Leaning into the Wind: Andy Goldsworthy (2017)

  • 165 Films Documentary Feature Films Submitted for 2018 Oscar Race

    [caption id="attachment_28784" align="aligncenter" width="1200"]Robin Williams: Come Inside My Mind Robin Williams: Come Inside My Mind[/caption] One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®.  Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture. Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: “Above and Beyond: NASA’S Journey to Tomorrow” “Active Measures” “Amazing Grace” “American Chaos” “Andy Irons: Kissed by God” [caption id="attachment_25696" align="aligncenter" width="1200"]Antonio Lopez 1970: Sex Fashion & Disco Antonio Lopez 1970: Sex Fashion & Disco[/caption] “Antonio Lopez 1970: Sex Fashion & Disco” “Avicii: True Stories” “Bali: Beats of Paradise” “Bathtubs over Broadway” “Be Natural: The Untold Story of Alice Guy-Blaché” “Believer” “Better Angels” “Bill Coors: The Will to Live” “Bisbee ’17” “The Bleeding Edge” “Boom for Real: The Late Teenage Years of Jean-Michel Basquiat” “Breaking Point: The War for Democracy in Ukraine” “Call Her Ganda” “Charm City” “Chef Flynn” “The China Hustle” “Christian Audigier The Vif” “The Cleaners” “Communion” “Crime + Punishment” “Dark Money” “Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders” “The Dawn Wall” “The Distant Barking of Dogs” “Divide and Conquer: The Story of Roger Ailes” “Drug$” “Eating Animals” “Eldorado” “Fahrenheit 11/9” “Fail State” “Family in Transition” “Far from the Tree” “Filmworker” “The First Patient” “Foreign Land” “40 Years in the Making: The Magic Music Movie” “Free Solo” “Garry Winogrand: All Things Are Photographable” “Generation Wealth” “Ghost Hunting” “Ghosthunter” “The Gilligan Manifesto” “The Gospel According to André” “Grace Jones: Bloodlight and Bami” “Graves without a Name” “The Great Buster: A Celebration” “Hal” “Hale County This Morning, This Evening” “Half the Picture” “The Heart of Nuba” “Hillbilly” “The Homeless Chorus Speaks” “Hondros” “Howard” “In Search of Greatness” “In the Land of Pomegranates” “Inventing Tomorrow” “Invisible Hands” “Itzhak” “Jane Fonda in Five Acts” “John McEnroe: In the Realm of Perfection” “The Judge” “Kangaroo: A Love Hate Story” “Killer Bees” “The King” “King in the Wilderness” “Kusama – Infinity” “The Last Race” “Leaning into the Wind: Andy Goldsworthy” “Letter from Masanjia” “Licu, a Romanian Story” “Living in the Future’s Past” “Liyana” “Lots of Kids, a Monkey and a Castle” “Love & Bananas: An Elephant Story” “Love, Cecil” “Love, Gilda” “Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!” “Making The Five Heartbeats” “Maria by Callas” “Matangi / Maya / M.I.A.” “McQueen” “Minding the Gap” “Monrovia, Indiana” “The Most Unknown” “New Moon” “93Queen” “Nossa Chape” “Of Fathers and Sons” “Of Love & Law” “On Her Shoulders” “Opera about Poland” “The Opera House” “The Oslo Diaries” “The Other Side of Everything” “The Panama Papers” “Path of Blood” “People’s Republic of Desire” “Philosopher King – Lee Teng-hui’s Dialogue” “Pick of the Litter” “Piripkura” “Police Killing” “Pope Francis – A Man of His Word” “The Price of Everything” “The Price of Free” “Qiu (Inmates)” “Quincy” “RBG” “The Rachel Divide” “The Raft” “Recovery Boys” “Restoring Tomorrow” “Reversing Roe” “The Road Movie” “Robin Williams: Come inside My Mind” “Ruben Blades Is Not My Name” “Samouni Road” “Saving Brinton” “Say Her Name: The Life and Death of Sandra Bland” “Science Fair” “Scotty and the Secret History of Hollywood” “Searching for Ingmar Bergman” “Seeing Allred” “The Sentence” “Shirkers” “Shot in the Dark” “The Silence of Others” “Sisters of the Wilderness” “A Son of Man” “Songwriter” “Stan” “Studio 54” “Summer in the Forest” “Tea with the Dames” “That Summer” “That Way Madness Lies…” “They Fight” “They’ll Love Me When I’m Dead” “This Is Congo” “This Is Home: A Refugee Story” “Three Identical Strangers” “To Be Continued” “Transformer” “Travel Ban” “The Trial” “Triumph: The Untold Story of Perry Wallace” “Trust Machine” “Under the Wire” “United Skates” “Unknown Distance” “Up Down and Sideways” “The Waldheim Waltz” “We Could Be Heroes” “Weed the People” “What Haunts Us” “What Lies Upstream” “Whitney” “Wonderful Losers: A Different World” “Won’t You Be My Neighbor?” “Yellow Is Forbidden” “Yellowing”

