Leave No Trace (2018)

  • Seattle International Film Festival Announces 2018 Lineup of Over 400 Films

    [caption id="attachment_28016" align="aligncenter" width="1200"]Don’t Worry, He Won’t Get Far on Foot Don’t Worry, He Won’t Get Far on Foot[/caption] This year’s 44th edition of the Seattle International Film Festival revealed today the complete lineup of 433 films, plus guests and events for the 25-day Festival that runs May 17 to June 10, 2018.   Opening night kicks off Thursday, May 17 with The Bookshop from acclaimed Spanish filmmaker Isabel Coixet (Learning to Drive, Elegy), distributed by Greenwich Entertainment. The film is set in a seaside village in England where a grieving widow (Emily Mortimer) pursues her lifelong dream of opening a bookshop. She introduces the townsfolk to the world’s best literature and stirs a cultural awakening, but her efforts are ruthlessly opposed by a powerful local (Patricia Clarkson) causing a reclusive resident (Bill Nighy) to join the fight to keep the bookshop open. The film is based on the bestselling novel by Penelope Fitzgerald. The annual Centerpiece Gala, Sorry to Bother You, pulls no punches in its portrayal of racial dynamics in the workplace. This new film ushers in an utterly original and wildly creative new voice on the film scene from debut director and musician Boots Riley. Director Boots Riley is scheduled to attend the Seattle premiere to take place Saturday, June 2, at 5:30 PM, at the SIFF Cinema Egyptian. The Seattle premiere of Ethan Hawke’s Blaze will also screen at the historic SIFF Cinema Egyptian as SIFF honors Mr. Hawke’s work with the Award for Outstanding Achievement in Cinema. In addition to the award presentation and screening, the acclaimed actor is slated for an on-stage interview at the Friday, June 8 event. Also scheduled is An Afternoon with Melanie Lynskey, where the Festival pays tribute to this celebrated actress. The iconic scene-stealing actress makes her way to SIFF on Sunday, May 27 for the Seattle premiere of Northwest Filmmaker Megan Griffiths’ film Sadie with an onstage discussion following the film. Seattle favorite, Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot, closes SIFF 2018 with a bang! Starring Joaquin Phoenix in a transformative performance as Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. “Sifting through over 4,000 film submissions each year, finding just 240 features is somewhat of a treasure hunt,” said SIFF Artistic Director Beth Barrett. “We’re looking for dynamic, diverse stories. This year, we’re overjoyed to share that over 43-percent of the feature films are female directed. We’re thrilled to jump into the 44th Festival and share these voices from around the globe with over 150,000 film enthusiasts in Seattle over the course of 25 days.”

    GALAS

    Opening Night Gala The Bookshop Spanish director Isabel Coixet heads to the English coast circa 1959, where a headstrong widow (Emily Mortimer) opens a bookstore in a sleepy village and encounters both pride and prejudice from the provincial locals. Winner of Best Film, Director, and Screenplay at Spain’s Goya Awards. (d: Isabel Coixet c: Emily Mortimer, Bill Nighy, Patricia Clarkson, Julie Christie, Hunter Tremayne, United Kingdom 2017, 110 min) Centerpiece Gala Sorry to Bother You Lakeith Stanfield, Tessa Thompson, and Armie Hammer star in the exhilarating directorial debut of musician Boots Riley, a biting and bonkers satire that follows a black telemarketer who discovers an unknown skill which gives him magical selling powers that shoot him up the corporate ladder. (d: Boots Riley c: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwick, David Cross, Danny Glover, USA 2018, 112 min) Closing Night Gala Don’t Worry, He Won’t Get Far On Foot Joaquin Phoenix gives a transformative performance in Gus Van Sant’s sensitive and caustically funny portrait of Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. The outstanding supporting cast includes Jonah Hill, Rooney Mara, Jack Black, and musician Beth Ditto in her impressive film debut. (d: Gus Van Sant c: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Beth Ditto, USA 2018, 113 min)

    SPECIAL GUESTS

    AN AFTERNOON WITH Melanie Lynskey FILM: Sadie Since making her debut at age 16 opposite a young Kate Winslet in Peter Jackson’s Heavenly Creatures, the New Zealand-born Melanie Lynskey has become one of American cinema’s most reliable character actors. From Ever After: A Cinderella Story to Shattered Glass, The Informant! to The Perks of Being a Wallflower, Hello I Must Be Going to I Don’t Feel at Home in This World Anymore, and TV work ranging from HBO’s “Togetherness” and “Animals” and Cartoon Network’s “Over the Garden Wall” to 12 years on CBS’ “Two and a Half Men,” her passionate dedication to her craft has created a class of charismatic characters defined by their grace, sensitivity, quirkiness, and kindness. This afternoon, SIFF will welcome her to the stage for an interview featuring film clips from her career, followed by a screening of one of Lynskey’s latest films, Sadie, directed by Seattle-based Megan Griffiths (The Night Stalker, Lucky Them, Eden), with music by Pearl Jam’s Mike McCready. There will also be an opportunity for audience questions following the screening.

    OUTSTANDING ACHIEVEMENT IN CINEMA

    A Tribute to Ethan Hawke FILM: Blaze A modern day renaissance artist, Ethan Hawke’s creative talent continues to flourish in several realms of expression. An actor, screenwriter, novelist, and filmmaker, his body of work is broad as it is deep in a career that now spans three decades. From portraying a rock-steady police sergeant and cowboy, to a sensitive teenage poet and young heartthrob, his versatility as an actor is renowned, cementing him as one of the great performers of this generation. SIFF will present Ethan Hawke with the Seattle International Film Festival Award for Outstanding Achievement in Cinema. A Q&A with Hawke will follow the screening of his new film, Blaze. Past honorees of the SIFF Outstanding Achievement Awards include Anjelica Huston, Laura Dern, Chiwetel Ejiofor, Viggo Mortensen, Kyle MacLachlan, Sir Ben Kingsley, Kevin Bacon, Edward Norton, Sissy Spacek, Joan Allen, Spike Lee, among others.

    FILMS WITH PARTIES

    Saturday Film and Party The Cake General, North American Premiere SATURDAY, MAY 19, 5:30 PM – Party to follow screening FILM: MAJESTIC BAY PARTY: NORDIC MUSEUM Based on a true story, the directorial debut of popular Swedish personalities Filip and Fredrik is an outrageous, unconventional comedy set in the 1980s about an eccentric resident of “the most boring town in Sweden” who decides to put his sleepy hamlet on the map by assembling the world’s longest layer cake. (d: Filip Hammar, Fredrik Wikingsson c: Mikael Perssbrandt, Helena Bergström, Agnes Lindström Bolmgren, Tomas von Brömssen, Sweden 2018, 101 min) Saturday Film and Party Won’t You Be My Neighbor? SATURDAY, MAY 26, 6:00 PM – Party to follow screening FILM: SIFF CINEMA UPTOWN PARTY: THE HOUSE STUDIOS Oscar®-winning director Morgan Neville (20 Feet From Stardom) presents the heartwarming life of Fred Rogers, whose cherished PBS series, “Mister Rogers’ Neighborhood,” used cardigans, puppets, and the Land of Make-Believe to imaginatively and compassionately inspire children, while not shying away from complicated issues. (d: Morgan Neville f: Fred Rogers, USA 2018, 93 min) Kirkland Opening Night The Drummer and the Keeper THURSDAY, MAY 31, 8:00 PM – Party to precede screening PARTY AND FILM: KIRKLAND PERFORMANCE CENTER When a drummer for an up-and-coming Dublin rock band is diagnosed with bipolar disorder, he is forced to join a weekend mixed-ability soccer team and makes fast friends with a 17-year-old with Asperger’s Syndrome in this poignant and charming bro-com between two odd and lonely souls. (d: Nick Kelly c: Dermot Murphy, Jacob McCarthy, Peter Coonan, Ireland/USA 2017, 93 min)

    SPECIAL PRESENTATION

    L’INFERNO WITH LIVE SCORE BY MY GOODNESS Thursday, May 31 | 7:00 PM | The Triple Door Seattle rock band My Goodness bring their expansive blues-inspired sound to The Triple Door for a live accompaniment to the 1911 Italian silent film, a macabre tour de force inspired by Dante’s “Divine Comedy,” featuring ground-breaking special effects and a cast of thousands.

    SPOTLIGHT PRESENTATIONS

    HIGHLANDER WITH LIVE SOUNDTRACK BY DJ NICFIT Wednesday, May 23 | 6:30 PM | SIFF Cinema Egyptian When originally released in 1986, this franchise-inspiring fantasy adventure about an immortal Scottish swordsman featured a handful of new songs from rock icons Queen. Now, Seattle’s own DJ NicFit reimagines the cult classic with a decades-spanning all-Queen playlist performed live on two turntables. FOUND FOOTAGE FESTIVAL: CHERISHED GEMS Wednesday, June 6 | 9:15 PM | SIFF Cinema Egyptian Ranging from industrial training videos to forsaken home movies, comedians Joe Pickett and Nick Prueher’s vast VHS library features the world’s largest collection of strange, outrageous, and profoundly stupid videos, the best (and worst) of which they have carefully curated and present along with live comedy commentary. EIGHTH GRADE Saturday June, 9, 6:30 PM | SIFF Cinema Egyptian Sunday, June 10, 12:30 PM | SIFF Cinema Uptown Newcomer Elsie Fisher, in a star-making performance, perfectly captures the everyday humiliations and triumphs of a modern-day thirteen-year-old making her way through the last week of her thus far disastrous eighth grade year in the auspicious filmmaking debut of comedian Bo Burnham.

    COMPETITIONS

    Official Competition

    The Devil’s Doorway (d: Aislinn Clarke, United Kingdom 2018, World Premiere) Garbage (d: Q (Qaushiq Mukherjee), India 2018, North American Premiere) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Leave No Trace (d: Debra Granik, USA 2018) Luna (d: Elsa Diringer, France 2017) Pig (d: Mani Haghighi, Iran 2018, North American Premiere) The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018, North American Premiere) Something Useful (d: Pelin Esmer, Turkey/France/Netherlands/Germany 2017, North American Premiere) Team Hurricane (d. Annika Berg, Denmark 2017)

    New Directors Competition

    After the War (d: Annarita Zambrano, France/Italy/Belgium/Switzerland 2017) Amateurs (d: Gabriela Pichler, Sweden 2018) The Blessed (d: Sofia Djama, France/Belgium 2017) The Charmer (d: Milad Alami, Denmark/Sweden 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Retablo (d: Alvaro Delgado-Aparicio L., Peru/Germany/Norway 2018, North American Premiere) Sashinka (d: Kristina Wagenbauer, Canada (Québec) 2017, US Premiere) Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) Shuttle Life (d: Tan Seng Kiat, Malaysia 2017, US Premiere) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)

    Ibero-American Competition

    Champions (d: Javier Fesser, Spain 2018, North American Premiere) Giant (d: Jon GaranÞo, Aitor Arregi, Spain 2017) Gold Seekers (d: Juan Carlos Maneglia, Tana Schémbori, Paraguay 2017) Killing Jesus (d: Laura Mora Ortega, Colombia/Argentina 2017) Lots of Kids, A Monkey and a Castle (d: Gustavo Salmerón, Spain 2017) Marilyn (d: Martiìn Rodriguez, Argentina/Chile 2018, North American Premiere) Rush Hour (d: Luciana Kaplan, Mexico 2017) Rust (d: Aly Muritiba, Brazil 2018) Virus Tropical (d: Santiago Caicedo, Colombia/Ecuador 2017)

    New American Cinema Competition

    Jinn (d: Nijla Mu’min, USA 2018) My Name Is Myeisha (d: Gus Krieger, USA 2018) Noble Earth (d: Ursula Grisham, USA 2017, US Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Sadie (d: Megan Griffiths, USA 2018) Thunder Road (d: Jim Cummings, USA 2018) Tyrel (d: Sebastián Silva, USA 2018) Wild Nights With Emily (d: Madeleine Olnek, USA 2018)

    Documentary Competition

    Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Inventing Tomorrow (d: Laura Nix, USA 2018) MATANGI / MAYA / M.I.A. (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) People’s Republic of Desire (d: Hao Wu, China 2018) Queerama (d: Daisy Asquith, United Kingdom 2017) The Return (d: Malene Choi, Denmark 2018) Unarmed Verses (d: Charles Officer, Canada 2017, US Premiere) Warrior Women (d: Elizabeth A. Castle, Christina D. King, USA 2018, US Premiere)

    AFRICAN PICTURES

    The African Storm (d: Sylvestre Amoussou, Benin/France 2017) The Blessed (d: Sofia Djama, France/Belgium 2017) Cook Off (d: Tomas L. Brickhill, Zimbabwe 2017, North American Premiere) Ellen (d: Daryne Joshua, South Africa 2017, North American Premiere) I Am Not a Witch (d: Rungano Nyoni, Zambia/France/United Kingdom 2017) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Maki’la (d: Machérie Ekwa Bahango, Democratic Republic of Congo/France 2018, North American Premiere) Razzia (d: Nabil Ayouch, France/Morocco/Belgium 2017) Silas (d: Hawa Essuman, Anjali Nayar, Canada/South Africa/Kenya 2017) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)

    CHINA STARS

    Awards will be presented to: Best New Talent Award: Mingming Yang for Girls Always Happy Best First Film Award: Dead Pigs by Cathy Yan Best Film Award: The Taste of Betel NutAngels Wear White (d: Vivian Qu, China/France 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Girls Always Happy (d: Mingming Yang, China 2018, North American Premiere) Love Education (d: Sylvia Chang, Mainland China/Taiwan 2017) People’s Republic of Desire (d: Hao Wu, China 2018) The Silk and the Flame (d: Jordan Schiele, USA/China 2018, US Premiere) Susu (d: Yixi Sun, China/United Kingdom 2017, US Premiere) The Taste of Betel Nut (d: Jia Hu, Mainland China/Hong Kong 2017, North American Premiere) The Widowed Witch (d: Chenglie Cai, China 2018, North American Premiere) Wrath of Silence (d: Yukun Xin, China 2017, North American Premiere)

    CULINARY CINEMA

    Brewmaster (d: Douglas Tirola, USA/Czech Republic 2018) Constructing Albert (d: Laura Collado, Jim Loomis, Spain 2017) Cuban Food Stories (d: Asori Soto, Cuba/USA 2018) Michelin Stars: Tales from the Kitchen (d: Rasmus Dinesen, Denmark 2017) Schumann’s Bar Talks (d: Marieke Schroeder, Germany 2017) Scotch – A Golden Dream (d: Andrew Peat, Taiwan 2017) Soufra (d: Thomas Morgan, USA 2017)

    FACE THE MUSIC

    Being Frank: The Chris Sievey Story (d: Steve Sullivan, United Kingdom 2018) Blaze (d: Ethan Hawke, USA 2018) Industrial Accident – The Story of Wax Trax! Records (d: Julia Nash, USA/Belgium/Canada/Germany 2018) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Making the Grade (d: Ken Wardrop, Ireland 2017) MATANGI / Maya / M.I.A (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) Nico, 1988 (d: Susanna Nicchiarelli, Italy/USA 2017) Rubén Blades Is Not My Name ( d: Abner Benaim, Panama/Argentina/Colombia 2018) Ryuichi Sakamoto:Coda (d: Stephen Nomura, Japan/USA 2017)

    NORTHWEST CONNECTIONS

    Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Automata (d: Van Alan, USA 2017) The Faces of Zandra Rhodes (d: David Wiesehan, USA 2018, World Premiere) The Most Dangerous Year (d: Vlada Knowlton, USA 2018, World Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Return to Mount Kennedy (d: Eric Becker, USA 2018) Sadie (d: Megan Griffiths, USA 2018)

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  • Provincetown International Film Festival Announces 2018 Lineup, Closes with MAPPLETHORPE

    [caption id="attachment_28780" align="aligncenter" width="1200"]MAPPLETHORPE MAPPLETHORPE[/caption] The Provincetown International Film Festival (PIFF) announced their complete lineup of narrative, documentary and short films for the 20th anniversary edition. The festival will kick off with the New England premiere of WILD NIGHTS WITH EMILY, starring Molly Shannon. Written and directed by Madeleine Olnek, the film is a dramatic comedy about the secret life of Emily Dickinson. Ondi Timoner’s MAPPLETHORPE, starring Matt Smith, has been selected as the Closing Night film. Additionally, acclaimed director Sean Baker will receive the “Filmmaker on the Edge” Award in conversation with John Waters, and actress Chloë Grace Moretz will be on hand to receive the festival’s Next Wave Award; Moretz’s latest film, THE MISEDUCATION OF CAMERON POST, is a Spotlight selection. Said Artistic Director Lisa Viola, “For our 20th anniversary festival, we are absolutely thrilled to present a lineup featuring new work by a group of extraordinarily talented filmmakers, and we are especially proud that all five of our Spotlight films are directed by women!” The Provincetown International Film Festival runs June 13 to 17, 2018 in Provincetown, MA.

    2018 Provincetown International Film Festival Lineup

    OPENING NIGHT

    WILD NIGHTS WITH EMILY – directed by Madeleine Olnek (Wednesday, June 13)

    CLOSING NIGHT

    MAPPLETHORPE – directed by Ondi Timoner (Sunday, June 17)

    SPOTLIGHT SELECTIONS

    THE MISEDUCATION OF CAMERON POST – directed by Desiree Akhavan (Thursday, June 14) AND BREATHE NORMALLY – directed by Ísold Ugadóttir (Friday, June 15) LEAVE NO TRACE – directed by Debra Granik (Saturday, June 16)

    SPECIAL SCREENINGS/EVENTS

    JOHN WATERS PRESENTS: I, OLGA – directed by Petr Kazda, Tomás Weinreb MODERN LOVE LIVE, presented by WBUR and The New York Times at the Provincetown Film Festival (Friday, June 15) FEMALE TROUBLE – directed by John Waters MIDNIGHT COWBOY – directed by John Schlesinger TANGERINE – directed by Sean Baker

    NARRATIVE FEATURES

    1985 – directed by Yen Tan BLINDSPOTTING– directed by Carlos López Estrada THE CAKEMAKER – directed by Ofir Raul Graizer THE CHILDREN ACT – directed by Richard Eyre DON’T WORRY, HE WON’T GET FAR ON FOOT – directed by Gus Van Sant EIGHTH GRADE – directed by Bo Burnham THE GUILTY – directed by Gustav Möller HEARTS BEAT LOUD– directed by Brett Haley A KID LIKE JAKE – directed by Silas Howard LEMONADE – directed by Ioana Uricaru LOVELING – directed by Gustavo Pizzi MADELINE’S MADELINE – directed by Josephine Decker MARIO – directed by Marcel Gisler NIGHT COMES ON – directed by Jordana Spiro PUZZLE – directed by Marc Turtletaub WE THE ANIMALS – directed by Jeremiah Zagar

    DOCUMENTARY FEATURES

    CHEF FLYNN – directed by Cameron Yates DAWNLAND – directed by Adam Mazo, Ben Pender-Cudlip EVERY ACT OF LIFE – directed by Jeff Kaufman A FINE LINE – directed by Joanna James GENERATION WEALTH – directed by Lauren Greenfield THE GOSPEL OF EUREKA – directed by Donal Mosher, Michael Palmieri JOHN McENROE: IN THE REALM OF PERFECTION – directed by Julien Faraut LIFE IN THE DOGHOUSE – directed by Ron Davis McQUEEN – directed by Ian Bonhôte, Peter Ettedgui THE PRICE OF EVERYTHING – directed by Nathaniel Kahn ROBIN WILLIAMS: COME INSIDE MY MIND – directed by Marina Zenovich SCIENCE FAIR – directed by Cristina Costantini, Darren Foster SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD – directed by Matt Tyrnauer THE SENTENCE – directed by Rudy Valdez STUDIO 54 – directed by Matt Tyrnauer THREE IDENTICAL STRANGERS – directed by Tim Wardle TIME FOR ILHAN – directed by Norah Shapiro WESTWOOD: PUNK, ICON, ACTIVIST – directed by Lorna Tucker WYETH – directed by Glenn Holsten

