Golden Exits

  • GOOD TIME Tops Film Comment Magazine’s 2017 Best-of-Year LISTS

    [caption id="attachment_22877" align="aligncenter" width="1200"]Good Time Good Time[/caption] Josh and Benny Safdie’s Good Time took the top spot among films released in 2017 on Film Comment magazine’s annual end-of-year list. Other top ranking films include Terence Davies’s A Quiet Passion, and Olivier Assayas’s Personal Shopper. Of the films that screened at festivals worldwide but have not announced stateside distribution, Pedro Pinho’s The Nothing Factory, Sergei Loznitsa’s A Gentle Creature, and Heinz Emigholz’s Streetscapes [Dialogue] received the top rankings. Published since 1962, Film Comment magazine features in-depth reviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world.

    Film Comment’s Top 10 Films Released in 2017:

    1. Good Time Josh and Benny Safdie, USA 2. A Quiet Passion Terence Davies, U.K./Belgium 3. Personal Shopper Olivier Assayas, France 4. Get Out Jordan Peele, USA 5. Nocturama Bertrand Bonello, France 6. Ex Libris: The New York Public Library Frederick Wiseman, USA 7. The Death of Louis XIV Albert Serra, France/Portugal/Spain 8. Faces Places Agnès Varda and JR, France 9. The Lost City of Z James Gray, USA 10. Lady Bird Greta Gerwig, USA Film Comment’s survey also ranks films that have screened and made notable appearances at festivals throughout the year, but remain without U.S. distribution at press time.

    Film Comment’s Top 10 Unreleased Films of 2017:

    1. The Nothing Factory Pedro Pinho, Portugal 2. A Gentle Creature Sergei Loznitsa, France/Germany/Lithuania/The Netherlands 3. Streetscapes [Dialogue] Heinz Emigholz, Germany 4. Milla Valérie Massadian, France 5. Tonsler Park Kevin Jerome Everson, USA 6. Mrs. Fang Wang Bing, France/China/Germany 7. Spoor Agnieszka Holland and Kasia Adamik, Poland/Germany/Czech Republic 8. Le Fort des fous Narimane Mari, France/Algeria/Greece/Germany/Qatar 9. 3/4 Ilian Metev, Bulgaria 10. The Venerable W. Barbet Schroeder, France/Switzerland “Out of the hundreds of movies released in 2017, our esteemed contributors have distilled the year into an energized and energizing lineup of essential films,” said Editor-in-Chief Nicolas Rapold. “This selection reflects Film Comment’s love for the art and craft of cinema in its many forms, ranging from first-time filmmakers to 43rd-timers. Not to mention film’s many seasons: the top five all opened before the traditional fall frenzy of releases. Read all about it in Film Comment.”

    THE FILM COMMENT BEST OF 2017: THE COMPLETE LIST OF TOP 20 TITLES

    RELEASED IN 2017

    1. Good Time Josh and Benny Safdie, USA 2. A Quiet Passion Terence Davies, U.K./Belgium 3. Personal Shopper Olivier Assayas, France 4. Get Out Jordan Peele, USA 5. Nocturama Bertrand Bonello, France 6. Ex Libris: The New York Public Library Frederick Wiseman, USA 7. The Death of Louis XIV Albert Serra, France/Portugal/Spain 8. Faces Places Agnès Varda and JR, France 9. The Lost City of Z James Gray, USA 10. Lady Bird Greta Gerwig, USA Rankings #11-20 11. The Human Surge Eduardo Williams, Argentina 12. The Other Side of Hope Aki Kaurismäki, Finland 13. The Florida Project Sean Baker, USA 14. Dawson City: Frozen Time Bill Morrison, USA 15. Phantom Thread Paul Thomas Anderson, USA 16. On the Beach at Night Alone Hong Sangsoo, South Korea 17. Wonderstruck Todd Haynes, USA 18. Mudbound Dee Rees, USA 19. BPM: Beats Per Minute Robin Campillo, France 20. The Square Ruben Östlund, Sweden

    FILMS WITHOUT DISTRIBUTION IN 2017

    1. The Nothing Factory Pedro Pinho, Portugal 2. A Gentle Creature Sergei Loznitsa, France/Germany/Lithuania/The Netherlands 3. Streetscapes [Dialogue] Heinz Emigholz, Germany 4. Milla Valérie Massadian, France 5. Tonsler Park Kevin Jerome Everson, USA 6. Mrs. Fang Wang Bing, France/China/Germany 7. Spoor Agnieszka Holland and Kasia Adamik, Poland/Germany/Czech Republic 8. Le Fort des fous Narimane Mari, France/Algeria/Greece/Germany/Qatar 9. 3/4 Ilian Metev, Bulgaria 10. The Venerable W. Barbet Schroeder, France/Switzerland Rankings #11-20 11. Golden Exits Alex Ross Perry, USA 12. Mrs. Hyde Serge Bozon, France 13. The Wandering Soap Opera Raúl Ruiz & Valeria Sarmiento, Chile 14. Life and Nothing More Antonio Méndez Esparza, Spain/USA 15. Until the Birds Return Karim Moussaoui, France/Algeria/Germany 16. Good Luck Ben Russell, France/Germany 17. Distant Constellation Shevaun Mizrahi, Turkey/USA 18. The Quartet (Elohim, Abaton, Coda, Ode) Nathaniel Dorsky, USA 19. Drift Helena Wittmann, Germany 20. Untitled Matthew Glawogger & Monika Willi, Austria

