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  • THE DIARY OF A TEENAGE GIRL, SPOTLIGHT and TANGERINE Lead 25th IFP Gotham Independent Film Awards Nominations

    The Diary of a Teenage Girl The nominees for the 25th IFP Gotham Independent Film Awards were announced today, signaling the kick-off to the film awards season. For 2015, the eight competitive film awards include Best Feature, Best Documentary, Best Actor, Best Actress (presenting sponsor euphoria Calvin Klein), Breakthrough Actor, Best Screenplay, the Bingham Ray Breakthrough Director award, and the Gotham Audience Award. In addition to the competitive awards, Gotham Award Tributes will be given to actors Helen Mirren and Robert Redford, director Todd Haynes, and Industry Tribute recipient producer Steve Golin. Twenty-five films received nominations this year. THE DIARY OF A TEENAGE GIRL (pictured above) lead with 4 nominations for Best Feature, Best Screenplay, Best Actress and Breakthrough Director. CAROL, SPOTLIGHT and TANGERINE closely followed with 3 nominations each. Carol received nods for Best Feature, Best Screenplay and Best Actress; Spotlight received nods for Best Feature, Best Screenplay and Special Jury Award – Ensemble Performance; and Tangerine also nominated for Best Feature in addition to Breakthrough Actors for Kitana Kiki Rodriguez and Mya Taylor. As noted, the nominating committee for the Best Actor and Best Actress categories category voted to award a Special Jury Award jointly to cast members Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci and Brian d’Arcy James for their ensemble work in Spotlight. Beyond these individual actors, the committee cited the Spotlight cast as “an outstanding ensemble in which every performance, in every role, of every size, is beautifully realized.” In recognition of the strong work by female actors this year, the jury also chose to include six nominees for Best Actress. The Gotham Awards ceremony will be held on Monday, November 30th at Cipriani Wall Street. The 2015 IFP Gotham Independent Film Award nominations are: Best Feature Carol Todd Haynes, director; Elizabeth Karlsen, Christine Vachon, Stephen Woolley, producers (The Weinstein Company) https://www.youtube.com/watch?v=H4z7Px68ywk The Diary of a Teenage Girl Marielle Heller, director; Anne Carey, Bert Hamelinck, Madeline Samit, Miranda Bailey, producers (Sony Pictures Classics) https://www.youtube.com/watch?v=G2M9kqb5wVw Heaven Knows What Josh and Benny Safdie, directors; Oscar Boyson, Sebastian Bear-McClard, producers (RADiUS) https://www.youtube.com/watch?v=mBThfoOQI04 Spotlight Tom McCarthy, director; Michael Sugar, Steve Golin, Nicole Rocklin, Blye Pagan Faust, producers (Open Road Films) https://www.youtube.com/watch?v=yXymzwz0V2g Tangerine Sean Baker, director; Darren Dean, Shih-Ching Tsou, Marcus Cox & Karrie Cox, producers (Magnolia Pictures) https://www.youtube.com/watch?v=ALSwWTb88ZU Best Documentary Approaching the Elephant Amanda Rose Wilder, director; Jay Craven, Robert Greene, Amanda Rose Wilder, producers (Kingdom County Productions) https://www.youtube.com/watch?v=wdGIkBSkEdc Cartel Land Matthew Heineman, director; Matthew Heineman, Tom Yellin, producers (The Orchard and A&E IndieFilms) https://www.youtube.com/watch?v=6JD7hPM_yxg Heart of a Dog Laurie Anderson, director; Dan Janvey, Laurie Anderson, producers (Abramorama and HBO Documentary Films) https://www.youtube.com/watch?v=-ClaELWDqHU Listen to Me Marlon Stevan Riley, director; John Battsek, RJ Cutler, George Chignell, producers (Showtime Documentary Films) https://www.youtube.com/watch?v=DZlWjE_NJfI The Look of Silence Joshua Oppenheimer, director; Signe Byrge Sørensen, producer (Drafthouse Films) https://www.youtube.com/watch?v=dbPN8-juZUI Bingham Ray Breakthrough Director Award Desiree Akhavan for Appropriate Behavior (Gravitas Ventures) Jonas Carpignano for Mediterranea (Sundance Selects) Marielle Heller for The Diary of a Teenage Girl (Sony Pictures Classics) John Magary for The Mend (Cinelicious Pics) Josh Mond for James White (The Film Arcade) Best Screenplay Carol, Phyllis Nagy (The Weinstein Company) The Diary of a Teenage Girl, Marielle Heller (Sony Pictures Classics) Love & Mercy, Oren Moverman and Michael Alan Lerner (Roadside Attractions, Lionsgate, and River Road Entertainment) Spotlight, Tom McCarthy and Josh Singer (Open Road Films) While We’re Young, Noah Baumbach (A24) Best Actor* Christopher Abbott in James White (The Film Arcade) Kevin Corrigan in Results (Magnolia Pictures) Paul Dano in Love & Mercy (Roadside Attractions, Lionsgate, and River Road Entertainment) Peter Sarsgaard in Experimenter (Magnolia Pictures) Michael Shannon in 99 Homes (Broad Green Pictures) Best Actress* Cate Blanchett in Carol (The Weinstein Company) Blythe Danner in I’ll See You in My Dreams (Bleecker Street) Brie Larson in Room (A24 Films) Bel Powley in The Diary of a Teenage Girl (Sony Pictures Classics) Lily Tomlin in Grandma (Sony Pictures Classics) Kristen Wiig in Welcome to Me (Alchemy) Breakthrough Actor Rory Culkin in Gabriel (Oscilloscope Laboratories) Arielle Holmes in Heaven Knows What (RADiUS) Lola Kirke in Mistress America (Fox Searchlight Pictures) Kitana Kiki Rodriguez in Tangerine (Magnolia Pictures) Mya Taylor in Tangerine (Magnolia Pictures) * The 2015 Best Actor/Best Actress nominating panel also voted to award a special Gotham Jury Award jointly to Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci and Brian d’Arcy James for their ensemble work in Spotlight. (Open Road Films). Spotlight on Women Directors ‘Live the Dream’ Grant For the sixth consecutive year, IFP is proud present the euphoria Calvin Klein Spotlight on Women Directors ‘Live the Dream’ grant, a $25,000 cash award for an alumna of IFP’s Independent Filmmaker Labs or IFP’s Screen Forward Lab. In 2015, Screen Forward Lab directors have been included in this opportunity for the first time. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film or episodic series. The nominees are: Claire Carré, director, Embers Deb Shoval, director, AWOL Chanelle Aponte Pearson, director, 195 Lewis Gotham Appreciation Award A Gothams Appreciation Award will be given to Ellen Cotter for her contribution to theatrical distribution, including leadership of the Angelika Film Centers.  

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  • 2015 Hamptons International Film Festival to Close with BRIDGE OF SPIES; Reveals Spotlight Films and World Cinema

    Steven Spielberg’s Bridge of Spies, starring Tom Hanks and Mark Rylance The 2015 Hamptons International Film Festival (HIFF) will close with Steven Spielberg’s BRIDGE OF SPIES on Monday, October 12, 2015 at Guild Hall in East Hampton. The festival announced its Spotlight Films along with its World Cinema and Shorts programs; and also revealed that Emily Blunt, Michael Moore and Dan Rather will be in attendance to take part in “A Conversation With…” for the 23rd installment. The Festival’s closing night film is three-time Academy Award®-winning Steven Spielberg’s BRIDGE OF SPIES, a dramatic thriller set against the backdrop of a series of historic events, BRIDGE OF SPIES is the story of James Donovan (two-time Academy Award® winner Tom Hanks), a Brooklyn lawyer who finds himself thrust into the center of the Cold War when the CIA sends him on the near impossible task to negotiate the release of a captured American U-2 pilot. Written by Matt Charman and Ethan Coen & Joel Coen, BRIDGE OF SPIES stars: three-time Tony Award® winner Mark Rylance, Scott Shepherd, Academy Award nominee Amy Ryan, Sebastian Koch, and Academy Award nominee Alan Alda. The Walt Disney Studios and Touchstone Pictures film will release in theaters on October 16, 2015. This year’s Spotlight Films include the North American Premiere of A ROYAL NIGHT OUT, the US Premieres of I SAW THE LIGHT, THE LADY IN THE VAN, LOUDER THAN BOMBS, the East Coast Premieres of ANOMALISA and MACBETH, and a Sneak Preview of BORN TO BE BLUE. The Spotlight Films will also feature SUFFRAGETTE, WHEN I LIVE MY LIFE OVER AGAIN, BROOKLYN, EXPERIMENTER, MEADOWLAND, and WHERE TO INVADE NEXT directed by Michael Moore, who will attend the festival along with taking part in “A Conversation With…” on Sunday, October 11th, at NOON at Bay Street Theater. This year’s World Cinema Documentary titles include the World Premieres of THE C WORD, CLASS DIVIDE, HARRY BENSON: SHOOT FIRST, the North American Premiere of BY SIDNEY LUMET, an American Masters Film, the US Premieres of BOLSHOI BABYLON, and the East Coast Premiere of SHERPA. Other films in the section include CROCODILE GENNADIY, DREAM/KILLER, HARRY & SNOWMAN, HOW TO DANCE IN OHIO, IN TRANSIT, PALIO, THE RUSSIAN WOODPECKER “OROSZ HARKÁLY.” The World Cinema Narrative films include the World Premiere of THE PREPPIE CONNECTION, the North American Premieres of CAFÉ DERBY, BABAI and A MONSTER WITH A THOUSAND HEADS “UN MONSTRU DE MIL CABEZAS,” the US Premieres of 11 MINUTES “11 MINUT,” ALL ABOUT THEM “À TROIS ON Y VA,” DHEEPAN, DISORDER “MARYLAND,” and the East Coast Premieres of 45 YEARS, ROOM, and THE WAVE. The section also includes THE CLUB “EL CLUB,” KRISHA, SON OF SAUL “SAUL FIA.” The 2015 Hamptons International Film Festival will also present a special screening of Morgan Neville and Robert Gordon’s BEST OF ENEMIES, winner of the 2015 SummerDocs Audience Award. HIFF will present 10 programs of short films this year, including the Narrative Short Film and Documentary Short Film Competition programs, the New York Women In Film and Television: Women Calling The Shots program, the Ahoy! Shorts for All Ages program and the Crafted program, which features three short films about auteur Claude Lanzmann, and artists Phil Toledano and Hilary Knight. HIFF previously announced Paolo Sorrentino’s YOUTH as the Southampton Opening Night Film, Tom McCarthy’s SPOTLIGHT as the Saturday Centerpiece Film and Todd Haynes’ CAROL as the Sunday Centerpiece Film, and its Documentary and Narrative Competition Films, which now also includes the North American Premiere of Jonas Carpignano’s MEDITERRANEA. The full line-up of the 23rd Hamptons International Film Festival is below. OPENING NIGHT FILM TRUTH (USA) Director: James Vanderbilt Academy Award® winners Cate Blanchett and Robert Redford star in James Vanderbilt’s sharp and insightful take on the controversial CBS 60 Minutes investigation of George W. Bush’s military record that ended Dan Rather’s career as the network’s anchorman. Adapted from producer Mary Mapes’ (Blanchett) account in her book “Truth and Duty: The Press, the President, and the Privilege of Power,” and featuring exceptional performances by a stellar cast, including Elisabeth Moss, Dennis Quaid, and Topher Grace, TRUTH is a polished and absorbing dramatization of the ever-changing relationship between journalism and politics in today’s media. SOUTHAMPTON OPENING NIGHT FILM YOUTH (Italy/France/UK/Switzerland) East Coast Premiere Director: Paolo Sorrentino The stunning new film from Academy Award® winner Paolo Sorrentino (THE GREAT BEAUTY), YOUTH follows two old friends as they vacation in a Swiss luxury resort. Fred (Michael Caine) is a retired composer and conductor, enjoying his retirement and Mick (Harvey Keitel) a film director planning his final film. While musing about their lives and illustrious careers, their pasts resurface and a sense of melancholy disrupts the vacation. With a phenomenal cast of characters, played by Rachel Weisz, Paul Dano, and the iconic Jane Fonda, YOUTH is a whimsical meditation on the crossroads of friendship and aging. Lusciously lensed and scored, the Swiss Alps serve as magical setting for this mesmerizing tour de force. CENTERPIECE SATURDAY SPOTLIGHT (USA) East Coast Premiere Director: Tom McCarthy Oscar® nominees Mark Ruffalo, Michael Keaton, and Rachel McAdams star as the Boston Globe’s Spotlight team, assigned by their newly appointed editor Martin Baron (Liev Schreiber) to investigate the allegations of abuse in the Catholic Church. For over a year, they pursued the story relentlessly, despite intense resistance from the highest levels of Boston’s religious, legal, and government establishment. Tom McCarthy’s SPOTLIGHT examines the true story