    SHORTS

    AFTER PROM – directed by Nona Schamus BABS – directed by Celine Held & Logan George BECAUSE YOU’RE HERE – directed by Mike Syers BRAINWORM BILLY – directed by Emily Hubley THE DARE PROJECT – directed by Adam Salky, written by David Brind EDWARD HOPPER & MARSHALL’S HOUSE – directed by Bob Burnett FEVAH – directed by Randall Dottin GIRL FRIEND – directed by Chloe Sarbib HEATHER HAS FOUR MOMS – directed by Jeanette L. Buck JUDITH LOVES MARTHA – directed by Anna Gaskell KEEPER – directed by Marnie Crawford Samuelson & Shane Hofeldt KHOL (OPEN) – directed by Faroukh Virani LANDLINE – directed by Matt Houghton THE LAYOVER – directed by Joe Stankus LONESOME WILLCOX – directed by Ryan Maxey & Zack Wright MARGUERITE – directed by Maria Gracia Turgeon MAUDE – directed by Anna Margaret Hollyman MEN DON’T WHISPER – directed by Jordan Firstman MOTHER MOTHER – directed by Robert Machoian & Rodrigo Ojeda-Beck NEGATIVE SPACE – directed by Ru Kuwahata & Max Porter NEUTRAL – directed by Nathan Barnatt PAID FOR BY – EPISODE 2 – DIANE BUSCH’S WOMEN’S ISSUE AD – directed by Dawn Smith SET ME AS A SEAL UPON THINE HEART – directed by Omer Tobi SHE IS JUICED: SLICE ONE – JO HAY – directed by Lois Norman SLEEPOVER – directed by Jimi Vall Peterson SUPER 8 DAZE – directed by Rob Hampton & John Morgan WOULD YOU LOOK AT HER – directed by Goran Stolevski WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS –directed by Don Herzfeldt WREN BOYS – directed by Harry Lighton

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  • BAMcinemaFest 2018 Announces Festival Lineup, Opens with Boots Riley’s SORRY TO BOTHER YOU

    [caption id="attachment_27436" align="aligncenter" width="1200"]Lakeith Stanfield and Tessa Thompson appear in Sorry to Bother You by Boots Riley Lakeith Stanfield and Tessa Thompson appear in Sorry to Bother You by Boots Riley[/caption] BAM unveiled the lineup for the tenth annual BAMcinemaFest taking place June 20 to July 18, 2018. Opening this year’s festival on Wednesday, June 20 is the head-spinningly surreal debut from musician-turned-filmmaker Boots Riley, Sorry to Bother You. Struggling to make ends meet in Oakland, CA, Cassius Green (Lakeith Stanfield) lands a job as a RegalView telemarketer. Realizing perfecting his “white voice” is the key to his monetary success, Green soon discovers it’s not without considerable consequences. Also starring Armie Hammer as RegalView’s callous CEO and a beguiling Tessa Thompson as Green’s activist-artist love interest. This year’s Closing Night selection on Saturday, June 30 is the New York premiere of Brooklyn filmmaker Josephine Decker’s third feature, Madeline’s Madeline. It stars writer/actor/director Miranda July as single mother Regina and dazzling young newcomer Helena Howard as her daughter Madeline. The film chronicles a volatile mother-daughter relationship which slowly intensifies with Madeline’s participation in an improvisational theater class led by an unscrupulous stage director (played by Molly Parker). This year’s Centerpiece selection is Leave No Trace. Eight years after Winter’s Bone, director Debra Granik returns with an arresting portrait of a father and daughter living a transient lifestyle off the grid. Starring Ben Foster and newcomer Thomasin Harcourt McKenzie in a mesmerizing breakout performance, Leave No Trace is a Bleeker Street release. This year’s Spotlight selections are Eighth Grade and Crime + Punishment. Bo Burnham’s much talked about Sundance film Eighth Grade follows 13-year-old Kayla (a riveting portrayal by newcomer Elsie Fisher), who, just having been awarded the status of ‘Most Quiet’ by her peers, ironically finds a voice in making inspirational videos for teens on YouTube. At once unflinchingly honest and unfailingly empathetic, Burnham’s auspicious directorial debut is as relatable as it is hilarious. Eighth Grade is an A24 release. Stephen Maing’s Crime + Punishment is a galvanizing documentary chronicling 12 New York Police Department minority officers who risk everything, speaking out against the continued use of quotas that unfairly target young black and Hispanic men. With unprecedented fly-on-the-wall access, the film exposes racism, corruption, and intimidation within the NYPD. Crime + Punishment is a Film Collaborative release. Kasi Lemmons’ Eve’s Bayou (1997) has been selected as the festival’s free, outdoor screening happening on Thursday, June 28 at Brooklyn Bridge Park. Relayed through the eyes of 10-year-old Eve (Jurnee Smollett), this Southern Gothic saga transpires over the course of a Louisiana summer after Eve discovers her picture-perfect family is something else entirely. The BAMcinemaFest main slate includes 20 feature films, with three world and two North American premieres, as well as nine documentary titles. The world premieres include Chained for Life, Feast of the Epiphany, and Two Plains & a Fancy. Aaron Schimberg’s Chained for Life is a reflexive look at the making of a controversial art film, with a heartbreaking performance by Adam Pearson (Under the Skin), featuring familiar faces from BAMcinemaFest’s past. Feast of the Epiphany, by film critic Michael Koresky and BAMcinemaFest alums Jeff Reichert and Farihah Zaman (Remote Area Medical) explores metaphysical connections among guests at an urban dinner party in the wake of a loss. BAMcinemaFest alums Whitney Horn and Lev Kalman (L is For Leisure) return with Two Plains & a Fancy, a spa-Western-comedy following three hapless tourists as they encounter ghosts, time travelers, and lonesome cowboys. This year’s BAMcinemaFest includes two short film programs, one comprising six narrative short films. The second, a documentary shorts program, is paired with the North American premiere of Lizzie Olesker and Lynne Sachs’ documentary The Washing Society, about the behind-the-scenes labor involved in the laundromat industry. Penny Lane’s documentary The Pain of Others, about controversial Morgellons disease sufferers, is the festival’s second North American premiere, and screens with the short film The Water Slide (Nathan Truesdell).

    2018 BAMcinemaFest Lineup

    A Boy. A Girl. A Dream” (Qasim Basir) NY Premiere Narrative The boy is Cass (Omari Hardwick), an LA nightclub promoter whose once-promising filmmaking career has been put on hold. The girl is Frida (Meagan Good), a lawyer visiting from the Midwest, whom he meets on election night 2016. The dream is what unfolds before our eyes in one seemingly continuous, hallucinatory take as the two navigate a will-they or won’t-they mutual attraction; open up to one another about their hopes and disappointments; and—along with the rest of the world—begin to process the momentous political sea change washing over America, all in the course of a single evening. More than just a dazzling technical achievement, A Boy. A Girl. A Dream. takes viewers on a profound emotional journey as it explores how everything can change in an instant. A Samuel Goldwyn Films release. “América” (Erick Stoll & Chase Whiteside) NY Premiere Documentary When we first meet Diego—the magnetic emotional center of this sunny, warmhearted family portrait— he’s unicycling around a town square, disco-strutting on stilts, and beach-bumming around Puerto Vallarta. But when his frail but sweet-natured 93-year-old grandmother, América, is suddenly left without a caretaker, Diego—along with his two equally acrobatic brothers—leaves behind his laid-back life to return to his home in Colima, Mexico. In images at once meticulously composed and bursting with vitality, filmmakers Chase Whiteside and Erick Stoll celebrate the selflessness of caregiving and the infinite love coursing between generations. “Bisbee ‘17” (Robert Greene) NY Premiere Documentary A town’s traumatic past reverberates into the present in this stirring, complex look at American struggle and resistance. In 1917, the copper mining workers of Bisbee, Arizona—many of them immigrants—went on strike to fight for safer working conditions. In response, a posse of 2,000 men rounded up 1,200 strikers, dumped them in the desert, and effectively exiled them from the town forever. One hundred years later, Bisbee’s residents prepare to reenact this dark episode—a sort of historical exorcism that brings to light contemporary tensions between labor and management, union-building and capitalism, immigrants and nationalists. Directed with rousing cinematic flair by Robert Greene (Kate Plays Christine, BAMcinemaFest 2016), Bisbee ’17 resurrects a neglected slice of American history and connects it to our own urgent political moment. Co-presented with Rooftop Films. “Chained for Life” (Aaron Schimberg) World Premiere Narrative Building on the promise of his hallucinogenic debut Go Down Death, Brooklyn filmmaker Aaron Schimberg delivers another brilliantly oddball, acerbically funny foray into gonzo surrealism. In a deft tragicomic performance, Jess Weixler (Teeth) plays Mabel, a movie star “slumming it” in an outré art- horror film being shot in a semi-abandoned hospital. Cast opposite her is Rosenthal (Under the Skin’s Adam Pearson), a gentle-natured young man with a severe facial deformity. As their relationship evolves both on and offscreen, Schimberg raises provocative questions about cinematic notions of beauty, representation, and exploitation. Tod Browning crossed with Robert Altman crossed with David Lynch only begins to describe something this startlingly original and deeply felt. “Crime + Punishment” (Stephen Maing) NY Premiere Documentary This galvanizing documentary goes behind the scenes and undercover to expose racism, corruption, and intimidation within the New York Police Department. Shot between 2014 and 2017, Crime + Punishment chronicles the efforts of the NYPD 12, a band of minority officers who speak out against the continued use of arrest and summons quotas—an officially illegally practice that overwhelmingly targets young black and Hispanic men. Putting their careers on the line, the officers mount a David vs. Goliath legal challenge—only to find themselves weathering harassment and retaliation from within their own departments. With remarkable, fly-on-the-wall access, director Stephen Maing crafts a jolting 21st-century Serpico that unfolds with the verve and style of a Hollywood policier. “Clara’s Ghost” (Bridey Elliot) NY Premiere Narrative Families don’t get much more poisonous than the one at the center of this pitch-black, disturbingly funny nightmare comedy. Casting her own family as the gruesome clan in question, Bridey Elliott chronicles one epic night of debauchery in the Reynolds household as monstrously superficial daughters Julie and Riley (former SNL cast member Abby Elliott & the filmmaker)—former child stars à la Mary-Kate and Ashley— return home to Connecticut to celebrate their dog’s birthday with ham actor father Ted (comedian Chris Elliott) and harried mother Clara (Paula Niedert Elliott). As the vodka flows, things go from scathingly hilarious to increasingly unsettling—especially when Clara begins communing with a spirit. Something like Cassavetes’ A Woman Under the Influence played as an unsparing cringe comedy, Clara’s Ghost heralds the arrival of Bridey Elliott as a bold new directorial voice. “Distant Constellation” (Shevaun Mizrahi) NY Premiere Documentary This hushed, hypnotic documentary floats ghost-like through the rooms and corridors of an Istanbul retirement home, an uncanny alternate reality where time seems to stand still as the world outside changes rapidly. Director Shevaun Mizrahi’s observant camera bears witness to the testimonies of the home’s residents: an aging roué who speaks about his sexual escapades in 1950s Paris; a hunched-over woman scarred by memories of the Armenian genocide; a former photographer now losing his sight. By turns tragic, humorous, and surreal, Distant Constellation is a meditation on time, memory, and the endless human cycle of life and death. “Don’t Worry, He Won’t Get Far on Foot” (Gus Van Sant) NY Premiere Narrative Joaquin Phoenix adds to his impressive roster of transformative, totally committed performances with this irresistibly offbeat charmer from Gus Van Sant. Based on the memoirs of puckishly irreverent Portland cartoonist John Callahan (Phoenix), the film traces Callahan’s journey towards self-actualization after a car accident leaves him paralyzed and forces him to confront his alcohol addiction. Aided by a uniquely colorful AA support group, he finds redemption in art and in his own brilliantly warped imagination. Boasting scene-stealing supporting performances from Jonah Hill, Jack Black, and Rooney Mara—along with memorable turns by Kim Gordon, musician Beth Ditto, and cult fave Udo Kier—Don’t Worry, He Won’t Get Far on Foot is as skewed, funny, and inspirational as its subject. “Eighth Grade” (Bo Burnham) NY Premiere Narrative Comedian Bo Burnham makes the leap to filmmaker with this refreshingly real, sharply observed, and devastatingly funny look at growing up in the age of Snapchat. In a naturalistic breakout performance, Elsie Fisher stars as Kayla, a social media-hooked 13-year-old who projects confidence and cool on her barely watched YouTube channel, but in real life is painfully shy, endearingly awkward, and practically invisible to her classmates. With high school just around the corner, can she reconcile her online persona with her real self? At once unflinchingly honest and unfailingly empathetic, Burnham’s auspicious directorial debut is as relatable as it is hilarious. “Feast of the Epiphany” (Michael Koresky, Jeff Reichert & Farihah Zaman) World Premiere Narrative/Documentary Two halves form a harmonious whole in this ingenious documentary-narrative shape-shifter. In part one, Abby, a 20-something Brooklynite, prepares to throw an intimate dinner party, a meticulously planned evening that takes an unexpected turn when the guest of honor shows up and raw emotions rise to the surface. Then suddenly, audaciously, we are whisked away to an altogether different reality—one that both deepens and challenges our understanding of what came before. Hinging on this daring gambit, Feast of the Epiphany blossoms into a subtly profound reminder that behind every story are a multitude of others waiting to be told. “The Gospel of Eureka” (Michael Palmieri & Donal Mosher) NY Premiere Documentary Welcome to Eureka Springs, Arkansas, a one-of-a-kind oasis in the Ozarks where Christian piety rubs shoulders with a thriving queer community. Narrated with homespun humor by Mx Justin Vivian Bond, this lushly photographed documentary spotlights the space where the town’s seemingly contradictory factions intersect: Lee and Walter, out and proud husband-owners of a local gay bar they liken to a “hillbilly Studio 54,” talk about their deep-seated faith; a Christian t-shirt designer describes his love for his gay father; and everything comes together in a show-stopping mash-up of a spectacular passion play and raucous drag show. The result is a joyously offbeat slice of Americana that breaks down the red-state-blue-state divide. “Leave No Trace” (Debra Granik) NY Premiere Narrative Eight years after Winter’s Bone, Debra Granik returns with another arresting portrait of life on the margins featuring a mesmerizing breakout performance from a young actress to watch. Will (Ben Foster), a veteran wrestling with PTSD, and his teenage daughter Tom (newcomer Thomasin Harcourt McKenzie) live in a makeshift campsite in the Oregon wilderness, cut off from nearly all human contact and surviving by their wits. When social services intervenes, their harmonious isolation—and the deep bond between them—is threatened. With clear-eyed naturalism and an unwavering compassion for her outsider subjects, Granik creates a tough, tender, and deeply moving look at a father and daughter searching for their own idea of home. “Madeline’s Madeline” (Josephine Decker) NY Premiere Narrative One of independent cinema’s most exciting new voices, Josephine Decker (Thou Wast Mild and Lovely, BAMcinemaFest 2014) continues to push boundaries with her thrillingly visceral third feature, set in New York’s experimental theater scene. This tour-de-force head trip evokes the fractured psyche of an unstable teenage girl (riveting newcomer Helena Howard), whose rocky relationship with her mother (Miranda July) splinters as the girl comes under the influence of an exploitative stage director (Molly Parker). “Minding the Gap” (Bing Liu) NY Premiere Documentary In his emotionally stunning debut feature, rising documentary talent Bing Liu reimagines the skate video as a vehicle for raw personal expression. Minding the Gap opens with Liu’s dynamic camera gliding along the streets of Rockford, Illinois, a struggling post-industrial city where the filmmaker and his longtime friends Keire and Zack find community in a close-knit band of fellow skateboarders. But skating is just a respite from their tumultuous lives at home. As Liu digs deeper into his friends’ personal demons, he hits upon a shared thread of troubled masculinity, domestic abuse, and fractured families—building powerfully towards a bracing confrontation with his own past. “The Pain of Others” (Penny Lane) North American Premiere Documentary It begins with crawling sensations beneath the skin. Sores erupt. Then wiry, multicolored fibers sprout forth from the lesions—seemingly the outgrowths of an alien parasite. It’s called Morgellons disease and thousands around the world purport to suffer from it. The problem: the medical community at large says it isn’t real, attributing the epidemic to psychosomatic delusion spread by internet-fueled paranoia. In this provocative found-footage work, director Penny Lane assembles clips from YouTube videos uploaded by people who believe they are afflicted: wrenching face-to-face encounters with anguish both physical and mental. The result is a chilling deep dive into mass hysteria in the internet age. “Polly: Recent Films and Collaborations by Kevin Jerome Everson” (Kevin Jerome Everson) North American Premiere Narrative/Documentary Journeying from 16th-century Florence to the 2017 solar eclipse, the latest films from the restlessly inventive, ultra-prolific experimentalist Kevin Jerome Everson blend past and present, documentary and reenactment to illuminate hidden fragments of black life and history. “Relaxer” (Joel Potrykus) NY Premiere Narrative Joel Potrykus (The Alchemist Cookbook, BAMcinemaFest 2016), Michigan’s greatest underground auteur, returns with another gonzo transmission from America’s heartland. Set on the eve of Y2K, Relaxer unfolds almost entirely in a squalid living room where Abbie (the Keatonesque Joshua Burge), commanded by his sadistic brother (David Dastmalchian), takes up a nigh-impossible challenge: beating the all-time Pac-Man high score without leaving the couch until he does. As Abbie’s quest devolves into a months-long absurdist nightmare, Potrykus guides this daringly demented black comedy into increasingly disturbing realms. The result is a grungy, noxiously funny vision of Gen X complacency hurtling towards oblivion. “Shirkers” (Sandi Tan) NY Premiere Documentary In 1992, Sandi Tan was a film-obsessed teenage punk when she and her two best friends made a New Wave-inspired, feminist slasher movie, shot guerrilla style on the streets of Singapore. Then Georges, her enigmatic American mentor, absconded with the footage, never to be seen again. Twenty-five years later, Tan revisits the episode, interweaving the newly rediscovered footage with her search for answers: Who was Georges? And what drove him to steal her art? Working in a charmingly lo-fi, handmade-collage style, Tan turns the central mystery of her life into a captivating essay on friendship, cinephilia, and the dashed dreams of youth. A Netflix release. “Skate Kitchen” (Crystal Moselle) NY Premiere Narrative Crystal Moselle follows up her Sundance Grand Prize-winning documentary hit The Wolfpack with her equally impressive narrative debut. Inspired by and starring real-life members of New York City’s hippest all-girl skate crew, Skate Kitchen follows the journey of Camille (Rachelle Vinberg), a Long Island teen whose fraught home life and passion for skateboarding lead her to the Lower East Side. There, she finds her Eden among a band of street-savvy fellow female shredders—but the complexities of love and friendship threaten to upset their sisterhood. Propelled by the cool girl charisma of its leads, this authentic deep-dive into a vibrant youth subculture plays like a blissed-out, female-powered Kids for today’s New York. A Magnolia Pictures release. “Sorry to Bother You” (Boots Riley) NY Premiere Narrative The audacious, deliriously inventive debut from musician-turned-filmmaker Boots Riley marks the arrival of one of American cinema’s most exhilarating new talents. “Use your white voice.” With that simple piece of advice, stuck-on-the-bottom-rung telemarketer Cassius Green (Lakeith Stanfield) goes from living in his uncle’s garage to rocketing up the corporate ladder as the company’s newest rising star “power caller.” But just what is he selling? Abetted by game performances from Stanfield, Tessa Thompson, and Armie Hammer as a crazed capitalist super-villain, Riley blends head-spinning surrealism with bomb-throwing sociopolitical satire for a cracked and brilliant anarcho-comedy that keeps topping its own craziness. An Annapurna release. “Support the Girls” (Andrew Bujalski) NY Premiere Narrative With a huge amount of heart and a healthy sprinkling of irreverent one-liners, Andrew Bujalski (Computer Chess, BAMcinemaFest 2013; Beeswax, BAMcinemaFest 2009) crafts a funny, human portrait of women banding together to get it done. Lisa (Regina Hall)—the fiercely devoted manager of Double Whammies, a Hooters-like Houston sports bar—has a seemingly superhuman ability to handle whatever life throws at her. On this particular day, that means protecting her staff from lecherous men, dealing with an attempted robbery, raising money for a waitress in trouble, and contending with Double Whammies’ unseemly owner, all while keeping the restaurant running smoothly. Buoyed by a magnificent performance from Regina Hall, this deceptively breezy comedy folds serious issues of sexism, racism, and capitalism into a generous tribute to female friendship and empowerment. “The Task” (Leigh Ledare) NY Premiere Documentary Twenty-eight strangers shuffle into a nondescript room where they sit down for day three of a radical social experiment orchestrated by taboo-breaking artist Leigh Ledare. Veering between brutal honesty, righteous indignation, manipulative caginess, and suspicion of the inscrutable “task” at hand, the participants—spread across race, age, gender, and class lines—relentlessly analyze each and every interaction that passes between them until even an act as small as changing one’s seat becomes charged with explosive tension. Provocative, at times uncomfortable, and always riveting, The Task is an unsettling mirror reflection of our societal fault lines. “Two Plains & a Fancy” (Lev Kalman & Whitney Horn) World Premiere Narrative BAMcinemaFest alums Lev Kalman and Whitney Horn (L for Leisure, 2014) return with this deliciously deadpan, lo-fi acid-western comedy. Colorado, 1893: a trio of New York city slickers—a hippy-dippy mystic (Marianna McClellan), a French geologist (Laetitia Dosch), and a foppish artist (Benjamin Crotty)— wander the desert in search of the relaxing waters of the hot springs, along the way encountering from- the-future time travelers, kinky sex ghosts, spirit cats, and a pair of surprisingly fashionable cowboys. Shot on shimmering, sun-splashed 16mm, this hallucinogenic Old West road movie meanders in a blissful stoner haze from the wryly funny to the cosmic. “The Washing Society” (Lizzie Olesker & Lynne Sachs) North American Premiere Documentary When you drop off a bag of dirty laundry, who’s doing the washing and folding? Mixing revealing interviews with poetic performance, filmmaker Lynne Sachs and playwright Lizzie Olesker go behind the scenes of New York City’s laundromats to uncover the hidden labor that goes into cleaning your clothes— a story that intersects with history, immigration, race, community, and capitalism. “Wild Nights with Emily” (Madeleine Olnek) NY Premiere Narrative According to received wisdom, Emily Dickinson was a fragile recluse who spent her life holed up in her childhood home, a shrinking violet spinster too timid to publish her poems. Forget all that. In this delightfully funny historical burlesque, Madeleine Olnek (The Foxy Merkins, BAMcinemaFest 2014) offers a refreshing, much-needed reappraisal of Dickinson (Molly Shannon) as an ambitious, vivacious rebel whose passionate, lifelong love affair with childhood friend and later sister-in-law Susan Gilbert (Susan Ziegler) fueled her creativity. Balancing irreverent humor with a tender love story, Wild Nights With Emily challenges the sexist historical record, brilliantly reclaiming the writer’s reputation as a lesbian icon and a feminist trailblazer.

