BATTLE OF THE SEXES[/caption]
Athena Film Festival (AFF) will open their 2018 edition on Thursday, February 22nd with BATTLE OF THE SEXES, directed by Jonathan Dayton and Valerie Faris. Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Billie Jean King will participate in a post-screening conversation.
Prior to opening night, the festival will host a special presentation premiering the first episode of Season three of Lifetime’s critically-acclaimed series UnREAL.
The Centerpiece film, documentary MANKILLER, directed by Valerie Red-Horse Mohl, will screen on Saturday, February 24th. The documentary tells the tale of a true American legend, Wilma Mankiller (1945-2010), a community organizer who became Chief of the Cherokee Nation and defied all odds to make a difference for her people. The film will be followed by a conversation with director Valerie Red-Horse Mohl, executive producer Gale Anne Hurd, and journalist and activist Gloria Steinem. Ann Hornaday from the Washington Post will moderate.
The festival will close on Sunday, February 25th with the Academy Award®-nominated THE POST, directed by Steven Spielberg, and starring Meryl Streep and Tom Hanks. In this thrilling drama, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war.
Additional films announced include 9 TO 5, directed by Colin Higgins and starring Dolly Parton, Jane Fonda, and Lily Tomlin; PATTI CAKE$, directed by Geremy Jasper and starring Athena’s 2018 Inaugural Breakthrough Award honoree Bridget Everett and Danielle Macdonald ; THELMA, directed and co-written by Joachim Trier and co-written by Eskil Vogt; NORTH COUNTRY, directed by Niki Caro and starring Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek; and the classic documentary MISS SHARON JONES!, directed by two-time Oscar® winner and 2018 Athena Film Festival Lifetime Achievement Award Honoree, Barbara Kopple.
Additional panels include Master Class: Alexa Junge ’85 and Spotlight on Women and STEM, sponsored by the Alfred P. Sloan Foundation, which will follow the screening of Bombshell, the Hedy Lamarr Story. This panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen.
The festival will feature a program of narrative, documentary and short films, including: WONDER WOMAN, directed by Patty Jenkins and starring Gal Gadot; LADY BIRD, the directorial debut of Greta Gerwig ’06 and AFF ’11 Honoree and starring Saoirse Ronan; MEGAN LEAVEY, directed by Gabriela Cowperthwaite and starring Kate Mara; WAITING FOR HASSANA, directed by Ifunanya Maduka; BOMBSHELL: THE HEDY LAMARR STORY, directed and written by Alexandra Dean; I AM EVIDENCE, directed by Trish Adlesic and Geeta Gandbhir and produced by Mariska Hargitay; the New York City premiere of IT’S CRIMINAL, directed by Signe Taylor ’87; and the international premiere of MY YEAR WITH HELEN, directed by Gaylene Preston; FRONTIER, directed by Jillian Banner; and the New York premieres of AL IMAM, directed by Omar Al Dakheel; BEADS, directed by Rachel Byrd; CON MADRE, directed by Clancy McCarty; THE FAN directed by Mohammad Ghanefard and Ali Delkari, among others.
The 2018 Athena Film Festival Awardees include two-time Academy Award®-winning documentary filmmaker Barbara Kopple who will receive the Laura Ziskin Lifetime Achievement Award; BAFTA-winning writer and director Amma Asante who will receive the Athena Award; world-renowned cabaret artist and actress Bridget Everett who will receive the inaugural Breakthrough Award; and director, producer and screenwriter J.J. Abrams who will receive the Athena Leading Man Award. Awards will be presented at the Athena Film Festival Awards Ceremony on Friday, February 23rd.
The Athena Film Festival showcases films and TV series about strong, bold women leaders in real life and the fictional world; it is a weekend dedicated to elevating female voices and stories that inspire and empower a new generation of filmmakers and individuals. The eighth annual festival, co-founded by Barnard College’s Athena Center for Leadership Studies and Women and Hollywood, will take place February 22 to 25, 2018, at Barnard College in New York City.
FULL INFORMATION ON NEWLY ANNOUNCED FILMS AND PROGRAMS:
FEATURES
9 to 5
Director: Colin Higgins
Writer: Colin Higgins, Patricia Resnick
This office satire about three female secretaries—Dolly Parton, Jane Fonda and Lily Tomlin—who decide to get revenge on their tyrannical, sexist boss was an instant classic. Featuring a depiction of women agitators well ahead of their time and a score that doubled as anthem, 9 to 5’s impact has resonated for the thirty-plus years since its release and remains iconic in 2017’s #MeToo era.
