Let It Fall: Los Angeles 1982-1992

  • LADY BIRD Wins Big With Indiana Film Journalists Association, Named Best Film of 2017

    [caption id="attachment_24371" align="aligncenter" width="1200"]Lady Bird by Greta Gerwig Lady Bird[/caption] “Lady Bird” scored with the Indiana Film Journalists Association (IFJA) awards, taking the top prize of best picture as well as best director and best original screenplay for Greta Gerwig, best Actress for Saoirse Ronan and Best Supporting Actress for Laurie Metcalf. Its five wins are the most for any film in IFJA awards history. “Faces Places” won the best foreign language film prize; and “Let It Fall: Los Angeles 1982-1992” won best documentary film. The Original Vision Award, which goes to a film that is especially original or innovative, went to “Loving Vincent.” The Breakout of the Year went to Timothée Chalamet for his work in “Call Me by Your Name” and “Lady Bird.” The Hoosier Award, which recognizes a significant cinematic contribution by a person or persons with roots in Indiana, or a film that depicts Hoosier State locales and stories, went to “Columbus,” the debut feature film of director Kogonada, which was set and shot in the southern Indiana city noted for its Modernist architecture. IFJA members issued this statement for the Hoosier Award: “Writer and director Kogonada made the architectural haven of Columbus, Indiana, an integral part of his debut film. As a meditation on time, responsibility and the influence of art on everyday life, ‘Columbus’ shows the introspective side of Hoosiers that is often left out in stereotypical portrayals.”

    2017 Indiana Film Journalists Association Awards

    Best Film

    Winner: “Lady Bird” Runner-up: “The Shape of Water” Other Finalists (listed alphabetically): “Blade Runner 2049” “Brigsby Bear” “Dunkirk” “The Florida Project” “Get Out” “The Post” “Star Wars: The Last Jedi” “Three Billboards Outside Ebbing, Missouri”

    Best Animated Feature

    Winner: “Coco” Runner-Up: “Loving Vincent”

    Best Foreign Language Film

    Winner: “Faces Places” Runner-Up: “BPM (Beats Per Minute)”

    Best Documentary

    Winner: “Let It Fall: Los Angeles 1982-1992” Runner-Up: “Liyana”

    Best Original Screenplay

    Winner: Greta Gerwig, “Lady Bird” Runner-up: Jordan Peele, “Get Out”

    Best Adapted Screenplay

    Winner: Scott Frank, James Mangold and Michael Green, “Logan” Runner-up: Hampton Fancher and Michael Green, “Blade Runner 2049”

    Best Director

    Winner: Greta Gerwig, “Lady Bird” Runner-up: Guillermo del Toro, “The Shape of Water”

    Best Actress

    Winner: Saoirse Ronan, “Lady Bird” Runner-up: Sally Hawkins, “Maudie”

    Best Supporting Actress

    Winner: Laurie Metcalf, “Lady Bird” Runner-up: Allison Janney, “I, Tonya”

    Best Actor

    Winner: Harry Dean Stanton, “Lucky” Runner-up: Gary Oldman, “Darkest Hour”

    Best Supporting Actor

    Winner: Willem Dafoe, “The Florida Project” Runner-up: Doug Jones, “The Shape of Water”

    Best Vocal/Motion Capture Performance

    Winner: Andy Serkis, “War for the Planet of the Apes” Runner-up: Sean Gunn & Bradley Cooper, “Guardians of the Galaxy, Vol. 2”

    Best Ensemble Acting

    Winner: “The Florida Project” Runner-up: “The Post”

    Best Musical Score

    Winner: Alexandre Desplat, “The Shape of Water” Runner-up: Hans Zimmer and Benjamin Wallfisch, “Blade Runner 2049”

    Breakout of the Year

    Winner: Timothée Chalamet, “Call Me by Your Name” and “Lady Bird” Runner-up: Kogonada, “Columbus”

    Original Vision Award

    Winner: “Loving Vincent” Runner-up: “Brigsby Bear

    The Hoosier Award

    Winner: “Columbus” (As a special award, no runner-up is declared in this category.)

