Bastards y Diablos[/caption]
Bastards y Diablos, with several cast and crew members who hailed from nearby Medford, Oregon, swept both the juried and audience awards for Best Feature at the 2016 Ashland Independent Film Festival.The film is a voyage of self-discovery and reconciliation for two estranged half-brothers told in an unconventional manner. It was shot entirely on location in Columbia, on a budget of only $25,000. The co-star was Dillon Porter, who grew up in Medford.
https://www.youtube.com/watch?v=A4NuLLJmHQo
The documentary Mothering Inside by Portland director Brian Lindstrom won the audience award for Best Short Documentary, and the audience award for Best Feature length documentary went to Voyagers Without Trace, which was directed, produced and written by Ian McCluskey, also from Portland. The audience award for Short Film was awarded to The Stairs, which co-stars Oregon Shakespeare Festival (OSF) actor Anthony Heald.
https://www.youtube.com/watch?v=tkS0bxwoF-k
https://www.youtube.com/watch?v=Fig2VaOZmEc
“As an Oregon filmmaker, I have always wanted to bring a film to the Ashland Independent Film Festival, which has built a reputation as a world-class festival, attended by engaged audiences,” McCluskey said. “We felt the energy in the small, historic Varsity Theater, with every ooh, aww, chuckle, and gasp. Each screening was followed by lively Q&As, and folks coming up to us throughout the festival to share their own stories. The heart of making an independent film is in its collaborative spirit, and that spirit is fully realized when shared with the audiences of Ashland.”
“It was very satisfying to discover and program so many strong films emerging from our region,’’ said Richard Herskowitz, director of programming. “The enthusiastic response to these films, from both our audiences and our international jurors, testifies to the region’s cinematic vitality.”
Other Pacific Northwest films also received warm receptions at the Ashland film festival, including , Honey Buddies, recently renamed Buddymoon, which was shot in the Columbia Gorge, and accompanied on opening night by a live performance by its star, DJ Flula Borg. The film co-stars David Guintoli of the Portland-based TV series Grimm. Other Oregon-connected films include: Christopher LaMarca and Jessica Dimmock’s The Pearl, a documentary that followed four people from the Pacific Northwest as they transition from man to woman; LaMarca’s Boone, a documentary about an organic goat farm in the Little Applegate Valley of Southern Oregon; and the short films 1985, The Child and the Dead, and Damn, What a Dame, made by students of the Southern Oregon University Film Club, and a winner of AIFF’s Launch student film competition.
The complete list of award-winning films follows:
JURY AWARDS
BEST FEATURE
Bastards y Diablos
BEST ACTING
Five Nights in Maine
Honorable Mention: A Light Beneath Their Feet
BEST SHORT FILM
Killer
Honorable Mention: El Tigre
LES BLANK AWARD: BEST FEATURE LENGTH DOCUMENTARY
Hooligan Sparrow
Honorable Mention: The Birth of Saké
BEST EDITING: FEATURE LENGTH DOCUMENTARY
NUTS!
Honorable Mention: In Pursuit of Silence
BEST SHORT DOCUMENTARY
100 Years Show
Honorable Mention: Greenwood
AUDIENCE AWARDS
VARSITY AUDIENCE AWARD FOR BEST NARRATIVE FEATURE
Bastards y Diablos.
ROGUE CREAMERY AUDIENCE AWARD FOR BEST FEATURE LENGTH DOCUMENTARY
Voyagers Without Trace.
JIM TEECE AUDIENCE AWARD FOR SHORT FILM
The Stairs.
