Last Flag Flying (2017)

  • 141 Scores in Contention for Nominations for the 90th Academy Awards

    [caption id="attachment_23776" align="aligncenter" width="1000"]Battle Of The Sexes BATTLE OF THE SEXES[/caption] 141 scores from eligible feature-length films released in 2017 have qualified to be nominated in the Original Score category for the 90th Academy Awards. To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Scores diluted by the use of preexisting music, diminished in impact by the predominant use of songs or any music not composed specifically for the film by the submitting composer, or assembled from the music of more than one composer shall not be eligible. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The eligible scores along with their composers are listed below, in alphabetical order by film title: “Alien: Covenant,” Jed Kurzel, composer “All I See Is You,” Marc Streitenfeld, composer “All the Money in the World,” Daniel Pemberton, composer “Annabelle: Creation,” Benjamin Wallfisch, composer “Band Aid,” Lucius, composer “Battle of the Sexes,” Nicholas Britell, composer “Baywatch,” Christopher Lennertz, composer “Beauty and the Beast,” Alan Menken, composer “The Big Sick,” Michael Andrews, composer “Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers “The Book of Henry,” Michael Giacchino, composer “Born in China,” Barnaby Taylor, composer “The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers “Boston,” Jeff Beal, composer “Brad’s Status,” Mark Mothersbaugh, composer “Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers “The Breadwinner,” Mychael Danna and Jeff Danna, composers “Breathe,” Nitin Sawhney, composer “Brigsby Bear,” David Wingo, composer “Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers “Captain Underpants The First Epic Movie,” Theodore Shapiro, composer “Cars 3,” Randy Newman, composer “The Circle,” Danny Elfman, composer “Coco,” Michael Giacchino, composer “Cries from Syria,” Martin Tillman, composer “A Cure for Wellness,” Benjamin Wallfisch, composer “Darkest Hour,” Dario Marianelli, composer “Despicable Me 3,” Heitor Pereira, composer “The Disaster Artist,” Dave Porter, composer “A Dog’s Purpose,” Rachel Portman, composer “Downsizing,” Rolfe Kent, composer “Drawing Home,” Ben Holiday, composer “Dunkirk,” Hans Zimmer, composer “Earth: One Amazing Day,” Alex Heffes, composer “A Fantastic Woman,” Matthew Herbert, composer “The Fate of the Furious,” Brian Tyler, composer “Father Figures,” Rob Simonsen, composer “Ferdinand,” John Powell, composer “Fifty Shades Darker,” Danny Elfman, composer “Film Stars Don’t Die in Liverpool,” J. Ralph, composer “First They Killed My Father,” Marco Beltrami and Buck Sanders, composers “Get Out,” Michael Abels, composer “A Ghost Story,” Daniel Hart, composer “Gifted,” Rob Simonsen, composer “The Glass Castle,” Joel P. West, composer “Going in Style,” Rob Simonsen, composer “Good Time,” Daniel Lopatin, composer “Goodbye Christopher Robin,” Carter Burwell, composer “Gook,” Roger Suen, composer “Guardians of the Galaxy Vol. 2,” Tyler Bates, composer “The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer “Hostiles,” Max Richter, composer “Human Flow,” Karsten Fundal, composer “An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer “It,” Benjamin Wallfisch, composer “Jane,” Philip Glass, composer “Jumanji: Welcome to the Jungle,” Henry Jackman, composer “Justice League,” Danny Elfman, composer “Kepler’s Dream,” Patrick Neil Doyle, composer “King Arthur: Legend of the Sword,” Daniel Pemberton, composer “Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers “Kong: Skull Island,” Henry Jackman, composer “LA 92,” Danny Bensi and Saunder Jurriaans, composers “LBJ,” Marc Shaiman, composer “Lady Bird,” Jon Brion, composer “Lake of Fire,” Qutub-E-Kripa, composer “Last Flag Flying,” Graham Reynolds, composer “The Lego Batman Movie,” Lorne Balfe, composer “The Lego Ninjago Movie,” Mark Mothersbaugh, composer “The Leisure Seeker,” Carlo Virzì, composer “Let It Fall,” Mark Isham, composer “Life,” Jon Ekstrand, composer “Logan,” Marco Beltrami, composer “The Lost City of Z,” Christopher Spelman, composer “Loveless,” Evgueni Galperine and Sacha Galperine, composers “Loving Vincent,” Clint Mansell, composer “The Man Who Invented Christmas,” Mychael Danna, composer “Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer “Marshall,” Marcus Miller, composer “Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer “Maudie,” Michael Timmins, composer “Molly’s Game,” Daniel Pemberton, composer “Moomins and the Winter Wonderland,” Łukasz Targosz, composer “The Mountain between Us,” Ramin Djawadi, composer “Mudbound,” Tamar-kali, composer “The Mummy,” Brian Tyler, composer “Murder on the Orient Express,” Patrick Doyle, composer “My Cousin Rachel,” Rael Jones, composer “Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer “Okja,” Jaeil Jung, composer “Oklahoma City,” David Cieri, composer “The Only Living Boy in New York,” Rob Simonsen, composer “Only the Brave,” Joseph Trapanese, composer “Our Souls at Night,” Elliot Goldenthal, composer “Paris Can Wait,” Laura Karpman, composer “Patti Cake$,” Geremy Jasper and Jason Binnick, composers “Phantom Thread,” Jonny Greenwood, composer “The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers “Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer “The Post,” John Williams, composer “Professor Marston and the Wonder Women,” Tom Howe, composer “The Promise,” Gabriel Yared, composer “Pulimurugan,” Gopi Sundar, composer “Raw,” Jim Williams, composer “Roman J. Israel, Esq.,” James Newton Howard, composer “Saban’s Power Rangers,” Brian Tyler, composer “Same Kind of Different as Me,” John Paesano, composer “The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers “Served Like a Girl,” Michael A. Levine, composer “The Shack,” Aaron Zigman, composer “The Shape of Water,” Alexandre Desplat, composer “Slipaway,” Tao Liu, composer “Smurfs: The Lost Village,” Christopher Lennertz, composer “Spider-Man: Homecoming,” Michael Giacchino, composer “Split,” West Dylan Thordson, composer “The Star,” John Paesano, composer “Star Wars: The Last Jedi,” John Williams, composer “Step,” Laura Karpman and Raphael Saadiq, composers “Stronger,” Michael Brook, composer “Suburbicon,” Alexandre Desplat, composer “Swing Away,” Tao Zervas, composer “Thank You for Your Service,” Thomas Newman, composer “Their Finest,” Rachel Portman, composer “Thelma,” Ola Fløttum, composer “Thor: Ragnarok,” Mark Mothersbaugh, composer “Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer “Tickling Giants,” Paul Tyan, composer “Tommy’s Honour,” Christian Henson, composer “Trafficked,” David Das, composer “Transformers: The Last Knight,” Steve Jablonsky, composer “XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers “Victoria & Abdul,” Thomas Newman, composer “Voice from the Stone,” Michael Wandmacher, composer “Wakefield,” Aaron Zigman, composer “War for the Planet of the Apes,” Michael Giacchino, composer “Wilson,” Jon Brion, composer “Wind River,” Nick Cave and Warren Ellis, composers “Wonder,” Marcelo Zarvos, composer “Wonder Woman,” Rupert Gregson-Williams, composer “Wonderstruck,” Carter Burwell, composer “Year by the Sea,” Alexander Janko, composer

    Read more


  • 12th Rome Film Fest Unveils Official Selections, ‘HOSTILES’, ‘THE PLACE’, ‘I,TONYA’ and More…

    [caption id="attachment_24801" align="aligncenter" width="1200"]Hostiles by Scott Cooper Hostiles[/caption] The 12th Rome Film Fest has unveiled its Official Selection Lineup, which includes some of the most buzzed about films.  The festival will open with Hostiles directed by Scott Cooper and starring Christian Bale; and close with The Place directed by Paolo Genovese. Set in 1892, Hostiles tells the story of a legendary army captain (Christian Bale) who reluctantly accepts escorting a Cheyenne warlord leader (Wes Studi) and his family to their lands. During the trip they will meet a young widow (Rosamund Pike) whose dear ones have been assassinated in those plains, and together they will have to survive that ruthless landscape and hostile Comanche tribes. In The Place, a mysterious man always sits at the same table as a restaurant, ready to meet the greatest wishes of eight visitors in exchange for tasks to be performed. How will they be willing to push the protagonists to achieve their desires?