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  • 141 Scores in Contention for Nominations for the 90th Academy Awards

    [caption id="attachment_23776" align="aligncenter" width="1000"]Battle Of The Sexes BATTLE OF THE SEXES[/caption] 141 scores from eligible feature-length films released in 2017 have qualified to be nominated in the Original Score category for the 90th Academy Awards. To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Scores diluted by the use of preexisting music, diminished in impact by the predominant use of songs or any music not composed specifically for the film by the submitting composer, or assembled from the music of more than one composer shall not be eligible. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The eligible scores along with their composers are listed below, in alphabetical order by film title: “Alien: Covenant,” Jed Kurzel, composer “All I See Is You,” Marc Streitenfeld, composer “All the Money in the World,” Daniel Pemberton, composer “Annabelle: Creation,” Benjamin Wallfisch, composer “Band Aid,” Lucius, composer “Battle of the Sexes,” Nicholas Britell, composer “Baywatch,” Christopher Lennertz, composer “Beauty and the Beast,” Alan Menken, composer “The Big Sick,” Michael Andrews, composer “Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers “The Book of Henry,” Michael Giacchino, composer “Born in China,” Barnaby Taylor, composer “The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers “Boston,” Jeff Beal, composer “Brad’s Status,” Mark Mothersbaugh, composer “Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers “The Breadwinner,” Mychael Danna and Jeff Danna, composers “Breathe,” Nitin Sawhney, composer “Brigsby Bear,” David Wingo, composer “Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers “Captain Underpants The First Epic Movie,” Theodore Shapiro, composer “Cars 3,” Randy Newman, composer “The Circle,” Danny Elfman, composer “Coco,” Michael Giacchino, composer “Cries from Syria,” Martin Tillman, composer “A Cure for Wellness,” Benjamin Wallfisch, composer “Darkest Hour,” Dario Marianelli, composer “Despicable Me 3,” Heitor Pereira, composer “The Disaster Artist,” Dave Porter, composer “A Dog’s Purpose,” Rachel Portman, composer “Downsizing,” Rolfe Kent, composer “Drawing Home,” Ben Holiday, composer “Dunkirk,” Hans Zimmer, composer “Earth: One Amazing Day,” Alex Heffes, composer “A Fantastic Woman,” Matthew Herbert, composer “The Fate of the Furious,” Brian Tyler, composer “Father Figures,” Rob Simonsen, composer “Ferdinand,” John Powell, composer “Fifty Shades Darker,” Danny Elfman, composer “Film Stars Don’t Die in Liverpool,” J. Ralph, composer “First They Killed My Father,” Marco Beltrami and Buck Sanders, composers “Get Out,” Michael Abels, composer “A Ghost Story,” Daniel Hart, composer “Gifted,” Rob Simonsen, composer “The Glass Castle,” Joel P. West, composer “Going in Style,” Rob Simonsen, composer “Good Time,” Daniel Lopatin, composer “Goodbye Christopher Robin,” Carter Burwell, composer “Gook,” Roger Suen, composer “Guardians of the Galaxy Vol. 2,” Tyler Bates, composer “The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer “Hostiles,” Max Richter, composer “Human Flow,” Karsten Fundal, composer “An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer “It,” Benjamin Wallfisch, composer “Jane,” Philip Glass, composer “Jumanji: Welcome to the Jungle,” Henry Jackman, composer “Justice League,” Danny Elfman, composer “Kepler’s Dream,” Patrick Neil Doyle, composer “King Arthur: Legend of the Sword,” Daniel Pemberton, composer “Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers “Kong: Skull Island,” Henry Jackman, composer “LA 92,” Danny Bensi and Saunder Jurriaans, composers “LBJ,” Marc Shaiman, composer “Lady Bird,” Jon Brion, composer “Lake of Fire,” Qutub-E-Kripa, composer “Last Flag Flying,” Graham Reynolds, composer “The Lego Batman Movie,” Lorne Balfe, composer “The Lego Ninjago Movie,” Mark Mothersbaugh, composer “The Leisure Seeker,” Carlo Virzì, composer “Let It Fall,” Mark Isham, composer “Life,” Jon Ekstrand, composer “Logan,” Marco Beltrami, composer “The Lost City of Z,” Christopher Spelman, composer “Loveless,” Evgueni Galperine and Sacha Galperine, composers “Loving Vincent,” Clint Mansell, composer “The Man Who Invented Christmas,” Mychael Danna, composer “Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer “Marshall,” Marcus Miller, composer “Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer “Maudie,” Michael Timmins, composer “Molly’s Game,” Daniel Pemberton, composer “Moomins and the Winter Wonderland,” Łukasz Targosz, composer “The Mountain between Us,” Ramin Djawadi, composer “Mudbound,” Tamar-kali, composer “The Mummy,” Brian Tyler, composer “Murder on the Orient Express,” Patrick Doyle, composer “My Cousin Rachel,” Rael Jones, composer “Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer “Okja,” Jaeil Jung, composer “Oklahoma City,” David Cieri, composer “The Only Living Boy in New York,” Rob Simonsen, composer “Only the Brave,” Joseph Trapanese, composer “Our Souls at Night,” Elliot Goldenthal, composer “Paris Can Wait,” Laura Karpman, composer “Patti Cake$,” Geremy Jasper and Jason Binnick, composers “Phantom Thread,” Jonny Greenwood, composer “The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers “Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer “The Post,” John Williams, composer “Professor Marston and the Wonder Women,” Tom Howe, composer “The Promise,” Gabriel Yared, composer “Pulimurugan,” Gopi Sundar, composer “Raw,” Jim Williams, composer “Roman J. Israel, Esq.,” James Newton Howard, composer “Saban’s Power Rangers,” Brian Tyler, composer “Same Kind of Different as Me,” John Paesano, composer “The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers “Served Like a Girl,” Michael A. Levine, composer “The Shack,” Aaron Zigman, composer “The Shape of Water,” Alexandre Desplat, composer “Slipaway,” Tao Liu, composer “Smurfs: The Lost Village,” Christopher Lennertz, composer “Spider-Man: Homecoming,” Michael Giacchino, composer “Split,” West Dylan Thordson, composer “The Star,” John Paesano, composer “Star Wars: The Last Jedi,” John Williams, composer “Step,” Laura Karpman and Raphael Saadiq, composers “Stronger,” Michael Brook, composer “Suburbicon,” Alexandre Desplat, composer “Swing Away,” Tao Zervas, composer “Thank You for Your Service,” Thomas Newman, composer “Their Finest,” Rachel Portman, composer “Thelma,” Ola Fløttum, composer “Thor: Ragnarok,” Mark Mothersbaugh, composer “Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer “Tickling Giants,” Paul Tyan, composer “Tommy’s Honour,” Christian Henson, composer “Trafficked,” David Das, composer “Transformers: The Last Knight,” Steve Jablonsky, composer “XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers “Victoria & Abdul,” Thomas Newman, composer “Voice from the Stone,” Michael Wandmacher, composer “Wakefield,” Aaron Zigman, composer “War for the Planet of the Apes,” Michael Giacchino, composer “Wilson,” Jon Brion, composer “Wind River,” Nick Cave and Warren Ellis, composers “Wonder,” Marcelo Zarvos, composer “Wonder Woman,” Rupert Gregson-Williams, composer “Wonderstruck,” Carter Burwell, composer “Year by the Sea,” Alexander Janko, composer

