Let There Be Light (2017)

  • BRIMSTONE AND GLORY , CITY OF GHOSTS and STRONG ISLAND Lead Cinema Eye Honors Nominations

    [caption id="attachment_24386" align="aligncenter" width="1200"]Brimstone and Glory Brimstone & Glory[/caption] Three films – Viktor Jakovleski’s Brimstone & Glory, Matthew Heineman’s City of Ghosts and Yance Ford’s Strong Island – lead the 2018 Cinema Eye Honors nominations with 4 apiece. Five films received three nominations: Yuri Ancarani’s The Challenge, Jeff Orlowski’s Chasing Coral, Agnès Varda and JR’s Faces Places, Brett Morgen’s Jane and Jonathan Olshefski’s Quest. City of Ghosts, Faces Places, Quest and Strong Island are joined in the Outstanding Nonfiction Feature category by Frederick Weisman’s Ex Libris: The New York Public Library and Feras Fayyad’s Last Men in Aleppo. Kitty Green (Casting Jon Benet) joins the aforementioned Yuri Ancarani, Yance Ford, Matthew Heineman, Agnés Varda and JR, and Frederick Wiseman as a nominee in the Outstanding Achievement in Direction category. With his nomination, Frederick Wiseman becomes the first filmmaker in Cinema Eye history to be nominated three times for Outstanding Direction, having been previously nominated for La Danse – The Paris Opera Ballet and In Jackson Heights. He also received Cinema Eye’s 2012 Legacy Award for his 1967 classic Titicut Follies. Agnès Varda won the Outstanding Direction Award in 2010 for The Beaches of Agnés. Outstanding Direction nominees Kitty Green and Yuri Ancarani were both previously nominated for Outstanding Nonfiction Short, Green in 2016 for The Face of Ukraine: Casting Oksana Baiul and Ancarani was nominated twice for Il Capo (2012) and Da Vinci (2014). Chasing Coral received three nominations, including a nod for Outstanding Cinematography for director Jeff Orlowski, an Honor he won in 2013 for Chasing Ice. Stefan Nadelman, nominated for his Graphic Design work on the Grateful Dead documentary Long Strange Trip, won the same award in 2016 for Kurt Cobain: Montage of Heck. Ten films were nominated for the annual Audience Choice Prize, which includes many of the year’s most popular and talked about nonfiction films, notably Brett Morgen’s Jane, Ceyda Torun’s Kedi, Amanda Lipitz’ Step, Sabaah Folayan and Damon Davis’ Whose Streets? and Gethin Aldous and Jairus McLeary’s The Work. The winner in this category is voted on by the general public. This year’s Broadcast Nonfiction Filmmaking category includes a number of notable filmmakers, among them a previous Cinema Eye winner and a nominee. Fisher Stevens, a winner for Outstanding Production and Feature for The Cove (2010), is nominated this year with his co-director Alexis Bloom for Bright Lights: Starring Carrie FIsher and Debbie Reynolds (HBO). Ryan White, who was nominated for Production in 2015 for The Case Against 8, is up this year for his Netflix series The Keepers. Oscar nominee Ava DuVernay received her first Cinema Eye nomination for her Netflix film 13th, while veteran filmmaker Kristi Jacobson gets her first nod for the HBO feature doc  Solitary: Inside Red Onion State Prison. This year’s winners will be announced at the 2018 Honors Awards Ceremony on Thursday, January 11, 2018 at the Museum of the Moving Image in Astoria, Queens. The ceremony will be hosted, for the third consecutive year, by award-winning nonfiction filmmaker Steve James (The Interrupters, Life Itself, Hoop Dreams), who is a Cinema Eye nominee this year for his latest film, Abacus: Small Enough to Jail.

    2018 Cinema Eye Honors Award Nominations

    Outstanding Achievement in Nonfiction Feature Filmmaking

    City of Ghosts  Directed and Produced by Matthew Heineman Ex Libris: The New York Public Library  Directed and Produced by Frederick Wiseman Faces Places Directed by Agnès Varda and JR (Director) | Produced by Rosalie Varda Last Men in Aleppo  Directed by Feras Fayyad | Produced by Kareem Abeed, Stefan Kloos and Søren Steen Jespersen Quest  Directed by Jonathan Olshefski | Produced by Sabrina Schmidt Gordon Strong Island  Directed by Yance Ford | Produced by Joslyn Barnes and Yance Ford

    Outstanding Achievement in Direction

    Kitty Green | Casting JonBenet Matthew Heineman | City of Ghosts Yuri Ancarani | The Challenge Frederick Wiseman | Ex Libris: The New York Public Library Agnès Varda and JR | Faces Places Yance Ford | Strong Island

    Outstanding Achievement in Editing

    Bill Morrison | Dawson City: Frozen Time Joe Beshenkovsky | Jane TJ Martin | LA92 Keith Fraase and John Walter | Long Strange Trip Lindsay Utz | Quest Francisco Bello, Daniel Garber and David Barker | The Reagan Show

    Outstanding Achievement in Production

    Nominees to be Determined | Brimstone and Glory Matthew Heineman | City of Ghosts Heino Deckert, Ai Weiwei and Chin-Chin Yap | Human Flow Kareem Abeed, Stefan Kloos and Søren Steen Jespersen | Last Men in Aleppo Brenda Coughlin, Yoni Golijov and Laura Poitras | Risk

    Outstanding Achievement in Cinematography

    Tobias von dem Borne | Brimstone and Glory Yuri Ancarani, Luca Nervegna and Jonathan Ricquebourg | The Challenge Andrew Ackerman and Jeff Orlowski | Chasing Coral TBD | Human Flow Rodrigo Trejo Villanueva | Machines

    Outstanding Achievement in Original Music Score

    Dan Romer and Benh Zeitlin | Brimstone and Glory Francesco Fantini and Lorenzo Senni | The Challenge Alex Somers | Dawson City: Frozen Time Philip Glass | Jane Dan Deacon | Rat Film Hildur Gudnadóttir and Craig Sutherland | Strong Island

    Outstanding Achievement in Graphic Design or Animation

    Chad Herschberger | 78/52: Hitchcock’s Shower Scene Matt Schultz and Shawna Schultz | Chasing Coral Grant Nellessen | Citizen Jane: Battle for the City Daniel Gies and Emily Paige | Let There Be Light Stefan Nadelman | Long Strange Trip

    Audience Choice Prize

    Abacus: Small Enough to Jail |Directed by Steve James City of Ghosts | Directed by Matthew Heineman Chasing Coral | Directed by Jeff Orlowski Faces Places | Directed by Agnès Varda and JR Jane | Directed by Brett Morgen Kedi | Directed by Ceyda Torun Quest | Directed by Jonathan Olshefski Step | Directed by Amanda Lipitz Whose Streets? | Directed by Sabaah Folayan and Damon Davis The Work | Directed by Gethin Aldous and Jairus McLeary

    Outstanding Achievement in a Debut Feature Film

    Viktor Jakovleski | Brimstone and Glory Anna Zamecka | Communion Rahul Jain | Machines Theo Anthony | Rat Film Yance Ford | Strong Island

    Outstanding Achievement in Broadcast Nonfiction Filmmaking

    13th  Directed by Ava DuVernay | Produced by Ava DuVernay & Howard Barish | For Netflix: Executive Producers Ben Cotner, Adam Del Deo and Lisa Nishimura Abortion: Stories Women Tell Directed and Produced by Tracy Droz Tragos | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Sara Bernstein Bright Lights: Starring Carrie Fisher and Debbie Reynolds  Directed by Alexis Bloom & Fisher Stevens | Produced by Alexis Bloom, Fisher Stevens, Julie Nives & Todd Fisher | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Nancy Abraham Five Came Back  Directed by Laurent Bouzereau | Produced by John Battsek & Laurent Bouzereau | For Netflix: Executive Producers Ben Cotner, Adam Del Deo and Lisa Nishimura The Keepers  Directed by Ryan White | For Netflix: Executive Producers Ben Cotner, Jason Springarn-Koff and Lisa Nishimura Solitary: Inside Red Onion State Prison  Directed and Produced by Kristi Jacobson | Produced by Katie Mitchell and Julie Goldman | For HBO Documentary Films: Executive Producer Sheila Nevins, Senior Producer Nancy Abraham

    Spotlight Award

    Donkeyote | Directed by Chico Pereira An Insignificant Man | Directed by Khushboo Ranka and Vinay Shukla Lots of Kids, a Monkey and a Castle | Directed by Gustavo Salmerón Plastic China | Directed by Jiuliang Wang Stranger in Paradise | Directed by Guido Hendrikx Taste of Cement | Directed by Ziad Kalthoum

    Outstanding Achievement in Nonfiction Short Filmmaking

    Edith+Eddie | Directed by Laura Checkoway Heroin(e) | Directed by Elaine McMillion Sheldon Little Potato | Directed by Wes Hurley and Nathan M. Miller Polonaise | Directed by Agnieszka Elbanowska The Rabbit Hunt | Directed by Patrick Bresnan Ten Meter Tower | Directed by Maximilien Van Aertryck & Axel Danielson