    2017 Rome Film Fest Official Selection

    ABRACADABRA by Pablo Berger, Spain, France, Belgium, 2017, 96’ Cast: Maribel Verdú, Antonio de la Torre, José Mota, José María Pou, Quim Gutiérrez, Priscilla Delgado, Julián Villagrán, Javivi LOS ADIOSES | THE ETERNAL FEMININE by Natalia Beristain, Mexico, 2017, 85’ Cast: Karina Gidi, Daniel Giménez Cacho, Tessa Ia, Pedro de Tavira Egurrola IN BLUE by Jaap van Heusden, Netherlands, 2017, 102’ Cast: Maria Kraakman, Bogdan Iancu, Ellis van den Brink, Maria Rainea, Ada Gales, Patrick Vervueren BORG MCENROE by Janus Metz, Sweden, Denmark, Finland, 2017, 100’ Cast: Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny, Ian Blackman, Robert Emms, Scott Arthur CABROS DE MIERDA | THE YOUNG SHEPHERD by Gonzalo Justiniano, Chile, 2017, 118’ Cast: Nathalia Aragonese, Daniel Contesse, Elías Collado, Corina Posada de Gregorio, Luis Dubbó, Nicolás Rojas, Sara Becker Rodríguez C’EST LA VIE! (LE SENS DE LA FÊTE) by Eric Toledano, Olivier Nakache, France, 2017, 117’ Cast: Jean-Pierre Bacri, Gilles Lellouche, Jean-Paul Rouve, Vincent Macaigne, Alban Ivanov, Eye Haidara, Suzanne Clément, Hélène Vincent, Benjamin Lavernhe CUERNAVACA by Alejandro Andrade Pease, Mexico, 2017, 90’ Cast: Carmen Maura, Emilio Puente, Moisés Arizmendi, Mariana Gajá, Diego Álvarez García, Dulce Domínguez, Aranza Beltrán DETROIT by Kathryn Bigelow, United States, 2017, 142’ Cast: John Boyega, Will Poulter, Anthony Mackie, Hannah Murray, Jack Reynor FERRARI: RACE TO IMMORTALITY by Daryl Goodrich, United Kingdom, 2017, 91’ | Doc | O FILME DA MINHA VIDA | THE MOVIE OF MY LIFE by Selton Mello, Brazil, 2017, 113’ Cast: Johnny Massaro, Vincent Cassel, Bruna Linzmeyer, Selton Mello, Ondina Clais, Bia Arantes, Martha Nowill, Rolando Boldrin, João Pedro Prates HIKARI | AND THEN THERE WAS LIGHT by Tatsushi Omori, Japan, 2017, 138’ Cast: Arata Iura, Eita, Kyoko Hasegawa, Manami Hashimoto, Kaho Minami, Mitsuru Hirata, Masayo Umezawa, Nayuta Fukuzaki, Ama Gu, Atsuya Okada, Hirara Hayasaka OPENING FILM HOSTILES by Scott Cooper, United States, 2017, 127’ Cast: Christian Bale, Rosamund Pike, Wes Studi, Jesse Plemons, Adam Beach, Rory Cochrane, Ben Foster THE HUNGRY by Bornila Chatterjee, India, United Kingdom, 2017, 100’ Cast: Naseeruddin Shah, Tisca Chopra, Neeraj Kabi, Arjun Gupta, Sayani, Antonio Aakeel, Suraj Sharma I, TONYA by Craig Gillespie, United States, 2017, 121’ Cast: Margot Robbie, Sebastian Stan, Julianne Nicholson, Paul Walter Hauser, Bobby Cannavale, Allison Janney KANOJO GA SONO NA WO SHIRANAI TORITACHI | BIRDS WITHOUT NAMES by Kazuya Shiraishi, Japan, 2017, 123’ Cast: Yu Aoi, Sadawo Abe, Tori Matsuzaka, Eri Murakawa, Masaaki Akahori, Muck Akazawa, Shû Nakajima, Yutaka Takenouchi KŘIŽÁČEK | LITTLE CRUSADER by Václav Kadrnka, Czech Republic, Slovakia, Italy, 2017, 90’ Cast: Karel Roden, Aleš Bílík, Matouš John, Jana Semerádová, Jiří Soukup, Michal Legíň, Jana Ol’hová, Ivan Krúpa, Eliška Křenková, Jan Bednář, Tomáš Bambušek LAST FLAG FLYING by Richard Linklater, United States, 2017, 125’ Cast: Steve Carell, Bryan Cranston, Laurence Fishburne LOGAN LUCKY by Steven Soderbergh, United States, 2017, 119’ Cast: Channing Tatum, Adam Driver, Hilary Swank, Daniel Craig, Seth MacFarlane, Riley Keough, Katie Holmes, Katherine Waterston, Dwight Yoakam, Sebastian Stan, Brian Gleeson, Jack Quaid LOVE MEANS ZERO by Jason Kohn, United States, 2017, 90’ | Doc | MADEMOISELLE PARADIS by Barbara Albert, Austria, Germany, 2017, 97’ Cast: Maria Dragus, Devid Striesow, Lukas Miko, Katja Kolm, Maresi Riegner, Johanna Orsini-Rosenberg, Stefanie Reinsperger, Susanne Wuest, Christoph Luser MARIA BY CALLAS, IN HER OWN WORDS by Tom Volf, France, 2017, 95’ | Doc | MON GARÇON | MY SON by Christian Carion, France, 2017, 84’ Cast: Guillame Canet, Mélanie Laurent, Olivier De Benoist, Antoine Hamel, Mohamed Brikat, Lino Papa, Marc Robert, Pierre Langlois, Tristan Pagès, Christophe Rossignon, Pierre Desmaret MUDBOUND by Dee Rees, United States, 2017, 134’ Cast: Carey Mulligan, Jason Clarke, Jason Mitchell, Mary J. Blige, Rob Morgan, Jonathan Banks, Garrett Hedlund NADIE NOS MIRA | NOBODY’S WATCHING by Julia Solomonoff, Argentina, Colombia, Brazil, United States, 2017, 102’ Cast: Guillermo Pfening, Elena Roger, Rafael Ferro, Cristina Morrison, Kerry Sohn, Pascal Yen-P­ster, Paola Baldion, Marco Antonio Caponi, Mayte Montero, Petra Costa, Mirella Pascual, Moro Anghileri, Javana Mundi ONE OF THESE DAYS by Nadim Tabet, Lebanon, 2017, 80’ Cast: Manal Issa, Yumna Marwan, Reine Salameh, Panos Aprahamian, Nicolas Cardahi, Julien Farhat, Walid Feghali THE ONLY LIVING BOY IN NEW YORK by Marc Webb, United States, 2017, 89’ Cast: Kate Beckinsale, Jeff Bridges, Pierce Brosnan, Kiersey Clemons, Tate Donovan, Cynthia Nixon, Callum Turner PRENDRE LE LARGE | CATCH THE WIND by Gaël Morel, France, 2017, 103’ Cast: Sandrine Bonnaire, Mouna Fettou, Kamal El Amri, Ilian Bergala, Lubna Azabal UNA QUESTIONE PRIVATA | RAINBOW: A PRIVATE AFFAIR by Paolo Taviani, Vittorio Taviani, Italy, France, 2017, 84’ Cast: Luca Marinelli, Valentina Bellè, Lorenzo Richelmy SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD by Matt Tyrnauer, United States, 2017, 98’ | Doc | SKYGGENES DAL | VALLEY OF SHADOWS by Jonas Matzow Gulbrandsen, Norway, 2017, 91’ Cast: Adam Ekeli, Katherine Fagerland, John Olav Nilsen STRONGER by David Gordon Green, United States, 2017, 119’ Cast: Jake Gyllenhaal, Tatiana Maslany, Miranda Richardson, Clancy Brown, Carlos Sanz, Frankie Shaw, Danny McCarthy, Lenny Clarke TORMENTERO by Rubén Imaz, Mexico, Colombia, Dominican Republic, 2017, 80’ Cast: José Carlos Ruiz, Gabino Rodríguez, Mónica Jiménez, Rosa Márquez, Waldo Facco, Nelly Valencia, Ausencio Valencia, Leonardo Verdejo TOUT NOUS SÉPARE by Thierry Klifa, France, 2017, 98’ Cast: Catherine Deneuve, Diane Kruger, Nekfeu, Nicolas Duvauchelle TROUBLE NO MORE by Jennifer Lebeau, United States, 2017, 59’ | Doc | LA VIDA Y NADA MÁS | LIFE & NOTHING MORE by Antonio Méndez Esparza, Spain, United States, 2017, 110’ Cast: Andrew Bleechington, Regina Williams, Robert Williams, Ry’nesia Chambers WHO WE ARE NOW by Matthew Newton, United States, 2017, 99’ Cast: Julianne Nicholson, Emma Roberts, Zachary Quinto, Jimmy Smits, Jess Weixler, Jason Biggs

    IN COLLABORATION WITH ALICE NELLA CITTÀ

    THE BREADWINNER by Nora Twomey, Ireland, Canada, Luxemburg, 2017, 93’ | Animation | MAZINGER Z INFINITY by Junji Shimizu, Japan, 2017, 95’ | Animation | SATURDAY CHURCH by Damon Cardasis, United States, 2017, 82’ Cast: Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, Jaylin Fletcher

    EVERYBODY’S TALKING ABOUT IT

    This section includes a selection of films to be screened at the Rome Film Fest after a remarkable international debut. BABYLON BERLIN by Tom Tykwer, Henk Handloegten, Achim von Borries, Germany, Episodes 1 and 2, 2×45’ | TV Series | Cast: Liv Lisa Fries, Volker Bruch, Peter Kurth, Leonie Benesch, Severija Janušauskaitė, Matthias Brandt, Lars Eidinger, Fritzi Haberlandt, Mišel Matičević INSYRIATED by Philippe Van Leeuw, Belgium, France, Lebanon, 2017, 85’ Cast: Hiam Abbass, Diamand Abou Abboud, Juliette Navis MZEVLEBI | HOSTAGES by Rezo Gigineishvili, Georgia, Poland, Russia, 2017, 104’ Cast: Irakli Kvirikadze, Tina Dalakishvili, Merab Ninidze, Darejan Kharshiladze, Avtandil Makharadze THE PARTY by Sally Potter, United Kingdom, 2017, 71’ Cast: Patricia Clarkson, Bruno Ganz, Cherry Jones, Emily Mortimer, Cillian Murphy, Kristin Scott Thomas, Timothy Spall UNE PRIÈRE AVANT L’AUBE | A PRAYER BEFORE DAWN by Jean-Stéphane Sauvaire, France, United Kingdom, 2017, 117’ Cast: Joe Cole, Vithaya Pansringarm, Nicolas Shake PROMISED LAND by Eugene Jarecki, United States, Germany, 2017, 117’ | Doc |

    SPECIAL EVENTS

    CLOSING FILM THE PLACE by Paolo Genovese, Italy, 2017, 105’ Cast: Valerio Mastandrea, Marco Giallini, Sabrina Ferilli, Vinicio Marchioni, Silvia D’Amico, Giulia BETWEEN CINEMA AND MUSIC NYSFERATU – SYMPHONY OF A CENTURY by Andrea Mastrovito, United States, 2017, 67’ | Animation | SELECTED BY… BERNARDO BERTOLUCCI DA’WAH by Italo Spinelli, Indonesia, 2017, 64’ Cast: Wahyu Rafli, Muhammad Hasan Masduqi, Ahmad Yazid, Muhammad Shofi A TIMELESS DIRECTOR SPIELBERG by Susan Lacy, United States, 2017, 147’ | Doc |

    Read more


  • 40th Denver Film Festival to Spotlight ‘LADY BIRD’, ‘I, TONYA’, ‘MOLLY’S GAME’

    [caption id="attachment_24371" align="aligncenter" width="1200"]Lady Bird by Greta Gerwig Lady Bird[/caption] Actress Greta Gerwig directorial debut Lady Bird starring Saoirse Ronan will kickoff the 40th Denver Film Festival which takes place November 1 to 12, 2017. I, Tonya, the Tonya Harding biopic, directed by Craig Gillespie, and starring Margot Robbie, will close out the festival on Saturday, November 11. Other spotlight films include Submission directed by Richard Levine, starring Stanley Tucci and Kyra Sedgwick screening on Friday, November 3; and The Ballad of Lefty Brown directed by Jared Moshe, starring Bill Pullman and Peter Fonda will have a special “spotlight” screening on Wednesday, November 8. Molly’s Game  starring Jessica Chastain and Idris Elba in the directorial debut from writer Aaron Sorkin, is featured on the “Big Night” of the festival on Thursday, November 9. And, on closing night, there will also be a red carpet matinee of Three Billboards Outside Ebbing, Missouri by writer/director Martin McDonagh, starring Frances McDormand and Woody Harrelson on Saturday, November 11.

    Special Presentations

    CALL ME BY YOUR NAME – Italy/France/Brazil/USA / Director: Luca Guadagnino Based on an acclaimed novel, the screenplay for this sensual and transcendent tale of first love from Italian filmmaker Luca Guadagnino was penned by none other than that master of exquisite longing, James Ivory CHAPPAQUIDDICK – USA / Director: John Curran How did one of the most powerful political dynasties in US history preserve its legacy in the aftermath of a tragic scandal? Directed by John Curran, this historical drama centers on the media maelstrom surrounding Chappaquiddick, as the 1969 car accident involving US Senator Ted Kennedy (Jason Clarke) and a young campaign worker (Kate Mara) came to be known. Ed Helms and Jim Gaffigan co-star. DARKEST HOUR – UK / Director: Joe Wright Gary Oldman stars in director Joe Wright’s thrilling fictionalized account of Winston Churchill’s first weeks in office during the early days of World War II. With the support of his wife of 31 years, Clemmie (Kristin Scott Thomas), the witty and brilliant Prime Minister must rally a nation to fight against incredible odds and change the course of world history forever. HUMAN FLOW – Germany / Director: Ai Weiwei In recent years, over 65 million people around the world have fled their homes to escape famine, climate change and war. This epic documentary journey through 23 countries by the internationally renowned Chinese artist Ai Weiwei gives powerful visual expression to both the staggering scale of the refugee crisis and its profoundly personal human impact. IN THE FADE (Aus dem nichts) – Germany/France / Director: Fatih Akin When her husband Nuri and young son Rocco are killed in a bomb attack, Katja begins a search for answers that makes the mourning process all the more painful and difficult. The trial of two neo-Nazi suspects pushes her to the edge, but there’s simply no alternative for the pursuit of justice. Diane Kruger won Best Actress at the 2017 Cannes Film Festival for her role in this raw, gripping drama. ISMAEL’S GHOSTS (Les fantomes d’smael) – France / Director: Arnaud Desplechin Mathieu Amalric, Charlotte Gainsbourg and Marion Cotillard star in this meta-romantic thriller from France about a filmmaker caught in a triangle between his current love and a woman from his past—who happens to have been presumed dead for 20 years. LAST FLAG FLYING – USA / Director: Richard Linklater Thirty years after they served together in Vietnam, three military vets (Steve Carell, Bryan Cranston and Laurence Fishburne) reunite for a different type of mission: to bury Doc’s son, a young Marine killed in Iraq. In this thoughtful and moving road movie, director Richard Linklater’s characters wrestle with the impact war has had on their lives. THE LEISURE SEEKER – Italy/France / Director: Paolo Virzì From acclaimed Italian filmmaker Paolo Virzì, this new take on an old genre—the road movie—stars Helen Mirren and Donald Sutherland as a runaway couple on an unforgettable journey to recapture their passion for life and their love for each other in the faithful old RV they call the Leisure Seeker. NOVITIATE – USA / Director: Margaret Betts Melissa Leo (The Fighter, The Big Short) leads a strong cast of rising stars in this Vatican II–era drama about a rural Tennessean girl’s first true love—which just so happens to be for God. Granted a scholarship to Catholic school, young Cathleen is quickly drawn into the mysterious romanticism—eroticism, even—of a life devoted to worship and servitude. THE PARTY – UK / Director: Sally Potter The more is anything but the merrier in this brutally funny satire on the British upper crust. Politico Janet (Kristin Scott Thomas) throws an insufferable dinner party whose every guest (Patricia Clarkson, Emily Mortimer and Cillian Murphy among them) is worse than the last—all the better for the audience to bask in writer-director Sally Potter’s zinger-rich dialogue. SOLLERS POINT – USA / Director: Matthew Porterfield This gritty drama follows small-time drug dealer Keith from the confines of house arrest back onto the racially tense streets of Baltimore. Although he wants to make a new start, his father (Jim Belushi), a retired steelworker, has little patience with his unemployed son—and the allure of criminal life in his depressed neighborhood may be impossible to withstand. VIGILANTE: THE INCREDIBLE TRUE STORY OF CURTIS SLIWA AND THE GUARDIAN ANGELS – USA / Director: David Wexler A forceful tribute to community self-defense, this documentary tells the remarkable story of Guardian Angels founder Curtis Sliwa, who vividly narrates his initiation into a life of vigilantism in the crime-ridden New York City of the ’70s and ’80s, touching on everything from the crack epidemic to his defense of infamous subway gunman Bernard Goetz.