    Shorts

    Are You Tired of Forever?” 6min NY Premiere—Experimental Directed by Caitlin Craggs A schizoid self-portrait writ in a day-glo kaleidoscope of stop-motion cutouts, picnic food, jellified brains, and sprinkles. “Black 14” 15min NY Premiere—Documentary Directed by Darius Clark Monroe In 1969, a group of fourteen black football players at the University of Wyoming took a stand against racism in college athletics—and paid the price for speaking out. A tribute to the fearlessness of those who paved the way for today’s activist athletes. “Creature Companion” 30min North American Premiere—Narrative/Experimental Directed by Melika Bass Over the course of languorous summer days and nights, two women enter into a twitchy, sensuous symbiosis in this hypnotic performance piece. “Edgecombe” 15min World Premiere—Documentary Directed by Crystal Kayiza Three snapshots of black life in Edgecombe County, North Carolina, a place where the racial injustices of the past continue into the present. “Fucked Like a Star” 8min NY Premiere—Experimental Directed by Stefani Saintonge A poetic meditation on women’s work and the dreamlife of ants set to the words of Toni Morrison. “Hair Wolf” 12min—Narrative Directed by Mariama Diallo There’s something strange in the neighborhood salon… She’s white, she wants braids, and she will touch your black hair. “Reenactment” 8min NY Premiere—Narrative/Experimental Directed by Young Jean Lee A no-nonsense police report becomes a harrowing, flesh-and-blood encounter with domestic violence and toxic masculinity. “To Be Free” 12min NY Premiere—Narrative Directed by Adepero Oduye Nina Simone takes the stage for a defiant, soul-stirring performance. “The Water Slide” 9min NY Premiere—Documentary (screens with The Pain of Others) Directed by Nathan Truesdell News clips and promotional videos tell the chilling story of how the building of an amusement park water slide led to an American tragedy. “What We Have Built” 19min—Documentary Directed by Adrián Gutiérrez & Grace Remington A group of immigrants living in the Bronx join forces to raise hundreds of thousands of dollars to improve their hometown in Mexico. A story of community, collective action, and the meaning of home.

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  • Nashville Film Festival Announces 28 Films on 2018 Animated Feature Competition, Special Presentations, Spectrum + Spectrum Q Lineup

    [caption id="attachment_27690" align="aligncenter" width="1080"]On Chesil Beach On Chesil Beach[/caption] Twenty-eight Special Presentations, Animated Feature, Spectrum and Spectrum Q films including the world premiere of BENCHED are set for the 49th Annual Nashville Film Festival.  Other films include ON CHESIL BEACH, starring Saoirse Ronan, fresh off her award winning role in Lady Bird, HOT SUMMER NIGHTS, starring Timothée Chalamet, whose role in Call Me By Your Name was critically acclaimed, BRAMPTON’S OWN, starring Rose McIver, Spencer Grammer and Jean Smart, as well as the 50th anniversary screening of ROSEMARY’S BABY, starring Mia Farrow, and a special screening of JURASSIC PARK, starring Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, BD Wong and Samuel L. Jackson. The 2018 selections in the categories:

    Special Presentations

    Benched (World Premiere) – Based on the hit play “Rounding Third”, BENCHED is the tumultuous journey of two Little League coaches through an entire season, from their first tentative meeting to the climactic championship game. Cast: Garret Dillahunt, John C. McGinley, Directors: Robert Deaton, George Flanigen, Producers: Lindsey Clark, Brandon Gregory, Fred Roos (USA) Blindspotting (Tennessee Premiere) – Lifelong friends Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about the intersection of race and class, set against the backdrop of a rapidly gentrifying Oakland. Cast: Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones, Director: Carlos López Estrada, Producers: Keith Calder, Jess Calder, Rafael Casal, Daveed Diggs (USA) Brampton’s Own (World Premiere) – A struggling minor league baseball player retires and woefully returns to his small hometown, carefully dodging old wounds until confronted with THE ONE that hurts the most – the girl that got away. Cast: Rose McIver, Spencer Grammer, Jean Smart, Scott Porter, Alex Russell, Riley Voelkel, Director: Michael Doneger, Producers: Mark DiCristofaro, Michael Doneger (USA) Breath (Tennessee Premiere) – Based on Tim Winton’s novel and directed by Simon Baker, BREATH is the story of two teenage boys in 1970’s Western Australia who befriend an enigmatic surfer. Cast: Elizabeth Debicki, Simon Baker, Samson Coulter, Brock Fitzgerald, Richard Roxburgh, Rachael Blake. Director: Simon Baker, Producer: Simon Baker, Jamie Hilton, Mark Johnson (USA) Daphne & Velma (Tennessee Premiere) – DAPHNE AND VELMA tells the story of Daphne Blake and Velma Dinkley from the Scooby Doo franchise. The mystery-solving teens are best friends but have only met online – until Daphne transfers to Velma’s school, Ridge Valley High, stocked with high-tech gadgetry by the school’s benefactor, tech billionaire Tobias Bloom. Cast: Sarah Jeffery, Sarah Gilman, Vanessa Marano, Courtney Dietz, Stephen Ruffin, Director: Suzi Yoonessi. Producer: Jaime Burke, Amy S. Kim, Ashley Tisdale, Jennifer Tisdale (USA) Eighth Grade (Tennessee Premiere) – Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school-the end of her thus far disastrous eighth grade year-before she begins high school. Cast: Emily Robinson, Josh Hamilton, Elsie Fisher, Missy Yager, Deborah Unger, Director: Bo Burnham, Producers: Eli Bush, Scott Rudin, Christopher Storer, Lila Yacoub (USA) First Reformed (Tennessee Premiere) – A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife. Cast: Ethan Hawke, Amanda Seyfried, Cedric Kyles, Michael Gaston, Philip Ettinger, Director: Paul Schrader. Producers: Jack Binder, Greg Clark, Gary Hamilton, Victoria Hill (USA) Harold and Maude – In conjunction with the documentary HAL, we celebrate this cult classic in which a young, rich, and death-obsessed Harold finds himself changed forever when he meets lively septuagenarian Maude at a funeral. Cast: Ruth Gordon, Bud Cort, Vivian Pickles, Cyril Cusack, Charles Tyner, Director: Hal Ashby, Producers: Colin Higgins, Charles Mulvehill (USA) Hot Summer Nights Hot Summer Nights (Tennessee Premiere) – A lonely teenage boy is taken under the wing of the town rebel, falls in love with the prettiest girl in town, and gets entangled in a drug ring, all as the deadliest hurricane in New England history barrels towards the coast. Cast: Timothée Chalamet, Maika Monroe, Thomas Jane, William Fichtner, Maia Mitchell, Director: Elijah Bynum. Producers: Dan Friedkin, Ryan Friedkin, Bradley Thomas (USA) Jurassic Park – In director Steven Spielberg’s three-time Academy Award-winning blockbuster JURASSIC PARK paleontologists Alan Grant and Ellie Sattler and mathematician Ian Malcolm are among a select group chosen to tour an island theme park populated by dinosaurs created from prehistoric DNA. Cast: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, BD Wong, Samuel L. Jackson, Director: Steven Spielberg. Producers: Kathleen Kennedy, Gerald R. Molen (USA) Leave No Trace (Tennessee Premiere) – A man and his 13-year-old daughter are living in a park when a small mistake tips them off to authorities and changes their lives forever. Cast: Ben Foster, Thomasin McKenzie, Dale Dickey, Dana Millican, Jeff Korber, Director: Debra Granik. Producers: Anne Harrison, Linda Reisman, Anne Rosellini (USA) Mississippi Requiem (World Premiere) – A collection of four short films based on stories written by William Faulkner. Cast: James Franco, Topher Grace, Alicia Witt, Amy Smart, Beth Grant, Marianna Palka, Xosha Roquemore, Directors: Arkesh Ajay, Kelly Pike, Jerell Rosales, Marta Savina. Producers: Ariane Ackerberg, Cecilia Albertini, Juanita Cepero, Aaron Edmonds (USA) Never Goin’ Back (Tennessee Premiere) – Jessie and Angela, high school dropouts, are taking a week off to chill at the beach. Too bad their house got robbed, rent’s due, they’re about to get fired, and they’re broke. Cast: Maia Mitchell, Camila Morrone, Kyle Mooney, Aristotle Abraham II, Joel Allen. Director: Augustine Frizzell. Producers: Liz Cardenas, Toby Halbrooks, James M. Johnston, David Lowery. On Chesil Beach (Tennessee Premiere) – In the summer of 1962, a young couple of drastically different backgrounds experience an awkward and fateful wedding night. Cast: Saoirse Ronan, Emily Watson, Samuel West, Anne-Marie Duff, Billy Howe, Bebe Cave, Director: Dominic Cooke, Producers: Elizabeth Karlsen, Stephen Woolley (United Kingdom). Rosemary’s Baby 50th Anniversary – A young wife comes to believe that her offspring is not of this world. Cast: Mia Farrow, John Cassavetes, Ruth Gordon, Maurice Evans, Ralph Bellamy, Director: Roman Polanski. Producer: William Castle (USA)

    Animated Feature Competition

    The Big Bad Fox and Other Tales (Tennessee Premiere) – Whoever thinks that the countryside is calm and peaceful is mistaken. Cast: Kamel Abdessadok, Jules Bienvenu, Guillaum Bouchéde, Directors: Benjamin Renner, Patrick Imbert, Producers: Damien Brunner, Didier Brunner, Vincent Tavier (France) Cocolors (Southeast US Premiere) – There is a world in which ash fills the sky and the earth. Humanity, fearing the ash, had no choice but to cover themselves in protective suits and gigantic masks and live deep within the underground. Cast: Yuuki Takada, Sawako Hata, Mutsuki Iwanaka, Masaki Terasoma, Yoshiko Kamei, Yayoi Nakazawa, Director: Toshihisa Yokoshima, Producers: Jumpei Mizusaki, Ittatsu Shimizu (Japan) Virus Tropical (Tennessee Premiere) – Paola is born in a traditional Colombian family, or at least that is what they try to be. Cast: María Cecilia Sánchez, Alejandra Borrero, Diego Le?n Hoyos, Director: Santiago Caicedo, Producers: Carolina Barrera Quevedo, Santiago Caicedo (Colombia)

    Spectrum

    Dark River (Tennessee Premiere) – Following the death of her father, Alice returns to her home village for the first time in 15 years, to claim the tenancy to THE FAMILY  farm she believes is rightfully hers. Cast: Ruth Wilson, Mark Stanley, Sean Bean, Emse Creed-Miles, Aiden McCullough, Shane Attwooll, Director: Clio Barnard, Producer: Tracy O’Riordan (United Kingdom) Into the Okavango (Tennessee Premiere) – Botswana’s Okavango Delta is one of the planet’s last remaining true wildernesses, but studies have shown it is shrinking. A group of intrepid scientists embark on a four-month, 1500-mile journey upriver to the Okavango’s source to investigate why. Director: Neil Gelinas. Producer: Neil Gelinas (Angola, Botswana, USA) Lost In America (Tennessee Premiere) – LOST IN AMERICA follows director Rotimi Rainwater, a former homeless youth, as he travels the country to shine a light on the epidemic of youth homelessness in America. Cast: Rosario Dawson, Jewel, Halle Berry, Jon Bon Jovi, Senator Patrick Leahy. Director: Rotimi Rainwater, Producers: Brent C. Johnson, Mike C. Manning, Steve Vasquez Jr., Randy Sinquefield (USA) McQueen (Tennessee Premiere) – Alexander McQueen’s rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen’s own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence. Cast: Alexander McQueen, Director: Ian Bonhôte. Producers: Andee Ryder, Nick Taussig, Paul Van Carter (United Kingdom). Nico, 1988 (Tennessee Premiere) – The last year of singer Nico’s life, as she tours and grapples with addiction and personal demons. Cast: Trine Dyrholm, John Gordon Sinclair, Anamarie Marinca, Sandor Funtek, Director: Susanna Nicchiarelli, Producers: Valérie Bournonville, Marta Donzelli, Gregorio Paonessa, Joseph Rouschop (Belgium, Italy) Ryiuchi Sakamoto: Coda (Tennessee Premiere) – RYUICHI SAKAMOTO: CODA is an intimate portrait of the Oscar-winning film composer as both artist and man. Cast: Ryuichi Sakamoto, Director: Stephen Schible, Producers: Eric Nyari, Stephen Schible (Japan, USA) Under the Tree (Tennessee Premiere) – When Baldwin and Inga’s next door neighbours complain that a tree in their backyard casts a shadow over their sundeck, what starts off as a typical spat between neighbours in the suburbs unexpectedly and violently spirals out of control. Cast: Steinþór Hróar Steinþórsson| Edda Björgvinsdóttir, Sigurður Sigurjónsson,Þorsteinn Bachmann. Director: Hafsteinn Gunnar Sigurðsson, Producers: Grímar Jónsson, Sindri Páll Kjartansson, Thor Sigurjonsson (Iceland)

    Spectrum Q

    The Gospel of Eureka (Tennessee Premiere) – Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. Cast: Mx Justin Vivian Bond, Directors: Donal Mosher, Michael Palmieri. Producer: Charlotte Cook (USA) Porcupine Lake (Tennessee Premiere) – A story of bravery and the secret world of girls during a fateful summer when adulthood has not yet arrived, but childhood is quickly vanishing. Cast: Charlotte Salisbury, Lucinda Armstrong Hall, Christopher Bolton, Delphine Roussel, Hallie Switzer, Director: Ingrid Veninger. Producers: Ingrid Veninger, Melissa Leo, Randi Kirshenbaum (Canada) Scotty and the Secret History of Hollywood (Tennessee Premiere) – A deliciously scandalous portrait of UNSUNG HOLLYWOOD  legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars. Cast: Scotty Bowers, Peter Bart, Robert Hofler, William Mann, Director: Matt Tyrnauer. Producer: Josh Braun, Corey Reeser (USA) To a More Perfect Union (Tennessee Premiere) – The award-winning documentary that tells the story of civil rights icon Edie Windsor and her landmark case that changed history. Cast: Edie Windsor, Roberta Kaplan, Rosie O’Donnell, Jeff Toobin, Nina Totenberg, Evan Wolfson, Lillian Faderman, Director: Donna Zaccaro. Producers: Paula Heredia, Donna Zaccaro (USA)

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  • First 26 Films Revealed for 2018 Sydney Film Festival

    [caption id="attachment_27940" align="aligncenter" width="1200"]Westwood: Punk, Icon, Activist Westwood: Punk, Icon, Activist[/caption] The Sydney Film Festival has revealed a sneak peek of 26 new films to be featured in this year’s 65th edition of the festival, taking place from June 6th to 17th, 2018; and a new Festival location: HOYTS Entertainment Quarter. Leading the titles is Westwood: Punk, Icon, Activist. The film is a fascinating profile of revolutionary fashion designer and punk icon Vivienne Westwood from UK model-turned filmmaker Lorna Tucker. https://www.youtube.com/watch?v=qvYmFcAegH4 Also topping the list is the winner of Venice Film Festival’s 2017 Grand Jury Prize, Foxtrot, from award-winning Israeli director Samuel Maoz; and 2018 Sundance Film Festival Grand Jury Award winner, The Miseducation of Cameron Post, featuring rising stars Chloë Grace Moretz (Carrie), Sasha Lane (American Honey) and Forrest Goodluck (The Revenant). Two Oscar winners will also present their latest works: Sebastián Lelio’s (A Fantastic Woman, SFF 2017) Disobedience starring Rachel Weisz and Rachel McAdams, and Debra Granik’s (Winter’s Bone) Leave No Trace featuring young New Zealand actress Thomasin Harcourt McKenzie. Bold psychosexual thriller, Piercing, starring Australian actress Mia Wasikowska (Madame Bovary, SFF 2015), and spine-tingling British chiller Ghost Stories starring Martin Freeman (The Hobbit), kicks off the 2018 Festival’s Freak Me Out program. Anchor and Hope also delivers more star power with Natalia Tena (Harry Potter) and Oona Chaplin (Game of Thrones) alongside her mother, Golden Globe nominee Geraldine Chaplin (Chaplin), in the second feature by award-winning Spanish director Carlos Marques-Marcet (10.000 Km). Closer to home, Australian journalist Travis Beard’s fascinating documentary RocKabul examines Afghanistan’s first metal band District Unknown, and I Used to be Normal: A Boyband Fangirl Story, is a coming-of-age documentary about the intense love of boybands, from The Beatles to One Direction. Maya the Bee: The Honey Games is a new family adventure – voiced by an all-star Australian cast including Richard Roxburgh, The Umbilical Brothers’ Dave Collins and Shane Dundas, and Justine Clarke (ABC’s Play School) – from Australian animation veteran Noel Cleary (Blinky Bill). An exhilarating debut feature from Australian director Jason Raftopoulos, West of Sunshine, starring Damien Hill (Pawno) alongside his real life step-son Ty Perham, and Kat Stewart (Offspring), will also screen in 2018. Favorites selected from the international festival circuit include: Sundance 2018 Special Jury Prize winner, Genesis 2.0, a documentary following scientific efforts to resurrect the woolly mammoth in an Arctic spin on Jurassic Park; and Berlinale Silver Bear winner, Mug, from renowned Polish filmmaker Małgorzata Szumowska. Also highly anticipated are Oscar-nominated films: The Breadwinner and The Insult. The Breadwinner was nominated for Best Animated Feature and produced by a team of Academy Award winners including Angelina Jolie and animation studio Cartoon Saloon (Song of the Sea – SFF 2015). Lebanese filmmaker Ziad Doueiri’s potent legal thriller The Insult was nominated for the Best Foreign Language Oscar. Sundance Grand Jury Prize nominee American Animals stars a cast of young Hollywood talent including Evan Peters (American Horror Story) and Barry Keoghan (Dunkirk, The Killing of a Sacred Deer). The brand-new digital restoration, from the National Film and Sound Archive, of iconic Australian Oscar nominated film My Brilliant Career (1979) – from acclaimed director Gillian Armstrong and featuring Judy Davis in her movie debut – will revive this multiple award winner for new audiences. Sydney Film Festival’s documentary program will again deliver the most exciting true stories about people, places, enterprises and phenomena from Australia and around the globe. The Festival opens a window into the lives of extraordinary young people, from Chef Flynn, about prodigy chef Flynn McGarry who became one of the world’s top chefs at just 13 years old, to students finding innovative ways to tackle the most complex environmental issues facing humanity today in Inventing Tomorrow. A light is shone in dangerous places, from the murder that made true crime an American obsession in Cold Blooded: The Clutter Family Murders, to the life of a veteran Kurdish soldier deactivating landmines in Iraq using only a pen knife in The Deminer, to The Long Season, an intimate record of daily life for women in a Syrian refugee camp. The Festival also features heart-warming fly-on-the-wall glimpses into personal places, such as the family castle of Spanish director Gustavo Salmeron’s eccentric mother in Lots of Kids, A Monkey and A Castle. And the roly-poly lives of five guide puppies as they train for the ultimate canine career in Pick of the Litter – also screening in Sydney Film Festival’s brand new Screen Day Out program, developed for high school students. Interracial love, religious cults, Thai high society, and an appetite for raw offal complete a preview of the Festival’s more avant-garde works, with classic noir Samui Song from Thai auteur Pen-ek Rataranuang (Last Life In the Universe).