    The Unforgettables | Non-competitive Honor

    Chanterelle Sung, Hwei Lin Sung, Jill Sung, Thomas Sung & Vera Sung |Abacus: Small Enough to Jail Bobbi Jene Smith | Bobbi Jene Abdalaziz Alhamza, Hamoud Almousa and Mohamad Almusari | For City of Ghosts Ola Kaczanowska | Communion Dolores Huerta | Dolores Dina Buno and Scott Levin | Dina Agnès Varda | Faces Places Daje Shelton | For Ahkeem Dr. Grigory Rodchenkov | Icarus Dr. Jane Goodall | Jane Jim Carrey | Jim & Andy: The Great Beyond Christine’a Rainey, Christopher “Quest” Rainey, PJ Rainey and William Withers | Quest Yance Ford | Strong Island Jennifer Brea | Unrest Brian, Charles, Chris, Dark Cloud, Kiki and Vegas | The Work

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  • 2017 Camden International Film Festival Announces Lineup, Opens with World Premiere of SHOT IN THE DARK

    [caption id="attachment_23992" align="aligncenter" width="1200"]Shot in the Dark by Dustin Nakao Haider Shot in the Dark by Dustin Nakao Haider[/caption] The 2017 Camden International Film Festival (CIFF) will take place September 14 to 17, 2017 throughout Camden, Rockport and Rockland, Maine, and present 37 features, 35 short films, and a dozen virtual reality experiences from 30 countries.  Keeping with CIFF’s mission to discover and support new talent in nonfiction filmmaking, over half of the lineup’s 37 features are made by first- or second-time filmmakers. CIFF will open with the world premiere of Dustin Nakao Haider’s Shot in the Dark.  Additional highlights include titles making their US debut following premieres at the 2017 Toronto International Film Festival (Love Means Zero, Eric Clapton: Life In 12 Bars, Cocaine Prison), the North American premieres of films coming from Locarno (Sand und Blut, Did You Wonder Who Fired The Gun?) and Venice (This Is Congo), award-winning films from Visions du Reel (Taste of Cement, All That Passes By Through a Window That Doesn’t Open) and Berlin (El Mar La Mar, House In The FieldsDevil’s Freedom) alongside some of the year’s top documentaries (Abacus: Small Enough to Jail, Whose Streets?, The Work). The 13th Camden International Film Festival is a program of the Points North Institute.  This year, eight projects that have participated in the Points North Institute’s Artist Programs will be screening at CIFF. These titles include All That Passes By Through A Window That Doesn’t Open, No Man’s Land, The Cage Fighter, The Family I Had, The Reagan Show, The Sensitives, Whose Streets? and Commodity City. These films have garnered awards and debuted at prestigious festivals including Sundance, Locarno, Tribeca, Rotterdam, and Visions du Reel. “Screening at CIFF this year feels like a homecoming,” says Sabaah Folayan, Director of Whose Streets?, distributed by Magnolia Pictures. “This community believed in our project when it was still just an idea and it means everything to be able to come back and share the finished film.” This year also features an expanded 2nd edition of Storyforms: Remixing Reality, CIFF’s exhibition of VR, immersive media, and installations. For the first time, Storyforms will present “room-scale” and “walk-around” VR experiences. Highlights include Tree by Milica Zec and Winslow Porter, which comes to CIFF after showing at Sundance, Tribeca and Cannes. Storyforms will also include a sneak preview of the latest groundbreaking walk-around VR experience produced in a new collaboration between FRONTLINE PBS and Nonny de la Peña’s Emblematic Group, which brings climate change to life as never before, allowing viewers to travel alongside NASA scientists to a place where the glaciers are melting faster and faster.

    2017 Camden International Film Festival Features

    SHOT IN THE DARK – Opening Night Film Dustin Nakao Haider | United States |  96 mins Orr Academy’s basketball court is a haven. Outside, it’s a neighborhood racked with gangs and violence. Though each player has his own struggle, they’ll need to fight together if they ever want to break out. World Premiere | Filmmaker in Attendance 69 Minutes of 86 Days Egil Håskjold Larsen | Norway | 71 mins A 3-year-old girl and her family’s long journey from a Greek refugee centre to Uppsala, in a film that gives the tragedy both a form and a face. US Premiere A River Below Mark Grieco | USA, Colombia | 86 mins A River Below captures the Amazon in all its complexity as it examines the actions of environmental activists using the media in an age where truth is a relative term. Filmmaker in Attendance Abacus: Small Enough to Jail Steve James | USA | 88 mins From acclaimed director Steve James, ABACUS tells the incredible family saga of the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. Filmmaker in Attendance All That Passes By Through a Window That Doesn’t Open Martin DiCicco | USA, Qatar | 70 mins A journey by rail where workers reflect upon opportunity and regret, floating through a Eurasian expanse striving to fill their days and dreams, as much as their pockets. North American Premiere / PNI Alumni | Filmmaker in Attendance Behold the Earth David Conover | USA | 63 mins A feature-length musical documentary film that inquires into America’s divorce from nature, built out of conversations with leading biologists and evangelical Christians. Filmmaker in Attendance Bobbi Jene Elvira Lind | Denmark. Sweden, Israel, USA | 96 mins A love story, and a film about a woman’s fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance. Filmmaker in Attendance Cocaine Prison Violeta Ayala | Australia, Bolivia, France & USA | 76 mins From inside one of Bolivia’s most infamous prisons, comes the story of the foot soldiers of the drug trade. US Premiere | Filmmakers in Attendance Common Carrier James N. Kienitz Wilkins | USA | 78 mins A mix of artists struggle to perform their roles, at once connected and alienated by the plague of modern life. Filmmaker in Attendance Devil’s Freedom Everardo González | Mexico | 74 mins A deeply compelling investigation into the phenomenon of Mexico’s “disappeared” from the perspectives of those bereaved by, and those responsible for, some truly barbaric acts. Did You Wonder Who Fired The Gun? Travis Wilkerson | USA | 90 mins This isn’t a White Savior story. It’s a White Nightmare story. North American Premiere | Filmmaker in Attendance Do Donkeys Act? Ashley Sabin, David Redmon | UK | 72 mins A film that subtly subverts the notion of the “dumb beast” as it captures donkeys communicating emotionally with each other in the midst of healing from human cruelty and neglect.  Filmmakers in Attendance El Mar La Mar Joshua Bonnetta, J.P. Sniadecki | USA | 94 mins A portrait of the Sonoran Desert along the United States border with Mexico. Filmmakers in Attendance Eric Clapton: Life In 12 Bars Lili Fini Zanuck | USA | 95 mins A look at the life and work of guitarist Eric Clapton told by those who have known him best, including BB King, Jimi Hendrix, and George Harrison. US Premiere House in the Fields Tala Hadid | Morocco, Qatar | 86 mins House in the Fields is the first part of a triptych set in Morocco, that starts in the Atlas Mountains, journeys through Casablanca and finishes beyond the borders. US Premiere | Filmmaker in Attendance In the Waves Jacquelyn Mills | Canada (Québec) | 60 mins An expressive documentary that depicts the life of 80 years old Joan Alma Mills in her aging coastal village as she finds herself confronted by the fragility of life. North American Premiere | Filmmaker in Attendance Let There Be Light Mila Aung-Thwin, Van Royko | Canada, France, Italy, Switzerland, USA | 90 mins Let There Be Light follows the story of dedicated scientists working to build a small sun on Earth, which would unleash perpetual, cheap, clean energy for mankind. After decades of failed attempts, a massive push is now underway to crack the holy grail of energy. Filmmaker in Attendance Look & See: A Portrait of Wendell Berry Laura Dunn, Jef Sewell | USA | 80 mins A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path. Lots of Kids, a Monkey and a Castle Gustavo Salmerón | Spain | 90 mins A bustling, loose-limbed portrait of actor-director Gustavo Salmerón’s large family, especially his unforgettable mom. US Premiere | Filmmaker in Attendance Love Means Zero Jason Kohn | USA | 89 mins Nick Bollettieri coached a generation of tennis champions, but his relentless desire to win cost him the relationship he valued most. US Premiere | Filmmaker in Attendance Maineland Miao Wang | China, USA | 89 mins Chinese students now account for over one-third to one-half of international secondary school students, including in a small liberal arts college in Maine. Filmmaker in Attendance No Man’s Land David Byars | USA | 83 mins Embedded with the militants of the 2016 occupation of the Malheur Wildlife Refuge, NO MAN’S LAND provides a vivid depiction of events that have become emblematic of the current political divide. PNI Alumni | Filmmaker in Attendance Purge This Land Lee Anne Schmitt | USA | 80 mins Contemplating the culpability of White America in the ongoing disenfranchisement of Black America, this film combines images of sites of white racial violence with anecdotal history of John Brown’s radical ethics.  Sneak Preview | Filmmaker in Attendance Quest Jonathan Olshefski | USA | 104 mins The moving portrait of a family in North Philadelphia who open the door to their home music studio, which serves as a creative sanctuary from the strife that grips their neighborhood.Filmmaker in Attendance Resurrecting Hassan Carlo Guillermo Proto | Canada, Chile | 100 mins A blind family is haunted by the tragic death of their son Hassan and seek to resurrect his spirit and transcend their suffering, while singing in the subways of Montreal. Filmmaker in Attendance Sand und Blut (Sand and Blood) Matthias Krepp, Angelika Spangel | Austria | 90 mins Private video footage narrated by refugees now living in Europe offers a new and intimate perspective on Syria and Iraq’s recent history: a montage of haunting images of devastation, fear, and hatred. North American Premiere | Filmmakers in Attendance Secret Screening Academy-Award Winning Director | USA A gripping investigation by one of the country’s most celebrated directors. Sneak Preview | Filmmaker in Attendance Shot in the Dark Dustin Nakao Haider | USA | 96 mins Orr Academy’s basketball court is a haven. Outside, it’s a neighborhood racked with gangs and violence. Though each player has his own struggle, they’ll need to fight together if they ever want to break out. Opening Night Film | World Premiere | Filmmaker in Attendance Stranger in Paradise Guido Hendrikx | Netherlands | 72 mins A blunt film essay on the power relations between Europe and refugees. Filmmaker in Attendance Taste of Cement Ziad Kalthoum  | Germany, Lebanon, Syria, United Arab Emirates, Qatar | 85 mins In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. North American Premiere | Filmmaker in Attendance The Cage Fighter Jeff Unay | USA | 83 mins Although a man promises his wife and daughters that he will not return to competitive mixed martial arts fighting, he secretly begins training for the dangerous sport that gives him a sense of purpose. PNI Alumni | Filmmaker in Attendance The Departure Lana Wilson | USA | 87 mins Ittetsu Nemoto, a former punk-turned-Buddhist-priest in Japan, has made a career out of helping suicidal people find reasons to live. Filmmaker in Attendance The Family I Had Katie Green, Carlye Rubin | USA | 77 mins How does the mother to a murdered child and the murderer himself move forward, and what kind of relationship can she forge with her now incarcerated son? PNI Alumni | Filmmakers in Attendance The Reagan Show Pacho Velez, Sierra Pettengill | USA  | 75 mins Made up entirely of archival news and White House footage, this documentary captures the pageantry, absurdity, and mastery of the made-for-TV politics of Ronald Reagan. PNI Alumni | Filmmakers in Attendance The Sensitives Drew Xanthopoulos | USA | 83 mins What if modern life made you sick? PNI Alumni | Filmmaker in Attendance The Work Jairus McLeary, Gethin Aldous | USA | 87 mins Set entirely inside Folsom State Prison, “The Work” follows 3 men during 4 days of intensive group therapy with convicts, revealing an intimate and powerful portrait of authentic human transformation that transcends what we think of as rehabilitation. Filmmakers in Attendance This is Congo Daniel McCabe | USA | 93 mins Following four compelling characters, the film offers a truly Congolese perspective and an immersive exploration into Africa’s longest continuing conflict. North American Premiere | Filmmaker in Attendance Whose Streets? Sabaah Folayan, Damon Davis | USA | 90 mins “Portrait of Ferguson May Be the Doc of the Year: Powerful you-are-there portrait of how a community raged in the aftermath of tragedy – and reacted with activism – could not be more vital” – Rolling Stone PNI Alumni | Filmmakers in Attendance