BEST SHORT DOCUMENTARY
Mothering Inside.Five Nights in Maine
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Hometown Film “Bastards y Diablos” Wins Best Film at Ashland Independent Film Festival
[caption id="attachment_12086" align="aligncenter" width="1296"]
Bastards y Diablos[/caption]
Bastards y Diablos, with several cast and crew members who hailed from nearby Medford, Oregon, swept both the juried and audience awards for Best Feature at the 2016 Ashland Independent Film Festival.The film is a voyage of self-discovery and reconciliation for two estranged half-brothers told in an unconventional manner. It was shot entirely on location in Columbia, on a budget of only $25,000. The co-star was Dillon Porter, who grew up in Medford.
https://www.youtube.com/watch?v=A4NuLLJmHQo
The documentary Mothering Inside by Portland director Brian Lindstrom won the audience award for Best Short Documentary, and the audience award for Best Feature length documentary went to Voyagers Without Trace, which was directed, produced and written by Ian McCluskey, also from Portland. The audience award for Short Film was awarded to The Stairs, which co-stars Oregon Shakespeare Festival (OSF) actor Anthony Heald.
https://www.youtube.com/watch?v=tkS0bxwoF-k
https://www.youtube.com/watch?v=Fig2VaOZmEc
“As an Oregon filmmaker, I have always wanted to bring a film to the Ashland Independent Film Festival, which has built a reputation as a world-class festival, attended by engaged audiences,” McCluskey said. “We felt the energy in the small, historic Varsity Theater, with every ooh, aww, chuckle, and gasp. Each screening was followed by lively Q&As, and folks coming up to us throughout the festival to share their own stories. The heart of making an independent film is in its collaborative spirit, and that spirit is fully realized when shared with the audiences of Ashland.”
“It was very satisfying to discover and program so many strong films emerging from our region,’’ said Richard Herskowitz, director of programming. “The enthusiastic response to these films, from both our audiences and our international jurors, testifies to the region’s cinematic vitality.”
Other Pacific Northwest films also received warm receptions at the Ashland film festival, including , Honey Buddies, recently renamed Buddymoon, which was shot in the Columbia Gorge, and accompanied on opening night by a live performance by its star, DJ Flula Borg. The film co-stars David Guintoli of the Portland-based TV series Grimm. Other Oregon-connected films include: Christopher LaMarca and Jessica Dimmock’s The Pearl, a documentary that followed four people from the Pacific Northwest as they transition from man to woman; LaMarca’s Boone, a documentary about an organic goat farm in the Little Applegate Valley of Southern Oregon; and the short films 1985, The Child and the Dead, and Damn, What a Dame, made by students of the Southern Oregon University Film Club, and a winner of AIFF’s Launch student film competition.
The complete list of award-winning films follows:
JURY AWARDS
BEST FEATURE
Bastards y Diablos
BEST ACTING
Five Nights in Maine
Honorable Mention: A Light Beneath Their Feet
BEST SHORT FILM
Killer
Honorable Mention: El Tigre
LES BLANK AWARD: BEST FEATURE LENGTH DOCUMENTARY
Hooligan Sparrow
Honorable Mention: The Birth of Saké
BEST EDITING: FEATURE LENGTH DOCUMENTARY
NUTS!
Honorable Mention: In Pursuit of Silence
BEST SHORT DOCUMENTARY
100 Years Show
Honorable Mention: Greenwood
AUDIENCE AWARDS
VARSITY AUDIENCE AWARD FOR BEST NARRATIVE FEATURE
Bastards y Diablos.
ROGUE CREAMERY AUDIENCE AWARD FOR BEST FEATURE LENGTH DOCUMENTARY
Voyagers Without Trace.
JIM TEECE AUDIENCE AWARD FOR SHORT FILM
The Stairs.
BEST SHORT DOCUMENTARY
Mothering Inside.
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Dallas International Film Festival Reveals Film Lineup

A TALE OF LOVE AND DARKNESS The 2016 Dallas International Film Festival taking place April 14 to 17, revealed the full schedule of film selections.
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Ashland Independent Film Festival Unveils Lineup, Opens with HONEY BUDDIES
[caption id="attachment_11777" align="aligncenter" width="1000"]
Honey Buddies[/caption]
The 2016 Ashland Independent Film Festival will be celebrating its 15th anniversary this April by paying tribute to the roots of independent film.
AIFF will give special emphasis to the intersection of live performance and film, beginning with the opening night screening, and Pacific Northwest premiere of Honey Buddies. Filmed in Oregon, the Slamdance award-winning comedy stars Flula Borg as the relentlessly upbeat best man who convinces David Giuntoli (Grimm), after his fiancée dumps him at the altar, to take him on his Columbia River Gorge honeymoon, instead. Borg, an online musical sensation thanks to his YouTube music videos and his striking performance in the recent Pitch Perfect 2, will perform a live DJ set in the Ashland Armory following the screening.
