Cartel Land, Matthew Heineman’s gripping account of violence and vigilantes on both sides of the US-Mexico border, led the nominations for 9th Cinema Eye Honors awards for Nonfiction Filmmaking, with five nominations, including Outstanding Nonfiction Feature. It is joined in the top category by Asif Kapadia’s Amy, Camilla Neilsson’s Democrats, Stevan Riley’s Listen to Me Marlon, Crystal Moselle’s The Wolfpack and Joshua Oppenheimer’s The Look of Silence. The latter, which received four nominations, and Cartel Land were the only films nominated for Outstanding Feature, Direction, Production and Cinematography.
Other films that received multiple nominations include the mountain climbing thriller Meru (4 nominations); Amy, Heart of a Dog, Going Clear: Scientology and the Prison of Belief, Kurt Cobain: Montage of Heck and The Wolfpack (3 nominations); Best of Enemies, Democrats, Listen to Me Marlon, The Nightmare, Uncertain and Western (2 nominations).
Winners of the 9th Annual Cinema Eye Honors will be announced Wednesday, January 13, 2016 in New York at the Museum of the Moving Image.
The complete list of nominations for 9th Cinema Eye Honors
Outstanding Achievement in Nonfiction Feature Filmmaking
“Amy”
Directed by Asif Kapadia
Produced by James Gay-Rees
“Cartel Land”
Directed by Matthew Heineman
Produced by Tom Yellin
“Democrats”
Directed by Camilla Nielsson
Produced by Henrik Veileborg
“Listen to Me Marlon”
Directed by Stevan Riley
Produced by John Battsek, George Chignell and R.J. Cutler
“The Look of Silence”
Directed by Joshua Oppenheimer
Produced by Signe Byrge Sørensen
“The Wolfpack”
Directed by Crystal Moselle
Produced by Crystal Moselle and Izabella Tzenkova
Outstanding Achievement in Direction
Matthew Heineman, “Cartel Land”
Kim Longinotto, “Dreamcatcher”
Laurie Anderson, “Heart of a Dog”
Frederick Wiseman, “In Jackson Heights”
Albert Maysles, Lynn True, Nelson Walker, David Usui & Ben Wu, “In Transit”
Joshua Oppenheimer, “The Look of Silence”
Outstanding Achievement in Editing
Chris King, “Amy”
Aaron Wickenden and Eileen Meyer, “Best of Enemies”
James Scott, “How to Change the World”Brett Morgen and Joe Neshenkovsky, “Kurt Cobain: Montage of Heck”
Stevan Riley, “Listen to Me Marlon”
Outstanding Achievement in Production
Tom Yellin, “Cartel Land”
Henrik Veileborg, “Democrats”
Alex Gibney, Lawrence Wright and Kristen Vaurio, “Going Clear: Scientology and the Prison of Belief”Signe Byrge Sørensen, “The Look of Silence”
Jimmy Chin, Chai Vasarhelyi and Shannon Etheridge, “Meru”
Outstanding Achievement in Cinematography
Matthew Heineman and Matt Porwoll, “Cartel Land”
Lars Skree, “The Look of Silence”
Renan Ozturk, “Meru”
Ewan McNicol, “Uncertain”
Bill Ross and Turner Ross, “Western”
Outstanding Achievement in Nonfiction Films Made for Television
“Deep Web”
Directed by Alex Winter
Produced by Marc Schiller, Alex Winter and Glen Zipper
For EPIX: Executive Producers Jill Burkhart and Ross Bernard
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
Produced by Alex Gibney, Kristen Vaurio and Lawrence Wright
For HBO Documentary Films: Supervising Producer Sara Bernstein and Executive Producer Sheila Nevins
“Outbreak”
Directed by Dan Edge
Produced by Dan Edge and Sasha Joelle Achilli
For Frontline/PBS: Coordinating Producer Carla Borras and Executive Producers Raney Aronson-Rath and David Fanning
“Private Violence”
Directed and Produced by Cynthia Hill
For HBO Documentary Films: Senior Producer Nancy Abraham and Executive Producer Sheila Nevins
“Whitey: The United States of America vs. James J. Bulger”
Directed by Joe Berlinger
Produced by Joe Berlinger and Caroline Suh
For CNN Films: Supervising Producer Courtney Sexton and Executive Producers Vinnie Malhotra and Amy Entelis
Audience Choice Prize
“Amy”
Directed by Asif Kapadia
“Best of Enemies”
Directed by Morgan Neville and Robert Gordon
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
“The Hunting Ground”
Directed by Kirby Dick
“Iris”
Directed by Albert Maysles
“Kurt Cobain: Montage of Heck”
Directed by Brett Morgen
“Meru”
Directed by Jimmy Chin and Chai Vasarhelyi
“What Happened, Miss Simone?”
Directed by Liz Garbus
“Where to Invade Next”
Directed by Michael Moore
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in a Debut Feature Film
“Kings of Nowhere”
Directed by Betzabé Garcia
“Peace Officer”
Directed by Brad Barber and Scott Christopherson
“Pervert Park”
Directed by Frida Barkfors and Lasse Barkfors
“The Russian Woodpecker”
Directed by Chad Gracia
“Uncertain”
Directed by Ewan McNicol and Anna Sandilands
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in Original Music Score
Jackson Greenberg and Scott Salinas, “Cartel Land”
Laurie Anderson, “Heart of a Dog”
J. Ralph, “Meru”
Jonathan Snipes, “The Nightmare”
Casey McAllister, “Western”
Outstanding Achievement in Graphic Design or Animation
Nominees TBD, “Drunk Stoned Brilliant Dead: The Story of the National Lampoon”
Laurie Anderson, “Heart of a Dog”
Stefan Nadelman and Hisko Hulsin, “Kurt Cobain: Montage of Heck”
Syd Garon, “The Nightmare”
Ryan Green and Josh Larson, “Thank You for Playing”
Spotlight Award
“Almost There”
Directed by Dan Rybicky and Aaron Wickenden
“Barge”
Directed by Ben Powell
“Field Niggas”
Directed by Khalik Allah
“Frame by Frame”
Directed by Alexandria Bombach and Mo Scarpelli
“(T)error”
Directed by Lyric R. Cabral and David Felix Sutcliffe
“Toto and His Sisters”
Directed by Alexandre Nanău
Outstanding Achievement in Nonfiction Short Filmmaking
“The Breath”
Directed by Fabian Kaiser
“Buffalo Juggalos”
Directed by Scott Cummings
“Claude Lanzmann: Spectres of the Shoah”
Directed by Adam Benzine
“The Face of Ukraine: Casting Oksana Baiul”
Directed by Kitty Green
“Hotel 22”
Directed by Elizabeth LoFrame by Frame
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CARTEL LAND, MERU Leads Nominations for 9th Cinema Eye Honors awards for Nonfiction Filmmaking
Cartel Land, Matthew Heineman’s gripping account of violence and vigilantes on both sides of the US-Mexico border, led the nominations for 9th Cinema Eye Honors awards for Nonfiction Filmmaking, with five nominations, including Outstanding Nonfiction Feature. It is joined in the top category by Asif Kapadia’s Amy, Camilla Neilsson’s Democrats, Stevan Riley’s Listen to Me Marlon, Crystal Moselle’s The Wolfpack and Joshua Oppenheimer’s The Look of Silence. The latter, which received four nominations, and Cartel Land were the only films nominated for Outstanding Feature, Direction, Production and Cinematography.
Other films that received multiple nominations include the mountain climbing thriller Meru (4 nominations); Amy, Heart of a Dog, Going Clear: Scientology and the Prison of Belief, Kurt Cobain: Montage of Heck and The Wolfpack (3 nominations); Best of Enemies, Democrats, Listen to Me Marlon, The Nightmare, Uncertain and Western (2 nominations).
Winners of the 9th Annual Cinema Eye Honors will be announced Wednesday, January 13, 2016 in New York at the Museum of the Moving Image.
