Out (Directors/Screenwriters: Alex Smith, Adam Smith) – A teenager journeys to Montana to hunt big game with his estranged father. The two struggle to connect, until a brutal encounter in the heart of the wilderness changes everything. Principal cast: Matt Bomer, Josh Wiggins, Bill Pullman, Alex Neustaedter, Lily Gladstone European premiere Wilson (Director: Craig Johnson, Screenwriter: Daniel Clowes) – Wilson, a lonely, neurotic, and hilariously honest middle-aged misanthrope, reunites with his estranged wife and gets a shot at happiness when he learns he has a teenage daughter he has never met. In his uniquely outrageous and slightly twisted way, he sets out to connect with her. Principal cast: Woody Harrelson, Laura Dern, Judy Greer, Cheryl Hines UK premiere SURPRISE FILM! – For the first time this year the Sundance Film Festival: London will feature a surprise film. We can’t say too much, but it was a favourite among audiences in Utah, and with just one screening this will be among the hottest of the hot tickets. The title will be revealed only when the opening credits roll. Don’t miss out.

    SHORT FILM PROGRAM

    2017 Sundance Film Festival Short Film Tour – A 95-minute theatrical program of seven short films selected from this year’s Festival, which over the course of its more than 30-year history has been widely considered the premier showcase for short films and the launch pad for many now-prominent independent filmmakers. Including fiction, documentary and animation from around the world, the 2017 program gives a taste to what the Festival offers. From laugh-out-loud fun to contemplative thoughts about the world we live in, audiences will encounter a variety of emotions and exciting filmmaking. 5 Films About Technology (Director/Screenwriter: Peter Huang) – Take a satirical look at the dumber side of technology. And the Whole Sky Fit in the Dead Cow’s Eye (Director/Screenwriter: Francisca Alegria) – Emeteria is visited by the ghost of her patrón, Teodoro. She believes he has come to take her to the afterlife—but he has more devastating news. Winner of the Short Film Jury Award: International Fiction Come Swim (Director/Screenwriter: Kristen Stewart) – This is a diptych of one man’s day, half impressionist and half realist portraits. Lucia, Before And After (Director/Screenwriter: Anu Valia) – After traveling 200 miles, a young woman waits out Texas’s state-mandated 24-hour waiting period before her abortion can proceed. Short Film Jury Award: U.S. Fiction Night Shift (Director/Screenwriter: Marshall Tyler) – Get a glimpse into a day in the life of a bathroom attendant in a Los Angeles nightclub. Pussy (Director/Screenwriter: Renata Gasiorowska) – Alone at home one evening, a young girl decides to have a solo pleasure session—but not everything goes according to plan. Ten Meter Tower (Co-Directors: Maximilien Van Aertryck, Axel Danielson) – People who have never been up a 10-meter diving tower must choose whether to jump or climb down in this entertaining study of people in a vulnerable position. UK Shorts – A showcase of visionary new shorts from the UK. A wild ride through fiction, documentary and animation, discovering some of the exciting new filmmaking talent in the country. Dawn of the Deaf (Director/Screenwriter: Rob Savage) – When a strange sound wipes out the hearing population, a small group of deaf people must band together to survive. Dear Mr. Shakespeare (Director: Shola Amoo, Screenwriter: Phoebe Boswell) – An exploration of Shakespeare’s intentions when writing Othello explores the play’s racial themes in historical and contemporary settings, and draws wider parallels between immigration and blackness in the UK today. Fish Story (Director/Screenwriter: Charlie Lyne) – Behind a fishy tale lies this search for the truth. In the Hills (Director/Screenwriter: Hamid Ahmadi) – Shahram is a young immigrant who lives in the idyllic countryside of the Cotswolds in England. To integrate into the new society, he chooses a rather radical approach. Mother (Director/Screenwriter: Leo Leigh) – In the aftermath of his mother’s death, Edwin reaches out to his extended family for support. Robot & Scarecrow (Director: Kibwe Tavares, Screenwriters: Kibwe Tavares and Ursula Rani Sarma) – A fairy tale set against the backdrop of a heady summer music festival, where a robot and a scarecrow meet and fall in love. Tough (Director: Jennifer Zheng) – New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. Some things can only be understood with maturity. White Riot: London (Director: Rubika Shah, Screenwriters: Ed Gibbs, Rubika Shah) – 1977, immigration divides Britain. What happens when a punk fanzine challenges the status quo?