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  • LEANING INTO THE WIND, Portrait of Artist Andy Goldsworthy Sets Release Date | Trailer

    Leaning Into The Wind Leaning Into The Wind – Andy Goldsworthy, Thomas Riedelsheimer’s followup to his 2001 sleeper hit Rivers and Tides, a portrait of innovative British sculptor, photographer and environmentalist Andy Goldsworthy, will open on Friday, March 9 at New York’s Film Forum with a national rollout to follow. Sixteen years after the release of the groundbreaking film Rivers and Tides – Andy Goldsworthy Working with Time director Thomas Riedelsheimer has returned to work with the artist. Leaning into the Wind – Andy Goldsworthy follows Andy on his exploration of the layers of his world and the impact of the years on himself and his art. As Goldsworthy introduces his own body into the work it becomes at the same time even more fragile and personal and also sterner and tougher, incorporating massive machinery and crews on his bigger projects. Riedelsheimer’s exquisite film illuminates Goldsworthy’s mind as it reveals his art. https://www.youtube.com/watch?v=BQYGbfVfpm0

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  • #PIFF41 2018 Portland International Film Festival Announces Lineup

    41st Portland International Film Festival The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin. In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award. Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France). As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival. Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.

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  • Lady Macbeth Leads with 15 Nominations for 2017 British Independent Film Awards | Complete List

    [caption id="attachment_19551" align="aligncenter" width="1200"]Lady Macbeth Lady Macbeth[/caption] Lady Macbeth topped the list of nominations for the 2017 British Independent Film Awards (BIFA) with 15 nominations including Best British Independent Film.  The Death of Stalin, I Am Not a Witch follow with 13 nominations each; and God’s Own Country and Three Billboards Outside Ebbing, Missouri each nominated 11 times. Overall, debut features dominate the nominations list, with the first-time writers, producers and directors of Lady Macbeth, I Am Not a Witch and God’s Own Country all recognized in the three newcomer categories – Debut Screenwriter, Breakthrough Producer  and The Douglas Hickox Award for Best Debut Director – as well as Best Screenplay, Best Director and Best British Independent Film. Past BIFA winners Armando Iannucci and Martin McDonagh are the writer-directors of this year’s other two Best British Independent Film nominees, The Death of Stalin and Three Billboards Outside Ebbing, Missouri. Both films have two nominees in the Best Supporting Actor category, with The Death of Stalin’s Simon Russell Beale and Steve Buscemi taking on Three Billboards’ Woody Harrelson and Sam Rockwell. Frances McDormand is nominated for Best Actress for her performance in Three Billboards and Andrea Riseborough for Supporting Actress for The Death of Stalin. Both films also have nominations for Best Director, Best Screenplay. Film Stars Don’t Die in Liverpool has four nominations including two for past BIFA winners Jamie Bell and Julie Walters, nominated for Best Actor and Best Supporting Actress. Gary Oldman will receive The Variety Award at the ceremony.The Variety Award recognizes a director, actor, writer or producer who has made a global impact and helped to focus the international spotlight on the UK. Past winners include Kate Winslet, Benedict Cumberbatch, Paul Greengrass, Jude Law, Kenneth Branagh, Liam Neeson, Sir Michael Caine, Naomie Harris, Daniel Craig, Helen Mirren and Richard Curtis. Winners will be announced by host Mark Gatiss at the British Independent Film Awards Ceremony on Sunday December 10 at Old Billingsgate.