The complete list of nominations for 9th Cinema Eye Honors
Outstanding Achievement in Nonfiction Feature Filmmaking
“Amy”
Directed by Asif Kapadia
Produced by James Gay-Rees
“Cartel Land”
Directed by Matthew Heineman
Produced by Tom Yellin
“Democrats”
Directed by Camilla Nielsson
Produced by Henrik Veileborg
“Listen to Me Marlon”
Directed by Stevan Riley
Produced by John Battsek, George Chignell and R.J. Cutler
“The Look of Silence”
Directed by Joshua Oppenheimer
Produced by Signe Byrge Sørensen
“The Wolfpack”
Directed by Crystal Moselle
Produced by Crystal Moselle and Izabella Tzenkova
Outstanding Achievement in Direction
Matthew Heineman, “Cartel Land”
Kim Longinotto, “Dreamcatcher”
Laurie Anderson, “Heart of a Dog”
Frederick Wiseman, “In Jackson Heights”
Albert Maysles, Lynn True, Nelson Walker, David Usui & Ben Wu, “In Transit”
Joshua Oppenheimer, “The Look of Silence”
Outstanding Achievement in Editing
Chris King, “Amy”
Aaron Wickenden and Eileen Meyer, “Best of Enemies”
James Scott, “How to Change the World”Brett Morgen and Joe Neshenkovsky, “Kurt Cobain: Montage of Heck”
Stevan Riley, “Listen to Me Marlon”
Outstanding Achievement in Production
Tom Yellin, “Cartel Land”
Henrik Veileborg, “Democrats”
Alex Gibney, Lawrence Wright and Kristen Vaurio, “Going Clear: Scientology and the Prison of Belief”Signe Byrge Sørensen, “The Look of Silence”
Jimmy Chin, Chai Vasarhelyi and Shannon Etheridge, “Meru”
Outstanding Achievement in Cinematography
Matthew Heineman and Matt Porwoll, “Cartel Land”
Lars Skree, “The Look of Silence”
Renan Ozturk, “Meru”
Ewan McNicol, “Uncertain”
Bill Ross and Turner Ross, “Western”
Outstanding Achievement in Nonfiction Films Made for Television
“Deep Web”
Directed by Alex Winter
Produced by Marc Schiller, Alex Winter and Glen Zipper
For EPIX: Executive Producers Jill Burkhart and Ross Bernard
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
Produced by Alex Gibney, Kristen Vaurio and Lawrence Wright
For HBO Documentary Films: Supervising Producer Sara Bernstein and Executive Producer Sheila Nevins
“Outbreak”
Directed by Dan Edge
Produced by Dan Edge and Sasha Joelle Achilli
For Frontline/PBS: Coordinating Producer Carla Borras and Executive Producers Raney Aronson-Rath and David Fanning
“Private Violence”
Directed and Produced by Cynthia Hill
For HBO Documentary Films: Senior Producer Nancy Abraham and Executive Producer Sheila Nevins
“Whitey: The United States of America vs. James J. Bulger”
Directed by Joe Berlinger
Produced by Joe Berlinger and Caroline Suh
For CNN Films: Supervising Producer Courtney Sexton and Executive Producers Vinnie Malhotra and Amy Entelis
Audience Choice Prize
“Amy”
Directed by Asif Kapadia
“Best of Enemies”
Directed by Morgan Neville and Robert Gordon
“Going Clear: Scientology and the Prison of Belief”
Directed by Alex Gibney
“The Hunting Ground”
Directed by Kirby Dick
“Iris”
Directed by Albert Maysles
“Kurt Cobain: Montage of Heck”
Directed by Brett Morgen
“Meru”
Directed by Jimmy Chin and Chai Vasarhelyi
“What Happened, Miss Simone?”
Directed by Liz Garbus
“Where to Invade Next”
Directed by Michael Moore
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in a Debut Feature Film
“Kings of Nowhere”
Directed by Betzabé Garcia
“Peace Officer”
Directed by Brad Barber and Scott Christopherson
“Pervert Park”
Directed by Frida Barkfors and Lasse Barkfors
“The Russian Woodpecker”
Directed by Chad Gracia
“Uncertain”
Directed by Ewan McNicol and Anna Sandilands
“The Wolfpack”
Directed by Crystal Moselle
Outstanding Achievement in Original Music Score
Jackson Greenberg and Scott Salinas, “Cartel Land”
Laurie Anderson, “Heart of a Dog”
J. Ralph, “Meru”
Jonathan Snipes, “The Nightmare”
Casey McAllister, “Western”
Outstanding Achievement in Graphic Design or Animation
Nominees TBD, “Drunk Stoned Brilliant Dead: The Story of the National Lampoon”
Laurie Anderson, “Heart of a Dog”
Stefan Nadelman and Hisko Hulsin, “Kurt Cobain: Montage of Heck”
Syd Garon, “The Nightmare”
Ryan Green and Josh Larson, “Thank You for Playing”
Spotlight Award
“Almost There”
Directed by Dan Rybicky and Aaron Wickenden
“Barge”
Directed by Ben Powell
“Field Niggas”
Directed by Khalik Allah
“Frame by Frame”
Directed by Alexandria Bombach and Mo Scarpelli
“(T)error”
Directed by Lyric R. Cabral and David Felix Sutcliffe
“Toto and His Sisters”
Directed by Alexandre Nanău
Outstanding Achievement in Nonfiction Short Filmmaking
“The Breath”
Directed by Fabian Kaiser
“Buffalo Juggalos”
Directed by Scott Cummings
“Claude Lanzmann: Spectres of the Shoah”
Directed by Adam Benzine
“The Face of Ukraine: Casting Oksana Baiul”
Directed by Kitty Green
“Hotel 22”
Directed by Elizabeth Lo
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124 Documentary Features Submitted For 2015 Oscar Race
One hundred twenty-four features have been submitted for consideration in the Documentary Feature category for the 88th Academy Awards®.
The submitted features, listed in alphabetical order, are:
“Above and Beyond”
“All Things Must Pass”
“Amy”
“The Armor of Light”
“Ballet 422”
“Batkid Begins”
“Becoming Bulletproof”
“Being Evel”
“Beltracchi – The Art of Forgery”
“Best of Enemies”
“The Black Panthers: Vanguard of the Revolution”
“Bolshoi Babylon”
“Brand: A Second Coming”
“A Brave Heart: The Lizzie Velasquez Story”
“Call Me Lucky”
“Cartel Land”
“Censored Voices”
“Champs”
“CodeGirl”
“Coming Home”
“Dark Horse”
“Deli Man”
“Dior and I”
“The Diplomat”
“(Dis)Honesty – The Truth about Lies”
“Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll”
“Dreamcatcher”
“dream/killer”
“Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon”
“Eating Happiness”
“Every Last Child”
“Evidence of Harm”
“Farewell to Hollywood”
“Finders Keepers”
“The Forecaster”
“Frame by Frame”
“Gardeners of Eden”
“A Gay Girl in Damascus: The Amina Profile”
“Godspeed: The Story of Page Jones”
“Going Clear: Scientology and the Prison of Belief”
“He Named Me Malala”
“Heart of a Dog”
“Hitchcock/Truffaut”
“How to Change the World”
“Human”
“The Hunting Ground”
“I Am Chris Farley”
“In Jackson Heights”
“In My Father’s House”
“India’s Daughter”
“Ingrid Bergman – In Her Own Words”
“Iraqi Odyssey”
“Iris”
“Janis: Little Girl Blue”
“Karski & the Lords of Humanity”
“Killing Them Safely”
“Kurt Cobain: Montage of Heck”
“Lambert & Stamp”
“A Lego Brickumentary”
“Listen to Me Marlon”
“Live from New York!”
“The Look of Silence”
“Meet the Patels”
“Meru”
“The Mind of Mark DeFriest”
“Misery Loves Comedy”
“Monkey Kingdom”
“A Murder in the Park”
“My Italian Secret”
“My Voice, My Life”
“1971”
“Of Men and War”
“One Cut, One Life”
“Only the Dead See the End of War”
“The Outrageous Sophie Tucker”
“Peace Officer”
“The Pearl Button”
“Pink & Blue: Colors of Hereditary Cancer”
“Poached”
“Polyfaces”
“The Prime Ministers: Soldiers and Peacemakers”
“Prophet’s Prey”
“Racing Extinction”
“The Resurrection of Jake the Snake”
“Ride the Thunder – A Vietnam War Story of Victory & Betrayal”
“Rosenwald”
“The Russian Woodpecker”
“Searching for Home: Coming Back from War”
“Seeds of Time”
“Sembene!”