    SPECIAL EVENTS

    Sundance Film Festival: London Docs Panel – On Collaboration: Documentary Practices and Process The Sundance Film Festival sets the bar extremely high for its documentary presentations, providing a showcase for some of the most diverse, cutting-edge and challenging works while reflecting something of a state of the art for this exciting and rapidly evolving medium. Our Sundance Film Festival: London selections Chasing Coral, Dina and Icarus are richly different films but are united in their presentation of hard-hitting issues in a fresh and open fashion. This panel, featuring directors from those films and British artist and filmmaker Jeanie Finlay, will ask the filmmakers to detail their working practices and the role of collaboration in their work whilst exploring themes of diversity, accessibility and progress in documentary. Panelists to include: Alice Tynan -EMEA Corporate Marketing Manager at Dropbox (Moderator); Jeff Orlowski – Director of Chasing Coral; Bryan Fogel – Director of Icarus; Jeanie Finlay – Orion: The Man Who Would Be King, The Great Hip Hop Hoax. INDEPENDENT FILM TRUMPS REALITY – re-evaluating films in the current political climate and where filmmaking will go from here… This year’s Sundance Film Festival straddled one of the most important shifts in modern American and world history, with the Festival kicking off under an Obama presidency and closing under President Trump. Understandably, Trump talk was unavoidable in Park City and whilst the films screening were developed and made before the election, many have gained a new level of currency in the age of Trump. Panelists: John Cooper, Director of the Sundance Film Festival; Miguel Arteta, Director of Beatriz at Dinner; Jeff Orlowski, Director of Chasing Coral; Cary Murnion and Jonathan Milott, Directors of Bushwick; Wendy Mitchell, Film Programme Manager, British Council and Contributing Editor, Screen International. Art vs. Stepping Stone – An Argument: Sundance Meets London Presented in association with LSFF (London Short Film Festival) Sundance and LSFF host a short filmmaker discussion about straddling the worlds of the auteur and the commercial. Are shorts simply a stepping stone or do they sustain a filmmaker throughout a career? With a focus on two women filmmakers, each one working in those potentially opposing areas, we hope for a heated debate and a fascinating discussion. Hosted by Mike Plante (Sundance) and Philip Ilson (London Short Film Festival & BFI London Film Festival). I Get Overwhelmed: From Saints to Ghosts, David Lowery in Conversation Presented in association with Empire Magazine Since his striking, Malick-infused 2013 Sundance Film Festival debut Ain’t Them Bodies Saints, Wisconsin-born filmmaker David Lowery has become something of a wunderkind of the U.S. filmmaking scene. His big-budget Disney production Pete’s Dragon (2016) along with this year’s Sundance selection A Ghost Story have both been greeted with rapturous reviews, praising the director’s ability to tackle complex human emotions and diverse genres with a real sense of grace and romanticism. His editing work on films like Shane Carruth’s Upstream Colour (2013) and writing on acclaimed indie The Yellow Birds (2017) also demonstrate a talent that is at once multi-faceted and poised with a singular, unique vision. We screen both Ain’t Them Bodies Saints and A Ghost Story this year and welcome David for a career interview which will explore his meteoric rise to filmmaking stardom. This “In Conversation” event will be accompanied by a special screening of: Ain’t Them Bodies Saints – David Lowery burst onto the scene in 2013 with this rapturous, Malick-infused period piece about two lovers separated by a run-in with the law.

    Read more