The 2015 Toronto International Film Festival today announced award winners, and Room (pictured above) by Lenny Abrahamson is the winner of the Grolsch People’s Choice Award. Told through the eyes of five-year-old-Jack, Room is a thrilling and emotional tale that celebrates the resilience and power of the human spirit. To Jack, the Room is the world…it’s where he was born, where he and his Ma eat and sleep and play and learn. But while it’s home to Jack, to Ma it’s a prison. Through her fierce love for her son, Ma has managed to create a childhood for him in their 10-by-10-foot space. But as Jack’s curiosity is building alongside Ma’s own desperation — she knows that Room cannot contain either indefinitely. The second runner up is Tom McCarthy’s Spotlight. The first runner up is Pan Nalin’s Angry Indian Goddesses.
https://www.youtube.com/watch?v=E_Ci-pAL4eE
The Grolsch People’s Choice Midnight Madness Award went to Ilya Naishuller for Hardcore. Resurrected with no recollection of his past, a cyborg named Henry and his ally Jimmy must fight through the streets of Moscow in pursuit of Henry’s kidnapped wife, in the world’s first action-adventure film to be entirely shot from the first person perspective. The second runner up is Jeremy Saulnier for Green Room. The first runner up is Todd Strauss-Schulson for The Final Girls.
https://www.youtube.com/watch?v=wv33e0TyL6M
The Grolsch People’s Choice Documentary Award went to Evgeny Afineevsky for Winter on Fire: Ukraine’s Fight For Freedom. Chronicling events that unfolded over 93 days in 2013 and 2014, the film witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The second runner up is Brian D. Johnson’s Al Purdy Was Here. The first runner up is Avi Lewis’s This Changes Everything.
https://www.youtube.com/watch?v=RibAQHeDia8
SHORTS CUTS AWARD FOR BEST CANADIAN SHORT FILM
The Shorts Cuts Award for Best Canadian Short Film went to Patrice Laliberté for Overpass. The jury remarked, “For its seductive, elliptical and graceful manner of exploring the nature of grief and the unconventional ways that families react to loss, all of which was elevated by the performance of Téo Vachon Sincennes.”
The jury gave an honorable mention to Sol Friedman’s Bacon & God’s Wrath, “For its whimsical and wry examination of religious conviction and intellectual conversion, and the acknowledgment that courage and transformation can be achieved at any age and involve any manner of pork by-product.”
SHORT CUTS AWARD FOR BEST SHORT FILM
The Short Cuts Award for Best Short Film goes to Maïmouna Doucouré’s Maman(s). The jury remarked, “For its daring and revelatory exploration of a family’s dysfunction and upheaval through the eyes of a child and its refusal to cast characters as villains but rather as complex, and highly conflicted, human beings the jury selects Maman(s). The jury also wanted to acknowledge the vulnerable, defiant performance of the gifted Sokhna Diallo.”
The jury gave an honorable mention to Fyzal Boulifa’s Rate Me, “For its blithely unconventional approach to new media and new mores, and a sense of humor as wry as it was rude.”
CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
The City of Toronto Award for Best Canadian First Feature Film goes to for Andrew Cividino’s Sleeping Giant. The jury remarked, “For its sophisticated plotting, indelible characters and insightful critique of masculinity through a fateful rite of passage on the north shore of Lake Superior, the jury selects Sleeping Giant.”
https://www.youtube.com/watch?v=2A25lvWI4mc
CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM
The Canada Goose Award for Best Canadian Feature Film goes to Stephen Dunn’s Closet Monster. The jury remarked, “For its confidence and invention in tackling the pain and yearning of the first love and coming of age of a young gay man in Newfoundland, the jury recognizes the remarkable artistry and vision of first-time feature director Stephen Dunn for Closet Monster.” This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose.
https://www.youtube.com/watch?v=VSLEI55SS5s
The jury gave an honorable mention to Philippe Falardeau’s My Internship in Canada, “For its dexterous intelligence and cinematic wit.”
THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES)
Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery program is awarded to Marko Škop for Eva Nová. The jury remarked, “For exploring themes of humanity, dignity, addiction and redemption in a naturalistic, deceptively simple and non-exploitative manner, FIPRESCI is pleased to present the prize in the Discovery program to Marko Škop’s haunting debut feature Eva Nová.”
https://www.youtube.com/watch?v=3BaWGVaslcQ
Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Jonás Cuarón’s Desierto. The jury remarked, “For using pure cinema to create a strong physical sensation of being trapped in a vast space and hunted down by hatred in its most primal form, FIPRESCI presents the prize in the Special Presentations program to Desierto by Jonás Cuarón.”