“The Seven Five”
“Seymour: An Introduction”
“Sherpa”
“A Sinner in Mecca”
“Something Better to Come”
“Song from the Forest”
“Song of Lahore”
“Steve Jobs: The Man in the Machine”
“Steve McQueen: The Man & Le Mans”
“Stray Dog”
“Sunshine Superman”
“Sweet Micky for President”
“Tab Hunter Confidential”
“The Tainted Veil”
“Tap World”
“(T)error”
“Thao’s Library”
“Those Who Feel the Fire Burning”
“3 1/2 Minutes, Ten Bullets”
“The Touch of an Angel”
“TransFatty Lives”
“The True Cost”
“Twinsters”
“Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists”
“The Wanted 18”
“We Are Many”
“We Come as Friends”
“We Were Not Just…Bicycle Thieves. Neorealism”
“Welcome to Leith”
“What Happened, Miss Simone?”
“What Our Fathers Did: A Nazi Legacy”
“Where to Invade Next”
“Winter on Fire: Ukraine’s Fight for Freedom” (pictured above)
“The Wolfpack”
Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December.
Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.
The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills.
The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
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2015 Camden International Film Festival Reveals Slate of Feature and Short Films
The 2015 Camden International Film Festival (CIFF) announced the slate of feature and short films for its 11th edition, which will take place September 17-20, 2015 throughout Camden, Rockport and Rockland, Maine. CIFF will present over 60 features and short films from across the globe, the country and the state, with filmmakers attending nearly every screening.
Highlights of this year’s program include Locarno titles Machine Gun or Typewriter, The Ground We Won and Locarno winner Olmo and the Seagull (pictured above), fresh from TIFF: climate change doc This Changes Everything; and Points North alums Containment and Drawing the Tiger. In addition to the titles below, CIFF will screen a sidebar program of historic ethnographic films with support from the Academy of Motion Picture Arts and Sciences, a program celebrating the home movie archives of Charles Norman Shay in collaboration with Northeast Historic Film, and the Cinema Eye Honors for Nonfiction Filmmaking Shorts List, whose titles will be announced at the festival next month.
The Camden International Film Festival will announce their Points North Documentary Forum lineup of films, speakers and panels on Thursday, August 27.
2015 CAMDEN INTERNATIONAL FILM FESTIVAL FEATURES
ABOVE AND BELOW
Nicolas Steiner | Switzerland, Germany | 2015
ALL THINGS ABLAZE
Oleksandr Technyski, Aleksey Solodunov, Dmitry Stoykov | Ukraine | 2014
ALMOST THERE
Aaron Wickenden, Dan Rybicky | United States | 2014
BEST OF ENEMIES
Morgan Neville, Robert Gordon | United States | 2014
BREAKING A MONSTER
Luke Meyer | United States | 2015
Filmmaker in attendance!
CONTAINMENT
Peter Galison, Robb Moss | United States | 2015
Filmmakers in attendance! Points North Alum!
DEMOCRATS
Camila Nielsson| Denmark | 2014
DRAWING THE TIGER
Amy Benson, Ramyata Limbu, Scott Squire | United States | 2015
Filmmakers in attendance! Points North Alum!
ELEPHANT’S DREAM
Kristof Bilsen | Belgium | 2014
Filmmaker in attendance!
FRAME BY FRAME
Alexandria Bombach, Mo Scarpelli | United States | 2015
Filmmakers in attendance!
FROM THIS DAY FORWARD
Sharon Shattuck | United States | 2015
Filmmaker in attendance!
GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF
Alex Gibney | United States | 2015
Filmmaker in attendance!
THE GROUND WE WON
Christopher Pryor | New Zealand | 2015
HOW TO CHANGE THE WORLD
Jerry Rothwell | United Kingdom, Canada | 2015
I AM THE PEOPLE (JE SUIS LE PEUPLE)
Anna Roussillon | France | 2014
IN TRANSIT
Albert Maysles, Lynn True, Nelson Walker, Ben Wu, David Usui | United States | 2015
Filmmakers in attendance!
KINGS OF NOWHERE
Betzabé García | Mexico | 2015
Filmmaker in attendance!
MACHINE GUN OR TYPEWRITER
Travis Wilkerson | United States | 2015
MERU
Jimmy Chin, Elizabeth Chai Vasarhelyi | United States | 2015
OF THE NORTH
Dominic Gagnon | Canada | 2015
Filmmaker in attendance!
OLMO AND THE SEAGULL
Petra Costa, Lea Glob | Denmark, Brazil, Portugal, France | 2015
Producer in attendance!
PEACE OFFICER
Scott Christopherson, Brad Barber | United States | 2015
Filmmaker in attendance!
THE RUSSIAN WOODPECKER
Chad Gracia | Ukraine, United Kingdom, United States | 2015
SAILING A SINK SEA
Olivia Wyatt | United States | 2015
Filmmakmer in attendance!
TELL SPRING NOT TO COME THIS YEAR
Saeed Taji Farouky, Michael McEvoy | United Kingdom | 2015
(T)ERROR
Lyric R. Cabral, David Felix Sutcliffe | United States | 2015
Filmmaker in attendance!
THANK YOU FOR PLAYING
David Osit, Malika Zouhali-Worrall | United States | 2015
Filmmakers in attendance!
THIS CHANGES EVERYTHING
Avi Lewis | Canada, United States | 2015
THOSE WHO FEEL THE FIRE BURNING
Morgan Knibbe | Netherlands | 2014
TOTO AND HIS SISTERS
Alexander Nanau | Romania, Hungary, Germany | 2014
T-REX
Drea Cooper, Zackary Canepari | United States | 2015
Filmmaker in attendance!
UNCERTAIN
Anna Sandilands, Ewan McNicol | United States | 2015
Filmmakers in attendance!
UNTITLED Work-in-Progress Screening
Ian Cheney | United States | 2015
Filmmaker in attendance!
WESTERN
Bill Ross, Turner Ross | United States | 2015
Filmmaker in attendance!
2015 CAMDEN INTERNATIONAL FILM FESTIVAL SHORT FILMS
70-SOME YEARS
Riley Hooper | United States | 2015
AMERICAN RENAISSANCE
Jarred Alterman, Ryan Scafuro | United States | 2015
BODY TEAM 12
David Darg | United States | 2015
CLAUDE LANZMANN: SPECTRES OF THE SHOAH
Adam Benzine | United Kingdom | 2015
CHOP MY MONEY
Theo Anthony | United States | 2014
DENALI
Ben Knight | United States | 2015
DIVER
Christoph Gelfand, Caroline Losneck | United States | 2015
Dirigo Short! Made in Maine!
ERIC, WINTER TO SPRING
Danya Abt | United States | 2014
THE FACE OF UKRAINE: CASTING OSKANA BAIUL
Kitty Green | Australia | 2015
FARM
Christoph Gelfand | United States | 2015
Dirigo Short! Made in Maine!
HERETIX: UP AND RUNNING
Francis Decky | United States | 2015
Dirigo Short! Made in Maine!
HOTEL 22
Elizabeth Lo | United States | 2014
THE LAND
Erin Davis | United States | 2015
THE LAST BARN DANCE
Ted Richardson, Jason Arthurs | United States | 2015
LAST PYRAMID
Dave Schachter | United States | 2015
Dirigo Short! Made in Maine!
LETTER TO SUBI
Genevieve Carmel | United States | 2015
LUCHADORA
River Finlay | United States, Mexico | 2014
THE MANY SAD FATES OF MR. TOLEDANO
Joshua Seftel | United States | 2015
MY GAL, ROSEMARIE
Jason Tippet | United States | 2015
NEW MISSION
Christopher Giamo | United States | 2014
OBJECT
Paulina Skibinska | Poland | 2015
OF THE UNKNOWN
Eva Weber | United Kingdom | 2014
PINK BOY
Eric Rockey | United States | 2015
THE REAGAN SHORTS
Pacho Velez | United States | 2015
Points North Alum!