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  • National Board of Review Announces 2017 Award Winners – THE POST, LADY BIRD, JANE and More…

    [caption id="attachment_24371" align="aligncenter" width="1200"]Lady Bird by Greta Gerwig Lady Bird[/caption] The National Board of Review today named THE POST as Best Film of the Year, Greta Gerwig as Best Director of the Year for LADY BIRD, FOXTROT for Best Foreign Language Film, and JANE for Best Documentary. NBR President Annie Schulhof said, “THE POST is a beautifully crafted film that deeply resonates at this moment in time. We are so thrilled to award it our best film as well as to honor the wonderfully talented Greta Gerwig as our Best Director.” The National Board of Review’s awards celebrate excellence in filmmaking with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as the Freedom of Expression and the NBR Spotlight Award. The honorees will be feted at the National Board of Review Awards Gala, hosted by Willie Geist, on Tuesday, January 9, 2018 at Cipriani 42nd Street. Below is a full list of the 2017 award recipients, announced by the National Board of Review: Best Film: THE POST Best Director: Greta Gerwig, LADY BIRD Best Actor: Tom Hanks, THE POST Best Actress: Meryl Streep, THE POST Best Supporting Actor: Willem Dafoe, THE FLORIDA PROJECT Best Supporting Actress: Laurie Metcalf, LADY BIRD Best Original Screenplay: Paul Thomas Anderson, PHANTOM THREAD Best Adapted Screenplay: Scott Neustadter & Michael H. Weber, THE DISASTER ARTIST Best Animated Feature: COCO Breakthrough Performance: Timothée Chalamet, CALL ME BY YOUR NAME Best Directorial Debut: Jordan Peele, GET OUT Best Foreign Language Film: FOXTROT Best Documentary: JANE Best Ensemble: GET OUT Spotlight Award: WONDER WOMAN, Patty Jenkins and Gal Gadot NBR Freedom of Expression Award: FIRST THEY KILLED MY FATHER NBR Freedom of Expression Award: LET IT FALL: LOS ANGELES 1982-1992

