It All Started At The End

  • Film Society of Lincoln Center Announces Lineup for ‘Neighboring Scenes’ Showcasing Contemporary Latin American Film

    Benjamín Naishtat’s El Movimiento The Film Society of Lincoln Center in New York City announces Neighboring Scenes, a new showcase of contemporary Latin American cinema co-presented with Cinema Tropical. Opening the series is Benjamín Naishtat’s El Movimiento (pictured above), a stark, black-and-white snapshot of anarchy in 19th-century Argentina and follow-up to his acclaimed debut, History of Fear. Other highlights include the 2015 Cannes Caméra d’Or winner, César Augusto Acevedo’s Land and Shade; the U.S. premiere of Arturo Ripstein’s Bleak Street, which has drawn comparisons to Luis Buñuel’s Mexican period; Rodrigo Plá’s Venice Horizons opener A Monster with a Thousand Heads; Pablo Larraín’s Silver Bear–winning The Club, Chile’s submission for the Best Foreign Language Film Oscar; and more. “It’s been some years since Latin American cinema ‘reemerged,’” said Programmer at Large Rachael Rakes. “Now, as the output from countries like Mexico, Argentina, and Brazil continues to be some of the most compelling and engaged cinema today, new scenes are establishing themselves all across the map, showcasing fresh talent and ideas, and challenging the notion of an identifiable contemporary Latin American cinema. We’re pleased to highlight a few of the most impressive recent films from the region.” FILMS & DESCRIPTIONS Opening Night El Movimiento Benjamín Naishtat, Argentina, 2015, DCP, 70m Spanish with English subtitles Continuing his preoccupation with violence and Argentina’s past, Benjamín Naishtat (History of Fear, a New Directors/New Films 2014 selection) dramatizes a crucial moment in that nation’s history characterized by political zealotry and terrorism. Pablo Cedrón portrays the fiery, unhinged leader of a mysterious militia (modeled on Confederacy-era dictator Juan Manuel de Rosas’s Mazorca) who wantonly roam the pampas in an effort to “purify” and unite society, killing and plundering settlers along the way. Characters emerge from and disappear into dark expanses—the film is masterfully shot in black and white—heightening its intense, chilling atmosphere. Funded by the Jeonju Digital Project. https://www.youtube.com/watch?v=c-U8MsPwlPU Alexfilm Pablo Chavarria Gutiérrez, Mexico, 2015, DCP, 60m Spanish with English subtitles Marked by a light touch and emphasizing openness over conventional, linear narrative, biologist-turned-filmmaker Pablo Chavarria Gutiérrez documents the rhythms of a man awaiting an important event that never comes. As he cooks breakfast, naps, paints, tries on sunglasses, and wanders through different rooms in his home, Chavarria Guitérrez lovingly frames every action in beautiful natural light, allowing each moment to flow to the next while maintaining its own transcendent essence. North American Premiere Gulliver María Alché, Argentina, 2015, DCP, 25m Spanish with English subtitles Flawlessly transitioning from a highly naturalistic family tale to something overtly surreal and back again, Gulliver captures the circumstances—imagined or not—of one of those evenings when siblings come to a deeper understanding of one another. After hanging out at home with their mom (Martín Rejtman regular Susana Pampin) and older sister Mariela (Agustina Muñoz), Agos and Renzo go to a raging party where Agos ends up drinking too much. Upon stepping outside to recover, the pair wander into a strange but familiar landscape, and begin to ask questions about the world and themselves. Bleak Street / La calle de la amargura Arturo Ripstein, Mexico/Spain, 2015, DCP, 99m Spanish with English subtitles Based on a true story, the latest feature by Arturo Ripstein is an unflinching look at the mean streets of El Defectuoso. Two prostitutes, Adela (Nora Velázquez) and Dora (Patricia Reyes Spíndola), are burdened by horrible marriages and financial problems stemming from their long-departed youth. In an attempt to make ends meet, they drug and rob dwarf twins (Juan Francisco Longoria and Guillermo López)—who themselves barely scrape by as doubles for professional luchadores. Ripstein masterfully contrasts the grittiness of alleyways and seedy apartments with gliding Steadicam cinematography, siding with neither the victims nor the perpetrators. A Leisure Time Features release. U.S. Premiere https://www.youtube.com/watch?v=-As8dQh70Xg