North Country
Director: Niki Caro
Writer: Michael Seitzman
This classic feature, based on a true story, centers on Josey Aimes who takes a job at a local iron mine in Minnesota in 1975. She and other female miners endure unyielding harassment from male co-workers, ranging from verbal taunts to pornographic graffiti and physical abuse. Ignoring advice from family and friends, Josey files a ground-breaking lawsuit and wins a landmark decision that is still protecting women today. Directed by Niki Caro, North Country’s all-star cast includes Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek.
Battle of the Sexes – OPENING NIGHT FILM
Director: Jonathan Dayton, Valerie Faris
Writer: Simon Beaufoy
Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which women’s tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Riggs hyped the contest with a slew of misogynistic comments, including that “the best way to handle women is to keep them pregnant and barefoot.” In the period leading up to the match, King, a champion athlete and social justice pioneer, found herself beset with both personal and professional challenges as she sought to face her sexuality and fight for pay equity in tennis.
Patti Cake$ – Awardee Spotlight Film
Director and writer: Geremy Jasper
First-time writer/director Geremy Jasper showcases his music chops in this brash and bombastic story of unlikely rapper Patti “Killa P” Dombrowski. Breakout talent Danielle Macdonald plays Patti with the magnetism and stage presence of a seasoned musician, and is matched by the talents of the 2018 Athena Award winner Bridget Everett as Patti’s disillusioned mother, who missed her chance at stardom.
Thelma
Director: Joachim Trier
Writers: Joachim Trier and Eskil Vogt
Writer/director Joachim Trier crafts a haunting tale of Thelma (Eili Harboe) a shy college student who has just left her religious family in a small town Norway and finds herself intensely drawn to her classmate Anja (Kaya Wilkins). But in a surprising twist to this coming of age tale, first love and self-discovery arrive with uncontrollable seizures and supernatural powers, that forces her to confront the terrifying implications of her powers.
The Post – CLOSING NIGHT FILM
In this thrilling drama directed by Steven Spielberg, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war that spans three decades and four U.S. presidents. This movie shows the importance of the free press to the life of a democracy, but it’s also a very personal story about a woman who was trained to be a wife who becomes the main character in her own story. The Post is a movie about a woman who finds her voice and saves democracy in the process.
DOCUMENTARIES
MANKILLER – CENTERPIECE FILM
Director: Valerie Red-Horse Mohl
Executive Producer: Gale Anne Hurd
MANKILLER examines the legacy of the formidable Wilma Mankiller, who defied all odds to become one of the most influential leaders in the United States. Mankiller overcame rampant sexism and personal challenges to emerge as the Cherokee Nation’s first woman Principal Chief in 1985. Through rare archival footage and intimate interviews with activists including Gloria Steinem, as well as with Wilma herself, MANKILLER gives us insight into how this remarkable woman successfully navigated through the minefield of bipartisan politics.
Miss Sharon Jones! – Awardee Spotlight Film
Director: Barbara Kopple
This documentary, directed by the two-time Oscar winner and 2018 Athena Honoree, Barbara Kopple, tells the stirring story of Sharon Jones, a true soul survivor who’s been called “the female James Brown”. The film follows Sharon Jones on an emotional journey as she battles cancer, struggles to keep her band together and mount a comeback show at New York’s Beacon Theater.
TELEVISION
Lifetime’s UnReal
Join us for the premiere of the first episode of UnREAL, season 3, Lifetime’s critically-acclaimed series from A+E Studios. UnREAL takes place behind the scenes of the fictional dating competition show Everlasting, as the show’s producers manipulate the contestants to get the footage they need. Caitlin FitzGerald (“Masters of Sex,” “Rectify”) takes the reins in Season 3 as Everlasting’s female “suit
PANELS AND SPECIAL EVENTS
Master Class on Producing and Writing for Television: Alexa Junge – Sponsored by Stephens College
Come learn from Alexa Junge, a 1985 Barnard alumna, and accomplished showrunner, screenwriter, T.V. writer and producer whose credits include Friends, The West Wing, and Grace & Frankie.
Spotlight on Women and Stem – Sponsored by the Alfred P. Sloan Foundation
Following the screening of Bombshell, the Hedy Lamarr Story, a panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields, and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen.Miss Sharon Jones!