    Top Films

    BABY DRIVER CALL ME BY YOUR NAME THE DISASTER ARTIST DOWNSIZING DUNKIRK THE FLORIDA PROJECT GET OUT LADY BIRD LOGAN PHANTOM THREAD

    Top 5 Foreign Language Films

    A FANTASTIC WOMAN FRANTZ LOVELESS SUMMER 1993 THE SQUARE

    Top 5 Documentaries

    ABACUS: SMALL ENOUGH TO JAIL BRIMSTONE & GLORY ERIC CLAPTON: LIFE IN 12 BARS FACES PLACES HELL ON EARTH: THE FALL OF SYRIA AND THE RISE OF ISIS

    Top 10 Independent Films

    BEATRIZ AT DINNER BRIGSBY BEAR A GHOST STORY LADY MACBETH LOGAN LUCKY LOVING VINCENT MENASHE NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER PATTI CAKE$ WIND RIVER

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  • 170 Documentary Feature Films Submitted for 90th Academy Awards

    [caption id="attachment_25315" align="aligncenter" width="1200"]Gaga: Five Foot Two Gaga: Five Foot Two[/caption] One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: Abacus: Small Enough to Jail Aida’s Secrets Al Di Qua All the Rage All These Sleepless Nights AlphaGo The American Media and the Second Assassination of President John F. Kennedy And the Winner Isn’t Angels Within Architects of Denial Arthur Miller: Writer Atomic Homefront The B-Side: Elsa Dorfman’s Portrait Photography Bang! The Bert Berns Story Bending the Arc Big Sonia Bill Nye: Science Guy Birthright: A War Story Bobbi Jene Bombshell: The Hedy Lamarr Story Born in China Born to Lead: The Sal Aunese Story Boston Brimstone & Glory Bronx Gothic Burden California Typewriter Can’t Stop, Won’t Stop: A Bad Boy Story Casting JonBenet Chasing Coral Chasing Trane Chavela Citizen Jane: Battle for the City City of Ghosts Clive Davis: The Soundtrack of Our Lives Cries from Syria Cruel & Unusual Cuba and the Cameraman Dawson City: Frozen Time Dealt The Death and Life of Marsha P. Johnson Destination Unknown Dina Dolores Dream Big: Engineering Our World A Dying King: The Shah of Iran Eagles of Death Metal: Nos Amis (Our Friends) Earth: One Amazing Day 11/8/16 Elian Embargo Eric Clapton: Life in 12 Bars Escapes Everybody Knows… Elizabeth Murray Ex Libris – The New York Public Library Extraordinary Ordinary People Faces Places The Farthest The Final Year Finding Oscar 500 Years Food Evolution For Ahkeem The Force The Freedom to Marry From the Ashes Gaga: Five Foot Two A German Life Get Me Roger Stone Gilbert God Knows Where I Am Good Fortune A Gray State Hare Krishna! The Mantra, the Movement and the Swami Who Started It All Harold and Lillian: A Hollywood Love Story Hearing Is Believing Hell on Earth: The Fall of Syria and the Rise of ISIS Human Flow I Am Another You I Am Evidence I Am Jane Doe I Called Him Morgan Icarus If You’re Not in the Obit, Eat Breakfast The Incomparable Rose Hartman An Inconvenient Sequel: Truth to Power Intent to Destroy Jane Jeremiah Tower The Last Magnificent Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton Joan Didion: The Center Will Not Hold Joshua: Teenager vs. Superpower Karl Marx City Kedi Keep Quiet Kiki LA 92 The Last Dalai Lama? The Last Laugh Last Men in Aleppo Legion of Brothers Let It Fall: Los Angeles 1982 – 1992 Let’s Play Two Letters from Baghdad Long Strange Trip Look & See Machines Man in Red Bandana Mr. Gaga: A True Story of Love and Dance Motherland Mully My Scientology Movie Naples ’44 Neary’s – The Dream at the End of the Rainbow Night School No Greater Love No Stone Unturned Nobody Speak: Trials of the Free Press Nowhere to Hide Obit Oklahoma City One of Us The Paris Opera The Pathological Optimist Prosperity The Pulitzer at 100 Quest Rancher, Farmer, Fisherman The Rape of Recy Taylor The Reagan Show Restless Creature: Wendy Whelan Risk A River Below Rocky Ros Muc Rumble: The Indians Who Rocked the World Santoalla School Life Score: A Film Music Documentary Served Like a Girl The Settlers 78/52 Shadowman Shot! The Psycho Spiritual Mantra of Rock Sidemen: Long Road to Glory The Skyjacker’s Tale Sled Dogs Soufra Spettacolo Step Stopping Traffic: The Movement to End Sex-Trafficking Strong Island Surviving Peace Swim Team Take Every Wave: The Life of Laird Hamilton Take My Nose… Please! They Call Us Monsters 32 Pills: My Sister’s Suicide This Is Everything: Gigi Gorgeous Tickling Giants Trophy Twenty Two Unrest Vince Giordano – There’s a Future in the Past Voyeur Wait for Your Laugh Wasted! The Story of Food Waste Water & Power: A California Heist Whitney. Can I Be Me Whose Streets? The Work