The mainstay of the festival continues to be a rich assortment of documentary and narrative feature films and shorts, including many regional and several national premieres. Magali Noel’s Addicted to Sheep, Nick Hartanto and Sam Roden’s Traveler (which will be accompanied to the festival by its subject, photographer Nicholas Syracuse) and AIFF 2015 Audience Choice award winner Alexandria Bombach’s short film How We Choose are U.S. premieres. Ten feature films that opened at Sundance in January are receiving their regional premieres at AIFF, including Werner Herzog’s essay film on the Internet’s effect on society, Lo and Behold: Reveries of the Connected World; Maya Angelou: And Still I Rise, Uncle Howard, Cameraperson, NUTS!, Hooligan Sparrow, Trapped, and The Fits, along with Sonita and Norman Lear: Just Another Version of You.
There are a number of films with regional connections, including two by rising Portland filmmaker Christopher LaMarca, whose films Boone and The Pearl (co-directed by Jessica Dimmock) just premiered at the South by Southwest (SXSW)and True/False Film Festivals. Boone is a sensory and unsentimental meditation on the lives of three young goat farmers living off the land in the Little Applegate Valley near Jacksonville, Ore. The Pearl delves into the experiences of older transgender women in the Pacific Northwest. The film will be accompanied by the filmmakers and two of their most striking subjects from Oregon, Krystal and Jodi, two sisters who were formerly brothers, and unaware of each other’s gender fluidity. Bastards y Diablos, about two half-brothers who go on a journey of self-discovery to Colombia, involved a crew based mostly out of Medford, Ore., including producer and co-star Dillon Porter.
For lovers of the “other” Ashland festival, there are two films that highlight Shakespeare on the 400th anniversary of his death. Julie Taymor’s A Midsummer’s Night Dream, a theater performance inventively filmed by Rodrigo Prieto, is being touted as a visually spectacular adaptation, and will be accompanied by a Skype conversation with Taymor. Bill is a Monty Pythonesque tale of William Shakespeare’s “lost years”. In addition, a program of short films will feature current and former Oregon Shakespeare Festival actors, including Anthony Heald in The Stairs; and David DeSantos and Stephanie Beatriz in Closure.
“It’s going to be an exciting and stimulating five days and nights,’ said Cathy Dombi, the festival’s executive director. “More than 50 visiting filmmakers and artists will attend the festival to engage in dialogues after screenings, with several artists accompanying their films with live music, art exhibits, and even virtual reality headgear for audiences to sample.”
In his Ashland debut, Richard Herskowitz, the new director of programming, will honor two key indie film institutions by paying tribute to Kartemquin Films and Women Make Movies, organizations that have built an infrastructure for indie filmmakers working outside the mainstream. Kartemquin co-founder and artistic director Gordon Quinn will be joined by filmmakers Joanna Rudnick and Maria Finitzo for three screenings honoring Karteqmquin on its 50th anniversary. Accomplished documentarians Julia Reichert and Steven Bognar of New Day Films will screen three of their latest short films and join Quinn for a TalkBack panel on Activist Film Collectives.
“Independent film’s social and cultural importance has been reaffirmed lately as Hollywood’s neglect of women’s and other minority voices has become painfully apparent,” said Herskowitz.
This year, 24 of the 39 independent feature films are directed or co-directed by women, and the subject of one of the festival’s three “TalkBack” panel discussions will be Women Make Indie Movies, moderated by Women Make Movies’ executive director Debra Zimmerman. Zimmerman will also introduce her company’s acclaimed new release Sonita, winner of the Grand Jury and Audience Prize for international documentaries at Sundance. Sonita is about an Iranian teenager who creates an underground rap song to protest her family’s plan to sell her as a bride.