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BATTLE OF THE SEXES to Open and THE POST to Close 2018 Athena Film Festival
[caption id="attachment_23776" align="aligncenter" width="1000"]
BATTLE OF THE SEXES[/caption]
Athena Film Festival (AFF) will open their 2018 edition on Thursday, February 22nd with BATTLE OF THE SEXES, directed by Jonathan Dayton and Valerie Faris. Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Billie Jean King will participate in a post-screening conversation.
Prior to opening night, the festival will host a special presentation premiering the first episode of Season three of Lifetime’s critically-acclaimed series UnREAL.
The Centerpiece film, documentary MANKILLER, directed by Valerie Red-Horse Mohl, will screen on Saturday, February 24th. The documentary tells the tale of a true American legend, Wilma Mankiller (1945-2010), a community organizer who became Chief of the Cherokee Nation and defied all odds to make a difference for her people. The film will be followed by a conversation with director Valerie Red-Horse Mohl, executive producer Gale Anne Hurd, and journalist and activist Gloria Steinem. Ann Hornaday from the Washington Post will moderate.
The festival will close on Sunday, February 25th with the Academy Award®-nominated THE POST, directed by Steven Spielberg, and starring Meryl Streep and Tom Hanks. In this thrilling drama, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war.
Additional films announced include 9 TO 5, directed by Colin Higgins and starring Dolly Parton, Jane Fonda, and Lily Tomlin; PATTI CAKE$, directed by Geremy Jasper and starring Athena’s 2018 Inaugural Breakthrough Award honoree Bridget Everett and Danielle Macdonald ; THELMA, directed and co-written by Joachim Trier and co-written by Eskil Vogt; NORTH COUNTRY, directed by Niki Caro and starring Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek; and the classic documentary MISS SHARON JONES!, directed by two-time Oscar® winner and 2018 Athena Film Festival Lifetime Achievement Award Honoree, Barbara Kopple.
Additional panels include Master Class: Alexa Junge ’85 and Spotlight on Women and STEM, sponsored by the Alfred P. Sloan Foundation, which will follow the screening of Bombshell, the Hedy Lamarr Story. This panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen.
The festival will feature a program of narrative, documentary and short films, including: WONDER WOMAN, directed by Patty Jenkins and starring Gal Gadot; LADY BIRD, the directorial debut of Greta Gerwig ’06 and AFF ’11 Honoree and starring Saoirse Ronan; MEGAN LEAVEY, directed by Gabriela Cowperthwaite and starring Kate Mara; WAITING FOR HASSANA, directed by Ifunanya Maduka; BOMBSHELL: THE HEDY LAMARR STORY, directed and written by Alexandra Dean; I AM EVIDENCE, directed by Trish Adlesic and Geeta Gandbhir and produced by Mariska Hargitay; the New York City premiere of IT’S CRIMINAL, directed by Signe Taylor ’87; and the international premiere of MY YEAR WITH HELEN, directed by Gaylene Preston; FRONTIER, directed by Jillian Banner; and the New York premieres of AL IMAM, directed by Omar Al Dakheel; BEADS, directed by Rachel Byrd; CON MADRE, directed by Clancy McCarty; THE FAN directed by Mohammad Ghanefard and Ali Delkari, among others.
The 2018 Athena Film Festival Awardees include two-time Academy Award®-winning documentary filmmaker Barbara Kopple who will receive the Laura Ziskin Lifetime Achievement Award; BAFTA-winning writer and director Amma Asante who will receive the Athena Award; world-renowned cabaret artist and actress Bridget Everett who will receive the inaugural Breakthrough Award; and director, producer and screenwriter J.J. Abrams who will receive the Athena Leading Man Award. Awards will be presented at the Athena Film Festival Awards Ceremony on Friday, February 23rd.
The Athena Film Festival showcases films and TV series about strong, bold women leaders in real life and the fictional world; it is a weekend dedicated to elevating female voices and stories that inspire and empower a new generation of filmmakers and individuals. The eighth annual festival, co-founded by Barnard College’s Athena Center for Leadership Studies and Women and Hollywood, will take place February 22 to 25, 2018, at Barnard College in New York City.
FULL INFORMATION ON NEWLY ANNOUNCED FILMS AND PROGRAMS:
FEATURES
9 to 5
Director: Colin Higgins
Writer: Colin Higgins, Patricia Resnick
This office satire about three female secretaries—Dolly Parton, Jane Fonda and Lily Tomlin—who decide to get revenge on their tyrannical, sexist boss was an instant classic. Featuring a depiction of women agitators well ahead of their time and a score that doubled as anthem, 9 to 5’s impact has resonated for the thirty-plus years since its release and remains iconic in 2017’s #MeToo era.