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  • Fantasia Film Festival Announces Final Lineup, Closes with Jang Hoon’s A TAXI DRIVER

    [caption id="attachment_22990" align="aligncenter" width="1200"]A TAXI DRIVER A TAXI DRIVER[/caption] Fantasia will close its 2017 edition with the International Premiere of A TAXI DRIVER, by director Jang Hoon. On May 18th, 1980, one of the darkest chapters in South Korea’s recent history began. Protesting against Chun Doo-hwan’s dictatorship, hundreds of citizens of Gwangju, particularly students, were beaten, arrested or killed by the army who was hiding behind a well-orchestrated propaganda campaign blinding the entire nation. So when struggling single-father Man-seob decides to take a German journalist from Seoul to Gwangju in his taxi to clear off his debts, he has no idea how dangerous their journey will be. Director Jang Hoon has established himself as one of the most talented and versatile Korean filmmakers with award winning films like ROUGH CUT and THE FRONT LINE. Reteaming with Hoon after the action thriller THE SECRET REUNION, legendary actor Song Kang-ho (THE HOST, SNOWPIERCER) delivers one of the strongest performances of his career in this unforgettable historical drama. The Fantasia Film Festival announced the remainder of its mammoth 2017 film lineup, in addition to its juries and special events. A tense, nocturnal odyssey of poor decision-making that escalates to a nearly unbearable pitch, the Safdie brothers’ Cannes Competition sensation GOOD TIME is a high-wire exercise in intensity, starring Robert Pattinson in a career-best performance. Tipping their hats to ’70s thrillers, the Safdies’ new film also builds beautifully on their previous effort, HEAVEN KNOWS WHAT – here’s another maddeningly bleak vision of New York City’s underbelly, nonetheless beaming with humanity and authenticity. North American Premiere. Directors in Attendance. Directed by David Leitch (JOHN WICK, the upcoming DEADPOOL 2), ATOMIC BLONDE, screening in the Action! section, is a blistering blend of sleek action, gritty sexuality, and dazzling neon-drenched style with a cast that includes Charlize Theron, John Goodman, Til Schweiger, and Sofia Boutella. The film boasts one thrilling fight sequence in particular – set in a stairwell and with no cuts – that has already entered the annals of action film history. Official Selection: SXSW 2017. Special Screening. Fantasia’s Camera Lucida section is back! Dedicated to the most original and singular visions, at the outer edges of genre cinema, it will close this year’s selection with the World Premiere of Robert Morin’s LE PROBLÈME D’INFILTRATION (INFILTRATION), also screening during the festival’s closing night on August 2, 2017. An experimental film and formal experiment only Morin could have made, LE PROBLÈME D’INFILTRATION (INFILTRATION) is a unique, angst-ridden portrait composed of a series of distinctive, surrealistic long takes, that brilliantly convey the existential crisis and downward spiral of Dr. Louis Richard (Christian Bégin), a plastic surgeon specializing in burn victims. A bold film that simultaneously evokes German Expressionist art and avant-garde video. See below for the rest of the Camera Lucida line-up. Director, Cast, and Crew in Attendance. The big-screen return of one of Polish Cinema’s national treasures, Agnieszka Holland (EUROPA EUROPA, THE SECRET GARDEN), still such a vibrant filmmaker at nearly 70 years of age, SPOOR took home a richly deserved award at the Berlinale earlier this year. Unconventional, poetic and beguiling, it is a genuinely radical film – some have even called it dangerous – that is one part fantastical murder mystery, one part eco-thriller. A retired teacher who speaks truth to power to protect the region’s wildlife finds herself at the center of a surreal series of happenings, with hunters and authority figures found murdered, various animal tracks near the bodies. Could the animals be having their revenge? One of the most subversive genre works we’ve seen in years. North American Premiere. Following the 2015 International Premiere of Sion Sono’s Red Light District-set yakuza/talent agency action-drama film SHINJUKU SWAN, Fantasia will unveil the International Premiere of its sequel, SHINJUKU SWAN II! Reuniting maverick filmmaker Sion Sono (TAG, LOVE EXPOSURE, the upcoming Amazon series TOKYO VAMPIRE HOTEL) with superstar Go Ayano (RAGE, LUPIN THE THIRD), this sequel adapts the arc “Yokohama Kingdom” from Ken Wakui’s popular seinen manga series of the same name, and finds the titular, energetic talent scout going head-to-head with a rival Yokohama agency, led by boss Taki (the one and only Tadanobu Asano of SURVIVE STYLE 5+, JOURNEY TO THE SHORE, and ICHI THE KILLER)! International Premiere. Fantasia audiences may best remember him from THE MAN WHO SAVED THE WORLD (aka TURKISH STAR WARS), but to international audiences, Cüneyt Arkın is a legendary icon whose career spanned 50 glorious years and nearly 300 films. He’s done every conceivable genre from grand historical epics and martial arts to romantic comedies, westerns, and hard-boiled crime flicks. He’s played an Ottoman warrior, cop, heartbreaker, pirate, and even a Turkish Davy Crockett. Over his five decades in cinema, the incredible Arkın was his country’s Jackie Chan – acting, writing, directing, and performing his own stunts! Fantasia will present a Lifetime Achievement Award to Mr Arkın, and will celebrate his extraordinary career with special repertory screenings of THE MAN WHO SAVED THE WORLD, Çetin İnanç’s WILD BLOOD (aka the Turkish FIRST BLOOD!), and the ninjasploitation head-exploder DEATH WARRIOR. These events, in addition to the World Premiere screening of Emir Mavitan’s NOMAD and a free outdoor projection of Ceyda Torun’s documentary sensation KEDI are presented with the support of the Republic of Turkey Ministry of Culture and Tourism. Luchador films hold a special place in Fantasia-goers hearts. In the early editions of the festival, screenings of numerous luchador films were held in front of sold out crowds at the 900-seat Imperial Theater. This year marks a very special occasion, as the fest will be graced by one of lucha libre’s most famous heroes, the legendary Mil Máscaras. With Blue Demon and El Santo, this legendary masked wrestler was part of a trio of athletes who, in the 60’s and early 70’s, turned this unique brand of Mexican superhero film into a worldwide phenomenon. Mil Máscaras will be awarded a Fantasia Lifetime Achievement Award for his extraordinary career as a Mexican film icon and one of the greatest professional wrestlers of all time. The award will be presented before the presentation of a double bill of two features starring Mil Máscaras: 1972’s LAS MOMIAS DE GUANAJUATO, arguably the most famous luchador film of all time (co-starring El Santo and Blue Demon), and AZTEC REVENGE, Aaron Crozier’s recently-produced American feature from writer Jeffrey Uhlmann, who will be in attendance. A sensation on the 2017 festival circuit – first unveiled at Sundance, then swerving by SXSW, and recently closing the prestigious Director’s Fortnight (Quinzaine des Réalisateurs) section of the Cannes Film Festival – PATTI CAKE$ now stops at Fantasia for its Canadian Premiere! Starring the amazing newcomer Danielle Macdonald in the lead role of Patricia Dumbrowski, a.k.a. Killa P, a.k.a. Patti Cake$, this is a first feature film from acclaimed music video director Geremy Jasper. Reminiscent of films like LITTLE MISS SUNSHINE, 8 MILE, and 2016 Fantasia discovery SOME FREAKS, PATTI CAKE$ is a brilliant cult classic in the making; an empowering outsider story told with unparalleled heart and conviction. Canadian Premiere. Following a mysterious car crash, a man with no memory of his past becomes inexplicably lethal to anyone in his path. His bizarre death force only appears to be neutralized when in the very close vicinity of Jane, a woman who suffers a similarly clouded memory. Together, they’ll try to recall their past and understand the tie that that seems to bind them. But they can’t ever be more than 50 feet apart or people will die. Directed by SANS DESSEIN filmmakers Caroline Labrèche and Steeve Léonard, RADIUS is the latest project seeing the light because of Frontières, Fantasia’s international co-production market. It’s our pleasure to present the World Premiere of this unique Quebec-made genre work. Directors in Attendance. Beloved director Takashi Miike (AUDITION, ICHI THE KILLER) may have received a Lifetime Achievement Award at last year’s edition of Fantasia, but he won’t stop delivering over the top crowd pleasers! Reteaming with screenwriter Kankuro Kudo, who also directed last year’s Audience Award winner TOO YOUNG TO DIE!, Miike delivers a crazier and funnier sequel to THE MOLE SONG: SECRET AGENT REIJI loaded with unambiguous sex jokes, strange action scenes, crotch injuries and gorgeous set pieces. Actor Toma Ikuta (THE TOP SECRET: MURDER IN MIND) delivers an incredible physical performance in the role of the libidinous mole Reiji who is now tracked down by the police, the yakuza boss he work for, and a lethal Chinese gang. Miike is back in all his mischievous glory with the Canadian Premiere of THE MOLE SONG: HONG KONG CAPRICCIO! During one of his many Asian adventures, Patrick (François Arnaud), a visual artist who specializes in Chinese art, encounters a mysterious man who makes him discover his latent gift for time travel. Stunningly directed and compellingly intimate, ORIGAMI is a UFO on the landscape of Quebec cinema that succeeds in applying sci-fi genre markers to a primarily human story. World Premiere. Directors in Attendance. Fantasia will be presenting the World Premieres of Jenna Cavelle’s BLOOD HEIST – about DIY filmmakers who simultaneously commit a star-crossed armed robbery and shoot a vérité film of it – and Melanie Aitkenhead’s BLOOD RIDE – which depicts the violence and avenging of a ferocious female biker gang lead by Pollyanna McIntosh – as a special rip-roaring indie double bill. Both femme-made, revivalist – nay, revisionist – exploitation films were spearheaded by producer/co-star James Franco and producers Vince Jolivette (SPRING BREAKERS) and Jay Davis. Get ready for blood… and more blood! World Premieres. After slaying Sundance at its debut and knocking out Cannes (where it had its European Premiere in Director’s Fortnight), BUSHWICK will be making its first Canadian stand at Fantasia 2017! The couldn’t-be-more-timely sophomore feature from directors Cary Murnion and Jonathan Milott (Fantasia 2015’s COOTIES) sees Bushwick, New York erupt into a war zone as Southern nationalist militia forces attack the city. Starring Dave Bautista and Brittany Snow, BUSHWICK almost never stops moving, as Murnion and Milott employ long, fluid takes (shot on real Brooklyn locations) that follow its characters from one hoped-for sanctuary to the next, punctuated by bursts of startling, caught-on-the-fly violence. Canadian Premiere. To reward himself for his new teaching gig in Sapporo, 29-year-old Manabu decides to celebrate New Year’s Eve with a little treat at a local sex club. On the verge of… climaxing, he’s struck by a brain hemorrhage and ends up buck naked at the hospital surrounded by his worried family who want to know how this happened. Based on the autobiographical manga from Manabu Nakagawa, ALMOST COMING, ALMOST DYING is a funny and endearing independent film from first time filmmaker Toshimasa Kobayashi. With its witty dialogues delivering family interactions worthy of WHAT A WONDERFUL FAMILY! and its creepy bat-wielding giant teddy bear (?!?), Kobayashi perfectly transposes the blend of everyday life situations and weird creativity that made Nakagawa’s manga so popular. International Premiere. As part of the closing night events, Fantasia will be showcasing the first public screening of Synapse Films’ long anticipated 4K restoration of Dario Argento’s SUSPIRIA, just in time for its 40th anniversary. A Grand Guignol fairy tale from the darkest recesses of creative brilliance, SUSPIRIA remains one of the most visually and sonically breathtaking genre works in the history of film, its complex aesthetics all but impossible to reproduce with accuracy on any non-Technicolor – let alone non-photochemical – medium to date. For the past three years, Synapse Films have been working on the definitive restoration of Argento’s masterpiece, with the full cooperation, supervision and approval of its celebrated cinematographer Luciano Tovoli, who spared no effort to accurately reproduce the film’s original IB Technicolor visuals. With all the love and obsession that this extraordinary film commands, SUSPIRIA has been restored from the fully uncut, original 35mm Italian camera negative and will be presented with the legendary 4.0 discrete sound mix not heard since its 1977 theatrical release.

