Jumpman (Podbrosy)

  • 46 Feature Films Selected for European Film Awards 2019

    BAD POEMS (ROSSZ VERSEK) DIRECTED BY Gábor Reisz
    BAD POEMS (ROSSZ VERSEK) DIRECTED BY Gábor Reisz

    The European Film Academy announced the 46 films on this year’s EFA Feature Film Selection, the list of feature-length fiction films recommended for a nomination for the European Film Awards 2019. With 31 European countries represented, the list illustrates the great diversity in European cinema.

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  • 2019 Cleveland International Film Festival Announces Feature Film Juried Competitions Lineups

    GREENER GRASS by Jocelyn DeBoer and Dawn Luebbe
    GREENER GRASS by Jocelyn DeBoer and Dawn Luebbe

    More than 40 films will compete in the three feature film juried competitions at the 43rd Cleveland International Film Festival for $30,000 in cash prizes. The competitions include George Gund III Memorial Central and Eastern European Competition; Nesnadny + Schwartz Portrait Documentary Competition and New Direction Competition.

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  • 2018 Chicago International Film Festival Announces First Films – Boy Erased, Mr. Soul!, Shoplifters

    [caption id="attachment_31533" align="aligncenter" width="1200"]Boy Erased Boy Erased[/caption] The Chicago International Film Festival announced the first 25 films that will be shown at the 54th edition running October 10 to 21, 2018. The Festival will feature more than 150 films from across the globe and bring legendary actors, master filmmakers, and exciting, emerging talents from around the world to Chicago. Initial lineup includes highly anticipated titles including Joel Edgerton’s Boy Erased starring Nicole Kidman and Russell Crowe; Elizabeth Chomko’s Chicago set feature debut What They Had starring Michael Shannon and Hilary Swank; Mike Leigh’s epic drama Peterloo and Hirokazu Kore-eda’s Cannes Palme d’Or winner Shoplifters. “We are very excited to be showcasing new films from some of the most impressive directors in the world, whether returning veterans, such as past Gold Hugo-winners Mike Leigh and Hirokazu Kore-eda, or up-and-coming filmmakers with distinctive visions,” said Plauché. “For the last several years, the Festival has been proud to present Best Picture winners The Shape of Water (2017), Moonlight (2016), and Spotlight (2015), and we look forward to sharing this year’s incredible slate of movies with our audiences.” Birds of Passage Pájaros de verano Directors: Cristina Gallego and Ciro Guerra Colombia, Mexico, Denmark A Colombian Mean Streets, this gripping drama chronicles the rise of the drug trade and its cataclysmic impact on the local indigenous community. The Wayuu people had long held tight onto their traditions, living in close-knit tribes. When two friends begin selling marijuana to visiting Americans, however, their actions set in motion a series of events that pit factions against each other, inciting a cycle of avarice-inspired vengeance. Wayuunaiki, Spanish, and English with subtitles. Border Gräns Director: Ali Abbasi Sweden Fantastic in every sense of the word, this idiosyncratic thriller centers on a Swedish customs officer with a special talent for detecting contraband who must ultimately choose between good and evil. This exciting, intelligent mix of romance, Nordic noir, social realism, and supernatural horror defies and subverts genre conventions and is destined to be a cult classic. Winner, Un Certain Regard, Cannes Film Festival. Swedish with subtitles. Boy Erased Director: Joel Edgerton U.S. Boy Erased tells the story of Jared (Lucas Hedges), the son of a Baptist pastor in a small American town, who is outed to his parents (Nicole Kidman and Russell Crowe) at age 19. Jared is faced with an ultimatum: attend a conversion therapy program—or be permanently exiled and shunned by his family, friends, and faith. Boy Erased is the true story of one young man’s struggle to find himself while being forced to question every aspect