    Best British Independent Film

    The Death of Stalin God’s Own Country I Am Not a Witch Lady Macbeth Three Billboards Outside Ebbing, Missouri

    Best International Independent Film

    The Florida Project Get Out I Am Not Your Negro Loveless The Square

    Best Director

    Armando Iannucci (The Death of Stalin) Francis Lee (God’s Own Country) Martin McDonagh (Three Billboards Outside Ebbing, Missouri) Rungano Nyoni (I Am Not a Witch) William Oldroyd (Lady Macbeth)

    Best Screenplay

    Alice Birch (Lady Macbeth) Armando Iannucci, David Schneider, Ian Martin (The Death of Stalin) Francis Lee (God’s Own Country) Martin McDonagh (Three Billboards Outside Ebbing, Missouri) Rungano Nyoni (I Am Not a Witch)

    Best Actress

    Emily Beecham (Daphne) Frances McDormand (Three Billboards Outside Ebbing, Missouri) Margaret Mulubwa (I Am Not a Witch) Florence Pugh (Lady Macbeth) Ruth Wilson (Dark River)

    Best Actor

    Jamie Bell (Film Stars Don’t Die in Liverpool) Paddy Considine (Journeyman) Johnny Harris (Jawbone) Josh O’Connor (God’s Own Country) Alec Secareanu (God’s Own Country)

    Best Supporting Actress

    Naomi Ackie (Lady Macbeth) Patricia Clarkson (The Party) Kelly MacDonald (Goodbye Christopher Robin) Andrea Riseborough (The Death of Stalin) Julie Walters (Film Stars Don’t Die in Liverpool)

    Best Supporting Actor

    Simon Russell Beale (The Death of Stalin) Steve Buscemi (The Death of Stalin) Woody Harrelson (Three Billboards Outside Ebbing, Missouri) Ian Hart (God’s Own Country) Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

    Most Promising Newcomer sponsored by The London EDITION

    Naomi Ackie (Lady Macbeth) Harry Gilby (Just Charlie) Cosmo Jarvis (Lady Macbeth) Harry Michell (Chubby Funny) Lily Newmark (Pin Cushion)

    The Douglas Hickox Award (Best Debut Director)

    Deborah Haywood (Pin Cushion) Francis Lee (God’s Own Country) Thomas Napper (Jawbone) Rungani Nyoni (I Am Not a Witch) William Oldroyd (Lady Macbeth)

    Debut Screenwriter

    Alice Birch (Lady Macbeth) Gaby Chiappe (Their Finest) Johnny Harris (Jawbone) Francis Lee (God’s Own Country) Rungani Nyoni (I Am Not a Witch)

    Breakthrough Producer

    Gavin Humphries (Pin Cushion) Emily Morgan (I Am Not a Witch) Brendan Mullin, Katy Jackson (Bad Day For The Cut) Fodhla Cronin O’Reilly (Lady Macbeth) Jack Tarling, Manon Ardisson (God’s Own Country)

    The Discovery Award

    Even When I Fall Halfway In Another Life Isolani R My Pure Land

    Best Documentary

    Almost Heaven Half Way Kingdom Of Us Uncle Howard Williams

    Best British Short Film

    1745 Fish Story The Entertainer Work Wren Boys

    Best Cinematography

    Ben Davis (Three Billboards Outside Ebbing, Missouri) David Gallego (I Am Not a Witch) Tat Radcliffe (Jawbone) Thomas Riedelsheimer (Leaning Into the Wind) Ari Wegner (Lady Macbeth)

    Best Casting

    Shaheen Baig (Lady Macbeth) Shaheen Baig, layla Merrick-Wolf (God’s Own Country) Sarah Crowe (The Death of Stalin) Sarah Halley Finn (Three Billboards Outside Ebbing, Missouri) Debbie McWilliams (Film Stars Don’t Die in Liverpool)

    Best Costume Design

    Dinah Collin (My Cousin Rachel) Suzie Harman (The Death of Stalin) Sandy Powell (How to Talk to Girls at Parties) Holly Rebecca (I Am Not a Witch) Holly Waddington (Lady Macbeth)

    Best Editing

    Johnny Burke (Williams) David Charap (Jawbone) Jon Gregory (Three Billboards Outside Ebbing, Missouri) Peter Lambert (The Death of Stalin) Joe Martin (Us And Them)

    Best Effects

    Nick Allder, Ben White (The Ritual) Luke Dodd (Journeyman) Effects team (The Death of Stalin) Dan Martin (Double Date) Chris Reynolds (Their Finest)

    Best Make Up & Hair Design

    Julene Paton (I Am Not a Witch) Jan Sewell (Breathe) Nadia Stacey (Journeyman) Nicole Stafford (The Death of Stalin) Sian Wilson (Lady Macbeth)

    Best Music

    Carter Burwell (Three Billboards Outside Ebbing, Missouri) Fred Frith (Leaning Into The Wind) Matt Kelly (I Am Not a Witch) Paul Weller (Jawbone) Christopher Willis (The Death of Stalin)

    Best Production Design

    Jacqueline Abrahams (Lady Macbeth) Cristina Casali (The Death of Stalin) James Merifield (Final Portrait) Nathan Parker (I Am Not a Witch) Eve Stewart (Film Stars Don’t Die in Liverpool)