North Country
Director: Niki Caro
Writer: Michael Seitzman
This classic feature, based on a true story, centers on Josey Aimes who takes a job at a local iron mine in Minnesota in 1975. She and other female miners endure unyielding harassment from male co-workers, ranging from verbal taunts to pornographic graffiti and physical abuse. Ignoring advice from family and friends, Josey files a ground-breaking lawsuit and wins a landmark decision that is still protecting women today. Directed by Niki Caro, North Country’s all-star cast includes Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek.
Battle of the Sexes – OPENING NIGHT FILM
Director: Jonathan Dayton, Valerie Faris
Writer: Simon Beaufoy
Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which women’s tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Riggs hyped the contest with a slew of misogynistic comments, including that “the best way to handle women is to keep them pregnant and barefoot.” In the period leading up to the match, King, a champion athlete and social justice pioneer, found herself beset with both personal and professional challenges as she sought to face her sexuality and fight for pay equity in tennis.
Patti Cake$ – Awardee Spotlight Film
Director and writer: Geremy Jasper
First-time writer/director Geremy Jasper showcases his music chops in this brash and bombastic story of unlikely rapper Patti “Killa P” Dombrowski. Breakout talent Danielle Macdonald plays Patti with the magnetism and stage presence of a seasoned musician, and is matched by the talents of the 2018 Athena Award winner Bridget Everett as Patti’s disillusioned mother, who missed her chance at stardom.
Thelma
Director: Joachim Trier
Writers: Joachim Trier and Eskil Vogt
Writer/director Joachim Trier crafts a haunting tale of Thelma (Eili Harboe) a shy college student who has just left her religious family in a small town Norway and finds herself intensely drawn to her classmate Anja (Kaya Wilkins). But in a surprising twist to this coming of age tale, first love and self-discovery arrive with uncontrollable seizures and supernatural powers, that forces her to confront the terrifying implications of her powers.
The Post – CLOSING NIGHT FILM
In this thrilling drama directed by Steven Spielberg, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war that spans three decades and four U.S. presidents. This movie shows the importance of the free press to the life of a democracy, but it’s also a very personal story about a woman who was trained to be a wife who becomes the main character in her own story. The Post is a movie about a woman who finds her voice and saves democracy in the process.
DOCUMENTARIES
MANKILLER – CENTERPIECE FILM
Director: Valerie Red-Horse Mohl
Executive Producer: Gale Anne Hurd
MANKILLER examines the legacy of the formidable Wilma Mankiller, who defied all odds to become one of the most influential leaders in the United States. Mankiller overcame rampant sexism and personal challenges to emerge as the Cherokee Nation’s first woman Principal Chief in 1985. Through rare archival footage and intimate interviews with activists including Gloria Steinem, as well as with Wilma herself, MANKILLER gives us insight into how this remarkable woman successfully navigated through the minefield of bipartisan politics.
Miss Sharon Jones! – Awardee Spotlight Film
Director: Barbara Kopple
This documentary, directed by the two-time Oscar winner and 2018 Athena Honoree, Barbara Kopple, tells the stirring story of Sharon Jones, a true soul survivor who’s been called “the female James Brown”. The film follows Sharon Jones on an emotional journey as she battles cancer, struggles to keep her band together and mount a comeback show at New York’s Beacon Theater.
TELEVISION
Lifetime’s UnReal
Join us for the premiere of the first episode of UnREAL, season 3, Lifetime’s critically-acclaimed series from A+E Studios. UnREAL takes place behind the scenes of the fictional dating competition show Everlasting, as the show’s producers manipulate the contestants to get the footage they need. Caitlin FitzGerald (“Masters of Sex,” “Rectify”) takes the reins in Season 3 as Everlasting’s female “suit
PANELS AND SPECIAL EVENTS
Master Class on Producing and Writing for Television: Alexa Junge – Sponsored by Stephens College
Come learn from Alexa Junge, a 1985 Barnard alumna, and accomplished showrunner, screenwriter, T.V. writer and producer whose credits include Friends, The West Wing, and Grace & Frankie.
Spotlight on Women and Stem – Sponsored by the Alfred P. Sloan Foundation
Following the screening of Bombshell, the Hedy Lamarr Story, a panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields, and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen.