This year’s Rogue Award will go to the esteemed directors Heidi Ewing and Rachel Grady (Detropia, Jesus Camp, The Boys of Baraka), who will screen their latest documentary, Norman Lear: Just Another Version of You, an homage to the 93-year-old American social activist and creator of the TV shows All in the Family, The Jeffersons, and Maude. Barbara Hammer, the pioneering director of queer cinema, will receive the festival’s Pride Award, supported by the Equity Foundation, and will present her latest film, Welcome to this House, on the life and poetry of Elizabeth Bishop.
Herskowitz is introducing a new section titled Beyond, devoted to films that challenge and reinvent storytelling conventions. A highlight of this section will be MA, the debut feature by dance world sensation Celia Rowlson-Hall, a transfixing, artfully wordless narrative in which Rowlson-Hall stars as a reincarnation of the Virgin Mary. Rowlson-Hall was featured on the cover of Dance Magazine in 2014 and named one of 25 “new faces of independent film” in 2015 by Filmmaker Magazine. She is the winner of the festival’s first-ever Juice Award, given to an emerging female film director, with support from Tangerine Entertainment and the Faerie Godmother Fund of the Oregon Community Foundation. Other Beyond titles include The Fits, collective:unconscious, and He Hated Pigeons.
At the TalkBack panel titled Transmedia & Virtual Reality Platforms for New Documentaries, filmmaker Helen de Michiel will present her latest transmedia projects, Lunch Love Community and Berkeley vs. Big Soda. Brad Lichtenstein will demo his virtual reality project, Across the Line, on the effect of anti-abortion protests on health centers and patients. Google VR headsets will be available for sampling after the panel. Vicki Callahan, a USC professor and an authority on digital culture and media strategies for social change, will moderate the discussion.
2016 AIFF FEATURE FILM SELECTIONS
FILM; DIRECTOR
Addicted to Sheep; Magali Pettier
Bastards y Diablos; A.D. Freese
Bill; Richard Bracewell
Birth of Saké, The; Erik Shirai
Boone; Christopher LaMarca
Cameraperson; Kirsten Johnson
Chicago Maternity Center Story, The; Jerry Blumenthal, Suzanne Davenport, Sharon Karp, Gordon Quinn, Jennifer Rohrer
collective:unconscious; Lily Baldwin, Frances Bodomo, Daniel Patrick Carbone, Josephine Decker, Lauren Wolkstein
Embers; Claire Carré
Fits, The; Anna Rose Holmer
Five Nights in Maine; Maris Curran
Gesture and a Word; Dave Davidson
He Hated Pigeons; Ingrid Veninger
Honey Buddies; Alex Simmons
Hooligan Sparrow; Nanfu Wang
Hunky Dory; Michael Curtis Johnson
In Pursuit of Silence; Patrick Shen
In the Game; Maria Finitzo
In Transit; Albert Maysles, Lynn True, Nelson Walker, Ben Wu, David Usui
Light Beneath Their Feet; Valerie Weiss
Lo and Behold: Reveries of the Connected World; Werner Herzog
Louder than Bombs; Joachim Trier
MA; Celia Rowlson Hall
Maya Angelou: And Still I Rise; Bob Hercules & Rita Coburn Whack
Midsummer Night’s Dream; Julie Taymor
Neptune; Derek Kimball
Norman Lear: Just Another Version of You; Heidi Ewing and Rachel Grady
NUTS!; Penny Lane
Pearl, The; Jessica Dimmock and Christopher LaMarca
Secret Screening from Kartemquin Films; TBA
Seventh Fire, The; Jack Pettibone Riccobono
Sonita; Rokhsareh Ghaem Maghami
Three Hikers, The; Natalie Avital
Trapped; Dawn Porter
Traveler; Nick Hartanto and Sam Roden
Uncle Howard; Aaron Brookner
Voyagers Without Trace; Ian McCluskey
Welcome to This House; Barbara Hammer
Women He’s Undressed; Gillian Armstrong
Short Film Programs
After Hours Shorts
Animated Worlds with Mark Shapiro
Art Docs
Ashland Actors On Screen
CineSpace
Family Shorts: Kid Pix
Family Shorts: TweenScreen
Locals Only 1: Family Friendly
Locals Only 2: Woman to Man
Short Stories
Short Docs
TalkBack Panel Discussions
Activist Film Collectives: Kartemquin and New Day Films
Women Make Indie Movies
Transmedia and Virtual Reality Platforms for New Documentaries
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Palm Springs International Film Festival Announces Complete Line-up of Premieres, New Voices/New Visions Competition and Modern Masters
The 27th Palm Springs International Film Festival (PSIFF) running from January 1-11, 2016 in Palm Springs, California, announced its line-up of Premieres, New Voices/New Visions competition and Modern Masters.
