Heaven Is a Traffic Jam on the 405

Animated drawings and extraordinary shots of Mindy Alper’s sculptures create a lovely portrait of the artist as she unabashedly examines her experiences with a mental disorder (that prevented her from speaking) while discussing art, love, and life.

Directed by Frank Stiefel

Genre(s) Documentary Film

U.S. Premiere of RAZZIA to Open 2018 New York Jewish Film Festival + Complete Lineup

[caption id="attachment_25983" align="aligncenter" width="1200"] Razzia[/caption] The 27th annual New York Jewish Film Festival (NYJFF) returns January 10 to 23, 2018 featuring the finest documentary, narrative, and short films from around the world that explore the diverse Jewish experience. The festival’s 2018 lineup includes 37 wide-ranging and exciting features and shorts from the iconic to the iconoclastic, of which 25 are screening in their world, U.S., and New York premieres. The NYJFF opens on Wednesday, January 10, with the U.S. premiere of Nabil Ayouch’s mesmerizing Razzia, which follows five Moroccans pushed to the fringes in Casablanca by their extremist government. Closing Night is the U.S. premiere of Amos Gitai’s latest documentary, West of the Jordan River, a powerful look at West Bank citizens, both Israeli and Palestinian, who have risen to act in the name of civic consciousness and peace. The Centerpiece selection is Ofir Raul Graizer’s tender debut feature The Cakemaker, about the relationship that forms between a gay German baker and the Israeli widow of the man whom they both loved. This year’s edition of the festival features an array of enlightening and challenging documentaries, including Sammy Davis, Jr.: I’ve Gotta Be Me, Sam Pollard’s exhilarating tribute to the legendary entertainer; the U.S. premiere of Chen Shelach’s Praise the Lard, an exploration of the Israeli pork industry; NYJFF alum Radu Jude’s haunting The Dead Nation, which consists entirely of photographs from Romanian photographer Costica Acsinte and audio of diary excerpts from Jewish doctor Emil Dorian, which both span the period from 1937 to 1944; the U.S. premiere of Daniel Najenson’s The Impure, which investigates institutionalization of Jewish prostitution in Argentina in the early 20th century. The festival also includes fiction works like Tzahi Grad’s morally complex, darkly comic The Cousin, about a progressive Israeli actor who comes to the defense of his Palestinian handyman when he’s accused of assault; and Francesco Amato’s comedy Let Yourself Go, about a detached psychoanalyst who finds his life recharged by the presence of a young, attractive, and undisciplined personal trainer. NYJFF special programs include the world premiere of a new restoration of Alexander Rodnyanskiy’s The Mission of Raoul Wallenberg, 27 years after it premiered in the first NYJFF; a tribute screening of Amos Gitai’s One Day You’ll Understand in memory of Jeanne Moreau; Drawing the Iron Curtain, a special program of Soviet animated shorts, followed by a conversation with author/professor Maya Balakirsky Katz and film critic J. Hoberman; the U.S. premieres of restorations of Renen Schorr’s Late Summer Blues and Gilbert Tofano’s Siege; and a brand new world premiere restoration of Michał Waszyński’s 1937 classic The Dybbuk, one of the finest films ever produced in the Yiddish language, presented in conjunction with the U.S. premiere of main slate title The Prince and the Dybbuk, a documentary about Waszyński’s life.
2018 New York Jewish Film Festival Lineup

