ANGELS WEAR WHITE[/caption]
RiverRun International Film Festival announced the Audience and Jury Awards for the 2018 Festival, which ran April 19 to 29 and presented 165 films.
“We had more than 2,000 submissions for our 2018 Festival and we had many difficult choices to make in completing the program. The juries were very impressed with our competition films and agreed it was difficult to make their final decisions,” said Rob Davis, RiverRun Executive Director.
Donkeyote
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‘ANGELS WEAR WHITE’, ‘MINDING THE GAP’ Among Winners of 2018 RiverRun International Film Festival
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ANGELS WEAR WHITE[/caption]
RiverRun International Film Festival announced the Audience and Jury Awards for the 2018 Festival, which ran April 19 to 29 and presented 165 films.
“We had more than 2,000 submissions for our 2018 Festival and we had many difficult choices to make in completing the program. The juries were very impressed with our competition films and agreed it was difficult to make their final decisions,” said Rob Davis, RiverRun Executive Director.
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2017 IDA Documentary Awards – DINA Wins Best Feature
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Dina[/caption]
Dina, directed by Dan Sickles and Antonio Santini, about a love story between two people who have autism spectrum disorder, won Best Feature at the 33rd International Documentary Association awards ceremony on Saturday in Hollywood.
https://www.youtube.com/watch?v=f4BSWA7pWuc
Other winners at the IDA Documentary Awards include Edith+Eddie directed by Laura Checkoway snagging the prize for Best Short. The short film tells the story of America’s oldest interracial newlyweds.
2017 IDA Documentary Award winners:
Best Feature Dina Directors/Producers: Antonio Santini and Dan Sickles The Orchard Best Short Edith+Eddie Director: Laura Checkoway Producer: Thomas Lee Wright Kartemquin Films Best Cinematography Machines Cinematography by: Rodrigo Trejo Villanueva Kino Lorber Best Editing Dawson City: Frozen Time Edited by: Bill Morrison Kino Lorber Best Music Brimstone & Glory Original Score by: Dan Romer and Benh Zeitlin Oscilloscope Laboratories Best Writing Donkeyote Written by: Chico Pereira, Manuel Pereira and Gabriel Molera Scottish Documentary Institute Pare Lorentz Award THE PARE LORENTZ AWARD RECOGNIZES FILMS THAT DEMONSTRATE EXEMPLARY FILMMAKING WHILE FOCUSING ON THE APPROPRIATE USE OF THE NATURAL ENVIRONMENT, JUSTICE FOR ALL AND THE ILLUMINATION OF PRESSING SOCIAL PROBLEMS. Watani: My Homeland (Recipient) Director: Marcel Mettelsiefen Intent to Destroy (Special Mention) Director: Joe Berlinger ABC News VideoSource Award THIS AWARD IS GIVEN EACH YEAR FOR THE BEST USE OF NEWS FOOTAGE AS AN INTEGRAL COMPONENT IN A DOCUMENTARY. LA 92 Directors: Dan Lindsay & TJ Martin National Geographic Best Curated Series Award Independent Lens Executive Producers: Lois Vossen and Sally Jo Fifer PBS Best Limited Series The Defiant Ones Executive Producers: Allen Hughes, Doug Pray, Andrew Kosove, Broderick Johnson, Laura Lancaster, Jerry Longarzo, Michael Lombardo, and Gene Kirkwood HBO Best Episodic Series Award Planet Earth II Executive Producer: Michael Gunton BBC AMERICA/BBC Worldwide Best Short Form Series Award The New York Times Op-Docs Executive Producer: Kathleen Lingo The New York Times David L. Wolper Student Documentary Award THIS AWARD RECOGNIZES EXCEPTIONAL ACHIEVEMENT IN NON-FICTION FILM AND VIDEO PRODUCTION AT THE UNIVERSITY LEVEL AND BRINGS GREATER PUBLIC AND INDUSTRY AWARENESS TO THE WORK OF STUDENTS IN THE DOCUMENTARY FIELD. Man on Fire Director: Joel Fendelman Producer: James Chase Sanchez University of Texas, Austin Career Achievement Award Lourdes Portillo Amicus Award Abigail Disney Emerging Documentary Filmmaker Award Yance Ford Courage Under Fire Award The filmmaking teams and subjects of: City of Ghosts Cries from Syria Hell on Earth: The Fall of Syria and the Rise of ISIS Last Men in Aleppo
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2017 Open City Documentary Festival Unveils Lineup

MOTHERLAND OR DEATH, Vitaly Mansky The 2017 Open City Documentary Festival today announced the program for the 7th edition of the festival, taking place in London from September 5 to 10, 2017.