SEEDING FEAR
Craig Jackson | Canada | 2015
SPEARHUNTER
Luke Poling, Adam Roffman | United States | 2014
TERRITORY
Eleanor Mortimer | United Kingdom | 2015
THINGS
Ben Rivers | United Kingdom | 2015
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THE DARK HORSE, ROMEO IS BLEEDING Win Top Awards at 2015 Seattle International Film Festival
The 2015 Seattle International Film Festival announced the winners of the 2015 Golden Space Needle Audience and Competition Awards. The Dark Horse, directed by James Napier Robertson is the big winner, taking the Golden Space Needle Audience Award for Best Film, and Best Actor for Cliff Curtis. In The Dark Horse – winner of six New Zealand Film Awards including Best Picture, Director, and Actor – Cliff Curtis (Whale Rider) gives a stunning and inspirational performance as New Zealand legend Genesis Potini, a bipolar speed chess champion who helps turn around the lives of some 15,000 Maori children by teaching them the intricacies the game.
Other winners include Alfonso Gomez-Rejon of “Me and Earl and the Dying Girl” wins Best Director, “Romeo is Bleeding” wins Best Documentary; Nina Hoss (“Phoenix”) wins Best Actress, “Liza, The Fox-Fairy,” “The Great Alone,” and “Chatty Catties” Win Grand Jury Prize Awards for Best New Director, Documentary and New American Film
Carl Spence, SIFF’s Artistic Director, says, “Our 41st Festival was another fantastic celebration of storytelling in all its forms. We presented everything from the storied cinematic past (archival screenings celebrating Martin Scorsese’s The Film Foundation and live read of the late Stewart Stern’s Rebel Without a Cause), to the iconic (Kevin Bacon!), to the independent (Jason Schwartzman and his new comedy 7 Chinese Brothers). With a record 92 countries represented this year and sold-out shows every night, this year’s Festival was bigger than ever, but it also fittingly included a proper send-off of an iconic movie house, the Harvard Exit. It also highlighted Seattle’s great continuing movie houses including our own SIFF Cinema Egyptian and SIFF Cinema Uptown. And I love that we bookended the Festival this year with two stellar comedies, kicking off with our Opening Night film Spy (the number one movie in America this weekend) and finishing with our hilarious Closing Night indie The Overnight. Starting and ending with laughter while traveling the world in between is a great way to mark another whirlwind 25-day celebration of cinema.”
SIFF 2015 GOLDEN SPACE NEEDLE AUDIENCE AWARDS
SIFF celebrates its films and filmmakers with the Golden Space Needle Audience Awards. Selected by Festival audiences, awards are given in five categories: Best Film, Best Documentary, Best Director, Best Actor, and Best Short Film. This year, nearly 90,000 ballots were submitted.
GOLDEN SPACE NEEDLE AWARD – BEST FILM
The Dark Horse, directed by James Napier Robertson (New Zealand 2014)
First runner-up: Inside Out, directed by Pete Docter (USA 2015)
Second runner-up: Me and Earl and the Dying Girl, directed by Alfonso Gomez-Rejon (USA 2015)
Third runner-up: Shaun the Sheep, directed by Richard Starzak, Mark Burton (UK 2015)
Fourth runner-up: Good Ol’ Boy, directed by Frank Lotito (USA 2015)
GOLDEN SPACE NEEDLE AWARD – BEST DOCUMENTARY
Romeo is Bleeding, directed by Jason Zeldes (USA 2015)
First runner-up: Paper Tigers, directed by James Redford (USA 2015)
Second runner-up: The Glamour & The Squalor, directed by Marq Evans (USA 2015)
Third runner-up: The Great Alone, directed by Greg Kohs (USA 2015)
Fourth runner-up: Frame by Frame, directed by Mo Scarpelli, Alexandria Bombach (Afghanistan 2014)
GOLDEN SPACE NEEDLE AWARD – BEST DIRECTOR
Alfonso Gomez-Rejon, Me and Earl and the Dying Girl (USA 2015)
First runner-up: George Ovashvili, Corn Island (Georgia 2014)
Second runner-up: Peter Greenaway, Eisenstein in Guanajuato (Netherlands 2015)
Third runner-up: Susanne Bier, ASecond Chance (Denmark 2014)
Fourth runner-up: Ross Partridge, Lamb (USA 2015)
GOLDEN SPACE NEEDLE AWARD – BEST ACTOR
Cliff Curtis, The Dark Horse (New Zealand 2014)
First runner-up: Ian McKellen, Mr. Holmes (UK 2015)
Second runner-up: Jason Segel, End of the Tour (USA 2014)
Third runner-up: Victor Andrés Trelles Turgeon, Henri Henri (Canada (Québec) 2014)
Fourth runner-up: Jacir Eid, Theeb (Jordan 2014)
GOLDEN SPACE NEEDLE AWARD – BEST ACTRESS
Nina Hoss, Phoenix (Germany 2014)
First runner-up: Kalki Koechlin, Margarita, with a Straw (India 2014)
Second runner-up: Rebecka Josephson, My Skinny Sister (Sweden 2015)
Third runner-up: Regina Case, The Second Mother (Brazil 2015)
Fourth runner-up: Ghita Nørby, Key House Mirror (Denmark 2015)
GOLDEN SPACE NEEDLE AWARD – BEST SHORT FILM
Even the Walls, directed by Sarah Kuck, Saman Maydáni (USA 2015)
First runner-up: Submarine Sandwich, directed by PES (USA 2014)
Second runner-up: Stealth, directed by Bennett Lasseter (USA 2014)
Third runner-up: Personal Development, directed by Tom Sullivan (Ireland 2015)
Fourth runner-up: Bihttoš, directed by Elie-Máijá Tailfeathers (Canada 2014)
LENA SHARPE AWARD FOR PERSISTENCE OF VISION
Frame by Frame, directed by Mo Scarpelli, Alexandria Bombach (Afghanistan 2014)
This award is given to the female director’s film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle’s Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film Seattle to bestow it.
SIFF 2015 COMPETITION AWARDS
SIFF announced three Competition Awards for Best New Director, Best Documentary, and Best New American Film (FIPRESCI). Winners in each juried competition received $2,500 in cash, while the New American Cinema competition winner was also awarded the FIPRESCI prize.
SIFF 2015 BEST NEW DIRECTOR
GRAND JURY PRIZE
Liza, the Fox-Fairy (Hungary 2015), directed by Károly Ujj-Mészáros
JURY STATEMENT: For its lively, inventive visual wit and offbeat look at romantic delusion involving a haunted Hungarian nurse, a long-suffering police sergeant, and the ghost of a ’50s Japanese pop singer, we have given this year’s New Directors Prize to Károly Ujj-Mészáros.
SPECIAL JURY MENTION
Corrections Class (Russia/Germany 2014), directed by Ivan I. Tverdovsky
JURY STATEMENT: For the director’s brave and unflinching handling of a young ensemble.
Festival programmers select 12 films remarkable for their original concept, striking style, and overall excellence. To be eligible, films must be a director’s first or second feature and without U.S. distribution at the time of their selection. The New Directors Jury is comprised of Brandon Harris (Filmmaker Magazine), Amy Nicholson (L.A. Weekly), and Alison Willmore (Buzzfeed).
2015 Entries:
A Blast (d: Syllas Tzoumerkas, Greece/Germany/Netherlands 2014, North American Premiere)
Bonifacio (d: Enzo Williams, Philippines 2014, North American Premiere)
Corrections Class (d: Ivan I. Tverdovsky, Russia/Germany 2014, North American Premiere)
Liza, the Fox-Fairy (d: Károly Ujj-Mészáros, Hungary 2015, North American Premiere)
Love, Theft and Other Entanglements (d: Muayad Alayan, Palestine 2015, North American Premiere)
A Matter of Interpretation (d: Kwang-kuk Lee, South Korea 2014, North American Premiere)
Morbayassa (d: Cheick Fantamady Camara, Guinea 2015, North American Premiere)
My Skinny Sister (d: Sanna Lenken, Sweden/Germany 2015, North American Premiere)
Short Skin (d: Duccio Chiarini, Italy 2014, North American Premiere)
Under Construction (d: Rubaiyat Hossain, Bangladesh 2015, World Premiere)
Vincent (d: Thomas Salvador, France 2014)
Waterline (d: Michal Otlowski, Poland 2014, North American Premiere)
SIFF 2015 BEST DOCUMENTARY
GRAND JURY PRIZE
The Great Alone (USA 2015), directed by Greg Kohs
JURY STATEMENT: Our Grand Jury Prize goes to a film that stopped all of us in our tracks. One of the joys of the film festival experience is discovering a film that works so well on every level. This is an inspiring film about one man’s story that is both intimate and epic – we were knocked out by the filmmaker’s achievement in crafting a visually stunning, completely engrossing narrative about one extraordinary human being.