NETPAC AWARD
As selected by a jury from the Network for the Promotion of Asian Cinema for the 4th consecutive year, the NETPAC Award for World or International Asian Film Premiere goes to Sion Sono for The Whispering Star. The jury remarked, “For its poetic, moving and brave attempt to express a grief that’s inexpressible, combining all too real elements with lo-fi sci-fi, the NETPAC jury awards the prize to The Whispering Star.”
TORONTO PLATFORM PRIZE
This is the inaugural year for Platform, the Festival’s new juried program that champions director’s cinema from around the world. The Festival awarded the first ever Toronto Platform Prize to Alan Zweig for HURT. The jury remarked, “Following a long discussion, the jury has chosen unanimously to give the Platform prize to HURT. It is a film that explores the complexity and fragility of human destiny in a country that much of the world sees as a paradise.”
https://www.youtube.com/watch?v=NDLhsxNp8m4
The jury gave honorable mentions to Gabriel Mascaro’s Neon Bull, He Ping’s The Promised Land, and Pablo Trapero’s The Clan.
DROPBOX DISCOVERY PROGRAMME FILMMAKERS AWARD
Earlier in the Festival, the winner of the Dropbox Discovery Program Filmmakers Award was announced. The award went to Adil El Arbi and Bilall Fallah whose film, Black, was presented as part of the Discovery program.
https://www.youtube.com/watch?v=qthmdtzPkL8Hardcore (2015)
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2015 Toronto International Film Festival Award Winners; ROOM Wins People Choice Awards| TRAILER
The 2015 Toronto International Film Festival today announced award winners, and Room (pictured above) by Lenny Abrahamson is the winner of the Grolsch People’s Choice Award. Told through the eyes of five-year-old-Jack, Room is a thrilling and emotional tale that celebrates the resilience and power of the human spirit. To Jack, the Room is the world…it’s where he was born, where he and his Ma eat and sleep and play and learn. But while it’s home to Jack, to Ma it’s a prison. Through her fierce love for her son, Ma has managed to create a childhood for him in their 10-by-10-foot space. But as Jack’s curiosity is building alongside Ma’s own desperation — she knows that Room cannot contain either indefinitely. The second runner up is Tom McCarthy’s Spotlight. The first runner up is Pan Nalin’s Angry Indian Goddesses.
https://www.youtube.com/watch?v=E_Ci-pAL4eE
The Grolsch People’s Choice Midnight Madness Award went to Ilya Naishuller for Hardcore. Resurrected with no recollection of his past, a cyborg named Henry and his ally Jimmy must fight through the streets of Moscow in pursuit of Henry’s kidnapped wife, in the world’s first action-adventure film to be entirely shot from the first person perspective. The second runner up is Jeremy Saulnier for Green Room. The first runner up is Todd Strauss-Schulson for The Final Girls.
https://www.youtube.com/watch?v=wv33e0TyL6M
The Grolsch People’s Choice Documentary Award went to Evgeny Afineevsky for Winter on Fire: Ukraine’s Fight For Freedom. Chronicling events that unfolded over 93 days in 2013 and 2014, the film witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The second runner up is Brian D. Johnson’s Al Purdy Was Here. The first runner up is Avi Lewis’s This Changes Everything.
https://www.youtube.com/watch?v=RibAQHeDia8
SHORTS CUTS AWARD FOR BEST CANADIAN SHORT FILM
The Shorts Cuts Award for Best Canadian Short Film went to Patrice Laliberté for Overpass. The jury remarked, “For its seductive, elliptical and graceful manner of exploring the nature of grief and the unconventional ways that families react to loss, all of which was elevated by the performance of Téo Vachon Sincennes.”
The jury gave an honorable mention to Sol Friedman’s Bacon & God’s Wrath, “For its whimsical and wry examination of religious conviction and intellectual conversion, and the acknowledgment that courage and transformation can be achieved at any age and involve any manner of pork by-product.”
SHORT CUTS AWARD FOR BEST SHORT FILM
The Short Cuts Award for Best Short Film goes to Maïmouna Doucouré’s Maman(s). The jury remarked, “For its daring and revelatory exploration of a family’s dysfunction and upheaval through the eyes of a child and its refusal to cast characters as villains but rather as complex, and highly conflicted, human beings the jury selects Maman(s). The jury also wanted to acknowledge the vulnerable, defiant performance of the gifted Sokhna Diallo.”