of the Pulitzer Prize-winning investigation that uncovered a massive web of pedophilia and systemic cover-ups within the Catholic Church. Aided by a fantastic supporting cast (Stanley Tucci, Billy Crudup), SPOTLIGHT is a nuanced and thrilling procedural about the power and impact of great investigative journalism. CENTERPIECE SUNDAY CAROL (UK/USA) Director: Todd Haynes With groundbreaking performances from Cate Blanchett and Rooney Mara (winner of the Best Actress Award at the Cannes Film Festival) as two women entangled in an intoxicating love affair, director Todd Haynes (FAR FROM HEAVEN) illuminates the delicate intricacies of navigating forbidden desire in 1950s New York. Adapting Patricia Highsmith’s semi-autobiographical novel “The Price of Salt,” CAROL is the story of an unlikely bond between an ingenue shop girl dreaming of a better life and an older sophisticated woman trapped in a loveless marriage. A masterfully crafted love story, CAROL is an exquisite and poignant meditation on longing. CLOSING NIGHT FILM BRIDGE OF SPIES (USA) Director: Steven Spielberg A dramatic thriller set against the backdrop of a series of historic events, BRIDGE OF SPIES is the story of James Donovan (two-time Academy Award® winner Tom Hanks), a Brooklyn lawyer who finds himself thrust into the center of the Cold War when the CIA sends him on the near-impossible task to negotiate the release of a captured American U-2 pilot. Directed by three-time Academy Award®-winning director Steven Spielberg and written by Matt Charman and Ethan Coen & Joel Coen, BRIDGE OF SPIES stars: three-time Tony Award® winner Mark Rylance as Rudolf Abel, a KGB agent defended by Donovan; Scott Shepherd as CIA operative Hoffman; Academy Award nominee Amy Ryan as James’ wife, Mary; Sebastian Koch as East German lawyer Vogel; and Academy Award nominee Alan Alda as Thomas Watters, a partner at Donovan’s law firm. Inspired by remarkable true events, Spielberg captures the essence of a man who risked everything and vividly brings his personal journey to life. SPOTLIGHT FILMS BORN TO BE BLUE (USA/Canada/UK) Sneak Preview Director: Robert Budreau An intimate portrait of jazz legend Chet Baker (Ethan Hawke), BORN TO BE BLUE is a remarkable reimagining of the iconic musician’s comeback in the 1960s. When approached to star in a film about his heyday and given a chance at redemption, he finds that re-entering the spotlight may not come as smoothly as the notes that made him famous. With girlfriend Jane (Carmen Ejogo, SELMA) by his side, he struggles against addiction and a career-threatening injury to reclaim his former self. With a delicate touch, writer/director Robert Budreau paints an immersive and imaginative look at the trumpeter’s fragile story. BROOKLYN (Ireland/UK/Canada) Director: John Crowley Waving good-bye to her mother and sister in Ireland, Eilis Lacey (Saoirse Ronan) sets sail to follow her American dream in 1950s Brooklyn. With the support of a kind priest, Eilis finds work at an upscale department store and enrolls in school, but it’s only after she meets Tony (Emory Cohen) that she finally feels at home and romance heals her loneliness. When an unexpected tragedy forces Eilis to return home, she finds a renewed love for Ireland. With award-worthy performances and exquisite cinematography, John Crowley’s BROOKLYN is a beautiful tale of a young woman torn between two worlds. EXPERIMENTER (USA) Director: Michael Almereyda EXPERIMENTER follows the infamous social psychologist Stanley Milgram (Peter Sarsgaard), who conducted a series of highly controversial experiments on obedience and authority in the 1960s. In an attempt to better understand the horrific events of the Holocaust, Milgram observed and recorded the responses of a group of subjects instructed to deliver potentially fatal electric shocks to strangers concealed behind a closed door. A refreshing departure from the traditional biopic formula, director Michael Almereyda deftly investigates the inner psyche of this notorious character. With nuanced performances by Sarsgaard and Winona Ryder as Milgram’s wife, EXPERIMENTER is a compelling look at our willingness to follow orders despite our better judgment. I SAW THE LIGHT (USA) US Premiere Director: Marc Abraham Country music legend Hank Williams is brought to life in Marc Abraham’s I SAW THE LIGHT, a moving tale of success and personal hardship based on Colin Escott’s award-winning biography. Celebrated as one of the most influential singersongwriters of the 20th century, Williams compiled a lasting body of work before his untimely death at the age of 29. With brilliant and complex performances by Tom Hiddleston as Williams and Elizabeth Olsen as his ambitious wife, the film chronicles a restless soul, driven towards the spotlight and unable to resist the temptations that destroyed his health and personal life. THE LADY IN THE VAN (UK) US Premiere Director: Nicholas Hytner In this “mostly true” story, based on writer Alan Bennett’s (THE MADNESS OF GEORGE III, THE HISTORY BOYS) memoir and popular West End play, the extraordinary Maggie Smith stars as Miss Mary Shepherd, an eccentric high-born woman living out of her van. When Alan (Alex Jennings) moves into his new London home, he soon discovers Miss Shepherd, who mysteriously claims to speak directly with the Virgin Mary, and reluctantly offers her his driveway as a temporary home. Fifteen years later, she is still there. THE LADY IN THE VAN is a hilariously witty story of two strangers who form an unlikely friendship and lasting bond despite their best attempts to be left alone. LOUDER THAN BOMBS (Norway/France/Denmark) US Premiere Director: Joachim Trier On the eve of an exhibition honoring noted war photographer Isabelle Reed (Isabelle Huppert), whose career was cut short in the wake of her untimely death, a father and two sons grapple with her domestic and professional legacy. Flashbacks of Isabelle’s life intermingle with the present-day attempts of the Reeds to manage their grief amid combat of a different kind. Family patriarch Gene (Gabriel Byrne) discovers secrets about his late spouse while pursuing a new romance and struggling to connect with teenage son Conrad (Devin Druid) and adult son Jonah (Jesse Eisenberg). Past and present coalesce in sharp focus as the surviving Reeds come to terms with love and loss — locating in memories both painful and joyous the skills they need to soldier on… ANOMALISA (USA) East Coast Premiere Director: Charlie Kaufman, Duke Johnson Michael Stone is a man crippled by the mundanity of his life. On a business trip to Cincinnati, he checks into the Fregoli Hotel, where he is amazed to discover a possible escape from his desperation in the form of an unassuming Akron baked goods sales rep who may or may not be the love of his life. A beautifully tender and absurdly humorous dreamscape from the brilliant minds of Charlie Kaufman (SYNECDOCHE, NEW YORK) and Duke Johnson (“Community”), this is a darkly comedic and surreal journey. ANOMALISA confirms Charlie Kaufman’s place amongst the most important of American filmmakers, and announces Duke Johnson as a major creative force. MACBETH (France/UK/USA) East Coast Premiere Director: Justin Kurzel Director: Justin Kurzel Set in the war-torn countryside of 11th century Scotland, MACBETH is the classic story of a brutal warrior who is consumed and eventually defeated by his uncontrollable ambition. In this impressive update, Michael Fassbender and Academy Award® winner Marion Cotillard give award-worthy performances as one of literature’s most notorious couples. After a trio of witches prophesize his ascent to the throne, Macbeth and his cunning wife decide to seize the crown for themselves through brutality and murder. Violent and visceral, director Justin Kurzel delivers an exhilarating adaptation of one of Shakespeare’s most renowned tragedies. MEADOWLAND (USA) Director: Reed Morano In her dreamy directorial debut, celebrated cinematographer Reed Morano (KILL YOUR DARLINGS) examines the visceral and isolating experience of grief, and the distortion of reality that occurs following the loss of a child. MEADOWLAND follows distraught parents Sarah (Olivia Wilde) and Phil (Luke Wilson) a year after their 8- year-old son mysteriously disappeared from a gas station bathroom. In the wake of this unimaginable tragedy, they each struggle in their own way to heal. Phil attempts to ease his suffering with the help of a support group, while Sarah seeks a more destructive path. Wilde and Wilson, who give raw, emotional performances as the unraveling couple, are backed by an impressive cast of supporting actors, including Elisabeth Moss, John Leguizamo, Giovanni Ribisi, and Kevin Corrigan. A ROYAL NIGHT OUT (UK) North American Premiere Director: Julian Jarrold It’s Victory in Europe Day in 1945, and while the King and Queen of England (Rupert Everett and Emily Watson) prefer to observe the end of the Second World War as solemnly as possible, Princesses Elizabeth (Sarah Gadon) and Margaret (Bel Powley) are quite eager to participate in the revelry in the heart of London. Never before allowed to roam freely about in public, each girl is given a disguise, a chaperone, and a curfew. However, the girls quickly ditch their disapproving mother’s itineraries for an unforgettable night of adventure, drinking, and romance. SUFFRAGETTE (UK) Director: Sarah Gavron Inspired by true events, SUFFRAGETTE movingly explores the passion and heartbreak of those who risked all they had for women’s right to vote–their jobs, their homes, their children, and even their lives. Academy Award® nominees Carey Mulligan and Helena Bonham Carter, and three-time Academy Award® winner Meryl Streep lead the cast of the powerful drama about the fight for equality in early-20th- century Britain. The stirring story centers on Maud, a working wife and mother who becomes an activist for the Suffragette cause alongside women from all walks of life. SUFFRAGETTE is directed by BAFTA Award winner Sarah Gavron and written by Emmy Award® winner Abi Morgan WHEN I LIVE MY LIFE OVER AGAIN (USA) Director: Robert Edwards Escaping New York City, Jude (Amber Heard) heads to the wintry, desolate Hamptons for some self-reflection and reinvention. The daughter of a famed romantic crooner, Paul Lombard (Christopher Walken), Jude has inherited not only his musical talent, but also his vice of self-destruction. When the aging Paul attempts to revitalize his career with a self-penned comeback song, Jude is pressured to take initiative to shape her life. With a supporting cast that includes Oliver Platt and Hamish Linklater, WHEN I LIVE MY LIFE OVER AGAIN is a charming examination of regret, family, and the evolution of life. WHERE TO INVADE NEXT (USA) Director: Michael Moore In an unexpected twist, Michael Moore’s (BOWLING FOR COLUMBINE, FAHRENHEIT 9/11, SICKO) latest project, WHERE TO INVADE NEXT, does not refer to American imperialism, but rather to Moore himself. Armed with a camera and a flag, the Oscar®-winning documentarian “invades” a slew of European countries in an attempt to learn more about their successful practices and programs. From Norwegian prisons to female-run Icelandic banks, to Italian employee benefits, Moore travels around the world with the intention of bringing these progressive philosophies back to the States. A surprising departure, WHERE TO INVADE NEXT is a refreshingly optimistic look at the possibilities for the future. DOCUMENTARY COMPETITION CHUCK NORRIS VS COMMUNISM (UK/Romania/Germany) New York Premiere Director: Ilinca Calugareanu In the 1980s, the last decade before the revolution overthrew communist dictator Nicolae Ceausescu, Romania was marred by intense austerity, isolationism and a pervasive cultural blackout. For the oppressed population, a new form of escapism emerged: illicit video nights in which smuggled Western films were shown. The majority of the films were dubbed by the same person, Irina Nistor, one of the most recognizable voices in pre-revolution Romania. First-time director Ilinca Calugareanu’s endearing and entertaining documentary shows how the magic of film created an awakening that helped to instill the seeds of the revolution. A GERMAN