OPENING NIGHT
Razzia Nabil Ayouch, France/Morocco/Belgium, 2017, 120 min French/Arabic/Berber with English subtitles A kaleidoscopic drama, Razzia tells the story of five Moroccans pushed to the fringes in Casablanca by the extremist government. Director Nabil Ayouch contrasts the mythic romance of the classic 1942 film Casablanca with an honest and deeply humanistic portrait of contemporary Moroccans yearning for connection amidst political crisis. Ayouch and co-writer Maryam Touzani—who also stars in the film—paint a mesmerizing portrait of a city and a meditation on desire and love. U.S. Premiere
CENTERPIECE
The Cakemaker Ofir Raul Graizer, Germany/Israel, 2017, 104 min English/Hebrew/German with English subtitles In this tender and moving debut, Ofir Raul Graizer explores the connection formed by a gay German baker, Thomas (Tim Kalkhof), and Anat (Sarah Adler), the Israeli widow of the man whom they both loved, Oren (Roy Miller). When Oren is killed in a car accident, Thomas moves to Jerusalem and takes a job in Anat’s café. As their relationship deepens, and pressure from Oren’s religious family rises for Anat, Graizer delicately and gracefully traces the fluidity of desire and sexuality, the bonds forged by shared grief, and the challenges those can present to faith and family. As food is one way cultures can bridge such divides, so too can it be a way to mark separation. NY Premiere
CLOSING NIGHT
West of the Jordan River Amos Gitai, Israel/France, 2017, 87 min Hebrew/Arabic/English with English subtitles Building on work he set forth in Rabin, the Last Day and Shalom Rabin, Amos Gitai returns to the West Bank to better understand the efforts of the citizens, both Israelis and Palestinians, to try to overcome the consequences of the 50-year occupation. Interspersing footage of his interviews with Yitzhak Rabin from the 1990s with the contemporary interviews of everyday citizens, Gitai emphasizes the lasting side effects of Rabin’s assassination on the twenty years since: peace was so close, and now it seems so far. Searching for hope amidst the rubble of the occupied territories, Gitai shows the many local Israelis and Palestinians who have risen to act in the name of civic consciousness and peace. West of the Jordan River is a powerful and moving film from a most important filmmaker. U.S. Premiere
MAIN SLATE FILMS
Across the Waters Nicolo Donato, Denmark, 2016, 95 min Danish with English subtitles In this white-knuckled Danish drama based on a true story, a Jewish guitarist and his family barely escape Copenhagen after the Nazis seize control, and they set off to a remote fishing village in the north of the country where they’ve heard local fishermen are ferrying runaway Jews to Sweden. When the Gestapo starts to close in on the refugees, the family is forced to put their lives in the hands of strangers. Director Nicolo Donato, whose grandfather was one of the ferrymen in the underground, masterfully ratchets up the tension, heightening the suspense until the very last frame. NY Premiere An Act of Defiance Jean van de Velde Netherlands/South Africa, 2017, 123 min English/Afrikaans with English subtitles Based on the true story of the Rivonia Trial in apartheid South Africa, which led to the imprisonment of Nelson Mandela and nine of his black and Jewish compatriots, An Act of Defiance is the story of Bram Fischer, the lawyer who chose to put his life and freedom at risk to defend Mandela. Peter Paul Muller’s performance as Fischer is exceptional, and captures both his sympathetic and idealistic nature and his more conflicted, practical humanity, afraid that he’ll be implicated with the Rivonia Ten for his membership in the Communist Party. Jean van de Velde has crafted a film that is both a moving and powerful meditation on the sacrifices necessary to stand against injustice, and an exciting political thriller. NY Premiere The Cousin Tzahi Grad, Israel/USA, 2017, 92 min Hebrew/Arabic with English subtitles In this darkly comic thriller, a progressive-minded Israeli actor Naftali (writer-director Tzahi Grad) hires a Palestinian handyman Fahed (Ala Fakka), to do some work in his home. When a young girl is assaulted nearby, the neighbors immediately begin to suspect Fahed, and so Naftali steps up as the lone voice in Fahed’s defense. Grad cleverly evokes the moral complexities through Naftali, who is no Atticus Finch. Grad portrays him as a comically stubborn and self-righteous actor—one who, in the film, is developing a reality show about bridging the gap between Israelis and Palestinians—who must reckon with the uncomfortable realization that he, too, might be letting his politics cloud his reason. NY Premiere Preceded by: The Law of Averages Elizabeth Rose, Canada/USA, 2016, 13 min A young woman must sort out her relationship with her mother while they await the death of her grandmother. The Dead Nation (Tara Moarta) Radu Jude, Romania, 2017, 83 min Romanian with English subtitles With echoes of Chris Marker, Susan Sontag, and W.G. Sebald, Radu Jude’s The Dead Nation consists entirely of photographs from Romanian photographer Costica Acsinte and audio of diary excerpts from Jewish doctor Emil Dorian, which both span the period from 1937 to 1944. A study in contrasts, The Dead Nation presents idyllic images of pastoral life, while Dorian’s diary excerpts portray a surging wave of anti-Semitism and brutality. How do our memories hide the truth of our actions, or lack thereof? How can we measure our individual experiences against the enormity of historical experience? How