The jury gave an honorable mention to Fyzal Boulifa’s Rate Me, “For its blithely unconventional approach to new media and new mores, and a sense of humor as wry as it was rude.”
CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
The City of Toronto Award for Best Canadian First Feature Film goes to for Andrew Cividino’s Sleeping Giant. The jury remarked, “For its sophisticated plotting, indelible characters and insightful critique of masculinity through a fateful rite of passage on the north shore of Lake Superior, the jury selects Sleeping Giant.”
https://www.youtube.com/watch?v=2A25lvWI4mc
CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM
The Canada Goose Award for Best Canadian Feature Film goes to Stephen Dunn’s Closet Monster. The jury remarked, “For its confidence and invention in tackling the pain and yearning of the first love and coming of age of a young gay man in Newfoundland, the jury recognizes the remarkable artistry and vision of first-time feature director Stephen Dunn for Closet Monster.” This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose.
https://www.youtube.com/watch?v=VSLEI55SS5s
The jury gave an honorable mention to Philippe Falardeau’s My Internship in Canada, “For its dexterous intelligence and cinematic wit.”
THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES)
Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery program is awarded to Marko Škop for Eva Nová. The jury remarked, “For exploring themes of humanity, dignity, addiction and redemption in a naturalistic, deceptively simple and non-exploitative manner, FIPRESCI is pleased to present the prize in the Discovery program to Marko Škop’s haunting debut feature Eva Nová.”
https://www.youtube.com/watch?v=3BaWGVaslcQ
Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Jonás Cuarón’s Desierto. The jury remarked, “For using pure cinema to create a strong physical sensation of being trapped in a vast space and hunted down by hatred in its most primal form, FIPRESCI presents the prize in the Special Presentations program to Desierto by Jonás Cuarón.”
NETPAC AWARD
As selected by a jury from the Network for the Promotion of Asian Cinema for the 4th consecutive year, the NETPAC Award for World or International Asian Film Premiere goes to Sion Sono for The Whispering Star. The jury remarked, “For its poetic, moving and brave attempt to express a grief that’s inexpressible, combining all too real elements with lo-fi sci-fi, the NETPAC jury awards the prize to The Whispering Star.”
TORONTO PLATFORM PRIZE
This is the inaugural year for Platform, the Festival’s new juried program that champions director’s cinema from around the world. The Festival awarded the first ever Toronto Platform Prize to Alan Zweig for HURT. The jury remarked, “Following a long discussion, the jury has chosen unanimously to give the Platform prize to HURT. It is a film that explores the complexity and fragility of human destiny in a country that much of the world sees as a paradise.”
https://www.youtube.com/watch?v=NDLhsxNp8m4
The jury gave honorable mentions to Gabriel Mascaro’s Neon Bull, He Ping’s The Promised Land, and Pablo Trapero’s The Clan.
DROPBOX DISCOVERY PROGRAMME FILMMAKERS AWARD
Earlier in the Festival, the winner of the Dropbox Discovery Program Filmmakers Award was announced. The award went to Adil El Arbi and Bilall Fallah whose film, Black, was presented as part of the Discovery program.
https://www.youtube.com/watch?v=qthmdtzPkL8
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Action, Horror, Shock and Fantasy Films on Midnight Madness Lineup for 2015 Toronto Film Festival
Midnight Madness returns to the 2015 Toronto International Film Festival to satiate late night audiences’ appetites for wild sensory stimulation. The program will present the best in action, horror, shock and fantasy films from the rabble-rousers of cinema, opening with Jeremy Saulnier’s tense siege shocker Green Room.
“Midnight Madness winds up Festival audiences as the days are winding down and they are hungry for more,” says Colin Geddes, International Programmer for the Festival. “From adrenaline-filled action and untamed horror to twisted comedy and darkly blurred lines of reality, this year’s lineup welcomes back celebrated masters and fresh visionaries of renegade genre cinema.”
Among this year’s returning Midnight Madness directors are Joe Begos and Sean Byrne, who both debuted in the program and are back with their much anticipated follow-up features, and Japanese bad boy auteur Takashi Miike with his high-octane Yakuza Apocalypse. Closing out the selection is the raucously reverent homage to classic slasher movies The Final Girls.
Films screening as part of the Midnight Madness program include:
Baskin
Can Evrenol, Turkey World Premiere
A squad of unsuspecting cops goes through a trapdoor to Hell when they stumble upon a Black Mass in an abandoned building. The nightmarish feature debut Baskin is the first-ever Midnight Madness film from Turkey.