    ACTION!

    Also, for the first time in its long-running history, the films in the Action! section will be competitive, with an esteemed debut jury comprised of Quebec director Érik Canuel, Midnight Madness programmer Peter Kuplowsky, and producer Hugues Barbier! BOYKA: UNDISPUTED Bulgaria – Dir. Todor Chapkanov Martial arts fans have waited a long time for the return of their champion, and with BOYKA: UNDISPUTED, Scott Adkins takes his beloved character to new heights, pushing the limits of action cinema. Boyka is back – and his punches connect! Canadian Premiere. Actor Scott Adkins in Attendance. BROKEN SWORD HERO Thailand – Dir. Bin Bunluerit Like Tony Jaa before him, Bua Khaw Bunchamek makes an unmissable, intense impact with his first appearance on the big screen. This jaw-dropping historical epic showcases all of the four-time Muy Thai champion’s talents in an action-packed and highly entertaining adventure set in1700s Thailand. North American Premiere. CONFIDENTIAL ASSIGNMENT South Korea – Dir. Kim Sung-hoon For years, Fantasia has presented the latest in exciting Korean action, and each time they raise the bar another notch. This wild Cold War thriller is no exception, featuring spectacular fights, tight urban chases, puzzling intrigue, and a stunning action turn from k-drama star Hyun Bin! Quebec Premiere. DARKLAND Denmark – Dir. Fenar Ahmad Dar Salim (EXODUS, GAME OF THRONES) plays a prosperous Copenhagen surgeon who, when pushed too far, decides to avenge his murdered brother and take down the gangs that have overrun his city. A blockbuster in its native Denmark, Fenar Ahmad’s DARKLAND is both a brilliant action thriller and a thoughtful commentary on the challenges of immigration. North American Premiere. DOUBLE BARREL India – Dir. Jose Pellissery Featuring the brothers Prithviraj and Indrajith Sukumaran, two noted Indian stars, Lijo Jose Pellissery’s DOUBLE BARREL is an action-comedy that veers wildly off the beaten track, with an ultra-inspired screenplay and visual presentation bursting with panache. One of the most delectable Indian films of recent vintage. Canadian Premiere. OVERDRIVE France – Dir. Antonio Negret From the writers of WANTED and 2 FAST 2 FURIOUS comes an utterly bombastic actioner that runs on blood, sweat, and rocket fuel! Scott Eastwood and Ana de Armas (of the upcoming BLADE RUNNER 2049) star in this stunt-filled, explosive thriller set under the scorching sun of southern France. Director Antonio Negret has crafted a smart, sexy tale of car thieves on the run – and stuck its throttle at 4000 rpm! North American Premiere. PLAN B Germany – Dir. Ufuk Genc and Micheal Popescu A trio of aspiring martial artists are blackmailed into criminal activity for the Berlin mob in this near-perfect actioner featuring spectacular fights, loads of laughs, and great chemistry from its hilarious stars. With PLAN B, Germany’s Ufuk Genc and Micheal Popescu prove they have the cinematic chops to stand alongside the world’s finest action directors. North American Premiere. Directors in Attendance. SAVAGE DOG USA – Dir. Jesse V. Johnson In this whirlwind of fists and feet that piles one relentless action sequence after another, an ass-kicking ex-con is forced back into the ring to save his new friends’ bar – and possibly their lives! Action legends Scott Adkins, Marko Zaror, and Cung Le each give 110%, and deliver 90 minutes of pure, face-smashing thrills. Canadian Premiere. Writer/Director Jesse V. Johnson and Actor Scott Adkins in Attendance. TERMINATOR 2: JUDGMENT DAY 3D USA – Dir. James Cameron He said he’d be back, and he kept his word. Twenty-six years after revolutionizing action cinema, James Cameron presents a newly-restored 3D version of his classic, era-defining science fiction masterpiece about a mother, son, and cyborg attempting to stop a visage-changing robot from bringing on a nuclear apocalypse. Not in Competition. North American Premiere. Previously announced Action! titles: ATOMIC BLONDE, JAILBREAK, and YOU ONLY LIVE ONCE.