of his identity. Cold War Zimna wojna Director: Pawel Pawlikowski Poland A passionate love story between two people of different backgrounds and temperaments, who are fatefully mismatched and yet condemned to each other. Set against the background of the Cold War in the 1950s in Poland, Berlin, Yugoslavia and Paris, the film depicts an impossible love story in impossible times. Polish with subtitles. Dogman Director: Matteo Garrone Italy In a run-down Italian coastal town, Marcello, a gentle dog groomer, sees his life turned upside down when Simone, a brutish former boxer and ex-con, bullies him into becoming his criminal accomplice. But for how long can the “dogman” be subservient to his master before he bites back? From the acclaimed director of Gomorrah comes another unflinching urban western treading the fine line between civility and savagery. Italian with subtitles. Friedkin Uncut Director: Francesco Zippel Italy Oscar®-winning, Chicago-born director William Friedkin achieved fame with his 1973 horror blockbuster The Exorcist. But this illuminating documentary shows the director’s unwavering commitment to rawness and realism across his entire career, from The French Connection (1972) to Killer Joe (2011). Featuring interviews with Ellen Burstyn, Willem Dafoe, and Quentin Tarantino, among others, Friedkin Uncut reveals a savvy craftsman who is unapologetic about his no-nonsense approach to moviemaking. Jumpman Podbrosy Director: Ivan I. Tverdovskiy Russia, Ireland, Lithuania, France An abandoned infant grows into a likeable lad with a rare disorder—he can feel no physical pain. When he becomes a teen, his feckless mother returns to his life to exploit his condition by enlisting him in an insurance fraud scam. A taut thriller, Jumpman puts an outsider at the center of a harsh indictment of corruption and hypocrisy in contemporary Russia. Russian with subtitles. Mr. Soul! Director: Melissa Haizlip U.S. The brainchild of pioneering producer Ellis Haizlip, SOUL! was the first ever national TV series made by and for African-Americans. The groundbreaking program aired from 1968 to 1973 and featured a dazzling array of guests from Stevie Wonder to Maya Angelou. Mr. Soul! takes viewers behind the scenes of the show, chronicling its inception and its struggles to stay on the air. It turns out the revolution really was televised. Olympia Director: Gregory Dixon U.S. Chicago writer-actor McKenzie Chinn stars as a struggling artist, navigating work and romance in the Windy City. When her boyfriend asks her to drop everything and move cross-country, she soon discovers that she might be the biggest obstacle to her own happiness. Featuring quirky animation and a revelatory central performance, Olympia is a sensitive and humorous look at the challenges of embracing adulthood. The Other Story Director: Avi Nesher Israel Family disputes and conspiracies take center stage in this lively drama, which even-handedly explores the divide between Israel’s secular Jews and the ultra-Orthodox from director Avi Nesher (The Matchmaker). Sasson Gabai (The Band’s Visit) plays a renowned psychologist and rationalist who falls out with his strong-willed granddaughter when she enters a Haredi community and plans to marry a musician previously known for his wild ways. Hebrew with subtitles. Peterloo Director: Mike Leigh U.K. An epic portrayal of the events surrounding the infamous 1819 Peterloo Massacre, which saw British forces charge into a crowd of over 60,000 that had gathered to protest rising levels of poverty and demand reform. Many were killed and hundreds more injured, sparking a nationwide outcry but also further government suppression. A defining moment in British democracy, the massacre also played a significant role in the founding of The Guardian newspaper. Piercing Director: Nicolas Pesce U.S. Pesce’s gleefully wicked S&M black comedy centers on Reed (Christopher Abbot), a new fatherlooking to channel his homicidal impulses away from his infant daughter. He heads to a hotel, hires an escort (Mia