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  • 40th Denver Film Festival to Spotlight ‘LADY BIRD’, ‘I, TONYA’, ‘MOLLY’S GAME’

    [caption id="attachment_24371" align="aligncenter" width="1200"]Lady Bird by Greta Gerwig Lady Bird[/caption] Actress Greta Gerwig directorial debut Lady Bird starring Saoirse Ronan will kickoff the 40th Denver Film Festival which takes place November 1 to 12, 2017. I, Tonya, the Tonya Harding biopic, directed by Craig Gillespie, and starring Margot Robbie, will close out the festival on Saturday, November 11. Other spotlight films include Submission directed by Richard Levine, starring Stanley Tucci and Kyra Sedgwick screening on Friday, November 3; and The Ballad of Lefty Brown directed by Jared Moshe, starring Bill Pullman and Peter Fonda will have a special “spotlight” screening on Wednesday, November 8. Molly’s Game  starring Jessica Chastain and Idris Elba in the directorial debut from writer Aaron Sorkin, is featured on the “Big Night” of the festival on Thursday, November 9. And, on closing night, there will also be a red carpet matinee of Three Billboards Outside Ebbing, Missouri by writer/director Martin McDonagh, starring Frances McDormand and Woody Harrelson on Saturday, November 11.

    Special Presentations

    CALL ME BY YOUR NAME – Italy/France/Brazil/USA / Director: Luca Guadagnino Based on an acclaimed novel, the screenplay for this sensual and transcendent tale of first love from Italian filmmaker Luca Guadagnino was penned by none other than that master of exquisite longing, James Ivory CHAPPAQUIDDICK – USA / Director: John Curran How did one of the most powerful political dynasties in US history preserve its legacy in the aftermath of a tragic scandal? Directed by John Curran, this historical drama centers on the media maelstrom surrounding Chappaquiddick, as the 1969 car accident involving US Senator Ted Kennedy (Jason Clarke) and a young campaign worker (Kate Mara) came to be known. Ed Helms and Jim Gaffigan co-star. DARKEST HOUR – UK / Director: Joe Wright Gary Oldman stars in director Joe Wright’s thrilling fictionalized account of Winston Churchill’s first weeks in office during the early days of World War II. With the support of his wife of 31 years, Clemmie (Kristin Scott Thomas), the witty and brilliant Prime Minister must rally a nation to fight against incredible odds and change the course of world history forever. HUMAN FLOW – Germany / Director: Ai Weiwei In recent years, over 65 million people around the world have fled their homes to escape famine, climate change and war. This epic documentary journey through 23 countries by the internationally renowned Chinese artist Ai Weiwei gives powerful visual expression to both the staggering scale of the refugee crisis and its profoundly personal human impact. IN THE FADE (Aus dem nichts) – Germany/France / Director: Fatih Akin When her husband Nuri and young son Rocco are killed in a bomb attack, Katja begins a search for answers that makes the mourning process all the more painful and difficult. The trial of two neo-Nazi suspects pushes her to the edge, but there’s simply no alternative for the pursuit of justice. Diane Kruger won Best Actress at the 2017 Cannes Film Festival for her role in this raw, gripping drama. ISMAEL’S GHOSTS (Les fantomes d’smael) – France / Director: Arnaud Desplechin Mathieu Amalric, Charlotte Gainsbourg and Marion Cotillard star in this meta-romantic thriller from France about a filmmaker caught in a triangle between his current love and a woman from his past—who happens to have been presumed dead for 20 years. LAST FLAG FLYING – USA / Director: Richard Linklater Thirty years after they served together in Vietnam, three military vets (Steve Carell, Bryan Cranston and Laurence Fishburne) reunite for a different type of mission: to bury Doc’s son, a young Marine killed in Iraq. In this thoughtful and moving road movie, director Richard Linklater’s characters wrestle with the impact war has had on their lives. THE LEISURE SEEKER – Italy/France / Director: Paolo Virzì From acclaimed Italian filmmaker Paolo Virzì, this new take on an old genre—the road movie—stars Helen Mirren and Donald Sutherland as a runaway couple on an unforgettable journey to recapture their passion for life and their love for each other in the faithful old RV they call the Leisure Seeker. NOVITIATE – USA / Director: Margaret Betts Melissa Leo (The Fighter, The Big Short) leads a strong cast of rising stars in this Vatican II–era drama about a rural Tennessean girl’s first true love—which just so happens to be for God. Granted a scholarship to Catholic school, young Cathleen is quickly drawn into the mysterious romanticism—eroticism, even—of a life devoted to worship and servitude. THE PARTY – UK / Director: Sally Potter The more is anything but the merrier in this brutally funny satire on the British upper crust. Politico Janet (Kristin Scott Thomas) throws an insufferable dinner party whose every guest (Patricia Clarkson, Emily Mortimer and Cillian Murphy among them) is worse than the last—all the better for the audience to bask in writer-director Sally Potter’s zinger-rich dialogue. SOLLERS POINT – USA / Director: Matthew Porterfield This gritty drama follows small-time drug dealer Keith from the confines of house arrest back onto the racially tense streets of Baltimore. Although he wants to make a new start, his father (Jim Belushi), a retired steelworker, has little patience with his unemployed son—and the allure of criminal life in his depressed neighborhood may be impossible to withstand. VIGILANTE: THE INCREDIBLE TRUE STORY OF CURTIS SLIWA AND THE GUARDIAN ANGELS – USA / Director: David Wexler A forceful tribute to community self-defense, this documentary tells the remarkable story of Guardian Angels founder Curtis Sliwa, who vividly narrates his initiation into a life of vigilantism in the crime-ridden New York City of the ’70s and ’80s, touching on everything from the crack epidemic to his defense of infamous subway gunman Bernard Goetz.