    CAMERA LUCIDA

    Probabilistic Gothic horror; a metaphysical ghost story; a Beckettian Chinese crime farce; an experimental film-poem set in Tokyo; a surrealistic, horror-infused coming-of-age; a chilling Estonian folktale; a cosmic subversion of the crime thriller, and more… Fantasia’s Camera Lucida section brings you to the outer limits of genre cinema. ANIMALS Switzerland-Poland-Austria – Dir. Greg Sglinski A hybrid of black comedy, marital melodrama and surrealist horror, chronicling a couple’s disintegration and potential reunion during a retreat in the Swiss Alps. Official Selection: Berlinale 2017, Istanbul International Film Festival 2017, BAFICI 2017. Canadian Premiere. THE HONOR FARM USA – Dir. Karen Skloss At the vanguard of young adult cinema, Karen Skloss’ fiction film debut is a dreamlike trip that masterfully subverts and manipulates the tropes of coming-of-age cinema, horror and psychedelic thrillers. Official Selection: SXSW 2017 (Midnighters). International Premiere. Director in Attendance. MOST BEAUTIFUL ISLAND USA – Dir. Ana Asensio An unbearably gripping drama that slowly transforms into a thriller depicting a dangerous, and unbearably tense 24-hour span in the life of an undocumented immigrant woman struggling in New York City. Winner: Grand Jury Prize for Best Narrative Feature, SXSW 2017. Official Selection: BAMCinemaFest 2017, Sydney Film Festival 2017. Canadian Premiere. Director in Attendance. NOVEMBER Estonia – Dir. Rainer Sarnet A deep dive into Estonian folklore, and a harsh, fascinating look at 19th-century pagan life, where spirits roam free, werewolves lurk, and souls are a valuable currency. Winner: Best Cinematography in an International Narrative Feature Film, Tribeca Film Festival 2017. Canadian Premiere. TOWN IN A LAKE Philippines – Dir. Jet Leyco Two 16-year-old girls vanish, shocking the quiet seaside town of Matangtubig in the Philippines. In this third feature, Jet Leyco unveils a magical realist subversion of the crime thriller. Official Selection: New York Asian Film Festival 2017, International Film Festival Rotterdam 2017, Taipei Film Festival 2017. Canadian Premiere. Previously announced Camera Lucida titles: LE PROBLÈME D’INFILTRATION (above), THE LAPLACE’S DEMON, A GHOST STORY, FREE AND EASY, and THE TOKYO NIGHT SKY IS ALWAYS THE DENSEST SHADE OF BLUE.

    AXIS 2017

    The accent is on Asia this year in the Axis section, assembling some truly exceptional animated films – from high-standard anime to highly unexpected twists on stop-motion. JAPAN’S JUNK HEAD (INTERNATIONAL PREMIERE) IS A SINGULAR WORK OF STOP-MOTION CYBER-HORROR Artist, designer, sculptor and stop-motion animator Takahide Hori expands his 2103 cyber-horror short film into a full, independent feature, a biomechanical nightmare tempered with unexpected twists and deft wit – imagine Fraggle Rock through the eyes of H.R. Giger and Hieronymus Bosch. The Axis section’s strangest discovery of 2017! EXPERIENCE CLAYMATION HORROR BY BRITAIN’S LEE HARDCASTLE Independent UK clay animator Lee Hardcastle has made over a hundred shorts, music videos, and commercials – and won a place in the feature film omnibus THE ABCS OF DEATH through their hugely-competitive public contest. CLAYMATION HORROR BY LEE HARDCASTLE is a showcase of some of his coolest creations which will also screen a segment of his long-awaited feature debut, SPOOK TRAIN (A HORROR ANTHOLOGY), an epic stop-motion animation that is scheduled to be completed by 2020. Director in Attendance. A TRIPLE BILL OF RISING ANIMATION TALENT FROM A TRIO OF ASIAN COUNTRIES Axis presents a trio of thematically harmonious short films from Japan, South Korea, and China – compelling visions of life in the aftermath, from indie animators to keep an eye on. • COCOLORS (Japan, 45 min, Dir. Toshihisa Yokoshima) International Premiere. Director in Attendance. • SCARECROW ISLAND (South Korea, 18 min, Dir. Park Hyemi) World Premiere. Director in Attendance. • VALLEY OF WHITE BIRDS (China, 14 min, Dir. Cloud Yang) North American Premiere. THE SENIOR CLASS South Korea – Dir. Hong Deok-pyo Raw in its emotional honesty, explicit in its exploration of sexuality among South Korean college kids, an animated drama written and produced by Yeon Sang-ho (SEOUL STATION, TRAIN TO BUSAN). International Premiere. Director in Attendance. GENOCIDAL ORGAN Japan – Dir. Shukou Murase An elite intelligence agent pursues a mysterious figure who may be at the heart of the genocidal fury engulfing the world. The third techno-thriller in the Project Itoh anime trilogy. Canadian Premiere. Previously announced Axis titles: HAVE A NICE DAY, LU OVER THE WALL, NAPPING PRINCESS, and NIGHT IS SHORT, WALK ON GIRL.

    DOCUMENTARIES FROM THE EDGE 2017!

    Fantasia’s annual doc section returns, with nine features ranging the gamut of subjects from rock band Laibach’s stranger-than-fiction gigging experience in North Korea to exorcism practices in modern Italy and nuclear fusion as a renewable energy source! 78/52 USA – Dir. Alexandre Philippe An unprecedented look at the iconic shower scene in Alfred Hitchcock’s PSYCHO (1960) and the screen murder that profoundly changed the course of world cinema. Featuring Guillermo del Toro, Jamie Lee Curtis, Karyn Kusama, Richard Stanley, and Peter Bogdanovich, among many others. 78/52 was born out of Fantasia’s Frontières Co-Production Market and World Premiered to major acclaim at Sundance earlier this year. Quebec Premiere. ABU Canada – Dir. Arshad Khan As a gay man, Montreal Filmmaker Arshad Khan examines his troubled relationship with his devout, Muslim father. Using family archives, pictures and Bollywood movies, Khan presents his struggle with his identity and compares it to his parent’s attempts to fit into Canada. Official Selection: L.A. Film Festival 2017. Canadian Premiere. Director in Attendance. DELIVER US Italy – Dir. Federica Di Giacomo Every year, in Italy, in Europe and in the world, a higher and higher number of people affirm to feel possessed by Satan. The Catholic Church responds to this emergency training more and more exorcist priests. The contrasts between ancient traditions and modern habits, between the sacred and profane, meet in this astonishing and rather disturbing documentary. Winner: Award for Best Film (Horizons section), Venice International Film Festival 2016. Quebec Premiere. DRIB Norway – Dir. Kristoffer Borgli Between fact and fiction, a no-holds-barred satire of L.A. advertising culture: the story of an energy drink campaign gone wrong, told by Amir Asgharnejad, the performance artist and comedian who lived it all. An outlandishly fun film with a sharp head on its shoulders. Official Selection: SXSW 2017, CPH:DOX 2017, Sheffield Doc/Fest 2017. Canadian Premiere. GEEK GIRLS Canada – Dir. Gina Hara Women inhabit a relatively hidden half of nerd culture; a world of cute dresses, professional gamers, fake names and death threats. Filmmaker Gina Hara struggles through unexpected resistance to discover and show their experiences. Official Selection: Sheffield Doc/Fest 2017. North America Premiere. Director in Attendance. LET THERE BE LIGHT Canada – Dir. Mila Aung-Thwin and Van Royko What if we told you there is a way to build an artificial star on Earth? LET THERE BE LIGHT takes you to the outer limits of renewable energy, and the future of mankind: nuclear fusion. A must-see for the “sci-” and the “sci-fi” minded alike. Official Selection: SXSW 2017, Hot Docs 2017. Quebec Premiere. Directors in Attendance. LIBERATION DAY Latvia-Norway-Slovenia – Dir. Ugis Olte and Morten Traavik A chronicle of a surreal, subversive prank on a geopolitical scale as Slovenian industrial provocateurs Laibach become the first Western rock band to gig in the fortress state of North Korea. LIBERATION DAY captures many perfect moments of dark mirth and discomforting tension. But it also challenges our media-fed misconceptions with rare insights into North Korea. Official Slection: Trieste Film Festival 2017, Göteborg Film Festival 2017. Canadian Premiere. TOKYO IDOLS UK-Canada– Dir. Kyoko Miyake Idols and their pop music permeate every moment of Japanese life. Following an aspiring pop singer and her fans, TOKYO IDOLS explores a cultural phenomenon driven by an obsession with young female sexuality, and the growing disconnect between men and women in hyper-modern societies. Official Selection: Sundance 2017, DOXA 2017. Quebec Premiere. Director in Attendance. Previously announced Documentaries from the Edge title: KING COHEN