YOUTH “UNE JEUNESSE ALLEMANDE” (France) East Coast Premiere Director: Jean-Gabriel Périot Covering a decade of worldwide political unrest (1965-1975), A GERMAN YOUTH is a compelling portrait of the Baader-Meinhof Group (a.k.a The Red Army Faction), a radical movement which drew into its orbit not only disillusioned students, but also established journalists and intellectuals as well as important filmmakers such as Michelangelo Antonioni, Jean Luc Godard and RW Fassbinder. Culled together from a fascinating pastiche of agitprop, news broadcasts, interviews, student films, and other archival footage, A GERMAN YOUTH provides the context for an ideology that shaped an entire generation. MISSING PEOPLE (USA) East Coast Premiere Director: David Shapiro Fifteen years after his debut film KEEP THE RIVER ON THE RIGHT, director David Shapiro returns to HIFF with MISSING PEOPLE. The documentary follows Martina Batan, the director of a prominent New York art gallery as she investigates her young brother’s long unsolved murder. At the same time, she obsessively researches and collects the work of New Orleans artist Roy Ferdinand whose paintings are known for their violent and graphic content depicting African American culture in pre-Katrina New Orleans. Martina’s journey is driven by both a hunger for closure and an inexplicable fascination with Ferdinand as an artist and as a loved one to a family she wedges herself into. NEWMAN (USA) World Premiere Director: Jon Fox Orphan. Entrepreneur. Recluse. Genius. Megalomaniac. Inventor Joseph Newman is all of the above. A controversial figure in the scientific community, Newman rose to notoriety with “The Newman Device,” an electromagnetic machine that he claimed produced more energy than it took to power it. What should have been a revolutionary discovery was stopped by a lengthy and disheartening legal battle with the United States Patent Office. In his enthralling debut, filmmaker Jon Fox deftly seeks to understand the enigmatic inventor — through intimate discussions with Newman’s colleagues and, surprisingly, with the man himself. THE VISIT “A LÁTOGATÁS” (Finland/Denmark) New York Premiere Director: Michael Madsen Imagining an event that has yet to happen – an alien invasion on Earth – Michael Madsen’s engrossing new documentary leads us on a captivating journey through surreal, slow-motion, dream-like tableaus intercut with interviews with scientists from NASA, SETI (Search For Extraterrestrial Life Institute) and experts from the UN. THE VISIT takes an imagined encounter and stimulates the implications and the potential response from humankind. With questions such as “What makes you happy?,” “Do you know what is good and what is evil?,” “How do you think?” and of course, “Why are you here?,” Madsen constructs an unsettling scenario that forces us to reconfigure our insular mentality and reflect on humanity. NARRATIVE COMPETITION EMBRACE OF THE SERPENT “EL ABRAZO DE LA SERPIENTE” (Colombia) East Coast Premiere Director: Ciro Guerra Inspired by the real experiences of explorers in the Amazon, EMBRACE OF THE SERPENT (Colombia’s submission for the Oscars®) centers on the relationship between Karamakate, a shaman of an extinct tribe carrying secrets and traditions, and two scientists in search of a sacred plant, capable of immense healing. Opting for powerful black and white cinematography, director Ciro Guerra tracks their parallel stories over 40 years with trips deep into the jungle. Winner of the top prize at the Cannes Directors Fortnight, the film intimately captures the thirst for knowledge and the ravages of colonialism that have destroyed the harmony and balance at the heart of the indigenous way of life. FRENCH BLOOD “UN FRANÇAIS” (France) US Premiere Director: Diastème Marco (Alban Lenoir) is a young Neo-Nazi and skinhead who, along with his friends, terrorizes the lower-class suburbs of Paris hoping to clear out the “scum” that is polluting the pure, white landscape of their beloved country. Spanning almost 3 decades in Marco’s life as he struggles to understand his own anger and brutal actions, this evocative and moving portrait–the sophomore effort from writer-director Diastème–offers a rare and unsettling look into the rise of xenophobia in France. With a brilliant performance by Lenoir, this poignant drama distinguishes itself as a unique and powerful work by an emerging talent. MEDITERRANEA (Italy/France/USA) North American Premiere Director: Jonas Carpignano Ayiva (Koudous Seihon) seizes the opportunity to leave Burkina Faso and find a better life for his daughter in Jonas Carpignano’s gripping feature debut, MEDITERRANEA. Joined by his best friend Abas (Alassane Sy), they embark on the treacherous journey by boat to Italy, only to find that getting to dry land is merely half the battle. Expanding on his award-winning short, A CHJÀNA (HIFF 2014), Carpignano artfully presents a complex portrait of immigration with both urgency and a humanist approach to understanding life on the margins. Inspired by real events and Seihon’s personal journey, MEDITERRANEA offers a profound and intimate look at the migrant crisis. RAMS “HRÚTAR” (Iceland) East Coast Premiere Director: Grímur Hákonarson Brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson) live side-byside but have not spoken in forty years. Stubborn and competitive, they only communicate via handwritten notes delivered by their loyal sheepdog Somi. When a deadly virus threatens their prize-winning sheep and livelihood, they are forced to come together to save their unique family breed, and themselves, from extinction. Winner of the Un Certain Regard Award in Cannes, RAMS (Iceland’s submission for the Oscars®) details the hardships of daily farm work in remote Iceland with humanism and humor. Stunningly combining otherworldly landscapes and powerful performances, director Grímur Hákonarson expertly builds this gentle comedy to reveal a deeper and emotionally moving tale. TAKE ME TO THE RIVER (USA) East Coast Premiere Director: Matt Sobel Accompanying his parents to a Nebraskan family reunion couldn’t be more uncomfortable for Ryder (Logan Miller), a gay Californian teenager. For his mother’s sake he agrees to act “normal,” but nonetheless attracts some unwanted attention from his conservative relatives. The only one who seems to like him is 9-year-old Molly (Ursula Parker), but a strange encounter between the two of them raises many questions and places Ryder at the center of a long-buried family secret. A superbly acted drama from first-time filmmaker Matt Sobel, TAKE ME TO THE RIVER reveals itself through Ryder’s perplexed point of view, unfolding in an atmosphere of mystery and trepidation. WORLD CINEMA DOCUMENTARY BOLSHOI BABYLON (UK) New York Premiere Director: Nick Read Moscow’s Bolshoi Ballet is one of the most esteemed ballet institutions in the world. A high-stakes environment in which some of the best ballet dancers in the world vie for the top spot, only an injury away from a complete career collapse. Behind its gleaming facade lies a world of boundless ambition, intrigue, and corruption that all came to a tragic apex in the 2013 acid-attack against its creative director, Sergei Filin by one of the company’s dancers. Benefiting from an unprecedented access, director Nick Reed follows the company’s attempts to recover after the incident and to redirect the focus back to the talent and artistic brilliance of its dancers. BY SIDNEY LUMET (USA) North American Premiere Director: Nancy Buirski Nancy Buirski’s BY SIDNEY LUMET is an enthralling portrait of the work and life of one of American cinema’s most accomplished and prolific directors. In a neverbefore-seen conversation recorded three years before his death, Sidney Lumet looks back on everything from his early years growing up in the Yiddish theater world to his distinguished career as a filmmaker. From his classic breakout hit, 12 ANGRY MEN, to his gritty, socially conscious masterpieces DOG DAY AFTERNOON, SERPICO, and NETWORK, Lumet has captivated audiences for decades with his powerful and timeless films. With humor and humility, the celebrated director speaks candidly about his legacy as an artist. THE C WORD (USA) World Premiere Director: Meghan O’Hara Filmmaker and cancer survivor Meghan O’Hara (producer of FAHRENHEIT 9/11, BOWLING FOR COLUMBINE) wants to change the way we think about cancer. In this daring and intimate film, she investigates the connection between the current cancer epidemic and our western lifestyle, including medical professionals’ tendency to treat only the symptoms and not the underlying causes. Backed by personal experiences and the scientific validation of Dr. David Servan-Schreiber, O’Hara asks us to reconsider the way we currently treat cancer, and advocate instead for societywide lifestyle changes. Narrated by Academy Award® winner Morgan Freeman, THE C WORD challenges us to step up and take control of our health. CLASS DIVIDE (USA) World Premiere Director: Marc Levin Director Marc Levin (SCHMATTA: RAGS TO RICHES TO RAGS, HIFF ‘09 and HARD TIMES: LOST ON LONG ISLAND, Audience Award HIFF ‘11) presents CLASS DIVIDE, a look into the modern effects of gentrification in West Chelsea, New York, seen through the eyes of students from both sides of the street—one avenue and worlds apart. On one side of the intersection of 10th Avenue and 26th Street sits Avenues, a world-class private school with a $50,000 per year price tag; on the other side sits the Elliott-Chelsea public housing projects, home to thousands of low-income and underemployed residents. In the face of rising inequality, stagnant class mobility, gentrification and much more, the kids from both sides of the street grapple with their relationship to each other amid the stark transformation. CROCODILE GENNADIY (USA/Ukraine) Director: Steve Hoover After the fall of the Soviet Union, Ukraine was left with dysfunctional social and political institutions, resulting in an increase in child homelessness. Pastor Gennadiy Mokhnenko takes matters into his own hands by forcibly abducting drug-addicted children from the streets, and rehabilitating them at his in-patient facility. Over the course of a decade, Gennadiy builds a reputation as a local hero to some, an anarchic vigilante to others. Director Steve Hoover meticulously chronicles this thrilling story with style and dedication. From executive producer Terrence Malick comes CROCODILE GENNADIY, a complex character study of a man who will stop at nothing to carry out his mission. DREAM/KILLER (USA) Director: Andrew Jenks In 2005, Ryan Ferguson, a 21-year-old from Columbia, Missouri, was wrongly convicted of murder by way of a drug addict’s false confession. Andrew Jenks’ timely documentary DREAM/KILLER follows Ryan’s father, Bill, as he wages a decadelong war to prove Ryan’s innocence and overturn his 40-year sentence. Bill’s restless efforts eventually lead to the discovery of legal misconduct, exposing fault lines in the American criminal justice system. Digging into a father’s fight to free his son, Jenks offers a sobering look at how easily a life can be lost to miscarriages of justice, and how an unwavering family bond can make all the difference. GOOD THINGS AWAIT “SÅ MEGET GODT I VENTE”(Denmark) East Coast Premiere Director: Phie Ambo Biodynamic farmer Niels Stokholm is committed to raising his herd of rare, Danish Red cattle according to their natural instincts. Practicing ancient agricultural techniques, all living things on his farm live in spiritual harmony. In his attempt to get an organic certification for his farm, Stokholm must overcome the unyielding bureaucracy of the EU. Risking everything for his beliefs, Stokholm hopes he won’t be one of the last biodynamic farmers, but rather the first of a new generation. Offering a refreshing alternative to “factory farming,” Phie Ambo’s visually stunning documentary makes a compelling case for nutrition, sustainability, and animal welfare. THE GREAT ALONE (USA) New York Premiere Director: Greg Kohs This is the inspiring comeback story of underdog Lance Mackey as he tries to live up to his father’s legendary 1978 win of the Iditarod race. His attempt to match his progenitor’s success