    KRZYSZTOF KIESLOWSKI AWARD FOR BEST FEATURE FILM FINALISTS

    THE HAPPINESS OF THE WORLD – Poland / Director: Michał Rosa This period drama from Polish filmmaker Michał Rosa is set in 1939 in a village on the German-Polish border, where the residents of a tenement house endure the rising tension of the coming war. When a Warsaw journalist embeds himself in their building in search of an anonymous author, their secrets begin to surface, intertwined with a mysterious Jewish beauty named Róża. IN THE FADE– Germany/France / Director: Fatih Akin When her husband Nuri and young son Rocco are killed in a bomb attack, Katja begins a search for answers that makes the mourning process all the more painful and difficult. The trial of two neo-Nazi suspects pushes her to the edge, but there’s simply no alternative for the pursuit of justice. Diane Kruger won Best Actress at the 2017 Cannes Film Festival for her role in this raw, gripping drama. QUALITY TIME – Netherland/Norway / Director: Daan Bakker Dutch filmmaker Daan Bakker’s sly, strange tragicomedy about a quintet of 30-something misfits is told in five distinct parts—all employing their own inventive visual and narrative styles to convey a sense of the dislocation, dysfunction and absurdity dictating the lives of Koen, Stefaan, Kjell, Karel and Jef. RADIANCE – Japan/France / Director: Naomi Kawase In this heartfelt drama from Japan, Misako is a passionate translator of films for the visually impaired. At a screening, she meets Nakamori, an older photographer who is slowly losing his eyesight—but who can teach her to see what’s right in front of her, provided she’s open to the possibilities. THELMA – Norway/France/Denmark/Sweden / Director: Joachim Trier When shy, religious young Thelma goes to study at a university in Oslo, she begins to experience violent seizures that lead to an encounter with beautiful classmate Anja—while also revealing supernatural abilities. As the girls’ friendship deepens, both the terrifying implications of Thelma’s powers and tragic secrets from her past come to light in this paranormal thriller from Norway. UNDER THE TREE – Iceland / Director: Hafsteinn Gunnar Sigurðsson When Baldwin and Inga’s next door neighbours complain that a tree in their backyard casts a shadow over their sundeck, what starts off as a typical spat between neighbours in the suburbs unexpectedly and violently spirals out of control.

    MAYSLES BROTHERS AWARD FOR BEST DOCUMENTARY FINALISTS

    32 PILLS: MY SISTER’S SUICIDE – USA / Director: Hope Litoff She’s beautiful, artistic, beloved—and she can’t stand to be alive. Documentary filmmaker Hope Litoff seeks to piece together the life and death of her sister Ruth; in the process, she gives a devastating account of the toll her investigation takes on her own mental health. ALPHAGO – USA / Director: Greg Kohs The ancient Chinese game called Go is said to have more board configurations than there are atoms in the universe. This fascinating documentary takes viewers from the coding terminals of Google DeepMind in London to a tournament in Seoul, where a legendary Go master is set to compete against a computer program in an epic battle of wits: can the human brain outsmart artificial intelligence? DID YOU WONDER WHO FIRED THE GUN? – USA / Director: Travis Wilkerson Filmmaker Travis Wilkerson turns the camera on his own family to expose a dark secret in this unflinching personal documentary. Returning to his hometown of Dothan, Alabama, he discovers that his great-grandfather, a white supremacist, once shot and killed a black man but was never charged with the murder—and that any historical trace of his victim is gone. FACES PLACES – France / Director: JR, Agnès Varda At 89 years old, Agnès Varda, one of the leading figures of the French New Wave, teamed up with acclaimed 33-year-old French photographer JR to co-direct this enchanting documentary-meets-road movie. As they travel around France in JR’s truck producing large-scale photographic portraits of the locals they meet along the way, they reveal the humanity in their subjects—and themselves. NO MAN’S LAND– USA / Director: David Byars Director-cinematographer David Byars had remarkable access to the protesters occupying Oregon’s Malheur National Wildlife Refuge during their 41-day armed standoff with federal authorities in 2016. This gripping documentary reveals the inner workings of the insurrection as it examines what draws Americans to the concept of revolution. STRAD STYLE – USA / Director: Stefan Avalos Meet Danny Houck—a down-on-his-luck, Stradivarius-obsessed recluse in rural Ohio who has somehow convinced a famous European concert violinist that he can make a copy of one of the world’s rarest and most valuable violins. A hilariously poignant and suspenseful documentary about the true meaning of chutzpah.