    KRZYSZTOF KIESLOWSKI AWARD FOR BEST FEATURE FILM FINALISTS

    THE HAPPINESS OF THE WORLD – Poland / Director: Michał Rosa This period drama from Polish filmmaker Michał Rosa is set in 1939 in a village on the German-Polish border, where the residents of a tenement house endure the rising tension of the coming war. When a Warsaw journalist embeds himself in their building in search of an anonymous author, their secrets begin to surface, intertwined with a mysterious Jewish beauty named Róża. IN THE FADE– Germany/France / Director: Fatih Akin When her husband Nuri and young son Rocco are killed in a bomb attack, Katja begins a search for answers that makes the mourning process all the more painful and difficult. The trial of two neo-Nazi suspects pushes her to the edge, but there’s simply no alternative for the pursuit of justice. Diane Kruger won Best Actress at the 2017 Cannes Film Festival for her role in this raw, gripping drama. QUALITY TIME – Netherland/Norway / Director: Daan Bakker Dutch filmmaker Daan Bakker’s sly, strange tragicomedy about a quintet of 30-something misfits is told in five distinct parts—all employing their own inventive visual and narrative styles to convey a sense of the dislocation, dysfunction and absurdity dictating the lives of Koen, Stefaan, Kjell, Karel and Jef. RADIANCE – Japan/France / Director: Naomi Kawase In this heartfelt drama from Japan, Misako is a passionate translator of films for the visually impaired. At a screening, she meets Nakamori, an older photographer who is slowly losing his eyesight—but who can teach her to see what’s right in front of her, provided she’s open to the possibilities. THELMA – Norway/France/Denmark/Sweden / Director: Joachim Trier When shy, religious young Thelma goes to study at a university in Oslo, she begins to experience violent seizures that lead to an encounter with beautiful classmate Anja—while also revealing supernatural abilities. As the girls’ friendship deepens, both the terrifying implications of Thelma’s powers and tragic secrets from her past come to light in this paranormal thriller from Norway. UNDER THE TREE – Iceland / Director: Hafsteinn Gunnar Sigurðsson When Baldwin and Inga’s next door neighbours complain that a tree in their backyard casts a shadow over their sundeck, what starts off as a typical spat between neighbours in the suburbs unexpectedly and violently spirals out of control.

    MAYSLES BROTHERS AWARD FOR BEST DOCUMENTARY FINALISTS

    32 PILLS: MY SISTER’S SUICIDE – USA / Director: Hope Litoff She’s beautiful, artistic, beloved—and she can’t stand to be alive. Documentary filmmaker Hope Litoff seeks to piece together the life and death of her sister Ruth; in the process, she gives a devastating account of the toll her investigation takes on her own mental health. ALPHAGO – USA / Director: Greg Kohs The ancient Chinese game called Go is said to have more board configurations than there are atoms in the universe. This fascinating documentary takes viewers from the coding terminals of Google DeepMind in London to a tournament in Seoul, where a legendary Go master is set to compete against a computer program in an epic battle of wits: can the human brain outsmart artificial intelligence? DID YOU WONDER WHO FIRED THE GUN? – USA / Director: Travis Wilkerson Filmmaker Travis Wilkerson turns the camera on his own family to expose a dark secret in this unflinching personal documentary. Returning to his hometown of Dothan, Alabama, he discovers that his great-grandfather, a white supremacist, once shot and killed a black man but was never charged with the murder—and that any historical trace of his victim is gone. FACES PLACES – France / Director: JR, Agnès Varda At 89 years old, Agnès Varda, one of the leading figures of the French New Wave, teamed up with acclaimed 33-year-old French photographer JR to co-direct this enchanting documentary-meets-road movie. As they travel around France in JR’s truck producing large-scale photographic portraits of the locals they meet along the way, they reveal the humanity in their subjects—and themselves. NO MAN’S LAND– USA / Director: David Byars Director-cinematographer David Byars had remarkable access to the protesters occupying Oregon’s Malheur National Wildlife Refuge during their 41-day armed standoff with federal authorities in 2016. This gripping documentary reveals the inner workings of the insurrection as it examines what draws Americans to the concept of revolution. STRAD STYLE – USA / Director: Stefan Avalos Meet Danny Houck—a down-on-his-luck, Stradivarius-obsessed recluse in rural Ohio who has somehow convinced a famous European concert violinist that he can make a copy of one of the world’s rarest and most valuable violins. A hilariously poignant and suspenseful documentary about the true meaning of chutzpah.

    AMERICAN INDEPENDENT NARRATIVE AWARD FINALISTS

    DISCREET – USA/Brazil / Director: Travis Mathews After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive. GOLDEN EXITS – USA / Director: Alex Ross Perry Writer-director Alex Ross Perry (The Color Wheel, SDFF34) explores the torment of modern domestic life, with a fabulous ensemble cast—including Mary-Louise Parker, Jason Schwartzman, Chloë Sevigny, Keith Poulson and the Beastie Boys’ Adam Horovitz—on hand to embrace both the dramatic and darkly comedic sides of despair. THE MISOGYNISTS – USA / Director: Onur Tukel This dark, claustrophobic satire stars Dylan Baker (Happiness) as Cameron, a lonely businessman celebrating Trump’s election in a hotel room after a bitter separation from his wife of 35 years. As the night progresses, friends, colleagues and strangers come and go, debating politics and what it means to be an American—among them a pair of prostitutes facing an existential crisis of their own. MR. ROOSEVELT – USA / Director: Noël Wells Comedian Noël Wells (Saturday Night Live, Master of None) wrote, directed and stars in this charming comedy. Like Wells, Emily has racked up millions of YouTube hits for her video sketches. But unlike Wells, she can’t quite make it in Los Angeles. When she receives news of a death in the family, she rushes back to Austin to find her ex-boyfriend—and everything else—has changed. THE STRANGE ONES – USA / Directors: Christopher Radcliff, Lauren Wolkstein A young man and a boy travel by car through a wooded American landscape. Who are they? Where are they going? Are they on the run? The boy seems disturbed, haunted by memories of nameless violence, and the mood is one of foreboding—but the more we learn, the less we understand in this artful coming-of-age mystery. THIRST STREET – France/USA / Director: Nathan Silver While on layover in Paris, a lonely American flight attendant has a rendezvous with a seedy nightclub bartender and becomes tangled in a web of misunderstandings, masochistic tendencies, & unrequited amour fou in this homage to the erotic dramas of 1970s Europe from returning fest guest Nathan Silver (Actor Martinez, DFF39).

    TRUE GRIT BEST COLORADO FEATURE FILM AWARD FINALISTS

    COLORADO FEATURE FILMS

    AMY & SOPHIA – UK/USA / Director: Adam Lipsius An unlikely friendship forms when two troubled girls, haunted by their past, forge a shared future by using art as an escape from the present in this magical-realist drama. GNAW – USA / Director: Haylar Garcia Jennifer Conrad is a small-town girl starting over in the big city. Fleeing an abusive relationship, all she wants is a chance to become whole again. But that’s hard to do when something is eating at you while you sleep—literally. This horror flick by Colorado filmmaker Haylar Garcia delves with equal gusto into paranormal and psychological phenomena. HOME TRUTH – USA / Directors: Katia Maguire, April Hayes In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father. Determined to make sure their deaths were not in vain, Gonzales became an advocate for domestic-violence victims, taking her case to the US Supreme Court and beyond. At once troubling and inspiring, this documentary tells her story. HONDROS – USA/Iraq/Liberia/Libya / Director: Greg Campbell Pulitzer Prize-finalist photographer Chris Hondros spent a decade documenting wars in Kosovo, Afghanistan, Liberia and Libya, until he was killed while on assignment for Getty Images in 2011. Directed by fellow journalist and lifelong friend Greg Campbell, this eloquent documentary pays tribute to the late photojournalist’s courageous and compassionate career. JONBENET’S TRICYCLE – USA / Director: Andrew Novick Andrew Novick is a Mile High legend as (among other things) an obsessive collector. He reveals some of his strangest acquisitions—including JonBenet Ramsey’s tricycle—in this quirky autobiographical documentary, which is also an investigation of the human urge to possess what we value and of the impact pop culture and the media have on our experience of tragedy. LIYANA – Swaziland/USA/Qatar / Directors: Aaron Kopp, Amanda Kopp The lives and extraordinary imaginations of five orphans at a storytelling workshop in Swaziland are captured in this enchanting, moving and highly acclaimed documentary from Colorado filmmakers Aaron and Amanda Kopp. MOVING PARTS – Trinidad and Tobago/USA / Director: Emilie Upczak In this unique personal drama of human trafficking—written and directed by Boulder native Emilie Upczak—Zhenzhen follows her brother to Trinidad and Tobago with the help of a smuggler. When her new restaurant job proves dangerously unpleasant, a local art gallery owner helps her fight to secure her future. WALDEN: LIFE IN THE WOODS – USA / Director: Alex Harvey Shot on location in Colorado, this radical Western re-imagining of Thoreau’s eponymous classic interlaces three narratives that take place over 24 hours to consider the trappings of modern life and the unlikely heroes who dream of escape.

    COLORADO SHORT FILMS

    CHOCOLATE SPOKES – USA / Directors: Brendan Leonard CHOWDER – USA / Director: Justin Tyrrell, Travis Lindner THE DAY BEFORE – USA / Directors: Geoff Marslett DIVING MONKEYS – USA / Director: Elizabeth Henry DREAMSPOOK – FEAR IN LOVE – USA / Directors: Joseph Kolean FED TO FIRE – USA / Director: Joseph Dasteel FINAL FOUR – USA / Directors: Dario Ortega MRS. DRAKE – USA / Director: Caitlin FitzGerald OH, OPHELIA – USA / Directors: Dakota Nanton THE OUTSIDER – USA / Director: Scott Takeda THE ROMANTIC METHOD – USA / Directors: Maggie Hart UNSEEN – USA / Director: Kaleb Kohart

    Read more


  • 20th Savannah Film Festival to Honor Salma Hayek, Holly Hunter, Aaron Sorkin + Unveils Lineup

    [caption id="attachment_24944" align="aligncenter" width="1200"]Jessica Chastain and Idris Elba in MOLLY'S GAME MOLLY’S GAME[/caption] The 2017 SCAD Savannah Film Festival, celebrating it’s 20th anniversary, will run October 28 to November 4, and feature over 131 films.  The festival will open with Aaron Sorkin’s directorial debut Molly’s Game, and the Centerpiece Gala film is Greta Gerwig’s Lady Bird. This year, SCAD will honor Richard Gere (Lifetime Achievement Award), Zoey Deutch (Rising Star Award), Mariska Hargitay (Humanitarian Award), Ashley Judd (Virtuoso Award), Kyra Sedgwick (Spotlight Award), Andrea Riseborough (Outstanding Supporting Actress Award for “Battle of the Sexes”), Willow Shields (Rising Star Award), Salma Hayek Pinault (Outstanding Achievement in Cinema Award), John Boyega (Vanguard Award), Holly Hunter (Icon Award), Robert Pattinson (Maverick Award), Aaron Sorkin (Outstanding Achievement in Directing Award) and Sir Patrick Stewart (Legends of Cinema Award).