do we make sense of what we have not—and cannot—witness? Radu Jude’s (Aferim!) hauntingly relevant documentary is, in the words of its narrator, “torn between reality and poetry.” The Impure Daniel Najenson, Israel/Argentina, 2017, 69 min Spanish/Hebrew/Yiddish with English subtitles Daniel Najenson’s personal and trenchant documentary The Impure investigates the institutionalization of Jewish prostitution in Argentina in the early 20th century. During the wave of Eastern European Jewish emigration, thousands of Jewish women were lured with promises of wealth to Argentinian brothels. The prostitutes and their pimps—in some cases the husbands of the prostitutes—were also newly-emigrated Jewish men, who quickly developed an expansive, flourishing underworld in Buenos Aires. They were seen as “the impure,” provoking the shame of the Argentinian Jewish community. But, as Najenson illustrates by digging up revelations of his own family’s history, “the impure” were inextricably woven into the social and political fabric of Argentinian-Jewish life. U.S. Premiere Preceded by: Compartments Daniella Koffler & Uli Seis, Germany, Israel, 15m; 2017 U.S. Premiere Netta, a young Israeli woman, wishes to immigrate to Berlin. Her father, the son of Holocaust survivors, is horrified. Based on Daniella Koffler’s personal story, Compartments is the first German-Israeli animation to explore collective memories of the Holocaust in the third generation. The Invisibles Claus Raefle, Germany, 2017, 116 min German with English subtitles In June 1943, the German government famously declared Berlin “judenfrei”—free of Jews. But, there were still about 7,000 Jews living in hiding in the German capital. In this extraordinary film, Claus Raefle tells the story of four of the 1,700 survivors who hid in plain sight throughout the war. The Invisibles brings suspense to a remarkable true story by using a hybrid of documentary and highly accomplished dramatizations (gorgeously photographed by Joerg Widmer, whose previous credits include Terence Malick’s The Tree of Life and Wim Wenders’s Pina), which render the harrowing story even more astonishing. NY Premiere Iom Romi (A Day in Rome) Valerio Ciriaci, Italy/USA 2017, 30 min Italian with English subtitles In this intoxicating short documentary, Valerio Ciriaci chronicles a day in the life of the contemporary Roman Jewish community. The only cultural group that has lived in Rome uninterrupted since the days of the empire, Roman Jews have fostered their own unique set of traditions. Taking place over the course of one day, Iom Romi (A Day in Rome) provides a view into a way of life that is at once distinctly Roman and distinctly Jewish. Followed by: Della Seta Home Movies Italy, 10 min In these beautiful home movies, recently unearthed by the Centro Primo Levi, an Italian family gets acquainted with film. Heartwarming and mesmerizing, these home movies are sure to captivate. Followed by: Counterlight Maya Zack, Israel, 2016, 24 min German with English subtitles Inspired by the writings of the poet Paul Celan, Israeli visual artist Maya Zack crafts a hypnotic story of an archivist who becomes part of her own work. Weaving together images of death and rebirth with the map of Czernowitz, Celan’s hometown, the archivist creates a “memory golem,” blurring the boundaries between past and present, reality and document. NY Premiere The Last Goldfish Su Goldfish, Australia, 2017, 81 min As director Su Goldfish notes early in her autobiographical documentary The Last Goldfish, “my father told me stories, not always the truth.” When she discovers as an adult that she has siblings she’s never met, Goldfish burrows through her parents’ pasts to uncover the truth in her father’s tales. Spanning the globe from Australia, to Trinidad, and to Germany, The Last Goldfish is an astounding revelation not only of one woman’s discovery of her family history before and after Nazism, but also of her reconnection to her Jewish heritage. Introspective and self-aware, Goldfish confronts such universal questions as whether it is possible to separate oneself from one’s past—and what it means to try. NY Premiere Let Yourself Go Francesco Amato, Italy, 2017, 98 min Italian with English subtitles In this delirious Italian spin on Jewish comedy, a detached psychoanalyst, Elia (Toni Servillo, wearing his misanthropy with glee), is warned by his doctor that his health is at risk, so he enlists the young, attractive, and undisciplined Claudia (Veronice Echegui) as his new personal trainer. But—despite Elia’s resistance—their relationship deepens and they come to depend on each other, as Claudia’s lack of inhibition helps Elia reignite the passion in his marriage, and Elia’s unwavering sense of propriety inspires Claudia to bring focus to her frenetic lifestyle. As the comedy veers from the intellectual to the delightfully slapstick, director Francesco Amato deftly maintains the odd couple’s emotional grounding to hilarious effect. NY Premiere Preceded by: The Backseat Joe Stankus & Ashley Connor USA, 2016, 8 min In this charming documentary-fiction hybrid, two elderly parents rush to save the day when their adult daughter’s car breaks down. Mr. and Mrs. Adelman Nicolas Bedos, France, 2017, 120 min French with English subtitles Mr. and Mrs. Adelman follows Sarah Adelman (Doria Tiller) as she tries to convince Victor (Nicolas Bedos) she’s the right woman for him. Tracking their courtship from his early years as a non-committal aspiring writer through his later years as an egotistical, fame-obsessed