Wasikowska), then begins to rehearse her murder. But once she arrives, the balance of power shifts. Based on the novel by Ryu Murukami, Piercing’s incredibly dark premise constantly surprises—it might just be taken for a wildly subversive love story. A Private War Director: Matthew Heineman U.S. In a world where journalism is under attack, Marie Colvin (Academy Award®-nominee Rosamund Pike) is one of the most celebrated war correspondents of our time. Her mission to show the true cost of conflict leads her—along with renowned photographer Paul Conroy (Jamie Dornan)—to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs. Rafiki Director: Wanuri Kahiu Kenya A tender tale of forbidden first love told in an electric, colorful Afropop style, Rafiki tells the story of the tender but illegal and taboo romance between Kena, a skateboarding tomboy blessed with great grades and soccer skills, and Ziki, the charismatic daughter of a conservative local politician. When rumors begin to swirl about the nature of their relationship, the young lovers find themselves in great jeopardy. Swahili, English with subtitles. Ruben Brandt, Collector Ruben Brandt, a gyüjtö Director: Milorad Krstic Hungary “Possess your problems to conquer them,” is the credo that psychotherapist Ruben Brandt preaches to his criminally-inclined clients in this stylish, animated thriller for adults. But when Brandt’s patients help him to apply his own advice, he becomes “Ruben Brandt, Collector,” ringleader of a gang responsible for the theft of 13 of the world’s most famous paintings. This entertaining romp literally puts the “art” into “arthouse.” Shoplifters Manbiki kazoku Director: Hirokazu Kore-eda Japan The winner of Cannes’ top prize, the Palme d’Or, centers on an eccentric troupe of miscreants who take in a neglected five-year-old. Despite their strained circumstances, the tight-knit unit of petty thieves and social outcasts comes together to raise the girl. But how long can this unconventional family survive against the normalizing forces around them? From the Japanese master of humanism comes another affecting and astute film about people living on the margins. Japanese with subtitles. Sorry Angel Plaire, aimer et courir vite Director: Christophe Honoré France It’s 1993. Jacques is a successful, novelist from Paris living with what was still a terminal diagnosis of HIV positive. Arthur is an open-minded student ready to embrace life. They meet in Rennes and fall in love, but navigating an intergenerational romance has its challenges. Honoré (Love Songs) chronicles their lives, together and apart, with nuance and subtlety, allowing their love story to unfold in patient, novelistic fashion. French with subtitles. Transit Director: Christian Petzold Germany In this Kafkaesque cinematic puzzle, a man is trapped in limbo as he tries to flee fascistoccupied France. Hoping to escape to Mexico, Georg poses as a dead author but becomes stuck in Marseilles. There, he encounters a woman searching for her missing husband—the man whose identity he has assumed. Petzold’s surreal film merges past, present and future in its trenchant exploration of the plight of refugees. German with subtitles. United Skates Directors: Dyana Winkler and Tina Brown U.S. A rousing chronicle of roller-skating’s pivotal role in African-American communities, United Skates careens around the country, offering an intimate look at a lively subculture that’s under threat. Facing discriminatory policies and building closures, committed skaters from around the country—including Chicago’s own Buddy Love—fight to preserve a space for people to come together and express themselves in sliding, bouncing, snapping glory. What They Had Director: Elizabeth Chomko U.S. From first-time writer/director Elizabeth Chomko, What They Had centers on a family in crisis. Bridget (Hilary Swank) returns home to Chicago at her brother’s (Michael Shannon) urging to deal with her ailing mother (Blythe Danner) and her father’s (Robert Forster) reluctance to let go of their life together.