was postponed when Lance was diagnosed with throat cancer in 2001. Through use of archival footage and home videos, we witness Lance’s unprecedented resilience and desire for greatness. An exhilarating experience, THE GREAT ALONE follows his lifelong journey to overcome his illness and become one of the greatest sled dog racers of all time. HARRY & SNOWMAN (USA) New York Premiere Director: Ron Davis At the end of World War II, Harry deLeyer journeyed to Long Island, New York, where he made a name for himself as a horse trainer and riding instructor at the exclusive Knox School. His career took a new turn when he paid $80 for an Amish plow horse named Snowman, bound for the glue factory. With the odds against them, Harry and Snowman went on to break show jumping records, becoming household names in the late 1950’s after winning the sport’s Triple Crown. The award winning documentary HARRY & SNOWMAN is a touching tale of a unique, decade-long friendship, told first-hand by Harry, now 85. HARRY BENSON: SHOOT FIRST (USA) World Premiere Director: Matthew Miele, Justin Bare HARRY BENSON: SHOOT FIRST chronicles the illustrious career of the prolific photographer who initially rose to fame alongside The Beatles, having been assigned to cover their inaugural trip to the United States. With unprecedented “behind the scenes” access, Benson captured some of the most vibrant and intimate portraits ever taken of the most popular band in history. His extensive portfolio includes iconic images of Winston Churchill, Bobby Fischer, Muhammad Ali, Greta Garbo, Michael Jackson, Dr. Martin Luther King, Jr., and the Robert F. Kennedy assassination. Now 85, workaholic Benson has no intention of stopping. HOW TO DANCE IN OHIO (USA) Director: Alexandra Shiva Finding a date, getting dressed up, and going to a school dance can be difficult for any teenager. For many living with autism, the idea of going to a spring formal is even more intimidating (and even frightening), considering the need to navigate social cues they don’t understand. Alexandra Shiva’s HOW TO DANCE IN OHIO follows a group of young people as they attempt to overcome their fears and prepare mentally, emotionally, and physically for this rite of passage. With a gentle and sensitive eye, Shiva follows the group through counseling and a series of role-play exercises leading up to the big dance. IN TRANSIT (USA) Directors: Albert Maysles, Lynn True, Nelson Walker, David Usui, Ben Wu In his final film, legendary documentarian Albert Maysles (GREY GARDENS, GIMME SHELTER, and HIFF Audience Award winner IRIS) boards the Empire Builder, the most active long-distance train route in America. In a series of thoughtful vignettes, Maysles and his four co-directors quietly capture the journeys of the various passengers and employers aboard the train. Against the backdrop of the wintry North American landscape, we learn each of their stories through personal anecdotes, snippets of overheard conversation, and hushed confessions between new friends. Harrowingly intimate, IN TRANSIT offers a new perspective on the cross-country journey, and acts as a moving farewell to the celebrated filmmaker. INDIAN POINT (USA) Director: Ivy Meeropol Just 35 miles from Times Square looms Indian Point Nuclear Power Plant, an aging facility that has raised a great deal of controversy in the surrounding community. Supported by the NRC (Nuclear Regulatory Commission), the plant’s safety has been a topic of debate for many years. With over 50 million people living in close proximity to the facility, director Ivy Meeropol offers a startling reality check in this powerful documentary. Compiling arguments from environmental activists, journalists, power plant employees and local residents, INDIAN POINT features varied points of view about one of the most concerning issues of our time. MY LOVE, DON’T CROSS THAT RIVER (South Korea) Director: Mo-young Jin An intimate portrait of an elderly couple nearing the end of life, MY LOVE, DON’T CROSS THAT RIVER is as delicate as it is raw. Observing this fragile couple in their South Korean home, director Mo-Young Jin’s camera acts as a fly-on-the-wall, observing a deep love painted through simple acts of affection—from a goodnatured leaf fight to a gentle caress of the cheek. No filmmaking tricks are necessary, as the honest and tender feelings emoted by this husband and wife are all that’s needed to tell this story of true love. PALIO (UK/Italy) Director: Cosima Spender Twice a summer, the Italian city of Siena transforms into a fierce battleground of jockeys representing each of the city’s ten districts in the Palio, the oldest horse race in the world. At the heart of the race are the jockeys, whose success means highesteemed praise but for whom failure could mean dishonor. Following the legendary Gigi Bruscheli, winner of 13 races, and his young protége Giovanni, PALIO gives a rich, all-access account of the city’s passionate relationship with the annual event. Playing like a classic sports drama, director Cosima Spender’s third documentary is a colorful and thrilling cinematic experience. THE RUSSIAN WOODPECKER “OROSZ HARKÁLY” (Ukraine/UK/USA) Director: Chad Gracia The Chernobyl disaster remains a mystery and for Ukrainian artist Fedor Alexandrovic, it fuels an obsession. Haunted by the events that forced his family to evacuate, Fedor begins to investigate the Duga, a massive radio antenna next to the nuclear plant. Once the most expensive Cold War weapon and possibly the key to understanding the explosion, the Duga leads Fedor and filmmaker Chad Gracia on a wild hunt for the truth. Weaving Soviet history with the current events in Ukraine, the Sundance Grand Jury prizewinner THE RUSSIAN WOODPECKER is a highly thrilling documentary about an artist’s courage and determination. SHERPA (Australia/Nepal) East Coast Premiere Director: Jennifer Peedom April 18, 2014. A 14,000-ton block of ice barrels down Mount Everest, killing 16 Sherpas in its frightening path. In the wake of the worst tragedy to ever befall the mountain, the remaining Sherpas unite to fight for respect and better working conditions, as their share of profits is not proportionate to the risks they regularly take. In Jennifer Peedom’s suspenseful documentary, these unsung heroes of the mountain they call Chomolungma, men who for over 60 years have guided Westerners to triumph upon Everest’s peak, step into the spotlight to tell their story. SONG OF LAHORE (USA/Pakistan) Directors: Andy Schocken, Sharmeen Obaid-Chinoy Lahore, Pakistan, was once known for its musical legacy, but with the Islamization of Pakistan in the 1970s, musicians have since struggled to continue their life’s work. When the talented musicians of Sachal Studios decide to fuse their traditional eastern sound with that of Dave Brubeck Quartet’s famous “Take Five,” they create a unique hybrid that unexpectedly finds its audience through social media. Garnering the attention of thousands, including legendary trumpeter Wynton Marsalis, they are invited to perform at Jazz at Lincoln Center. From directors Andy Schocken and Oscar® winner Sharmeen Obaid-Chinoy, SONG OF LAHORE is a real-life Cinderella story about the universal power of music. WORLD CINEMA NARRATIVE 11 MINUTES “11 MINUT” (Poland/Ireland) US Premiere Director: Jerzy Skolimowski After a 5-year absence from filmmaking, celebrated Polish auteur Jerzy Skolimowski (KNIFE IN THE WATER, ESSENTIAL KILLING) makes his glorious return with the gripping 11 MINUTES. Written and directed by Skolimowski, the thriller follows the same 11 minutes as experienced by a diverse group of characters, including a struggling actress, an ambulance driver, a would-be thief, and a hot dog vendor, whose lives are destined to intersect over a single day in Warsaw. Weaving through hotel rooms, private homes, and public spaces, Skolimowski captures the kinetic energy of a major metropolis filled with unique stories. Beautifully photographed and expertly paced, 11 MINUTES will keep you guessing until the very last second. 45 YEARS (UK) East Coast Premiere Director: Andrew Haigh In the midst of planning their 45th anniversary celebration, Kate (Charlotte Rampling) and Geoff’s (Tom Courtenay) seemingly happy marriage is suddenly called into question when he receives a letter concerning his first lover. Haunted by the past, Geoff withdraws into his memories, leaving Kate bewildered and insecure. As their anniversary approaches, Kate becomes increasingly troubled by how little she knows of her husband’s former affair, and how it may have unknowingly affected their own marriage. With outstanding and nuanced performances by Rampling and Courtenay, 45 YEARS quietly exposes the fragility of human relationships. ALL ABOUT THEM “À TROIS ON Y VA” (France) US Premiere Director: Jérôme Bonnell Charlotte (Sophie Verbeeck) and Micha (Félix Moati) are drifting away from each other and into the arms of Mélodie (Anaïs Demoustier), a young ambitious lawyer. Unaware that the other is having an affair with the same woman, their charade snowballs into a complicated mess of lies and lust, forcing each to reevaluate their relationship. Mélodie, on the other hand, is falling in love with both of them and finding it hard to juggle her romantic entanglements with work. Director Jérôme Bonnell’s ALL ABOUT THEM is a thoughtful rumination on the nature of relationships, carried by strong performances, humor, and passion. APRIL AND THE EXTRAORDINARY WORLD “AVRIL ET LE MONDE TRUQUÉ” (France/Canada/Belgium) East Coast Premiere Directors: Christian Desmares, Franck Ekinci In an alternate reality, where scientific innovation has stalled and electricity has yet to be invented, April (voiced by Academy Award® winner Marion Cotillard) is a young scientist trying to find her parents, who were mysteriously abducted while researching a powerful longevity serum. Accompanied by her talking cat Darwin and new friend Julius, April bravely embarks on a journey to discover the truth. From the producers of PERSEPOLIS and renowned graphic novelist Jacques Tardi, APRIL AND THE EXTRAORDINARY WORLD is a riveting adventure through a dystopian society where government agents and a master conspiracy stand in the way of human progress. BABAI (Germany/Kosovo/Macedonia/France) North American Premiere Director: Visar Morina Ten-year-old Nori (Val Maloku) and his father Gezim (Astrit Kabashi) roam the streets of Kosovo selling cigarettes and barely earning a living. Only a few years after the fall of the Berlin Wall, Gezim is lured west to Germany, leaving his son behind in search of a new life. Feeling deserted and desperate to claim some sense of stability, Nori embarks on a dangerous journey to Germany in search of his father—his “babai.” His tenacity, resilience, and sheer grit must be enough to guide him. BABAI (Kosovo’s submission for the Oscars®) marks the feature debuts of Maloku and Kosovo-born writer/director Visar Morina, both of whom demonstrate a profound maturity and quiet intensity in their respective crafts. CAFÉ DERBY (Belgium) International Premiere Director: Lenny Van Wesemael A born salesman, George can sell anything to anyone. When he hears about the Pope’s visit to a neighboring town, the anticipation of large crowds leads him to uproot his family and move his restaurant for the event that is sure to make him a millionaire. With unconditional support from his youngest daughter Sara, the wild adventure begins! Based on the true story of her extraordinary family, director Lenny Van Wesemael’s feature debut is a visual treat—a roller coaster ride seen through the unassuming eyes of young Sara, whose coming-of-age transpires softly throughout the film. THE CLUB “EL CLUB” (Chile) New York Premiere Director: Pablo Larraín In a quiet seaside town lies a home of repentance, inhabited by four dishonored priests and a former nun. After the admittance of a new priest creates a fatal stir, bringing unwelcomed visitors, including a victim of child molestation and a church bureaucrat, the home’s still atmosphere trembles. As old demons are brought to light, the priests are forced to bear the weight of their transgressions. Winner of the Grand Jury Prize at the Berlin International Film