Immortal (2019)

  • 159 Documentary Feature Films Submitted for 2019 Oscar Race

    DAVID HOGG in AFTER PARKLAND by Emily Taguchi and Jake Lefferman
    DAVID HOGG in AFTER PARKLAND by Emily Taguchi and Jake Lefferman

    One hundred fifty-nine features have been submitted for consideration in the Documentary Feature category for the 92nd Academy Awards®. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture.

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  • TRUTH AND JUSTICE is Estonia’s Entry in Oscar Race for Best International Film

    Truth and Justice (Tõde ja õigus) directed by Tanel Toom
    Truth and Justice (Tõde ja õigus) directed by Tanel Toom

    Truth and Justice (Tõde ja õigus), adapted and directed by Tanel Toom, has been selected by the Estonian Film Institute (EFI) as Estonia’s candidate for the Academy Award for Best International Feature Film. Additionally, for the first time, an Estonian documentary Ksenia Okhapkina’s Immortal is also eligible for an Oscar, after having won the Grand Prix for the Best Documentary at Karlovy Vary International Film Festival.

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  • 54th Karlovy Vary International Film Festival Winners – THE FATHER Wins Grand Prix

    The Father (Bashtata) directed by Kristina Grozeva, Petar Valchanov
    The Father (Bashtata) directed by Kristina Grozeva, Petar Valchanov

    The 54th Karlovy Vary International Film Festival ran June 28th to July 6th, and today the festival’s juries presented awards for the best films at the closing ceremony. The Father (Bashtata) directed by Kristina Grozeva, Petar Valchanov won the $25,000 top prize, the Grand Prix – Crystal Globe.

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  • 17 BLOCKS, APOLLO 11 Among Karlovy Vary IFF 2019 Documentary Competition Lineup

    Emmanuel Manny Durant in 17 BLOCKS by Davy Rothbart
    Emmanuel Manny Durant in 17 BLOCKS by Davy Rothbart

    The documentary competition at the 54th Karlovy Vary IFF will feature eight world and three European premieres. The selection includes Marc Schmidt’s In the Arms of Morpheus and Todd Douglas Miller’s Apollo 11, compiled using unique archival footage from the first mission to the Moon’s surface. The renewed festival interest in Chinese cinema is illustrated by two films about the transformation of Chinese society: While The Fading Village shows the decline of the countryside, Confucian Dream focuses on the urban population’s exaggerated return to traditional ways of life.

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