    AMERICAN INDEPENDENT NARRATIVE AWARD FINALISTS

    DISCREET – USA/Brazil / Director: Travis Mathews After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive. GOLDEN EXITS – USA / Director: Alex Ross Perry Writer-director Alex Ross Perry (The Color Wheel, SDFF34) explores the torment of modern domestic life, with a fabulous ensemble cast—including Mary-Louise Parker, Jason Schwartzman, Chloë Sevigny, Keith Poulson and the Beastie Boys’ Adam Horovitz—on hand to embrace both the dramatic and darkly comedic sides of despair. THE MISOGYNISTS – USA / Director: Onur Tukel This dark, claustrophobic satire stars Dylan Baker (Happiness) as Cameron, a lonely businessman celebrating Trump’s election in a hotel room after a bitter separation from his wife of 35 years. As the night progresses, friends, colleagues and strangers come and go, debating politics and what it means to be an American—among them a pair of prostitutes facing an existential crisis of their own. MR. ROOSEVELT – USA / Director: Noël Wells Comedian Noël Wells (Saturday Night Live, Master of None) wrote, directed and stars in this charming comedy. Like Wells, Emily has racked up millions of YouTube hits for her video sketches. But unlike Wells, she can’t quite make it in Los Angeles. When she receives news of a death in the family, she rushes back to Austin to find her ex-boyfriend—and everything else—has changed. THE STRANGE ONES – USA / Directors: Christopher Radcliff, Lauren Wolkstein A young man and a boy travel by car through a wooded American landscape. Who are they? Where are they going? Are they on the run? The boy seems disturbed, haunted by memories of nameless violence, and the mood is one of foreboding—but the more we learn, the less we understand in this artful coming-of-age mystery. THIRST STREET – France/USA / Director: Nathan Silver While on layover in Paris, a lonely American flight attendant has a rendezvous with a seedy nightclub bartender and becomes tangled in a web of misunderstandings, masochistic tendencies, & unrequited amour fou in this homage to the erotic dramas of 1970s Europe from returning fest guest Nathan Silver (Actor Martinez, DFF39).

    TRUE GRIT BEST COLORADO FEATURE FILM AWARD FINALISTS

    COLORADO FEATURE FILMS

    AMY & SOPHIA – UK/USA / Director: Adam Lipsius An unlikely friendship forms when two troubled girls, haunted by their past, forge a shared future by using art as an escape from the present in this magical-realist drama. GNAW – USA / Director: Haylar Garcia Jennifer Conrad is a small-town girl starting over in the big city. Fleeing an abusive relationship, all she wants is a chance to become whole again. But that’s hard to do when something is eating at you while you sleep—literally. This horror flick by Colorado filmmaker Haylar Garcia delves with equal gusto into paranormal and psychological phenomena. HOME TRUTH – USA / Directors: Katia Maguire, April Hayes In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father. Determined to make sure their deaths were not in vain, Gonzales became an advocate for domestic-violence victims, taking her case to the US Supreme Court and beyond. At once troubling and inspiring, this documentary tells her story. HONDROS – USA/Iraq/Liberia/Libya / Director: Greg Campbell Pulitzer Prize-finalist photographer Chris Hondros spent a decade documenting wars in Kosovo, Afghanistan, Liberia and Libya, until he was killed while on assignment for Getty Images in 2011. Directed by fellow journalist and lifelong friend Greg Campbell, this eloquent documentary pays tribute to the late photojournalist’s courageous and compassionate career. JONBENET’S TRICYCLE – USA / Director: Andrew Novick Andrew Novick is a Mile High legend as (among other things) an obsessive collector. He reveals some of his strangest acquisitions—including JonBenet Ramsey’s tricycle—in this quirky autobiographical documentary, which is also an investigation of the human urge to possess what we value and of the impact pop culture and the media have on our experience of tragedy. LIYANA – Swaziland/USA/Qatar / Directors: Aaron Kopp, Amanda Kopp The lives and extraordinary imaginations of five orphans at a storytelling workshop in Swaziland are captured in this enchanting, moving and highly acclaimed documentary from Colorado filmmakers Aaron and Amanda Kopp. MOVING PARTS – Trinidad and Tobago/USA / Director: Emilie Upczak In this unique personal drama of human trafficking—written and directed by Boulder native Emilie Upczak—Zhenzhen follows her brother to Trinidad and Tobago with the help of a smuggler. When her new restaurant job proves dangerously unpleasant, a local art gallery owner helps her fight to secure her future. WALDEN: LIFE IN THE WOODS – USA / Director: Alex Harvey Shot on location in Colorado, this radical Western re-imagining of Thoreau’s eponymous classic interlaces three narratives that take place over 24 hours to consider the trappings of modern life and the unlikely heroes who dream of escape.