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GOD’S OWN COUNTRY, GLORY, DONKEYOTE Win Top Awards at Edinburgh International Film Festival
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God’s Own Country[/caption]
The Edinburgh International Film Festival today announced the Award Winners for this year’s 71st edition, with the winner of the prestigious Michael Powell Award for Best British Feature Film going to British filmmaker Francis Lee’s directorial debut, God’s Own Country, which received its UK Premiere at the Festival. The Michael Powell Award honors imagination and creativity in British filmmaking.
The Michael Powell Jury said: “We present the Michael Powell Award to God’s Own Country, directed by Francis Lee, a film with a singularity of storytelling and consistency of vision. Assured direction with raw and endearing performances result in a film that has an authenticity that is both tender and brutal, a juxtaposition of landscape and emotion, which explores the question of what it means to be a man.”
Francis Lee said: “I am thrilled with this honor for God’s Own Country, especially when you consider the British films that have won before. After premiering at Sundance and Berlin it has been wonderful to see how the film has created a real resonance with people and that is why the Michael Powell Award feels so brilliant.”
https://www.youtube.com/watch?v=q1YAhyU6-tA
The award for Best Performance in a British Feature Film went jointly to actresses Emily Beecham for her role in Daphne and Anne Reid for her roles in Kaleidoscope and Romans, and was also selected by the Michael Powell jurors.
The Michael Powell Jury said: “In the category of Best Performance in a British Feature Film, the Michael Powell Jury recognizes two actors, Emily Beecham and Anne Reid, portraying fascinating, complex and flawed characters who didn’t strive for your affection but commanded your attention – real in the best sense of the word.”
The award for Best International Feature Film went to Kristina Grozeva and Petar Valchanov’s Glory, which received its UK Premiere at this year’s Festival.
The International Jury said: “Deftly acted, beautifully photographed and directed, we loved this film. The subtlety of the performances and the story-telling was defined with such a lightness of touch which led to the immoral and moral choices having a heavy impact on this Jury.”
Petar Valchanov said: “It is a great honor for us to receive this award from Edinburgh International Film Festival, which has been preserving the traditions of good cinema the longest and carrying them over the generations. This award is a recognition not only for us, but also for Bulgarian cinema, which is currently on the rise again. Thank you for being there!”
https://www.youtube.com/watch?v=_fmm7i05z88
The award for Best Documentary Feature Film went to Chico Pereira’s contemplative Donkeyote, which studied Pereira’s uncle whose wonderful spirit of adventure belies all of his 73 years. Special mention was given to Thomas Riedelsheimer’s Leaning Into The Wind.
https://www.youtube.com/watch?v=tQ8j7WRE63A
Chico Pereira said: “On behalf of the entire Donkeyote team I’d like to say thank you so much for this recognition. For some of us who live or lived in Edinburgh, it holds an extra special meaning: our formative cinema experiences have been with EIFF, and just to return for our UK premiere is an honor in itself. I dedicate this also to my family, and in particular Manolo and Gorrión who teach us how to be truly modern and to enjoy life.”
The award for Best Short Film went to The Full Story, directed by Daisy Jacobs, with Kevin Pickering’s Close to the Bone and Gordon Napier’s 1745 receiving a special mention from the jurors.
Daisy Jacob’s said: “It is an honor to receive the Best Short Film Award from such a prestigious Festival, we are delighted.”
Voted for by the Festival audience, the McLaren Award for Best British Animation, this year went to Paloma Baeza’s Poles Apart.
The winner of this year’s EIFF Works in Progress and recipient of the £2,500 award is Piano to Zanskar by Michal Sulima.
Michal Sulima said: “We are delighted to have been selected for the EIFF Works in Progress award this year. It was a real privilege to be part of the showcase and to pitch our documentary to an audience full of industry professionals, which resulted in a number of meetings and expressions of interest. It’s only fair to say that we were heartily impressed by the quality of all the films presented, so the award comes to us as a great surprise! Given that our film has been entirely self-funded, it will go a long way towards helping us reach completion. We’re very grateful to the wonderful team at the EIFF for giving us this opportunity.”
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Full Frame Documentary Film Festival Announces New Docs and Invited Program Lineups
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116 Cameras[/caption]
The 2017 Full Frame Documentary Film Festival, revealed its NEW DOCS lineup of 48 films – 27 features and 21 shorts; and the Invited Program lineup featuring 23 films – 22 features and 1 short— screening out of competition.