The Devil’s Candy
Sean Byrne, USA World Premiere
The director of the 2009 Midnight Madness People’s Choice Award winner The Loved Ones is back with an equally fresh twist on the supernatural genre. A struggling artist (Ethan Embry) and his family buy the house of their dreams only to discover the property’s mysterious dark past and a former tenant who wants more than to simply come back home. From the producers of Midnight Madness hits You’re Next and The Guest.
Midnight Madness Closing Night Film.
The Final Girls
Todd Strauss-Schulson, USA International Premiere
Max (American Horror Story’s Taissa Farmiga) is a high school senior whose mom (Malin Akerman) was a celebrated ’80s scream queen. At a screening, Max and her friends are mysteriously transported inside her mom’s most infamous movie, where they must fend off the camp counselors’ raging hormones, battle a deranged machete-wielding killer and find a way to escape the movie and get back home.
The Girl in the Photographs
Nick Simon, USA World Premiere
Big-city glamour clashes with small-town values and a killer’s knife, in this bloody cocktail of terror from director Nick Simon and executive producer Wes Craven. Colleen’s life in the sleepy town of Spearfish is disrupted when she starts receiving photographs of brutally murdered women. Things get even crazier for Colleen when L.A. based celeb-photographer Peter Hemmings (Kal Penn) returns to his hometown of Spearfish to investigate.
Midnight Madness Opening Night Film.
Green Room (pictured above)
Jeremy Saulnier, USA North American Premiere
Broke, tired and at each other’s throats after a cancelled gig, a young punk rock band accepts a sketchy matinee show to get themselves home. When they stumble upon something they weren’t supposed to witness, the quartet is trapped in a terrifying siege.
Directed by Jeremy Saulnier (of 2013 Cannes Film Festival FIPRESCI Prize winner Blue Ruin), the film stars Anton Yelchin, Imogen Poots, Alia Shawkat, and Patrick Stewart. Green Room is preceded by the previously announced short film The Chickening from directors Nick DenBoer and Davy Force.
Hardcore
Ilya Naishuller, Russia/USA World Premiere
Resurrected with no recollection of his past, a cyborg named Henry (the audience’s POV) and his ally, Jimmy (Sharlto Copley, District 9) must fight through the streets of Moscow in pursuit of Henry’s kidnapped wife in the world’s first action-adventure film to be entirely shot from the first person perspective.
The Mind’s Eye
Joe Begos, USA World Premiere
Joe Begos returns with a psychokinetic thriller about Zack Connors (Graham Skipper), whose abilities have kept him off the grid for years until he’s recruited by the mysterious Dr. Slovak. The snowy New England landscape turns into a whirlwind of psychic rage, flying axes, and brutal revenge as Zack does everything in his power to stop Dr. Slovak’s deadly descent into synthetically engineered telekinetic madness.
Southbound
Roxanne Benjamin, David Bruckner, Patrick Horvath and Radio Silence, USA World Premiere
Five intertwining tales of terror unfold along an endless desert highway. On a desolate stretch of road, weary travelers — two men on the run from their past, a band on their way to the next gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation — are forced to confront their worst fears and darkest secrets in these interwoven tales of terror and remorse on the open road.
SPL 2 – A Time For Consequences
Soi Cheang, Hong Kong International Premiere
The anticipated follow-up to the bone-cracking martial arts brawler SPL (also known as Sha Po Lung and Kill Zone) that debuted in the program in 2005 stars Midnight Madness discovery Tony Jaa (Ong Bak). When an undercover cop (Wu Jing) has his cover blown and is thrown into a prison in Thailand run by a crime syndicate, he must team up with a prison guard (Jaa) to bust out and get revenge on those who wronged him. Filled with gun battles, prison riots and frenetic fight choreography, SPL 2 might knock the wind out of you — and possibly a few teeth.
Yakuza Apocalypse (Gokudo Daisenso)
Takashi Miike, Japan North American Premiere
Japanese cinematic extremist Takashi Miike returns to his gonzo roots with this mind-melter that finds room for vampires, gangsters, monsters, martial arts and even a yakuza knitting circle. A true master and MVP of the program, Miike wowed previous Midnight Madness audiences with such hits as Fudoh: The New Generation, Audition, The City of Lost Souls, Ichi the Killer, Zebraman, The Great Yokai War and Sukiyaki Western Django. He returns with a film too wild to be described and too fun to be missed!
The 40th Toronto International Film Festival runs September 10 to 20, 2015.