    COLORADO SHORT FILMS

    CHOCOLATE SPOKES – USA / Directors: Brendan Leonard CHOWDER – USA / Director: Justin Tyrrell, Travis Lindner THE DAY BEFORE – USA / Directors: Geoff Marslett DIVING MONKEYS – USA / Director: Elizabeth Henry DREAMSPOOK – FEAR IN LOVE – USA / Directors: Joseph Kolean FED TO FIRE – USA / Director: Joseph Dasteel FINAL FOUR – USA / Directors: Dario Ortega MRS. DRAKE – USA / Director: Caitlin FitzGerald OH, OPHELIA – USA / Directors: Dakota Nanton THE OUTSIDER – USA / Director: Scott Takeda THE ROMANTIC METHOD – USA / Directors: Maggie Hart UNSEEN – USA / Director: Kaleb Kohart

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  • LEMON, GOOK, BITCH Among 7 Films from 2017 Sundance Selected to Screen at Sundance NEXT FEST

    [caption id="attachment_19434" align="aligncenter" width="1200"]Lemon Lemon[/caption] Seven films from the 2017 Sundance Film Festival, paired with three energizing musical performances will screen at the upcoming Sundance NEXT FEST. The fest lights up Los Angeles August 10-13 at The Theatre at Ace Hotel Downtown Los Angeles, and this year will include presentation of the Institute’s Vanguard Awards to Quentin Tarantino and Dee Rees. The festival’s NEXT FEST After Dark program on Thursday, August 10, will feature a 25th anniversary screening of Reservoir Dogs on restored 35mm and presentation of the Institute’s Vanguard Leadership Award to Quentin Tarantino.  Reservoir Dogs debuted at the 1992 Sundance Film Festival following Tarantino’s participation in the Institute’s Directors Lab and returned to its roots with a From the Collection screening at this year’s Festival. Sundance NEXT FEST continues on Friday with the LA premiere of absurd comedy Lemon directed by Janicza Bravo, with a performance by powerhouse vocalist Lizzo. Saturday’s lineup includes: Sundance NEXT FEST’s first-ever episodic selection — a special screening of seven episodes of the comedic drama Gente-fied, created by Marvin Lemus; the 2017 Sundance Film Festival’s Audience Award: NEXT-winner Gook; and Bitch, starring Jason Ritter and Jaime King, paired with a performance by Sleigh Bells who just released their fourth LP, Jessica Rabbit. Sunday’s events include: the Los Angeles premieres of Dina, a documentary about an unconventional love story that took home the Grand Jury Prize in Park City; Alex Ross Perry’s latest film Golden Exits; and Michelle Morgan’s witty love letter to the city of angels, LA Times, accompanied by a live performance by LA-based duo Electric Guest, the band behind the hit “Dear to Me.” Additional program elements for the daytime screenings, including live Q&As with movie icons, will be announced. Sundance alum Dee Rees, writer and director of Pariah, Bessie and Mudbound, will receive the Vanguard Award at Sundance NEXT FEST, celebrating an emerging artist with creative independence. Rees is an alumna of Sundance Screenwriters, Creative Producing and Directors Labs. She has been the recipient of Sundance Institute’s Time Warner Fellowship and Annenberg Film Fellowship and premiered two feature films at the Sundance Film Festival, Pariah in 2011 and Mudbound in 2017. The Vanguard Award includes a cash grant and mentorship from industry professionals and Institute staff. Rees will be the sixth recipient of this award; past recipients include Damien Chazelle (Whiplash), Benh Zeitlin (Beasts of the Southern Wild) and Ryan Coogler (Fruitvale Station). The Vanguard Award was founded in 2011 to mark the 30th anniversary of the Sundance Institute Feature Film Program and its founding director, Michelle Satter. Thursday, August 10 7:30 p.m. – Reservoir Dogs Reservoir Dogs / U.S.A. (Director and screenwriter: Quentin Tarantino) — They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush and the ruthless killers realize one of them is a police informant. But which one? This 25th anniversary screening will be presented on a 35mm print. Cast: Harvey Keitel, Tim Roth, Chris Penn, Steve Buscemi, Lawrence Tierney, Michael Madsen. 