    2017 Savannah Film Festival Film Lineup

    GALA SCREENINGS

    Call Me Be Your Name (Director: Luca Guadagino. Cast: Armie Hammer, Timothee Chalamet, and Michael Stuhlbarg) Darkest Hour (Director: Joe Wright. Cast: Gary Oldman, Kristin Scott Thomas, Lily James, Stephen Dillane and Ben Mendelsohn) Downsizing (Director: Alexander Payne. Cast: Matt Damon, Christoph Waltz, Hong Chau, and Kristin Wiig) Film Stars Don’t Die in Liverpool (Director: Paul McGuigan. Cast: Annette Bening, Jamie Bell, Julie Walters, and Vanessa Redgrave) The Florida Project (Director: Sean Baker. Cast: Willem Dafoe, Brooklynn Prince, Bria Vinaite, and Valeria Cotto) I, Tonya (Director: Craig Gillespie. Cast: Margot Robbie, Sebastian Stan, and Allison Janney) Into the Rainbow (Director: Norman Stone, Gary Wing-Lun Mak. Cast: Willow Shields, Maria Grazia Cucinotta, Wu Lei Leo and Jacqueline Joe) U.S. Premiere Lady Bird (Director: Greta Gerwig. Cast: Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Timothée Chalamet, Beanie Feldstein, Lois Smith, and Stephen McKinley Henderson) Last Flag Flying (Director Richard Linklater. Cast: Steve Carell, Bryan Cranston, and Laurence Fishburne) LBJ (Director: Rob Reiner. Cast: Woody Harrelson, Jennifer Jason Leigh, Michael Stahl-David, Rich Sommer, Bill Pullman, C. Thomas Howell, Jeffrey Donovan and Richard Jenkins) The Leisure Seeker (Director: Paolo Virzi. Cast: Helen Mirren, and Donald Sutherland) Molly’s Game (Writer and Director: Aaron Sorkin. Cast: Jessica Chastain, Idris Elba, and Kevin Costner) Mudbound (Director: Dee Rees. Cast: Carey Mulligan, Garrett Hedlund, Jason Mitchell, Jason Clarke, Jonathan Banks, Mary J. Blige and Rob Morgan) The Shape of Water (Director: Guillermo del Toro. Cast: Sally Hawkins, Michael Shannon, Michael Stuhlbarg, Richard Jenkins, Doug Jones, and Octavia Spencer) Three Billboards Outside Ebbing, Missouri (Director: Martin McDonagh. Cast: Frances McDormand, Sam Rockwell, Woody Harrelson, Abbie Cornish, Peter Dinklage, Lucas Hedges, Caleb Landry Jones, Clarke Peters, Samara Weaving, John Hawkes, and Zeljko Ivankek) The Upside (Director: Neil Burger. Cast: Bryan Cranston, Kevin Hart, and Nicole Kidman) Wonderstruck (Director: Todd Haynes. Cast: Oakes Fegley, Julianne Moore, and Millicent Simmonds)

    DOCS TO WATCH

    Expected to attend this year are directors Evgeny Afineevsky (Cries from Syria); Greg Barker (The Final Year); Bryan Fogel (Icarus); Yance Ford (Strong Island); Amanda Lipitz (Step); Brett Morgen (Jane); Jeff Orlowski (Chasing Coral); Laura Poitras (Risk); John Ridley (Let It Fall: Los Angeles 1982-1992) Ceyda Torun (Kedi).

    SIGNATURE SERIES

    Beatriz at Dinner (Director: Miguel Arteta. Cast: Salma Hayek, John Lithgow, Chloë Sevigny, Connie Britton, David Warshofksy, Amy Landecker, Jay Duplass, and John Early) The Ballad of Lefty Brown (Director: Jared Moshe. Cast: Bill Pullman) Battle of the Sexes (Director: Jonathan Dayton and Valerie Faris. Cast: Emma Stone, Steve Carell, Andrea Riseborough, Sarah Silverman, Alan Cumming, Bill Pullman, Elisabeth Shue, Austin Stowell, and Natalie Morales) The Big Sick (Director: Michael Showalter. Cast: Kumail Nanjiani, Zoey Kazan, Holly Hunter and Ray Romano) Detroit (Director: Kathryn Bigelow. Cast: John Boyega, Anthony Mackie, Algee Smith, Will Poulter, and Jacob Latimore) Flower (Director: Max Winkler. Cast: Zoey Deutch, Adam Scott, and Kathryn Hahn) Gifted (Director: Marc Webb. Cast: Chris Evans, McKenna Grace, Lindsay Duncan, Jenny Slate, and Octavia Spencer) Good Time (Director: Benny Safdie, Josh Safdie. Cast: Robert Pattinson, Jennifer Jason Leigh, Benny Safdie, Buddy Duress, and Barkhad Abdi) I Am Evidence (Producer Mariska Hargitay. Director: Trish Adelsic, Geeta Gandhbir) Logan (Director: James Mangold. Cast: Hugh Jackman, Patrick Stewart, Richard E. Grant, Boyd Holbrook, Stephen Merchant, and Dafne Keen) Norman: The Moderate Rise and Tragic Fall of a New York Fixer (Director: Joseph Cedar. Cast: Richard Gere, Michael Sheen, and Steve Buscemi) Ruby in Paradise (Director: Victor Nuñez. Cast: Ashley Judd, Todd Field, and Bentley Mitchum) Served Like a Girl (Director: Lysa Heslov. Cast: Nichole Alred, Jas Boothe, and Rachel Engler) Story of a Girl (Director: Kyra Sedgwick. Cast: Kevin Bacon, Sosie Bacon, and Ryann Shane) Strange Weather (Director: Katherine Diekmann. Cast: Holly Hunter, Carrie Coon, and Ransom Ashley) Tulip Fever (Director: Justin Chadwick. Cast: Alicia Vikander, Dane DeHaan, Jack O’Connell, and Holliday Grainger) The Year of Spectacular Men (Director: Lea Thompson. Cast: Madelyn Deutch, Zoey Deutch, Lea Thompson, and Avan Jorgia)

    Read more


  • 30th Virginia Film Festival Reveals Lineup, Opens with DOWNSIZING + Spotlights Race and Charlottesville

    [caption id="attachment_24425" align="aligncenter" width="1200"]DOWNSIZING Downsizing[/caption] The Virginia Film Festival will celebrate its 30th year from November 9 to 12, 2017, with a stellar lineup of more than 150 films and an outstanding array of special guests. VFF Director and UVA Vice Provost for the Arts Jody Kielbasa announced the first wave of programming and special guests for the 2017 Festival. “We are incredibly excited to share this first announcement regarding our 2017 program,” Kielbasa said, “which we believe captures the things that set us apart, and that contribute to our rising profile on the national and international festival scene. Once again, our audiences will be able to choose from a program of extraordinary depth and breadth, including some of the hottest titles on the current festival circuit, fascinating documentaries that address and comment on the most important topics of our time, the latest work from some of the newest and most exciting voices on the filmmaking scene, and the best of filmmaking from around the world and right here in the Commonwealth of Virginia.” The 2017 Virginia Film Festival will open with Alexander Payne’s Downsizing, a science fiction flavored dramedy about a group of people exploring the possibility of dramatically reducing their footprints on the world through miniaturization. The film stars Matt Damon, Kristen Wiig, Christoph Waltz, and Hong Chau in a breakout role that is already garnering her significant Oscar buzz. The Centerpiece Film will be Hostiles directed by Scott Cooper.  In 1892, Army Captain Joseph J. Blocker (Christian Bale) is ordered to escort an ailing long-time prisoner, Chief Yellow Hawk (Wes Studi), and his family across hostile territory back to his Cheyenne homeland to die in this gritty and powerful new Western from director Scott Cooper (Black Mass) that also stars Rosamund Pike, Ben Foster and Jesse Plemons. William H. Macy comes to the Virginia Film Festival for the first time to present his new film Krystal. The film, which Macy directed and stars in, is about a young man who, despite having never had a drink in his life, joins Alcoholics Anonymous in an attempt to woo the woman of his dreams, an ex-stripper who is dealing with alcoholism and drug addiction, played by Rosario Dawson. The tragic events surrounding the domestic terrorist incidents in Charlottesville on August 11 and 12 captivated the world and with that in mind, the Virginia Film Festival reached out to a variety of local filmmakers and encouraged them to create a documentary that captures the harrowing events that happened in Charlottesville, as seen by local filmmakers and residents. The result is Charlottesville: Our Streets, which is directed by Brian Wimer and written by Jackson Landers. This year the Virginia Film Festival is partnering with James Madison’s Montpelier for Race in America – a special series of films and discussions inspired by and built around Montpelier’s acclaimed Mere Distinction of Colour exhibition and its ongoing commitment to exploring its own legacy of slavery, including the recreation of slave dwellings on its historic property. This year’s special guests will include the previously-announced Spike Lee, who will be on hand in Charlottesville as part of “Race in America,” to present his Oscar-nominated documentary 4 Little Girls, about one of America’s most despicable hate crimes – the 1963 bombing of the 16th Street Church in Birmingham, Alabama that took the lives of four African American girls, Denise McNair, Addie Mae Collins, Carole Robinson, and Cynthia Wesley. He will also present I Can’t Breathe, a short video piece that combines footage of the chokehold death of Eric Garner at the hands of the New York City Police Department with footage of the similar death of the Radio Raheem character in Lee’s iconic 1989 film Do The Right Thing. In addition to 4 Little Girls, the films in the series will include:

    Race In America

    An Outrage – This documentary by Hannah Ayers and Lance Warren about lynching in the American South was filmed on location at lynching sites in six states, and is bolstered by the memories and perspectives of descendants, community activists, and scholars, creating a hub for action to remember and reflect upon a long-hidden past. Birth of a Movement – This powerful story is based on William Monroe Trotter, the nearly-forgotten editor of a Black Boston newspaper and his 1915 campaign to ban D.W. Griffith’s deeply divisive Birth of a Nation – highlighting the early stages of still-raging battles over media representation, freedom of speech, and the influence of Hollywood. The Confession Tapes – The VFF will present an episode from Netflix’s true crime documentary series called “8th and H” about a notorious 1984 murder case in Washington, D.C. in which a group of eight teens were unjustly convicted, and remain in prison to this day largely due to a connection to a “gang” that never actually existed. Hidden Figures – Noted author and UVA alumna Margot Lee Shetterly will be at the Festival to present the widely-acclaimed 2016 film based on her celebrated book about the three brilliant African-American women at NASA — Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe) — who served as the brains behind one of the greatest operations in history: the launch of astronaut John Glenn (Glen Powell) into orbit. O.J.: Made in America – Ezra Edelman’s Emmy and Academy Award-winning five-part documentarychronicles the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation. Tell Them We Are Rising: The Story of Black Colleges and Universities – Co-directed by award-winning documentary filmmaker Stanley Nelson and Marco Williams, this film examines the impact Historically Black Colleges and Universities (HBCUs) have had on American history, culture, and national identity.

    Spotlight Screenings

    The Ballad of Lefty Brown – Director Jared Moshe’s American Western tells the story of Lefty Brown (Bill Pullman), a 65-year-old cowboy who, after a lifetime of riding in the shadows of Western legend Eddie Johnson (Peter Fonda), is forced by tragedy to emerge from the shadows and face the harsh realities of frontier justice. Breath – Set on the coast of Australia in the mid 1970’s, Simon Baker’s (The Mentalist)  directorial debut tells the story of two teenage boys who forge a friendship with an older, elusive pro surfer who introduces them to the thrill of riding the waves and living in the moment. Call Me by Your Name – Based on the acclaimed novel by André Aciman, Luca Guadagnino’s transcendent coming-of-age film follows two young men who fall for each other in northern Italy during the early 1980s. With a screenplay by the legendary James Ivory, the film features a masterful turn by actor Armie Hammer. Film Stars Don’t Die in Liverpool – Annette Bening and Jamie Bell star in Paul McGuigan’s adaptation of the memoir by British actor Peter Turner about his romance with the legendary and famously eccentric Hollywood star Gloria Grahame during the last years of her life. The Leisure Seeker – Embracing the iconic Americana of road trips and campgrounds, a runaway couple (played by Donald Sutherland and Helen Mirren) goes on an unforgettable trip in the faithful old RV they call the Leisure Seeker. Permanent – Based on the writer, director, and UVA alumna Colette Burson’s own experience while attending E.B. Stanley Middle School in Virginia, Permanent is a coming-of-age story featuring Rainn Wilson and Patricia Arquette  about an idiosyncratic family set in 1983 that involves hairstyles, social awkwardness, and poorly made toupees.