    SHORTS

    Accidence Directors: Guy Maddin, Evan Johnson, Galen Johnson Canada A grisly murder on an apartment balcony becomes a small piece in a frenzied puzzle of strange occurrences. Accident, MD Director: Dan Rybicky U.S. A survey of attitudes about America’s healthcare crisis filmed in the small town of Accident, Maryland. Optimism Director: Deborah Stratman U.S. A portrait of Dawson City Canada’s far North that reveals a rich history of a town looking for gold while enveloped in shadow. Solar Walk Director: Réka Bucsi Denmark A sumptuously animated cosmic journey through space, time, and creation. Tourneur Director: Yalda Afsah Germany A foam-filled ring in the south of France becomes the site of an absurd spectacle as young men face off against a bull.

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  • ‘I Do Not Care If We Go Down in History as Barbarians’ Wins Top Prize at 53rd Karlovy Vary International Film Festival

    [caption id="attachment_30637" align="aligncenter" width="1151"]'I Do Not Care If We Go Down in History as Barbarians' Wins Top Prize at 53rd Karlovy Vary International Film Festival Olmo Omerzu, Jiří Konečný, Ada Solomon, Radu Jude (Film Servis Festival Karlovy Vary)[/caption] “I Do Not Care If We Go Down in History as Barbarians” from Romanian film director Radu Jude won the Crystal Globe for Best Feature Film at the 53rd Karlovy Vary International Film Festival. In the film Radu Jude takes up a massacre perpetrated by the Romanian Administration through the Romanian Army on the Eastern Front in 1941, an actual event that a young activist artist decides to stage. “As we are in the Czech Republic and my film was made with the Czech co-production, I would like to thank all the Czech people involved, primarily Jiří Konečný”, said Radu Jude. Barry Levinson received the Právo Audience Award for his thirty-year old movie Rain Man. Levinson also received the Crystal Globe for Outstanding Artistic Contribution to World Cinematography at the Closing Ceremony. “This is really a wonderful festival and an incredible experience for us. And also an extraordinary honour for a boy from Baltimore to be now granted an award for outstanding artistic contribution to world cinema here in the Czech Republic. Film is an artistic form that interconnects the whole world. While differing feelings drive us apart, we should bear in mind that we are in fact all quite similar,” the director expressed his gratitude. https://www.youtube.com/watch?v=jv4q3sWs8wE The 54th Karlovy Vary IFF will be held from June 28th to July 6th, 2019.

    53rd Karlovy Vary IFF Awards

    OFFICIAL SELECTION – COMPETITION

    GRAND JURY Mark Cousins, United Kingdom Zrinka Cvitešić, Croatia Marta Donzelli, Italy Zdeněk Holý, Czech Republic Nanouk Leopold, Netherlands

    GRAND PRIX – CRYSTAL GLOBE (25 000 USD)

    “I Do Not Care If We Go Down in History as Barbarians” / „Îmi este indiferent dacă în istorie vom intra cabarbari” Directed by: Radu Jude Romania, Czech Republic, France, Bulgaria, Germany, 2018

    SPECIAL JURY PRIZE (15 000 USD)

    Sueño Florianópolis / Sueño Florianópolis Directed by: Ana Katz Argentina, Brasil, France, 2018

    BEST DIRECTOR AWARD

    Olmo Omerzu for the film Winter Flies / Všechno bude Czech Republic, Slovenia, Poland, Slovakia, 2018

    BEST ACTRESS AWARD

    Mercedes Morán for her role in the film Sueño Florianópolis / Sueño Florianópolis Directed by: Ana Katz Argentina, Brasil, France, 2018

    BEST ACTOR AWARD

    Moshe Folkenflik for his role in the film Redemption / Geula Directed by: Joseph Madmony, Boaz Yehonatan Yacov Israel, 2018

    SPECIAL JURY MENTION

    Jumpman / Podbrosy Directed by: Ivan I. Tverdovskiy Russia, Lithuania, Ireland, France, 2018

    SPECIAL JURY MENTION

    History of Love / Zgodovina ljubezni Directed by: Sonja Prosenc Slovenia, Italy, Norway, 2018

    EAST OF THE WEST – COMPETITION

    EAST OF THE WEST JURY Peter Badač, Slovakia Iris Elezi, Albania Myriam Sassine, Lebanon Dounia Sichov, France Andrei Tănăsescu, Romania

    EAST OF THE WEST GRAND PRIX (15 000 USD)

    Suleiman Mountain / Suleiman gora Directed by: Elizaveta Stishova Kyrgyzstan, Russia, 2017

    EAST OF THE WEST SPECIAL JURY PRIZE (10 000 USD)

    Blossom Valley / Virágvölgy Directed by: László Csuja Hungary, 2018

    DOCUMENTARY FILMS – COMPETITION

    DOCUMENTARY FILMS JURY Raúl Camargo, Chile M. Siam, Egypt Diana Tabakov, Czech Republic

    GRAND PRIX FOR BEST DOCUMENTARY FILM (5 000 USD)

    Putin’s Witnesses / Svideteli Putina Directed by: Vitaly Mansky Latvia, Switzerland, Czech Republic, 2018