    DOCUMENTARIES

    [caption id="attachment_26690" align="aligncenter" width="1200"]Flynn McGarry appears in Chef Flynn by Cameron Yates Flynn McGarry appears in Chef Flynn by Cameron Yates[/caption] CHEF FLYNN What makes a great chef? Follow teenage culinary sensation Flynn McGarry’s rapid ascent from the home kitchen to the cover of New York Times Magazine. Bored with his mom’s dinners, and inspired by television cooking shows, young Flynn decided to take over the kitchen. At thirteen, he was serving multiple courses in his front room to friends and family, with his mother providing table service and complex equipment. As his menus became more ambitious and mouth-watering, Flynn ultimately attracted the attention of the media. It’s not all smooth sailing, however, as his talent is called into question in an online backlash. His adoring single mother, Meg, obsessively documented her son’s passion from childhood. It’s this intimate footage that offers a unique insight into the world of a culinary wunderkind, and the challenges he faces as he reaches adulthood. COLD BLOODED: THE CLUTTER FAMILY MURDERS A highly detailed reconstruction of the infamous Clutter family murders, which inspired Truman Capote’s bestseller In Cold Blood, directed by Oscar nominee Joe Berlinger. In 1959, in a small town in Kansas, farmer Herbert Clutter, his wife Bonnie, and their teenage children, Nancy and Kenyon, were savagely murdered. Capote visited the town, interviewed the killers (Perry Smith and Richard Hickock) and subsequently wrote his highly influential work; considered the first book in the true crime genre. Director Joe Berlinger has a history of working in this realm, with films such as Paradise Lost (SFF 1996) on the West Memphis Three. He was curious to know what the relatives and townsfolk felt about the murders and the impact of Capote’s book. The resulting documentary is a fascinating reconstruction of the case, from the backgrounds of the victims and perpetrators, to the trial, Capote’s visit and beyond. GENESIS 2.0 Winner of a Special Jury Award at Sundance, this striking documentary connects Siberian hunters of woolly mammoth remains with cutting edge 21st century cloning technology. Scavengers on a remote Arctic island spend the summer digging for prized mammoth tusks to sell to the Chinese market. Whole and partial skeletons of these long-extinct animals can be found in the melting permafrost. It’s not just the tusks that are valued: pioneering scientists want hair, blood or skin, so the creature’s genome can be sequenced and the beast cloned. The locals believe it’s unlucky to touch the remains, and this sense of wrongdoing permeates the film as it shifts to the biotech world, where dogs are cloned and an entire population’s genetic data is mapped. Siberian co-director Maxim Arbugaev worked with director Christian Frei (War Photographer, SFF 2002) to capture these two worlds, the boggy landscape and clinical laboratory, to chilling effect. I USED TO BE NORMAL: A BOYBAND FANGIRL STORY The coming of age stories of four Melbourne women whose lives were changed forever by their love of boybands Backstreet Boys, One Direction, Take That and The Beatles. Melbourne filmmakers Jessica Leski and Rita Walsh interviewed three generations of fangirls. The women are not, as you might expect, hysterical and hormonal teenagers. They are obsessive, sure, but also insightful and vulnerable. Their ages reflect the bands they adore: the oldest of the quartet being a fan of the Fab Four. The youngest, Elif, lives at home with parents, who fail to appreciate her One Direction devotion. Sydneysider and Take That fangirl Dara can’t understand her own obsession with heartthrob Gary Barlow. Loving a boyband has helped the women through difficult times, and shaped their relationships, faith, and sexuality. Ultimately though, they’ve all found joy in the fandom world. INVENTING TOMORROW Enterprising high school students from Indonesia, India, Mexico and Hawaii tackle environmental issues in their own backyard, as they prepare for the world’s largest science fair. In Bangalore, Sahithi is developing an app to track toxic water levels in neighborhood lakes. Across the globe, in one of Mexico’s most industrial cities, Jesus, Jose and Fernando are exploring ways to improve air quality. Nuha is seeking a solution to the ocean pollution affecting her Indonesian island home, and Jared is investigating arsenic levels in the soil of Hawaii. Director Laura Nix follows these inspiring, innovative and community-minded students as they develop their presentations, finding optimistic experts and fellow enthusiasts along the way. LOTS OF KIDS, A MONKEY AND A CASTLE A hugely charming portrait of a Spanish family headed by an eccentric matriarch, whose teenage dreams for lots of kids, a monkey and a castle came true. Julita’s newly-wed wish for many children rapidly came about, and surprisingly so did her more outrageous desires. But in her old age she, her husband and six children must face reality. Their rambling home must be sold, and horde of bric-a-brac (including her grandmother’s long-misplaced remains) squeezed into a modest apartment. Gustavo intercuts old and new footage to craft a loving (and multiple award-winning) portrait of his laid-back family and its history, which cuts across Spain’s recent past from the Civil War to the financial collapse. At its core is larger-than-life Julita; alternately questioning the premise of her youngest son’s film and swooping on treasured knickknacks. PICK OF THE LITTER We follow the two-year journey, from birth through training to graduation, of five cute but determined Labrador puppies, destined to become guide dogs for the blind. At eight weeks old, a litter of puppies is distributed to volunteer ‘puppy raisers’ responsible for training and socializing the dogs. Some handlers are experienced and others nervous first-timers. The pups are an equally mixed bag – two girls, three boys, black and golden, rowdy and shy. They are evaluated throughout their growing years, before starting an intensive training course. We also meet two people with low vision, waiting patiently for a new dog. The film demonstrates the independence that guide dogs can provide as it delves into the dog-human affinity. ROCKABUL Australian musician, journalist and debut director Travis Beard chronicles Afghanistan’s only metal band as they take to the stage, risking their lives for rock music. When Beard met District Unknown back in 2009, Kabul’s fiercely conservative and traditional community frowned upon music, and the underground party scene was for expats only. The four, later five, young Afghan men in the band could barely find instruments, let alone a rehearsal space. Practice sessions were interrupted by power cuts and exploding bombs. Nonetheless, the musicians persevered, excitedly performing their first gig to an audience as much at risk as the band themselves. But as their notoriety grew, Qasem, Pedram, Qais, Lemar and Yousef had to choose whether to stay or go, knuckle under or keep rockin’. THE DEMINER The Deminer is an edge-of-your-seat portrait of a bomb disposal expert in Iraq. Winner of a Jury Prize at the International Documentary Film Festival Amsterdam. Colonel Fakhir is committed to making his homeland a safer place for everyone, but he has very few tools to help in this hazardous task. He tackles booby traps and mines with a penknife and garden pliers, even his bare hands. Watching our hero stride into the danger zone is the stuff of action movies: the clock ticking, the mobile phone detonator primed. Fakhir shot much of the nerve-wracking footage himself. A Kurdish man serving in the Iraqi army and a loving father of eight, Fakhir’s successful ‘de- mining’ makes him an Al-Qaeda target. Despite this hefty threat, he doggedly continues, as his family waits in fear and pride. THE LONG SEASON Multi-award-winning filmmaker Leonard Retel Helmrich (Shape of the Moon, Position Among the Stars, SFF 2011) focuses his camera lens on life in a Syrian refugee camp. Just across the border from Syria, Majdal Anjar in Lebanon’s Bekaa valley is a sprawling, ramshackle collection of shelters. Helmrich spent over a year there filming, with his female collaborator Ramia Suleiman, steadily gaining the trust of his subjects. The duo filmed mothers battling to keep their children fed, clothed and educated, bickering wives and husbands, and young women bemoaning their loss of freedom. With his trademark single shot technique (utilising fluid camera movements to shoot a scene in one take), Helmrich captures the resilience of the refugees with tenderness and compassion, particularly the womenfolk, as they face an uncertain future. WESTWOOD: PUNK, ICON, ACTIVIST The wonderfully eccentric, endlessly inventive Vivienne Westwood is the reluctant star of this fabulous documentary. The British fashion designer stomped into the limelight in ’70s London, when the Sex Pistols (managed by her then-husband Malcolm McLaren) sported her designs. Over the decades, Westwood’s aberrant focus has shifted from punk to eco-activism. Her working life, chaotic creative process and close collaboration with her third husband – the endlessly patient Andreas – is revealed through archival footage and interviews. Long shunned by the establishment, in 1992 she was awarded an OBE for services to fashion (true to form, she attended the Buckingham Palace ceremony knicker-less). Straight talking Dame Vivienne considers her history to be “so boring”, but in this she’s wrong: there’s loads to entertain in Lorna Tucker’s fine documentary.

    FEATURES

    [caption id="attachment_26622" align="aligncenter" width="1200"]Jared Abrahamson, Evan Peters, Blake Jenner and Barry Keoghan appear in American Animals by Bart Layton, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute. American Animals[/caption] AMERICAN ANIMALS Bart Layton’s (The Imposter, SFF 2012) first feature is a wildly entertaining docu-fiction hybrid about four young men who attempt one of the most audacious art-heists in history. American Animals is an unbelievable but true story of four college students who are determined to transcend their boring middle class existence. They hatch a plot to pull off an incredible heist: stealing a number of incredibly valuable volumes from their college’s under-protected rare books collection. Using a great cast of young talents like Barry Keoghan and Blake Jenner, Layton’s brilliant strategy is to also incorporate the four actual subjects into the film. Older, and perhaps wiser, these four men reflect on their past misdeeds, frequently contradicting each other in their Rashomon-like testimonies. Quite unlike any other heist film, American Animals is an energetic, boundary-pushing thriller. ANCHOR AND HOPE A lesbian couple contemplate parenthood in a funny and free-wheeling comic drama by rising Spanish filmmaker Carlos Marques-Marcet. Eva and Kat live a happy life in a houseboat on England’s Regent Canal, until the thorny question of parenthood comes up. Eva desperately wants to be a mother. Kat thinks procreation is narcissistic. But wait, perhaps there’s an answer. Kat’s lifelong bestie, Roger, is coming to visit. Could this randy womanizer be the ideal sperm donor? So begins a fresh and funny tale about love, friendship and the different ways in which modern families can take shape. This hugely entertaining slice of alternative life features wonderful performances by Oona Chaplin (Game of Thrones), Natalia Tena and David Verdaguer. A delightful and insightful cameo by Oona’s real-life mother Geraldine Chaplin tops things off very nicely. DISOBEDIENCE Oscar-winner (A Fantastic Woman, SFF 2017) Sebastián Lelio’s new film is about the love affair between two women (Rachel Weisz and Rachel McAdams) in an Orthodox Jewish community. Ronit (Weisz) is a New York-based photographer, long estranged from her rabbi father and her life in London. When the respected rabbi dies, Ronit returns to pay her respects and claim her inheritance. The welcome she receives is not exactly warm, and there’s poor news on the inheritance front too. Ronit is taken in by her childhood friend Dovid (Alessandro Nivola) and his wife Esti (McAdams). Ronit and Esti had a passionate affair when they were younger and the old attraction simmers, but soon desire comes up against duty and faith. Gloria (SFF 2013) and A Fantastic Woman showed that Lelio is a sensitive and perceptive chronicler of desire and sexuality. With Disobedience, he has made a delicate, emotional and rewarding film. FOXTROT Winner of the Venice Grand Jury Prize and eight Israeli Ophir Awards, Foxtrot is a thrillingly inventive, tragic and funny examination of Israeli military culture. When Michael and Dafna are visited by army officials, who inform them of the death of their soldier son, the couple is devastated. Michael’s grief leads to anger and frustration, until a strange twist sets the narrative on its head, leading to a dizzying exploration of history and fate. Maoz won the Venice Golden Lion for his superb debut film, Lebanon (SFF 2010), set almost entirely in a tank. Here his view is more expansive, and Foxtrot zips back and forth in time and place, incorporating animation, music and an unforgettable dance sequence. Laced with irony and humor, and intellectually and viscerally powerful, Foxtrot is a meticulously crafted and beautifully acted film. GHOST STORIES Three terrifying tales unfold in this anthology by Jeremy Dyson (The League of Gentlemen) and Andy Nyman (Dead Set). Martin Freeman features in this classy British chiller. Three screaming cheers for the return of the British horror anthology! And what a grand return this is. Professor Philip Goodman is a professional debunker of psychics and all things paranormal. After exposing yet another fraud on the cheesy TV show he hosts, Goodman receives a package from an academic he once idolized. The contents propel Goodman into a series of investigations that force him to confront everything he doesn’t believe in. And it gets worse, much worse. Superbly evoking a drab gothic England of rising damp, peeling wallpaper, musty pubs and stale tobacco, Ghost Stories is a scary and wickedly clever fright fest that’ll give you a mountain of goosebumps. We dare you to enter this Vault of Horror! LEAVE NO TRACE Debra Granik (Winter’s Bone, SFF 2010) returns with a delicate drama about a father and daughter who are found by authorities after living off-grid in the wilderness for years. Will (Ben Foster) and his teenage daughter, Tom (Thomasin Harcourt McKenzie), have lived in the Oregon wilderness for years, far from the prying eyes of authorities. They forage for food, and Will passes on survival skills to the smart and curious Tom. When the two are discovered, they’re removed from the park and placed under the care of social services. Adjustment to mainstream society proves difficult, particularly for the traumatized Will. Granik, who famously discovered Jennifer Lawrence for Winter’s Bone, has again found an actress of immense talent. New Zealander McKenzie delivers a spectacular portrayal of a loving daughter torn between her devotion to her father and her own desires. Leave No Trace is a film of great sensitivity and compassion. MAYA THE BEE: THE HONEY GAMES Maya the plucky bee returns in this charming animated adventure. A colorful tale of buzzy derringdo for kids aged three and up, directed by top Sydney animators. Bubbly Maya (voiced by Coco Jack Gillies – Oddball, Mad Max: Fury Road) is set a challenge when she accidentally embarrasses the Empress of Buzztropolis. The little bee must win the prestigious Honey Games to save her hive’s honey harvest. With her best friend Willi (Benson Jack Anthony) beside her, she meets her ragtag team, including old friends Arnie and Barnie (David Collins and Shane Dundas of The Umbilical Brothers). She also encounters a jealous bee called Violet, who’s determined her team will come out on top. Maya eventually learns how to get the best from her insect crew, with a little advice from Flip (Richard Roxburgh) and his band, and Justine Clark as the wise Queen Bee. MUG A bitingly funny satire and Berlinale Grand Jury Prize winner; Poland’s first facial transplant patient awakes to find that – new face aside – it’s his community that’s changed, not him. Jacek is a young man living in a Polish town who loves heavy metal, his girlfriend and his dog. While working on the construction of the tallest statue of Jesus in the world, Jacek is completely disfigured by a severe accident, requiring him to undergo a facial transplant. Surprisingly, Jacek emerges from the radical medical intervention unchanged in disposition – he’s still funny, optimistic and wishes to marry his girlfriend. But all around him, people have changed and Jacek finds himself an outsider in his own community. Director Szumowska is unsparing in her criticism of the hypocrisy in this religious town, and aided by striking cinematography depicting a deformed world, has created a hilarious, stirring film. MY BRILLIANT CAREER A brand-new digital restoration of Gillian Armstrong’s award-winning adaptation of Miles Franklin’s classic novel, featuring Judy Davis in her movie debut. Set in late 19th century rural Australia, the film focuses on Sybylla (Davis), a headstrong woman determined to be a writer, who refuses to follow conventions. Armstrong’s 1979 film was nominated for the Palme d’Or at Cannes, an Oscar and a Golden Globe award, and was awarded two BAFTAs (for Davis), and six AFI Awards (Best Film, Best Director, Best Adapted Screenplay, Best Production Design, Best Costume Design and Best Cinematography for Don McAlpine). Predating Frances McDormand’s ‘Inclusion Rider’ speech by several decades, the film’s director, producers, scriptwriter, leading actor, production designer and costume designer were all women. Nearly 40 years on, Armstrong’s film has lost none of its relevance or screen power. PIERCING Nicolas Pesce follows his monochrome nightmare The Eyes of My Mother (SFF 2016) with a color-saturated tale of deviant desire and unspeakable urges starring Mia Wasikowska. Reed is a seemingly ordinary husband and father. Except that he has an uncontrollable urge to kill. On a “business trip,” Reed checks into a hotel and calls an escort service. His plan to murder sex worker Jackie turns out to be anything but straightforward. Pesce’s lusciously filmed adaptation of Ryū Murakami’s 1994 novel delves into the darkest domains of human nature. Christopher Abbott and Mia Wasikowska deliver outstanding performances as a perpetrator and victim whose notional roles reverse and reset multiple times during an extremely feverish night. Killer production design and a fabulous soundtrack of classic giallo tracks by Bruno Nicolai and legendary outfit Goblin complete the utterly compelling picture. SAMUI SONG Murder, marriage and religion are the ingredients of this juicy film noir by leading Thai filmmaker Pen-ek Ratanaruang (Last Life in the Universe, Headshot, SFF 2012). There’s style to burn in this classy Thai riff on the eternal theme of a fed-up wife who wants her no good husband dead. Vi is an actress who’s sick of playing soap opera bitches and wants to make an indie arthouse film. Worse still, her abusive and impotent French hubby is blindly devoted to a sleazy cult guru known as the Holy One. The answer to all Vi’s problems seems to be Guy, a scuzzy hitman who desperately needs dough to pay his ailing mother’s medical bills. Naturally everything goes haywire but not in ways we might expect. Dotted with gallows humour, sharp social satire and surreal sequences that’ll keep you guessing, Samui Song is a hard-boiled and highly polished tale of unholy alliances. THE BREADWINNER Oscar-nominated animation about an 11-year-old Afghan girl, Parvana, who must pose as a boy to support her family when her father is unjustly jailed. Adapted from the popular novel by Deborah Ellis, this portrait of life in Afghanistan under Taliban rule is the powerful tale of a young girl who faces adversity with creativity and courage. Animated by a team of over 200 artists, it was produced by Ireland’s Cartoon Salon, the studio behind Oscar nominees The Secret of Kells and Song of the Sea. The Breadwinner is an unflinching indictment of a culture that oppresses women and girls. It is also an appeal for human rights and the power of imagination against tyranny. THE INSULT Ziad Doueiri’s (The Attack, SFF 2013) thrilling, Oscar-nominated legal drama explores festering historical, political and religious divisions in his native Lebanon. When Palestinian Muslim foreman Yasser installs a new drainpipe on Lebanese Christian Tony’s balcony without his permission, Tony’s dislike of Palestinians leads to what appears to be a minor disagreement. But insults are hurled, and the situation soon escalates out of control. What begins with a petty argument leads to a highly publicized trial that captivates a nation, and also gives a range of people an opportunity to settle old scores. Doueiri masterfully takes this private clash of wills as a starting point to explore historic rifts amongst Lebanese communities, and the aftermath of the civil war. Intelligently using humor and pathos, The Insult is ultimately a plea for empathy, forgiveness and peace. THE MISEDUCATION OF CAMERON POST Desiree Akhavan (Appropriate Behavior, SFF 2014) won the Sundance Grant Jury Prize for her latest film, a moving comedy-drama set in a “gay conversion” camp. 16-year-old Cameron Post (Chloë Grace Moretz, Kick-Ass) is living with her born-again Evangelical aunt while secretly sleeping with the prom queen. When the girls are caught in the back of a car, Cameron is sent to God’s Promise, a Christian conversion therapy centre where teens are “cured” of their homosexual attractions. It’s in this surreal setting that she forms a close bond with two friends, Jane (Sasha Lane, American Honey) and Adam (Forrest Goodluck, The Revenant). Akhavan charmed SFF audiences with her hilarious debut Appropriate Behavior, in which she played a bisexual Persian woman concealing her true self from her family. She finds wit and poignancy again in this timely film about sexuality and self-acceptance. WEST OF SUNSHINE A working-class dad must settle a crippling debt in this punchy slice of Australian social realism. Jason Raftopoulos’ impressive first feature debuted at Venice Film Festival. Jim’s a decent guy who works for a courier company. But he has one terrible problem that’s cost him his marriage. Jim’s gambling addiction has also left him $15,000 in debt to a loan shark. Full payment is due today – or else. Jim’s first thought is to place a big bet on a sure thing in race two at Ballarat. He has no plan B. It’s also school holidays, forcing Jim to take young son Alex around town in search of a solution – or a miracle. Marked by excellent performances and filmed in vibrant, little-seen Melbourne locations, West of Sunshine beautifully captures a father-son relationship and those moments in a child’s life when the adult world comes suddenly and sharply into focus.  