    Documentaries

    Abacus: Small Enough to Jail – From award-winning director Steve James comes this incredible saga of the Chinese immigrant Sung family, owners of the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The Challenge – Desert landscapes dotted with private jets, pet cheetahs, and souped-up Ferraris provide the backdrop of Italian visual artist Yuri Ancarani’s documentary about the surreal world of wealthy Qatari sheikhs with a passion for amateur falconry. Laddie: The Man Behind the Movies – Amanda Ladd Jones presents the untold story of her father, Alan Ladd, Jr., the former 20th Century Fox Chairman who greenlit Star Wars, Blade Runner, Alien, and many more of the biggest films in movie history. Featuring interviews with Mel Brooks, Ben Affleck, Richard Donner, Ron Howard, Ridley Scott, and numerous others. The Road Movie – Dimitri Kalashnikov’s inventive documentary literally puts viewers in the driver’s seat by offering a windshield-eye view of life in Russia made up entirely of dashcam videos posted on YouTube. Serenade For Haiti – Following Haiti’s devastating 2010 earthquake, Father David Cesar works tirelessly to continue Sainte Trinité Music School’s more than 60-year legacy of bringing classical music to thousands of Haitians in this testament to resilience, hope, and the power of music. Director Owsley Brown will lead a discussion of his film. Word is Bond – Director Sacha Jenkins will be on hand to present his acclaimed documentary that tells the never-before-told story about the writers and journalists that created and shaped the language for hip-hop culture.

    Health and Wellbeing Documentaries

    Ask the Sexpert – Director Vishali Sinha presents a story of popular 93-year-old Mumbai sex-ed columnist Dr. Watsa, whose brand of non-moralistic advice and humor has emboldened many to write in questions against the backdrop of a comprehensive sex education ban in schools that has been adopted by approximately one third of India’s states. Bending the Arc – An extraordinary team of doctors and activists work to save lives in a rural Haitian village. Through interviews and on-the-ground footage shot in the midst of a deadly epidemic, directors Kief Davidson and Pedro Kos are immersed in the thirty-year struggle of these fiercely dedicated people as they fight ancient diseases. My Kid is Not Crazy – Revealing the nightmare of a medical system heavily influenced by the pharmaceutical industry, this documentary unpacks the fierce disagreement that occurs among families in addressing youth mental illness. Treated with antipsychotic medication, behavioral therapy, and even hospitalization, years of misdiagnosis leave these children with irrecoverable consequences for the rest of their lives. Requiem for a Running Back – When she gets the shocking news that her former NFL star father Lewis Carpenter has been diagnosed postmortem as the 18th confirmed case of Chronic Traumatic Encephalopathy (CTE), documentarian Rebecca Carpenter embarks on a three-year odyssey across America to explore the unfolding controversy surrounding the degenerative brain disease, which is caused by repeated blunt force trauma to the brain. Starfish – Writer Tom Ray’s picture perfect life falls apart in a single moment when he succumbs to a devastating illness and loses his hands, lower legs, and part of his face after contracting sepsis. This true and moving story chronicles the efforts of Tom and his wife Nicola to keep their family together against impossibly long odds. Twinning Reaction – Told from the perspective of identical twins and triplets who were secretly split up in infancy and studied by psychoanalysts for decades, the documentary examines the traumatic, long-term effects of the separations – and continuing deception – on the twins and their adoptive families. What Lies Upstream – Cullen Hoback travels to West Virginia after an MCHM chemical spill poisoned the water supply of 300,000 Americans. When a similar crisis emerges in Flint, Michigan, he follows the guidance of whistleblowers to discover corruption at the highest levels of federal regulatory agencies.

    Spotlight on Virginia Filmmaking

    Afrikana Film Festival – The VFF is proud to partner with the Richmond-based Afrikana Film Festival for a special program of films dedicated to showcasing cinematic works of people of color from around the world, with a special focus on the global Black narrative. Best of Film at Mason and Best of VCUarts – As the official film festival of the Commonwealth of Virginia, the VFF will salute some of Virginia’s finest young filmmakers from both George Mason University and Virginia Commonwealth University in a special program that captures and celebrates the diversity of cinematic storytelling found at these institutions. Double Dummy – Producer and bridge enthusiast John McAllister offers an extraordinary behind-the-scenes look at the competitive world of bridge, and the incredible relationships forged by the game around the world. The Ruination of Lovell Coleman – This short documentary from Ross McDermott tells the story of a Charlottesville-based 93-year-old fiddle player. Combining footage of his performances with animation and interviews about his unique musical career, the film puts special focus on his many years of service playing at local nursing homes. Scenes with Ivan  – Local filmmakers Doug and Judy Bari chronicle their son Ivan’s life from his birth in 1985 to the present. They spent two years sifting through hundreds of hours of footage they had shot, but never before looked at before. In the process, they discovered forgotten moments of what makes a life, and how things come full circle.

    International Films

    A Fantastic Woman (Chile) – Director Sebastián Lelio’s devastating portrait of grief about a young transgender waitress who faces scorn and discrimination after the sudden death of her older boyfriend. Happy End (Austria) – The latest from noted Austrian director and two-time Palme D’Or-winner Michael Haneke highlights the cultural blindness and savage indifference of a bourgeois European family in Calais consumed by its own “struggles” as the the migrant crisis rages all around them. Loveless (Russia) – A couple in the midst of a vicious divorce must come together to lead the search for their missing son in this eerie thriller from Andre Zviagintsev (Leviathan) that highlights a single harrowing story as well as the corruption and moral desolation of modern-day Russia. November (Estonia) – A mixture of magic, black humor, and romantic love, November is the story of pagan villagers raging against bitter winter, werewolves, the plague, and evil spirits. Song of Granite (Ireland) – This life story of renowned traditional Irish folk singer Joe Heaney from director Pat Collins combines documentary footage of the singer with masterful performances and gorgeous cinematography that highlights the gorgeous Irish countryside to tell a story that celebrates cultural diversity. Summer 1993 (Spain) – Director Carla Simon’s feature debut is a poignant look at a six-year-old girl who has to leave all she knows behind following her mother’s death as she moves to the countryside and struggles to adjust to a new life with her uncle and his family. Tom of Finland (Finland) – Director Dome Karukoski brings to life the story of Touko Laaksonen, a decorated WWII officer who returns home after serving his country only to find that country rife with homophobic persecution. He finds refuge in liberating and inhibition-free art that makes him one of the most celebrated and influential figures in 20th Century gay culture. White Sun (Nepal) – This gripping portrait of post-civil war Nepal during the fragile deadlocked peace process follows an anti-regime partisan who confronts physical, social, and political obstacles related to his father’s funeral. His search for solutions takes him to neighboring mountain villages and results in encounters with police and rebel guerrillas. Woodpeckers (Dominican Republic) – Julián finds love and a purpose to living in the last place he imagined: Najayo prison in the Dominican Republic. Through sign languages from one prison to another, he encounters Yanelly, separated by 150 meters and dozens of guards, and has to win her love while keeping it a secret.

    Emerging Artist Series

    With support from the Virginia Commission for the Arts and the National Endowment for the Arts, the VFF will continue its focus on highlighting and sharing some of the most talented new voices on the filmmaking scene today. In addition to Confession Tapes, Double Dummy, and The Ruination of Lovell Coleman, the series will include producer Han West’s Oh Lucy!, a charming character study following an emotionally unfulfilled woman as she tentatively emerges from her shell, and director Kevin Elliott’s first feature Magnum Opus, a timely conspiracy thriller centered around a principled Desert Storm vet turned reclusive artist.

    LGBTQIA+ Focus

    The Lavender Scare – The first documentary to tell the little-known story of “the longest witch hunt in American history”- an unrelenting federal campaign launched by President Dwight D. Eisenhower in 1953 to identify and fire all employees suspected of being homosexual because they were deemed to be a threat to national security. Rebels on Pointe – Award-winning filmmaker Bobbi Jo Hart presents the first-ever behind-the-scenes look at Les Trockadero de Monte Carlo, the all-male drag ballet company founded 40 years after the Stonewall riots. Other LGBTQIA+ films include Call Me by Your Name, A Fantastic Woman (Chile), and Tom of Finland(Finland).

    Jewish and Israeli Series

    1945 – In August 1945, a rural town in Hungary is preparing for the wedding of the town clerk’s son when two Orthodox Jewish men arrive at the railway station with mysterious wooden boxes. In Between – Three Palestinian women attempt to balance faith and tradition with their modern lives while living in the heart of Tel Aviv. Shelter – When Naomi Rimon, a Mossad agent, is sent on a mission to protect Mona, a Lebanese collaborator, the two women find themselves in a compromised safehouse in Hamburg. In this suspense-laden psychological thriller, beliefs are questioned and devastating decisions are forced. Surviving Skokie – An intensely personal documentary that explores the effects of a late 1970’s threatened neo-Nazi march in Skokie, IL on its large Holocaust survivor population, following producer Eli Adler on a moving trip with his father to his ancestral home in Poland. The Miller Center This year the Virginia Film Festival is again partnering with The Miller Center, a nonpartisan affiliate of the University of Virginia that specializes in presidential scholarship, public policy, and political history, and strives to apply the lessons of history and civil discourse to the nation’s most pressing contemporary governance challenges. The series will include a 30th anniversary screening of Broadcast News, the 1987 romantic comedy that took a clear-eyed, satirical look at the concept of “fake news” long before the phrase was vaulted into the American lexicon in the 2016 election. The screening will be followed by a conversation with legendary news reporter and anchor Jim Lehrer and longtime CBS News correspondent and now UVA Media Studies professor Wyatt Andrews about the concepts of truth and veracity in our rapidly-changing news landscape. This year’s Miller Center series will also feature a screening of an episode from The Vietnam War, the highly-acclaimed 18-part PBS documentary series from Ken Burns and Lynn Novick that tells the epic story of one of the most consequential, divisive, and controversial events in American history as it has never before been told on film. The VFF is proud to welcome Lynn Novick to the Festival for a special post-screening discussion with Marc Selverstone, associate professor and chair of the Miller Center’s Presidential Recordings Program. Homeland This year the Virginia Film Office added another impressive title to its growing resume when Showtime announced that its award-winning series Homeland would film its upcoming seventh season in the Commonwealth. The Virginia Film Festival will screen an episode of the show from its sixth season, followed by a conversation with its director, Lesli Linka Glatter. Sorensen Institute for Political Leadership The VFF and the University of Virginia’s Sorensen Institute for Political Leadership are launching a new partnership this year with a special screening of the 1972 Michael Ritchie film The Candidate, starring Robert Redford. The screening will be followed by a panel discussion that will include political consultant and longtime CNN contributor Paul Begala, who returns to the VFF after his 2016 post-screening discussion of the D.A. Pennebaker classic documentary The War Room. The VFF and the Library of Congress Celebrate the National Film Registry This year the Virginia FIlm Festival continues its unique partnership with the Library of Congress Packard Campus for Audio Visual Conservation in Culpeper, Virginia, presenting a series of films that celebrate the National Film Registry and the Campus’ dedication to film preservation. This year’s lineup will include the Mike Nichols 1967 coming-of-age classic The Graduate, Hal Ashby’s 1971 romantic black comedy Harold & Maude, and Charlie Chaplin’s 1917 silent film The Immigrant. Silent Films The VFF will revisit its longstanding tradition of presenting silent films with live musical accompaniment with a pair of programs featuring the music of Matthew Marshall and the Reel Music Trio. A special 100th Anniversary screening of Charlie Chaplin’s The Immigrant, which features Chaplin in one of his most famous roles – as an immigrant who endures a challenging voyage only to face even more trouble when he gets to America, a story all-too-relevant in today’s world. This program will also feature two more of Chaplin’s most beloved two-reelers Easy Street and The Adventurer, also celebrating their 100th Anniversary. Additionally, the Festival will present a rare treat with a late-night Paramount Theater screening of Alfred Hitchcock’s 1927 film The Lodger, about a Jack The Ripper style killing spree in London, with a chilling original score performed by Marshall. Ben Mankiewicz Longtime Turner Classic Movies host Ben Mankiewicz returns to the VFF, where he will host discussions around a number of screenings including The Candidate, The Graduate, The Immigrant, The Lodger, and more. The Rookie with John Lee Hancock The VFF will present a 15th anniversary screening of The Rookie, the inspirational true story starring Dennis Quaid as a high school baseball coach whose career and life takes an improbable turn when he promises his team that if they make the playoffs, he will attend a Major League tryout. The screening will be followed by a conversation with the film’s director John Lee Hancock (The Blind Side, Snow White and the Huntsman) and screenwriter Mike Rich (Finding Forrester, Secretariat). Shot-by-Shot Workshop For this 30th anniversary year, the Festival is reviving its Shot-by-Shot Workshop, one of its most cherished traditions. Created and presented for many years by the late Roger Ebert, the yearly Shot-by-Shot Workshop offers movie lovers a rare chance to enjoy live commentary on classic films by leading film experts. This year’s presentation will be Harold and Maude, presented by Nick Dawson, biographer of the film’s legendary director Hal Ashby. Honoring Our Veterans As the nation marks Veterans Day weekend, the VFF will pay tribute to those who have sacrificed and continue to sacrifice for our nation with a series of military-themed presentations. In addition to The Vietnam War, this series will include Last Flag Flying, Richard Linklater’s latest film, which stars Steve Carrell, Laurence Fishburne, and Bryan Cranston as a trio of Vietnam vets who reunite to bury one of their sons, who was killed in action in Iraq. The friends accompany the young man’s casket on a trip through coastal New Hampshire, reminiscing about and coming to terms with the shared memories of a war that continues to shape their lives. The Festival will also present American Veteran, a new documentary from director Julie Cohen about Army Sergeant Nick Mendes, who was paralyzed from the neck down by a massive IED in Afghanistan in 2011, when he was only 21 years old. The film follows Mendes from the earliest days of his recovery as he learns to eat and breathe on his own to his life today with wife Mandy, whom he met when she worked as one of his caregivers. The film shows a nuanced portrait of a quadriplegic soldier’s sometimes harrowing, sometimes romantic, and often surprisingly funny life.