“We are proud to present 71 new titles at the festival this year,” said Full Frame artistic director Sadie Tillery. “These selections represent a wide breadth of current work, and illuminate the many forms that documentary film can take. Festival attendees are in for an extraordinary experience that is fitting of our 20th anniversary.”
The 20th Annual Full Frame Documentary Film Festival will be held April 6 to 9, 2017, in Durham, North Carolina.
NEW DOCS
116 Cameras (Director: Davina Pardo) Surrounded by a twinkling constellation of cameras, Holocaust survivor Eva Schloss records her stories for an interactive hologram project, preserving her experience for future generations. World Premiere All Skate, Everybody Skate (Director: Nicole Triche) Tucked away in picturesque Topsail Island, N.C., Miss Doris’s roller skating rink pops with energy as she leads her customers in games and skates, as she’s done for over 50 years. Anatomy of a Male Ballet Dancer (Directors: David Barba, James Pellerito) Praised for the sublime way he partners ballerinas, Marcelo Gomes is the center of this intimate film that takes us inside his world to chart a luminous 20-year career with American Ballet Theater. Asiyeh (Director: Leila Merat) An intelligent, no-nonsense bonesetter in northern Iran has been healing the people in her community for as long as anyone can remember. US Premiere Balloonfest (Director: Nathan Truesdell) In 1986, the United Way of Cleveland sets out to break a world record, releasing over a million balloons in the air, but the event has unexpected consequences when the lift off doesn’t go as planned. The Botanist (ботаник) (Directors: Maude Plante-Husaruk, Maxime Lacoste-Lebuis) This breathtaking short follows Raimberdi as he ingeniously constructs a hydroelectric generator to better survive in the mountains of Tajikstan. City of Ghosts (Director: Matthew Heineman) Captivating in its immediacy, City of Ghosts follows the journey of “Raqqa is Being Slaughtered Silently,” a group of anonymous Syrian activists who band together to document the Islamic State’s crimes after the city is taken by ISIS. Depth Two (Dubina Dva) (Director: Ognjen Glavonić) This suspenseful illumination of long-buried war crimes, which began in 1999 with NATO bombings in Serbia, is told in a harrowing combination of narrated testimonies and present-day images of the sites in suburban Belgrade where the crimes took place. Donkeyote (Director: Chico Pereira) The grandest adventure of all is afoot for a Spanish septuagenarian and his mischievous dog and stalwart donkey, if only they can survive chronic arthritis, impertinent travel agents, and just one more bridge. Dysphoria: Inside the Mind of a Holocaust Survivor (Director: Joseph Edward) This poetic and visually arresting exploration of one man’s memories takes an inventive and sensory approach, immersing the viewer in his experiences. World Premiere The Earth Did Not Speak (La Tierra No Habló) (Director: Javier Briones) Survivors of the 1982 government-sponsored massacre in Rio Negro, Guatemala, share their stories as the camera quietly pans across seemingly tranquil places that once were home. Far Western (Director: James Payne) Fueled by music and personal charisma, Charlie Nagatani embodies Japan’s obsession with American country and western music. North American Premiere The Force (Director: Peter Nicks) A riveting, on-the-ground look at the Oakland Police Department during a period of intense scrutiny and reform, as a new sergeant aims to correct protocol in the wake of charges of misconduct and abuse. Funne – Sea Dreaming Girls (Le ragazze che sognavano il mare) (Director: Katia Bernardi) A whimsical tale of a group of elderly women in a small Italian village who get creative while trying to raise funds for a trip to the sea, which many of them have never seen. North American Premiere The Great Theater (Wielki Teatr) (Director: Sławomir Batyra) A meandering camera takes a graceful, evocative journey through the spaces and operations of Warsaw’s Grand Theatre as it presents the opera Madama Butterfly. Heaven Is a Traffic Jam on the 405 (Director: Frank Stiefel) Animated drawings and extraordinary shots of Mindy Alper’s sculptures create a lovely portrait of the artist as she unabashedly examines her experiences with a mental disorder (that prevented her from speaking) while discussing art, love, and life. I’M OKAY (Director: Pia Lenz) Adult themes unfold through the perspective of young protagonists in this beautifully photographed feature that captures the experiences of two refugee families struggling to rebuild their lives in Germany. North American Premiere Island Soldier (Director: Nathan Fitch) Through the intimate stories of two soldiers, this film explores the high cost of opportunity. In the Federated States of Micronesia—an “associated state” of the U.S.