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  • 20th Savannah Film Festival to Honor Salma Hayek, Holly Hunter, Aaron Sorkin + Unveils Lineup

    [caption id="attachment_24944" align="aligncenter" width="1200"]Jessica Chastain and Idris Elba in MOLLY'S GAME MOLLY’S GAME[/caption] The 2017 SCAD Savannah Film Festival, celebrating it’s 20th anniversary, will run October 28 to November 4, and feature over 131 films.  The festival will open with Aaron Sorkin’s directorial debut Molly’s Game, and the Centerpiece Gala film is Greta Gerwig’s Lady Bird. This year, SCAD will honor Richard Gere (Lifetime Achievement Award), Zoey Deutch (Rising Star Award), Mariska Hargitay (Humanitarian Award), Ashley Judd (Virtuoso Award), Kyra Sedgwick (Spotlight Award), Andrea Riseborough (Outstanding Supporting Actress Award for “Battle of the Sexes”), Willow Shields (Rising Star Award), Salma Hayek Pinault (Outstanding Achievement in Cinema Award), John Boyega (Vanguard Award), Holly Hunter (Icon Award), Robert Pattinson (Maverick Award), Aaron Sorkin (Outstanding Achievement in Directing Award) and Sir Patrick Stewart (Legends of Cinema Award).