25th ANNIVERSARY Friday, August 11 8:00 p.m. – Lemon + Lizzo Lemon / U.S.A. (Director: Janicza Bravo, Screenwriters: Janicza Bravo, Brett Gelman) — Lemon: a person or thing that proves defective, imperfect, or unsatisfactory. A man whose blind girlfriend is leaving him, whose career is going nowhere and whose family is disappointed in him—Isaac Lachmann is 40. He doesn’t know how he got there. Things were supposed to work out differently. Cast: Brett Gelman, Judy Greer, Michael Cera, Nia Long, Shiri Appleby, Fred Melamed. LOS ANGELES PREMIERE Lizzo wields the kind of voice that’s right at home in soul, pop, hip-hop, R&B, rock and gospel. The vivacious and versatile vocalist’s impassioned delivery and dynamic range bonds the six tracks on her major label debut EP, Coconut Oil (Nice Life Recording Company/Atlantic Records). Lauded by Noisey, Entertainment Weekly, Paste, Rolling Stone, Spin, Idolator, and more, the EP boasted the hit “Good As Hell,” which was featured on the Original Soundtrack to Barbershop: The Next Cut and churned out over 7.3 million Spotify streams and 1.3 million YouTube views in less than six months. Saturday, August 12 12:00 p.m. – Gente-fied Gente-fied / U.S.A. (Director, creator and co-writer: Marvin Lemus, Co-writer: Linda Yvette Chavez, Executive Producers: Charles D. King, Aaliyah Williams, America Ferrera) — Seven characters deal with the effects of change in L.A.’s Boyle Heights. Bicultural millennials and old-school business owners hustle to create spaces that celebrate their Latino identities—even while faced with rent hikes, a housing crisis, and a steady stream of outsiders threatening to gentrify their barrio. NEXT FEST will screen all seven episodes of this short-form episodic series. Cast: Edsson Morales, Alicia Sixtos, Victoria Ortiz, Yareli Arizmendi, Salvador Velez Jr, Rafael Sigler, Art Bonilla. LOS ANGELES PREMIERE 4:00 p.m. – Gook Gook / U.S.A. (Director and screenwriter: Justin Chon) — Eli and Daniel—Korean American brothers who run a shoe store in Paramount, California—form an unlikely friendship with Kamilla, an 11-year-old African American girl. As Daniel dreams of becoming a recording artist and Eli struggles to keep the store afloat, LA’s racial tensions erupt during the infamous 1992 riots. Cast: Justin Chon, Simone Baker, David So, Curtiss Cook Jr., Sang Chon, Ben Munoz. Winner of the Audience Award: NEXT at the 2017 Sundance Film Festival. 8:00 p.m. – Bitch + Sleigh Bells Bitch / U.S.A. (Director and screenwriter: Marianna Palka) — A woman snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband is forced to become reacquainted with his four children and sister-in-law as they attempt to keep the family together during this bizarre crisis. Cast: Jason Ritter, Jaime King, Marianna Palka, Brighton Sharbino, Rio Mangini, Kingston Foster. LOS ANGELES PREMIERE Sleigh Bells wasted no time after getting off the ground in 2009, releasing three blistering records in four years. Ready for a break from the road, they took their time on their fourth LP, Jessica Rabbit, writing and finishing the record several times only to realize that they wanted to push themselves and the music further. The result is an intense and vulnerable record that’s highly evolved and completely uncategorizable, a major statement from a band wholly committed to advancing their dynamic, uncompromising vision. Jessica Rabbit is the first release on the band’s own record label, Torn Clean. Sunday, August 13 12:00 p.m. – Dina Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story. LOS ANGELES PREMIERE. Winner of the U.S. Grand Jury Prize: Documentary at the 2017 Sundance Film Festival. 4:00 p.m. – Golden Exits Golden Exits / U.S.A. (Director and screenwriter: Alex Ross Perry) — The arrival of a young foreign girl disrupts the lives and emotional balances of two Brooklyn families. Cast: Emily Browning, Adam Horovitz, Mary-Louise Parker, Lily Rabe, Jason Schwartzman, Chloë Sevigny. LOS ANGELES PREMIERE 8:00 p.m. – L.A. Times + Electric Guest L.A. Times / U.S.A. (Director and screenwriter: Michelle Morgan) — In this classically styled comedy of manners set in Los Angeles, sophisticated thirtysomethings try to determine whether ideal happiness exists in coupledom or if the perfectly suited couple is actually just an urban myth. Cast: Michelle Morgan, Dree Hemingway, Jorma Taccone, Kentucker Audley, Margarita Levieva, Adam Shapiro. LOS ANGELES PREMIERE Electric Guest – L.A.-based duo Asa Taccone and Matthew Compton – recently released Plural on Downtown/Interscope Records. The record finds the duo at the absolute top of their game, infusing their version of electronic r&b with an even more confident, adventurous spirit than their 2012 debut album, Mondo, displayed, which Rolling Stone called “a Beck-ian journey into L.A. slacker soul, full of hooky neon jams.” MTV named Electric Guest an Artist To Watch, NME tagged them as a Band Of The Week, and they made the rounds at festivals in addition to taking late night TV by storm with performances on Letterman, Fallon, Conan and more.