SPECIAL JURY PRIZES
Romeo is Bleeding (USA 2015), directed by Jason Zeldes
JURY STATEMENT: For its strength in demonstrating the power of art to change lives.
Sergio Herman: F**king Perfect (Netherlands 2015), directed by Willemiek Kluijfhout
JURY STATEMENT: Which we found to be an exquisitely made film about a FUCKING PERFECT artist.
Unscripted and uncut, the world is a resource of unexpected, informative, and altogether exciting storytelling. Documentary filmmakers have, for years, brought these untold stories to life and introduced us to a vast number of fascinating topics we may have never known existed-let alone known were so fascinating. The Documentary Jury is comprised of Jannat Gargi (Vulcan Productions), Janet Pierson (SXSW), and Anne Rosellini (producer, Stray Dog, Winter’s Bone).
2015 Entries:
Cooking Up a Tribute (d: Luis González & Andrea Gómez, Spain 2015, North American Premiere)
Dreams Rewired (d: Martin Reinhart, Thomas Tode, & Manu Luksch, Austria 2015, North American Premiere)
The Glamour & The Squalor (d: Marq Evans, USA 2015, World Premiere)
The Great Alone (d: Greg Kohs, USA 2015, World Premiere)
In Utero (d: Kathleen Gyllenhaal, USA 2015, World Premiere)
License to Operate (d: James Lipetzky, USA 2015, World Premiere)
Mountain Spirits (d: Singing Chen & Kuo-Liang Chiang, Taiwan 2014, US Premiere)
Paper Tigers (d: James Redford, USA 2015, World Premiere)
Romeo Is Bleeding (d: Jason Zeldes, USA 2015)
Sergio Herman, F**KING PERFECT (d: Willemiek Kluijfhout, Netherlands 2015, North American Premiere)
War of Lies (d: Matthias Bittner, Germany 2014, US Premiere)
SIFF 2015 BEST NEW AMERICAN CINEMA
GRAND JURY PRIZE
Chatty Catties (USA 2015), directed by Pablo Valencia
JURY STATEMENT: The FIPRESCI jury at the 41st edition of the Seattle International Film Festival bestows its International Critics’ Prize to a film that – with an enormous amount of risk-taking – innovatively expands stylistic and narrative boundaries. With a fresh view on intimate relationships, director Pablo Valencia creates an unexpected and utterly original emotional landscape in Chatty Catties.
Festival programmers select 9 films without U.S. distribution that are sure to delight audiences looking to explore the exciting vanguard of New American Cinema and compete for the FIPRESCI Award for Best New American Film. The New American Cinema Jury is comprised of members of the International Federation of Film Critics (FIPRESCI): Pamela Cohn, André Roy, and Dennis West.
2015 Entries:
Chatty Catties (d: Pablo Valencia, USA 2015, World Premiere)
Circle (d: Aaron Hann & Mario Miscione, USA 2015, World Premiere)
Fourth Man Out (d: Andrew Nackman, USA 2015, World Premiere)
Front Cover (d: Ray Yeung, USA 2015, World Premiere)
Good Ol’ Boy (d: Frank Lotito, USA 2015, World Premiere)
Happy 40th (d: Madoka Raine, USA 2015, World Premiere)
Me Him Her (d: Max Landis, USA 2015, World Premiere)
A Rising Tide (d: Ben Hickernell, USA 2015, World Premiere)
Those People (d: Joey Kuhn, USA 2015, World Premiere)
SIFF 2015 FUTUREWAVE AND YOUTH JURY AWARDS
YOUTH JURY AWARD FOR BEST FUTUREWAVE FEATURE
Seoul Searching (USA/South Korea 2015), directed by Benson Lee
JURY STATEMENT: For its diverse and relatable characters, quality mix of emotion and comedy, and accurate and respectful representation of teens, the 2015 FutureWave Youth Jury Prize goes to Seoul Searching.
YOUTH JURY AWARD FOR BEST FILMS4FAMILIES FEATURE
When Marnie Was There (Japan 2014), directed by Hiromasa Yonebayashi
JURY STATEMENT: For its beautiful and detailed animation, realistic sound design, and original, bittersweet tale of mystery the Films4Families Jury awards When Marnie Was There.
WAVEMAKER AWARD (GRAND PRIZE)
In recognition of superior artistic and technical achievement.
Audio Input(USA), directed by Sho Schrock-Manabe
JURY STATEMENT: For its insightful and engaging portrait of podcasting, an audio art form, through a collage of interviews and images.
FUTUREWAVE AUDIENCE AWARD
Minimum Max (USA), directed by Josh Ovalle
PRODIGY CAMP SCHOLARSHIPS
Each winner will be awarded a $1000 scholarship to the Prodigy Camp.
I’m Not Here (South Africa), directed by Jack Markovitz
Minimum Max (USA), directed by Josh Ovalle
SIFF 2015 SHORT FILM JURY AWARDS
All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award. Jurors will choose winners in the Narrative, Animation, and Documentary categories. Each jury winner will receive $1,000 and winners in any of the three categories may also qualify to enter their respective films in the Short Film category of the Academy Awards®.
LIVE ACTION
GRAND JURY PRIZE
The Chicken (Croatia, Germany), directed by Una Gunjak
JURY STATEMENT: An expertly crafted narrative that explores life and death through the eyes of a young girl. With a film full of authentic performances, Iman Alibalic is extraordinary as the six-year-old protagonist who receives a live chicken from her father for her birthday, and soon realizes it’s meant for dinner. This is an emotional film with a production quality that continues to move the story along and underscore the realities of life in a war zone.
SPECIAL JURY PRIZE
Hole (Canada), directed by Martin Edralin
JURY STATEMENT: Hole is a brave exploration of human sexuality and yearning for intimacy through the eyes of a lonely, forgotten, disabled man in the heart of Toronto. Ken Harrower delivers a captivating performance that transcends any labels or limitations and speaks to the need for human connection.
DOCUMENTARY
GRAND JURY PRIZE
Bihttos (Canada), directed by Elle-Máijá Tailfeathers
JURY STATEMENT: For its ambitious approaches to visual storytelling and imaginative recounting of an exceptional family history.
ANIMATION
GRAND JURY PRIZE
The Mill at Calder’s End (USA), directed by Kevin McTurk
JURY STATEMENT: There exists a tendency to laud the new-new stories, new techniques, new talent. With the animation award, the jury is pleased to celebrate a film that is decidedly old-school, breathing life into a bygone style, iterating in a story tradition that is centuries old. For this fusion of the modern and classic, we are happy to award Kevin McTurk for The Mill at Calder’s End.
Short Film Juries 2015:
Live Action: Stefanie Malone (NFFTY), Bobby McHugh (World Famous), and Tracy Rector (Longhouse Media).
Documentary and Animation: Courtney Sheehan (Northwest Film Forum), Jason Sondhi (Vimeo curator), Alex Stonehill (Seattle Globalist).
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Monument to Michael Jackson, Frame by Frame, Wins Grand Jury Prizes at 2015 Nashville Film Festival
The Nashville Film Festival (NaFF) 2015 announced the 46th Annual Competition Award winners, including Grand Jury Prizes to Monument to Michael Jackson (pictured above), Orion: The Man Who Would Be King and other notable films. Best Original Song went to Brian Wilson for “One Kind of Love” fromLove & Mercy.