The Club / El Club Pablo Larraín, Chile, 2015, DCP, 98m Spanish with English subtitles Pablo Larraín (director of No and Post Mortem) continues to explore the long shadows of Chile’s recent past with this quietly scathing film about the Catholic Church’s concealment of clerical misconduct. Four aging former priests peacefully live out their days together in a dumpy seaside town, focused on training their racing greyhound rather than doing penance for their assorted crimes. Their idyll is shattered when a fifth priest arrives and, confronted by one of his victims, commits suicide. A young priest begins an investigation into the retirees’ pasts, setting off a series of events that call into question faith, piety, and complicity. Winner of the Silver Bear at the 2015 Berlinale and Chile’s Oscar submission. A Music Box Films release. https://www.youtube.com/watch?v=e8c2DYoF7lA The Gold Bug, or Victoria’s Revenge / El escarabajo de oro o Victorias Hamnd Alejo Moguillansky & Fia-Stina Sandlund, Argentina/Denmark/Sweden, 2014, DCP, 102m Spanish and Swedish with English and Spanish subtitles Fusing elements of Edgar Allan Poe’s titular short story and Robert Louis Stevenson’s Treasure Island, Alejo Moguillansky and Fia-Stina Sandlund’s meta-film follows an Argentine-Swedish co-production in Buenos Aires shooting a biopic of the 19th-century realist author and proto-feminist Victoria Benedictsson. After a hustling actor finds a treasure map detailing the location of ancient gold hidden near a town in the Misiones province named after the 19th-century politician Leandro N. Alem, he successfully persuades the producers to reframe the project as a portrait of the radical Alem (swapping feminist politics for anti-Eurocentric ones) and move the production there—so he can better search for the treasure. Fast-paced and hilariously self-reflexive, the film takes a playful approach to texts and history that is reminiscent of Borges. https://www.youtube.com/watch?v=BF_r02gleHU Hopefuls / Aspirantes Ives Rosenfeld, Brazil, 2015, DCP, 71m Portuguese with English subtitles Focused on the alluring promise of wealth and fame that professional soccer holds for Brazilian youth, Ives Rosenfeld’s directorial debut features a host of excellent performances from its cast. Junior (Ariclenes Barroso) ekes out a living working nights at a warehouse while playing by day in an amateur league with his talented best friend Bento (Sergio Malheiros). When Bento gets signed to a professional team, Junior struggles with his crippling jealousy—which becomes heightened by his pregnant girlfriend and alcoholic uncle. Artfully lensed and deliberately paced, the film silently builds toward a legitimately shocking climax that provides a grim reality check. https://www.youtube.com/watch?v=kRPKC1yMDq8 It All Started at the End / Todo comenzó por el fin Luis Ospina, Colombia, 2015, DCP, 208m Spanish with English subtitles Luis Ospina (The Vampire of Poverty, Paper Tiger) turns the camera toward his radical roots—and his own intestines—for this documentary about the Cali Group, the Colombian artists’ collective that revolutionized art, cinema, and literature amid drug-related terrorism in the 1970s and ’80s. Boasting a wide array of never-before-seen archival material, Ospina (the group’s only surviving member, who was diagnosed with cancer during the making of the film) focuses on telling the stories of co-founders Andrés Caicedo and Carlos Mayolo. Never maudlin or self-important, this kaleidoscopic inside view of “Caliwood” is essential viewing for anyone looking for darkly comic, anarchic inspiration. U.S. Premiere https://www.youtube.com/watch?v=YlbAXxKDZ9I Ixcanul Jayro Bustamante, Guatemala, 2015, DCP, 93m Kaqchikel and Spanish with English subtitles Maria (María Mercedes Coroy) is set to marry a much older foreman at the coffee plantation, but she has a crush on Pepe, who has fanciful dreams of getting rich in the U.S. After consummating their flirtation, Pepe leaves for the States—without Maria, who soon learns she is expecting a baby. A difficult pregnancy assisted only by traditional medicine finally leads her to the hectic big city, but on very grim terms. Shot in collaboration with the Kaqchikel Mayans of Guatemala’s coffee-growing highlands, Jayro Bustamante’s exquisitely shot debut feature (winner of a top prize at the Berlinale and Guatemala’s Oscar submission) explores what tradition and