“I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy’s Thithi (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ Interruption (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran’s Five Nights in Maine (USA), featuring David Oyelowo’s nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.”
Showcasing the diversity of international cinema, Festival premieres will include:
World premieres: 50 Days in the Desert (Luxembourg) directed by Fabrizio Maltese, Agnes (Germany/Belgium), the documentary Broadway: Beyond the Golden Age (US) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, The Carer (Hungary/UK), Going Going Gone (UK), Searchdog (US) and Set the Thames on Fire (UK).
North American premieres: Banat (Italy/Romania/Bulgaria/Macedonia), Death By Death (Belgium/France), A Decent Man (Switzerland), Departure (France/UK), Fly Away Solo (India/France), Interruption (Greece/Croatia), A Korean in Paris (South Korea/France), The Memory of Water (Chile/Spain/Argentina/Germany), Moor (Pakistan), On My Mother’s Side (Canada), Paradise Trips (Belgium/Croatia), Rosita (Denmark), Spy Time (Spain), Tanna (Australia/Vanuatu), Thithi (India/US/Canada), Utopians (Hong Kong) and When a Tree Falls (Spain).
U.S. premieres: 1944 (Estonia/Finland), 3000 Nights (Palestine/France/Jordan/Lebanon), Atomic Falafel (Israel/Germany/New Zealand), Belgian Rhapsody (Belgium), Beyond My Grandfather Allende (Chile/Mexico), Born to Dance (New Zealand), Closet Monster (Canada), Enclave (Serbia/Germany), The Endless River (South Africa/France), Endorphine (Canada), Exotica, Erotica, Etc. (France), Fire Song (Canada), Five Nights in Maine (US), A Heavy Heart (Germany), Home Care (Czech Republic/Slovakia), Let Them Come (Algeria/France), My Big Night (Spain), My Internship in Canada (Canada), The Other Side (Italy/France), Our Everyday Life (Bosnia, Herzegovina/Slovenia/Croatia), The Paradise Suite (Netherlands/Sweden/Bulgaria), Parched (India/US/UK), Parisienne (France), Sabali (Canada), Sleeping Giant (Canada), Summer Solstice (Poland/Germany), Trap (Philippines), The Violin Teacher (Brazil), Wedding Doll (Israel) and Zubaan (India).
The New Voices/New Visions competition showcases 12 US premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution.
Films selected for this year include:
Banat (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio
Death By Death (Belgium/France), Director Xavier Seron
Departure (UK/France), Director Andrew Steggall
Five Nights in Maine (US), Director Maris Curran and starring David Oyelowo
A Heavy Heart (Germany), Director Thomas Stuber
Home Care (Czech Republic/Slovakia), Director Slávek Horák
Interruption (Greece/Croatia), Director Yorgos Zois
Let Them Come (Algeria/France), Director Salem Brahimi
Our Everyday Life (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanovic
Paradise Trips (Belgium/Croatia), Director Raf Reyntjens
Sleeping Giant (Canada), Director Andrew Cividino
Thithi (India/US), Director Raam Reddy
The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include:
Cemetery Of Splendour (Thailand/UK), Director Apichatpong Weerasethakul
Dheepan (France), Director Jacques Audiard
Miss Sharon Jones! (US), Director Barbara Kopple
Mountains May Depart (China/France/Japan), Director Jia Zhangke
My Golden Days (France), Director Arnaud Desplechin
My Mother (Italy/France), Director Nanni Moretti
Our Little Sister (Japan), Director Hirokazu Kore-eda
Sunset Song (UK/Luxembourg), Director Terence Davies
Sweet Bean (Japan), Director Naomi Kawase
Women He’s Undressed (Australia), Director Gillian Armstrong
Other Festival films with notable talent and directors include:
45 Years (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay,
Anomalisa (US) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh,
Chronic (Mexico/France) starring Tim Roth,
Closet Monster (Canada) with Connor Jessup and Isabella Rossellini,
Eisenstein in Guanajuato (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, February (US/Canada) starring Kiernan Shipka and Emma Roberts,
Hello, My Name is Doris (US) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root,
Hitchcock/Truffaut (France/US) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater,
The Invitation (US) starring Logan Marshall-Green and Michiel Huisman,
The Lady in the Van (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, (pictured above)
Louder Than Bombs (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert,
Men & Chicken (Denmark) starring Mads Mikkelsen,
Papa (Cuba) directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly,
A Perfect Day (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko,
The Seventh Fire (US) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and
Where to Invade Next (US) directed by Michael Moore.