    2017 Savannah Film Festival Film Lineup

    GALA SCREENINGS

    Call Me Be Your Name (Director: Luca Guadagino. Cast: Armie Hammer, Timothee Chalamet, and Michael Stuhlbarg) Darkest Hour (Director: Joe Wright. Cast: Gary Oldman, Kristin Scott Thomas, Lily James, Stephen Dillane and Ben Mendelsohn) Downsizing (Director: Alexander Payne. Cast: Matt Damon, Christoph Waltz, Hong Chau, and Kristin Wiig) Film Stars Don’t Die in Liverpool (Director: Paul McGuigan. Cast: Annette Bening, Jamie Bell, Julie Walters, and Vanessa Redgrave) The Florida Project (Director: Sean Baker. Cast: Willem Dafoe, Brooklynn Prince, Bria Vinaite, and Valeria Cotto) I, Tonya (Director: Craig Gillespie. Cast: Margot Robbie, Sebastian Stan, and Allison Janney) Into the Rainbow (Director: Norman Stone, Gary Wing-Lun Mak. Cast: Willow Shields, Maria Grazia Cucinotta, Wu Lei Leo and Jacqueline Joe) U.S. Premiere Lady Bird (Director: Greta Gerwig. Cast: Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Timothée Chalamet, Beanie Feldstein, Lois Smith, and Stephen McKinley Henderson) Last Flag Flying (Director Richard Linklater. Cast: Steve Carell, Bryan Cranston, and Laurence Fishburne) LBJ (Director: Rob Reiner. Cast: Woody Harrelson, Jennifer Jason Leigh, Michael Stahl-David, Rich Sommer, Bill Pullman, C. Thomas Howell, Jeffrey Donovan and Richard Jenkins) The Leisure Seeker (Director: Paolo Virzi. Cast: Helen Mirren, and Donald Sutherland) Molly’s Game (Writer and Director: Aaron Sorkin. Cast: Jessica Chastain, Idris Elba, and Kevin Costner) Mudbound (Director: Dee Rees. Cast: Carey Mulligan, Garrett Hedlund, Jason Mitchell, Jason Clarke, Jonathan Banks, Mary J. Blige and Rob Morgan) The Shape of Water (Director: Guillermo del Toro. Cast: Sally Hawkins, Michael Shannon, Michael Stuhlbarg, Richard Jenkins, Doug Jones, and Octavia Spencer) Three Billboards Outside Ebbing, Missouri (Director: Martin McDonagh. Cast: Frances McDormand, Sam Rockwell, Woody Harrelson, Abbie Cornish, Peter Dinklage, Lucas Hedges, Caleb Landry Jones, Clarke Peters, Samara Weaving, John Hawkes, and Zeljko Ivankek) The Upside (Director: Neil Burger. Cast: Bryan Cranston, Kevin Hart, and Nicole Kidman) Wonderstruck (Director: Todd Haynes. Cast: Oakes Fegley, Julianne Moore, and Millicent Simmonds)

    DOCS TO WATCH

    Expected to attend this year are directors Evgeny Afineevsky (Cries from Syria); Greg Barker (The Final Year); Bryan Fogel (Icarus); Yance Ford (Strong Island); Amanda Lipitz (Step); Brett Morgen (Jane); Jeff Orlowski (Chasing Coral); Laura Poitras (Risk); John Ridley (Let It Fall: Los Angeles 1982-1992) Ceyda Torun (Kedi).

    SIGNATURE SERIES

    Beatriz at Dinner (Director: Miguel Arteta. Cast: Salma Hayek, John Lithgow, Chloë Sevigny, Connie Britton, David Warshofksy, Amy Landecker, Jay Duplass, and John Early) The Ballad of Lefty Brown (Director: Jared Moshe. Cast: Bill Pullman) Battle of the Sexes (Director: Jonathan Dayton and Valerie Faris. Cast: Emma Stone, Steve Carell, Andrea Riseborough, Sarah Silverman, Alan Cumming, Bill Pullman, Elisabeth Shue, Austin Stowell, and Natalie Morales) The Big Sick (Director: Michael Showalter. Cast: Kumail Nanjiani, Zoey Kazan, Holly Hunter and Ray Romano) Detroit (Director: Kathryn Bigelow. Cast: John Boyega, Anthony Mackie, Algee Smith, Will Poulter, and Jacob Latimore) Flower (Director: Max Winkler. Cast: Zoey Deutch, Adam Scott, and Kathryn Hahn) Gifted (Director: Marc Webb. Cast: Chris Evans, McKenna Grace, Lindsay Duncan, Jenny Slate, and Octavia Spencer) Good Time (Director: Benny Safdie, Josh Safdie. Cast: Robert Pattinson, Jennifer Jason Leigh, Benny Safdie, Buddy Duress, and Barkhad Abdi) I Am Evidence (Producer Mariska Hargitay. Director: Trish Adelsic, Geeta Gandhbir) Logan (Director: James Mangold. Cast: Hugh Jackman, Patrick Stewart, Richard E. Grant, Boyd Holbrook, Stephen Merchant, and Dafne Keen) Norman: The Moderate Rise and Tragic Fall of a New York Fixer (Director: Joseph Cedar. Cast: Richard Gere, Michael Sheen, and Steve Buscemi) Ruby in Paradise (Director: Victor Nuñez. Cast: Ashley Judd, Todd Field, and Bentley Mitchum) Served Like a Girl (Director: Lysa Heslov. Cast: Nichole Alred, Jas Boothe, and Rachel Engler) Story of a Girl (Director: Kyra Sedgwick. Cast: Kevin Bacon, Sosie Bacon, and Ryann Shane) Strange Weather (Director: Katherine Diekmann. Cast: Holly Hunter, Carrie Coon, and Ransom Ashley) Tulip Fever (Director: Justin Chadwick. Cast: Alicia Vikander, Dane DeHaan, Jack O’Connell, and Holliday Grainger) The Year of Spectacular Men (Director: Lea Thompson. Cast: Madelyn Deutch, Zoey Deutch, Lea Thompson, and Avan Jorgia)