one, this film toes the line between biting cynicism and aching romanticism. First-time director and co-writer (with Doria Tiller) Nicolas Bedos uses the changing face of Paris over the years to evoke the changing nature of the relationship. Mr. and Mrs. Adelman is a hilarious and absurd take on the romantic comedy that slyly toys with the cliché of writer and muse. Praise the Lard Chen Shelach, Israel, 2016, 60 min Hebrew with English subtitles The documentary Praise the Lard explores one of the biggest taboos in Judaism—pork—and how the existence of Israel’s pork industry came to exemplify much of the tension inherent in Zionism: the struggle to create a new, secular Jewish identity that exists apart from religious tradition, and whether it will be possible for this secular identity to survive in the face of mounting pressure from observant Jews. Praise the Lard presents an incisive, engaging take on how the unsuspecting pig took on such an outsized role in the land of Israel. U.S. Premiere Preceded by: The Red House Tamar Tal, Israel, 2016, 20 min Hebrew with English subtitles In this beautifully animated short documentary, the history of one unique building in Tel Aviv becomes a reflection for the ever-changing face of Israeli society. U.S. Premiere The Prince and the Dybbuk Piotr Rosolowski & Elwira Niewiera, Poland/Germany, 2017, 82 min English, Italian, Spanish, Polish, German with English subtitles He is remembered as a Polish aristocrat, Hollywood producer, a reprobate and liar, an open homosexual and husband to an Italian countess, and director of The Dybbuk, one of the most important Jewish films of all time. But who, really, was Michał Waszyński? Piotr Rosolowski and Elwira Niewiera portray Waszyński, né Moshe Waks, as a fabulist, a man of constantly shifting identity, blurring the lines between reality and illusion. A perpetually restless filmmaker, Waszyński became obsessed with his adaptation of The Dybbuk and its mythical imagery of the shtetl. A modern take on the archetype of the Wandering Jew, The Prince and the Dybbuk asks whether it is ever possible to cut oneself off from one’s roots, and at what cost. Presented in conjunction with The Dybbuk (1937) – see special programs. U.S. Premiere Preceded by: A Hunger Artist Daria Martin, UK, 2017, 17 min Based on the 1924 short story by Franz Kafka, A Hunger Artist is the kaleidoscopic tale of an entertainer acclaimed for his ability to fast. But his act soon falls out of fashion and, left to himself with neither sta ge nor audience, he dies of hunger. Daria Martin’s lush adaptation understands the delicate tone of Kafka’s work: fiercely anti-authoritarian, constantly self-effacing, and toeing the line between hilarious and heartbreaking. Sammy Davis, Jr.: I’ve Gotta Be Me Sam Pollard, USA, 2017, 100 min What didn’t Sammy Davis, Jr. do? In this exhilarating documentary, long-time Spike Lee collaborator Sam Pollard pays tribute to the multi-talented, multi-racial entertainer by scrutinizing the political complexities and contradictions that defined his career. Amidst the violence and tensions of the Civil Rights era and after, as the political winds shifted, Sammy Davis, Jr. struggled to maintain his identity, while embracing his Judaism. An electric portrait spanning the Depression to the 1980s, and featuring new interviews with Whoopi Goldberg, Billy Crystal, Jerry Lewis, Norman Lear, and more, I’ve Gotta Be Me embraces the unique complexity of an iconic American entertainer. Tracking Edith Peter Stephan Jungk, Austria/Germany/Russia/UK 2016, 91 min English/German/Russian/French with English subtitles A documentary about the Austro-British photographer Edith Tutor-Hart, Tracking Edith follows filmmaker Peter Stephan Jungk’s journey to understand the motivations of his great aunt who, while living a double life as a spy for the KGB, recruited Kim Philby and created the Cambridge Five, the Soviet Union’s most successful spy ring in the United Kingdom, which infiltrated the very top of British intelligence (and inspired John le Carre’s Tinker Tailor Soldier Spy). As Jungk learns more about his aunt and her work, his film demands the question: why is she not recognized alongside Kim Philby and the Cambridge Five as one of the spies that change the world? U.S. Premiere
SHORTS PROGRAM
107 min Various languages The Story of Jon Burgerman Bas Berkhout, USA/UK, 2017, 6 min Whimsical artist Jon Burgerman explores how his family history affects his creative inspiration. El Becerro Pintado David Pantaléon, Spain, 2017, 10 min In this experimental short, the biblical story of the golden calf is transported to rural Spain. U.S. Premiere El Hara Margaux Fitoussi, Tunisia/France, 2017, 16 min El Hara is a vivid, mesmerizing portrait of the old Jewish ghetto in Tunis. NY Premiere Summer Pearl Gluck, USA, 2017, 18 min Young, Orthodox Jewish girls explore their burgeoning sexuality amidst the strict rules of their sleep-away camp. World Premiere Shlomi & Mazy Leonhard Hofmann, Germany, 2016, 17 min In this tender documentary portrait, an Israeli opera singer living in Berlin struggles to balance his career with his true passion: performing in drag as his alter ego, Mazy Mazeltov. U.S. Premiere Heaven Is a Traffic Jam on the 405 Frank Stiefel, USA, 2016, 40 min This warm portrait explores sculptor and visual artist Mindy Alper’s journey through extreme depression to a place of love and openness via her creative process and transformative relationship with her art teachers and therapist. NY Premiere
SPECIAL PROGRAMS

