
Film at Lincoln Center will host the complete retrospective Jessica Hausner: The Miracle Worker, November 8 to 10.
Alice (Emily Beecham) is equally committed to her work as a genetic plant breeder and her role as a single mother to her son, Joe (Kit Connor). After reaching a breakthrough in the development of a new species of plant—one believed to give its owner the feeling of happiness through its pollen—Alice acts against company policy and proudly welcomes her latest creation into her home as a gift for Joe. However, Alice soon comes to realize that the plant may have some unintended, and potentially dangerous, side effects, in director Jessica Hausner’s eerily oftkilter and unpredictable sci-fi thriller.
Directed by Jessica Hausner
Starring Emily Beecham, Kit Connor
Genre(s) Sci-Fi Film

Film at Lincoln Center will host the complete retrospective Jessica Hausner: The Miracle Worker, November 8 to 10.

The 28th Whitaker St. Louis International Film Festival (SLIFF) will screen 389 films representing 63 countries, from November 7 to 17. The festival will kick off on Thursday, November 7, with the local premiere of the much-lauded “Marriage Story,” starring Scarlett Johansson and Adam Driver, and directed by Noah Baumbach.

Little Joe, the English-language debut of rising director Jessica Hausner (Lourdes, Amour Fou) is an unsettling sci-fi feature about a mysterious new flower which emits a scent that induces happiness. The film world-premiered in Competition at the Cannes Film Festival, where its star Emily Beecham won the Best Actress award. Little Joe also stars Ben Whishaw (Mary Poppins Returns, A Very English Scandal).

The Hamptons International Film Festival (HIFF) unveiled the full slate of films for the 2019 edition, including additional spotlight films – Tom Harper’s THE AERONAUTS, Marc Meyers’ HUMAN CAPITAL, Scott Z. Burns’ gripping post 9/11 drama THE REPORT; François Girard’s THE SONG OF NAMES; and Bruce Springsteen and Thom Zimny’s concert documentary WESTERN STARS.

The South Korean film Parasite directed by Bong Joon-Ho won the Palme d’Or at the 2019 Cannes Film Festival. The film is described as “A family tragicomedy depicting the inevitable collision that ensues when Ki-woo, the eldest son in a family of four unemployed adults, is introduced to the wealthy Park family for a well-paid tutoring job.” Bong Joon-Ho who is best known for his earlier films Okja and Snowpiercer is the first Korean director to win the top award at Cannes Film Festival.