    FANTASIA UNDERGROUND 2017

    A heartbreaking supernatural drama from the American Midwest, the latest hand grenade of inspiration from Wakaliwood, a gross-out indie comedy built on interpersonal pain, and a female serial killer’s unconventional approach to relationships. Welcome to the 2017 lineup of Fantasia Underground, dedicated to super independent outsider works that possess a purity of vision and are wholly unafraid to take risks. ASSHOLES USA – Dir. Peter Vack Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City. Described by one reviewer as “Salò and The Squid and the Whale”, ASSHOLES literally explodes with bodily fluids and extreme behaviour as the couple explore and magnify each other’s impulses. The feature directorial debut of actor Peter Vack (M.F.A., CBGB, LACE CRATOR), ASSHOLES stars the filmmaker’s own sister, their parents, even his therapist, and it takes absolutely no prisoners. Winner: Adam Yauch Hörnblowér Award, SXSW 2017. Director in Attendance. BAD BLACK Uganda – Dir. IGG Nabwana Fantasia’s 2015 screening of I.G.G. Nabwana’s WHO KILLED CAPTAIN ALEX? marked the first time a Wakaliwood film had ever been shown at a film festival. Nabwana’s follow-up, BAD BLACK, a whiplashing ride between social realism and pure DIY brain-melting entertainment, has been tearing up the fest circuit over the past 10 months, and we’re extremely excited to be bringing it to Canada. Wakaliwood filmmaking is an experience like no other. A return to the origin of cinema, like watching a film for the very first time. Winner: Audience Award (Best Film) + Jury Award (Best Action Director), Fantastic Fest 2016. Canadian Premiere. INDIANA USA – Dir. Toni Comas The feature debut of BAG BOY, LOVER BOY co-writer Toni Comas, this superb supernatural drama about spirit doctors in the American Midwest haunts with a seemingly simple story that unwinds with skilful complexity and compelling characters. Harkening back to a time when independent cinema meant regional cinema, the film makes Indiana itself its focus – the people who live there, the quiet lives they inhabit and the beliefs that drive them. Canadian Premiere. Director in Attendance. POOR AGNES Canada – Dir. Navin Ramaswaran Ambitious, cunning, and narcissistic, Agnes (Lora Burke) is a serial killer, hiding in plain sight within a rural town while defining her own systems of sport and romance. A uniquely peculiar suspense film with slow, thoughtful dialogue that moves between victimization and control as it delves into the subjective experience of a probable sociopath. POOR AGNES is a driven and endearing effort that doesn’t pander to audiences, and both Agnes and plot alike are utterly unpredictable. World Premiere. Director in Attendance.

    FREE FANTASIA EVENTS!

    GRADY HENDRIX: PAPERBACKS FROM HELL (Live multimedia event) In the early Seventies, three books changed horror forever: Rosemary’s Baby, The Exorcist, and The Other. The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to flood supermarket and drug store shelves throughout the Seventies and Eighties before The Silence of the Lambs slit the genre’s throat in the early Nineties. Fresh off last year’s one-man show, SUMMERLAND LOST, Grady Hendrix delivers a mind-melting oral history of this wild and woolly world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, and killer fetuses, featuring hair-raising readings, a William W. Johnstone quote-off, and more tales of terrifying tots, tricycles, clowns, puppets, and heavy metal bands than should be strictly legal. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of… The Paperbacks from Hell!!! LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN (Book launch event) Fantasia is proud to host the World Premiere launch of the new book from Spectacular Optical, Lost Girls: The Phantasmagorical Cinema of Jean Rollin, edited by Samm Deighan and penned by all women critics, scholars and film historians. This collection of essays covers the wide range of Rollin’s career from 1968’s LE VIOL DU VAMPIRE through his 2010 swansong, LE MASQUE DE LA MÉDUSE, touching upon his horror, fantasy, crime, and sex films – including many lesser-seen titles. The book closely examines Rollin’s core themes: his focus on overwhelmingly female protagonists, his use of horror genre and exploitation tropes, his reinterpretations of the fairy tale and fantastique, the influence of crime serials, Gothic literature, the occult and more. The launch will feature an illustrated talk on July 19th with the book’s editor Samm Deighan, contributor Virginie Selavy and publisher Kier-La Janisse, and will be complemented by a rare 35mm screening at the Cinematheque quebecoise on July 27 of Rollin’s LE VIOL DU VAMPIRE, playing in its original two-part form. SPECTRUMFEST: FILMS FROM THE AUTISM SPECTRUM Montreal’s Spectrum Productions sets out to empower young people on the autism spectrum through film, and the result is a truly unique experience that’s both endearing and inspiring. This collection of shorts produced through the organization gives viewers a glimpse into the creativity, talent, and originality of these incredible filmmaking youths – who are especially interested in genre storytelling! UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL (Live multimedia event) Remakes of WITCHFINDER GENERAL and THE ORPHANAGE. The MANIAC COP sequel you were supposed to see. A Tarantino collaboration that almost was. A stillborn post-apocalyptic rock opera centered around a “Breeding Festival.” Hear these and other jaw-dropping tales from the cinematic trenches in UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL. Presented by Untold Horror – an in-development series born at Fantasia’s Frontières market dedicated to exploring the greatest genre movies never made – and hosted by co-creator Dave Alexander (former Editor-in-Chief of Rue Morgue magazine), this round-table discussion – with accompanying A/V presentation – will delve into unrealized projects by our favorite genre filmmakers. William Lustig (MANIAC, MANIAC COP), Richard Stanley (HARDWARE, DUST DEVIL), Gary Sherman (DEATHLINE, DEAD & BURIED), Larry Fessenden (WENDIGO, THE LAST WINTER), and Buddy Giovinazzo (COMBAT SHOCK, LIFE IS HOT IN CRACKTOWN) will reveal their fascinating projects that failed to launch, the reasons why, and what it taught them about the often-volatile film business. Plus, a sneak peek at Untold Horror!

    ADDITIONAL NEWLY-ANNOUNCED TITLES:

    ANOTHER WOLFCOP Canada – Dir. Lowell Dean The question of ANOTHER WOLFCOP making its way to Fantasia 2017 was never in doubt, and we’re proud to be hosting the Canadian Premiere of this most Canadian of movies. ANOTHER WOLFCOP takes everything that was fun about the first movie and amps it up big time, making this a rare sequel that outdoes the original. The laughs are bigger, the violence is bloodier, and the tone is more outrageous. Official Selection: Absurde Seance Film Festival 2017. Canadian Premiere. Director and Cast in Attendance. BETTER WATCH OUT Australia – Dir. Chris Peckover Dreaming of a red Christmas? Like the idea of a homicidal HOME ALONE? Enjoy both plots and knives that twist? Of course, you do, which is why you’re gonna love BETTER WATCH OUT (aka SAFE NEIGHBORHOOD), the latest from Chris Peckover (writer-director of UNDOCUMENTED). Official Selection: Fantastic Fest 2016. Quebec Premiere. Director in Attendance. DEATH LINE (New 2K Restoration of the Original Director’s Cut) UK – Dir. Gary Sherman A clear precursor to Tobe Hooper’s TEXAS CHAIN SAW MASSACRE, DEATH LINE sports a solid performance by the great Donald Pleasence and a cameo by Christopher Lee. Celebrating its 45th anniversary this year, Sherman’s masterpiece hasn’t lost an ounce of its power. It’s a strange, gory, socially aware and often blackly funny tale of the fringe-dwelling “have-nots” rising up to feast on the “haves” and it’s ready for a new generation of thoughtful fright fans to discover. Our screening will be hosted by Director Gary Sherman and legendary exploitation filmmaker/Blue Underground CEO William Lustig, who shepherded the film’s restoration. DEATH NOTE: LIGHT UP THE NEW WORLD Japan – Dir. Shinsuke Sato The pen is mightier than the sword. At least, when you have a Death Note at hand. The wry and philosophical Japanese horror-thriller series returns under the masterful direction of Shinsuke Sato (GANTZ, I AM A HERO)! Ten years after Light Yagami’s death, the book is back in an edition of six copies this time, courtesy of the Shinigami King himself. Bodies will pile up! Official Selection, Brussels International Fantastic Film Festival. Canadian Premiere. EXTRAORDINARY MISSION Hong Kong-China – Dir. Alan Mak and Anthony Pun Undercover agents and gangsters collide in a roaring rush of intense twists and turns deep in the drug world of the Golden Triangle. From the creative team of the INFERNAL AFFAIRS trilogy. Official Selection: Udine Far East Film Festival 2017, East Wind Film Festival 2017. Quebec Premiere. FABRICATED CITY South Korea – Dir. Park Kwang-hyun In the virtual world, Kwon Yu is a fearless leader, but IRL he’s an unemployed loser. When framed for a crime he didn’t commit, the gamer must rise to the task and prove his innocence. A high-budget, action-packed techno-thriller. Official Selection: Udine Far East Film Festival 2017, New York Asian Film Festival 2017. Québec Premiere. FASHIONISTA USA-UK – Dir. Simon Rumley At long last it’s the return of one of Fantasia’s favourite sons, British provocateur Simon Rumley (THE LIVING AND THE DEAD, RED WHITE & BLUE), and it’s been worth the wait. Taking his inspiration from the work of another British master, Nicholas Roeg, Rumley spins a psychologically thrilling exercise in the loss of the mind and the soul in favour of the latest thing. He’s aided in no small part by star Amanda Fuller, re-uniting with Rumley and delivering one of the best performances you’ll see this year. A vivid and mind-altering experience in bravura filmmaking. Official Selection: Fantastic Fest 2016, Sydney International Film Festival 2017. Canadian Premiere. Director in Attendance. THE FINAL MASTER China – Dir. Xu Haofeng Director Xu Haofeng astonished Fantasia audiences with THE SWORD IDENTITY and last year’s JUDGE ARCHER. Xu is a truly unique martial arts auteur who returns to freshly shake up the kung fu genre again about kung fu masters in the tragicomedy THE FINAL MASTER. Winner of Best Action Choreography-Golden Horse Awards. FRITZ LANG Germany – Dir. Gordian Maugg Far from the conventional biopic, FRITZ LANG is part fan-fiction, speculation, and biography: what if Lang was the hero of one of his own films? This is a whirlwind of images where past and present collide, exploring the myth, rather than the man – a composite image of an elusive director, in the days leading to the creation of the masterpiece, M. Winner: Best Feature Film, Hessen Film and Cinema Awards 2016. Canadian Premiere. GOD OF WAR Hong Kong-China – Dir. Gordon Chan A brilliant young general confronts an army of wily Japanese pirates in Ming-Dynasty China – an extra-large-scale battlefield epic with a cast of martial arts titans including the legendary Sammo Hung. From Gordon Chan, the director of many Hong Kong cinema classics including FIST OF LEGEND and BEAST COP! Quebec Premiere. GOING TO BRAZIL France-Brazil – Dir. Patrick Mille Four childhood friends are reunited at a wedding in Rio. But when they accidentally kill a young man during a party that gets out of hand, they are forced to flee the city in a crazy adventure. GOING TO BRAZIL is a corrosively energetic film that stands out from your typical French comedies. Official Selection: SXSW 2017. Canadian Premiere. GURGAON India – Dir. Shanker Raman An ominous noir crime thriller, Shankar Raman’s debut film GURGAON explores corruption, jealousy, and toxic sibling rivalry within a wealthy family living in the titular city in Northern India. Through clashes between blood relations and bloodshed, the film is a story of having it all and wanting none of it. Quebec Premiere. THE H-MAN Japan – Dir. Ishiro Honda Jellylike atomic goblins haunt the rainy Tokyo streets involving gangsters and cops! Director Ishiro Honda (GODZILLA) steps out of his comfort zone to yield a unique genre blending gem. Presented in glorious 35mm and preceded by a special career overview of the extraordinary cinematic master Ishiro Honda by Ed Godziszewski (co-author of Ishiro Honda – A Life in Film, from Godzilla to Kurosawa). HOUSE OF THE DISAPPEARED South Korea – Dir. Lim Dae-woong On loud stormy night, Mi-hee wakes up to find her dying husband in the basement and see her son disappear before her eyes. Many years later, she returns to this house to solve the mystery. International star Kim Yujin (the LOST series) shines in this creepy atmospheric remake of THE HOUSE AT THE END OF TIME (which Fantasia helped launch in 2015). Official Selection: Udine Far East Film Festival. North American Premiere. INNOCENT CURSE Japan – Dir. Takashi Shimizu A child’s scream pierces the quietude of a Japanese suburb – and the nightmare begins. A funhouse too atmospheric and scary to resist, from Japan’s living legend of horror, Takashi Shimizu (JU-ON, MAREBITO)! Official Selection: Brussels International Fantastic Film Festival 2017, Shanghai International Film Festival 2017. North American Premiere. JAPANESE GIRLS NEVER DIE Japan – Dir. Daigo Matsui One day, Haruko Azumi (Yu Aoi) disappears and becomes a legend. A proudly experimental, kaleidoscopic and pop-art portrait of the female condition in Japan. Official Selection: Tokyo International Film Festival 2017, Rotterdam 2017, TIFF Next Wave Festival 2017. Quebec Premiere. KILLS ON WHEELS Hungary – Dir. Attila Till A wheelchair-bound hitman is assisted by a pair of disabled teenage aspiring comic artists. One part crime genre piece, one part absorbing character study, and one part total original. It’s movies like this that Fantasia was created for. Winner: Roger Ebert Award, Chicago International Film Festival 2016; Best Feature and Best Actors, Thessaloniki International Film Festival 2016. Canadian Premiere. LOVE AND OTHER CULTS Japan – Dir. Eiji Uchida An unexpected love story, and exploration of the seedy, unexplored corners of Japanese society and youthful regional reality – from cults to gangs to idols! Official Selection: Udine Far East Film Festival 2017, New York Asian Film Festival 2017. Canadian Premiere. MADE IN HONG KONG (4K Restoration) Hong Kong – Dir. Fruit Chan A gorgeous and essential 4K restoration of Fruit Chan’s youthful gangster classic, commissioned by the Udine Far East Film Festival to commemorate the 20 years of the Hong Kong handover. Winner: Best Picture Award, Hong Kong Film Awards 1998. Official Selection: Locarno International Film Festival 1997. Quebec Premiere. LE MANOIR France – Dir. Tony T. Datis A bunch of friends, live wires and web addicts, decide to celebrate the New Year in an isolated manor house with no coverage: a big first for them! But as soon as they arrive, strange occurrences disturb the festive atmosphere, and the party turns into a murderous nightmare. The feature debut from celebrated music video director Datis (Skrillex’s “Bangarang” and Katy Perry’s “Wide Awake”), LE MANOIR is a well-crafted horror/comedy that isn’t afraid of opening up incendiary floodgates, and is sure to leave no viewer indifferent. Plus, in a risky feat that completely works, Datis cast his film with YouTube stars. Come discover the immense talents of its web-based stars, who are fast on their way to conquering the big screen. International Premiere. MUMON: THE LAND OF STEALTH Japan – Dir. Yoshihiro Nakamura Despite his playful attitude, Mumon is the most dangerous ninja of his ruthless clan of assassins, but when his actions triggers an all out war with the samurais of Ise, he might finally meet his match. With an incredible cast led by J-pop band Arashi’s frontman Satoshi Ohno and the masterful direction of Fantasia favorite Yoshihiro Nakamura (FISH STORY), this breathtaking over the top action comedy will make you stealthily sneak back for more! Official Selection: Shanghai International Film Festival. Quebec Premiere. THE NIGHT WATCHMEN USA – Dir. Mitchell Altieri Three inept night watchmen, aided by a young rookie and a fearless tabloid journalist, fight an epic battle to save their lives. A mistaken warehouse delivery unleashes a horde of hungry vampires, and these unlikely heroes must not only save themselves but also stop the scourge that threatens to take over the city of Baltimore. Winner: Best Horror Film, Garden State Film Festival 2017, Best Feature, New Jersey HorrorCon 2017. Canadian Premiere. Director and Cast in Attendance. PREY Netherlands – Dir. Dick Maas From the legendary Dutch horror iconoclast who brought you THE LIFT, AMSTERDAMNED, DOWN, and SAINT comes this jaw-dropping horror thriller about a bloodthirsty lion stalking the streets (and metro trains!) of Amsterdam. Official Selection: Brussels International Fantastic Film Festival 2017, Overlook Film Festival 2017. Canadian Premiere. Director in Attendance. RAGE Japan – Dir. Lee Sang-il A double homicide shakes the nation, and its perpetrator has eluded capture. Meanwhile, three strangers make an appearance. A phenomenal crime thriller about isolation and how we perceive others. Official Selection: Toronto International Film Festival 2016, San Sebastian Film Festival 2016, Tallinn Black Nights Film Festival 2016. Quebec Premiere. THE SHERIFF IN TOWN South Korea – Dir. Kim Hyung-joo When former hardboiled big-city cop Dae-ho (BIG MATCH’s Lee Sung-min) appoint himself the “sheriff” of the coastal village where he owns a humble restaurant, he has no idea how deep in troubles this is going to get him. Laughs, suspense and excitement are on the menu of this entertaining crime comedy where civic pride becomes wildly uncivil! North American Premiere. SHOCK WAVE Hong Kong – Dir. Herman Yau One of HK’s most prolific yet controversial filmmakers Herman Yau (THE UNTOLD STORY, EBOLA SYNDROME, IP MAN:THE FINAL FIGHT) reunites with the award winning Andy Lau playing a bomb specialist in this high-octane thriller wired with enough explosive twists ready to detonate at every turn. Official Selection: Udine Far East Film Festival 2017. Quebec Premiere. S.U.M.1 Germany – Dir. Christian Pasquariello A solitary soldier (Iwan Rheon of GAME OF THRONES) mans a watchtower, guarding against mysterious aliens in this eerie exercise in high-tech tension and primeval paranoia. Produced by Christian Alvart (PANDORUM, ANTIBODIES). Official Selection: Shanghai International Film Festival 2017 (Panorama). North American Premiere. A THOUSAND JUNKIES USA – Dir. Tommy Swerdlow A “drug” movie with no drugs, and a “road” movie that goes nowhere, A THOUSAND JUNKIES is a dark, visceral comedy about the 9 to 5 job of being a junkie, and the strange bonds that are formed between addicts. Screenwriter of COOL RUNNINGS, SNOW DOGS, and LITTLE GIANTS, Tommy Swerdlow makes his directorial debut with a personal story, something miles away from his family-oriented comedies past, based on the three leads’ own experiences with addiction. Official Selection: Tribeca Film Festival 2016. Canadian Premiere. TIGER GIRL Germany – Dir. Jakob Lass Escalating criminal mischief convinces wild girl Tiger that she’s made the wrong friend in seemingly straight-laced Vanilla, but will she survive long enough to learn her lesson? An unpredictable ride through modern-day Berlin, TIGER GIRL showcases brilliant rising talents in leads Maria Dragus (GRADUATION) and Ella Rumpf (cementing her place as a major new star after her acclaimed work in RAW), who deliver a pair of unforgettable performances that make TIGER GIRL incredibly fresh and exciting. Official Selection: Berlinale 2017. North American Premiere. TILT USA – Dir. Kasra Farahani A filmmaker becomes unhinged and erratic, and begins to give in to madness. A spellbinding psychological horror film made for a time when love, sadly, does not trump fear or hate. TILT explores how quickly the most familiar person in your life can become the most terrifying. How quickly we can become terrifying to ourselves. Official Selection: Tribeca Film Festival 2017. Canadian Premiere. TOKYO GHOUL Japan – Dir. Kentaro Hagiwara Ghouls live among us, look like us, talk like us… and eat us. TOKYO GHOUL is the live-action adaptation of the immensely popular urban-horror manga by Sui Ishida, a gruesome yet pensive dark fantasy in the same sinister zone as DEATH NOTE and PARASYTE. Official Selection: Bucheon International Fantastic Film Festival. Canadian Premiere.