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  • Melbourne International Film Festival Reveals First Glance Selection, PATTI CAKE$, STEP, POP AYE and More

    [caption id="attachment_19920" align="aligncenter" width="1200"]Patti Cake$ Patti Cake$[/caption] For its 66th edition, the Melbourne International Film Festival (MIFF) has revealed its First Glance selection of 30 films that will screen at this year’s festival from August 3 to 20, 2017, including the Australian premiere of Jane Campion’s much anticipated new television series Top of the Lake: China Girl. Artistic Director Michelle Carey says, “We’re hoping that this sneak peek of the 2017 program gives you a taste of what’s to come.  The calibre of films on offer this year is very impressive, from Australian stalwart Jane Campion’s Top of the Lake: China Girl to breakout hit Patti Cake$, MIFF brings you the story of the world through curated and unforgettable screen experiences.” Straight from a standing ovation in Cannes, this special Australian premiere of the entire second season, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman from a script by Campion and Gerard Lee (My Mistress, MIFF 14), will show all six episodes in three concurrent two-hour sessions – a unique opportunity to see the series before its television premiere on BBC First on Foxtel.  Top of the Lake: China Girl (Australia) is a crime mystery story that finds Detective Robin Griffin (Elisabeth Moss) recently returned to Sydney and trying to rebuild her life. When the body of an Asian girl washes up on Bondi Beach, there appears little hope of finding the killer, until Robin discovers ‘China Girl’ didn’t die alone. Also starring Nicole Kidman, Gwendoline Christie (Game of Thrones), David Dencik (Tinker Tailor Soldier Spy), Ewen Leslie (The Daughter) and Accelerator alumnus Alice Englert (The Boyfriend Game, MIFF 16). Also hotting up the screen will be Australian premieres Golden Exits (USA), the latest film from Alex Ross Perry (Listen Up Phillip MIFF 14; Queen of Earth, MIFF 15), an unnerving ensemble drama shot on 16mm that boasts a star-studded cast led by Emily Browning, Chloë Sevigny, Jason Schwartzman with Beastie Boy Adam Horovitz and a moody score by Keegan De Witt; and The Lost City of Z (USA), James Gray’s (The Immigrant MIFF 14) sumptuous and poignant Amazon adventure based on real life explorer Percy Fawcett’s quest to find the fabled city of El Dorado, starring Charlie Hunnam, Sienna Miller, Robert Pattinson and featuring lush 35mm cinematography by Darius Khondji. Leading Australian director Kriv Stenders (The Principal, MIFF 15; Red Dog MIFF 11) returns to MIFF with two productions: The Go-Betweens – Right Here (Australia), a documentary charting the four-decade long story of beloved indie rock band The Go-Betweens, in their own words and with never-before-seen archival footage; and Australia Day (Australia), an excoriating, illuminating take on our country’s most fraught debate, set over a pulse-racing 12 hours on 26 January with a powerhouse ensemble cast including Bryan Brown, Matthew Le Nevez, Sean Keenan, Shari Sebbens and Jenny Wu (who also features in Top of the Lake: China Girl). Local comedies include Ali’s Wedding, based on the real-life experience of lead actor Osamah Sami’s ill-fated arranged marriage the absurd and poignant tale about family in multicultural Australia stars Don Hany with direction by Jeffrey Walker (Jack Irish: Bad Debts, MIFF 12), and That’s Not Me (Australia). Ali’s Wedding is a fast-paced comedy of very Muslim manners that shines with wit, humanity and crowd-pleasing charisma; while That’s Not Me is Gregory Erdstein’s (Two Devils, MIFF 14) charming feature debut about a young woman and aspiring actor who takes advantage of her identical twin sister’s success and fame, featuring an impressive performance by writer/star Alice Foulcher in dual roles. In Mountain (Australia), Jennifer Peedom (Sherpa, MIFF 15) returns to the mountains that so captivate her in a unique cinematic and musical collaboration. Working with high-altitude cinematographer Renan Ozturk, bestselling author Robert Macfarlane (Mountains of the Mind) and the Australian Chamber Orchestra’s Richard Tognetti, Peedom has created a breathtaking cine-sonic journey through awe-inspiring vistas narrated by Willem Dafoe. One of Australia’s most innovative filmmakers and MIFF regular Amiel Courtin-Wilson (Hail MIFF 11; Ruin, MIFF 13) captures two legends – free jazz pioneer Cecil Taylor and modern dance artist Min Tanaka – in an intimate performance piece like no other in The Silent Eye (Australia). Shot over three days in 2016 at Taylor’s New York home, the film captures these two masters riffing, offering the audience a glimpse of the creative process at its most sublime. Master international filmmakers bring their works to the big screen at MIFF with Terrence Malick’s Song to Song (USA), a beautifully lensed love story set against the backdrop of the Austin music scene, with a luminous cast including Ryan Gosling, Rooney Mara, Michael Fassbender, Natalie Portman and Cate Blanchett; and Sally Potter’s (Ginger and Rosa, MIFF 12) caustic comic satire of a broken, post-Brexit England, The Party (UK), offering a masterclass of acting from a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall, and filmed entirely in stunning black and white. The director of A Bigger Splash, Luca Guadagnino, presents his most accomplished film yet: a passionate Italian summer romance headed by Armie Hammer and star on the rise Timothée Chalamet. Adapted from André Acimen’s novel with a script co-written by James Ivory, Call Me By Your Name (Italy) is a sensuous story of first love and the end of adolescence. Turning galvanizing portraits of marginalized women into his own niche, Sebastián Lelio (Gloria, MIFF 13) returns with another beguiling character study, delivering a nuanced and moving account of a vital fight for love, acceptance, and respect that won both Best Screenplay and Best LGBT Film at Berlin. But A Fantastic Woman (Chile) belongs to its determined, defiant titular character and the stunning performance by transgender actress Daniela Vega, making one of the most memorable and formidable movie debuts in recent history. Peter Mackie Burns’ nuanced debut feature Daphne (UK) is a character study about a dissatisfied young woman in