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  • 42nd Atlanta Film Festival to Feature Lineup of Record +200 Films, ‘EIGHTH GRADE’ ‘BLINDSPOTTING’ ‘TULLY’ and More

    [caption id="attachment_27761" align="aligncenter" width="1200"]Eighth Grade Eighth Grade[/caption] The 42nd Annual Atlanta Film Festival (ATLFF), less than a month away, announced the full lineup of films includes 58 feature length films and 150 short films from 56 countries, along with special programming, that will take place from April 12 to April 22, 2018. Director Bo Burnham, the comedian known for his popular stand-up routines and YouTube career, will attend the Closing Night presentation of his new film EIGHTH GRADE at the Plaza Theatre on Saturday, April 21. EIGHTH GRADE joins ATLFF’s previously announced Opening Night and Marquee presentations, including BLINDSPOTTING from ‘Hamilton’ actor and Tony Award-winner Daveed Diggs and TULLY from the Academy Award® -nominated director Jason Reitman. “The growth of the Atlanta Film Festival reflects the rising importance of Georgia’s film industry, and we’re proud to showcase that connection by hosting a record 49 films with Georgia ties,” ATLFF Executive Director Christopher Escobar said. “We are 100 percent committed to providing a unique festival experience that honors our roots and creates a diverse opportunity for filmmakers of all levels, while also displaying an important role that our city represents in the film and television community.” The Atlanta Film Festival is pleased to showcase diverse feature and short films that connect audiences to filmmakers from around the world. This year, ATLFF will host the world premiere of seven feature-length films and more than 50 short films during the 2018 festival. In addition, 68 percent of this year’s selected submissions were directed by either a woman or filmmaker of color.

    OPENING NIGHT PRESENTATION

    BLINDSPOTTING Directed by Carlos López Estrada USA, 2018, English, 95 minutes Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning.  He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers and are forced to watch their old neighborhood become a trendy spot in the rapidly gentrifying Bay Area. When a life-altering event causes Collin to miss his mandatory curfew, the two men struggle to maintain their friendship as the changing social landscape exposes their differences. Lifelong friends Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland.  Bursting with energy, style and humor, “Blindspotting,” boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity. Actors/Writers/Producers Daveed Diggs & Rafael Casal are scheduled to attend. Prior to the film, Daveed Diggs will be presented with the ATLFF Innovator Award.

    CLOSING NIGHT PRESENTATION

    EIGHTH GRADE Directed by Bo Burnham USA, 2018, English, 94 minutes Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth grade year—before she begins high school.

    MARQUEE FILMS

    AMERICAN ANIMALS Directed by Bart Layton USA, 2018, English, 117 minutes The unbelievable but true story of four young men who mistake their lives for a movie and attempt one of the most audacious art heists in US history. #Marquee HEARTS BEAT LOUD Directed by Brett Haley USA, 2018, English, 97 minutes Frank (Nick Offerman) and his daughter Sam (Kiersey Clemons) form a songwriting duo shortly before she leaves for college. As they grow closer through their music, Frank must come to terms with letting go of his daughter. Toni Collette, Ted Danson, Sasha Lane and Blythe Danner also star. #Marquee LEAN ON PETE Directed by Andrew Haigh UK/USA, 2017, English, 121 minutes Fifteen-year-old Charley Thompson (Charlie Plummer) arrives in Portland, Oregon with his single father Ray (Travis Fimmel), both of them eager for a fresh start after a series of hard knocks. While Ray descends into personal turmoil, Charley finds acceptance and camaraderie at a local racetrack where he lands a job caring for an aging Quarter Horse named Lean On Pete. The horse’s gruff owner Del Montgomery (Steve Buscemi) and his seasoned jockey Bonnie (Chloë Sevigny) help Charley fill the void of his father’s absence—until he discovers that Pete is bound for slaughter, prompting him to take extreme measures to spare his new friend’s life. Charley and Pete head out into the great unknown, embarking on an odyssey across the new American frontier in search of a loving aunt Charley hasn’t seen in years. They experience adventure and heartbreak in equal measure, but never lose their irrepressible hope and resiliency as they pursue their dream of finding a place they can call home. #Marquee LEAVE NO TRACE Directed by Debra Granik USA, 2018, English, 108 minutes Will (Ben Foster) and his teenage daughter, Tom (Harcourt McKenzie), have lived off the grid for years in the forests of Portland, Oregon. When their idyllic life is shattered, both are put into social services. After clashing with their new surroundings, Will and Tom set off on a harrowing journey back to their wild homeland. #NewMavericks, #Marquee A PRAYER BEFORE DAWN Directed by Jean-Stéphane Sauvaire France/Thailand/UK, 2017, English/Thai, 116 minutes “A Prayer Before Dawn” is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons. He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes this might be his chance to get out. Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom. Shot in a an actual Thai prison with a cast of primarily real inmates, “A Prayer Before Dawn” is a visceral, thrilling journey through an unforgettable hell on earth. #Marquee RBG Directed by Betsy West, Julie Cohen USA, 2018, English, 97 minutes U.S. Supreme Court Justice Ginsburg has created a breathtaking legal legacy for women’s rights while becoming an unexpected pop culture icon. The personal journey of this diminutive, quiet warrior’s rise to the nation’s highest court during a hostile time for women, is revealed in this inspiring and multidimensional portrait. Now 84, Ginsburg refuses to relinquish her passionate duty, continues to have vigorous dissenting opinions and her exercise workouts. #NewMavericks, #Marquee SUMMER 03 Directed by Becca Gleason USA, 2018, English, 96 minutes Inspired by true events, “Summer 03” centers on Jamie, a 16-year-old girl (Joey King) and her extended family who are left reeling after her calculating grandmother (June Squibb) unveils an array of family secrets on her deathbed. Jamie is left to navigate her nascent love life and maintain her closest friendships in the midst of this family crisis. #Georgia, #NewMavericks, #Marquee TULLY Directed by Jason Reitman USA, 2018, English, 94 minutes A new comedy from Academy Award-nominated director Jason Reitman (“Up in the Air”) and Academy Award-winning screenwriter Diablo Cody (“Juno”). Marlo (Academy Award-winner Charlize Theron), a mother of three including a newborn, is gifted a night nanny by her brother (Mark Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Mackenzie Davis). #Marquee WON’T YOU BE MY NEIGHBOR? Directed by Morgan Neville USA, 2018, English, 94 minutes Academy Award®-winning filmmaker Morgan Neville’s latest documentary takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this documentary is an emotional and moving film that takes you beyond zip-up cardigans and the land of make-believe, and into the heart of a creative genius, who inspired generations of children with compassion and limitless imagination. #FamilyFriendly, #Marquee YOU WERE NEVER REALLY HERE Directed by Lynne Ramsay UK/France/USA, 2017, English, 85 minutes A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening. #Marquee

    NARRATIVE FEATURES

    LOS AÑOS AZULES (THE BLUE YEARS) Directed by Sofía Gómez-Córdova Mexico, 2017, Spanish, 103 minutes Four young adults as different as the four seasons have managed to craft a home for themselves in the shattered relic of a once beautiful house. When a new tenant throws a wrench into their precariously balanced dynamic, the group will both grow closer and drift apart as they journey into adulthood. #CineMás  I’M HERE Directed by Noor Gharzeddine USA/Lebanon, 2018, Arabic/English, 83 minutes Kirsten, brazen American post-grad, befriends her next-door neighbor, Nadine, an intelligent mother relegated to full-time Beirut housewife. The greater the unlikely friendship grows, the harder it becomes for the women to dismiss the obvious abuse and neglect of Nadine’s husband. As the final days of Kirsten’s life in Beirut draw to a close, Nadine must face her husband and settle things once and for all. #NewMavericks, #WorldPremiere CABEZA MADRE (MOTHER’S HEAD) Directed by Edouard Salier Cuba/France, 2017, Spanish, 89 minutes John, a first-generation American, travels to visit his estranged mother in her home country of Cuba for the first time in years. Upon his arrival John is shocked to learn that not only was his mother mixed up with a checkered group of criminals, but she has died in incredibly extreme circumstances. Desperately seeking answers, John will be forced to reckon with the realities of his mother’s life and answer to his own responsibility in her fate. #CineMás CARDINALS Directed by Grayson Moore, Aidan Shipley Valerie has just returned home from a prison sentence served for a drunk driving accident that cost her neighbor his life. All Valerie wants is to return to a normal life with her husband and two daughters, but when her victim’s son shows up at her door it becomes clear that the past is not behind her. His lingering suspicions cast doubt on her motivations – was his father’s death an accident after all? #Competition CLARA’S GHOST Directed by Bridey Elliott USA, 2018, English, 93 minutes Clara Reynolds is the under-appreciated matriarch of a family in the spotlight. Her husband is an aging comedian that is beginning to recognize his career may be behind him and her daughters are a pair of former child stars attempting to claim a place in the industry as adults. When the family reunites at their home in rural New England, Clara’s long tradition of being relegated to the sidelines drives her to a breaking point. Desperate for connection, Clara finally finds it with the ghost of a woman who only has eyes for her. #NewMavericks DEAD PIGS Directed by Cathy Yan China, 2017, Chinese/English, 132 minutes A Chinese farmer loses his livelihood when pigs mysteriously die across the country. An eccentric woman fights to save her family home from encroaching gentrification, as an American expat architect spearheads the same project in order to make a name for himself in a new land. A young man scraping by as a busboy in a glitzy Shanghai restaurant enters a complicated relationship with a young socialite seeking something outside of her privileged upbringing. As the government struggles to explain the dead pig crisis, each of these stories interconnects in surprising ways as our motley cast of characters searches for a meaningful life. #Competition DISAPPEARANCE Directed by Ali Asgari Iran/Qatar, 2017, Persian, 88 minutes When a young virgin decides to sleep with her boyfriend, she finds herself under threat from her conservative society. Desperate for a solution, the couple travels from hospital to hospital searching for help and finds their relationship tested in the face of the consequences of their actions. #Competition FACADES Directed by Nathalie Basteyns, Kaat Beels Belgium, 2017, Dutch/French, 91 minutes Alex’s world is turned upside down when her mother abruptly abandons her dementing father. But when Alex moves home to care from him, she finds herself forced to confront a traumatic incident from her childhood and the things she should not have seen. The journey to reckon with her past will find Alex addressing the ways her parents’ marriage has shaped her own relationships, most importantly with her adulterous husband. In order to move forward, Alex must confront the reality of her past. #Competition, #NewMavericks FAT TUESDAY Directed by Jorge Torres-Torres USA, 2017, English, 80 minutes Caught up in the glitz and pageantry of Mardi Gras, a group of friends find themselves enamored with the infamous city of New Orleans. However, as their celebratory night draws to a close, a sinister presence begins to prey upon the unsuspecting tourists. IN THE SHADOWS Directed by Dipesh Jain UK/India, 2017, Hindi, 117 minutes A reclusive shopkeeper spends his life isolated from the outside world, interacting with his home of Old Delhi solely through hidden closed-circuit cameras. Meanwhile, a boy struggles to protect his mother and younger brother from the harsh sting of his father’s hands. When the shopkeeper overhears this abuse he must break free from his self-imposed prison in order to help the boy, discovering a shocking truth along the way. IT’S A PARTY Directed by Weldon Wong Powers USA, 2018, English, 78 minutes Successful Atlanta rap artist Cory Masters is late for his own surprise birthday party. While his friends anxiously await his arrival, each one individually addresses their own existential crisis. As the night drags on, hilarity ensues amongst the party-goers as they ponder life, careers, and relationships with Cory. Get yo’ a** to the party. #Georgia LAMP LIGHT Directed by Mason Rey USA, 2018, English, 90 minutes Crippled by insecurity and doubt, Don Gos struggles with a stilted career and dating life. As he contemplates his failures while driving home one evening, a tunnel collapses on top of him. Buried alive with no hope of rescue, he is unsure of whether or not he will survive and he ceremoniously bids adieu to the rest of his life. #Georgia, #WorldPremiere MELOCOTONES (PEACHES) Directed by Hector Valdez Dominican Republic/UK, 2017, Spanish/English, 80 minutes In the retrofuture, Diego attempts to salvage his relationship with girlfriend Laura by taking her to the hotel where they once vacationed as a happy couple. But when they arrive, the hotel is no longer in business and Laura’s ex-boyfriend shows up, demanding to have her back. In an attempt to rectify the situation, Diego accidentally traps himself and Laura in a continuous time loop. #CineMás NEVER STEADY, NEVER STILL Directed by Kathleen Hepburn Canada, 2017, English, 111 minutes Living in a remote part of Canada, Judy battles daily with the pain and inconvenience of Parkinson’s Disease. After her husband dies suddenly, Judy’s world is turned upside down, leaving her with the daunting task of caring for herself. Judy’s son Jamie has recently left home at his father’s insistence to find work on the harsh Canadian oil fields. In the face of his mother’s illness, Jamie will grapple with balance between his responsibility to her and his mother’s desire to see him forge his own life. #NewMavericks POOR JANE Directed by Katie Orr USA, 2017, English, 89 minutes Jane is a stay at home mom who has just realized she doesn’t love her husband anymore. She decides to bid her family adieu for the holidays and spends her time reconnecting with herself by dating other men, reconnecting with old flames, and writing poetry. When the holidays are over, Jane must choose between her new life or the one she left behind. #Georgia, #NewMavericks PRISON LOGIC Directed by Romany Malco USA, 2018, English, 93 minutes Two college students film a documentary on larger-than-life, chain-smoking inmate Tijuana Jackson, who is currently serving time in prison. After he is released, Tijuana arrives back home where he is met with the demands of both his family and his parole officer. He leaves home and embarks on a road trip to follow his dreams of becoming a life coach and motivational speaker, but is met with some surprises along the way. RESTOS DE VIENTO (WIND TRACES) Directed by Jimena Montemayor Loyo Mexico, 2017, Spanish, 93 minutes In the wake of losing their father and patriarch, a family drifts aimlessly through life. The mother, Carmen, struggles with depression and the task of caring for her children in the wake of her abandonment. Disappointed by the adults in her life, oldest daughter Ana shuts down while her brother opens himself up to the mysterious otherworldly figure that has suddenly appeared in his life. Together, the family will have to grow and let go of their fears in order to survive. #Competition, #CineMás, #NewMavericks SAVAGE YOUTH Directed by Michael Curtis Johnson USA, 2018, English, 97 minutes Elena, an aspiring young artist, meets and falls in love with Jason, a horrorcore rapper. Suddenly engrossed in his world, Elena finds herself binging drugs and alcohol as her young love quickly fizzles. Driven into a friendship with drug dealer Gabe, Elena tries to find herself within this new world. But when a robbery in the midst of a house party goes terribly wrong, Elena will be thrust into a much more violent and dangerous confrontation. STILL Directed by Takashi Doscher USA, 2018, English, 88 minutes When Lily (Madeline Brewer) loses her way on a hike through the Appalachian wilderness, she finds rescue in the form of a peculiar married couple, Ella (Lydia Wilson) and Adam (Nick Blood), who have completely isolated themselves from the outside world. As the couple nurses Lily back to health, she begins to discover evidence of a dark and dangerous secret a century in the making. As Ella and Nick’s mystery begins to unravel, Lily comes to understand the couple’s desperation to keep themselves hidden from the world. #Georgia, #WorldPremiere STRANGE COLOURS Directed by Alena Lodkina Australia, 2017, English, 85 minutes When Milena learns her estranged father has fallen ill, she travels to the remote opal mining community he calls home. Crossing paths with many of the fellow male miners, Milena discovers the opals themselves are not nearly the most colorful facet of this freedom oasis. As the bond between father and daughter strives to mend, Milena discovers that the “here and now” may be far more valuable than any unearthed gem. #Competition, #NewMavericks T-JUNCTION Directed by Amil Shivji Tanzania, 2017, Swahili, 106 minutes When her estranged father suddenly passes, Fatima finds herself struggling to mourn a person to which she had no connection. As she helps her grieving mother collect records from the nearby hospital, she meets Maria, a patient with a complex past and mysterious injuries. Maria begins to tell Fatima a story of her home, T-Junction, and the family that she found amongst its colorful residents. As the two women bond, Fatima begins to come to terms with the complexity of her own home, family, and life. TELL ME YOUR NAME Directed by Jason DeVan USA, 2018, English, 89 minutes Abused by her father and abandoned by her mother as a young child, Ashley is sent to live with her estranged Aunt Tanya.  During her stay, she becomes obsessed with investigating the disappearance of her mother and she calls upon the spirit world to answer her questions.  In her quest, she is ensnared by a powerful demon who refuses to leave its host. #Georgia THY KINGDOM COME Directed by Eugene Richards USA, 2018, English, 42 minutes A priest visits the residents of a small town and demonstrates the healing power of listening. From prisons to living rooms, the priest compassionately listens to people from all walks of life openly reveal their deepest secrets, hopes and dreams as they struggle to reconcile their past with their present. #Competition TIGRE Directed by Silvina Schnicer, Ulises Porra Guardiola Argentina, 2017, Spanish, 92 minutes Sixty-five year old Rina visits her home in the Tigre Delta accompanied by her forty-something friend Elena. They await the arrival of their estranged children, hoping that the island sanctuary will create a space for reconnection. Instead, they find that the home is threatened by encroaching industrialization and their children feel more distant than ever. The two women struggle to hold onto a way of life that may be already out of reach. #Competition, #CineMás, #NewMavericks VENUS Directed by Eisha Marjara Canada, 2017, English, 95 minutes Having recently embraced her own identity, Sid, a transgender woman, finds herself tangled in a complex web of expectations and aspirations when she discovers she has a 14-year-old son. With new relationships adding to the struggle of culture, religion, and romance in Sid’s journey to acceptance, everyone’s in for a wild ride. #PinkPeach WHEN SHE RUNS Directed by Robert Machoian, Rodrigo Ojeda-Beck USA/Denmark, 2018, English, 71 minutes Kirstin, a young wife and mother, competes for a spot in the the Olympic trials. In her quest to win, she sacrifices it all as she moves out of her house and leaves behind her husband and young son. While her marriage and finances suffer, she trains obsessively, embarking on a strict diet, exercise and motivational plan she hopes will bring her to Olympic gold. YAMASONG: MARCH OF THE HOLLOWS Directed by Sam Koji Hale USA, 2017, English, 95 minutes In a futuristic world filled with fantastical, mechanized creatures, one automaton girl joins forces with a tortoise warrior and a band of outlaws to defeat a sinister army bent on world domination. Their only hope? A perilous journey to find a legendary relic with the power to save them all. Starring Nathan Fillion, Abigail Breslin, Whoopi Goldberg, Malcolm McDowell, Bruce Davison, Freida Pinto, George Takei, Peter Weller and Ed Asner, “Yamasong: March of the Hollows” is the first feature length non-muppet puppetry film in over a decade. #FamilyFriendly, #WorldPremiere