—a high proportion of residents serve in the American military, with few resources to support their lives after duty ends. World Premiere The Kodachrome Elegies (Director: Jay Rosenblatt) A short and lyrical ode to Kodachrome film stock that reflects on family, loss, and the end of an era. Last Men in Aleppo (Director: Feras Fayyad) Urgent and harrowing, this film follows the White Helmets’ unrelenting efforts to save fellow Syrians. When air strikes devastate homes, they descend on the wreckage to rescue buried men, women, and children, refusing to leave their people or their city behind. The Last Pig (Director: Allison Argo) This lyrical film follows an introspective farmer as his beliefs undergo a dramatic shift, from believing that there are more humane ways to slaughter animals to questioning the premise of his life’s work. US Premiere Life in Riva (Tra ponente e levante) (Director: Lorenzo Giordano) An aging resident imparts the history of his seaside Italian town. His recollections, and a trove of impeccably photographed artifacts, reveal the evolutions of one place over time. North American Premiere Luis & I (Directors: Roger Gómez, Dani Resines) The wife of a human cannonball describes their life in the circus and the ways their love has endured decades of this itinerant lifestyle. Mommy’s Land (Director: Garret Atlakson) As the Cambodian government demolishes homes, and arrest counts and brutal police violence increase, elder resident “Mommy” and other neighborhood women prove to be peaceful, and vivacious, resisters. World Premiere My Father’s Film (Director: Priscilla Gonzalez Sainz) A daughter crafts a portrait of her father through the spaces he occupied, a meditation shaped by the tools he left behind. World Premiere One October (Director: Rachel Shuman) Filmed in the final weeks of the 2008 presidential campaigns, this city symphony follows a radio reporter as he takes to the streets to invite fellow New Yorkers to share their thoughts and opinions in a time of great uncertainty. World Premiere The Original Richard McMahan (Director: Olympia Stone) A visionary artist painstakingly recreates the masterpieces of others, producing thousands of intricate miniature replicas of works made across centuries, from Van Gogh’s The Starry Night to King Tutankhamun’s tomb. Plastic China (Director: Jiu-liang Wang) At a recycling center in the Chinese countryside, two families survive between seas of plastic bottles and wrappers shipped from the U.S. and other countries; processing this waste has become their burden, and yet for their children, they dream of a better life. QUEST (Director: Jonathan Olshefski) This thoughtful and incisive observation of the Rainey family over the course of ten years seamlessly captures pivotal life experiences as well as issues of poverty, politics, and gun violence in a North Philadelphia neighborhood. The Rain Will Follow (Director: Eugene Richards) From his chair in a retirement home, 90-year-old Melvin Wisdahl shares poignant recollections of wartime and strife in this deeply personal account set aglow by beautiful images of North Dakotan farmland. Samuel in the Clouds (Director: Pieter Van Eecke) Samuel Mendoza continues the family tradition of operating the ski lift in a Bolivian Andes resort, while a melting glacier below threatens everyone’s way of life. Shivani (Director: Jamie Dobie) In this unique tale of grief and healing, three-year-old Dolly Shivani, believed by her parents to be the reincarnation of their dead son, trains as an Olympic archer. World Premiere Slowerblack (Director: Jessica Edwards) A hand-poke tattoo artist in Brooklyn reflects on her unique style and approach to inking. World Premiere Socotra, the Island of Djinns (Socotra, la Isla de lod Genios) (Director: Jordi Esteva) In this extraordinary black-and-white account, a group of camel herders travel inland on the island of Socotra to avoid the rainy season while sharing nighttime tales of supernatural djinns. US Premiere Still Tomorrow (摇摇晃晃的人间) (Director: Jian Fan) In rural China, a determined, courageous woman balances her fame as an eloquent and frank poet with societal expectations around disability, independence, and family obligation. Storyboard P, a stranger in Sweden (Director: Matthew D’Arcy) In this mesmerizing vignette, a dynamic Brooklyn street dancer travels to Sweden to teach and perform—a journey that tests his devotion to the art form. Strong Island (Director: Yance Ford) Director Yance Ford rigorously unpacks the events surrounding the death of his brother, who was shot in 1992. Profoundly cinematic and deeply personal, their family story is a powerful examination of race in America. The Submarine (Director: Wenceslao Scyzoryk) A 95-year-old cinematographer returns to his lab each day to perfect his