present-day London – featuring a superb performance from Emily Beecham in title role – that balances complex comedy and disarming drama and offers a refreshing portrait of contemporary womanhood. Music video director Geremy Jasper’s fabulous feature debut Patti Cake$ (USA), about an aspiring rapper, is a triumphant tale of how music can give a nobody a voice, which wowed critics and audiences alike at Sundance and Cannes. But the film belongs to Australian acting discovery Danielle McDonald, who was dubbed the breakout star of Sundance for her sensational performance as the New Jersey battler and hailed as the “Next Big Thing” by The Hollywood Reporter. [caption id="attachment_19636" align="aligncenter" width="1200"]Pop Aye – Kirsten Tan Pop Aye – Kirsten Tan[/caption] Another acclaimed feature debut is Kirsten Tan’s Pop Aye (Thailand), the warm and ever-so-strange tale of a Bangkok architect, his elephant and 300 miles of mid-life crisis, which won the Special Jury Award for Screenwriting at Sundance and the Big Screen Award at Rotterdam. God’s Own Country (UK) was also a favorite at Berlin (Teddy Jury Award winner) and Sundance, where it won the World Cinema Dramatic Best Director Award and comparisons to Brokeback Mountain. Francis Lee’s emotionally rich feature debut captures the quiet yearning of forbidden romance with heated sex scenes and a documentary-like depiction of British rural life that subverts the familiar path taken by queer love stories. The makers of Spring (MIFF 15) return with The Endless (USA), an engrossing high-concept horror centred on two brothers following their escape from a cult. Justin Benson and Aaron Moorhead write, direct and star in a film of creeping dead that is part horror, part science fiction, which skirts the supernatural and keeps the audience guessing until the very end. With over 62,000 oil paintings and a cast including Chris O’Dowd and Saoirse Ronan, Oscar-winning filmmaker Hugh Welchman (Peter and the Wolf) and Polish painter Dorota Kobiela bring the story of Vincent Van Gogh’s last days to the screen in the world’s first feature-length painted animation, Loving Vincent (UK). Inspired by Van Gogh’s own words – “we cannot speak other than by our paintings” – and using an army of painters from across Europe, every single frame of the film is an oil painting (12 per second) and the result is a truly astonishing visual feast that demands to be seen on the biggest of screens. [caption id="attachment_19944" align="aligncenter" width="1200"]Step A still from STEP by Amanda Lipitz,.[/caption] Winner of the Sundance Special Jury Prize for Inspirational Filmmaking, STEP (USA) charts the senior year of the Baltimore Leadership School for Young Women step-dance team as they chase dual dreams – to be state champions and to be the first in their families to go to college – against the backdrop of the #BlackLivesMatter movement. Fun and empowering, the film optimistically explores community, sisterhood and the realities of being black and female in contemporary America. Another timely examination of race relations in America is Haitian auteur Raoul Peck’s (Fatal Assistance, MIFF 13) Oscar-nominated I Am Not Your Negro (USA): a stirring portrait of the writer, civil rights activist and queer icon James Baldwin and his lifelong fight against racial and sexual injustice, narrated by Samuel L. Jackson. Award-winning filmmaker Matthew Heinemann’s (Cartel Land, MIFF 15) new film focuses on the anonymous activists of Raqqa is Being Slaughtered Silently in the heartland of ISIS’s self-declared caliphate. City of Ghosts (USA) is an urgent, deeply personal real-world thriller about the world’s most crucial fight against misinformation. In 2012, Iraq veteran David Crowley posted a YouTube trailer for his planned libertarian opus, Gray State, warning of America’s looming Second Civil War. Three years on, the rising alt-right filmmaker, his Muslim wife and their daughter were found slaughtered, “Allahu Akbar” smeared on the walls in blood. A conspiracy or something even more horrific? Executive produced by Werner Herzog, Erik Nelson’s A Gray State (USA) is a riveting murder mystery, a political thriller and an unparalleled psychological profile of a mind descending into paranoia. Jumping over to New Zealand, the program will feature Pecking Order (New Zealand), which follows the members of the 148-year-old Christchurch Poultry, Bantam and Pigeon Club as they prepare for the National Show. Their president has brought them championship glory over the years, but is now facing off against the next generation of poultry fanciers who seem determined to knock down this award-winning cock of the walk. This entertaining flockumentary uncovers a cutthroat world of passion, obsession, power struggles, and competition. It’s like a Kiwi Best in Show, only real … and with chooks! Also from NZ, MIFF regular and Accelerator alumnus Florian Habicht (Pulp: A Film About Life, Death and Supermarkets MIFF 14; Love Story MIFF 12) welcomes you to Spookers (NZ), a former psychiatric hospital outside Auckland, where visitors gather to be petrified by killer clowns and zombies at the Southern Hemisphere’s largest ‘scream park’. Habicht reveals the personalities beneath the costumes, wigs and greasepaint with characteristic affection and humor in this funny, compelling documentary. And the MIFF shorts program will deliver a string of highlights and award winners from the festival circuit including A Gentle Night (China), the Short Film Palme d’Or winner from the 2017 Cannes Film Festival by MIFF Accelerator alumnus Qiu Yang (The World, MIFF 14; Under the Sun, MIFF 2015); Small Town (Portugal), the dark, mysterious and beautiful coming-of-age story that took out the Golden Bear for Best Short at the 2017 Berlinale; DeKalb Elementary (USA), a tense drama, by filmmaker Reed Van Dyk (Nasty HardcoreXXX Amateur Couple, MIFF 14) based on the real 911-call during an incident at a school in Atlanta, Georgia that was the winner of the International Competition Grand Prix prize at the 2017 Clermont-Ferrand Film Festival; and The Hedonists (Hong Kong), the new comedy from 2013 festival guest Jia Zhang-ke (A Touch of Sin, MIFF 13) about a trio of unemployed laborers who find work in the most unlikely of places – a bizarre theme park.

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