According to the jury, its palpable portrayal of a child torn between two worlds earned Daytimer the Live Action Short Grand Jury Prize. Bear Storyset itself a very high bar both stylistically and narratively and delivered across the board, which garnered it the Grand Jury Prize for Animated Short. La Vie en rose comme dans les films provided a humble glimpse into the complicated world of memory; the short received the Grand Jury Prize for Documentary Short. Each of these three shorts will be automatically qualified for Academy Award® consideration.
Bridgestone Narrative Competition
Grand Jury Prize – Monument to Michael Jackson, directed by Darko Lungolov
Honorable Mention – WildLike, directed by Frank Hall Green
The Bridgestone Narrative Competition Grand Jury Prize went to Monument to Michael Jackson. The film was, “at times a political farce, a relationship drama and an inspiring tale of tenacity in the face of adversity.”The jury also awarded Geraldine Chaplin from Sand Dollars the Best Actress award, while Boris Milivojevic from Monument to Michael Jackson received the Best Actor award. Best Screenplay went to Shonali Bose for Margarita, with a Straw, and the Film Musicians Secondary Market Fund Award for Best Music in a Feature Film went to Ramon Cordero, Benjamin De Menil and Edilio Paredes for Sand Dollars. The Special Jury Prize for Cinematography was awarded to Tony Mirza for Eadweard.Gibson Music Films/Music City Competition Grand Jury Prize – Orion: The Man Who Would Be King, directed by Jeanie Finlay Honorable Mention – Sweet Micky for President, directed by Ben PattersonThe jury said Orion, “hits every note… and then some. It was a completely unpredictable yet always entertaining and moving documentary.”The jury awarded the Special Jury Prize for Best Import to Tomi Fujiyama in Made in Japan.Documentary Competition Grand Jury Prize – Frame by Frame, directed by Mo Scarpelli and Alexandra Bombach Honorable Mention – Welcome to Leith, directed by Michael Beach and Christopher K. Walker“Frame by Frame is a fascinating look into life in Afghanistan that celebrates its growing photography culture, with unprecedented access and interviews,” the jury said. “The film is beautifully crafted and we’re so honored to present these first time filmmakers with the Documentary Grand Jury Prize, and hope that they will continue to make inspiring films.”The Special Jury Prize for Direction went to Jimmy Chin and E. Chai Vasahelyi forMeru.New Directors Competition Grand Jury Prize – Songs She Wrote About People She Knows, directed by Kris Elgstrand Honorable Mention – Naz & Maalik, directed by Jay DockendorfSongs She Wrote About People She Knows received the Grand Jury Prize, “for its quirky plot, high production values, and unique yet relatable characters, the New Directors Jury awarded its Grand Jury Prize to Songs She Wrote About People She Knows. Lead actress Arabella Bushnell delivers a particularly strong performance as an aspiring pop singer, complete with highly original and hilarious songs. Writer/director Kris Elgstrand is a strong new voice in independent cinema and we are excited to see what he comes up with next. “ The jury awarded Krisha Fairchild with Best Actress for Krisha and Daniel Cerqueira with Best Actor for Radiator. The Special Jury Prize for Direction went to Sarah Adina Smith for The Midnight Swim.Best Original Song Winner – “One Kind of Love,” from Love & Mercy, written and performed by Brian Wilson Honorable Mention – “Found You,” from In My Father’s House, written and performed by RhymefestGraveyard Shift CompetitionGrand Jury Prize (tie) – Alléluia, directed by Fabrice du Welz Grand Jury Prize (tie) — They Look Like People, directed by Perry Blackshear“The jury found itself unable to determine a hierarchy between exquisite works of passion, madness, human bonds and inhuman horror.”The jury awarded for Best Actress to Amy Everson in Felt and Best Actor to MacLeod Andrews in They Look Like People. The Special Jury Prize for Outstanding Use of Music went to Rain the Color of Blue with a Little Red in It.Ground Zero Tennessee First CompetitionGrand Jury Prize – The Keepers, directed by Joann Self Selvidge and Sara Kaye LarsonSouthwest Airlines Audience Award Overall Winner In My Father’s House, Ricki Stern & Annie Sundberg, scored 4.99 out of 5 Southwest Airlines Audience Award Winners Narrative Competition – Eadweard, Kyle Rideout, director Documentary Competition – In My Father’s House, Ricki Stern and Annie Sundberg, directors Special Presentations – Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director Spectrum – The Waiting Country Woman, Li Yangiu, director Music Films/Music City – Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin Tennessee First – Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director New Directors Competition – The Challenger, Kent Moran, director Graveyard Shift – They Look Like People, Perry Blackshear, director Southwest Airlines Audience Awards – Documentaries – Top Five- In My Father’s House, Ricki Stern and Annie Sundberg, directors
- Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director
- The Barkley Marathons: The Race That Eats Its Young, Annika Iltis and Timothy Kane, directors
- Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin, directors
- Imba Means Sing, Danielle Bernstein, director
- Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director
- The Challenger, Kent Moran, director
- Love & Mercy, Bill Pohlad, director
- Ain’t It Nowhere, Scott Murphy, director
- I’ll See You in My Dreams, Brett Haley, director
Tennessee Horizon Audience Award for Best ShortsPresented by TN Film, Music & Entertainment Commission and Native Magazine Winner (tie) – Daddy’s Little Girl, directed by Chad McClarnon Winner (tie) – Usetocould, directed by Drew MaynardSponsored AwardsNPT Human Spirit Award – My Voice, My Life, directed by Ruby Yang Women in Film & Television Award – Yosemite, directed by Gabrielle Demeestere Outstanding LGBT Film – Naz & Maalik, directed by Jay Dockendorf Nashville Area Hispanic Chamber of Commerce Award – Alfonso Gomez-Rejon for Me and Earl and the Dying Girl Lipscomb University Prize of the Ecumenical Jury – Rosenwald, directed by Aviva Kempner.Complete List of Short Film Award Winners Live Action Short – Grand Jury Prize: Daytimer, directed by Riz Ahmed (United Kingdom) Live Action Short – Honorable Mention: Tzniut, directed by David Formentin (USA) Live Action Short – Honorable Mention: Saturday, directed by Mike Forshaw (United Kingdom) Special Jury Prize for Visual Storytelling: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Animated Short – Grand Jury Prize: Bear Story, directed by Gabriel Osorio (Chile) Animated Short – Honorable Mention: Man on the Chair, directed by Dahee Jeong (France) Special Jury Prize for Achievement in Animation: Pineapple Calamari, directed by Kasia Nalewajka (United Kingdom) Documentary Short – Grand Jury Prize: La Vie en rose comme dans les films, directed by Christophe M. Saber (Switzerland) Documentary Short – Honorable Mention: Autofocus, directed by Boris Poljak (Croatia) Special Jury Prize for Bridging the Gap Between Experimental and Documentary Filmmaking: Object, directed by Paulina Skibinska (Poland) Experimental Short – Grand Jury Prize: (null), directed by Michael Lange, David Gesslbauer (Germany) Experimental Short – Honorable Mention: Play Within a Play, directed by Yasmijn Karhof (Netherlands) Student Short – Grand Jury Prize: Wire Cutters, directed by Jack Anderson (USA) Student Short – Honorable Mention: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Watkins Young Filmmaker Award: Poet Against Prejudice, directed by Faiza Almontaser (USA) Web Series Grand Jury Prize: 24 Hour Records, directed by Brad Cash (USA) Web Series Honorable Mention: HelLA, directed by Rory Uphold (USA) Graveyard Shift Grand Jury Prize for Short Film: Alone, directed by Didier Philippe (France) Graveyard Shift Honorable Mention for Short Film: Primrose Lane, directed by Nick Phillips (USA) Ground Zero Tennessee First Shorts Documentary Award: Muddy Pond, directed by Tyler Jones Ground Zero Tennessee First Short Narrative Award: Trying Not to Explode, directed by Dave Dorsey Tennessee Horizon Audience Award for Best Shorts presented by TN Film, Music & Entertainment Commission and Native Magazine (Nominees – winner announced Thursday, April 23) Contrary to Likeness, directed by Motke Dapp Daddy’s Little Girl, directed by Chad McClarnon Futureman, directed by Patrick Sheehan How I Got Made, directed by Tracy S. Facelli Nashville in Harmony: Ten Years of Using Music to Build Community, directed by Steven C. Knapp Usetocould, directed by Drew Maynard Steven Goldmann Visionary Award: World of Tomorrow, directed by Don Hertzfeldt (USA)
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Imperial Dreams Win Top Awards at 2015 Ashland Independent Film Festival
The Ashland Independent Film Festival announced the 2015 juried and audience award winning films at an Awards Celebration gala at the Historic Ashland Armory. Imperial Dreams (pictured above), directed by Malik Vitthal was the big winner of this year’s festival, taking home both the Jury Award and Audience Award for Best Narrative Feature film.