invention—a machine that repairs celluloid damage. The Swirl (El Remolino) (Director: Laura Herrero Garvin) As the largely abandoned town of El Remolino in Chiapas, Mexico, struggles to yield viable crops and keep its school open, two siblings remain to battle the rainy season and their painful childhood. They Took Them Alive (Director: Emily K. Pederson) In 2014, 43 students disappeared from a bus traveling in Iguala, Mexico. Their families seek answers as the official investigation comes to a troubling and suspicious halt. World Premiere Through the Repellent Fence (Director: Sam Wainwright Douglas) The artist collective Postcommodity examines lines, origins, and the people to whom land really belongs with a two-mile-long installation of inflatable spheres high above the U.S.–Mexico border. Timberline (Director: Elaine McMillion Sheldon) This short documents a West Virginia town caught between transitional pressures: an abandoned naval base is up for auction, and the NSA occupies a station just down the road. What will become of the locals for whom this place is home? World Premiere Tribal Justice (Director: Anne Makepeace) Two dynamic Native American women—chief judges for the state’s largest tribes—draw on tradition and village wisdom to help defendants rebuild their lives, encouraging healing over jail time and punishment. Two Worlds (Dwa Swiaty) (Director: Maciej Adamek) In this expressive study of family relationships, a daughter helps her two deaf parents navigate the world—as she has since she was three—and balances life between school, home, and self. Waiting for Hassana (Director: Ifunanya Maduka) Jessica, an escapee, recollects a friendship shattered by the 2014 kidnapping of 276 Nigerian girls by the Boko Haram. Winter’s Watch (Director: Brian Bolster) The longtime winter caretaker of the Oceanic Hotel off the coast of New England welcomes months of solitude, relishing the opportunity for introspection and productivity. Zaatari Djinn (Director: Catherine van Campen) This incandescent portrait documents four children in a refugee camp who are transformed by the light of imagination and possibility despite numerous hardships. North American Premiere Zuzana: Music Is Life (Directors: Peter Getzels, Harriet Getzels) The life story of eminent Czech harpsichordist Zuzana Ruzickowva transcends the personal in a deeply affecting look at the redemptive power of art throughout the Czech Republic’s turbulent 20th century. World PremiereINVITED PROGRAM
500 Years (Director: Pamela Yates) A sweeping examination of resistance movements in Guatemala, including the recent uprising, and a chronicle of the country’s first trial for war crimes committed against the Mayan people. Abacus: Small Enough to Jail (Director: Steve James) In the wake of the 2008 financial crisis, the only U.S. bank accused of mortgage fraud was the family-owned Abacus Federal Savings in Manhattan’s Chinatown. This stunning film chronicles the Sungs’ legal battle as they fight to defend their business and their family name. Austerlitz (Director: Sergei Loznitsa) In vivid black and white, tourists and guides visit concentration camps. In observing their interactions, Austerlitz provides a powerful meditation on the (often imperfect) ways human beings connect, remember, and reflect. Bronx Gothic (Director: Andrew Rossi) With a blend of performance footage and penetrating discussions about her purpose and process, this film follows Okwui Okpokwasili as she tours her powerful one-woman play around the country. World Premiere Buzz One Four (Director: Matt McCormick) In 1964, a B-52 long-range bomber crashed on a Maryland mountainside with two thermonuclear bombs on board. This suspenseful account, crafted by the pilot’s grandson, skillfully weaves archival footage with personal recollections. The Challenge (Director: Yuri Ancarani) Miles of barren desert provide the backdrop for this surreal compilation of images: private jets, race cars, exquisite birds, and even a pet cheetah descend on the Qatar dunes to take part in a remote falconry tournament. Dina (Directors: Dan Sickles, Antonio Santini) At once tender and triumphant, humorous and hard, Dina introduces a woman in love as she navigates complex expectations in the days leading up to her impending nuptials. EXPRMNTL (Director: Brecht Debackere) This lively overview of the legendary EXPRMNTL film festivals held in Belgium from 1949 to 1974 interweaves archival footage with the recollections of the makers who defined experimental cinema. US Premiere The Good Postman (Director: Tonislav Hristov) An inspired citizen decides to run for mayor on a daring platform: that embracing the arrival of refugees may be the key to revitalizing his Bulgarian village. The Grown Ups (Director: Maite Alberdi) Adult students with Down Syndrome question their unknown