    Read more


  • Indie Films THE FLORIDA PROJECT​ to Open ​and​ ​CALL ME BY YOUR NAME to Close 2017 New Orleans Film Festival

    [caption id="attachment_24746" align="aligncenter" width="1200"]The Florida Project The Florida Project[/caption] Lauded for its artistry and authenticity, The Florida Project starring Willem Dafoe will open the 28th New Orleans Film Festival on Wednesday, October 11, 2017.  The Florida Project also stars child actress Brooklynn Prince and a debut performance by Bria Vinaite, whom writer-director Sean Baker discovered via Instagram. The Florida Project is the newest movie from writer-director Sean Baker, who staked his claim two years ago with Tangerine, an indie feature shot entirely with his iPhone camera. Call Me By Your Name, which created major buzz when it premiered at the Sundance Film Festival earlier this year, will close the festival on Thursday, October 19, 2017. Call Me By Your Name stars Armie Hammer, Timothée Chalamet and Michael Stuhlbarg.  Director Luca Guadagnino continues his exploration of complicated intimate relationships that he’s addressed in prior critically-acclaimed films like I Am Love and A Bigger Splash. Several Spotlight films have also been announced, including Darkest Hour, Last Flag Flying, The Upside, and Marshall. Call​ ​Me​ ​By​ ​Your​ ​Name Luca​ ​Guadagnino​ ​|​ ​132​ ​min​ ​|​ ​Italy,​ ​France,​ ​Brazil,​ ​United​ ​States Summer is a perpetual state of being at the Perlmans’ Italian villa. Lush, lazy mornings become long, wine-filled evenings, ensconced in discussions of Greco-Roman art and the sounds of Mahler on piano. Oliver, a 24-year-old research assistant (Armie Hammer), joins the Perlmans for six weeks of study before returning to his position at Columbia. 17-year old Elio (Timothée Chalamet) is immediately infatuated. They begin a tense series of furtive glances and curt conversations, both enchanted but unwilling to meet the other halfway. A coming of age story. A tale of first love. Americans summering in beautiful, foreign locales. Any categorization would be an oversimplification of the evocative and intoxicating world of Call Me By Your Name. The​ ​Florida​ ​Project Sean​ ​Baker​ ​|​ ​115​ ​min|​ ​USA Set on a stretch of highway just outside Disney World, The Florida Project follows six-year-old Moonee and her rebellious mother Halley over the course of a single summer. The two live week-to-week at “The Magic Castle,” a budget motel managed by Bobby. Despite her harsh surroundings, the precocious Moonee has no trouble making each day a celebration of life, her endless afternoons overflowing with mischief and grand adventure as she and her ragtag playmates fearlessly explore the utterly unique world into which they’ve been thrown. Unbeknownst to Moonee, however, her delicate fantasy is supported by the toil and sacrifice of Halley, who is forced to explore increasingly dangerous possibilities in order to provide for her daughter. Last​ ​Flag​ ​Flying Richard​ ​Linklater​ ​|​ ​124​ ​min|​ ​USA Thirty years after they served together in Vietnam, a former Navy Corpsman Larry “Doc” Shepherd (Steve Carell) reunites with his old military buddies, Sal Nealon (Bryan Cranston) and Reverend Richard Mueller (Laurence Fishburne), to bury his son, a young Marine killed in the Iraq War. With the casket, the three friends take a bittersweet road trip up the East Coast, reflecting on the impact of war and reminisce about their times together. Marking a new direction for Linklater after his joyful college romp, Everybody Wants Some!!, Last Flag Flying is a poignant exploration of aging, masculinity, and friendship. Marshall Reginald​ ​Hudlin​ ​|​ ​118​ ​min​ ​|​ ​USA As the nation teeters on the brink of WWII, a nearly bankrupt NAACP sends Thurgood Marshall (Chadwick Boseman) to conservative Connecticut to defend a black chauffeur against his wealthy socialite employer in a sexual assault and attempted murder trial that quickly became tabloid fodder. In need of a high profile victory but muzzled by a segregationist court, Marshall is partnered with Samuel Friedman (Josh Gad), a young Jewish lawyer who has never tried a case. The​ ​Upside Dir.​ ​Neil​ ​Burger​ ​|​ ​118​ ​min​ ​|​ ​USA Based on the film The Intouchables by Olivier Nakache and Eric Toledano Based on a true story, The Upside chronicles the unexpected friendship between Phillip Lacasse (Bryan Cranston), a Park Avenue billionaire left paralyzed after a hang-gliding accident, and ex-con Dell Scott (Kevin Hart), in need of a job and a fresh start. From worlds apart, Phillip and Dell form an unlikely bond, bridging their differences and gaining invaluable wisdom in the process, giving each man a renewed sense of passion for all of life’s possibilities. Directed by Neil Burger (The Illusionist, Limitless) and written by Jon Hartmere, THE UPSIDE also stars Academy Award® winner Nicole Kidman. The​ ​Darkest​ ​Hour Joe​ ​Wright​ ​|​ ​2017​ ​|​ ​UK A thrilling and inspiring true story begins on the eve of World War II as, within days of becoming Prime Minister of Great Britain, Winston Churchill (Academy Award nominee Gary Oldman) must face one of his most turbulent and defining trials: exploring a negotiated peace treaty with Nazi Germany, or standing firm to fight for the ideals, liberty, and freedom of a nation. As the unstoppable Nazi forces roll across Western Europe and the threat of invasion is imminent, and with an unprepared public, a skeptical King, and his own party plotting against him, Churchill must withstand his darkest hour, rally a nation, and attempt to change the course of world history.

    Read more


  • Woodstock Film Festival Unveils 2017 Film Lineup, will Open with East Coast Premiere of STUCK

    [caption id="attachment_24630" align="aligncenter" width="1200"] Stuck Stuck[/caption] The 18th Woodstock Film Festival, will open with the East Coast premiere of Stuck, a musical narrative about a group of six strangers trapped together on a stalled New York City subway car. The characters confront their assumptions of one another under the scrutinizing eye of a mysterious homeless man played by Giancarlo Esposito. This kickoff event will begin at 7PM October 11 at the Woodstock Playhouse. The Festival will present an outstanding lineup of films to be shown in Woodstock, Rhinebeck, Rosendale, Saugerties, and Kingston. “This year’s lineup is one that challenges our creative and intellectual boundaries and brings important social issues into focus, both locally and globally” said Woodstock Film Festival’s co-founder and executive director Meira Blaustein. “In today’s political climate it is particularly important to celebrate our differences and find our commonalities. This year’s participating filmmakers have gone above and beyond in capturing diverse moments of humanity that personify fierce independence.”

    NARRATIVE FEATURES

    The Bachelors, directed by Kurt Voelker The Ballad of Lefty Brown, directed by Jared Moshe Beauty Mark, directed by Harris Doran Becks, directed by Dan Powell and Elizabeth Rohrbaugh Cold November, directed by Karl Jacob Crash Pad, directed by Kevin Tent Don’t Come Back From the Moon, directed by Bruce Thierry Cheung Girl in Flight, directed by Sandra Vannucchi Holden On, directed by Tamlin Hall Infinity Baby, directed by Bob Byington Last Flag Flying, directed by Richard Linklater The Light of the Moon, directed by Jessica M. Thompson A Real Vermeer, directed by Rudolf van den Berg Revengeance, directed by Bill Plympton and Jim Lujan The Song of Sway Lake, directed by Ari Gold The Sounding, directed by Catherine Eaton The Square, directed by Ruben Östlund The Strange Ones, directed by Christopher Radcliff and Lauren Wolkstein Stuck, directed by Michael Berry Submission, directed by Richard Levine They, directed by Anahita Ghazvinizadeh Time Trap, directed by Mark Dennis and Ben Foster The Traveller, directed by Hadi Ghandour Us And Them, directed by Joe Martin Waterboys, directed by Robert Jan Westdijk What Children Do, directed by Dean Peterson

    DOCUMENTARY FEATURES

    32 Pills: My Sister’s Suicide, directed by Hope Litoff 40 Years in the Making: The Magic Music Movie,directed by Lee Aronsohn Against All Odds – The Fight for a Black Middle Class with Bob Herbert, directed by Bob Herbert Arthur Miller: Writer, directed by Rebecca Miller Bean, directed by Emilie Bunnell Becoming Who I was, directed by Moon Chang-Yong and Jeon Jin Bombshell: The Hedy Lamarr Story, directed by Alexandra Dean The Chocolate Case, directed by Benthe Forrer The Cycle (America Divided), directed by Solly Granatstein, Lucian Read and Richard Rowley Happening: A Clean Energy Revolution, directed by Jamie Redford Joan Didion: The Center Will Not Hold, directed by Griffin Dunne La Chana, directed by Lucija Stojevic The Last Pig, directed by Allison Argo Mary Janes: The Women of Weed, directed by Windy Borman My Name is Pedro, directed by Lillian LaSalle Nat Bates for Mayor, directed by Bradley Berman and Eric Weiss The Organizer, directed by Nick Taylor The Rape of Recy Taylor, directed by Nancy Buirski Roll With Me, directed by Lisa France Sammy Davis, Jr.: I’ve Gotta Be Me, directed by Sam Pollard Shingal, Where Are You?, directed by Angelos Rallis Supermensch, directed by Mike Myers, Beth Aala A Symphony of Hope, directed by Brian Weidling Thank You For Coming, directed by Sara Lamm This Is Everything: Gigi Gorgeous, directed by Barbara Kopple To A More Perfect Union: U.S. v. Windsor, directed by Donna Zaccaro To the Edge of the Sky, directed by Jedd Wider and Todd Wider

    Read more


  • 25 Films Selected for Main Slate of 55th New York Film Festival

    [caption id="attachment_23541" align="aligncenter" width="1200"]Faces Places Faces Places[/caption] The Film Society of Lincoln Center announced the 25 films for the Main Slate of the 55th New York Film Festival (NYFF), taking place September 28 to October 15, 2017. This year’s Main Slate showcases films honored at Cannes including Ruben Östlund’s Palme d’Or–winner The Square; Robin Campillo’s BPM, awarded the Cannes Critics’ Prize; and Agnès Varda & JR’s Faces Places, which took home the Golden Eye. From Berlin, Aki Kaurismäki’s Silver Bear–winner The Other Side of Hope and Agnieszka Holland’s Alfred Bauer Prize–winner Spoor mark the returns of two New York Film Festival veterans, while Luca Guadagnino’s acclaimed Call Me by Your Name will be his NYFF debut. Also returning are Arnaud Desplechin, Noah Baumbach, Kiyoshi Kurosawa, Claire Denis, Philippe Garrel, Lucrecia Martel, and Hong Sang-soo, who has two features in the lineup this year, while filmmakers new to the festival include Sean Baker, Greta Gerwig, Serge Bozon, Dee Rees, Chloé Zhao, Joachim Trier, Alain Gomis, and Valeska Grisebach. NYFF Director and Selection Committee Chair Kent Jones said, “Every year, I’m asked about the themes in our Main Slate line-up, and every year I say the same thing: we choose the best films we see, and the common themes and preoccupations arise only after the fact. As I look at this slate of beautiful work, I could just make a series of simple observations: that these films come from all over the globe; that there is a nice balance of filmmakers known and unknown to many here in New York; that the overall balance between frankness and artistry holds me in awe; that there are two gala selections with the word ‘wonder’ in their titles; and that eight of the 25 films were directed by women.” As previously announced, the NYFF55 Opening Night is Richard Linklater’s Last Flag Flying, Todd Haynes’s Wonderstruck is Centerpiece, and Woody Allen’s Wonder Wheel will close the festival.