    DOCUMENTARY SPECIAL JURY PRIZE

    Walden / Walden Directed by: Daniel Zimmermann Switzerland, Austria, 2018

    PRÁVO AUDIENCE AWARD

    Rain Man / Rain Man Directed by: Barry Levinson USA, 1988 CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Tim Robbins, USA CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Barry Levinson, USA FESTIVAL PRESIDENT’S AWARD Robert Pattinson, United Kingdom FESTIVAL PRESIDENT’S AWARD FOR CONTRIBUTION TO CZECHCINEMATOGRAPHY Jaromír Hanzlík, Czech Republic

    NON-STATUTORY AWARDS

    AWARD OF INTERNATIONAL FILM CRITICS (FIPRESCI)

    Awarded by The International Federation of Film Critics (FIPRESCI). FIPRESCI JURY René Marx, France Marita Nyrhinen, Finland Alejandra Trelles, Uruguay Sueño Florianópolis / Sueño Florianópolis Directed by: Ana Katz Argentina, Brasil, France, 2018

    THE ECUMENICAL JURY AWARD

    THE ECUMENICAL JURY Michael Otřísal, Czech Republic Milja Radovic, United Kingdom David Sipoš, Slovenia Redemption / Geula Directed by: Joseph Madmony, Boaz Yehonatan Yacov Israel, 2018

    Commendations

    Winter Flies / Všechno bude Directed by: Olmo Omerzu Czech Republic, Slovenia, Poland, Slovakia, 2018 Miriam Lies / Miriam miente Directed by: Natalia Cabral, Oriol Estrada Dominican Republic, Spain 2018

    FEDEORA AWARD

    Awarded by the Federation of Film Critics of Europe and the Mediterranean (FEDEORA) to the best film from the East of the West – Competition. FEDEORA JURY Stefan Dobroiu, Romania Natascha Drubek, Germany Nenad Dukić, Serbia Suleiman Mountain / Suleiman gora Directed by: Elizaveta Stishova Kyrgyzstan, Russia, 2017

    EUROPA CINEMAS LABEL AWARD

    For the best European film in the Official Selection – Competition and in the East of the West – Competition. EUROPA CINEMAS LABEL JURY Daira Āboliņa, Latvia Simon Blaas, Netherlands Balázs Kalmanovits, Hungary Jan Makosch, Germany “I Do Not Care If We Go Down in History as Barbarians” / „Îmi este indiferent dacă în istorie vom intra ca barbari” Directed by: Radu Jude Romania, Czech Republic, France, Bulgaria, Germany, 2018

    WORKS IN PROGRESS, DOCS IN PROGRESS AND EURIMAGES LAB PROJECT AWARD AT KVIFF 2018

    WORKS IN PROGRESS (100,000 Euro) JURY Matthijs Wouter Knol, Germany Rossitsa Valkanova, Bulgaria Rickard Olsson, Sweden During Works in Progress, eleven projects were presented from countries of Central and Eastern Europe, the Balkans, the former Soviet Union, and now also the Middle East. A prize in the value of 100,000 Euro will be given to the project. The whole award consists of post-production services in UPP (60,000 Euro), Soundsquare (30,000 Euro), and a cash prize of 10,000 Euro from Barrandov Studio. All This Victory / All This Victory Director: Ahmad Ghossein Producer: Georges Schoucair, Myriam Sassine, Marie-Pierre Macia, Claire Gadéa, Fabian Massah Lebanon, France, Germany

    DOCS IN PROGRESS (5,000 Euro)

    JURY Tanja Georgieva, Germany Noemi Schory, Israel Shane Smith, Canada Ten projects from Central and Eastern Europe, the Balkans, the former Soviet Union, and the Middle East were presented within Docs in Progress event which introduced new documentary films that will premiere after the Karlovy Vary IFF. The winning film received a cash prize in the amount of 5,000 Euro. The Projectionist / The Projectionist Director: Yuriy Shylov Producer: Gennady Kofman, Olha Beskhmelnytsina, Dirk Simon, Miroslaw Dembinski Ukraine, Germany, Poland A Special Mention was awarded to the Polish project Little Poland by Matej Bobrik.