Festival and Chile’s submission for the Oscars®, THE CLUB’s muted colors, stellar ensemble cast, and dramatic score establish a somber mood that chillingly echoes the crimes of its lead characters. DHEEPAN (France) US Premiere Director: Jacques Audiard Winner of the Palm D’Or at the Cannes Film Festival, DHEEPAN is the stirring new film from renowned French director Jacques Audiard (A PROPHET, RUST AND BONE). Finding himself on the losing side of the brutal civil war in Sri Lanka, a Tamil rebel fighter (Antonythasan Jesuthasan) assumes the identity of a dead man named Dheepan in order to flee the country. Hoping to increase his chances of being granted asylum in Europe, he also finds a “wife” and a “daughter” to serve as his makeshift family. A fascinating observation on the immigrant experience, DHEEPAN follows the family as they struggle to build a new life and unexpectedly find themselves at the center of another conflict. DISORDER “MARYLAND” (France/Belgium) US Premiere Director: Alice Winocour Vincent (Matthias Schoenaerts, RUST AND BONE) is a Special Forces agent suffering from PTSD after a recent tour in Afghanistan. In between assignments, he is hired to protect the lavish estate of a wealthy Lebanese businessman. While the owner is away, Vincent is charged to look after his beautiful wife Jessie (Diane Kruger, INGLORIOUS BASTERDS) and their young son Ali. Disoriented by paranoia and anxiety, Vincent obsessively looks for danger in every corner of the seemingly peaceful home. Expertly helmed by director Alice Winocour, DISORDER seamlessly transitions from nuanced character drama into a riveting, suspenseful thriller. FELL (Australia) North American Premiere Director: Kasimir Burgess Having lost his daughter in a tragic accident, Thomas (Matt Nable) withdraws from city life and takes on a new identity as a logger in the town where the accident took place, working side by side with the man who was responsible for his daughter’s death. Marden Dean’s breathtaking cinematography captures the lush, foreboding Victorian Alps and gracefully guides the viewer between two painfully divisive worlds. A tonal achievement, it’s hard to believe that this contemplative, image driven drama is Australian filmmaker Kasimir Burgess’s feature debut. JAMES WHITE (USA) East Coast Premiere Director: Josh Mond James (Christopher Abbott) is a troubled, unemployed twenty-something trying to survive the chaos of New York City one vice at a time. However, his perpetual adolescence is abruptly put on hold when his mother’s (Cynthia Nixon) battle with cancer forces him to sober up and take care of her. With the pressures and responsibilities of adulthood looming over him, James lashes out and alienates himself from his loved ones, but when his mother’s health takes a turn for the worse, James must find new strength or risk total self-destruction. With his directorial debut JAMES WHITE, Josh Mond explores the deep and complicated relationship between a mother and son, and features a breakout performance from Abbott. KRISHA (USA) Director: Trey Edward Shults Krisha is doing fine. Krisha is doing much better. She will face her family for Thanksgiving because she is sober and she is ready. After years of absence from her family, she returns to reconnect with her son, cook dinner, and prove to her family that she has changed for the better. Completely panicked and teetering on the edge of delirium, Krisha comes face-to-face with her past in the narrative feature Grand Jury Prize and Audience Award winner at this year’s SXSW. With knockout performances, the film tears apart the common portrait of addiction, favoring inventive sound design and raw cinematography. KRISHA is unlike anything you’ve seen before, yet strangely familiar. LABYRINTH OF LIES “IM LABYRINTH DES SCHWEIGENS” (Germany) Director: Giulio Ricciarelli Johann Radmann (Alexander Fehling, INGLOURIOUS BASTERDS) is a recently appointed public prosecutor frustrated by the tedious traffic offenses assigned to him. When a local journalist tries to bring the crimes committed at Auschwitz to public attention, Radmann takes on the case against the orders of his supervisor. Fighting against ignorance and willful denial, his investigation uncovers the real horror and lasting wounds in 1958 Germany. Giulio Ricciarelli’s moving and thoughtprovoking LABYRINTH OF LIES (Germany’s submission for the Oscars®) is an artfully rendered account of the fight to identify, locate, and bring the Nazis responsible to trial. A MONSTER WITH A THOUSAND HEADS “UN MONSTRU DE MIL CABEZAS” (Mexico) North American Premiere Director: Rodrigo Plá When her insurance company refuses to approve the care her husband needs to survive, Sonia Bonet (Jan Raluy) takes things into her own hands. Up against an unyielding bureaucracy and disinterested workers, she is pushed to her breaking point: with her son in tow, she attempts to fight the system. Rodrigo Plá’s (LA DEMORA, HIFF 2012) new film A MONSTER WITH A THOUSAND HEADS combines socio-political commentary with a tense hostage thriller. With his expertly executed look at fury in the face of injustice, award-winning Plá delivers on the tension and keeps you on the edge of your seat. THE PREPPIE CONNECTION (USA) World Premiere Director: Joseph Castelo Based on a true story, THE PREPPIE CONNECTION chronicles the exploits of Toby Hammel (Thomas Mann, ME AND EARL AND THE DYING GIRL), a working class prodigy who steps into the elite corridors of Sage Hall, a prep school in his hometown, yet a world away. Vying for acceptance in the privileged culture and trying to charm Alex Hayes (Lucy Fry, VAMPIRE ACADEMY), the beautiful and elusive girl of his dreams, Toby quickly learns the way into the “Preppies” is different than he expected – supplying them with cocaine. Toby uses his connections and fearlessness to impress his new friends, but finds that accessing the world of privilege comes at a steep cost. Director Joseph Castelo’s edgy new film offers a unique and intriguing twist on the line between friendship and fitting in, especially when taken too far. ROOM (Ireland/Canada) East Coast Premiere Director: Lenny Abrahamson Adapted from the bestselling novel by author and screenwriter Emma Donoghue, ROOM follows Jack (Jacob Tremblay) and his Ma (Brie Larson), who live in a small, locked room. Having never left Room, Jack believes that only the things in the room are real and that everything he sees on TV is make-believe. Right after his fifth birthday, Ma reveals the secret that has kept them confined to the room all these years. A harrowing journey of discovery ensues, and Jack has to come to terms with the fact that there’s more to the world outside Room. A profoundly emotional exploration of the bond between mother and son with gripping performances, including Academy Award® nominees Joan Allen and William H. Macy, ROOM demonstrates the unstoppable force with which these bonds prevail even in the darkest circumstances. SON OF SAUL “SAUL FIA” (Hungary) Director: László Nemes Winner of the Grand Prix Award at the Cannes Film Festival and Hungary’s submission for the Oscars®, SON OF SAUL is the monumental debut feature from Hungarian director László Nemes. Saul Auslander (Géza Röhrig) is a JewishHungarian prisoner in Auschwitz and a member of its Sonderkommando (the body disposal team). With a haunting opening scene that lingers on Saul’s ashen face, his journey through the inferno is transfixing and, ultimately, a poignant danse macabre. When he discovers the body of a boy among the corpses he risks everything to save the corpse from cremation and find a rabbi to recite Kaddish and give him a proper burial. With tightly lensed cinematography, Nemes skillfully recreates the claustrophobic, dehumanizing atmosphere of the camp and its unsettling banality of evil. UMRIKA (India) East Coast Premiere Director: Prashant Nair In the small Indian village of Jitvapur, America (UMRIKA, as it’s known in the local vernacular) is an alluring utopia, vividly detailed in the fantastic letters Udai sends to his younger brother Ramakant. With Udai’s precise whereabouts unknown, Ramakant embarks on a journey to locate his older brother. What unfolds is a refreshingly energetic coming-of-age film in which idyllic images of America help shape and catalyze Ramakant’s entry into adulthood. With a strong cast that includes Suraj Sharma (LIFE OF PI) and Tony Revolori (THE GRAND BUDAPEST HOTEL), UMRIKA is an inspired tale of love, disappointment, and growth. VIRGIN MOUNTAIN “FÚSI” (Iceland/Denmark) Director: Dagur Kári Shy and awkward, Fusi (Gunnar Jónsson ) is in in his forties and still lives with his mother. Expecting little from his routine life and seldom socializing with others, he floats through a life within his own barriers until the bouncy Sjöfn (Ilmur Kristjánsdóttir) unexpectedly enters his life and he is forced to take a leap. Director Dagur Kári’s fourth film, the award-winning VIRGIN MOUNTAIN is a skillfully told balancing act of two outcasts—a timid hermit and a seemingly grounded extrovert who forces the former out of his shell. THE WAVE “BØLGEN” (Norway) East Coast Premiere Director: Roar Uthaug Norway’s submission for the Academy Awards®, THE WAVE is based on a terrifyingly plausible scenario. Nestled among Norway’s stunning fjords, Geiranger is one of the most spectacular tourist destinations on the planet. But above it looms a mountain that geologists know will one day collapse, triggering a massive tsunami. When seismic readings on the mountainside start producing unusual data, no one wants to believe that this could be the big one, especially with tourist season at its peak. When the mountain does begins to crumble, every soul in Geiranger has just ten minutes to get to high-ground before the tsunami hits, consuming everything in its path in this pulse-pounding thriller. FILMS OF CONFLICT AND RESOLUTION THE ARMOR OF LIGHT (USA) Director: Abigail E. Disney With her directorial debut, THE ARMOR OF LIGHT, Abigail Disney presents a candid portrait of a brave evangelical minister who questioned whether someone could be both pro-life and pro-gun. A leader of the anti-abortion movement and his church, Reverend Rob Schenck was forced to reconsider his position after meeting Lucy McBath, a fellow Christian and gun control activist, whose son, Jordan Davis, was shot in Florida. Forming an unlikely alliance, the two embarked on a courageous journey, taking on the NRA and the church, giving hope to the idea that we can unite across party lines and find a common ground. DEMOCRATS (Denmark) Director: Camilla Nielsson More than two decades after president Robert Mugabe’s corrupt dictatorship began, international pressure forced Zimbabwe to assemble a bipartisan committee to begin writing the country’s first democratic constitution. With remarkable access and over the course of three years, director Camilla Nielsson traces the arduous process of negotiations led by two rivals appointed to head the committee as they compete and debate the democratic process. At times dramatic and often comical, DEMOCRATS balances the clash of personalities against the backdrop of Mugabe’s regime with intimate moments of honesty and respect. HE NAMED ME MALALA (USA) Director: Davis Guggenheim Academy Award® winner Davis Guggenheim’s (AN INCONVENIENT TRUTH, WAITING FOR SUPERMAN) latest documentary is a candid look into the life of Malala Yousafzai, the youngest recipient of the Nobel Peace Prize. An advocate for education and children’s rights, Malala was rushed to the hospital after being attacked by the Taliban on October 9, 2012. With the entire world rallied behind her, Malala recovered and co-founded The Malala Fund to empower girls worldwide by facilitating access to education with the belief that “one child, one teacher, one book and one pen can change the world.” THE HIGH SUN “ZVIZDAN” (Croatia/Slovenia/Serbia) US Premiere Director: Dalibor Matanic The inter-ethnic wars that tore Yugoslavia apart loom large in the background of Dalibor Matanić’s latest film THE HIGH SUN, winner of the Un Certain Regard Jury Prize at the Cannes Film Festival and Croatia’s submission for the Oscars®. Although never shown on screen, the tumult