futures. After attending the same school for decades, is there anything left to be discovered in this place, and what opportunities exist in the outside world? In Loco Parentis (Directors: Neasa Ní Chianáin, David Rane) For more than 40 years, John and Amanda Leyden have taught elementary-age children at a remote Irish boarding school. Filmed over the course of a year, the teachers bring wonder to their classrooms and roll with the joys and challenges that the changing seasons bring their young pupils. An Insignificant Man (Directors: Khushboo Ranka, Vinay Shukla) With unimaginable access, this film follows the turbulent campaign of Arvind Kejriwal, a businessman turned politician who formed India’s Aam Aadmi Party (Common Man’s Party) in 2012, as he runs for his country’s top office. Life – Instruction Manual (Leben – Gebrauchsanelitung) (Directors: Joerg Adolph, Ralf Buecheler) Featuring short excerpts from a wide range of classes, from childbirth to end-of-life care, this film reflects on the myriad ways that we depend on learning, particularly from others. North American Premiere Long Strange Trip (Director: Amir Bar-Lev) Personal interviews, performances, and never-before-seen footage create a multifaceted portrait of the Grateful Dead. They were more than a band. They were a movement. May It Last: A Portrait of the Avett Brothers (Directors: Judd Apatow, Michael Bonfiglio) Personal, rich, and from the soul, this film follows the equally soulful Avett Brothers as they record a new album, reflect on the creative process, and navigate strong ties while managing lives spent on the road. Project X (Directors: Laura Poitras, Henrik Moltke) Rami Malek and Michelle Williams understatedly narrate guidelines from a top-secret NSA handbook, as the viewer travels from stark and isolated spots in the National Business Park to a windowless skyscraper in downtown Manhattan. Purple Dreams (Director: Joanne Hock) This film follows six students at the Northwest School of the Arts in Charlotte, N.C., who thrive as performers in the first-ever high school musical production of The Color Purple while grappling with difficult and stressful issues in their own lives. World Premiere STEP (Director: Amanda Lipitz) This inspiring film follows three members of the Lethal Ladies step-dance team at the Baltimore Leadership School for Young Women. With the support of their intrepid coach and an uncompromising counselor, they are determined to attend college. TAKE EVERY WAVE: The Life of Laird Hamilton (Director: Rory Kennedy) In sparkling cinematography and intimate interviews, this epic look at the surfing legend’s life in and out of the waves is also a no-holds-barred illustration of one man’s dedication to continually reigniting his passion. Tell Them We Are Rising: The Story of Black Colleges and Universities (Director: Stanley Nelson) A monumental, essential, and compelling survey of the history and cultural significance of HBCUs in America. This Is Everything: Gigi Gorgeous (Director: Barbara Kopple) Gregory Lazzarato to Gregory Gorgeous to Gigi Gorgeous—family members and millions of followers support the makeup and beauty YouTube star before, during, and after her transition. Trophy (Director: Shaul Schwarz, Co-Director: Christina Clusiau) This revelatory and exquisitely photographed investigation into conservation practices and big game hunting invites nuanced scrutiny and debate. Whose Streets? (Director: Sabaah Folayan, Co-Director: Damon Davis) This unflinching story of the Ferguson uprising is told by the activists who were there, chronicling the birth of a new generation of resisters in America.
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20 Feature Films to Compete for Golden Gate Awards at 2017 San Francisco International Film Festival
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A film still from In Loco Parentis by Neasa Ní Chianáin and David Rane[/caption]
10 narrative feature films and 10 documentary feature films will compete for the Golden Gate Awards (GGAs), and nearly $40,000 in total prizes at this year’s 2017 San Francisco International Film Festival taking place April 5 to 19.
“The SF Film Society has been a champion of emerging and international filmmakers since its first edition 60 years ago,“ said Rachel Rosen, SF Film Society Director of Programming. “We continue to believe that festivals are in a unique position to advocate for films from a variety of cultures and viewpoints, often in languages other than our own. The Golden Gate Awards provide an opportunity to bring additional exposure and awareness to these artists and their work.”
The GGA New Directors Prize winner will receive a cash prize of $10,000, the GGA McBaine Documentary Feature winner will receive $10,000 and the GGA McBaine Bay Area Documentary Feature winner will receive $5,000.