    EURIMAGES LAB PROJECT AWARD (50,000 Euro)

    JURY David Kořínek, Czech Republic Dorien van de Pas, Netherlands Christoph Terhechte, Germany KVIFF is the first of four international film festivals in Europe to be awarding the Eurimage prize. KVIFF has selected projects for the Eurimage prize that surpass traditional film methods and are based on international cooperation. The prize was awarded in the value of 50,000 Euro. Eight Eurimages projects were presented at the KVIFF. Normal / Normal Director: Adele Tulli Producer: Valeria Adilardi, Laura Romano, Luca Ricciardi Italy, Sweden

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  • 53rd Karlovy Vary IFF Announces Line-Up

    [caption id="attachment_29638" align="aligncenter" width="1200"]I Do Not Care If We Go Down In History As Barbarians I Do Not Care If We Go Down In History As Barbarians[/caption] Ten world and two international premieres will compete at this year’s 53rd Karlovy Vary IFF including the latest by leading Romanian filmmaker Radu Jude “I Do Not Care If We Go Down In History As Barbarians”, an original exploration of the subject of nationality and a nation coming to terms with the traumatic moments of its own past. Respected Argentinian director Ana Katz presents a mixture of subtle melancholy with light humor in her family drama Sueño Florianópolis, and we find a no less complex look at the question of male-female relationships in The Fireflies Are Gone, the story of a rebellious yet charismatic teenager directed by Canadian filmmaker Sébastien Pilote. A harrowing performance by actor Caleb Landry Jones dominates Peter Brunner’s dark Austro-American drama To the Night. Two other filmmakers previously recognized at KVIFF present equally original though noticeably more poetic new films: the Russian director of the popular Zoology, Ivan Tverdovsky, presents Jumpman, while Israeli director Joseph Madmony is presenting his third premiere at KVIFF, the subtly moving drama Redemption, co-directed by cinematographer Boaz Y. Yakov. Domestic cinema will be represented by Olmo Omerzu’s road movie about the force of boyhood friendship Winter Flies and by debut filmmaker Adam Sedlák’s claustrophobic minimalist study of the slow decline of body and mind, Domestique. Other debuts are from the Dominican Republic and Spain (Natalia Cabral and Oriol Estrada’s nuanced story of an adolescent girl, Miriam Lies), Poland (Paweł Maślona’s dark comedy Panic Attack) and Turkey (Ömür Atay’s moving drama Brothers). The selection, which spans a wide range of styles and genres, is rounded out by talented Slovenian director Sonja Prosenc’s poetic tale of female coming-of-age History of Love.