    DOCUMENTARY FEATURES

    ABU Directed by Arshad Khan Canada/Pakistan, 2017, English/Urdu/Hindi, 80 minutes Using home videos and classic Bollywood films, a filmmaker crafts an intimate portrait of his Pakistani-Muslim family grappling with the realities of having a gay son in a modern world. Torn between sexuality and religion, tradition and migration, a gay son and his father test the boundaries of love, home, and the meaning of family. #PinkPeach ARMED WITH FAITH Directed by Geeta Gandbhir, Asad Faruqi USA/ Pakistan, 2017, Pashto/Urdu, 74 minutes Hidden within the mountainous border of Pakistan and Afghanistan are some of the most violent homegrown terrorist groups. For years, Al-Qaeda and the Taliban have attacked local Pakistani residents with improvised explosive devices in a bid to control the region. Operating on a low budget and scarce resources, the Khyber Pakhtunkhwa Bomb Disposal Unit risk their lives daily to counter this terrorism and safeguard their neighbors with their unparalleled faith and courage. BLACK MEMORABILIA Directed by Chico Colvard USA/China, 2018, English/Chinese, 64 minutes In the history of racism in the United States, one major physical manifestation of oppression has survived into the present, wrapped in the protective embrace of antiquity and historical preservation—black memorabilia. What was once a brand of trinket that played on racial stereotypes for the delight of white buyers, finds itself suspended in a limbo of race and time. As different forces in the United States fight to preserve, consume, and reclaim black memorabilia, the journey to address present day racism is only further complicated by industrialization in China and a desire to save cultural context for future generations. #Competition COCAINE PRISON Directed by Violeta Ayala Bolivia/Australia/France/USA, 2017, Spanish, 77 minutes In a world dominated by drug trade and ineffectual police forces, it is often the lowest, replaceable workers in the hierarchy who find themselves imprisoned. Enter the claustrophobic world of Bolivia’s infamous San Sebastian prison. This detailed look at a broken system of arrests and jail time follows the story of one young cocaine mule, Hernan, as he suffers the same fate a countless other disposable workers. At the same time, his sister, Deisy, treds a careful line between freeing her brother and avoiding entanglement in the same cocaine trade that destroyed his life. #CineMás FREEDOM FOR THE WOLF Directed by Rupert Russell Hong Kong/Tunisia/India/USA/Germany, 2018, English/Mandarin/Arabic/Hindi, 89 minutes What is a democracy? Across the globe, this heralded form of government is under attack by the very leaders it elected. In this groundbreaking documentary, we follow the crisis of faith in five different countries. From Hong Kong, to Tunisia, to India, to Japan, and even to the so called birthplace of democracy—the United States of America—what was once believed to be the pinnacle of human society is being torn at by hungry wolves seeking power and status for themselves. In the face of threats that come in the guise of friendly leaders, what can the people do to save their democratic freedoms? Can the tides be turned back, or is “freedom for the wolf” destined to bring “death for the sheep?” #Competition INGRID Directed by Morrisa Maltz USA, 2018, English, 52 minutes Ingrid, a successful fashion designer and mother, dropped everything to create a new life for herself in the middle of the woods. Since then, she has carved out an isolated existence, surviving off her own wit and labor while creating art from the land she now calls home. But as Ingrid’s past is uncovered in this meditative documentary, the question of what drives someone to leave a life of ordinary comforts to pursue a life spent in solitude comes to light. #Competition, #NewMavericks ISLAND SOLDIER Directed by Nathan Fitch USA/Federated States of Micronesia/Afghanistan, 2017 English/Kosraean, 85 minutes Every year, young Micronesian citizens leave their families and island homes on military deployment—as United States soldiers fighting for the American dream. Torn between the failing economics of their native country and a complicated historical relationship with the United States, these young islanders become the pieces is larger puzzle that pits jobs and security against the reality of fighting for a country you neither belong to nor have any rights in. #Georgia LIYANA Directed by Aaron Kopp, Amanda Kopp USA/Swaziland, 2017, English/siSwati, 77 minutes Five orphaned children living in Swaziland collectively weave a cathartic tale of love, hope, and bravery through a fictional character they create named Liyana. When Liyana’s parents die and her brothers are kidnapped, she embarks on a perilous journey to face her darkest fears and reclaim her family’s future. While the children immerse themselves in the imaginary, the viewer catches an intimate glimpse of a truer paralleled reality and the childlike wonder that persist through it all. #Georgia, #FamilyFriendly MAN MADE Directed by T Cooper USA, 2018, English, 93 minutes At the world’s only all-transgender bodybuilding competition, four male bodybuilders take the stage. What precedes this triumphant moment are a set of personal and diverse journeys taken on the path to self-identity and empowerment. Told through the intimate and honest lens of a trans filmmaker, this documentary intertwines the nuances of manhood, the drive for social justice, and the competitive desire to forge our own paths and be our personal best. #Competition, #Georgia, #PinkPeach, #WorldPremiere MAN ON FIRE Directed by Joel Fendelman USA, 2017, English, 54 minutes Grand Saline seemed like your average small town in Texas until the day when Charles Moore, an elderly white preacher, publicly set himself on fire to protest the town’s long history of racism. Catapulted to the spotlight by this powerful act of self-harm, the ordinary small town of Grand Saline was asked to address its storied past. What was recorded instead is a town’s deeply rooted internal divisions and an overwhelming attempt to ignore and vehemently deny any wrongdoing by many members of Grand Saline’s mostly white population. MAYNARD Directed by Sam Pollard USA, 2017, English, 99 minutes In 1970, Maynard Jackson Jr. was elected as mayor of the city of Atlanta, sparking a revolution in the black community. As the first black mayor elected in a major Southern city, his campaign ignited African American voter turnout and his service in office paved the way for the creation of diversity and inclusion norms, still practiced and revered in present day. #Georgia MERMAIDS Directed by Ali Weinstein USA/Canada, 2017, English, 76 minutes All throughout the United States, there exists a vibrant and mythical subculture dedicated to the existence of real life mermaids. In the exploration of the history and present of this peculiar passion, Mermaids takes us on a journey into the lives of five incredible women who spend their free time, and sometime work hours, donning full-size tails at pools, beaches, and bars. In watching them transform into the sea-creatures of their dreams, we gain beautiful insight into the complicated lives of women who differ in every way but are drawn to the same ideal of unearthly beauty and freedom. #NewMavericks, #PinkPeach NOS LLAMAN GUERRERAS (THEY CALL US WARRIORS) Directed by Jennifer Socorro, Edwin Corona Ramos, David Alonso Venezuela/USA/Mexico/Jordan, 2018, Spanish/English, 81 minutes In a country torn apart by political and economic upheaval, a team of young women finds refuge in a sport that rises above their personal poverty and gendered social status. But when this new soccer team goes undefeated in all of South America, these women find themselves in the position to win Venezuela’s first World Cup and gain a new acceptance and voice in their home country. #Competition, #CineMás, #WorldPremiere NOTHING WITHOUT US: THE WOMEN WHO WILL END AIDS Directed by Harriet Hirshorn Burundi/France/Spain/Nigeria/USA, 2017, English/French, 67 minutes For the past 30 years, women around the world have been on the move to tear down the forces that would silence them. Forgotten and overlooked in the global fight against HIV/AIDS, these women, particularly women of color, are fighting to destroy the myths and stigmas that surround this disease. Following the lives of present day activists around the world, this documentary charts the fight of women living with HIV/AIDS while also exploring the historical blind eye turned toward women during this long epidemic. Through education, medical and emotional support, and government action, these women will not stop until their voices are heard and HIV/AIDS is eradicated. #Georgia, #NewMavericks ONIBO Directed by Julien Mauranne, Victor Guillon France/Peru, 2017, Spanish/Shipibo, 60 minutes Curious about urban life outside of their rural Peruvian village, two teenage brothers of the Amazonian Shipibo Indians leave for Lima to chase their dreams. Aware of the sage advice and dutiful hesitation of their parents, the boys arrive only to discover that dark realities are hiding inside a booming metropolis. Together, they’ll have to make their own way and reconcile their desire for modernity with an ancestral knowledge that is soon to be theirs. #Competition, #CineMás SILAS Directed by Anajli Nayar, Hawa Essuman Canada/South Africa/Kenya/Liberia, 2017, English, 80 minutes Faced with environmental destruction and governmental corruption, Liberian activist Silas Siakor is fighting back to save the country he loves. In this stunning ode to grassroots resistance, Silas highlights how the power of an individual and the use of modern technology empowers local communities to rise up and lead the environmental struggle on a global scale. #Competition TAKE LIGHT Directed by Shasha Nakhai Nigeria/Canada, 2018, Pidgin English, 78 minutes When it comes to power and electricity, Nigeria is a country in crisis. Torn between its desire to enter the global stage and its inability to provide one of the major first world utilities, the country lives in limbo. Through the door to door travellings of an optimistic electrician and a hesitant power company representative, the complicated dynamics of a country’s ineffectual energy structure and the havoc it wreaks begins to unfold. 306 HOLLYWOOD Directed by Elan Bogarín, Jonathan Bogarín USA/Italy/Hungary, 2018, English/Italian, 94 minutes After the loss of their grandmother, a brother and sister foray into the depths of magical realism to excavate and appreciate the home she left behind. Their journey examines an individual’s microcosmic universe and the physical and emotional weight that indelibly carries on after a life ends. In this documentary, the ordinary becomes the extraordinary and a New Jersey home becomes a classical ruin to be revered by archaeologists, archivists and scientists alike. #Competition WAITING FOR DAVID Directed by Emelie Svensson, Karin Oleander USA/Sweden, 2018, English, 41 minutes April 19, 1993. After a grueling 51-day standoff between the FBI and the Branch Davidian cult in Waco, Texas, over 70 members of the cult perished when their compound went up in flames. Now 25 years later, survivor Clive Doyle is still waiting for cult leader and messiah David Koresh to resurrect alongside Clive’s own deceased daughter. #WorldPremiere