modernity mean for women living in marginalized communities. A Kino Lorber release. https://www.youtube.com/watch?v=ryOrevgFL2k Land and Shade / La tierra y la sombra César Augusto Acevedo, Colombia, 2015, DCP, 94m Spanish with English subtitles A poetic and devastating statement on how environmental issues impact every aspect of life, César Augusto Acevedo’s Caméra d’Or–winning directorial debut is not to be missed. The elderly Alfonso (Haimer Leal) returns to the small house in Valle del Cauca he left 17 years earlier in order to care for his bedridden son Geraldo (Edison Raigosa), who suffers from a mysterious ailment related to the harsh farming techniques of the sugar-cane plantations around them. Tensions quietly simmer between Alfonso and his ex-wife (the wonderful Hilda Ruiz), but familial ties and pride keep them tied to the land in Acevedo’s meditative and painterly allegory. https://www.youtube.com/watch?v=jFrHbi8cHjY Mar Dominga Sotomayor, Chile, 2014, DCP, 70m Spanish with English subtitles Reminiscent of the films of Josephine Decker and Joe Swanberg, this low-key drama centers on the problems between Martin, aka Mar (Lisandro Rodríguez), and his girlfriend, Eli (Vanina Montes). On vacation in the Argentine resort town of Villa Gesell, conflicts arise concerning expectations and long-term commitments—having a baby, home ownership—but get pushed aside or elided. A visit from Martin’s gregarious, wine-guzzling mother and a random act of God threaten to push the couple to breaking point. Dominga Sotomayor matches her characters’ frustrations with the film’s expert framing, which often obscures faces and bodies, visually emphasizing their mutual misunderstanding. https://www.youtube.com/watch?v=rqiC4M5nNBk A Monster with a Thousand Heads / Un monstruo de mil cabezas Rodrigo Plá, Mexico, 2015, DCP, 74m Spanish with English subtitles Developed in tandem with his wife’s novel of the same title, Rodrigo Plá (The Delay, The Zone) crafts another airtight thriller, this time taking on a health-insurance system that prefers profit to adequate medical care. Refused treatment that would alleviate her terminally ill husband’s pain—yet not the frustrations of dealing with maddening bureaucracy—Sonia (Jana Raluy) snaps and, gun in hand, single-mindedly goes up the chain of command with a vengeance. The series of increasingly harrowing provocations are interspersed with moments of dark comedy, and coalesce into a final, shocking climax. https://www.youtube.com/watch?v=Ug2534juBhA

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  • Yo-Yo Ma, Janis Joplin and Ukraine Among Toronto International Film Festival 2015 Documentary Program

    Sharon Jones The Toronto International Film Festival 2015 documentary program presents a diverse mix of international works featuring a wide array of award-winning directors. The TIFF Docs line-up includes revelatory looks at celebrated performers like Yo-Yo Ma, Arcade Fire and Sharon Jones; fresh global perspectives on Ukraine, Haiti, China, and the Middle East; films about film; and loving attention to horses and dogs. “Emotions run high in this year’s documentaries from passionate performers to angry protestors,” said TIFF Docs programmer Thom Powers. “These films truly command the big screen with their artistry across many forms of documentary — observational, essayistic, historical and investigative.” Several films focus on music: Miss Sharon Jones! follows R&B queen Sharon Jones during her battle with cancer; The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble profiles the legendary cellist and his international musical collective; Amazing Grace captures the recording of Aretha Franklin’s best-selling album of the same name; The Reflektor Tapes provides insight into the making of the Arcade Fire international #1 album Reflektor and Janis: Little Girl Blue delves into the life of late rock legend Janis Joplin. The worlds of art, dance, and performance are explored in films such as Bolshoi Babylon which looks at upheavals in Russia’s world-famous company; Our Last Tango chronicles the stormy career of Argentine tango legends Juan Carlos Copes and María Nieves; Horizon is a portrait of influential Icelandic landscape painter Georg Gudni; and Thru You Princess documents the composer Kutiman creating a viral sensation on YouTube. The lineup includes a trio of films in which animals feature, including Heart of a Dog, a personal