
The Film Society of Lincoln Center and The Museum of Modern Art have announced the complete lineup for the 2016 New Directors / New Films (ND/NF), taking place March 16 to 27 in New York City.

The Film Society of Lincoln Center and The Museum of Modern Art have announced the complete lineup for the 2016 New Directors / New Films (ND/NF), taking place March 16 to 27 in New York City.
Film Comment’s annual end-of-the-year survey of film critics, journalists, film-section editors, and past and present contributors is out, and Todd Haynes’s Carol, Hou Hsiao-hsien’s The Assassin (pictured above), and George Miller’s Mad Max: Fury Road take the top spots among films released in 2015. Of the films that made appearances at film festivals or special screenings worldwide but have not received stateside distribution this year, Hong Sangsoo’s Right Now, Wrong Then, Athina Rachel Tsangari’s Chevalier, and Ben Rivers’s The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers received the top rankings.
Film Comment 2015 Top 10 Films Released in:
1. Carol Todd Haynes, U.S.
2. The Assassin Hou Hsiao-hsien, Taiwan
3. Mad Max: Fury Road George Miller, U.S.
4. Clouds of Sils Maria Olivier Assayas, France
5. Arabian Nights Miguel Gomes, Portugal
6. Timbuktu Abderrahmane Sissako, Mauritania/France
7. Spotlight Tom McCarthy, U.S.
8. Phoenix Christian Petzold, Germany
9. Inside Out Pete Docter & Ronnie del Carmen, U.S.
10. The Look of Silence Joshua Oppenheimer, Denmark/Indonesia
The rankings of other films making strong showings during the awards season are John Crowley’s Brooklyn (#18), Frederick Wiseman’s In Jackson Heights (#13), and Steven Spielberg’s Bridge of Spies (#20). Hou Hsiao-hsien’s The Assassin (#2) was the cover subject of Film Comment magazine’s September/October issue, and László Nemes’s Son of Saul (#14) was the cover subject of the November/December issue.
Film Comment’s survey also ranks films that have screened and made notable appearances at festivals throughout the year, but remain without U.S. distribution at press time.
Film Comment 2015 Top 10 Unreleased Films:
1. Right Now, Wrong Then Hong Sangsoo, South Korea
2. Chevalier Athina Rachel Tsangari, Greece
3. The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers Ben Rivers, U.K.
4. The Academy of Muses José Luis Guerín, Spain
5. Don’t Blink – Robert Frank Laura Israel, U.S.
6. Cosmos Andrzej Zulawski, Poland
7. Journey to the Shore Kiyoshi Kurosawa, Japan
8. Happy Hour Ryusuke Hamaguchi, Japan
9. Lost and Beautiful Pietro Marcello, Italy
10. Minotaur Nicolas Pereda, Mexico
Film Comment editor Gavin Smith said: “The 20 films that critics have voted for can be divided into four categories: mainstream Hollywood critical and box-office hits (3), American art-house-inclined indies (7), foreign-language art movies in a variety of familiar modes (5), and foreign-language movies that challenge viewers to enter cinematic realms they’ve never previously experienced (5). That balance, which happens to be encapsulated in the top five in micro form, feels about right for the agenda of this magazine, which, since the very beginning, has been to champion the best in cinema wherever it hails from, all creatures great and small. Since we managed to run features on 11 of these and sung the praises of another five, it’s a pleasure to close out the year on a high note.”
RIGHT NOW, WRONG THEN by the South Korean director HONG Sangsoo is the winner of the Pardo d’oro, the top award, of the 68th Locarno Film Festival, along with award for Best Actor. In RIGHT NOW, WRONG THEN, film director Ham Chun-su arrives in Suwon a day early by mistake, and has time to kill before his screening with a debate the next day. He stops by a restored, old palace and meets an artist named Yoon Hee-jung who introduces him to her paintings. They spend time together visiting her studio, having sushi and soju for dinner, spending time drinking with Hee-jung’s friends and they end up growing close to each other. But when Chun-su is asked if he is married, he has no choice but to reveal that he is, deeply disappointing Hee-jung.
https://www.youtube.com/watch?v=uBjQP6FbQEM
THITHI by Indian director Raam Reddy won two top awards, Pardo d’oro Cineasti Del Presente Premio Nescens and Swatch First Feature Award. THITHI tells the story of how three generations of sons react to the death of Century Gowda, their grandfather, a 101-year-old man, in a remote village in South India.