In Imperial Dreams, 21-year-old Bambi returns home to Los Angeles and his old stomping grounds in Watts, fresh off a 28-month stint in prison for gang activity, Now educated and eager to pursue his dream of becoming a published writer, he must first come to terms with his role as the sole caretaker of his 3-year-old son. To have any hope of reaching his goal and giving his son the upbringing he deserves, he needs to get a job and get off parole. Bambi’s dreams of a legitimate life are challenged by both the red tape of government bureaucracy and the pressure to return to his old gangster life. Even so, he finds hope where it is scarce, and learns what it really means to be a father.
In total, twelve awards were presented to attending filmmakers, honoring their work screened at the 14th annual festival.
The AIFF presented the 2015 Rogue Award to Olympic Champion Greg Louganis. In 1988, Louganis became the first man to sweep the diving events in consecutive Olympic games. His legendary grace, beauty, and courage sparked a worldwide fascination with diving. Louganis shared his story in the documentary Back on Board: Greg Louganis, directed by Cheryl Furjanic, which screened Saturday evening. The film reveals the complicated life of the pioneering, openly gay athlete who revealed his HIV-positive status, at great risk to his career.
Earlier in the week, the AIFF presented Award-winning Director Ondi Timoner with the inaugural AIFF “No Limits” Award in recognition of her fearless filmmaking and unique storytelling style in her latest film, BRAND: A Second Coming. The film follows comedian, author, and activist Russell Brand’s (Forgetting Sarah Marshall) evolution from a superficial Hollywood star and addict to a political disrupter and unexpected hero to the underserved. BRAND: A Second Coming screened Opening Night.
Western, directed by Bill and Turner Ross, took home the Les Blank Award for Best Feature Length Documentary, bestowed by the festival’s jurors. This real-life western is a dazzling vérité portrait that puts a human face on an uncertain new reality of two border towns. Barge and Cartel Land received Honorable Mentions.
It was a tie for The Rogue Creamery Audience Award for Best Documentary. Sharing the honor are FRAME BY FRAME and Batkid Begins: The Wish Heard Around the World.
Imperial Dreams, directed by Malik Vitthal, received the festival’s jury award for Best Narrative Feature film and won the Varsity Audience Award for Best Feature. Another double winner was One Year Lease, taking home the Juried Best Short Documentary prize and the Audience Award for Best Short Documentary.
Birthday took home the Jim Teece “Local Hero” Audience Award for Best Short Film. The Audience Family Choice Award went to The Dam Keeper.
The jury award for Best Editing: Feature Length Documentary went to Kurt Cobain: Montage of Heck, directed by Brett Morgan. The juried award for Best Short Film went to SKUNK. Stop received an Honorable Mention.
Wildlike won The Jim Giancarlo Award for Best Acting Ensemble and received the Gerald Hirschfeld A.S.C. Award for Best Cinematography. Proud Citizen received an Honorable Mention. Hirschfeld was the 2007 A.S.C
President’s Award Honoree and Director of Photography for films such as Young Frankenstein and My Favorite Year.
Most Juried and Audience Award-winning documentary, feature and short films will receive encore presentations, Monday April 13 at the Varsity Theatre in downtown Ashland.
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Atlanta Film Festival Announces Competition Feature Lineup
God Bless the Child The 39th annual Atlanta Film Festival taking place March 20-29, 2015, announced the competitive lineups in the narrative and documentary feature categories.
“This year’s feature competition includes a wide variety of innovative works that truly challenge our perception of traditional film forms,” said ATLFF Director of Programming Kristy Breneman.
Three of these films, all of which are narratives, were announced in December: “Breathe (Respire)” directed by Mélanie Laurent, “Next Year (L’annee Prochaine)” directed by Vania Leturcq and “The Sisterhood of Night” directed by Caryn Waechter. Seven of the competition films are directed by women.
ATLFF will host the world premieres of both “Rosehill” (directed by Brigitta Wagner) and “Somewhere in the Middle” (directed by Lanre Olabisi). “Rosehill” is Wagner’s feature debut and stars Josephine Decker and Kate Chamuris. “Somewhere in the Middle,” starring Cassandra Freeman, Charles Miller and Louisa Ward, marks a return to ATLFF for Olabisi. His last feature, “August the First,” played the 2007 Festival. Olabisi is among the winners of the 2009 ATLFF Screenplay Competition.
Two films, Peter Blackburn’s “Eight” and Marcelo Galvão’s “Farewell (A Despedida),” will have their North American premieres at ATLFF. “Next Year (L’annee Prochaine)” played at the 2014 Toronto International Film Festival, but will make its American debut in Atlanta.
Narrative Feature Competition:
Breathe (Respire)
directed by Mélanie Laurent
France, 2014, French, 91 minutesSeventeen-year-old Charlie is bright and beautiful, but not without insecurity. When new girl Sarah arrives, Charlie is captured by her charisma and the two strike up a deep friendship. For a time, it seems as though each is what the other has been waiting for. When Sarah tires of Charlie and begins making new friends, their relationship takes a turn for the worse.
Starring: Joséphine Japy, Lou de Laâge, Isabelle Carré, Claire Keim
#Narrative #InternationalEight
directed by Peter Blackburn
Australia, 2014, English, 82 minutesSarah Prentice had a life, once. She had a husband, and a daughter. She had holidays. Now she has a routine. She has eight. Bound in a repetitive cycle of OCD, trapped in her house by agoraphobia, the smallest of every day tasks are a monumental effort. As she battles to break her vices, will a knock on the door unhinge her progress?
Starring: Libby Munro, Jane Elizabeth Barry
#Narrative #International #NorthAmericanPremiereFarewell (A Despedida)
directed by Marcelo Galvão
Brazil, 2014, Portuguese, 90 minutesBased on true facts, “Farewell” tells the story of Admiral, a 92-year-old man, who decides that the time has come to say goodbye to all that is most important in his life and spends one last night with Fatima, his lover who is 55 years younger than him. His life has been showing clear signs that it is coming to an end, which makes the experience dense, deep and urgent.
Starring: Nelson Xavier, Juliana Paes, Amélia Bittencourt, Tereza Piffer
#Narrative #International #NorthAmericanPremiereFunny Bunny
directed by Alison Bagnall
USA, 2015, English, 86 minutesGene spends his days canvassing about childhood obesity. One day he canvasses Titty, an emotionally-arrested 19-year-old who has successfully sued his own father to win back a large inheritance and gotten himself disowned in the process. Gene discovers that Titty has an ongoing online relationship with the beautiful but reclusive Ginger, who is an animal activist. Gene convinces Titty to make a pilgrimage to meet Ginger where the two men form a close bond despite both of them being drawn to the enigmatic Ginger, who is in need of rescue.
Starring: Kentucker Audley, Olly Alexander, Joslyn Jensen, Josephine Decker
#NarrativeGod Bless the Child
directed by Robert Machoian, Rodrigo Ojeda-Beck
USA, 2015, English, 92 minutesFive siblings, left on their own, spend a summer’s day full of fantasy and chaos.
Starring: Harper Graham, Elias Graham, Arri Graham, Ezra Graham, Jonah Graham
#NarrativeKrisha
directed by Trey Edward Shults
USA, 2015, English, 82 minutesAfter years of absence, Krisha reunites with her family for a holiday gathering. She sees it as an opportunity to fix her past mistakes, cook the family turkey, and prove to her loved ones that she has changed for the better. Only, Krisha’s delirium takes her family on a dizzying holiday that no one will forget.