2017 GGA NEW DIRECTORS (NARRATIVE FEATURE) COMPETITION
Duet, Navid Danesh, Iran (North American Premiere) After a Tehran musician instigates an encounter with his college girlfriend in an attempt to address the poor end their relationship suffered, their lives and the equilibrium of their spouses are thrown into existential crisis. Navid Danesh’s resonant and moving depiction of the impact the past has on the present lives of its protagonists is both culturally specific and universal in its reach. Everything Else, Natalia Almada, Mexico/USA/France Academy Award-nominee Adriana Barraza (Babel) gives a masterfully controlled performance as Doña Flor, a solitary bureaucrat whose lifelong service in a government office has left her markedly unsympathetic towards her clients. Shot with an attentive and deeply empathetic lens, documentarian Natalia Almada’s narrative debut is a starkly intimate portrait of a woman at odds with her life who may still have a chance to escape her isolation. God’s Own Country, Francis Lee, UK Filmed on the Yorkshire hillside where he grew up, Francis Lee’s debut feature tells the rich and sexy story of John Saxby, a hard-drinking lad who keeps his emotions in check until an irrepressible Romanian immigrant comes to help out on the family farm and upends the young man’s life. Full of gloriously captured details about the care and breeding of animals, God’s Own Country is one of the year’s most moving romantic dramas. Godless, Ralitza Petrova, Bulgaria/Denmark/France In post-Communist era Bulgaria, where the shadow of oppression drives selfish behavior and hidden economies, outwardly impassive Gana works as a home care nurse—a job which provides ample opportunity to supplement her income with stolen ID cards to maintain the morphine habit she shares with her boyfriend. When Gana’s actions threaten the one glimmer of hope in her fatalistic world, will she break the cycle of corruption or spiral deeper? Godless is a bold first feature from Ralitza Petrova. Heaven Sent, Wissam Charaf, France/Lebanon Absurdly funny sequences punctuate this stylized comedy drama from Lebanon. Omar is a heavyset bodyguard who gets the assignment of his dreams, protecting a gorgeous TV personality, though matters are complicated when his brother Omar, a former militiaman presumed dead, magically reappears. Charaf’s surprising and inventive debut reflects on a country rife with absurdities and still reeling from its fraught history. The House of Tomorrow, Peter Livolsi, USA (World Premiere) When a sheltered teen named Sebastian meets an aspiring punk rocker and falls for the boy’s older sister, the stage is set for a cheerful and energetic comedy that tackles matters of friendship, young love, and musical dreams with equal aplomb. Ellen Burstyn is once again wondrous as Sebastian’s grandmother who is devoted to the life and scientific work of Buckminster Fuller. The Human Surge, Eduardo Williams, Argentina/Brazil/Portugal Eduardo Williams has steadily made a name for himself with a series of indelible shorts featuring young protagonists adrift in strange environments. In his debut feature, a prizewinner at Locarno, he takes the premise further, crafting a dreamlike three-part drama where youths from Argentina, Mozambique, and the Philippines are connected by invisible, electronic, or even subterranean means. Consistently inventive, The Human Surge burrows into three continents and finds surprising associations. Life After Life, Zhang Hanyi, China As the inexorable progress of industrialization in China makes its way into the lives of village residents Mingchun and his son Leilei, a surprise haunting by Leilei’s dead mother, who has an impassioned plea for her husband, points to a time when more attention was paid to the earth and its bounty. Produced by Jia Zhang Ke, this evocative and poetic debut depicts a rapidly disappearing way of life with a gorgeous visual sensibility and a subtly wry humor. Park, Sofia Exarchou, Greece/Poland The formerly grand stadiums and swimming pools of the 2004 Athens Olympics have become modern-day Greek ruins, a place for disaffected kids who’ve come of age since the Games to run wild. First-time director Exarchou, working mostly with non-professional actors, develops a compellingly anarchic style where the threat of violence and socio-economic troubles are omnipresent and the young characters act out their frustrations through boisterous, sometimes dangerous, horseplay. The Wedding Ring, Rahmatou Keïta, Niger/Burkina Faso/France (US Premiere) The Wedding Ring is a rare achievement, a wondrously complex dramatic feature directed by an African woman that explores female desires and empowerment in a traditional Muslim society. Rahmatou Keïta tells the story of Tiyaa who returns to Niger with lingering romantic feelings for the handsome man she left behind in France while grappling with family members who wish to arrange her marriage.2017 GOLDEN GATE AWARDS MCBAINE DOCUMENTARY FEATURE COMPETITION