FROM THE VAULTS
Avanti Popolo Rafi Bukai, Israel, 1986, 84 min Hebrew/Arabic/English with English subtitles In the aftermath of the Six-Day War, as the ceasefire is beginning, two Egyptian soldiers stranded in the Sinai Desert try to make their way back to safety across the Suez Canal. As they cautiously make their way west, the dangerously dehydrated Haled and Gassan stumble across a dead UN peacekeeper and help themselves to his cargo—two bottles of scotch. Instilled with liquid courage, they hitch a ride with a British journalist and a small platoon of Israeli soldiers who, they hope, can help them get home. In this absurd comedy—made all the more poignant by Salim Daw’s performance as Haled, a Shakespearean actor with aspirations to play Shylock—Rafi Bukai paints a humanistic, antiwar picture of both Israelis and Egyptians caught amidst the violent and ever-shifting winds of Middle Eastern politics. New York Premiere of the Restoration The Dybbuk Michał Waszyński, Poland, 1937, 125 min Yiddish with English subtitles Filmed just before the outbreak of World War II, The Dybbuk weaves a mystical story of the Hasidic shtetls of the late 19th century with the story of two close friends, Sender and Nisn, who vow to marry their first-born children. But when Sender reneges on the vow to marry his daughter to a wealthier son-in-law, the spirit of Nisn’s son arrives to haunt Lea’s wedding. A rich, ethnographic tapestry of Jewish legend, The Dybbuk, based on S. Ansky’s seminal Yiddish play, is one of the finest films ever produced in the Yiddish language, presented here in a brand-new restoration. World Premiere of the Restoration Presented in conjunction with The Prince and the Dybbuk Late Summer Blues Renen Schorr, Israel, 1988, 103 min Hebrew with English subtitles Set just after the Six-Day War, in the shadow of the War of Attrition with Egypt, Late Summer Blues follows a group of high school graduates during the summer before they’re conscripted into the army. Restored after thirty years, this Israeli classic portrays the paradox of Israeli adolescence in raw, deeply human terms: the uncertainty, confusion, and playful embrace of the present are constantly tainted by the shadow of military service and the razor’s edge of anxiety, only somewhat tempered by days at the beach and rock music. Drawing from his own experiences, director Renen Schorr and writer Doron Nesher create a powerful and bitterly funny anti-war message by drawing on the restlessness of the young men and women as they cope with their growing fatalism. U.S. Premiere of the Restoration The Mission of Raoul Wallenberg Alexander Rodnyanskiy, Soviet Union, 1990, 72 min Russian/English/German/Swedish with English subtitles Twenty-five years after it premiered in the first NYJFF, Alexander Rodnyanskiy’s The Mission of Raoul Wallenberg returns to the festival in a brand new restoration. The film investigates the mysterious circumstances surrounding the disappearance and death of Raoul Wallenberg in the Soviet Union following the end of WWII. Wallenberg had saved tens of thousands of Jews from the Holocaust in his role as Sweden’s special envoy in Budapest. Tireless filmmaker Rodnyanskiy searched across the globe for traces of Wallenberg, from Moscow and St. Petersburg, to the Russian interior, to Hungary, Israel, and Sweden. Featuring interviews from subjects as far-ranging as Ronald Reagan, Simon Wiesenthal, and Yelena Bonner, the film passionately confronts the shadowy circumstances of Wallenberg’s fate. World Premiere of the Restoration Siege (Matzor) Gilbert Tofano, Israel, 1969, 89 min Hebrew with English subtitles Israel’s entry for the Best Foreign Language Film at the 42nd Academy Awards in 1970, Siege is the story of the widowed Tamar (legendary Gila Almagor) whose husband was killed in the Six-Day War who wants to begin to put her grief behind her. But her late husband’s friends and family have other ideas—they expect her to remain in mourning for the rest of her life. Through Almagor’s haunting performance, Siege presents a humanizing look at a country and people struggling with a visceral, existential anxiety hiding just below the surface of the ecstatic outpouring following the victory of the Six-Day War. U.S. Premiere of the Restoration
TRIBUTE SCREENING
In memory of Jeanne Moreau One Day You’ll Understand Amos Gitai, France/Germany/Israel, 2008, 89 min French/German with English subtitles When Victor (Hippolyte Girardot), a middle-aged French businessman, discovers a trove of wartime letters from his late father, he discovers his mother’s (the late Jeanne Moreau) hidden past as a Jew. When he presses her about it, she demurs, leaving Victor to uncover the secrets behind his mother’s past. Moreau inhabits the role with a stunningly reflective grace, as Amos Gitai crafts a haunting and finally optimistic tale of memory, denial, and reconciliation. With the trial of Nazi war criminal Klaus Barbie taking place, One Day You’ll Understand presents a poignant meditation on what it means to be a witness, and the weight of such a burden.
SOVIET SHORTS
Drawing the Iron Curtain Maya Balakirsky Katz with J. Hoberman Maya Balakirsky Katz, professor and chair of the art history department at Touro College and author of Drawing the Iron Curtain: Jews and the Golden Age of Soviet Animation, will screen shorts from the Soviet Union’s animation studio Soyuzmultfilm, which was as pervasive and influential in the Soviet imagination as Disney was in America’s. Katz and film critic J. Hoberman will discuss how the studio brought together Jewish artists from all over the USSR and served as a haven for dissident artists, allowing them to explore distinctive elements of their identity as Jews and Russians.
MASTER CLASS
Sam Pollard Join Sam Pollard, director of NYJFF Main Slate selection Sammy Davis, Jr.: I’ve Gotta Be Me, for a behind-the-scenes master class on documentary filmmaking. An Emmy- and Peabody-winning director, Sam Pollard has directed and produced numerous documentary films. *Elinor Bunin Munroe Film Center Amphitheater
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Full Frame Documentary Film Festival Announces New Docs and Invited Program Lineups