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30 Films Selected for 2015 Toronto International Film Festival Discovery Program
The Toronto International Film Festival announced its Discovery program showcasing 30 feature films, including 16 World Premieres, by first and second time directors from Canada and across the globe.
The diverse 2015 Toronto International Film Festival Discovery Program lineup includes Desde Allá, an intense social drama from Venezuelan newcomer Lorenzo Vigas; Tom and Sam McKeith’s Manila-set thriller Beast; German filmmaker Sebastian Ko’s riveting suspense We Monsters; Michael Lennox’s A Patch of Fog which chronicles a British anti-bromance; Very Big Shot, the debut from Mir-Jean Bou Chaaya, delving into a darkly comedic world of coke smuggling in Lebanon; Maris Curran’s intimate drama Five Nights in Maine; Irish director Simon Fitzmaurice’s feature debut, the coming-of-age story My Name is Emily; and Mexico’s Alejandra Márquez Abellas’ debut, the poignant drama Semana Santa.
The Toronto International Film Festival also announced an additional title has been added to the Cinematheque Program — a special 20th anniversary screening of Michael Mann’s magnum-opus Heat, followed by a Q&A with the acclaimed writer/director; and in the Vanguard Program, the Festival announced the world premiere of Pedro Morelli’s Zoom.
DISCOVERY PROGRAMME
A Patch of Fog
Michael Lennox, United Kingdom World Premiere
A celebrated novelist and TV personality finds his reputation on the line when he is caught shoplifting by a lonely security guard, intent on becoming his friend for life. Stephen Graham (Pirates of the Caribbean, Boardwalk Empire) stars alongside Conleth Hill (Game of Thrones), Lara Pulver (Sherlock), Arsher Ali (Four Lions) and Ian McElhinney (Game of Thrones).
The Ardennes
Robin Pront, Belgium World Premiere
Two bandit brothers, one fresh from prison, the other eager to escape their criminal past, form a potentially explosive love triangle with the ex-con’s ex-girlfriend, in Robin Pront’s Cain vs. Abel update.
Beast
Tom McKeith, Sam McKeith, Australia/Philippines World Premiere
Deep in the slums of Manila, a young boxer’s life is changed forever when his father pressures him to cheat in a fight.
Black
Adil El Arbi, Bilall Fallah, Belgium World Premiere
Fifteen-year-old Mavela is a member of the notorious Black Bronx gang. She falls head over heels in love with the charismatic Marwan, a boy from the rival gang 1080ers. The two young people are brutally forced to choose between loyalty to their gang and their love for each other. An impossible choice … or not?
Born to Dance
Tammy Davis, New Zealand World Premiere
A Maori teen faces parental and social pressure while leading his competitive hip-hop dance crew toward the regional championships, in this exhilarating feature directorial debut from New Zealand actor Tammy Davis.