Brimstone & Glory, Viktor Jakovleski, USA Burning Man has nothing on Tultepec’s charging toritos and exploding castillos. Mexico’s weeklong National Pyrotechnic Festival is sheer unbridled madness. Scars that tourists take away from fireworks-exploding bulls and towering infernos are earned with pleasure, apparently, as this dynamic documentary keeps explanation to a minimum while maximizing the experiential through GoPro camera POVs and gorgeous abstractions. Filmmaker Viktor Jakovleski has created a visually rapturous, immersive, sensory experience of this extraordinary event, capturing the danger and mayhem in all its glory. The Cage Fighter, Jeff Unay, USA (World Premiere) With the emotional force and power of a Bruce Springsteen song, Jeff Unay’s cinema vérité portrait of Joe Carman packs an emotional wallop. A family man who has promised not to return to competitive mixed martial arts fighting, the dangerous sport that gives him the most complete sense of purpose he’s been able to find, Joe risks everything for one more chance in the ring. The Challenge, Yuri Ancarani, France/Italy Italian artist Yuri Ancarani melds his luminous cinematic vision with the ancient sport of Arab falconry in The Challenge, an evocative and visually dazzling portrait of a celebrated hunting competition set in the coastal deserts of Qatar. Modern technology, such as GPS, augments a practice dating to antiquity as participants track their prized raptors across the austere plains, reconnecting with desert custom in the shadow of a falcon’s wing. The Cinema Travellers, Shirley Abraham, Amit Madheshiya, India A moving homage to the bygone era of celluloid, The Cinema Travellers exquisitely captures the splendor of the moving image through India’s traveling movie caravans. Shot over five years, this intimate documentary takes the viewer on a cinematic journey joining the undaunted technicians, the projectionists who create movie magic, and the boisterous, overflowing crowd that await at each stop. Donkeyote, Chico Pereira, Spain/Germany/UK A Spanish man’s quest to defy barriers and borders in search of the American West by planning a journey on the Trail of Tears with his donkey by his side is its own quixotic trail of laughter and tears. The understanding between man and animal has rarely been so intimately conveyed as it is in Chico Pereira’s winning tale, a stunningly photographed film that hovers between documentary and fiction, one inspired and performed by a real-life character with outsized dreams. The Force, Peter Nicks, USA For the powerful second film in his trilogy concerning the relationship between public institutions and the communities they serve, Peter Nicks (The Waiting Room) takes a powerful, immersive look at the Oakland Police Department. Filming from 2014-2016 with astonishing access, Nicks captures a particularly turbulent time in Bay Area law enforcement history. Intended as a catalyst for conversation and change, Nicks’ empathetic and observational style avoids easy generalizations and upends expectations, resulting in a rich, thought provoking real-time conversation about social justice and the mutual responsibilities of police officers and those they serve and protect. Half-Life in Fukushima, Mark Olexa, Francesca Scalisi, Switzerland/France Five years after the devastating 2011 Fukushima nuclear disaster, elderly farmer Naoto Matsumura struggles to restore his life in the radioactive red zone, wandering through an empty dystopian nightmare of concrete ruins; abandoned, weed-filled facilities; contamination cleanup crews; and the haunting fragments of a city swept away by tsunami. With minimal commentary and a graceful and sympathetic eye, Half-Life in Fukushima underlines the danger inherent in nuclear power in its depiction of Fukushima’s sinister remnants and Matsumura’s lonely last stand. In Loco Parentis, Neasa Ní Chianáin, David Rane, Ireland/Spain Irish filmmaker Neasa Nî Chianáin and David Rane present a charming and deeply intimate portrait of a year at Headfort boarding school in picturesque Kells, Ireland. Following devoted and wryly funny educators John and Amanda Leyden as they battle through another season of Latin, Shakespeare, and kids playing “Wild Thing,” In Loco Parentis shows how the level of attention and concern the teachers have for their students lead to remarkable transformations in everyone’s lives. Muhi – Generally Temporary, Rina Castelnuovo-Hollander, Tamir Elterman, Israel/Germany (World Premiere) Muhi, a cherubic Palestinian toddler with a life-threatening immune disorder, was transported to an Israeli hospital as a baby for emergency treatment. He and his devoted grandfather have lived there ever since, stuck in a bizarre no man’s land, with their extended family living on the other side of a fiercely guarded checkpoint. Their unique and moving story takes place within the crucible of the relentless Israeli-Palestinian conflict that impacts everyone in its orbit. Serenade for Haiti, Owlsley Brown, USA “Music is our refuge,” says a student at the Sainte Trinité Music School in Port-au-Prince, Haiti. Shot over a seven-year period both before and after Haiti’s devastating 2010 earthquake, this vibrant tribute to the students and teachers of Sainte Trinité testifies to the role that art can play in creating community and sustaining hope under the most difficult of circumstances.

Brimstone & Glory[/caption]
Three films – Viktor Jakovleski’s
Eric Clapton: Life in 12 Bars[/caption]
DOC NYC announced the full lineup of over 250 films and events for its eighth edition, running November 9 to 16 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea.
Special Events include Closing Night Film, the NYC premiere of