    SHORT FILMS

    CARBON COPY Filaments of connection floating in projector light. Documentary, 95 minutes The Last Tape | directed by Cyprien Clément-Delmas & Igor Kosenko, Ukraine/Germany, 12:12 A young man and a veteran meet for the last time before the Ukraine war separates them. Charming Strangers | directed by Weichao Xu, USA, 22:24 Through the lens of a vintage film camera, a Chinese photographer and his 8-year-old students rediscover their experience as immigrants in the United States. #Competition Dengê min Hilgirt (Carry My Voice) | directed by Hasan Demirtas, USA/Turkey, 19:02 A personal story of love and separation against the backdrop of an episode of Kurdish history with profound consequences to this day. Hallo Salaam (Hello Salaam)| directed by Kim Brand, The Netherlands/Greece, 15:07 Two young boys visit a refugee camp on the Greek island of Lesbos. First encounters of handing out food and careful greetings soon become playful gatherings and good conversations. All The Leaves Are Brown | directed by Daniel Robin, USA, 11:00 A short film about memory, loss, family, and a sugar maple tree. #Competition, #Georgia Oma | directed by Bill Kirstein, USA, 15:24 A rich discovery in a dusty attic raises long forgotten questions for a centenarian facing the loss of her short-term memory. An exploration of memory, secrets and living to be 100. HARD WORLD FOR SMALL THINGS Portraits of young minds and steel spines. Narrative, 102 minutes Chandler | directed by Julia Kennelly, USA, 9:14 Feeling ignored on an important day, a 12-year-old girl seeks attention from an unexpected source. #NewMavericks وقت نهار  (Lunch Time) | directed by Alireza Ghasemi, Iran, 15:57 A 16 year old girl goes to the hospital to identify the body of her mother.  But age, bureaucracy, and culture might prevent her from seeing her mother one last time. Varg (Wolf) | directed by Frida Kempff & Erik Andersson, Sweden, 11:41 In the shadow of a violent threat, a young woman must decide whether or not to take action to save her family’s way of life. Marlon | directed by Jessica Palud, France, 19:50 Marlon, 14 years old, is visiting her mother in jail for the first time since her imprisonment. Protected by her family, she stubbornly believes that her mother is still her childhood heroine… #NewMavericks 茧 (Cocoon) | directed by Mei Liying, China, 25:41 When Qingqing questions her mom’s odd relationship with a female friend, she discovers a secret that will unravel her peaceful family life and her burgeoning conceptions of love, sex, and female desire. #NewMavericks, #PinkPeach San Miguel | directed by Cris Gris, Mexico/USA, 19:30 In order to help heal her grieving mother, Ana, a devout 9 year old girl, pushes her faith to its limit in hopes of divine intervention. #Competition, #CineMás, #NewMavericks IMAGINARY FLYING MACHINES Renderings of an animated technicolor world. Animation, 102 minutes Tête à Tête | directed by Natasha Tonkin, United Kingdom, 7:41 One family’s search for connection in a digital world. #Competition, #NewMavericks Negative Space | directed by Max Porter & Ru Kuwahata, France, 5:30 My dad taught me how to pack. Tokri (The Basket) | directed by Suresh Eriyat, India, 14:22 Two insignificant lives lost and found in time. Two Balloons | directed by Mark C. Smith, USA, 9:08 Two travelers return to a place crossed by stars and clouds where love is at the beginning of everything. #Competition Heaven | directed by Miguel Anaya, Mexico, 11:19 In the late 40’s, a pilot, who visits isolated communities to bring them food and rescue the sick, loses his brother who wanted to be like him. #Competition, #CineMás Railment | directed by Shunsaku Hayashi, Japan, 9:40 In a continuous scenery, his physical movement stays in the same position. #Competition Ming | directed by Danski Tang, USA, 3:07 A Chinese woman’s experience as a live figure model while abroad. #Competition, #NewMavericks 10 | directed by Yu-Ting Cheng, USA, 3:38 An autistic 5-year-old with leukemia suffering both physically and mentally in the darkness of pain. INN | directed by Zion Chen, USA, 4:26 A strange girl draws a young man’s attention in the inn. And the Moon Stands Still | directed by Yulia Ruditskaya, Belarus/Germany/USA, 10:47 The presence of the moon affects all under its glow. The film explores the lunar cycle and the energies invoked by its radiance. #Competition SOG | directed by Jonatan Schwenk, Germany, 10:14 A people of humanlike creatures lash out viciously against a shoal of fish that had unintentionally entered their desolate land. #Competition The Box | directed by Dušan Kastelic, Slovenia, 12:12 The Box is full of miserable creatures. One of them doesn’t belong there. He’s thinking outside the box… #Competition KABOOM Unicorns, Rasputin, Sharknado – oh my! Puppets and clay that will blow your mind. Puppetry & Stop Motion Animation, 64 minutes You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. TubeHeads – Haie im Weltraum (TubeHeads – Sharks in Space) | directed by Henning Ricke & Daniel Raboldt, Germany, 5:18 A puppet sketch comedy for the generation Y, ‘TubeHeads’ is a wired and wonderful joyride through pop- and high culture with nerdy humor and general mischief. Quarters | directed by FIG House, Canada, 5:00 A flippantly animated portrait of typical flat denizens who live together, yet apart. To Be | directed by Farzaneh Omidvarnia, Iran/Denmark, 6:01 Seeking refuge, a group of migrants must brave unknown perils and one unfriendly climate after the next. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks The Legend of Rasputin | directed by Jamie Shannon, Canada, 12:40 A dark historical comedy about the first tabloid star Grigori Rasputin, presenting a chapter in his life through puppets. Don’t Think of a Pink Elephant | directed by Suraya Raja, United Kingdom, 7:20 A teenage girl fights her intrusive thoughts. #NewMavericks LAST LIFE IN THE UNIVERSE Glimpses beyond the veil of time and space. Narrative, 110 minutes Arlo Alone | directed by Nicole Dorsey, Canada, 16:28 A futuristic drama that follows a young woman as she comes to terms with her own loneliness in a world where in-person contact has become a rarity. #Competition, #NewMavericks Expire (Exhale) | directed by Magali Magistry, France, 13:12 In a world blanketed by toxic fog, one young woman, alone in the world, tries to connect despite the inherent danger in stepping outside. #NewMavericks Low Tide | directed by Joseph Sackett, USA, 10:05 A queer supernatural break-up album about a woman who falls in love with an angel. #PinkPeach Paleonaut | directed by Eric McEver, China/Japan/USA/Singapore, 15:51 A scientist studying the first human time traveller falls in love with her subject. But if her research succeeds they will become separated by eons of history… The Emissary | directed by Bryan Tan, USA, 21:17 Liv Laika embarks on a solitary mission to a distant planet in search of her ancestors who fled the earth nearly a century prior. #Georgia After Her | directed by Aly Migliori, USA, 14:39 A wayward teenage girl goes missing and her friend is haunted by her disappearance. An atmospheric sci-fi about first love and the lost girl. Souls of Totality | directed by Richard Raymond, USA, 18:44 A relationship story about the sacrifices we make, the things we don’t say, and love’s seemingly supernatural ability to conquer all. LAUGHTER Humorous collisions of circumstance and character. Narrative, 77 minutes Sticky | directed by Richard Turley, United Kingdom, 13:06 A suburban tale of lust, chewing gum and first class stamps. My Lethal Weapon | directed by Hope Leigh, USA, 9:24 A young blonde must navigate treacherous power dynamics when she’s pulled over late at night by a “friendly” cop. #Georgia, #NewMavericks The Homestay | directed by Priyanka Mattoo, USA, 11:48 A sheltered Indian couple visits their son in the U.S. for the first time and bungles their apartment rental, ending up in close quarters with their hosts, a gay couple and their dogs. #PinkPeach Offstage | directed by Andrei Huțuleac, Romania, 25:15 A famous Romanian actor is kidnapped by the obsessed mother of his biggest fan. Hail Mary Country | directed by Tannaz Hazemi, USA, 18:09 Macho Grandmother Irene Dandy has to defend her family of football fanatics when they are robbed by Nora, a cocky thief with an all male posse. #NewMavericks MADEINUSA Broad stripes and bright stars, the American ethos. Documentary, 99 minutes Footprint | directed by Sara Newens, USA, 17:05 A purely observational meditation on how different people engage with the World Trade Center Memorial, exploring the ways we choose to commemorate tragedy in the age of technology, social media, and changing attitudes toward patriotism. #Competition Shot. | directed by Aemilia Scott, USA, 9:30 Footage from every police shooting over the last two years, taken unedited, and aligned ⎯⎯⎯ synchronised to the moment of the first gunshot. #Competition Nuuca | directed by Michelle Latimer, USA/Canada, 12:58 The oil boom in North Dakota has brought tens of thousands of new people to the region and with that has come an influx of drugs, crime and sex trafficking. #Competition, #NewMavericks Socks on Fire: Uncle John and the Copper Headed Water Rattlers | directed by Bo McGuire, USA, 15:05 A failed poet takes up cinematic arms when he returns home to Hokes Bluff, Alabama to discover his homophobic aunt has locked his drag queen uncle out of the family home. #Competition, #PinkPeach The Fourth Kingdom | directed by Adan Aliaga & Alex Lora, Spain/USA, 14:21 The kingdom of plastics, a redemption center in NY for immigrants and underdogs where the American Dream becomes possible indeed. Brooklynn | directed by Charlie Mysak, USA, 12:14 A deeply personal look into how gun violence impacts a family long after the media spotlight fades away. Towards the North | directed by Jessica Chermayeff & Joshua Bennett, Mexico/USA, 17:48 With their sights set on the U.S., mother and daughter cover the length of Mexico, facing immigration officials and taking selfies along the way – only to arrive in Tijuana where the US border suddenly becomes a dark reality. #CineMás NOBODY’S WOMAN Painstaking accounts of lives led, loved, and lost. Narrative, 103 minutes Pas Papa (Not Daddy) | directed by Tamara Vittoz, France, 24:24 Anna doesn’t feel like an ordinary girl. Her violent father has gone for what seems like forever, and her mom keeps pushing her to forget he exists. Still, she dreams of meeting him. #NewMavericks, #PinkPeach Ράγες (Tracks) | directed by Elina Fessa, Greece, 12:08 A student on her way to class. A mother trying to cope. One accident where they’ll learn what they’re made of. #NewMavericks Nevada | directed by Emily Ann Hoffman, USA, 12:07 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. #Competition, #NewMavericks هایلایت (Highlight) | directed by Shahrzad Dadgar, Iran, 23:42 The reflection of sexual issues such as virginity, abortion and sex reassignment surgery in lives of three women spending an afternoon in a beauty salon in Tehran, Iran. #NewMavericks, #PinkPeach Counterfeit Kunkoo | directed by Reema Sengupta, India, 15:00 In a city that houses millions, Smita finds herself fighting beasts of a different kind as she discovers a strange prerequisite to renting a house in middle-class Mumbai. #Competition, #NewMavericks Ming Wang Shin Tu (To Pluto) | directed by Yen-Ju Lee, Taiwan/United Kingdom, 15:58 A nurse who finds herself stuck in her current job and a dying long-distance relationship meets a cancer patient who is trying to find the family he abandoned before it is too late. #NewMavericks OF ONE BLOOD Family ghosts of the past, present, and future. Narrative, 99 minutes Pantheon | directed by Ange-Régis Hounkpatin, France, 24:35 Cut off from his family roots, Solomon is about to donate his deceased father’s Voodoo costume to a museum when a young street-dancer reminds him that the ancestral soul still remains. #Competition Forgive Me | directed by Besim Ugzmajli, Kosovo, 15:00 Manipulated into joining a terrorist group, Bujar tries to convince his brother Agron to help his wife Mimosa join him in Syria. Upset Body | directed by Delphine Le Courtois, Canada, 20:30 Gabrielle, a young independent woman, must face difficult questions when unexpected news comes hurtling into her life. #NewMavericks Ke | directed by Jun Chong, Singapore, 13:05 An elderly Taiwanese lady goes to Singapore’s only Hakka cemetery to try and find her late grandfather’s grave before the cemetery is relocated. Një Muaj (A Month) | directed by Zgjim Terziqi, Kosovo, 26:19 The real life story of a blind woman with no home and her four sisters’ pact to keep her at their respective residences for a month each. THE PLACE PROMISED IN OUR EARLY DAYS Meditations on weathered hands and patient hearts. Narrative, 104 minutes For Nonna Anna | directed by is Luis De Filippis, Canada, 13:17 A trans girl cares for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability. #Competition, #PinkPeach Saturday Night Special | directed by Esteban Garcia Vernaza, USA, 12:00 In a fit of anger, young Wesley embarks on a journey through the dangerous streets in search of some food for his baby sister. Khane Sefid (White House) | directed by Madeh Arastoo Mafakheri, Iran, 20:00 A brand new religious leader, searching for identity, finds himself in over his head and isolated during his first rural village assignment. Emergency | directed by Carey Williams, USA, 11:40 Faced with an emergency situation, a group of young Black and Latino friends carefully weigh the pros and cons of calling the police. Altmuligmand (Odd Job Man) | directed by Marianne Blicher, Denmark, 22:00 An old man struggling with life gets the chance to pursue a dusty dream. #PinkPeach Magic ‘85 | directed by Annika Kurnick, USA, 25:00 During the height of the AIDS epidemic in LA, Gabriel, a lonely hospice worker, helps lead his patients to a conscious death. #Competition, #PinkPeach REBELS OF THE NEON GOD Turbulent intersections of love and tech. Narrative, 96 minutes Wyrm | directed by Christopher Winterbauer, USA, 19:45 Wyrm has two days to complete his Level 1 Sexuality Requirement, typically osculation (aka kissing), or he’ll be held back as part of the school district’s No Child Left Alone program and forced to wear his My.E.Q. Electronic Monitoring Collar through high school. #Competition They Wait For Us | directed by Lukas Schrank & George Thomson, United Kingdom, 21:48 In a near-future end-of-life care facility, a reclusive hospital worker starts to believe a coma patient is secretly communicating with him. 基石 (Fundamental) | directed by ShihChieh Chiu, Taiwan, 7:10 A story of a teenager who discovers the strange and terrifying reality behind fundamentalism. #Competition STHLM HUNTERS | directed by Tor Helmstein, Sweden, 17:11 Amateur vigilantes Bibi and Kenneth must prove that the man they’ve taken hostage really is the internet pedophile they’re looking for. Long Bueno | directed by Abílio Dias, Brazil, 29:57 Mauro runs and runs, but Long Bueno remains far far away. #CineMás SPRING IN MY HOMETOWN Films and filmmakers grown in Georgia clay. Narrative (Local), 85 minutes M.A.F.I.A. | directed by Frances Chang, USA, 4:45 Discouraged by online dating, these women have turned to a new app, M.A.F.I.A., to find love. #Georgia Something Bigger | directed by Chris Anthony Hamilton, USA, 8:57 Teea confides in her best friend about her existential crisis when an ominous visitor interrupts their moment of connection. #Georgia Jukebox Girl | directed by Alex Richard Thomas, USA, 9:32 The mayor’s daughter, Brenda moonlights as a criminal stuck between putting her delinquent days behind her or succumbing to a life of crime. #Georgia Beeda After the Wake | directed by Nina Marinov, USA, 10:04 In a southern magical realism story of loss, an observant five year old girl is left on her own to navigate death and grief. #Georgia, #NewMavericks Pupae | directed by Ryan Hope Travis, USA, 8:32 Compelled to confront his past, Moses returns home after living in a swamp for 7 years. #Georgia Cells | directed by Raymond Wood, USA, 12:00 A doctor is held captive by a group of masked intruders who force him to answer why billions of dollars go wasted each year in the name of medical research. #Georgia Jookuhdo | directed by Crystal Jin Kim, USA, 12:30 An antique shopkeeper is floored when her long-lost, yakuza-involved love suddenly reappears four years after his supposed death and is dying to find if this can be true. #Georgia, #NewMavericks On the Fence | directed by Cassidy Detmer & Jared Callahan, USA, 8:00 Pete attempts to reconnect with his family after escaping from a drug recovery center. #Georgia Snapshot | directed by Brett Bagwell, USA, 9:59 Expressed through the memories and dreams of a 12-year old boy, a mother and son struggle to cope with the absence of the father. #Georgia STUD LIFE What makes a man? Narrative & Documentary, 104 minutes Gutten er Sulten (The Hunger) | directed by Kenneth Karlstad, Norway, 20:59 A sixteen year old boy with an intense desire for recognition seeks out a vicious criminal to prove his boundless grit. Street Racers | directed by Aurélien Heilbronn, Dominican Republic/USA/France, 9:09 Deep in the Dominican Republic’s illegal motorbiking culture, a tight-knit community of teens risk their lives to entertain themselves, blocking off motorways and hitting high speeds on small custom bikes. #Competition Rice Ball | directed by Yusuke Oishi, Japan, 15:00 In the wake of a matriarch’s death, a father and son grapple with their grief and the sudden realization that nothing, not even food, will ever be the same. ZION | directed by Floyd Russ, USA, 10:25 A portrait of Zion Clark, a young wrestler who was born without legs and grew up in foster care. #Competition The Things You Think I’m Thinking | directed by Sherren Lee, Canada, 14:17 A black male burn-survivor and amputee goes on a date with a regularly-abled man. #PinkPeach Make Them Believe | directed by Taimi Arvidson, USA/Russia, 13:59 A Russian wrestler enchanted by the United States plays the ultimate villain as the stars and stripes-clad character “American Hope” in Moscow’s underground wrestling ring. Men Don’t Whisper | directed by Jordan Firstman, USA, 22:00 After being emasculated at a sales conference, gay couple Reese and Peyton set out to do the most masculine thing they can think of – sleep with some women. #Competition, #PinkPeach THOSE WHO MAKE TOMORROW Exceptional avant-garde works that transform through beauty, wit and wonder. Experimental, 83 minutes Civilized Landscapes | directed by Taryn Ward, USA, 1:04 The evolution of corporation culture and its overwhelming presence on contemporary life. Dream Phone | directed by Kendra Lohr, USA, 3:43 Who — who — who’s got a crush on you! Was it all a dream? #NewMavericks Royal Jelly | directed by Stephanie Burbano, Canada, 9:53 A vivid exploration of drag brought about by experimentation and a unique insight into life. #PinkPeach 165708 | directed by Josephine Massarella, Canada, 6:37 A woman looks out from the shoreline, acting as a point of departure to disparate yet interconnected sequences, prompting the viewer to engage in a structurally unique mode of inquiry and experience. #NewMavericks Blot | directed by Benjamin Rouse, USA, 2:15 A film about loss. #Georgia Because I Love You | directed by Yu-Ting Cheng, USA, 4:01 Nothing else matters other than love. #NewMavericks, #PinkPeach Farewell Transmission | directed by Mike Rollo, Canada, 14:05 Equal parts indexical record of the demolition of the Canadian Broadcasting Corporation’s CBK Transmitter Station in 2015 and subjective response to the residual media documenting the event. 601 Revir Drive | directed by Josh Weissbach, USA, 8:40 An animal carefully guards an outlined space as a river runs backwards. gutterball | directed by Sam Gurry, USA, 1:07 I was in a bowling league in third grade where I routinely rolled my ball into the next lane and ate a lot of cheese fries. #NewMavericks Down Escalation | directed by Shunsaku Hayashi, Japan, 7:20 Falling down, it feels ecdysone is filling up its body. Delving into the deeper layers of itself, the flesh is melted down in the shell until the form is no longer. SDtoHDuprezMaxV2_009.mp4 | directed by Anna Spence, USA, 4:10 Booted from the limelight, Max Headroom now roves the video signal on the search for his life’s meaning. #Georgia Edge of Alchemy | directed by Stacey Steers, USA, 19:00 Mary Pickford and Janet Gaynor, delicately lifted from their early silent films, are cast into a surreal epic with an upending of the Frankenstein story amid a contemporary undercurrent of hive collapse. #NewMavericks UNDER THE SAME MOON Blueprints of borders fabricated internally and externally. Narrative & Documentary, 107 minutes Eighth Continent | directed by Yorgos Zois, Greece, 11:00 On Lesvos Island, an old abandoned dump lies within two big craters, overflowing with thousands of life jackets from the refugee waves. #Competition Abu Adnan (Adnan’s Father) | directed by Sylvia Le Fanu, Denmark, 25:13 Sayid wants to keep his status as a father and the family patriarch in a new linguistic and cultural setting, despite his sons progress in assimilating to the Danish language culture. #Competition I Have a Message for You | directed by Matan Rochlitz, Israel/United Kingdom/Belgium, 12:45 To save her life, a woman left her father to die. Decades later, she got a message from him. The Driver is Red | directed by Randall Christopher, USA, 14:37 Set in Argentina 1960, this true crime documentary follows the story of secret agent Zvi Aharoni as he hunted down one of the highest ranking Nazi war criminals on the run. EUNA | directed by Seung-Hyun Chong, Korea/Germany, 18:45 A young factory worker tries to come to grips with her life as an outsider. Sin Cielo (Without Heaven) | directed by J.S. Maarten, USA, 24:59 Delia and Memo are like most teenagers; defiant, hormonal, always on their phones; except they live in one of the most dangerous neighborhoods bordering Northern Mexico – where Dollars rule and missing girls’ bodies turn up mysteriously in the river or never at all. #CineMás WALKING DISTANCE Snapshots of peach state roots. Documentary (Local), 61 minutes The Last Man You Meet | directed by Chris Bone, USA, 5:00 Take an exclusive look inside the gritty business of death as a third-generation funeral director reflects on his life. #Georgia Archive | directed by Adam Forrester, USA, 2:00 Filmed in a single-take, this experimental documentation of the demise of the iconic Georgia Archives Building in Atlanta, Georgia, explores our desire to preserve the past, our appetite to make way for the future, and the complex intersection of those urges. #Georgia The Whole Speaks | directed by Caroline Rumley, USA, 2:15 In two minutes we follow Nelms Creekmur through the process of creating a bottle opener out of a discarded railway tie. But it’s more than that. It’s a two minute manifesto on the creative process as a whole, applicable to any medium. #Georgia AWARE | directed by Jeremy Cournyea, USA, 7:08 The AWARE Wildlife Center is a non-profit that cares for injured and orphaned Georgia wildlife and promotes peaceful coexistence with our animal neighbors. #Georgia Magic is Everywhere | directed by Jordan Noel, USA, 14:48 A short documentary following the final few shows of Wil Wright, AKA Lil Iffy, who borrows characters, language and situations from the Harry Potter books to tell his own version of typical hip hop stories and themes. #Georgia Walls of Hope | directed by Elisabeth Pritchett, USA, 8:16 A short documentary about the Walls of Hope project in Savannah, Georgia and its creative and inspiring impact on the community. #Georgia American Dreaming | directed by Matthew Hashiguchi, USA, 10:56 With no guarantees of employment or opportunity, undocumented immigrants strive to obtain a college degree in the state of Georgia, where they are barred from enrolling in its most selected colleges and universities. #Georgia Atlanta From the Ashes | directed by Andrew Litten, USA, 10:07 An exploration of Atlanta’s resiliency, and how the youth of Atlanta can look to the past for leadership and perseverance to move forward. #Georgia WHAT WE DO IN THE SHADOWS A weird and wacky balm for the soul. Narrative, Animation, & Documentary, 68 minutes ME OLEMME UNESSA (WE ARE IN A DREAM) | directed by Henna Välkky & Eesu Lehtola, Finland, 6:15 Based on personal recordings of people narrating their recurring dreams and nightmares, we race through their unconscious desires and fears. Miedo De Monos (Fear of Monkeys) | directed by Michael Arcos, USA, 5:35 My father told me a story about why he is afraid of monkeys. His fear dates back to 1958 in Ecuador. This is what happened… #CineMás Ceviche | directed by Doménica García, USA, 9:37 Six women from different generations reveal the hidden emotions behind the preparation of Ceviche. #NewMavericks, #CineMás Stay Ups | directed by Joanna Rytel, Sweden, 11:00 A middle-aged woman is about to get nightly visits from a young man. Her child is, as usual, in the way. #Competition, #NewMavericks Sinformist | directed by Jade Yuchun Chao, USA, 2:08 Each person is accompanied by a demon that represents his/her biggest faults. Namoro à Distância (Long Distance Relationship) | directed by Carolina Markowicz, Brazil, 4:48 A brief story about a gentleman who’s obsessed about having sex with ETs. #CineMás Raisin | directed by Danny Hunt, USA, 13:05 Two young sisters are abducted by strange creatures that pretend to be their parents. AI ZAI SHI JIE MO RI (Love After Time) | directed by Tsai Tsung-han, Taiwan, 15:24 After a nuclear explosion, two mutant humans fall in love. YEAR OF THE CARNIVORE Tales of breaking points, cruelty, and carnage. Narrative, 108 minutes Krista | directed by Danny Madden, USA, 9:24 In her high school theater class, Krista uses her scene study as catharsis. #Competition Kudzu | directed by Connor Simpson, USA, 14:50 During a scorching summer in rural Alabama, a young boy wrestles with a deepening sense of remorse after the disappearance of his friend. Runner | directed by Clare Cooney, USA, 12:40 A woman goes for a jog and witnesses something she can’t run away from. #NewMavericks Retouch | directed by Kaveh Mazaheri, Iran, 19:37 While bearing witness to a serious accident, Maryam must decide whether to act or live with the consequences. U Plavetnilo (Into the Blue) | directed by Antoneta Alamat Kusijanovic, Croatia/Slovenia/Sweden, 22:08 An abused teenage girl thirsts for love, but her best friend’s cruelty awakens in her the violence she’s been desperately trying to escape. #NewMavericks TV in the Fishtail | directed by Iesh Thapar, USA/India/United Kingdom, 13:20 As electricity is introduced to a remote Trans-Himalayan village, an adolescent boy struggles to reconcile his excitement with the abjection that surrounds him. Home Shopper | directed by Dev Patel, USA, 16:32 In a loveless marriage, Penny finds solace in the hypnotic escape of the home shopping channel. When things take an unexpected turn, the channel proves to be her saving grace … or perhaps it was the origin of the problem all along. YOUNG AND WILD Fables for kids who still believe in magic. Animation & Puppetry (Family Friendly), 49 minutes Undiscovered | directed by Sara Litzenberger, USA, 2:49 Sasquatch has always remained elusive in photos–but not for the reasons we think. 那個午後的冒險  (The Adventure of the Afternoon) | directed by Vance Yang & Stella Huang, Taiwan, 7:45 The tale of a boy who meets an unexpected friend on a beautiful afternoon. They start an adventure journey to discover the world. The Puppy Trials | directed by Thomas Nicol & Becky Nicol, USA, 4:02 An older dog teaches puppies how to behave. Goodbye Sam | directed by Theo Taplitz, USA, 4:59 A boy and his posse say goodbye to a beloved friend. Voyagers | directed by Gauthier Ammeux, Valentine Baillon, Benjamin Chaumény, Alexandre Dumez, Léa Finucci, & Marina Roger, France, 7:33 A tiger, escaping his hunter, ends up in a space station occupied by an astronaut and his goldfish… Babushka | directed by Sabrina Brady, USA, 4:01 A young girl’s day spirals out of control after she meddles with her grandmother’s potion and sets off an unwanted explosion. #NewMavericks You Can’t Play With Us | directed by Jason Rhein & Serene Bacigalupi, USA, 15:44 When an inquisitive dinosaur happens upon some musical unicorns at Marshmallow Mountain, they aren’t as friendly as he expects. SHORT FILMS ATTACHED TO FEATURES Ablution | directed by Omar Al Dakheel, USA, 15:00 The bond between a disabled Muslim father and his son is tested when love is pitted against religion. #PinkPeach Absent | directed by Sudarshan Suresh, USA/India, 16:15 Resigned to a mundane life of caring for a mother with dementia, Zola sees a fleeting chance at escape when she runs into an old crush. Broke | directed by Asad Farooqui, USA, 12:46 A struggling Muslim couple attends their first therapy session to save their marriage, but things don’t go as planned. #Georgia Color Blind | directed by Daniel Oramas, USA, 4:47 A rookie cop and his senior partner find themselves at odds over the current political climate during a long night on the job in this charged satire. #Georgia Doug | directed by Daniel Oramas, USA, 8:02 A night home alone gets weird when Rebecca and her brother Kevin hear a knock at the door. #Georgia The Last Honey Hunter | directed by Ben Knight, Nepal/USA, 35:50 In the mist-shrouded mountains of Nepal’s Hongu River valley, you will find a wiry and unassuming man named Mauli Dhan Rai, who is believed to be chosen by the gods for the perilous rite of honey harvesting. #Competition Laws of the Game | directed by Aegina Brahim, United Kingdom/ Suriname, 18:00 A fierce Surinamese female referee fights for her place in the world of men’s football. #Competition, #NewMavericks, #CineMás Los Comandos | directed by Joshua Bennett & Juliana Schatz-Preston, El Salvador/USA, 29:32 Sixteen-year-old Mimi, a dedicated medical emergency volunteer, lives in the cross hairs of gang violence. When her fellow Comando, 14-year-old Erick, is gunned down while serving, she faces pressure to flee El Salvador and head north. #CineMás Mi Tesoro (My Treasure) | directed by Michael Flores, El Salvador, 22:35 A cleaning woman steals a Salvadoran Civil War map and hunts for a treasure in the hopes of reuniting with her son. #CineMás Pink Dolphin | directed by Tuo Kan, USA, 4:11 A story about the one and only Pink Dolphin living in the ocean looking for his companions and trying to survive from the assaults and taunts of other sea creatures. #PinkPeach Saltwater Baptism | directed by Jared Callahan & Russell Sheaffer, USA, 17:22 Santiago Gonzalez IV, a first generation Mexican-American, struggles with the tensions between his sexuality, nationality, and religion as he prepares for his college graduation. #PinkPeach The Shadow | directed by Isaac Switzer, USA, 2:27 A girl faces a looming darkness. Towards the Sun | directed by Monica Santis, USA/United Kingdom, 20:00 Under the looming threat of deportation, an unaccompanied minor at an immigrant children’s shelter in Texas embarks on a healing journey and learns to express herself through the power of art. #CineMás, #NewMavericks Umbrella | directed by Rhys Ernst, USA, 15:50 Against the backdrop of rising anti-trans legislation, Umbrella chronicles the stories of four transgender individuals across America united in their passion to create change. #PinkPeach #Georgia The Wolf Guru | directed by Mian Qin, USA/China, 4:50 A man is attacked by a group of wolves and their monster leader. When he finally makes it to safety, however, he must face one more challenge in the form of the monster’s real identity. #Competition

    VIRTUAL REALITY

    Deerbrook Directed by Grayson Moore, Aidan Shipley, Jon Riera, Connor Illsley Canada, 2017, English, 14:34 Two strangers show up at a family’s cottage claiming to have spent their childhood summers there, but their behaviour seems to be driven by something more sinister than nostalgia. Lá Camila Directed by Jak Wilmot USA, 2018, English, 20:00 When the storms of nature threaten her very existence, the viewer must help a young shepherd girl take on the responsibilities of her deceased papá. #Georgia Hoodoo Directed by Catherine Salkeld UK, 2017, English, 6:30 A short adventure where we follow the adventures of Claw a simple cat exploring a mysterious fragment of a forgotten world. Reading Room Directed by Alexander Sandy White USA, 2017, English, 5:09 Driven to protect his identity, an introspective bookkeeper explores the power of thought and memory within a broken world of book burning and censorship. Micro Giants Directed by Yifu Zhou China, 2017, English, 6:00 “Micro Giants” tells the story of insects and plants in the microecosystem with vivid detail and elaborate design. Ready to Learn, Ready to Live Directed by Thomas Nybo USA/Afghanistan, 2017, English, 5:30 In remote Afghanistan, an illiterate girl takes you on her journey to learn how to read and write. #Georgia Step to the Line Directed by Ricardo Laganaro USA/Brazil, 2017, English, 11:43 Step to the Line takes you inside maximum-security prisons in the US and provides a new perspective on prisoners, the system, and yourself. #Georgia Submerged Directed by Nishtha Jain India, 2016, Hindi/English, 8:10 An immersive experience about how climate change and defective government policies are precipitating one of the largest exoduses of migrant labour in the world. Naive New Beaters ‘Heal Tomorrow’ Directed by Romain Chassaing France, 2016, English, 3:48 Follow the story of Naive New Beaters’ singer through his spectacular rise and unfortunate demise in a series of events during a live performance. Anicca Directed by Cecilia Sweet-Coll USA, 2016, No Dialogue, 6:06 An exploration of impermanence through visual music in virtual reality.

    EPISODIC SHOWCASE

    The Midnight Service – Home Invasion Directed by Brett Potter, Dean Colin Marcial  | USA, 2017, English, 7:13 A broke Miami comedian’s retreat into the Everglades is interrupted by an uninvited visitor. The Rick and Stanley Show Directed by Mike Lars White | USA, 2017, English, 7:00 Two men in a beat-up car discuss love, sex, Kenny G, and potato guns. Hug It Out Directed by Jason Eksuzian | USA, 2017, English, 7:17 Gwen, recently-divorced with longstanding intimacy issues, becomes a professional snuggler in L.A. to make ends meet. Limits Directed by Kevon Pryce | USA, 2017, English, 17:40 How not to maintain a relationship in the social media era. #Georgia 2 Kawaii 4 Comfort Directed by Luke Palmer, John Bickerstaff | USA, 2017, English, 23:17 5 emotionally stunted anime fans are forced to confront everything they are hiding from at the one convention where they go to escape reality Manic Directed by Kate Marks | USA, 2017, English, 17:02 An Ivy-league bound, overachieving teen is derailed after a manic episode lands her in a school for kids with mental illness.