Dégradé (pictured above)
Arab Nasser, Tarzan Nasser, Palestine/France/Qatar North American Premiere
Gaza Strip, present day. Christine’s beauty salon is heaving with female clients: a bitter divorcée, a stern religious woman, a disenchanted housewife addicted to prescription drugs, and a young bride-to-be, among others. But their day of leisure is disrupted when gunfire breaks out across the street. A gangland family has stolen the lion from Gaza’s zoo, and the police have decided it’s time to wrestle control. Stuck in the salon, the women start to unravel…
Desde Allá
Lorenzo Vigas, Venezuela North American Premiere
Fifty-year-old Armando picks up young boys in the streets of Caracas and pays them to come home with him. He also regularly spies on an older man with whom he seems bound by something in the past. One day he meets 17-year-old Elder, the leader of a small gang. Violent at first, their relationship morphs into something beautiful … until the inevitable happens.
Downriver
Grant Scicluna, Australia International Premiere
James has served time for drowning a little boy when he himself was just a child, although the body was never found. Upon his parole, a visit from his victim’s mother sends him on a quest to find the truth. With little time and danger at every turn, James risks his freedom and his life to uncover the trail of sins that might give closure to a grieving mother.
Eva Nová
Marko Škop, Slovakia World Premiere
Eva would do anything to regain the love of the one she hurt the most — her son. She is a recovered alcoholic, but decades ago she was a famous actress.
Five Nights in Maine
Maris Curran, USA World Premiere
Reeling from the tragic, sudden death of his wife, a man travels to rural Maine to seek answers from his estranged mother-in-law, who is herself confronting guilt and grief over her daughter’s death. Starring David Oyelowo (Selma), Dianne Wiest and Rosie Perez.
The Here After (Efterskalv)
Magnus von Horn, Poland/Sweden/France North American Premiere
When John returns home to his father after serving time in prison, he is looking forward to starting his life afresh. However in the local community, his crime is neither forgotten nor forgiven. John’s presence brings out the worst in everyone around him and a lynch-mob atmosphere slowly takes shape. Feeling abandoned by his former friends and the people he loves, John loses hope and the same aggressions that previously sent him to prison start building up again. Unable to leave the past behind, he decides to confront it.
Ixcanul
Jayro Bustamante, Guatemala/France Canadian Premiere
María, a young 17-year-old Mayan girl, lives and works with her parents on a coffee plantation in the foothills of an active volcano in Guatemala. An arranged marriage awaits her. Although María dreams of going to the “big city,” her status as an indigenous woman does not permit her to change her destiny. A snake bite forces her to go out into the modern world where her life is saved, but at what price?
James White
Josh Mond, USA Canadian Premiere
James White (Christopher Abbott) is a troubled twenty-something trying to stay afloat in a frenzied New York City. He retreats further into a self-destructive, hedonistic lifestyle, but as his mother (Cynthia Nixon) battles a serious illness James is forced to take control of his life. The directorial debut of Martha Marcy May Marlene producer Josh Mond, James White, which had its world premiere at Sundance Film Festival 2014 where it was the winner of the Audience Award: NEXT, is a confident and closely observed debut that explores loss and the deep relationship between a mother and son.
Keeper
Guillaume Senez, Belgium/Switzerland/France North American Premiere
Maxime and Mélanie are in love. Together, they clumsily explore their sexuality with fiery curiosity until the day Mélanie realizes she’s pregnant. At first Maxime takes the news badly, but then he gets used to the idea of becoming a father. He convinces Melanie to keep the baby. So it’s been decided – Maxime and Mélanie, all of fifteen years old, will become parents.
Les Cowboys
Thomas Bidegain, France/Belgium North American Premiere
A vast prairie, a country and western gathering somewhere in the east of France. Alain is a central figure in this community. He’s dancing with his daughter, 16-year-old Kelly, as his wife and their young son Kid watch from the sidelines. But on this day, Kelly disappears, and the family falls apart. Alain embarks on a relentless search for his daughter, even though it costs him everything and takes him to dark, unsettling places, where his sole support is Kid, who sacrifices his youth to accompany his father on this seemingly endless quest.
Meghmallar
Zahidur Rahim Anjan, Bangladesh World Premiere
A case of mistaken identity throws an apolitical chemistry teacher into the maelstrom of the 1971 Bangladesh Liberation War, in the striking debut feature from director Zahidur Rahim Anjan.