essay film by Laurie Anderson that explores themes of love, death, and language; Being AP, a portrait of legendary British horse-racing jockey AP McCoy; and Dark Horse, about a small town group of friends who take on the elite ‘sport of kings’ and breed themselves a racehorse. Global current events make hot topics in several films. In P.S. Jerusalem, filmmaker Danae Elon confronts the tensions of living in Jerusalem after the death of her father, the writer Amos Elon. A Journey of a Thousand Miles: Peacekeepers, focuses on three Muslim women who join a UN peacekeeping mission in Haiti. Winter on Fire: Ukraine’s Fight for Freedom takes a closer look at the Ukrainian Revolution and the ousting of President Viktor Yanukovych. Je Suis Charlie offers an account of the brutal attacks on the French satirical magazine Charlie Hebdo, while He Named Me Malala profiles Malala Yousafzai, the Pakistani teenager who survived a Taliban assassination attempt to become an outspoken, globally recognized advocate for girls’ rights. The program’s global outlook can also be seen in Sherpa, exploring the uneasy relationship on Mount Everest between foreign expeditions and their local guides; Nasser, providing an in-depth history of Egypt’s pivotal and controversial leader Gamal Abdel Nasser; A Young Patriot, examining modern China through the eyes of a nationalistic university student; In Jackson Heights, offering a closer look at the diverse immigrant neighborhood of Jackson Heights in Queens, New York; and Return of the Atom, taking a closer look at the remote ‘nuclear town’ in Finland. Four films intersect with the art and legacy of filmmaking. Hitchcock/Truffaut examines the importance of the epochal book that transcribed the 1962 interview between Alfred Hitchcock and François Truffaut. A Flickering Truth follows a group of dedicated Afghan cinephiles who are literally excavating their country’s cinematic past. Women He’s Undressed pays tribute to legendary Hollywood costume designer Orry-Kelly. It All Started At The End recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s. Films screening as part of the TIFF Docs programme include: Amazing Grace Sydney Pollack, USA International Premiere Sydney Pollack’s film of Aretha Franklin’s ‘Amazing Grace.’ Filmed during church services in Los Angeles on January 13 and 14, 1972, the footage was never seen until now. Featuring Reverend James Cleveland, the Southern California Community Choir and the Atlantic Records rhythm section. A Flickering Truth Pietra Brettkelly, New Zealand/Afghanistan North American Premiere As Afghanistan teeters on an unpredictable future, A Flickering Truth uncovers the world of three dreamers and cinephiles, the dust of 100 years of war and the restoration of 8,000 hours of film archive that they risked their lives to conceal. What surprises will emerge from the cloak of time? A Journey of a Thousand Miles: Peacekeepers Geeta Gandbhir and Sharmeen Obaid-Chinoy, USA/Pakistan World Premiere A unit of Bangladeshi female police officers leave their families to join a United Nations peacekeeping mission in Haiti and challenge stereotypes about the capabilities of Muslim women. The film focuses on three of the women as they grapple with the harsh realities of becoming foot soldiers in a UN Peacekeeping Mission, and the pressures on their families left behind. A Young Patriot (Shao Nian * Xiao Zhao) Du Haibin, China/USA/France Canadian Premiere This intimate documentary chronicles five years in the life of a young Chinese student, whose fervent idealism and dedication to Mao’s legacy stands in stark contrast to contemporary China’s turn towards state capitalism. Being AP Anthony Wonke, United Kingdom/Ireland World Premiere Being AP is an intimate documentary portrait of AP McCoy – the greatest jump jockey of all time. As he passes his 40th birthday, an age beyond which most jockeys are unable to continue, AP contemplates his obsession with winning, the years of sacrifice that he has endured to become a champion, the chase for a 20th successive title, and then a future without racing. Bolshoi Babylon Nick Read, United Kingdom World Premiere For the first time, Russia’s Bolshoi Theatre allows filmmakers full and uncensored access backstage. After a brutal acid attack on the ballet company’s director Sergei Filin in January 2013, Bolshoi Babylon follows the dancers and managers through a new season as they try to regain