Freeland (2020)

  • San Francisco International Film Festival Reveals What Would’ve Been 2020 Lineup

    I Carry You with Me directed by Heidi Ewing
    I Carry You with Me directed by Heidi Ewing

    SFFILM has announced the complete lineup for the 2020 San Francisco International Film Festival (originally scheduled for April 8–21), though the event itself was canceled due to growing safety concerns amid the COVID-19 pandemic.

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  • 7 Indie Films Awarded $240,000 in Fall 2018 SFFILM Rainin Grants

    Fall 2018 SFFILM Rainin Grants Seven indie narrative films will receive a total of $240,000 in funding in the latest round of SFFILM Rainin Grants to support the next stage of their creative process, from screenwriting to post-production.  SFFILM Rainin Grants are awarded twice annually to filmmakers whose narrative feature films will have significant economic or professional impact on the Bay Area filmmaking community and/or meaningfully explore pressing social issues. SFFILM, in partnership with the Kenneth Rainin Foundation, is the largest granting body for independent narrative feature films in the United States. The SFFILM Rainin Grant program has awarded over $5 million to more than 100 projects since its inception, including Boots Riley’s indie phenomenon Sorry to Bother You, which was released in theaters nationwide this summer; Reinaldo Marcus Green’s Monsters and Men, which won a Special Jury Prize at Sundance earlier this year; Geremy Jasper’s Sundance breakthrough Patti Cake$, which closed the 2017 Cannes Director’s Fortnight program; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes in 2015; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at SXSW 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Ben Zeitlin’s debut phenomenon Beasts of the Southern Wild, which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture). The jury noted in a statement: “We are thrilled to support these seven ambitious projects and the voices—both lyrical and incisive—of these talented filmmakers. This cohort of SFFILM Rainin grantees are grappling beautifully with questions of how we define ourselves and our homes in a world that is constantly changing. We very much look forward to playing a part in elevating their visions in the months ahead.”

    FALL 2018 SFFILM RAININ GRANT WINNERS

    18+ Ceylan Özgün Özçelik, writer/director/producer; Armagan Lale, producer — screenwriting – $25,000 On the feast of the sacrifice, a family gathering of women turns into a tragicomic night of bloody vengeance. all dirts roads taste of salt Raven Jackson, writer/director; Maria Altamirano, producer — screenwriting – $25,000 In lyrical, non-linear portraits evoking the texture of memories, all dirt roads taste of salt viscerally and experientially explores the life of a Black woman in the American South, from her youth to her older years. Cicada Matthew Fifer, writer/co-director; Kieran Mulcare, co-director; Jeremy Truong and Ramfis Myrthil, producers — post-production – $40,000 Some things are worth waiting 17 years for, others should have come out sooner. Colewell Tom Quinn, writer/director; Craig Shilowich, Alexandra Byer, and Matthew Thurm, producers — post-production – $50,000 For 35 years, Nora Pancowski has been the postmaster of Colewell, Pennsylvania. She runs the office out of her home and has become the center of this community, which has no other common space. When Nora receives word that her office will be closed, she must decide whether to relocate and take a new job or face retirement in Colewell. Freeland Kate McLean and Mario Furloni, writer/directors; Laura Heberton, producer — post-production – $50,000 Aging pot farmer Devi suddenly finds her world shattered as she races to bring in what could be her final harvest. KEE-kay Pedro González Kuhn, director; Rodrigo Ordoñez, writer; Vanessa Perez and Laura Irene Arvizu, producers — development – $25,000 Enrique is deported to Mexico, a country he has never called home. As he struggles to integrate, survive, and force his way back to the US, he meets Rita, who provides shelter and protection that he has never had before, which makes him question where home really is. Sandy Song, The High Priestess of Souls Pete Lee, writer/director — screenwriting – $25,000 Sandy Song, a grumpy middle-aged grifter, becomes the sole defender of Oakland’s Chinatown in a battle against loan sharks, white saviors, and demons.

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  • 7 Narrative Feature Film Projects Win Fall 2015 San Francisco Film Society (SFFS) / Kenneth Rainin Foundation Filmmaking Grants

    San Francisco Film Society Seven filmmaking teams will receive a total of $270,000 to help with the next stage of their creative process, from screenwriting to postproduction in the latest round of Fall 2015 San Francisco Film Society (SFFS) / Kenneth Rainin Foundation (KRF) Filmmaking Grants. The SFFS / KRF program has funded more than 50 projects since its inception, including Jonas Carpignano’s Mediterranea, which premiered at the 2015 Cannes Film Festival and has created buzz all over the international festival circuit; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes and will be released in theaters this fall; Kat Candler’s Hellion and Ira Sachs’ Love Is Strange, both of which premiered to strong reviews at Sundance 2014; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Beasts of the Southern Wild, Benh Zeitlin’s debut phenomenon which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture). FALL 2015 SFFS / KRF FILMMAKING GRANT WINNERS The Fixer Ian Olds, writer/director; Paul Felten, co-writer; Caroline von Kuhn, producer – $75,000 for postproduction An Afghan journalist is exiled from his war-torn country to a small bohemian community in Northern California. When he attempts to turn his menial job on the local police blotter into “Afghan-style” coverage of local crime, he gets drawn into the backwoods of this small town — a shadow Northern California where sex is casual, true friendship is hard to come by and an unfamiliar form of violence burbles up all around him. Freeland Mario Furloni and Kate McLean, cowriter/directors; Laura Heberton, producer — $25,000 for packaging In the last season of black market marijuana growing before legalization, a mother and daughter must reconcile their differences in order to survive in an increasingly inhospitable world. Little Woods Nia DaCosta, writer/director/producer; Rachael Fung, producer — $25,000 for packaging Ollie sneaks into Canada to get medication for her terminally ill mother and other residents in her overwhelmed oil boomtown. She is caught and forced to stop her illegal business, even though it means leaving the people she aids with no better options. When her estranged sister Deb asks for her help, Ollie has to decide whether or not it’s worth it to help her when it will put both of their lives at risk. The Lusty (working title) Silas Howard, writer/director; Antonia Crane, cowriter; L.A. Teodosio, producer — $35,000 for screenwriting In San Francisco in the late 1990s, an army of strippers at the Lusty Lady confront dangerous labor practices and go on to create the first exotic dancers’ union in the world. Based on a true story. Ma/ddy Devon Kirkpatrick, writer/director — $35,000 for screenwriting In this dark comedy, life after death takes on a whole new meaning for a genderqueer widow following the loss of their wife. Over The Eaves Brent Green, writer/director; Thyra Heder, cowriter; Carly Hugo, Matt Parker and Alexandra Pitz, producers — $50,000 for preproduction A young boy living on a farm begins inventing strange, hand-made machines to ease the family’s hard labor, but his ambitions quickly grow. When his most daring invention backfires and changes life on Earth forever, the townspeople struggle to understand whether he has done them harm or shown them what they have been missing. Reza and the Refugees Aaron Douglass Johnston, writer/director/producer; Laura Wagner, producer — $25,000 for packaging A ragtag team of Middle Eastern political refugees in Holland enters the Eurovision song contest in an effort to save their friend from deportation and certain death.

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