    55th NEW YORK FILM FESTIVAL

    Films & Descriptions Opening Night Last Flag Flying Dir. Richard Linklater, USA, 2017, 119m World Premiere In Richard Linklater’s lyrical road movie, as funny as it is heartbreaking, three aging Vietnam-era Navy vets—soft-spoken Doc (Steve Carell), unhinged and unfiltered Sal (Bryan Cranston), and quietly measured Mueller (Laurence Fishburne)—reunite to perform a sacred task: the proper burial of Doc’s only child, who has been killed in the early days of the Iraq invasion. As this trio of old friends makes its way up the Eastern seaboard, Linklater gives us a rich rendering of friendship, a grand mosaic of common life in the USA during the Bush era, and a striking meditation on the passage of time and the nature of truth. To put it simply, Last Flag Flying is a great movie from one of America’s finest filmmakers. An Amazon Studios release. Centerpiece Wonderstruck Dir. Todd Haynes, USA, 2017, 117m In 1977, following the death of his single mother, Ben (Oakes Fegley) loses his hearing in a freak accident and makes his way from Minnesota to New York, hoping to learn about the father he has never met. A half-century earlier, another deaf 12-year-old, Rose (Millicent Simmonds), flees her restrictive Hoboken home, captivated by the bustle and romance of the nearby big city. Each of these parallel adventures, unfolding largely without dialogue, is an exuberant love letter to a different bygone era of New York. The mystery of how they ultimately converge, which involves Julianne Moore in a lovely dual role, provides the film’s emotional core. Adapted from a young-adult novel by Hugo author Brian Selznick, Wonderstruck is an all-ages enchantment, entirely true to director Todd Haynes’s sensibility: an intelligent, deeply personal, and lovingly intricate tribute to the power of obsession. An Amazon Studios release. Closing Night Wonder Wheel Dir. Woody Allen, USA, 2017 World Premiere In a career spanning 50 years and almost as many features, Woody Allen has periodically refined, reinvented, and redefined the terms of his art, and that’s exactly what he does with his daring new film. We’re in Coney Island in the 1950s. A lifeguard (Justin Timberlake) tells us a story that just might be filtered through his vivid imagination: a middle-aged carousel operator (Jim Belushi) and his beleaguered wife (Kate Winslet), who eke out a living on the boardwalk, are visited by his estranged daughter (Juno Temple)—a situation from which layer upon layer of all-too-human complications develop. Allen and his cinematographer, the great Vittorio Storaro, working with a remarkable cast led by Winslet in a startlingly brave, powerhouse performance, have created a bracing and truly surprising movie experience. An Amazon Studios release. Before We Vanish Dir. Kiyoshi Kurosawa, Japan, 2017, 129m The latest from master of art-horror Kiyoshi Kurosawa is perhaps his most mainstream film yet, a throwback to 1980s sci-fi. An advance crew of three aliens journey to Earth in preparation for a complete takeover of the planet. They snatch not only bodies but memories, beliefs, values—everything that defines their conquests as human—leaving only hollow shells, which are all but unrecognizable to their loved ones. This disturbing parable for our present moment, replete with stunning images—including a drone attack and a bit of Clockwork Orange–style murder and mayhem—is also a profoundly mystical affirmation of love as the only form of resistance and salvation. A Neon release. BPM (Beats Per Minute)/120 battements par minute Dir. Robin Campillo, France, 2017, 144m U.S. Premiere In the early 1990s, ACT UP—in France, as in the U.S.—was on the front lines of AIDS activism. Its members, mostly gay, HIV-positive men, stormed drug company and government offices in “Silence=Death” T-shirts, facing down complacent suits with the urgency of their struggle for life. Robin Campillo (Eastern Boys) depicts their comradeship and tenacity in waking up the world to the disease that was killing them and movingly dramatizes the persistence of passionate love affairs even in dire circumstances. All the actors, many of them unknown, are splendid in this film, which not only celebrates the courage of ACT UP but also tacitly provides a model of resistance to the forces of destruction running rampant today. A release of The Orchard. Bright Sunshine In/Un beau soleil intérieur Dir. Claire Denis, France, 2017, 95m North American Premiere Juliette Binoche is both incandescent and emotionally raw in Claire Denis’s extraordinary new film as Isabelle, a middle-aged Parisian artist in search of definitive love. The film moves elliptically, as though set to some mysterious bio-rhythm, from one romantic/emotional attachment to another: from the boorish married lover (Xavier Beauvois); to the subtly histrionic actor (Nicolas Duvauchelle), also married; to the dreamboat hairdresser (Paul Blain); to the gentle man (Alex Descas) not quite ready for commitment to . . . a mysterious fortune-teller. Appropriately enough, Bright Sunshine In (very loosely inspired by Roland Barthes’s A Lover’s Discourse) feels like it’s been lit from within; it was lit from without by Denis’s longtime cinematographer Agnès Godard. It is also very funny. A Sundance Selects release. Call Me by Your Name Dir. Luca Guadagnino, Italy/France, 2017, 132m A story of summer love unlike any other, the sensual new film from the director of I Am Love, set in 1983, charts the slowly ripening romance between Elio (Timothée Chalamet), an American teen on the verge of discovering himself, and Oliver (Armie Hammer), the handsome older grad student whom his professor father (Michael Stuhlbarg) has invited to their vacation home in Northern Italy. Adapted from the wistful novel by André Aciman, Call Me by Your Name is Guadagnino’s most exquisitely rendered, visually restrained film, capturing with eloquence the confusion and longing of youth, anchored by a remarkable, star-making performance by Chalamet, always a nervy bundle of swagger and insecurity, contrasting with Hammer’s stoicism. A Sony Pictures Classics release. The Day After Dir. Hong Sang-soo, South Korea, 2017, 92m U.S. Premiere Hong continues in the openly emotional register of his On the Beach at Night Alone, also showing in this year’s Main Slate. Shot in moody black and white, The Day After opens with book publisher Bongwan (Kwon Hae-hyo) fending off his wife’s heated accusations of infidelity. At the office, it’s the first day for his new assistant, Areum (Kim Min-hee), whose predecessor was Bongwan’s lover. Mistaken identity, repetition compulsion, and déjà vu figure into the narrative as the film entangles its characters across multiple timelines through an intricate geometry of desire, suspicion, and betrayal. The end result is one of Hong’s most plaintive and philosophical works. Faces Places/Visages villages Dir. Agnès Varda & JR, France, 2016, 89m The 88-year-old Agnès Varda teamed up with the 33-year-old visual artist JR for this tour of rural France that follows in the footsteps of Varda’s groundbreaking documentary The Gleaners and I (NYFF 2000) in its celebration of artisanal production, workers’ solidarity, and the photographic arts in the face of mortality. Varda and JR wielded cameras themselves, but they were also documented in their travels by multiple image and sound recordists. Out of this often spontaneous jumble, Varda and her editor Maxime Pozzi-Garcia created an unassuming masterpiece (the winner of this year’s L’Oeil d’or at Cannes) that is vivid, lyrical, and inspiringly humanistic. A Cohen Media Group release. Félicité Dir. Alain Gomis, France/Senegal/Belgium/Germany/Lebanon, 2017, 124m U.S. Premiere The new film from Alain Gomis, a French director of Guinea-Bissauan and Senegalese descent, is largely set in the roughest areas of the rough city of Kinshasa in the Democratic Republic of the Congo. Here, a woman named Félicité (Véro Tshanda Beya Mputu) scrapes together a living as a singer in a makeshift bar (her accompanists are played by members of the Kasai Allstars band). When her son is seriously injured in an accident, she goes in search of money for his medical care and embarks on a double journey: through the punishing outer world of the city and the inner world of the soul. Félicité is tough, tender, lyrical, mysterious, funny, and terrifying, both responsive to the moment and fixed on its heroine’s spiritual progress. A Strand Releasing release. The Florida Project Dir. Sean Baker, USA, 2017, 105m U.S. Premiere A six-year-old girl (the remarkable Brooklynn Prince) and her two best friends run wild on the grounds of a week-by-week motel complex on the edge of Orlando’s Disney World. Meanwhile, her mother (talented novice Bria Vinaite) desperately tries to cajole the motel manager (an ever-surprising Willem Dafoe) to turn a blind eye to the way she pays the rent. A film about but not for kids, Baker’s depiction of childhood on the margins has fierce energy, tenderness, and great beauty. After the ingenuity of his iPhone-shot 2015 breakout Tangerine, Baker reasserts his commitment to 35mm film with sun-blasted images that evoke a young girl’s vision of adventure and endurance beyond heartbreak. An A24 release. Ismael’s Ghosts/Les fantômes d’Ismaël Dir. Arnaud Desplechin, France, 2017, 132m North American Premiere Phantoms swirl around Ismael (Mathieu Amalric), a filmmaker in the throes of writing a spy thriller based on the unlikely escapades of his brother, Ivan Dedalus (Louis Garrel). His only true source of stability, his relationship with Sylvia (Charlotte Gainsbourg), is upended, as is the life of his Jewish documentarian mentor and father-in-law (László Szabó), when Ismael’s wife Carlotta (Marion Cotillard), who disappeared twenty years earlier, returns, and, like one of Hitchcock’s fragile, delusional femmes fatales, expects that her husband and father are still in thrall to her. A brilliant shape-shifter—part farce, part melodrama—Ismael’s Ghosts is finally about the process of creating a work of art and all the madness required. A Magnolia Pictures release. Lady Bird Dir. Greta Gerwig, USA, 2017, 93m Greta Gerwig’s directorial debut is a portrait of an artistically inclined young woman (Saoirse Ronan) trying to define herself in the shadow of her mother (Laurie Metcalf) and searching for an escape route from her hometown of Sacramento. Moods are layered upon moods at the furious pace of late adolescence in this lovely and loving film, which shifts deftly from one emotional and comic register to the next. Lady Bird is rich in invention and incident, and it is powered by Ronan, one of the finest actors in movies. With Lucas Hedges and Timothée Chalamet as the men in Lady Bird’s life, Beanie Feldstein as her best friend, and Tracy Letts as her dad. An A24 release. Lover for a Day/L’Amant d’un jour Dir. Philippe Garrel, France, 2017, 76m North American Premiere Lover for a Day is an exquisite meditation on love and fidelity that recalls Garrel’s previous NYFF selections Jealousy (NYFF 2013) and In the Shadow of Women (NYFF 2015). After a painful breakup, heartbroken Jeanne (Esther Garrel) moves back in with her university professor father, Gilles (Eric Caravaca), to discover that he is living with optimistic, life-loving student Ariane (newcomer Louise Chevillotte), who is the same age as Jeanne. An unusual triangular relationship emerges as both girls seek the favor of Gilles, as daughter or lover, while developing their own friendship, finding common ground despite their differences. Gorgeously shot in grainy black and white by Renato Berta (Au revoir les enfants), Lover for a Day perfectly illustrates Garrel’s poetic exploration of relationships and desire. A MUBI release. The Meyerowitz Stories (New and Selected) Dir. Noah Baumbach, USA, 2017, 110m North American Premiere Noah Baumbach revisits the terrain of family vanities and warring attachments that he began exploring with The Squid and the Whale in this intricately plotted story of three middle-aged siblings (Adam Sandler, Ben Stiller, and Elizabeth Marvel) coping with their strong-willed father (Dustin Hoffman) and the flightiness of his wife (Emma Thompson). Baumbach’s film never stops deftly changing gears, from surges of pathos to painful comedy and back again. Needless to say, this lyrical quicksilver comedy is very much a New York experience. A Netflix release. Mrs. Hyde/Madame Hyde Dir. Serge Bozon, France, 2017, 95m North American Premiere Serge Bozon’s eccentric comedic thriller is loosely based on Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, with many a twist. Mrs. Géquil (Isabelle Huppert), a timid and rather peculiar physics professor, teaches in a suburban technical high school. Apart from her quiet married life with her gentle stay-at-home husband, she is mocked and despised on a daily basis by pretty much everyone around her—headmaster, colleagues, students. During a dark, stormy night, she is struck by lightning and wakes up a decidedly different person, a newly powerful Mrs. Hyde with mysterious energy and uncontrollable powers. Highlighted by Bozon’s brilliant mise en scène, Isabelle Huppert hypnotizes us again, securing her place as the ultimate queen of the screen. Mudbound Dir. Dee Rees, USA, 2017, 134m Writer/director Dee Rees’s historical epic details daily life and social dynamics in the failing economy of Mississippi during the World War II era. Two families, one white (the landlords) and one black (the sharecroppers), work the same miserable piece of farmland. Out of need and empathy, the mothers of the two families bond as their younger male relatives go off to war and learn that there is a world beyond racial hatred and fear. The flawless ensemble cast includes Carey Mulligan, Mary J. Blige, Garrett Hedlund, Jason Mitchell, Jason Clarke, Rob Morgan, and Jonathan Banks. A Netflix release. On the Beach at Night Alone Dir. Hong Sang-soo, South Korea, 2017, 101m Hong Sang-soo’s movies have always invited autobiographical readings, and his 19th feature is perhaps his most achingly personal film yet, a steel-nerved, clear-eyed response to the tabloid frenzy that erupted in South Korea over his relationship with actress Kim Min-hee. The film begins in Hamburg, where actress Young-hee (played by Kim herself, who won the Best Actress prize at Berlin for this role) is hiding out after the revelation of her affair with a married filmmaker. Back in Korea, a series of encounters shed light on Young-hee’s volatile state, as she slips in and out of melancholic reflection and dreams. Centered on Kim’s astonishingly layered performance, On the Beach at Night Alone is the work of a master mining new emotional depths. A Cinema Guild release. The Other Side of Hope/Toivon tuolla puolen Dir. Aki Kaurismäki, Finland, 2017, 98m Leave it to Aki Kaurismäki (Le Havre, NYFF 2011), peerless master of humanist tragicomedy, to make the first great fiction film about the 21st century migrant crisis. Having escaped bombed-out Aleppo, Syrian refugee Khlaed (Sherwan Haji) seeks asylum in Finland, only to get lost in a maze of functionaries and bureaucracies. Meanwhile, shirt salesman Wikström (Sakari Kuosmanen) leaves his wife, wins big in a poker game, and takes over a restaurant whose deadpan staff he also inherits. These parallel stories dovetail to gently comic and enormously moving effect in Kaurismäki’s politically urgent fable, an object lesson on the value of compassion and hope that remains grounded in a tangible social reality. A Janus Films release. The Rider Dir. Chloé Zhao, USA, 2017, 104m The hardscrabble economy of America’s rodeo country, where, for some, riding and winning is the only source of pleasure and income, is depicted with exceptional compassion and truth by a filmmaker who is in no way an insider: Zhao was born in Beijing and educated at Mount Holyoke and NYU. Set on the Pine Ridge Reservation in South Dakota, The Rider is a fiction film that calls on nonprofessional actors to play characters similar to themselves, incorporating their skill sets and experiences. Brady Jandreau is extraordinary as a badly injured former champion rider and horse trainer forced to give up the life he knows and loves. A Sony Pictures Classics release. Spoor/Pokot Dir. Agnieszka Holland, in cooperation with Kasia Adamik, Poland/Germany/Czech Republic, 2017, 128m U.S. Premiere Janina Duszejko (Agnieszka Mandat) is a vigorous former engineer, part-time teacher, and animal activist, living in a near wilderness on the Polish-Czech border, where hunting is the favored year-round sport of the corrupt men who rule the region. When a series of hunters die mysteriously, Janina wonders if the animals are taking revenge, which doesn’t stop the police from coming after her. A brilliant, passionate director, Agnieszka Holland—who like Janina comes from a generation that learned to fight authoritarianism by any means necessary—forges a sprawling, wildly beautiful, emotionally enveloping film that earns its vision of utopia. It’s at once a phantasmagorical murder mystery, a tender, late-blooming love story, and a resistance and rescue thriller. The Square Dir. Ruben Östlund, Sweden, 2017, 150m A precisely observed, thoroughly modern comedy of manners, Ruben Östlund’s Palme d’Or–winner revolves around Christian (Claes Bang), a well-heeled contemporary art curator at a Stockholm museum. While preparing his new exhibit—a four-by-four-meter zone designated as a “sanctuary of trust and caring”—Christian falls prey to a pickpocketing scam, which triggers an overzealous response and then a crisis of conscience. Featuring several instant-classic scenes and a vivid supporting cast (Elisabeth Moss, Dominic West, and noted motion-capture actor Terry Notary), The Square is the most ambitious film yet by one of contemporary cinema’s most incisive social satirists, the rare movie to have as many laughs as ideas. A Magnolia Pictures release. Thelma Dir. Joachim Trier, Norway/Sweden/France, 2017, 116m In the new film from Joachim Trier (Reprise), an adolescent country girl (Eili Harboe) has just moved to the city to begin her university studies, with the internalized religious severity of her quietly domineering mother and father (Ellen Dorrit Petersen and Henrik Rafaelsen) always in mind. When she realizes that she is developing an attraction to her new friend Anja (Okay Kaya), she begins to manifest a terrifying and uncontrollable power that her parents have long feared. To reveal more would be a crime; let’s just say that this fluid, sharply observant, and continually surprising film begins in the key of horror and ends somewhere completely different. A release of The Orchard. Western Dir. Valeska Grisebach, Germany and Bulgaria, 2017, 119m U.S. Premiere As its title suggests, German director Valeska Grisebach’s first feature in a decade is a supremely intelligent genre update that recognizes the Western as a template on which to draw out eternal human conflicts. In remote rural Bulgaria, a group of German workers are building a water facility. Meinhard (Meinhard Neumann), the reserved newbie in this all-male company, immediately draws the ire of the boorish team leader, not least for his willingness to mingle with the wary locals. Cast with utterly convincing nonprofessional actors, Western is a gripping culture-clash drama, attuned both to old codes of masculinity and new forms of colonialism. A Cinema Guild release. Zama Dir. Lucrecia Martel, Argentina/Brazil/Spain, 2017, 115m U.S. Premiere The great Lucrecia Martel ventures into the realm of historical fiction and makes the genre entirely her own in this adaptation of Antonio di Benedetto’s 1956 classic of Argentinean literature. In the late 18th century, in a far-flung corner of what seems to be Paraguay, the title character, an officer of the Spanish crown (Daniel Giménez Cacho) born in the Americas, waits in vain for a transfer to a more prestigious location. Martel renders Zama’s world—his daily regimen of small humiliations and petty politicking—as both absurd and mysterious, and as he increasingly succumbs to lust and paranoia, subject to a creeping disorientation. Precise yet dreamlike, and thick with atmosphere, Zama is a singular and intoxicating experience, a welcome return from one of contemporary cinema’s truly brilliant minds.