their status as the world’s leading dance company. Dark Horse Louise Osmond, United Kingdom Canadian Premiere Set in a former mining village in Wales, Dark Horse is the inspirational true story of Jan Vokes and her group of local friends who decide to take on the elite ‘sport of kings’ and breed themselves a racehorse. Raised on a slagheap allotment, their foal becomes a source of inspiration and hope. Dark Horse Davis Guggenheim, USA International Premiere Acclaimed documentary filmmaker Davis Guggenheim shows us how Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus, remains committed to fighting for education for all girls worldwide. Providing an inside glimpse into her extraordinary life — from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life at home. Heart of a Dog Laurie Anderson, USA Canadian Premiere Heart of a Dog is a personal essay film that explores themes of love, death, and language. The director’s voice is a constant presence as stories of her dog Lolabelle, her mother, childhood fantasies and political, and philosophical theories unfurl in a seamless song-like stream. Hitchcock/Truffaut Kent Jones, USA/France Canadian Premiere In 1962, two of the greatest minds in cinema sat down for an intimate and expansive conversation. Based on the original recordings of this meeting — used to produce the influential book Hitchcock/Truffaut — this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. David Fincher, Richard Linklater, Martin Scorsese and other legendary filmmakers add to the discussion of Hitchcock’s enduring legacy and influence on cinema. Horizon Bergur Bernburg and Fridrik Thor Fridriksson, Iceland/Denmark World Premiere A documentary about the late Icelandic painter Georg Gudni Hauksson, whose innovative interpretations of forms and ideas paved the way for a renaissance in Icelandic landscape painting. In Jackson Heights Frederick Wiseman, USA North American Premiere Frederick Wiseman’s latest documentary is about the diverse neighborhood of Jackson Heights in Queens, New York where 167 languages are spoken among immigrants from every continent, and half the population is foreign-born. The community is an example of America as a ‘melting pot’ settled and made strong by people committed to making their neighborhood work despite cultural and religious differences. It All Started At The End (Todo comenzó por el fin) Luis Ospina, Colombia World Premiere Filmmaker Luis Ospina recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s. Janis: Little Girl Blue Amy Berg, USA North American Premiere Academy Award-nominated director Amy Berg reveals the raw, sensitive and powerful woman behind the legend in Janis: Little Girl Blue; the quintessential story of the short, turbulent, epic existence that changed music forever. Chan Marshall (aka Cat Power) lends her raspy Southern voice to the film, reading Janis Joplin’s achingly intimate letters. Je Suis Charlie Emmanuel Leconte and Daniel Leconte, France World Premiere On January 7, 2015, French satirical weekly Charlie Hebdo was the victim of a terrorist attack that killed 12 people, including some of the greatest French cartoonists such as Cabu, Wolinski, Charb, Tignous and Honoré. The following day a policewoman was shot dead in the street. On January 9, another attack targeted the Jewish community. Four hostages were murdered. This film pays tribute to all these victims. Miss Sharon Jones! (pictured main image) Barbara Kopple, USA World Premiere Two-time Academy Award-winner Barbara Kopple follows R&B queen Sharon Jones over the course of an eventful year, as she battles a cancer diagnosis and struggles to hold her band the Dap-Kings together. Additionally, TIFF Cinematheque will showcase Kopple’s film Harlan County, USA which played at the first Festival in 1976. The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble Morgan Neville, USA World Premiere This film tells the extraordinary story of the Silk Road Ensemble, an international musical collective created by legendary cellist Yo-Yo Ma. The film follows this group of diverse instrumentalists, vocalists, composers, arrangers, visual artists, and storytellers as they explore the power of music to preserve tradition, shape cultural evolution, and inspire hope. Nasser Jihan El-Tahri, France/South Africa International Premiere Filmmaker Jihan El-Tahri explores the history of Gamal Abdel Nasser, the revolutionary army officer whose