of the conflict seeps through and disrupts the lives of three young couples in stories that mirror the turmoil and healing process of a nation at war with itself. The tryptic spans decades: the first story is set in 1991 at the beginning of the war, the second one in 2001 at the end of the war, and the final one a decade later. With superb performances by Tihana Lazovic and Goran Markovic, THE HIGH SUN illuminates the tenacity of love across hatred and ethnic divides. THE UNCONDEMNED (USA) World Premiere Directors: Michele Mitchell, Nick Louvel THE UNCONDEMNED tells the gripping and world-changing story of a group of young international lawyers and activists who fought to make rape a crime of war, and the Rwandan women who came forward to testify, to win justice, where there had been none. Up until this point, rape had not been considered a war crime and was committed with impunity. A courtroom thriller and personal human drama, THE UNCONDEMNED beautifully interweaves the stories of the characters in this odyssey, leading to the trial in the International Criminal Court–and the results that changed the world of criminal justice forever COMPASSION, JUSTICE & ANIMAL RIGHTS THE CHAMPIONS (USA) World Premiere Director: Darcy Dennett THE CHAMPIONS is the powerful story of the brave individuals who rescued, rehabilitated, and adopted the pit-bulls from NFL quarterback Michael Vick’s violent dog-fighting ring. Despite tremendous pressure from animal welfare organizations to euthanize these animals, a handful of men and women stepped in to give the dogs a second chance. With her inspiring documentary, first time filmmaker Darcy Dennett proves the power of resilience and addresses a variety of important issues, including the unfair stigma surrounding this misunderstood breed, the exploitation of animals for the sake of entertainment, and the way society is too quick to forgive its star athletes. HOW TO CHANGE THE WORLD (UK/Canada) Director: Jerry Rothwell In 1971, a group of journalists, scientists, and hippies set sail on a mission to prevent American atomic tests on an Alaskan Island. Transformed by the experience, this small grassroots band of activists launched the start of the Greenpeace movement. Young, media-savvy, and with cameras in hand, they campaigned against the whaling industry and made front-page news. Compiling never before seen footage into a thrilling and high-energy film, Jerry Rothwell’s HOW TO CHANGE THE WORLD chronicles the rise of Greenpeace, their dynamic personalities, and the internal ideological debates about the mission of the organization. SPECIAL SCREENINGS BEST OF ENEMIES (USA) Audience Award Winner: SummerDocs Directors: Morgan Neville, Robert Gordon In 1968, liberal Gore Vidal and conservative William F. Buckley, Jr. were invited to participate in a series of nationally televised debates on the Democratic and Republican national conventions as an attempt to bump up ratings for ABC. BEST OF ENEMIES is the behind-the-scenes look at the explosive live event, filled with deep insults, both personal and political, that launched the shift in public debate from substance to spectacle. From filmmakers Robert Gordon and Academy Award® winner Morgan Neville (TWENTY FEET FROM STARDOM) comes a brilliant and often hilarious take on the verbal boxing match that changed the way we talk about politics.

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  • 26 Films Including World Premiere of Steven Spielberg’s BRIDGE OF SPIES on Main Slate for 53rd New York Film Festival

    Steven Spielberg’s Bridge of Spies, starring Tom Hanks and Mark Rylance 26 films will comprise the Main Slate official selection of the 53rd New York Film Festival (NYFF) taking place September 25 to October 11.  The 2015 Main Slate will host four World Premieres: Steven Spielberg’s Bridge of Spies (pictured above), starring Tom Hanks and Mark Rylance in the Cold War story of the 1962 exchange of a U-2 pilot for a Soviet agent; Laura Israel’s Don’t Blink: Robert Frank, a documentary portrait of the great photographer and filmmaker; as well as the previously announced Opening Night selection The Walk and Closing Night selection Miles Ahead. https://www.youtube.com/watch?v=2-2x3r1m2I4 Award-winning films from Cannes will be presented to New York audiences for the first time, including Best Director Hou Hsiao-hsien’s The Assassin; Todd Haynes’s Carol, starring Best Actress winner Rooney Mara; Stéphane Brizé’s The Measure of a Man, starring Best Actor winner Vincent Lindon; Jury Prize winner The Lobster; Un Certain Regard Best Director Kiyoshi Kurosawa’s Journey to the Shore; and Un Certain Talent Prize winner Corneliu Porumboiu’s The Treasure. Other notables among the many filmmakers returning to NYFF with new works include Michael Moore with Where To Invade Next, which takes a hard and surprising look at the state of our nation from a fresh perspective; NYFF mainstay Hong Sangsoo, who will present his latest masterwork, Right Now, Wrong Then, about the relationship between a middle-aged art-film director and a fledgling artist; and French director Arnaud Desplechin, who is back with the funny and heartrending story of young love My Golden Days, starring Mathieu Amalric and newcomers Quentin Dolmaire and Lou Roy-Lecollinet. Two filmmakers in this year’s lineup make their directorial debuts: Don Cheadle with Miles Ahead, a remarkable portrait of the artist Miles Davis (played by the Cheadle), during his crazy days in New York in the late-70s, and Thomas Bidegain withLes Cowboys, a film reminiscent of John Ford’s The Searchers, in which a father searches for his missing daughter across a two-decade timespan—pre- to post-9/11—from Europe to Afghanistan and back. Several titles also add a comedic layer to this year’s lineup, including Rebecca Miller’s Maggie’s Plan, a New York romantic comedy starring Greta Gerwig, Ethan Hawke, Julianne Moore, Bill Hader, and Maya Rudolph; the moving and hilarious Mia Madre from Nanni Moretti, starring John Turturro; Michel Gondry’s Microbe & Gasoline, a new handmade-SFX comedy that  follows two adolescent misfits who build a house on wheels and travel across France; and Corneliu Porumboiu’s The Treasure, a modern-day fable in which two men look for buried treasure in their backyard. Opening Night The Walk Robert Zemeckis, USA, 2015, 3-D DCP, 100m Robert Zemeckis’s magical and enthralling new film, the story of Philippe Petit (winningly played by Joseph Gordon-Levitt) and his walk between the World Trade Center’s Twin Towers, plays like a heist movie in the grand tradition of Rififi and Bob le flambeur. Zemeckis takes us through every detail—the stakeouts, the acquisition of equipment, the elaborate planning and rehearsing that it took to get Petit, his crew of raucous cohorts, and hundreds of pounds of rigging to the top of what was then the world’s tallest building. When Petit steps out on his wire, The Walk, a technical marvel and perfect 3-D re-creation of Lower Manhattan in the 1970s, shifts into another heart-stopping gear, and Zemeckis and his hero transport us into pure sublimity. With Ben Kingsley as Petit’s mentor. A Sony Pictures release. World Premiere Centerpiece Steve Jobs Danny Boyle, USA, 2015, DCP, TBC Anyone going to this provocative and wildly entertaining film expecting a straight biopic of Steve Jobs is in for a shock. Working from Walter Isaacson’s biography, writer Aaron Sorkin (The Social Network, Charlie Wilson’s War) and director Danny Boyle (Slumdog Millionaire, 127 Hours) joined forces to create this dynamically character-driven portrait of the brilliant man at the epicenter of the digital revolution, weaving the multiple threads of their protagonist’s life into three daringly extended backstage scenes, as he prepares to launch the first Macintosh, the NeXT work station and the iMac. We get a dazzlingly executed cross-hatched portrait of a complex and contradictory man, set against the changing fortunes and circumstances of the home-computer industry and the ascendancy of branding, of products, and of oneself. The stellar cast includes Michael Fassbender in the title role, Kate Winslet as Joanna Hoffman, Seth Rogen as Steve Wozniak, Jeff Daniels as John Sculley, Katherine Waterston as Chrisann Brennan and Michael Stuhlbarg as Andy Hertzfeld. A Universal Pictures release. Closing Night Miles Ahead Don Cheadle, USA, 2015, DCP, 100m Miles Davis was one of the greatest artists of the 20th century. And how do you make a movie about him? You get to know the man inside and out and then you reveal him in full, which is exactly what Don Cheadle does as a director, a writer, and an actor with this remarkable portrait of Davis, refracted through his crazy days in the late-70s. Holed up in his Manhattan apartment, wracked with pain from a variety of ailments and sweating for the next check from his record company, dodging sycophants and industry executives, he is haunted by memories of old glories and humiliations and of his years with his great love Frances Taylor (Emayatzy Corinealdi). Every second of Cheadle’s cinematic mosaic is passionately engaged with its subject: this is, truly, one of the finest films ever made about the life of an artist. With Ewan McGregor as Dave Brill, the “reporter” who cons his way into Miles’ apartment. A Sony Pictures Classics release. World Premiere Arabian Nights: Volume 1, The Restless One Miguel Gomes, Portugal/France/Germany/Switzerland, 2015, DCP, 125m Portuguese with English subtitles An up-to-the minute rethinking of what it means to make a political film today, Miguel Gomes’s shape-shifting paean to the art of storytelling strives for what its opening titles call “a fictional form from facts.” Working for a full year with a team of journalists who sent dispatches from all over the country during Portugal’s recent plunge into austerity, Gomes (Tabu, NYFF50) turns actual events into the stuff of fable, and channels it all through the mellifluous voice of Scheherazade (Crista Alfaiate), the mythic queen of the classic folktale. Volume 1 alone tries on more narrative devices than most filmmakers attempt in a lifetime, mingling documentary material about unemployment and local elections with visions of exploding whales and talking cockerels. It is hard to imagine a more generous or radical approach to these troubled times, one that honors its fantasy life as fully as its hard realities. A Kino Lorber release. U.S. Premiere Arabian Nights: Volume 2, The Desolate One Miguel Gomes, Portugal/France/Germany/Switzerland, 2015, DCP, 131m Portuguese with English subtitles In keeping with its subtitle, the middle section of Miguel Gomes’s monumental yet light-footed magnum opus shifts into a more subdued and melancholic register. But within each of these three tales, framed as the wild imaginings of the Arabian queen Scheherazade and adapted from recent real-life events in Portugal, there are surprises and digressions aplenty. In the first, a deadpan neo-Western of sorts, an escaped murderer becomes a local hero for dodging the authorities. The second deals with the theft of 13 cows, as told through a Brechtian open-air courtroom drama in which the testimonies become increasingly absurd. Finally, a Maltese poodle shuttles between various owners in a tear-jerking collective portrait of a tower block’s morose residents. Attesting to the power of fiction to generate its own reality, the film treats its fantasy dimension as a license for directness, a path to a more meaningful truth. A Kino Lorber release. U.S. Premiere Arabian Nights: Volume 3, The Enchanted One Miguel Gomes, Portugal/France/Germany/Switzerland, 2015, DCP, 125m Portuguese with English subtitles Miguel Gomes’s sui generis epic concludes with arguably its most eccentric—and most enthralling—installment. Scheherazade escapes the king for an interlude of freedom in Old Baghdad, envisioned here as a sunny Mediterranean archipelago complete with hippies and break-dancers. After her eventual return to her palatial confines comes the most lovingly protracted of all the stories in Arabian Nights, a documentary chronicle of Lisbon-area bird trappers preparing their prized finches for birdsong competitions. Right to the