Starring: Krisha Fairchild, Robyn Fairchild, Bill Wise, Trey Edward Shults, Chris Doubek, Olivia Grace Applegate, Alex Dobrenko, Bryan Casserly, Chase Joliet, Atheena Frizzell, Augustine Frizzell, Rose Nelson, Victoria Fairchild, Billie Fairchild
#NarrativeMontedoro
directed by Antonello Faretta
Italy, 2015, Italian/English, 88 minutesA rich middle aged American woman unexpectedly discovers her true origin after her parents have died. Deeply moved, in the midst of an identity crisis, she decides to travel, hoping to find the natural mother she has never known. She therefore goes to a small and remote place in the south of Italy, Montedoro. She finds an apocalyptic scene when she gets there: the village, resting on a majestic hill, is completely abandoned and nobody seems to live there anymore.
Starring: Pia Marie Mann, Mario Duca, Luciana Paolicelli, Joe Capalbo, Anna Di Dio, Caterina Pontrandolfo, Domenico Brancale
#Narrative #International #WorldPremiereNext Year (L’année Prochaine)
directed by Vania Leturcq
France/Belgium, 2014, French, 105 minutesClotilde and Aude are eighteen and have always been best friends. Their relationship is strong and interdependent, as teenage friendships can be. They are finishing school and have to decide what to do the following year, after their baccalaureate. Clotilde decides to leave their small, provincial village and go to Paris, dragging Aude along with her. But the two friends will experience this departure differently, ultimately splitting up.
Starring: Constance Rousseau, Jenna Thiam, Julien Boisselier, Kévin Azaïs
#Narrative #International #USPremiereRosehill
directed by Brigitta Wagner
USA, 2015, English, 78 minutesOld friends Alice and Katriona haven’t seen each other since Alice got a job as a sex researcher in rural Indiana. When New York actress Katriona pays a sudden visit, Alice thinks her small-town boredom has come to an end. Little does she know that Katriona is harboring something. The two women set out on a local journey that leads them, unexpectedly, back to themselves. Rocks, women, motion, metamorphosis, and erotica. Part road trip, part meditation, part improvised fiction, part documentary, “Rosehill” is a film about crisis and eternal change, the darkness and resilience of the human spirit.
Starring: Josephine Decker, Kate Chamuris, Ken Farrell, John Machesky, Jacob Emery
#Narrative #WorldPremiereThe Sisterhood of Night
directed by Caryn Waechter
USA, 2014, English, 102 minutesThe story begins when Emily Parris exposes a secret society of teenage girls who have slipped out of the world of social media, into a mysterious world deep in the woods. Emily’s allegations of sexually deviant activities throw the town of Kingston into hysteria and the national media spotlight. As the accused uphold a vow of silence, Emily’s blog takes an unexpected turn when girls across the country emerge with personal stories of sexual abuse. Why are the Sisterhood girls willing to risk so much for a ritualistic gathering in the woods? From the story by Pulitzer Prize-winner Steven Millhauser, “The Sisterhood of Night” chronicles a provocative alternative to adolescent loneliness, revealing the tragedy and humor of teenage years changed forever by the Internet age.
Starring: Georgie Henley, Kara Hayward, Willa Cuthrell, Olivia De Jonge, Kal Penn, Laura Fraser
#NarrativeSomewhere in the Middle
directed by Lanre Olabisi
USA, 2015, English, 89 minutesSofia’s life is a mess. Bad relationships. Dwindling job prospects. But a chance encounter at a bookstore convinces her that she’s met the love of her life in Kofi — a handsome, but immature office manager. Kofi, however, has other things on his mind. Namely, his crumbling marriage to his demanding wife, Billie, who is herself struggling with a newfound attraction for her female co-worker, Alex. In an instant, events that seem true suddenly turn upside down. As secrets and lies surface, each layer of the love quadrangle is slowly peeled away, leaving everyone to cope with the ripple effects of love, obsession, sexuality and ultimately self-discovery. “Somewhere in the Middle” was born out of a year long improvisational process wherein the actors and director mutually crafted a time-fragmented, ensemble drama. Structured like a jigsaw puzzle, no character fully grasps their current dilemma as three interwoven stories are retold from varying viewpoints.
Starring: Cassandra Freeman, Charles Miller, Louisa Ward, Marisol Miranda, Aristotle Stamat, D. Rubin Green
#Narrative #WorldPremiereDocumentary Feature Competition
Frame by Frame
directed by Alexandria Bombach, Mo Scarpelli
USA/Afghanistan, 2015, English/Dari, 85 minutesIn 1996, the Taliban banned photography in Afghanistan. Taking a photo was considered a crime. When the US invaded after 9/11, Afghans saw the Taliban regime topple, the media blackout disappear, and a promising media industry emerge. Now, in a country facing abject uncertainty and ongoing war, Afghanistan’s young press struggles to be a free press. “Frame by Frame” is a feature-length documentary that follows four Afghan photojournalists navigating a young and dangerous media landscape. Through cinema verité, powerful photojournalism, and never-before-seen archival footage shot in secret during the Taliban, the film reveals a struggle in overcoming the odds to capture the truth.
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Madina’s Dream
directed by Andrew Berends
USA/Sudan, 2015, Sudanese Arabic, 80 minutesAn unflinching and poetic glimpse into a forgotten war, “Madina’s Dream” tells the story of rebels and refugees fighting to survive in Sudan’s Nuba Mountains. After decades of civil war, South Sudan achieved its independence from Sudan in 2011. But inside Sudan, the conflict continues. Sudan’s government employs aerial bombings and starvation warfare against the inhabitants of the Nuba Mountains. Hundreds of thousands of civilians have fled to refugee camps in South Sudan or remain trapped in the war zone. Eleven-year-old Madina and countless others dream of a brighter future for the Nuban people.
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Masculinity/Femininity
directed by Russell Sheaffer
USA, 2014,English, 88 minutes“Masculinity/Femininity” is an experimental interrogation of normative notions of gender, sexuality and performance. Prominent filmmakers, film theorists, gender theorists, and artists are each asked to perform a piece that deals with issues surrounding gender identity and construction. Shot primarily on Super 8, the film merges academic and cinematic critique—aiming to be more of a document of gender de-construction rather than a documentary about gender construction.
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A Snake Gives Birth to a Snake
directed by Michael Lessac
South Africa, 2014, English, 99 minutesA diverse group of South African actors tours the war-torn regions of Northern Ireland, Rwanda, and the former Yugoslavia to share their country’s experiment with reconciliation. As they ignite a dialogue among people with raw memories of atrocity, the actors find they must once again confront their homeland’s violent past, and question their own capacity for healing and forgiveness. Featuring never-before-heard original music by jazz legend Hugh Masekela.
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Stray Dog
directed by Debra Granik
USA, 2014, English, 98 minutesHarley-Davidson, leather, tattooed biceps: Ron “Stray Dog” Hall looks like an authentic tough guy. A Vietnam veteran, he runs a trailer park in rural Missouri with his wife, Alicia, who recently emigrated from Mexico. Gradually, a layered image comes into focus of a man struggling to come to terms with his combat experience. When Alicia’s teenage sons arrive, the film reveals a tender portrait of an America outside the mainstream. “Stray Dog” is a powerful look at the veteran experience, a surprising love story, and a fresh exploration of what it takes to survive in the hardscrabble heartland.
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Sweet Micky for President
directed by Ben Patterson
Haiti/USA/Canada, 2015, English, 89 minutesCan one man change a country? Pras Michel believed he could. “Sweet Micky for President” tells the story of Pras, founder of the Grammy award winning hip-hop group The Fugees, as he sets out to change the destiny of his home country of Haiti. With no experience, no money and no support, Pras mobilizes a presidential campaign for Michel Martelly better known as the controversial diaper wearing pop-star Sweet Micky. As a first time political candidate, Martelly aims to use his skills as an artist to affect revolutionary change in a country whose people have been disenfranchised for over 200 years. Despite all odds, Martelly wins the presidency instilling a renewed sense of hope for Haiti’s future.
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Tomorrow We Disappear
directed by Jim Goldblum, Adam M. Weber
India/USA, 2014, Hindi/English, 85 minutesWhen their home is sold to real-estate developers, the magicians, acrobats, and puppeteers of Delhi’s Kathputli Colony must find a way to unite—or splinter apart forever.
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