[caption id="attachment_21639" align="aligncenter" width="1200"] 116 Cameras[/caption] The 2017 Full Frame Documentary Film Festival, revealed its NEW DOCS lineup of 48 films – 27 features and 21 shorts; and the Invited Program lineup featuring 23 films – 22 features and 1 short— screening out of competition. “We are proud to present 71 new titles at the festival this year,” said Full Frame artistic director Sadie Tillery. “These selections represent a wide breadth of current work, and illuminate the many forms that documentary film can take. Festival attendees are in for an extraordinary experience that is fitting of our 20th anniversary.” The 20th Annual Full Frame Documentary Film Festival will be held April 6 to 9, 2017, in Durham, North Carolina.
NEW DOCS
116 Cameras (Director: Davina Pardo) Surrounded by a twinkling constellation of cameras, Holocaust survivor Eva Schloss records her stories for an interactive hologram project, preserving her experience for future generations. World Premiere All Skate, Everybody Skate (Director: Nicole Triche) Tucked away in picturesque Topsail Island, N.C., Miss Doris’s roller skating rink pops with energy as she leads her customers in games and skates, as she’s done for over 50 years. Anatomy of a Male Ballet Dancer (Directors: David Barba, James Pellerito) Praised for the sublime way he partners ballerinas, Marcelo Gomes is the center of this intimate film that takes us inside his world to chart a luminous 20-year career with American Ballet Theater. Asiyeh (Director: Leila Merat) An intelligent, no-nonsense bonesetter in northern Iran has been healing the people in her community for as long as anyone can remember. US Premiere Balloonfest (Director: Nathan Truesdell) In 1986, the United Way of Cleveland sets out to break a world record, releasing over a million balloons in the air, but the event has unexpected consequences when the lift off doesn’t go as planned. The Botanist (ботаник) (Directors: Maude Plante-Husaruk, Maxime Lacoste-Lebuis) This breathtaking short follows Raimberdi as he ingeniously constructs a hydroelectric generator to better survive in the mountains of Tajikstan. City of Ghosts (Director: Matthew Heineman) Captivating in its immediacy, City of Ghosts follows the journey of “Raqqa is Being Slaughtered Silently,” a group of anonymous Syrian activists who band together to document the Islamic State’s crimes after the city is taken by ISIS. Depth Two (Dubina Dva) (Director: Ognjen Glavonić) This suspenseful illumination of long-buried war crimes, which began in 1999 with NATO bombings in Serbia, is told in a harrowing combination of narrated testimonies and present-day images of the sites in suburban Belgrade where the crimes took place. Donkeyote (Director: Chico Pereira) The grandest adventure of all is afoot for a Spanish septuagenarian and his mischievous dog and stalwart donkey, if only they can survive chronic arthritis, impertinent travel agents, and just one more bridge. Dysphoria: Inside the Mind of a Holocaust Survivor (Director: Joseph Edward) This poetic and visually arresting exploration of one man’s memories takes an inventive and sensory approach, immersing the viewer in his experiences. World Premiere The Earth Did Not Speak (La Tierra No Habló) (Director: Javier Briones) Survivors of the 1982 government-sponsored massacre in Rio Negro, Guatemala, share their stories as the camera quietly pans across seemingly tranquil places that once were home. Far Western (Director: James Payne) Fueled by music and personal charisma, Charlie Nagatani embodies Japan’s obsession with American country and western music. North American Premiere The Force (Director: Peter Nicks) A riveting, on-the-ground look at the Oakland Police Department during a period of intense scrutiny and reform, as a new sergeant aims to correct protocol in the wake of charges of misconduct and abuse. Funne – Sea Dreaming Girls (Le ragazze che sognavano il mare) (Director: Katia Bernardi) A whimsical tale of a group of elderly women in a small Italian village who get creative while trying to raise funds for a trip to the sea, which many of them have never seen. North American Premiere The Great Theater (Wielki Teatr) (Director: Sławomir Batyra) A meandering camera takes a graceful, evocative journey through the spaces and operations of Warsaw’s Grand Theatre as it presents the opera Madama Butterfly. Heaven Is a Traffic Jam on the 405 (Director: Frank Stiefel) Animated drawings and extraordinary shots of Mindy Alper’s sculptures create a lovely portrait of the artist as she unabashedly examines her experiences with a mental disorder (that prevented her from speaking) while discussing art, love, and life. I’M OKAY (Director: Pia Lenz) Adult themes unfold through the perspective of young protagonists in this beautifully photographed feature that captures the experiences of two refugee families struggling to rebuild their lives in Germany. North American Premiere Island Soldier (Director: Nathan Fitch) Through the intimate stories of two soldiers, this film explores the high cost of opportunity. In the Federated States of Micronesia—an “associated state” of the U.S.—a high proportion of residents serve in the American military, with few resources to support their lives after duty ends. World Premiere The Kodachrome Elegies (Director: Jay Rosenblatt) A short and lyrical ode to Kodachrome film stock that reflects on family, loss, and the end of an era. Last Men in Aleppo (Director: Feras Fayyad) Urgent and harrowing, this film follows the White Helmets’ unrelenting efforts to save fellow Syrians. When air strikes devastate homes, they descend on the wreckage to rescue buried men, women, and children, refusing to leave their people or their city behind. The Last Pig (Director: Allison Argo) This lyrical film follows an introspective farmer as his beliefs undergo a dramatic shift, from believing that there are more humane ways to slaughter animals to questioning the premise of his life’s work. US Premiere Life in Riva (Tra ponente e levante) (Director: Lorenzo Giordano) An aging resident imparts the history of his seaside Italian town. His recollections, and a trove of impeccably photographed artifacts, reveal the evolutions of one place over time. North American Premiere Luis & I (Directors: Roger Gómez, Dani Resines) The wife of a human cannonball describes their life in the circus and the ways their love has endured decades of this itinerant lifestyle. Mommy’s Land (Director: Garret Atlakson) As the Cambodian government demolishes homes, and arrest counts and brutal police violence increase, elder resident “Mommy” and other neighborhood women prove to be peaceful, and vivacious, resisters. World Premiere My Father’s Film (Director: Priscilla Gonzalez Sainz) A daughter crafts a portrait of her father through the spaces he occupied, a meditation shaped by the tools he left behind. World Premiere One October (Director: Rachel Shuman) Filmed in the final weeks of the 2008 presidential campaigns, this city symphony follows a radio reporter as he takes to the streets to invite fellow New Yorkers to share their thoughts and opinions in a time of great uncertainty. World Premiere The Original Richard McMahan (Director: Olympia Stone) A visionary artist painstakingly recreates the masterpieces of others, producing thousands of intricate miniature replicas of works made across centuries, from Van Gogh’s The Starry Night to King Tutankhamun’s tomb. Plastic China (Director: Jiu-liang Wang) At a recycling center in the Chinese countryside, two families survive between seas of plastic bottles and wrappers shipped from the U.S. and other countries; processing this waste has become their burden, and yet for their children, they dream of a better life. QUEST (Director: Jonathan Olshefski) This thoughtful and incisive observation of the Rainey family over the course of ten years seamlessly captures pivotal life experiences as well as issues of poverty, politics, and gun violence in a North Philadelphia neighborhood. The Rain Will Follow (Director: Eugene Richards) From his chair in a retirement home, 90-year-old Melvin Wisdahl shares poignant recollections of wartime and strife in this deeply personal account set aglow by beautiful images of North Dakotan farmland. Samuel in the Clouds (Director: Pieter Van Eecke) Samuel Mendoza continues the family tradition of operating the ski lift in a Bolivian Andes resort, while a melting glacier below threatens everyone’s way of life. Shivani (Director: Jamie Dobie) In this unique tale of grief and healing, three-year-old Dolly Shivani, believed by her parents to be the reincarnation of their dead son, trains as an Olympic archer. World Premiere Slowerblack (Director: Jessica Edwards) A hand-poke tattoo artist in Brooklyn reflects on her unique style and approach to inking. World Premiere Socotra, the Island of Djinns (Socotra, la Isla de lod Genios) (Director: Jordi Esteva) In this extraordinary black-and-white account, a group of camel herders travel inland on the island of Socotra to avoid the rainy season while sharing nighttime tales of supernatural djinns. US Premiere Still Tomorrow (摇摇晃晃的人间) (Director: Jian Fan) In rural China, a determined, courageous woman balances her fame as an eloquent and frank poet with societal expectations around disability, independence, and family obligation. Storyboard P, a stranger in Sweden (Director: Matthew D’Arcy) In this mesmerizing vignette, a dynamic Brooklyn street dancer travels to Sweden to teach and perform—a journey that tests his devotion to the art form. Strong Island (Director: Yance Ford) Director Yance Ford rigorously unpacks the events surrounding the death of his brother, who was shot in 1992. Profoundly cinematic and deeply personal, their family story is a powerful examination of race in America. The Submarine (Director: Wenceslao Scyzoryk) A 95-year-old cinematographer returns to his lab each day to perfect his invention—a machine that repairs celluloid damage. The Swirl (El Remolino) (Director: Laura Herrero Garvin) As the largely abandoned town of El Remolino in Chiapas, Mexico, struggles to yield viable crops and keep its school open, two siblings remain to battle the rainy season and their painful childhood. They Took Them Alive (Director: Emily K. Pederson) In 2014, 43 students disappeared from a bus traveling in Iguala, Mexico. Their families seek answers as the official investigation comes to a troubling and suspicious halt. World Premiere Through the Repellent Fence (Director: Sam Wainwright Douglas) The artist collective Postcommodity examines lines, origins, and the people to whom land really belongs with a two-mile-long installation of inflatable spheres high above the U.S.–Mexico border. Timberline (Director: Elaine McMillion Sheldon) This short documents a West Virginia town caught between transitional pressures: an abandoned naval base is up for auction, and the NSA occupies a station just down the road. What will become of the locals for whom this place is home? World Premiere Tribal Justice (Director: Anne Makepeace) Two dynamic Native American women—chief judges for the state’s largest tribes—draw on tradition and village wisdom to help defendants rebuild their lives, encouraging healing over jail time and punishment. Two Worlds (Dwa Swiaty) (Director: Maciej Adamek) In this expressive study of family relationships, a daughter helps her two deaf parents navigate the world—as she has since she was three—and balances life between school, home, and self. Waiting for Hassana (Director: Ifunanya Maduka) Jessica, an escapee, recollects a friendship shattered by the 2014 kidnapping of 276 Nigerian girls by the Boko Haram. Winter’s Watch (Director: Brian Bolster) The longtime winter caretaker of the Oceanic Hotel off the coast of New England welcomes months of solitude, relishing the opportunity for introspection and productivity. Zaatari Djinn (Director: Catherine van Campen) This incandescent portrait documents four children in a refugee camp who are transformed by the light of imagination and possibility despite numerous hardships. North American Premiere Zuzana: Music Is Life (Directors: Peter Getzels, Harriet Getzels) The life story of eminent Czech harpsichordist Zuzana Ruzickowva transcends the personal in a deeply affecting look at the redemptive power of art throughout the Czech Republic’s turbulent 20th century. World Premiere
INVITED PROGRAM