Mountain
Yaelle Kayam, Israel/Denmark North American Premiere
An Orthodox Jewish woman, living at the edge of the cemetery on Jerusalem’s Mount of Olives, becomes fascinated by a nocturnal community of prostitutes and drug dealers congregating amongst the tombstones. Mountain is a haunting and dramatic exploration of a women’s search for identity.
My Name is Emily
Simon Fitzmaurice, Ireland North American Premiere
Packed off to a foster home after her father is institutionalized, a rebellious young Irish girl resolves to bust her dad out of the hospital where he’s been confined, in this spirited coming-of-age tale from celebrated memoirist and first-time feature director Simon Fitzmaurice.
The Paradise Suite
Joost van Ginkel, Netherlands/Sweden/Bulgaria World Premiere
This dexterous tale of survival from director Joost van Ginkel traces the intersecting stories of six immigrants from very different backgrounds in Amsterdam who learn that they can irreversibly influence each other’s lives, sometimes with just one glance.
Semana Santa
Alejandra Márquez Abella, Mexico World Premiere
Dali and her eight-year-old son Pepe take a vacation to Acapulco with Dali’s boyfriend, Chavez. Instead of bringing them closer, their beach holiday brings out things in each of them that threaten to pull this emerging family apart.
Spear
Stephen Page, Australia World Premiere
Djali, a young Aboriginal man, sets off on a journey of initiation to understand what it means to be a man in a modern day world. He sees the problems being faced by Aboriginal men in remote and urban communities. As he struggles to find his place, he becomes awakened to a spiritual force within, guiding him on his journey into manhood.
Very Big Shot (Film Kteer Kbeer)
Mir-Jean Bou Chaaya, Lebanon/Qatar World Premiere
Intending to smuggle the amphetamine Captagon to Iraqi Kurdistan, a small-time Lebanese drug dealer discovers that a way to foil customs, with the help of a talentless filmmaker. Posing as a film producer, he has no qualms manipulating public opinion to his advantage.
The Wait (L’attesa)
Piero Messina, Italy North American Premiere
Waiting for someone is an act of faith. Anna and Jeanne, isolated in a Sicilian country house in Caltagirone, are waiting for Giuseppe’s arrival. He is the former’s son, the latter’s boyfriend. Their wait turns into a mysterious act of love and will, while in the streets people are celebrating Easter.
We Monsters (Wir Monster)
Sebastian Ko, Germany North American Premiere
Paul and Christine know their teenage daughter Sarah has been thrown off track by their separation — but is she capable of committing a horrible crime? Wanting to protect her, they decide attempt to hide her wrongdoing, but their joint guilt forces the family back together under a web of lies. The directorial debut from German actor Sebastian Ko, We Monsters is a gripping psychological
thriller.
Wedding Doll (Chatona Meniyar)
Nitzan Gilady, Israel International Premiere
Fixated on romantic fantasies, a kindly and strong-willed young woman with a mild mental disability embarks on a relationship — much to the concern of her protective mother — in this assured first feature from director Nitzan Gilady.
Previously announced Canadian titles in the Discovery Program include Stephen Dunn’s Closet Monster, Adam Garnet Jones’ Fire Song, Jamie M. Dagg’s River, Kire Paputts’ The Rainbow Kid, and Andrew Cividino’s Sleeping Giant.
CINEMATHEQUE PROGRAMME
Heat
Michael Mann, USA
Hard-boiled ex-con Neil McCauley is the leader of a crew of seasoned thieves who operate with grim determination and military discipline. But when a last-minute replacement on his team leads to a bloody triple murder during an armored truck robbery, McCauley is targeted by veteran detective Vincent Hanna, whose obsessive dedication both mirrors and contrasts with McCauley’s ruthless professionalism. Starring Al Pacino and Robert DeNiro with Jon Voight, Val Kilmer, Ashley Judd, Tom Sizemore and Amy Brenneman.
VANGUARD PROGRAMME
Zoom,
Pedro Morelli, Canada World Premiere
Zoom is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist and a film director. Each character lives in a separate world but authors a story about the life of another.
The 40th Toronto International Film Festival runs September 10 to 20, 2015.