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  • John Ridley’s ‘Let It Fall: Los Angeles 1982-1992’ Among 10 Films on 2017 Milwaukee Film Festival Black Lens Lineup

    [caption id="attachment_23765" align="aligncenter" width="1200"]Let It Fall: Los Angeles 1982-1992 Let It Fall: Los Angeles 1982-1992[/caption] The Black Lens program returns to the 2017 Milwaukee Film Festival featuring documentary and fiction films by African American filmmakers that explore a range of topics rooted in the black community and are relevant to all. The lineup includes Academy Award winner and Milwaukee Film Board Member John Ridley’s new documentary Let It Fall: Los Angeles 1982-1992, a 20th anniversary, 35mm screening of the classic film Love Jones, and two shorts programs titled Black Lens Shorts: Family Matters and Black Lens Shorts: Lost & Found. Geraud Blanks, Black Lens co-programmer states, “Adding additional films, including two shorts programs, means a greater diversity of voices and perspectives. We have more women and mixed-race directors, writers, and producers than ever before, in-large part because of our ability to expand our programming this year. The added room also made honoring Love Jones and bringing Let It Fall: Los Angeles 1982-1992 back to Milwaukee possible without eliminating deserving films from emerging filmmakers.” “The addition of a second shorts program is exciting, as it helps us to strengthen the mission of Black Lens,” states Donte McFadden, Black Lens co-programmer. “We want to make Black Lens a destination for African American filmmakers to screen their work. The shorts program allows for us to introduce many emerging filmmakers from across the country and allows Milwaukee residents the chance to see films that they wouldn’t see anywhere else.” The 2017 Milwaukee Film Festival will take place at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill, Times Cinema, and Avalon Theater from September 28th – October 12th.