    Best Sound

    Anna Bertmark (God’s Own Country) Maiken Hansen (I Am Not a Witch) Andy Shelley, Steve Griffiths (Jawbone) Joakim Sundström (Three Billboards Outside Ebbing, Missouri) Sound team (Breathe)

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  • GOD’S OWN COUNTRY, GLORY, DONKEYOTE Win Top Awards at Edinburgh International Film Festival

    [caption id="attachment_22334" align="aligncenter" width="1777"]God’s Own Country God’s Own Country[/caption] The Edinburgh International Film Festival today announced the Award Winners for this year’s 71st edition, with the winner of the prestigious Michael Powell Award for Best British Feature Film going to British filmmaker Francis Lee’s directorial debut, God’s Own Country, which received its UK Premiere at the Festival. The Michael Powell Award honors imagination and creativity in British filmmaking. The Michael Powell Jury said: “We present the Michael Powell Award to God’s Own Country, directed by Francis Lee, a film with a singularity of storytelling and consistency of vision. Assured direction with raw and endearing performances result in a film that has an authenticity that is both tender and brutal, a juxtaposition of landscape and emotion, which explores the question of what it means to be a man.” Francis Lee said: “I am thrilled with this honor for God’s Own Country, especially when you consider the British films that have won before. After premiering at Sundance and Berlin it has been wonderful to see how the film has created a real resonance with people and that is why the Michael Powell Award feels so brilliant.” https://www.youtube.com/watch?v=q1YAhyU6-tA The award for Best Performance in a British Feature Film went jointly to actresses Emily Beecham for her role in Daphne and Anne Reid for her roles in Kaleidoscope and Romans, and was also selected by the Michael Powell jurors. The Michael Powell Jury said: “In the category of Best Performance in a British Feature Film, the Michael Powell Jury recognizes two actors, Emily Beecham and Anne Reid, portraying fascinating, complex and flawed characters who didn’t strive for your affection but commanded your attention – real in the best sense of the word.” The award for Best International Feature Film went to Kristina Grozeva and Petar Valchanov’s Glory, which received its UK Premiere at this year’s Festival. The International Jury said: “Deftly acted, beautifully photographed and directed, we loved this film. The subtlety of the performances and the story-telling was defined with such a lightness of touch which led to the immoral and moral choices having a heavy impact on this Jury.” Petar Valchanov said: “It is a great honor for us to receive this award from Edinburgh International Film Festival, which has been preserving the traditions of good cinema the longest and carrying them over the generations. This award is a recognition not only for us, but also for Bulgarian cinema, which is currently on the rise again. Thank you for being there!” https://www.youtube.com/watch?v=_fmm7i05z88 The award for Best Documentary Feature Film went to Chico Pereira’s contemplative Donkeyote, which studied Pereira’s uncle whose wonderful spirit of adventure belies all of his 73 years. Special mention was given to Thomas Riedelsheimer’s Leaning Into The Wind. https://www.youtube.com/watch?v=tQ8j7WRE63A Chico Pereira said: “On behalf of the entire Donkeyote team I’d like to say thank you so much for this recognition. For some of us who live or lived in Edinburgh, it holds an extra special meaning: our formative cinema experiences have been with EIFF, and just to return for our UK premiere is an honor in itself. I dedicate this also to my family, and in particular Manolo and Gorrión who teach us how to be truly modern and to enjoy life.” The award for Best Short Film went to The Full Story, directed by Daisy Jacobs, with Kevin Pickering’s Close to the Bone and Gordon Napier’s 1745 receiving a special mention from the jurors. Daisy Jacob’s said: “It is an honor to receive the Best Short Film Award from such a prestigious Festival, we are delighted.” Voted for by the Festival audience, the McLaren Award for Best British Animation, this year went to Paloma Baeza’s Poles Apart. The winner of this year’s EIFF Works in Progress and recipient of the £2,500 award is Piano to Zanskar by Michal Sulima. Michal Sulima said: “We are delighted to have been selected for the EIFF Works in Progress award this year. It was a real privilege to be part of the showcase and to pitch our documentary to an audience full of industry professionals, which resulted in a number of meetings and expressions of interest. It’s only fair to say that we were heartily impressed by the quality of all the films presented, so the award comes to us as a great surprise! Given that our film has been entirely self-funded, it will go a long way towards helping us reach completion. We’re very grateful to the wonderful team at the EIFF for giving us this opportunity.”  

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