    MUSIC VIDEOS

    Don Broco: “Technology” Directed by Benjamin Roberds | USA, 2017, English, 3:51 #Georgia Apoc’s: “Hurricane Goddamn!” Directed by Scott Upshur | USA, 2017, English, 6:00 Original Swimming Party: “Biggest Curse” Directed by Amy Allais | South Africa, 2017, English, 5:04 Surfer Blood: “Taking Care of Eddy” Directed by Sachio Cook, Niko Guardia  | English, 2017, USA, 3:29 Strangers (Feat. “Pressure” by Milk & Bone) Directed by Eve Duhamel, Julien Vallee | Canada, 2017, English, 3:16 Casey Benjamin: “Dig” Directed by Video Rahim | USA, 2017, English, 4:01 #Georgia K.R.U.S.H.: “No Fucks Given” Directed by Brit Wigintton | USA, 2017, English, 3:25 #Georgia The Invisible Man: “Let Me Ride” Directed by Francesca Mirabella | USA, 2017, English, 4:48 Meinschaft: “The Midday Sun At Midnight” Directed by Haoyan of America | USA, 2017, English, 6:15 Dizzee Rascal: “Bop N Keep It Dippin” Directed by Romain Chassaing | UK/France, 2017, English, 6:13 DEDSA: “Annihilation” Directed by Robbie Ward | USA, 2017, English, 6:17 Ben Burden: “White Lighters” Directed by Zelda June | USA, 2017, English, 2:00 LUNICE: “Distrust” feat. Denzel Curry, J.K. the Reaper and Nell Directed by Sam Rolfes | USA, 2017, English, 3:04 Tom Rosenthal: “Oh No Pedro” Directed by Annlin Chao | UK, 2017, English, 3:26 #PinkPeach Porter: “La China” Directed by Jorge G. Camarena | Mexico, 2016, Spanish, 5:11 #CineMás Ty Segall: “Break a Guitar” Directed by Matt Yoka | USA, 2017, English, 4:27

    SPECIAL PRESENTATIONS

    ATLFF Screenplay Competition: Script Read Join us for a script read of selections from each of the three 2018 Atlanta Film Festival Feature Screenplay Competition winners, featuring local SAG-AFTRA actors. #Georgia re:imagine/ATL Presents: CURRENTS on Tour – Teen Takeover Film festivals have long been an anchor for allowing a platform for stories surrounding cultural influences to be brought to light—now it’s time to listen to youth voices. This screening will be featuring content conceived of and produced by Atlanta teens. Join us opening night of the Atlanta Film Festival for a showcase of content based around teen social commentary, followed by a panel discussion from the teen storytellers themselves. #Georgia, #FamilyFriendly The Rocky Horror Picture Show It’s a Plaza Theatre institution! Lips Down On Dixie performs the interactive version of “The Rocky Horror Picture Show” at Midnight each Friday. YOU42 Presents: “Dead By Midnight/11 PM Central” Directed by Torey Haas, Tony Reames, Eric Davis, Jay Holloway, Anissa Matlock USA, 2018, English, 88 minutes It’s Halloween at WKIZ when the malicious Mistress of Midnight (Erin Brown) arrives to host her annual horror movie marathon ‘Dead by Midnight.’ When the WKIZ staff begins disappearing only to turn up in the increasingly darker films, it’s up to line producer Candice Spelling (Hannah Fierman) to stop the Mistress of Midnight before her final and most diabolical film goes to air. #Georgia The Art Institute of Atlanta Presents: Senior Film Screening A showcase of short films created by senior level students from The Art Institute of Atlanta. #Georgia Dad’s TV The film/video side of Dad’s Garage Theatre returns with a collection of projects from the past year. Watch the first public screening of a new television pilot, “Weird City,” which is an offbeat travel show. Laugh along with a new short film by DGTV produced in collaboration with Jerry’s Habima Theatre (a nonprofit working with special needs actors) that has lots of heart and some awesome floor hockey. Finally, the screening will give a sneak peak at a new web series set behind the scenes of the theatre itself, “The Garage.” #Georgia The Florida State University College Of Motion Picture Arts Presents: Selected Keylight Films The FSU College of Motion Pictures Arts presents a showcase of eight short student films followed by a panel discussion with representatives from the College. Ranked by The Hollywood Reporter as one of the top 25 film schools in the country, FSU College of Motion Picture Arts produces student films that regularly win prestigious awards like the Student Emmys and Oscars. Join us for an evening of cinematic entertainment as we showcase this year’s selected Keylight Films. Miss Richfield 1989 “Born Again” Logo Founder Matt Farber presents Miss Richfield 1981 “Born Again” at Plaza Theatre. In her all-new show, Miss Richfield 1981 is “Born Again” finding new religion to bring our divided world together. With all new songs, videos, and unique audience activities, Miss R brings all faiths together in 2018. Atheists welcome! #PinkPeach PLAZADROME: “The Astrologer” Directed by Craig Denney USA, 1976, English, 96 minutes Videodrome and The Plaza Theatre’s cult film series continues with Craig Denney’s “The Astrologer.” Alexander is running a con game at a circus as a psychic. When he finds that he actually does possess psychic powers, he uses them for his own ends.

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  • 2018 Vail Film Festival to Celebrate Female Filmmakers + Reveals Lineup

    [caption id="attachment_27397" align="aligncenter" width="1200"]Leave No Trace Leave No Trace[/caption] The 15th Vail Film Festival will run from Thursday, April 5, to Sunday, April 8, 2018; the festival will celebrate women filmmakers and screen a diverse slate of almost 50 films. Films include the world premiere of Diane Bell’s narrative feature, Of Dust and Bones; the Sundance hit Leave No Trace, directed by Debra Granik; Mary Goes Round, written and directed by Molly McGlynn, starring Aya Cash; Write When You Get Work written and directed by Stacy Cohran; and the U.S. premiere of Kerry David’s documentary Bill Coors: The Will to Live.

    VAIL FILM FESTIVAL NARRATIVE FEATURE COMPETITION:

    ‘Alaska is a Drag’ – Shaz Bennett (Colorado premier) ‘Heaven’s Floor’ – Lori Stoll (Colorado premier) ‘Leave No Trace’ – Debra Granik ‘Mary Goes Round’ – Molly McGlynn (Colorado premier) ‘Of Dust and Bones’ – Diane Bell (Colorado premier) ‘Sun Dogs’ – Jennifer Morrison (Colorado premier) ‘The Long Dumb Road’ – Hannah Fidell ‘Write When You Get Work’ – Stacy Cochran (Colorado premier)

    DOCUMENTARY COMPETITION:

    ‘Bill Coors: The Will to Live’ – Kerry David  (U.S. premiere) ‘De Colores’ – Luz Marina Zamora (Colorado premier) ‘Dragtivists’ – Savannah Rodgers, Alex Robinson (Colorado premier) ‘Love Wins’ – Robin Camp (Colorado premier) ‘My Tourette’s’ – Alessandro Molatore (Colorado premier) ‘Strike a Rock’ – Aliki Saragas (Colorado premier) ‘Surviving Home’ – Jillian Moul, Matthew Moul (Colorado premier) ‘The Faces of PHACS’ – Claire Berman, Megan Reznick, Staffan Hildebrand (world premier) ‘Top Row’ – Karin Argoud ‘Tribal Justice’ – Anne Makepeace ‘To a More Perfect Union: US v. Windsor’ – Donna Zaccaro (Colorado premier)

    SHORTS COMPETITION:

    ‘Bedtime Story’ – Kevin Alejandro (Colorado premier) ‘Bigfoot’s Love Slave’ – Heather Tom (Colorado premier) ‘Cuddle Buddy’ – Max Barbakow (Colorado premier) ‘Fevah’ – Randall Dottin ‘Game’ – Jeannie Donohoe (Colorado premier) ‘Girl of the Sky’ – Ariel Martin (Colorado premier) ‘In Wonderland’ – Christopher Haydon (World premier) ‘Internet Gangsters’ – Sam Friedlander (Colorado premier) ‘Love on the Line’ – Nicole McKinnon (Colorado premier) ‘Night Dancing’ – Barney Cokeliss ‘Ovum, Luciano Blotta’ (Colorado premier) ‘Pushing Night Away’ – Jade Hærem Aksnes (Colorado premier) Santa Claus’ – Jeff Man (Colorado premier) ‘The Duel’ – Amanda Barnes, David Speck (Colorado premier) ‘The Invaders’ – Mateo Márquez (World premier) ‘The Killing Game’ – Andrej iliev (Colorado premier) ‘The Language of Ball’ – Ramón Rodríguez ‘The Obituary’ – Jonathan Thompson (Colorado premier) ‘The Real Thing’ – Brandon Kelley (Colorado premier) ‘Uncle Silas’ – Sayra Player, Rebecca Billhart (Colorado premier) ‘Unnatural Selection’ – Geneviève Delouche (Colorado premier) ‘Who Decides’ – Mylissa Fitzsimmons (Colorado premier)

    STUDENT FILM COMPETITION:

    ‘Aaron’ – Aviva Neuman (Colorado premier) ‘Bier & Calippo’ – Paul Ploberger (U.S. premier) ‘Night Call’ – Amanda Renee Knox ‘Phototaxis’ – Melissa Ferrari (Colorado premier) ‘Snowplow’ – Mia Niebruegge (Colorado premier) ‘Sputnik: The Shock of the Century’ – Summer Royal (world premier) ‘Vows’ – Mark McKinsey (Colorado premier)

    SCREENPLAY COMPETITION, 1ST PLACE WINNERS:

    Animated: ‘Doodle’ – Jonathan Medici Comedy: ‘New Reality’ – Carolyn Kras Drama: ‘News Gals’–  David Dalessandro Faith: ‘Showdown at Damascus’ – Don Driscoll Science Fiction: ‘Pull’ – Marc Messenger Thriller: ‘Phantom’ – Andrea Gibson TV Series: ‘The Biggest Little’ – Craig Page

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  • 2018 Sun Valley Film Festival Announces Lineup, Opens with SCIENCE FAIR

    [caption id="attachment_26784" align="aligncenter" width="1200"]Science Fair directed by Cristina Costantini and Darren Foster Science Fair directed by Cristina Costantini and Darren Foster[/caption] The 7th edition of the Sun Valley Film Festival taking place over the weekend of March 14 to 18, 2018, announced the lineup, which includes five days of films, including three World Premieres, one U.S. premiere, and two episodic premiere screenings. The festival will open on March 14 with the documentary Science Fair, which recently won Sundance’s inaugural Festival Favorite Award, and close out with the Finding Your Feet on March 18. Film highlights include Beirut, starring Jon Hamm and Rosamund Pike, Leave No Trace directed by Debra Granik, Lynn Shelton’s Outside In with Jay Duplass and Edie Falco, On Her Shoulders, winner of the U.S. Documentary Directing Award at Sundance, and the U.S. premiere of Nona produced by and featuring Pioneer Award recipient Kate Bosworth. Headlining the 2018 Festival is acclaimed actress and lifestyle guru Gwyneth Paltrow, who will receive the Vision Award and participate in the Festival’s Coffee Talks series. Award-winning writer/director Lynn Shelton will host the Screenwriters Lab, sponsored by Variety, and screen her film Outside In.  Also attending are actor Yahya Abdul-Mateen II (Aquaman, The Greatest Showman) who will receive the Rising Star Award, actress and producer Kate Bosworth (Blue Crush, Nona), who will receive the Pioneer Award, actor/filmmaker Jay Duplass (Transparent, Jeff Who Lives at Home),) producer Kevin Walsh (Manchester By The Sea, The Way Way Back) and wildlife filmmakers and photographers Anand Varma and Jason Jaacks.

    NARRATIVE FICTION

    AMERICAN ANIMALS Director/Writer: Bart Layton Producers: Derrin Schlesinger, Katherine Butler, Dimitri Doganis, Mary Jane Skalski Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier Haunted by the fear that they may never escape their suburban existence, Spencer and Warren resolve to attempt one of the most audacious art thefts in recent history in the special collections section of their University library. BEIRUT Director: Brad Anderson Writer: Tony Gilroy Producers: Mike Weber, Tony Gilroy, Shivani Rawat, Monica Levinson Cast: Jon Hamm, Rosamund Pike, Dean Norris, Mark Pellegrino, Larry Pine A U.S. diplomat (Jon Hamm) flees Lebanon in 1972 after a tragic incident at his home. Ten years later, he is called back to war-torn Beirut by a CIA operative (Rosamund Pike) to negotiate for the life of a friend he left behind. FINDING YOUR FEET Director: Richard Loncraine Writers: Meg Leonard, Nick Moorcroft Producers: Andrew Berg, John Sachs Cast: Imelda Staunton, Timothy Spall, Celia Imrie, David Haymen, John Sessions, Joanna Lumley On the eve of retirement, a middle class, judgmental snob discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister who lives on an impoverished inner-city council estate. THE GUILTY [Den Skyldige] Director/Writer: Gustave Möller Producer: Lina Flint Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen When the emergency call from a kidnapped woman is disconnected, dispatcher and former officer Asger Holm enters a race to save her. He soon realizes that he is dealing with a crime that is far bigger than he first thought. LEAVE NO TRACE Director: Debra Granik Writers: Debra Granik, Anne Rosellini Based on the book My Abandonment by Peter Rock Producers: Anne Harrison, Linda Reisman, Anne Rosellini Cast: Ben Foster, Thomasin Harcourt McKenzie, Jeff Kober, Dale Dickey For years Will and his teenage daughter, Tom, have lived off the grid, blissfully undetected by authorities in a vast nature reserve on the edge of Portland, Oregon. When a chance encounter blows their cover, they’re removed from their camp and put into the charge of social services. Struggling to adapt to their new surroundings, Will and Tom set off on a perilous journey back to the wilderness, where they are finally forced to confront conflicting desires—a longing for community versus a fierce need to live apart. MADELINE’S MADELINE Director/Writer: Josephine Decker Co-Writer: Donna Di Novelli Producers: Krista Parris, Elizabeth Rao Cast: Helena Howard, Molly Parker, Miranda July, Okwui Okpokwasili Madeline is dedicated to her theatre workshop. Much to the worry of her protective mother (Miranda July), she has become an integral part of a prestigious, progressive, and experimental theatre troupe in the city, one that emphasizes movement, commitment, and an intense focus on authenticity. When the workshop’s ambitious theater director (Molly Parker) pushes teenage Madeline to weave her troubled history and rich interior world into their collective art, the lines between performance and reality begin to blur in surprising and potentially destructive ways, spiraling out of the safe rehearsal space and into her everyday interactions. A MIDSUMMER NIGHT’S DREAM Director/Writer: Casey Wilder Mott Producers: Casey Wilder Mott, Joshua Skurla, Fran Kranz Cast: Lily Rabe, Rachael Leigh Cook, Hamish Linklater, Finn Wittrock A brassy, sexy retelling of Shakespeare’s most beloved comedy that reimagines the story as a modern Hollywood fairy tale. Four young lovers are stranded on a mystical night in the woods outside Los Angeles. They encounter a group of woodland hippies as well as a band of bumbling wannabe filmmakers. Magic, mischief and madness combine on this fantastical moonlit journey. NONA U.S. Premiere Director/Writer: Michael Polish Executive Producers: Kate Bosworth, Michael Polish, Jennifer Sulkess Cinematographer: Michael Polish Cast: Sulem Calderon, Jesy McKinney, Kate Bosworth NONA is the story of a girl from Honduras who meets a charming boy, Hecho. Hecho promises to get her safely to America to reunite with her mother, but instead, Nona faces a perilous journey when he doesn’t deliver on that promise. NONA — short for No Name — will deliver a message to change the way the world is dealing with sex trafficking. OUTSIDE IN Director: Lynn Shelton Writers: Jay Duplass, Lynn Shelton Producers: Mel Eslyn, Lacey Leavitt Executive Producers: Jay Duplass, Mark Duplass Original Score: Andrew Bird Cast: Jay Duplass, Edie Falco, Kaitlyn Denver, Ben Schwartz After serving 20 years for a crime that spun far out of his control, 38-year-old Chris (Duplass) is granted an early release thanks in large part to the tireless advocacy of Carol (Falco), his former high-school teacher. As he struggles to adapt to the outside world, the digital age, and the challenges of finding employment as an ex-con, Chris confesses his romantic love for Carol — a love that, given her marital status, Carol cannot reciprocate. Or can she? THE UNICORN Director: Robert Schwartzman Writers: Nick Rutherford, Kirk C. Johnson, Will Elliott Producers: Russell Wayne Groves, Robert Schwartzman Cast: Lauren Lapkus, Nick Rutherford, Lucy Hale, Beck Bennett, Dree Hemingway, Beverly D’Angelo, John Kapelos, Maya Kazan, Darrell Britt-Gibson, Kyle Mooney Facing the fourth year of their engagement, an indecisive couple is thrust into the most uncomfortable night of their lives by intentionally and unintentionally involving a third party in their relationship.

    DOCUMENTARY

    ALL THE WILD HORSES Director/Producer: Ivo Marloh Music: Tengger Cavalry, Chris Barnett International riders forge unexpected bonds as they compete in the Mongol Derby, at 1000 kilometers of Mongolian steppe the longest and toughest horse race in the world. The harsh Mongolian wilderness soon takes its bone-crunching toll as the competitors are whittled down mercilessly. This is their epic story. GIANT CARNIVOROUS BATS World Premiere Director and Cinematographer: Jason Jaacks Writer: Katie Bauer Producer: Katie Bauer Editor: Penny Trams Executive Producers: Christine Weber and Pamela Caragol Deep in the Mexican jungle, National Geographic photographer Anand Varma is on a mission to find two of the continent’s rarest creatures: carnivorous bats. For centuries, their lives have remained a mystery, but now Varma and a world-renowned biologist are teaming up to uncover their secrets. HAYMAKER World Premiere Director: Robert Moncrief Producers: Autumn Moncrief, Reed Simonsen A kid from a small town in Idaho strives for self-respect as he prepares for the rematch of a boxing match he lost the previous year while battling the legal system for his freedom at the same time. MINDING THE GAP Director: Bing Liu Producers: Bing Liu, Diane Quon Original Music: Nathan Halpern, Chris Ruggiero Three young men bond together to escape volatile families in their Rust Belt hometown.  As they grow up, unexpected revelations threaten their decade-long friendship. OF FATHERS AND SONS Director: Talal Derki Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer Editor: Anne Fabini In this remote village in northern Syria, a landscape of bombed-out homes, abandoned tanks, and minefields becomes a playground for young boys taught to stone any girls who dare to show their faces in public. Schools have been decimated. Education consists of reciting the Koran and attending military training camp. Bedtime stories regale the glory of martyrdom. With unparalleled intimacy, Of Fathers and Sons captures that chilling moment when childhood dies and jihadism is born. ON HER SHOULDERS Director: Alexandria Bombach Producers: Hayley Pappas, Brock Williams Composer: Patrick Jonsson Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions. PARTY ANIMALS World Premiere Executive Producer – Sara Keller Executive Producer/Writer – Aneka Hylton-Donelson Narrator: Brandon Williams Calling all kids! Bring your parents for a journey with Nat Geo WILD to meet some Party Animals. You’ll meet a cute nocturnal primate, head to an animal hospital in Florida with some loveable baby sea turtle, go on a road trip with a family of silly ducks, and spark your creativity by putting your imagination to the test on Brain Games! Nat Geo Kids inspires young adventurers to explore the world, and is the only kids brand with a world-class scientific organization at its core. Watch Saturday mornings on Nat Geo WILD! SCIENCE FAIR Directors: Cristina Costantini, Darren Foster Producers: Cristina Costantini, Darren Foster, Jeffrey Plunkett Writers: Jeffrey Plunkett, Darren Foster, Cristina Costantini Science Fair follows one mentor and nine students from around the world as they prepare their projects and team for the 2017 ISEF event in Los Angeles. Though all are participating for the love of science, we also learn that there are other underlying influences motivating them to pursue their dreams of participating in the competition. Featuring interviews with the charming young scientists, their parents and mentors, as well as past ISEF winners, this absorbing film illuminates a group of amazing young men and women who are on a path to change the world through science.

    EPISODIC

    LAST CHANCE U Season Three Exclusive Sneak Peek A Netflix Documentary Series Director: Greg Whiteley Producers: Adam Ridley, Adam Leibowitz “Last Chance U” follows a group of young men training to become the future stars of the NFL. The third season of the award winning Netflix series opens at a new school: Independence Community College, in rural Kansas. Once the doormat of the Kansas league, Independence has a chance to turn their program around with a charismatic new coach and a change in recruiting rules which infuses the team with top shelf talent for the first time in school history.  Watch a team of players and coaches with difficult pasts try to overcome challenges on and off the field to reach their dreams. ONE STRANGE ROCK Series Premiere National Geographic presents a Nutopia and Protozoa Pictures and Overbrook Entertainment Production Host: Will Smith There really is no place like home. National Geographic, acclaimed filmmaker Darren Aronofsky (“mother!” “Black Swan,” “Requiem for a Dream”) and award-winning producer Jane Root (“America The Story of Us,” “The 80s: The Decade That Made Us”) join forces on an epic, cinematic event series that will redefine science and natural history filmmaking. Hosted by Will Smith (“Ali,” “Pursuit of Happyness,” “Men in Black I, II, III”), ONE STRANGE ROCK promises to be a mind-bending, thrilling journey exploring the fragility and wonder of our planet, one of the most peculiar, unique places in the universe. It’s the extraordinary story of why life as we know it exists on Earth, brought into perspective by the only people to have left it behind: astronauts. This 10-part series from Nutopia and Protozoa Pictures brings cameras where they’ve never been before, having filmed in 45 countries, on six continents and from outer space on the ISS. ONE STRANGE ROCK guides viewers through our vulnerable, speck of a planet among the vast, harsh cosmic arena, revealing the magical twists of fate that have allowed life to emerge, survive and thrive on Earth.  

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