decade-long reign as president of Egypt saw him defy the West during the 1956 Suez Crisis, co-found the international Non-Aligned Movement, and suffer a dramatic defeat to Israel in the Six-Day War. Our Last Tango (Un tango más) German Kral, Germany/Argentina World Premiere Argentina’s María Nieves and Juan Carlos Copes are the best-known couple in tango’s history and shaped the dance like no others. They danced passionately, loved and hated each other for almost 50 years, until one day they separated, and left a gap in the tango scene. Now, almost at the end of their lives, they tell their story for the first time. Executive produced by Wim Wenders. P.S. Jerusalem Danae Elon, Canada/Israel World Premiere Danae Elon grew up in Jerusalem. After many years of living abroad, she moves back with her three young sons and French-Algerian husband Philip who are fresh to the city. Over three years, she documents their experiences, bearing witness to what makes Jerusalem so fiercely contested. A looming presence is the memory of her late father, the esteemed author Amos Elon, seen in home movies. Through the prism of one family’s life, the film exposes a complex portrait of Jerusalem today. The Reflektor Tapes Kahlil Joseph, United Kingdom World Premiere The Reflektor Tapes is a fascinating insight into the making of Arcade Fire’s international #1 album Reflektor. The film recontextualizes the album experience, transporting the viewer into a kaleidoscopic sonic and visual landscape. The Reflektor Tapes blends never-before-seen personal interviews and moments captured by the band to dazzling effect, and features 20 minutes of exclusive unseen footage, filmed only for cinema audiences. Return of the Atom (Atomin paluu) Mika Taanila and Jussi Eerola, Finland/Germany World Premiere Finland was the first country in the West to give permission to build a new nuclear power plant after the Chernobyl disaster. The film portrays the strange and stressful life in the small Finnish ‘nuclear town’ Eurajoki during an era of nuclear renaissance. Sherpa Jennifer Peedom, Australia/United Kingdom Canadian Premiere Director Jennifer Peedom set out to uncover tension in the 2014 Everest climbing season from the Sherpas’ point of view, and instead captured a tragedy when an avalanche struck, killing 16 Sherpas. Sherpa tells the story of how the Sherpas united after the tragedy in the face of fierce opposition to reclaim the mountain they call Chomolungma. Thru You Princess Ido Haar, Israel International Premiere In her late 30s, Samantha lives in New Orleans and works as a caregiver. She often uploads her songs and musings online and none of her clips get more than a few dozen hits. She doesn’t imagine that someone, on the other side of the world, is about to expand the number of listeners by millions. Kutiman, an Israeli musician, discovered Samantha’s songs on YouTube and weaves them with audiovisual symphonies composed of musical clips that people posted online. Winter on Fire: Ukraine’s Fight for Freedom Evgeny Afineevsky, Ukraine/USA/UnitedKingdom Canadian Premiere Chronicling events that unfolded over 93 days in 2013 and 2014, Winter on Fire: Ukraine’s Fight for Freedom witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The film captures the remarkable mobilization of nearly a million citizens from across the country protesting the corrupt political regime that utilized extreme force against its own people to suppress their demands and freedom of expression. Women He’s Undressed Gillian Armstrong, Australia International Premiere During Hollywood’s golden age, the Australian known as Orry-Kelly was a costume designer for an astonishing 282 films including classics like Some Like It Hot, Casablanca, and An American in Paris. As a gay male during a closeted era, he was also a keeper of secrets. Director Gillian Armstrong (Oscar and Lucinda; Little Women) employs inventive recreations, interviews and film clips to uncover his story. Documentaries previously announced for the Festival were Brian D. Johnson’s Al Purdy Was Here, Patrick Reed and Michelle Shephard’s Guantanamo’s Child: Omar Khadr, Mina Shum’s Ninth Floor, Avi Lewis’ This Changes Everything, and Geneviève Dulude-De Celles’ Welcome to F.L. playing in TIFF Docs; and Michael Moore’s Where to Invade Next for Special Presentations. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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