end, Gomes’s film balances the leisurely art of the tall tale with a sense of deadline urgency—a reminder that for Scheherazade, and perhaps for us all, stories can be a matter of life and death. A Kino Lorber release. U.S. Premiere The Assassin Hou Hsiao-hsien, Taiwan/China/Hong Kong, 2015, DCP, 105m Mandarin with English subtitles A wuxia like no other, The Assassin is set in the waning years of the Tang Dynasty when provincial rulers are challenging the power of royal court. Nie Yinniang (Shu Qi), who was exiled as a child so that her betrothed could make a more politically advantageous match, has been trained as an assassin for hire. Her mission is to destroy her former financé (Chang Chen). But worry not about the plot, which is as old as the jagged mountains and deep forests that bear witness to the cycles of power and as elusive as the mists that surround them. Hou’s art is in the telling. The film is immersive and ephemeral, sensuous and spare, and as gloriously beautiful in its candle-lit sumptuous red and gold decor as Hou’s 1998 masterpiece, Flowers of Shanghai. As for the fight scenes, they’re over almost before you realize they’ve happened, but they will stay in your mind’s eye forever. A Well Go USA release. U.S. Premiere Bridge of Spies Steven Spielberg, USA, 2015, DCP, 135m The “bridge of spies” of the title refers to Glienicke Bridge, which crosses what was once the borderline between the Federal Republic of Germany and the GDR. In the time from the building of the Berlin Wall to its destruction in 1989, there were three prisoner exchanges between East and West. The first and most famous spy swap occurred on February 10, 1962, when Soviet agent Rudolph Abel was traded for American pilot Francis Gary Powers, captured by the Soviets when his U-2 reconnaissance plane was shot down over Sverdlovsk. The exchange was negotiated by Abel’s lawyer, James B. Donovan, who also arranged for the simultaneous release of American student Frederic Pryor at Checkpoint Charlie. Working from a script by Matt Charman and Joel and Ethan Coen, Steven Spielberg has brought every strange turn in this complex Cold War story to vividly tactile life. With a brilliant cast, headed by Tom Hanks as Donovan and Mark Rylance as Abel—two men who strike up an improbable friendship based on a shared belief in public service. A Touchstone Pictures release. World Premiere Brooklyn John Crowley, UK/Ireland/Canada, 2015, 35mm/DCP, 112m In the middle of the last century, Eilis (Saoirse Ronan) takes the boat from Ireland to America in search of a better life. She endures the loneliness of the exile, boarding with an insular and catty collection of Irish girls in Brooklyn. Gradually, her American dream materializes: she studies bookkeeping and meets a handsome, sweet Italian boy (Emory Cohen). But then bad news brings her back home, where she finds a good job and another handsome boy (Domhnall Gleeson), this time from a prosperous family. On which side of the Atlantic does Eilis’s future live, and with whom? Director John Crowley (Boy A) and writer Nick Hornby haven’t just fashioned a great adaptation of Colm Tóibín’s novel, but a beautiful movie, a sensitively textured re-creation of the look and emotional climate of mid-century America and Ireland, with Ronan, as quietly and vibrantly alive as a silent-screen heroine, at its heart. A Fox Searchlight Pictures release. Carol Todd Haynes, USA, 2015, DCP, 118m Todd Haynes’s adaptation of Patricia Highsmith’s debut novel stars Cate Blanchett as the titular Carol, a wealthy suburban wife and mother, and Rooney Mara as an aspiring photographer who meet by chance, fall in love almost at first sight, and defy the closet of the early 1950s to be together. Working with his longtime cinematographer Ed Lachman and shooting on the Super-16 film he favors for the way it echoes the movie history of 20th-century America, Haynes charts subtle shifts of power and desire in images that are alternately luminous and oppressive. Blanchett and Mara are both splendid; the erotic connection between their characters is palpable from beginning to end, as much in its repression as in eagerly claimed moments of expressive freedom. Originally published under a pseudonym, Carol is Highsmith’s most affirmative work; Haynes has more than done justice to the multilayered emotions evoked by it source material. A Weinstein Company release. Cemetery of Splendour Apichatpong Weerasethakul, Thailand/UK/France/Germany/Malaysia, 2015, DCP, 122m Thai with English subtitles The wondrous new film by Thai director Apichatpong Weerasethakul (whose last feature, Uncle Boonmee Who Can Recall His Past Lives, was a Palme d’Or winner and a NYFF48 selection) is set in and around a hospital ward full of comatose soldiers. Attached to glowing dream machines, and tended to by a kindly volunteer (Jenjira Pongpas Widner) and a young clairvoyant (Jarinpattra Rueangram), the men are said to be waging war in their sleep on behalf of long-dead feuding kings, and their mysterious slumber provides the rich central metaphor: sleep as safe haven, as escape mechanism, as ignorance, as bliss. To slyer and sharper effect than ever, Apichatpong merges supernatural phenomena with Thailand’s historical phantoms and national traumas. Even more seamlessly than his previous films, this sun-dappled reverie induces a sensation of lucid dreaming, conjuring a haunted world where memory and myth intrude on physical space. A Strand Releasing release. U.S. Premiere Les Cowboys Thomas Bidegain, 2015, France, DCP, 114m French and English with English subtitles Country and Western enthusiast Alain (François Damiens) is enjoying an outdoor gathering of fellow devotees with his wife and teenage children when his daughter abruptly vanishes. Learning that she’s eloped with her Muslim boyfriend, he embarks on increasingly obsessive quest to track her down. As the years pass and the trail grows cold, Alain sacrifices everything, while drafting his son into his efforts. The echoes of The Searchers are unmistakable, but the story departs from John Ford’s film in unexpected ways, escaping its confining European milieu as the pursuit assumes near-epic proportions in post-9/11 Afghanistan. This muscular debut, worthy of director Thomas Bidegain’s screenwriting collaborations with Jacques Audiard, yields a sweeping vision of a world in which the codes of the Old West no longer seem to hold. A Cohen Media Group release. U.S. Premiere Don’t Blink: Robert Frank Laura Israel, USA/Canada, 2015, DCP, 82m The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90. World Premiere Experimenter Michael Almereyda, USA, 2014, DCP, 94m Michael Almereyda’s brilliant portrait of Stanley Milgram, the social scientist whose 1961, Yale-based “obedience study” reflected back on the Holocaust and anticipated Abu Ghraib and other atrocities carried out by ordinary people who were just following orders, places its subject in an appropriately experimental cinema framework. The proverbial elephant in the room materializes on screen; Milgram (Peter Sarsgaard) sometimes addresses the camera directly as if to implicate us in his studies and the unpleasant truths they reveal. Remarkably, the film evokes great compassion for this uncompromising, difficult man, in part because we often see him through the eyes of his wife (Winona Ryder, in a wonderfully grounded performance), who fully believed in his work and its profoundly moral purpose. Almereyda creates the bohemian-tinged academic world of the 1960s through the 1980s with an economy that Stanley Kubrick might have envied. A Magnolia Pictures release. The Forbidden Room Guy Maddin & Evan Johnson, Canada, 2015, DCP, 120m The four-man crew of a submarine are trapped underwater, running out of air. A classic scenario of claustrophobic suspense—at least until a hatch opens and out steps… a lumberjack? As this newcomer’s backstory unfolds (and unfolds and unfolds in over a dozen outlandish tales), Guy Maddin, cinema’s reigning master of feverish filmic fetishism, embarks on a phantasmagoric narrative adventure of stories within stories within dreams within flashbacks in a delirious globe-trotting mise en abyme the equals of any by the late Raúl Ruiz. Collaborating with poet John Ashbery and featuring sublime contributions from the likes of Jacques Nolot, Charlotte Rampling, Mathieu Amalric, legendary cult electro-pop duo Sparks, and not forgetting muses Louis Negin and Udo Kier, Maddin dives deeper than ever: only the lovechild of Josef von Sternberg and Jack Smith could be responsible for this insane magnum opus. A Kino Lorber release. In the Shadow of Women / L’Ombre des femmes Philippe Garrel, France, 2015, DCP, 73m French with English subtitles The new film by the great Philippe Garrel (previously seen at the NYFF with Regular Lovers in 2005 and Jealousy in 2013) is a close look at infidelity—not merely the fact of it, but the particular, divergent ways in which it’s experienced and understood by men and women. Stanislas Merhar and Clotilde Courau are Pierre and Manon, a married couple working in fragile harmony on Pierre’s documentary film projects, the latest of which is a portrait of a resistance fighter (Jean Pommier). When Pierre takes a lover (Lena Paugam), he feels entitled to do so, and he treats both wife and mistress with disengagement bordering on disdain; when Manon catches Pierre in the act, her immediate response is to find common ground with her husband. Garrel is an artist of intimacies and emotional ecologies, and with In the Shadow of Women he has added narrative intricacy and intrigue to his toolbox. The result is an exquisite jewel of a film. U.S. Premiere Journey to the Shore / Kishibe no tabi Kiyoshi Kurosawa, Japan/France, 2015, DCP, 127m Japanese with English subtitles Based on Kazumi Yumoto’s 2010 novel, Kiyoshi Kurosawa’s latest film begins with a young widow named Mizuki (Eri Fukatsu), who has been emotionally flattened and muted by the disappearance of her husband Yusuke (Tadanobu Asano). One day, from out of the blue or the black, Yusuke’s ghost drops in, more like an exhausted and unexpected guest than a wandering spirit. And then Journey to the Shore becomes a road movie: Mizuki and Yusuke pack their bags, leave Tokyo, and travel by train through parts of Japan that we rarely see in movies, acclimating themselves to their new circumstances and stopping for extended stays with friends and fellow pilgrims that Yusuke has met on his way through the afterworld, some living and some dead. The particular beauty of Journey to the Shore lies in its flowing sense of life as balance between work and love, existence and nonexistence, you and me. U.S. Premiere The Lobster Yorgos Lanthimos, France/Netherlands/Greece/UK, 2015, DCP, 118m In the very near future, society demands that we live as couples. Single people are rounded up and sent to a seaside compound—part resort and part minimum-security prison—where they are given a finite number of days to find a match. If they don’t succeed, they will be “altered” and turned into an animal. The recently divorced David (Colin Farrell) arrives at The Hotel with his brother, now a dog; in the event of failure, David has chosen to become a lobster… because they live so long. When David falls in love, he’s up against a new set of rules established by another, rebellious order: for romantics, there’s nowhere to run, nowhere to hide. Welcome to the latest dark, dark comedy from Yorgos Lanthimos (Dogtooth), creator of absurdist societies not so very different from our own. With Léa Seydoux as the leader of the Loners, Rachel Weisz as David’s true love, John C. Reilly, and Ben Whishaw. An Alchemy release. Maggie’s Plan Rebecca Miller, USA, 2015, DCP, 92m Rebecca Miller’s new film is as wise, funny, and suspenseful as a Jane Austen novel. Greta Gerwig shines brightly in the role of Maggie, a New School administrator on the verge of completing her life plan with a donor-fathered baby when she meets John (Ethan Hawke), a soulful but unfulfilled adjunct professor. John is unhappily married to a Columbia-tenured academic superstar wound tighter than a coiled spring (Julianne Moore). Maggie and the professor commiserate, share