    JURIES AND COMPETITIONS

    Fantasia is proud to announce the following competitions and their jurors. CHEVAL NOIR Fantasia’s flagship juried competition, a global selection of varied genre works from new and established, groundbreaking, and unconventional auteurs. Bad Genius (Thailand) Dir. Nattawut Poonpiriya Bitch (USA) Dir. Marianna Palka Cold Hell (Germany) Dir. Stefan Ruzowitzky Dan Dream (Denmark) Dir. Jesper Rofelt A Day (South Korea) Dir. Cho Sun-ho Friendly Beast (Brazil) Dir. Gabriela Amaral Almeida Jojo’s Bizarre Adventure: Diamond is Unbreakable (Japan) Dir. Takashi Miike Lowlife (USA) Dir. Ryan Prows mon mon mon MONSTERS! (Taiwan) Dir. Giddens Ko Money’s Money (France) Dir. Gela Babluani Origami (Canada-Quebec) Dir. Patrick Demers Spoor (Poland-Czech Republic) Dir. Agnieszka Holland A Taxi Driver (South Korea) Dir. Jang Hoon Teiichi: Battle of the Supreme High (Japan) Dir. Akira Nagai The Villainess (South Korea) Dir. Jung Byung-gil What A Wonderful Family! 2 (Japan) Dir. Yôji Yamada CHEVAL NOIR JURY President of the Jury: Richard Stanley, Filmmaker, Anthropologist, Journalist Chris Bumbray, Critic Eli Castiel, Critic, editor-in-Chief of Séquences magazine, Paul Kazee, Critic, Co-Founder of New York Asian Film Festival Shelagh Rowan-Legg, Filmmaker, Critic, Academic, Programmer at FrightFest UK NEW FLESH COMPETITION FOR BEST FIRST FEATURE JURY President of the Jury: William Lustig, Filmmaker, CEO of Blue Underground Katarina Gligorijevic, Writer, Producer Jason Gorber, Journalist, Critic Joshua Sobel, Producer Antoine Zeind, Distributor, Founder of A-Z Films INTERNATIONAL SHORT FILM COMPETITION JURY President of the Jury: Gary Sherman, Filmmaker Aisling Chin-Yee , Filmmaker Ina Pira, Vimeo Curator ACTION! JURY Hughes Barbier, Producer, Co-Founder of the Ithaca Fantastic Film Festival Érik Canuel, Filmmaker, Co-Founder of Kino Films Peter Kuplowsky, Writer, Producer, TIFF Programmer (Midnight Madness) AXIS ANIMATION JURY (Satoshi Kon Award for Excellence in Animation) Greg Bailey, Director Dave Cooper, Graphic Novelist, Painter, Animator Nadja Cozic, Director, Animator, Teacher Jean Lacombe, Cartoonist, Animator, Author BARRY CONVEX AWARD FOR BEST CANADIAN FEATURE JURY Kier-la Janisse, Critic, Founder of Spectacular Optical Publications Douglas Buck, Filmmaker, Editor George Mihalka, Filmmaker AQCC-CAMERA LUCIDA JURY The Association québécoise des critiques de cinema (AQCC) President of the Jury: Donato Totaro, editor-in-chief of Offscreen, Journalist, Professor of Film Studies at Concordia University Paul Landriau, founder of the film blog Point de vues and program director of the film festival Plein(s) Écran(s) Jean-Marie Lanlo, vice-president of AQCC, editor-in-chief of Cinéfilic.com JURY FANTASTIQUES WEEK-ENDS Jason Béliveau, Programming Director of Antitube, Critic Pierre-Marc Drouin, Filmmaker, Writer Isabelle Giroux, Filmmaker, Actor, Singer PRIX SEQUENCES JURY President of the Jury: Pascal Grenier, Critic Mathieu Houle-Beausoleil, Critic, Filmmaker Maxime Labrecque, Critic, lecturer in the Department of Cinematographic Studies at the Université de Montréal

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  • 2017 Big Sky Documentary Film Festival Announces Winning Films

    [caption id="attachment_21104" align="aligncenter" width="1200"]100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE 100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE[/caption] The 2017 Big Sky Documentary Film Festival announced the winning films, awarding the Big Sky Award to 100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE by Melinda Janko. Says Festival Director Rachel Gregg: “We’re extremely proud to have been able to share these incredibly accomplished films with the people of Montana and all our visiting guests. We’re thrilled to provide an opportunity for these movies to find an even larger audience thanks to the reach of these prestigious awards. Thanks to our juries for making the hard decisions!” With over 200 films in the festival, the following competition films have been given awards in the four categories. Big Sky Award: Presented to one film that artistically honors the character, history, tradition and imagination of the American West WINNER: 100 YEARS: ONE WOMAN’S FIGHT FOR JUSTICE Melinda Janko, 2016, USA, 76 minutes / Montana Premiere 100 Years is the David vs. Goliath story of Elouise Cobell’s courageous fight for justice for 300,000 Native Americans whose mineral rich lands were mismanaged by the United States Government. For 30 years Elouise Cobell fought “the good fight.” This is the compelling true story of how she prevailed and made history. Big Sky Artistic Vision Award WINNER: OYATE Dan Girmus , 2016, USA, 73 minutes / World Premiere OYATE is a film about life on the Pine Ridge Indian Reservation in southwestern South Dakota. It follows two families as they go about their daily activities over the course of a single summer. They attend rodeos, shoot clay pigeons, and participate in pow wows. Family members get married, have children, and celebrate the 4th of July. All the while, the difficult, often intractable realities of modern reservation life threaten to encroach upon them. Jury statement: In recognition of the film’s artistic merit, approach and cinematography, the jury presents Dan Grimus’s OYATE the Artistic Vision Award for its cinematic eye, observational gaze, and ability to capture the beauty in the everyday. Mini-Doc Competition – films 15 minutes and under WINNER: THE FOURTH KINGDOM Alex Lora, Adan Aliaga, 2017, Spain, USA, 14 minutes / World Premiere The Fourth Kingdom is the kingdom of plastics, a redemption center in NY for immigrants and underdogs where the American Dream becomes possible indeed. Short Competition – films between 15 and 40 minutes in length WINNER: KAYAYO: THE LIVING SHOPPING BASKETS Mari Bakke Riise, 2016, Norway, 32 minutes / North American Premiere In the capital of Ghana, 10,000 girls from the ages of 6 work as real life shopping baskets – called Kayayo, carrying heavy loads on their head (from 130 to 220 pounds), earning very little and some end up in prostitution to make ends meet. This documentary is about Bamunu, an 8-year old girl who hasn’t seen her family since she was sent away from home two years ago to work as a Kayayo to support her family. We follow her incessant longing to get away from the harsh markets, her journey back home and what awaits there. Shorts Competition Artistic Vision Award WINNER: THE RAIN WILL FOLLOW Eugene Richards, 2016, USA — 15 minutes / Northwest Premiere Though confined to a nursing home, 90-year-old Melvin Wisdahl lives an interior life, filled with images of the war he fought in, the struggles of the early Norwegian settlers of North Dakota, his ghost town of a home, his love of the ever-evolving and threatened land. Jury Statement: The jury presents an Artistic Vision Award to THE RAIN WILL FOLLOW, which beautifully marries internal and external landscape imagery in a way that infuses the whole film with a third complete and powerful through line. Feature Competition – films over 40 minutes in length WINNER: CRADLE OF CHAMPIONS Bartle B Bull, 2017, USA, 100 minutes / Northwest Premiere Fighting for your life in the city of dreams. Three extraordinary young people battle to change their lives through the three-month odyssey of the New York Daily News Golden Gloves—the biggest, oldest, most important amateur boxing tournament in the world. Feature Competition Artistic Vision Award WINNER: LET THERE BE LIGHT Mila Aung-Thwin, 2017, Canada, 100 minutes / World Premiere LET THERE BE LIGHT follows the story of dedicated scientists working to build a small sun on Earth, which would unleash perpetual, cheap, clean energy for mankind. After decades of failed attempts, a massive push is now underway to crack the holy grail of energy. Jury Statement – In recognition of the film’s artistic merit and educational value, the jury presents LET THERE BE LIGHT with an Artistic Vision Award for its cinematic eye, innovative animation, and engaging (passionate) investigation into the future of fusion (clean energy).

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