    2017 Milwaukee Film Festival Black Lens Program

    72 Hours: A Brooklyn Love Story? (USA / 2017 / Director: Raafi Rivero) Three short days separate 18-year-old Caesar from leaving Brooklyn for a prestigious upstate university. But between his long-time girlfriend calling it quits and his crew already planning for his imminent exit, Caesar finds himself pulled between the comfort of a world he’s always known and the exciting promise of a bright future. A vibrant, textured work that powerfully captures the dizzying nuance of teen love and the thrum of a rapidly-changing borough, 72 Hours is an exacting portrait of what it means to be young, gifted and black. ACORN and the Firestorm (USA / 2017 / Directors: Reuben Atlas and Sam Pollard) It’s a story whose reverberations will be felt across the political landscape for many years to come: ACORN, America’s largest grass-roots community organization (teaching low- and medium-income families across the nation to advocate for themselves), shuttered by a pair of amateur journalists posing as a pimp and prostitute, igniting a media firestorm that helped spawn the Breitbart News empire. This real-life political thriller does much to explain our current divisive state, persuasively drawing a line from ACORN’s bankruptcy to our polarized present and its constant cries of “fake news.” Black Lens Shorts: Family Matters An evening of shorts that tackle the notion of family in all of its complicated glory – whether it’s protecting the ones you love, leaning on them for support, bringing each other together or tearing each other apart, these shorts (alternately funny, thrilling and sad – just like family itself!) have something for everyone! Amelia’s Closet (USA / 2016 / Director: Halima Lucas) Cul-De-Sac (USA / 2016 / Director: Damon Russell) Gema (USA / 2016 / Director: Kendrick Prince) The Homecoming (USA / 2016 / Director: Paulina Bugembe) Night Shift (USA / 2017 / Director: Marshall Tyler) New Neighbors (USA / 2017 / Director: E. G. Bailey) Black Lens Shorts: Lost & Found This second series of Black Lens shorts at this year’s MFF showcase the infinite possibilities in the world of contemporary black filmmaking – watch these characters undergo a journey of discovery (in search of acceptance, love, recognition, and more) while covering a wide array of topics ranging from gun violence and love to classic folklore and the radical art of self-acceptance. A fascinating night at the movies. 90 Days (USA / 2016 / Directors: Jennia Fredrique Aponte, Nathan Hale Williams) Dear Mr. Shakespeare (USA / 2016 / Director: Shola Amoo) The Forever Tree (UK / 2017 / Director: Alrick Brown) Hold On (USA / 2017 / Director: Christine Turner) See You Yesterday (USA / 2017 / Director: Stefon Bristol) #WhereIsBeauty (USA / 2016 / Director: Angela McCrae) You Can Go (USA / 2016 / Director: Christine Turner) Destined (USA / 2016 / Director: Qasim Basir) One unforgettable moment in a young man’s childhood in Detroit creates two startlingly alternate paths: in one, he’s Rasheed, an ambitious architect seeking to ascend the corporate ladder, while in the other he’s Sheed, a drug kingpin who has remained on the streets of his childhood, seeking to exert his will over them. A gripping urban crime thriller with a unique approach to cinematic storytelling, Destined weaves between these two stories, each echoing and diverging from one another in mysterious ways, with both Rasheed and Sheed moving inexorably towards their ultimate fate. Let It Fall: Los Angeles 1982-1992 (USA / 2017 / Director: John Ridley) 25 years later, the Rodney King verdict and the subsequent riots are still etched in our minds. Culminating a decade of struggle with a justice system unequipped to deal with issues of race and class, the riots seem both entirely preventable and utterly unavoidable. Director John Ridley (Jimi: All Is By My Side, MFF14; Milwaukee Film Board Member) avoids simple moralizing or tidy conclusions as he examines the lead-up to and events of that day, instead letting those who lived through the experience speak for themselves in this heartbreaking portrait whose power is only magnified on the big screen. https://www.youtube.com/watch?v=6JGY-GjzKp4 Like Cotton Twines (USA / 2016 / Director: Leila Djansi) American volunteer Micah sees his teaching job in Ghana as an opportunity to reconnect with his ancestral roots while also helping young Ghanaians reach their fullest potential. But when 14-year-old Tuigi, one of his brightest students, must abandon her studies in exchange for a life as a sex slave as recompense for her father’s transgressions, Micah finds himself stuck in the middle of a culture clash, desperate to extricate Tuigi from the cycles of history and tradition that threaten to swallow her whole. https://www.youtube.com/watch?v=9AKgApSQohI Love Jones (USA / 1997 / Director: Theodore Witcher) Nina (Nia Long) is not looking for love when she meets Darius (Larenz Tate) at a poetry slam. Despite the scorching chemistry that instantly ignites, both insist the relationship is purely physical and certainly not a case of the love jones. A witty, sexy portrait of young Black love and romance (set in a middle-class, bohemian milieu that Hollywood still struggles to showcase 20 years on) that is a generational classic, this film will receive a rare 35mm screening at the historic Oriental Theatre! https://www.youtube.com/watch?v=xNMoQ_Cqt4E Tell Them We Are Rising: The Story of Black Colleges and Universities (USA / 2017 / Director: Stanley Nelson) Over the course of 150 years, Historically Black Colleges and Universities (HBCUs) have paved the way for Black intellectuals, revolutionaries, and artists alike to pursue higher education and defy stereotypes among their peers in an unapologetically Black environment. Now the remarkable story of their role in African-American history is finally told. Fest alum Stanley Nelson (The Black Panthers: Vanguard of the Revolution, MFF15) returns with this captivating panorama of HBCUs from their conception to the modern day, a stirring portrait of perseverance in pursuit of knowledge. https://www.youtube.com/watch?v=u8hmqpAzjRo Unrest (USA / 2017 / Director: Jennifer Brea) 28-year-old Jennifer Brea is in the prime of her life as a PhD student and soon-to-be newlywed, when a sudden fever leaves her perpetually bedridden and desperate for answers. A host of unsatisfactory diagnoses lead her to discover an abandoned online community of those similarly afflicted (with what is commonly known as Chronic Fatigue Syndrome). A medical mystery nestled in an intensely personal portrait of a husband and wife’s healing journey, Unrest shines a light on a condition that confounds the medical community through its panoply of personal perspectives on suffering.

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