confidences, and fall in love. And where most contemporary romantic comedies end, Miller’s film is just getting started. In the tradition of Woody Allen and Paul Mazursky, Miller approaches the genre of the New York romantic comedy with relish and loving energy. With Bill Hader and Maya Rudolph as Maggie’s married-with-children friends, drawn to defensive sarcasm like moths to a flame, and Travis Fimmel as Maggie’s donor-in-waiting. U.S. Premiere The Measure of a Man / La Loi du marché Stéphane Brizé, France, 2015, DCP, 93m French with English subtitles Vincent Lindon gives his finest performance to date as unemployed everyman Thierry, who must submit to a series of quietly humiliating ordeals in his search for work. Futile retraining courses that lead to dead ends, interviews via Skype, an interview-coaching workshop critique of his self-presentation by fellow jobseekers—all are mechanisms that seek to break him down and strip him of identity and self-respect in the name of reengineering of a workforce fit for an neoliberal technocratic system. Nothing if not determinist, Stéphane Brizé’s film dispassionately monitors the progress of its stoic protagonist until at last he lands a job on the front line in the surveillance and control of his fellow man—and finally faces one too many moral dilemmas. A powerful and deeply troubling vision of the realities of our new economic order. A Kino Lorber release. North American Premiere Mia Madre Nanni Moretti, Italy/France, 2015, DCP, 106m Italian and English with English subtitles Margherita (Margherita Buy) is a middle-aged filmmaker contending with shooting an international co-production with a mercurial American actor (John Turturro) and with the fact that her beloved mother (Giulia Lazzarini) is mortally ill. Underrated as an actor, director Nanni Moretti, offers a fascinating portrayal as Margherita’s brother, a quietly abrasive, intelligent man with a wonderfully tamped-down generosity and warmth. The construction of the film is as simple as it is beautiful: the chaos of the movie within the movie merges with the fear of disorder and feelings of pain and loss brought about by impending death. Mia Madre is a sharp and continually surprising work about the fragility of existence that is by turns moving, hilarious, and subtly disquieting. An Alchemy release. U.S. Premiere Microbe & Gasoline / Microbe et Gasoil Michel Gondry, France, 2015, DCP, 103m French with English subtitles The new handmade-SFX comedy from Michel Gondry (Eternal Sunshine of the Spotless Mind, Be Kind Rewind) is set in an autobiographical key. Teenage misfits Microbe (Ange Dargent) and Gasoline (Théophile Baquet), one nicknamed for his size and the other for his love of all things mechanical and fuel-powered, become fast friends. Unloved in school and misunderstood at home—Microbe is overprotected, Gasoline is by turns ignored and abused—they decide to build a house on wheels (complete with a collapsible flower window box) and sputter, push, and coast their way to the camp where Gasoline went as a child, with a stop along the way to visit Microbe’s crush (Diane Besnier). Gondry’s visual imagination is prodigious, and so is his cultivation of spontaneously generated fun and off-angled lyricism, his absolute irreverence, and his emotional frankness. This is one of his freshest and loveliest films. With Audrey Tatou as Microbe’s mom. U.S. Premiere Mountains May Depart Jia Zhangke, China/France/Japan, 2015, DCP, 131m Mandarin and English with English subtitles The plot of Jia Zhangke’s new film is simplicity itself. Fenyang 1999, on the cusp of the capitalist explosion in China. Shen Tao (Zhao Tao) has two suitors—Zhang (Zhang Yi), an entrepreneur-to-be, and his best friend Liangzi (Liang Jin Dong), who makes his living in the local coal mine. Shen Tao decides, with a note of regret, to marry Zhang, a man with a future. Flash-forward 15 years: the couple’s son Dollar is paying a visit to his now-estranged mother, and everyone and everything seems to have grown more distant in time and space… and then further ahead in time, to even greater distances. Jia is modern cinema’s greatest poet of drift and the uncanny, slow-motion feeling of massive and inexorable change. Like his 2013 A Touch of Sin, Mountains May Depart is an epically scaled canvas. But where the former was angry and quietly terrifying, the latter is a heartbreaking prayer for the restoration of what has been lost in the name of progress. A Kino Lorber release. U.S. Premiere My Golden Days / Trois Souvenirs de ma jeunesse Arnaud Desplechin, France, 2015, DCP, 123m French with English subtitles Arnaud Desplechin’s alternately hilarious and heartrending latest work is intimate yet expansive, a true autobiographical epic. Mathieu Amalric—Jean-Pierre Léaud to Desplechin’s François Truffaut—reprises the character of Paul Dédalus from the director’s groundbreaking My Sex Life… or How I Got Into an Argument (NYFF, 1996), now looking back on the mystery of his own identity from the lofty vantage point of middle age. Desplechin visits three varied but interlocking episodes in his hero’s life, each more surprising and richly textured than the next, and at the core of his film is the romance between the adolescent Paul (Quentin Dolmaire) and Esther (Lou Roy-Lecollinet). Most directors trivialize young love by slotting it into a clichéd category, but here it is ennobled and alive in all of its heartbreak, terror, and beauty. Le Monde recently referred to Desplechin as “the most Shakespearean of filmmakers,” and boy, did they ever get that right. My Golden Days is a wonder to behold. A Magnolia Pictures release. North American Premiere No Home Movie Chantal Akerman, Belgium/France, 2015, DCP, 115m French and English with English subtitles At the center of Chantal Akerman’s enormous body of work is her mother, a Holocaust survivor who married and raised a family in Brussels. In recent years, the filmmaker has explicitly depicted, in videos, books, and installation works, her mother’s life and her own intense connection to her mother, and in turn her mother’s connection to her mother. No Home Movie is a portrait by Akerman, the daughter, of Akerman, the mother, in the last years of her life. It is an extremely intimate film but also one of great formal precision and beauty, one of the rare works of art that is both personal and universal, and as much a masterpiece as her 1975 career-defining Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles. U.S. Premiere Right Now, Wrong Then Hong Sangsoo, South Korea, 2015, DCP, 121m Korean with English subtitles Ham Chunsu (Jung Jaeyoung) is an art-film director who has come to Suwon for a screening of one of his movies. He meets Yoon Heejung (Kim Minhee), a fledgling artist. She’s never seen any of his films but knows he’s famous; he’d like to see her paintings and then go for sushi and soju. Every word, every pause, every facial expression and every movement, is a negotiation between revelation and concealment: too far over the line for Chunsu and he’s suddenly a middle-aged man on the prowl who uses insights as tools of seduction; too far for Heejung and she’s suddenly acquiescing to a man who’s leaving the next day. So they walk the fine line all the way to a tough and mordantly funny end point, at which time… we begin again, but now with different emotional dynamics. Hong Sangsoo, represented many times in the NYFF, achieves a maximum of layered nuance with a minimum of people, places, and incidents. He is, truly, a master. U.S. Premiere The Treasure / Comoara Corneliu Porumboiu, Romania, 2015, DCP, 89m Romanian with English subtitles Costi (Cuzin Toma) leads a fairly quiet, unremarkable life with his wife and son. He’s a good provider, but he struggles to make ends meet. One evening there’s a knock at the door. It’s a stranger, a neighbor named Adrian (Adrian Purcarescu), with a business proposal: lend him some money to find a buried treasure in his grandparents’ backyard and they’ll split the proceeds. Is it a scam or a real treasure hunt? Corneliu Porumboiu’s (When Evening Falls on Bucharest or Metabolism, NYFF 2013) modern-day fable starts like an old Honeymooners episode with a get-rich-quick premise, gradually develops into a shaggy slapstick comedy, shifts gears into a hilariously dry delineation of the multiple layers of pure bureaucracy and paperwork drudgery, and ends in a new and altogether surprising key. Porumboiu is one of the subtlest artists in movies, and this is one of his wryest films, and his most magical. Where To Invade Next Michael Moore, USA, 2015, DCP, 110m Where are we, as Americans? Where are we going as a country? And is it where we want to go, or where we think we have to go? Since Roger & Me in 1989, Michael Moore has been examining these questions and coming up with answers that are several worlds away from the ones we are used to seeing and hearing and reading in mainstream media, or from our elected officials. In his previous films, Moore has taken on one issue at a time, from the hemorrhaging of American jobs to the response to 9/11 to the precariousness of our healthcare system. In his new film, he shifts his focus to the whole shebang and ponders the current state of the nation from a very different perspective: that is, from the outside looking in. Where To Invade Next is provocative, very funny, and impassioned—just like all of Moore’s work. But it’s also pretty surprising. U.S. Premiere

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  • Steve Jobs Documentary to Open 2015 San Francisco International Film Festival

    Steve Jobs Documentary to Open 2015 San Francisco International Film Festival The Big Nights selections are revealed for the 58th San Francisco International Film Festival taking place April 23 – May 7, 2015.  including the Opening Night, Centerpiece and Closing Night programs. The two-week festival kicks off with the Opening Night presentation of Alex Gibney’s fascinating documentary Steve Jobs: The Man in the Machine (USA 2015), about the tech icon. The End of the Tour (USA 2015), James Ponsoldt’s acclaimed portrait of David Foster Wallace starring Jason Segel and Jesse Eisenberg, is slated for the Festival’s high-profile Centerpiece spot. Finally, the Festival will come to a close with celebrated veteran director Michael Almereyda’s drama Experimenter (USA 2015), starring Peter Sarsgaard and Winona Ryder. Opening Night: Steve Jobs: The Man in the Machine When Steve Jobs died in 2011, the world mourned. But why, asks Alex Gibney, were people who never knew him moved to tears by the death of a businessman who sold them products? Featuring frank interviews with close friends and former colleagues, the film adds detail, nuance and counterpoint to the burnished tale of Jobs’ journey from garage to corner office, offering a bracingly candid inquiry into his genius and his flaws as well as our own relationship to technology. Centerpiece: The End of the Tour A novelist of modest success wins an assignment from Rolling Stone to follow David Foster Wallace on the end of his Infinite Jest publicity tour. Over the course of five days, the two engage in heady discourse about art, the modern world and the pitfalls of self-conscious living while skirting the borders between friendship and professional distance. Based on writer Dave Lipsky’s memoir, James Ponsoldt’s melancholy chamber piece exhibits the director’s characteristic generosity toward human imperfection embodied in Jason Segel’s quietly affecting performance as Wallace. Closing Night: Experimenter This inventive and playful biography of scientist Stanley Milgram revisits his famous experiment, in which subjects were made to believe they were administering electric shocks to others in order to test why people will cede to authority, no matter how brutal the request. An examination of scientific ethics, the drama also explores the moral consequences of “just following orders.” Anchored by a riveting performance from Peter Sarsgaard as Milgram, iconoclastic genius Michael Almereyda (Hamlet) has delivered a timely and important film about the role of science in our society.

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