    Read more


  • World Premiere of Richard Linklater’s LAST FLAG FLYING to Open 55th New York Film Festival

    Last Flag Flying Richard Linklater’s Last Flag Flying will World Premiere as the opening film of the 55th New York Film Festival on Thursday, September 28. The film will open theatrically on November 17, 2017 from Amazon Studios. In Richard Linklater’s lyrical road movie, as funny as it is heartbreaking, three aging Vietnam-era Navy vets—soft-spoken Doc (Steve Carell), unhinged and unfiltered Sal (Bryan Cranston), and quietly measured Mueller (Laurence Fishburne)—reunite to perform a sacred task: the proper burial of Doc’s only child, who has been killed in the early days of the Iraqi Invasion. As this trio of old friends makes its way up the Eastern seaboard, Linklater gives us a rich rendering of friendship, a grand mosaic of common life in the USA during the Bush era, and a striking meditation on the passage of time and the nature of truth. To put it simply, Last Flag Flying is a great movie from one of America’s finest filmmakers. New York Film Festival Director and Selection Committee Chair Kent Jones said, “Last Flag Flying is many things at once—infectiously funny, quietly shattering, celebratory, mournful, meditative, intimate, expansive, vastly entertaining, and all-American in the very best sense. But to isolate its individual qualities is to set aside the most important and precious fact about this movie: that it all flows like a river. That’s only possible with remarkable artists like Steve Carell, Laurence Fishburne, and Bryan Cranston, and a master like Richard Linklater behind the camera.” “It’s always special to be at the New York Film Festival, but to be premiering our movie on opening night, when you look at the half century of films that have occupied that slot, is a wonderful honor,” says Linklater. The 18-day New York Film Festival, (September 28 – October 15), highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent.

    New York Film Festival Opening Night Films

    2016 13TH (Ava DuVernay, US) 2015 The Walk (Robert Zemeckis, US) 2014 Gone Girl (David Fincher, US) 2013 Captain Phillips (Paul Greengrass, US) 2012 Life of Pi (Ang Lee, US) 2011 Carnage (Roman Polanski, France/Poland) 2010 The Social Network (David Fincher, US) 2009 Wild Grass (Alain Resnais, France) 2008 The Class (Laurent Cantet, France) 2007 The Darjeeling Limited (Wes Anderson, US) 2006 The Queen (Stephen Frears, UK) 2005 Good Night, and Good Luck. (George Clooney, US) 2004 Look at Me (Agnès Jaoui, France) 2003 Mystic River (Clint Eastwood, US) 2002 About Schmidt (Alexander Payne, US) 2001 Va savoir (Jacques Rivette, France) 2000 Dancer in the Dark (Lars von Trier, Denmark) 1999 All About My Mother (Pedro Almodóvar, Spain) 1998 Celebrity (Woody Allen, US) 1997 The Ice Storm (Ang Lee, US) 1996 Secrets & Lies (Mike Leigh, UK) 1995 Shanghai Triad (Zhang Yimou, China) 1994 Pulp Fiction (Quentin Tarantino, US) 1993 Short Cuts (Robert Altman, US) 1992 Olivier Olivier (Agnieszka Holland, France) 1991 The Double Life of Veronique (Krzysztof Kieslowski, Poland/France) 1990 Miller’s Crossing (Joel Coen, US) 1989 Too Beautiful for You (Bertrand Blier, France) 1988 Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain) 1987 Dark Eyes (Nikita Mikhalkov, Soviet Union) 1986 Down by Law (Jim Jarmusch, US) 1985 Ran (Akira Kurosawa, Japan) 1984 Country (Richard Pearce, US) 1983 The Big Chill (Lawrence Kasdan, US) 1982 Veronika Voss (Rainer Werner Fassbinder, West Germany) 1981 Chariots of Fire (Hugh Hudson, UK) 1980 Melvin and Howard (Jonathan Demme, US) 1979 Luna (Bernardo Bertolucci, Italy/US) 1978 A Wedding (Robert Altman, US) 1977 One Sings, the Other Doesn’t (Agnès Varda, France) 1976 Small Change (François Truffaut, France) 1975 Conversation Piece (Luchino Visconti, Italy) 1974 Don’t Cry with Your Mouth Full (Pascal Thomas, France) 1973 Day for Night (François Truffaut, France) 1972 Chloe in the Afternoon (Eric Rohmer, France) 1971 The Debut (Gleb Panfilov, Soviet Union) 1970 The Wild Child (François Truffaut, France) 1969 Bob & Carol & Ted & Alice (Paul Mazursky, US) 1968 Capricious Summer (Jiri Menzel, Czechoslovakia) 1967 The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria) 1966 Loves of a Blonde (Milos Forman, Czechoslovakia) 1965 Alphaville (Jean-Luc Godard, France) 1964 Hamlet (Grigori Kozintsev, USSR) 1963 The Exterminating Angel (Luis Buñuel, Mexico)

    Read more