500 Years (Director: Pamela Yates) A sweeping examination of resistance movements in Guatemala, including the recent uprising, and a chronicle of the country’s first trial for war crimes committed against the Mayan people. Abacus: Small Enough to Jail (Director: Steve James) In the wake of the 2008 financial crisis, the only U.S. bank accused of mortgage fraud was the family-owned Abacus Federal Savings in Manhattan’s Chinatown. This stunning film chronicles the Sungs’ legal battle as they fight to defend their business and their family name. Austerlitz (Director: Sergei Loznitsa) In vivid black and white, tourists and guides visit concentration camps. In observing their interactions, Austerlitz provides a powerful meditation on the (often imperfect) ways human beings connect, remember, and reflect. Bronx Gothic (Director: Andrew Rossi) With a blend of performance footage and penetrating discussions about her purpose and process, this film follows Okwui Okpokwasili as she tours her powerful one-woman play around the country. World Premiere Buzz One Four (Director: Matt McCormick) In 1964, a B-52 long-range bomber crashed on a Maryland mountainside with two thermonuclear bombs on board. This suspenseful account, crafted by the pilot’s grandson, skillfully weaves archival footage with personal recollections. The Challenge (Director: Yuri Ancarani) Miles of barren desert provide the backdrop for this surreal compilation of images: private jets, race cars, exquisite birds, and even a pet cheetah descend on the Qatar dunes to take part in a remote falconry tournament. Dina (Directors: Dan Sickles, Antonio Santini) At once tender and triumphant, humorous and hard, Dina introduces a woman in love as she navigates complex expectations in the days leading up to her impending nuptials. EXPRMNTL (Director: Brecht Debackere) This lively overview of the legendary EXPRMNTL film festivals held in Belgium from 1949 to 1974 interweaves archival footage with the recollections of the makers who defined experimental cinema. US Premiere The Good Postman (Director: Tonislav Hristov) An inspired citizen decides to run for mayor on a daring platform: that embracing the arrival of refugees may be the key to revitalizing his Bulgarian village. The Grown Ups (Director: Maite Alberdi) Adult students with Down Syndrome question their unknown futures. After attending the same school for decades, is there anything left to be discovered in this place, and what opportunities exist in the outside world? In Loco Parentis (Directors: Neasa Ní Chianáin, David Rane) For more than 40 years, John and Amanda Leyden have taught elementary-age children at a remote Irish boarding school. Filmed over the course of a year, the teachers bring wonder to their classrooms and roll with the joys and challenges that the changing seasons bring their young pupils. An Insignificant Man (Directors: Khushboo Ranka, Vinay Shukla) With unimaginable access, this film follows the turbulent campaign of Arvind Kejriwal, a businessman turned politician who formed India’s Aam Aadmi Party (Common Man’s Party) in 2012, as he runs for his country’s top office. Life – Instruction Manual (Leben – Gebrauchsanelitung) (Directors: Joerg Adolph, Ralf Buecheler) Featuring short excerpts from a wide range of classes, from childbirth to end-of-life care, this film reflects on the myriad ways that we depend on learning, particularly from others. North American Premiere Long Strange Trip (Director: Amir Bar-Lev) Personal interviews, performances, and never-before-seen footage create a multifaceted portrait of the Grateful Dead. They were more than a band. They were a movement. May It Last: A Portrait of the Avett Brothers (Directors: Judd Apatow, Michael Bonfiglio) Personal, rich, and from the soul, this film follows the equally soulful Avett Brothers as they record a new album, reflect on the creative process, and navigate strong ties while managing lives spent on the road. Project X (Directors: Laura Poitras, Henrik Moltke) Rami Malek and Michelle Williams understatedly narrate guidelines from a top-secret NSA handbook, as the viewer travels from stark and isolated spots in the National Business Park to a windowless skyscraper in downtown Manhattan. Purple Dreams (Director: Joanne Hock) This film follows six students at the Northwest School of the Arts in Charlotte, N.C., who thrive as performers in the first-ever high school musical production of The Color Purple while grappling with difficult and stressful issues in their own lives. World Premiere STEP (Director: Amanda Lipitz) This inspiring film follows three members of the Lethal Ladies step-dance team at the Baltimore Leadership School for Young Women. With the support of their intrepid coach and an uncompromising counselor, they are determined to attend college. TAKE EVERY WAVE: The Life of Laird Hamilton (Director: Rory Kennedy) In sparkling cinematography and intimate interviews, this epic look at the surfing legend’s life in and out of the waves is also a no-holds-barred illustration of one man’s dedication to continually reigniting his passion. Tell Them We Are Rising: The Story of Black Colleges and Universities (Director: Stanley Nelson) A monumental, essential, and compelling survey of the history and cultural significance of HBCUs in America. This Is Everything: Gigi Gorgeous (Director: Barbara Kopple) Gregory Lazzarato to Gregory Gorgeous to Gigi Gorgeous—family members and millions of followers support the makeup and beauty YouTube star before, during, and after her transition. Trophy (Director: Shaul Schwarz, Co-Director: Christina Clusiau) This revelatory and exquisitely photographed investigation into conservation practices and big game hunting invites nuanced scrutiny and debate. Whose Streets? (Director: Sabaah Folayan, Co-Director: Damon Davis) This unflinching story of the Ferguson uprising is told by the activists who were there, chronicling the birth of a new generation of resisters in America.
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Heaven Is a Traffic Jam on the 405

U.S. Premiere of RAZZIA to Open 2018 New York Jewish Film Festival + Complete Lineup

2018 New York Jewish Film Festival Lineup

OPENING NIGHT

CENTERPIECE

CLOSING NIGHT

MAIN SLATE FILMS

SHORTS PROGRAM

SPECIAL PROGRAMS

FROM THE VAULTS

TRIBUTE SCREENING

SOVIET SHORTS

MASTER CLASS

Full Frame Documentary Film Festival Announces New Docs and Invited Program Lineups

NEW DOCS

INVITED PROGRAM