The 69th Festival del film Locarno will take August 3 –13, 2016
Concorso internazionale
Pardo d’oro
JIGEUMEUN MATGO GEUTTAENEUN TEULLIDA (Right Now, Wrong Then) by HONG Sangsoo, South Korea
Premio speciale della giuria (Special Jury Prize)
TIKKUN by Avishai Sivan, Israel
Pardo per la miglior regia (Best direction)
ANDRZEJ ZULAWSKI for COSMOS, France/Portugal
Pardo per la miglior interpretazione femminile (Best actress)
TANAKA SACHIE, KIKUCHI HAZUKI, MIHARA MAIKO, KAWAMURA RIRA for HAPPY HOUR by HAMAGUCHI Ryusuke, Japan
Pardo per la miglior interpretazione maschile (Best actor)
JUNG JAE-YOUNG for JIGEUMEUN MATGO GEUTTAENEUN TEULLIDA (Right Now, Wrong Then) by HONG Sangsoo, South Korea
Special Mention
For the script of HAPPY HOUR by HAMAGUCHI Ryusuke, Japan
For the cinematography by Shai Goldman for TIKKUN by Avishai Sivan, Israel
Concorso Cineasti del presente
Pardo d’oro Cineasti del presente – Premio Nescens
THITHI by Raam Reddy, India/USA/Canada
Premio speciale della giuria Ciné+ Cineasti del presente (Special Jury prize)
DEAD SLOW AHEAD by Mauro Herce, Spain/France
Premio per il miglior regista emergente (Prize for the best emerging director)
LU BIAN YE CAN (Kaili Blues) by BI Gan, China
First Feature
Swatch First Feature Award (Prize for Best First Feature)
THITHI by Raam Reddy, India/USA/Canada
Swatch Art Peace Hotel Award
SINA ATAEIAN DENA for MA DAR BEHESHT (Paradise), Iran/Gemany
Special Mentions
LU BIAN YE CAN (Kaili Blues) by BI Gan, China
KIEV/MOSCOW. PART 1 by Elena Khoreva, Russia/Estonia/Ukraine
Pardi di domani
Concorso internazionale
Pardino d’oro per il miglior cortometraggio internazionale – Premio SRG SSR
MAMA by Davit Pirtskhalava, Georgia
Pardino d’argento SRG SSR per il Concorso internazionale
LA IMPRESIÓN DE UNA GUERRA by Camilo Restrepo, France/Colombia
Locarno Nomination for the European Film Awards – Premio Pianifica
FILS DU LOUP by Lola Quivoron, France
Premio Film und Video Untertitelung
MAMA by Davit Pirtskhalava, Georgia
Special Mention
NUEVA VIDA by Kiro Russo, Argentina/Bolivia
Concorso nazionale
Pardino d’oro per il miglior cortometraggio svizzero – Premio Swiss Life
LE BARRAGE by Samuel Grandchamp, Switzerland/USA
Pardino d’argento Swiss Life per il Concorso nazionale
D’OMBRES ET D’AILES by Eleonora Marinoni, Elice Meng, Switzerland/France
Best Swiss Newcomer Award
LES MONTS S’EMBRASENT by Laura Morales, Switzerland
Prix du Public UBS
DER STAAT GEGEN FRITZ BAUER by Lars Kraume, Germany
Variety Piazza Grande Award
LA BELLE SAISON by Catherine Corsini, France
Visar Morinas debut film “Babai” (Father) won three New German Cinema Award 2015 at Filmfest München (Munich Film Festival). Visar Morina received the Award for Best Director and Best Screenplay for his debut. In addition, its two main characters Astrit Kabashi and Val Maloku were jointly awarded the Award New German Cinema Theater.
“Babai” explores the story of Nori (Val Maloku) and his father Gezim (Astrit Kabashi) both street cigarette vendor in Kosovo of nineties, during Milosevic regime, where the father wants to find a way to illegally migrate to Germany and his son does everything he can so he could be with his father. Caught between the wish to live together and the need to deal with the harsh reality, the father-son relationship comes to a point where nothing between them is as it used to be.
The New German Cinema Award for Best Production went to Steve Hudson, Sonja Ewers for Happy Hour. The warm-hearted comedy by Franz Müller revolves around a man freshly abandoned by his wife in his forties, who travels with two buddies to Ireland to celebrate being a man.
The winners Award New German Cinema 2015
Award New German Cinema director (30,000 euros)
Visar Morina for Babai
The jury: “No lies No Poznan Not a moment of self-indulgence Not a false note, the film brings tears in her eyes – Wuttränen, tears of impotence and grief – and brings the audience but then full of hope and…. much greater force and especially responsibility back to life. responsibility for our lives. Life. The life that we lead people. Together. Babai is a masterpiece of a young master, before we bow deeply. ”
“Babai” is a production of NiKo film in co-production with Produksioni Krusha, Skopje Film Studio and Eaux Vives Productions. Director / Screenwriter: Visar Morina.
Award New German Cinema screenplay (10,000 euros)
Visar Morina for Babai
The jury: “If all the fears are finally silenced before failure, the fear of not enough to be laughed Excluded and to be alone when all the wrong sometime no longer applies, then sometimes stirs a quiet voice for drinks and….. . Although shy Merciless, with no sugar -.. but full of truth and love Babai is written from the first to the last sentence in this voice Banned, agitated and overwhelmed, we have listened to her. ”
Award New German Cinema Theater (10,000 euros)
Val Maloku, Astrit Kabashi for Babai
The jury: “In the film Babai have us Val Maloku as son and Astrit Kabashi when his father in her first film roles absolutely convinced and touches like the son like a little adult faced his father so that he has left and betrayed him because. he fled without him to Germany, just took off, will be unforgettable. The father in turn is always opposite in conflict with his natural desire for a new chance at life and his feelings the son who forces him to assume responsibility and his role as to meet father. The two are in their interaction as natural and sincere, as if they had the story actually experienced. We understand by it what people happen to us, if not met our desire for a normal, independent life without further ado and we have to fight. Val Maloku and Astrit Kabashi have touched us and shaken by their game at heart. ”
Award New German Cinema Production (20,000 euros)
Steve Hudson, Sonja Ewers for Happy Hour
The jury: “A film that the jury completely carried away and really convinced on all its artisanal levels A warm-hearted constellation of narrow Ü40 friends in their common self-discovery Strip to Ireland Wild Irish countryside, their songs and drink, but above all the.. heart-warming, of course gripping Irish Women loosen and lead them out of their cramped thinking and living patterns. These worldly-wise and the very fact witty comedy captivates A through by a great writer, brisk timing, famous wit, charm and a wonderful camera. and by successful low marketing budget production, with a high potential with its grandiose performers to meet like-minded couples at the box office. ”
“Happy Hour” is a production the gringo films GmbH in co-production with film Boutique – Katharina Jacob & Markéta Polednová GbR and Ripple World Pictures. Director / Screenwriter: Franz Müller.