    OFFICIAL SELECTION – COMPETITION

    “Îmi este indiferent dacă în istorie vom intra ca barbari” / “I Do Not Care If We Go Down In History As Barbarians” / „Je mi jedno, že se zapíšeme do dějin jako barbaři“ Director: Radu Jude Romania, Czech Republic, France, Bulgaria, Germany, 2018, 140 min, World premiere A young artist is planning to reconstruct a historical event from 1941, during which the Romanian Army carried out ethnic cleansing on the Eastern Front. One of contemporary Europe’s most distinctive creators has come out with an ingeniously conceived film that – although the topic unfolds slowly and in detail – hits the viewer with a singular emotional punch. Atak paniki / Panic Attack / Panický záchvat Director: Paweł Maślona Poland, 2017, 100 min, International premiere In his blackly humorous debut, talented director Paweł Maślona has submitted a consummate answer to the question whether or not a panic attack can be translated into film language. Dramatic moments in the lives of several unfortunates living in contemporary Warsaw are here presented with refreshing playfulness and a singular knack for mixing the tragic and the comic. La disparition des lucioles / The Fireflies Are Gone / Mizející světlušky Director: Sébastien Pilote Canada, 2018, 96 min, World premiere The sleepy town where Léo lives doesn’t offer her much chance of self-fulfillment. Extricating herself from her mother’s influence and her constricting environment isn’t easy for the frustrated young woman, yet happiness might be close at hand. A stylistically precise, pop-impressionistic film about a girl’s quest to find out who she really is, featuring the captivating Karelle Tremblay in the lead role. Domestik / Domestique / Domestik Director: Adam Sedlák Czech Republic, Slovak Republic, 2018, 116 min, World premiere Top cyclist Roman has had enough of serving as a domestique, a bicycle racer who sacrifices for the team. And since strenuous training and a strict regimen don’t lead to the type of performance he longs for, he sets up an oxygen tent at home. His obsession with having a sports career, however, renders him oblivious to his wife Šarlota’s desire to have a baby. A claustrophobic drama on the utter breakdown of a marriage almost suffocated by a machine that oxygenates the blood. Geula / Redemption / Geula Director: Joseph Madmony, Boaz Yehonatan Yaakov Israel, 2018, 100 min, World premiere Being able to care for a gravely ill daughter is of the utmost importance to a loving father. The treatment which is to give the child a new chance at life is something the poorly paid widower simply can’t afford. The idea to start performing again with a rock band from his early days, however, sees the devout man confronting not only those around him but – above all – himself as well. Kardeşler / Brothers / Bratři Director: Ömür Atay Turkey, Germany, Bulgaria, 2017, 103 min, World premiere Seventeen-year-old Yusuf comes home after spending four years at a detention center. His return to the family circle freshly recalls the act that his loved ones, bound by rigid tradition, forced Yusuf to commit. Directed with an assured hand, this intimate debut concerns guilt and punishment and how difficult it is to choose between blood ties and tradition on the one hand, and what is morally right on the other. Miriam miente / Miriam Lies / Miriam lže Director: Oriol Estrada, Natalia Cabral Dominican Republic, Spain, 2018, 90 min, World premiere Shy girl Miriam is waiting to celebrate her 15th birthday and she wants to invite her guy. So far they’ve only chatted online, and the anticipated blind date only complicates things. A gentle picture about the uncertainties of growing up, girls’ competitiveness, and the demands of others, which can be confusing when you’re young. Podbrosy / Jumpman / Skokan Director: Ivan I. Tverdovskiy Russia, 2018, 86 min, International premiere Young Oksana put Denis in a baby box when he was an infant. Sixteen years later she steals him away from a children’s home, intent on making amends for her neglect. Denis, however, has no idea of the heavy price to be paid for his mother’s favour: the fragile boy has one unusual quality which Oksana has no qualms about exploiting. Sueño Florianópolis / Sueño Florianópolis / Cesta do Florianópolisu Director: Ana Katz Argentina, Brazil, France, 2018, 103 min, World premiere Lucrecia, Pedro, and their teenage kids Julian and Florencia set out from Buenos Aires one sweltering day in a rattletrap Renault to vacation in the Brazilian summer resort of Florianópolis. Renowned Argentinian director Ana Katz draws upon gentle humor and light melancholy to relate a tale of first love, past lovers, fateful encounters, and fleeting joys. To the Night / To the Night / Do noci Director: Peter Brunner Austria, USA, 2018, 102 min, World premiere As a child Norman survived a fire that took the rest of his family. As an adult he is still struggling with the resulting trauma, and he finds it difficult to start a new life with his girlfriend and little boy. An oppressive atmosphere, subtle hints, and spectacular images playing upon the subconscious – these are the primary attributes of this brutally intimate study of a wounded individual. Captivating Caleb Landry Jones excels in the main role. Všechno bude / Winter Flies / Všechno bude Director: Olmo Omerzu Czech Republic, Slovenia, Poland, Slovak Republic, 2018, 85 min, World premiere Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story – before it ends at the police station – that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don’t exactly know what. Zgodovina ljubezni / History of Love / Příběh lásky Director: Sonja Prosenc Slovenia, Italy, Norway, 2018, 105 min, World premiere Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn’t know everything about her mom, the girl slowly immerses herself into a strange, almost dreamlike world. Sonja Prosenc’s movie is dominated by a distinctive poetic that attacks the viewer’s senses, as well as by a narratively loose style and an ability to construct a story with the aid of the subtlest of suggestions.

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