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Made in Bangladesh


  • Kris Rey’s I USED TO GO HERE Kicks Off Milwaukee Film Festival 2020 Film Lineup

    “I Used to Go Here” directed by Kris Rey
    “I Used to Go Here” directed by Kris Rey

    The 2020 Milwaukee Film Festival runs all-virtual from October 15 – 29, featuring 197 film titles. Opening the festival is “I Used to Go Here” directed by Kris Rey, featuring Gillian Jacobs and Jemaine Clement, a heartfelt crowd-pleaser about a 30-something writer who should be celebrating her success, but with all of her friends getting married and having kids, she feels like she’s missing out.

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  • Award Winning MADE IN BANGLADESH Sets a Late August Virtual Release Date

    Made In Bangladesh by Rubaiyat Hossain
    Made In Bangladesh by Rubaiyat Hossain

    ArtMattan Films has set a virtual theatrical release date of August 28 for the award winning drama film Made In Bangladesh by Rubaiyat Hossain, based on the life of Daliya Akter, a garment worker who escaped child marriage and went on to lead a trade union fighting for workers’ rights in Bangladesh capital, Dhaka.

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  • Artmattan Films Acquires TIFF 2019 Official Selection MADE IN BANGLADESH

    Made In Bangladesh by Rubaiyat Hossain
    Made In Bangladesh by Rubaiyat Hossain

    ArtMattan Films acquired the award winning drama Made In Bangladesh by Rubaiyat Hossain, based on the life of Daliya Akter, a garment worker who escaped child marriage and went on to lead a trade union fighting for workers’ rights in Bangladesh capital, Dhaka.

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  • Toronto International Film Festival Rolls Out 2019 Contemporary World Cinema Lineup of Films from 48 Countries

    Our Lady of the Nile directed by Atiq Rahimi
    Our Lady of the Nile directed by Atiq Rahimi

    The 2019 Toronto International Film Festival unveiled the rich slate of films from 48 countries in the lineup for its 2019 Contemporary World Cinema (CWC) programs. The films include a wide range of thought-provoking stories that delve into cultural issues and social struggles in poetic and captivating ways. Introducing 21 works directed and co-directed by women, this year’s edition of CWC focuses on fractured families, self-exploration, female-driven narratives, and the consequences of social and political crises.

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