-
MOONLIGHT Named Best Film of 2016 by the Black Film Critics Circle
[caption id="attachment_18892" align="aligncenter" width="1000"]
Moonlight[/caption]
Moonlight was voted Best Film of 2016 by the Black Film Critics Circle (BFCC); Barry Jenkins was also named Best Director for Moonlight.
Recognizing achievements in theatrical motion pictures, the BFCC awarded prizes in 13 categories including best picture, best director, original and adapted screenplay, best actor, best actress, best supporting actor, best supporting actress, best animated feature, best independent film, best documentary feature, best foreign film and best ensemble. Special signature awards are also given to industry pioneers and rising stars.
“This has been a year of progress to cinema of color” says co-president, Mike Sargent. “Though politically it may seem we may be moving backwards.” “The recent announcement from BAFTA and the changes behind the scenes in Hollywood and the Global film industry have been represented in this years slate if films.” Their successes at the box office and acknowledgement by fellow Awards organizations denote the significance of the global black experience as captured on film.” “Congratulations to all the winners.”
The complete list of 2016 Black Film Critics Circle award winners include:
Best Film: Moonlight
Best Director: Barry Jenkins
Best Actor: Denzel Washington, Fences
Best Actress: Ruth Negga, Loving
Best Supporting Actor: Mahershala Ali, Moonlight
Best Supporting Actress: Viola Davis, Fences
Best Original Screenplay: Barry Jenkins, Moonlight
Best Adapted Screenplay: August Wilson, Fences
Best Cinematography: James Laxton, Moonlight
Best Foreign Film: Elle from France
Best Documentary: 13th
Best Animated Film: Zootopia
Best Ensemble: Fences
BFCC Signature Awards include:
Pioneer Award – Mahershala Ali
This year’s BFCC Pioneer Award is given to Mahershala Ali, for contributions in TV/Film this year with ‘House of Cards’, ‘Luke Cage’, ‘Free State of Jones’, ‘Kicks’, ‘Moonlight’ and ‘Hidden’Figures’. Mahershala has proved that perseverance; artistic integrity and an unerring commitment to excellence will always yield remarkable results. Since his Acting Debut as a series regular on TV shows such as ‘Crossing Jordan’ and ‘Threat Matrix’ before his breakthrough role as Richard Tyler in the science-fiction series ‘The 4400’. To his His first major film role in the 2008’s ‘The Curious Case of Benjamin Button’. Mahershala continue to expand the boundaries of what black actors can achieve and embodies the very essence of the word Pioneer.
Rising Star Award – Janelle Monae
Janelle Monae’s acting work in ‘Moonlight’and ‘Hidden Figures’ shows that beyond her artistic achievements as a singer-songwriter she is a wonderful storyteller and excels in any part of that creative process. The integrity and honesty she brings to her characters and performances shows she will truly be an acting force to be reckoned with in the years ahead.
Special Mention – I Am Not Your Negro
Special Mention goes to the documentary “I Am Not Your Negro” By Director Raoul Peck. Based on James Baldwin’s unfinished manuscript ‘Remember This House’ and narrated by Oscar-nominated actor Samuel L. Jackson, the film explores the history of race relations in the United States through Baldwin’s reminiscences of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King, Jr.. The film is both heartbreaking, powerful and vividly illustrates America’s history of racism, injustice, violence, exploitation of Black Americans. This is truly a film we felt needed special recognition.
Black Film Critics Circle Top Ten Films of 2016
Top 10
1. Moonlight
2. Fences
3. La La Land
4. Hidden Figures
5. Arrival
6. Manchester By The Sea
7. Hell or High Water
8. Miss Sloane
9. Eye In The Sky
10. Miss Sharon Jones!
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Louisiana International Film Festival Announces Official 2016 Lineup
[caption id="attachment_9382" align="aligncenter" width="1200"]
BORN TO BE BLUE[/caption]
The 2016 Louisiana International Film Festival (LIFF) announce its lineup of feature films, including Ethan Hawke as troubled jazz legend Chet Baker in BORN TO BE BLUE.
The 2016 Louisiana International Film Festival slate of international and USA-made films includes the world premiere of earthquake relief documentary SEVEN DAYS IN NEPAL from executive producer D.A. Pennebaker (the legendary filmmaker of Don’t Look Back, Monterrey Pop and The War Room fame), Ethan Hawke as troubled jazz legend Chet Baker in BORN TO BE BLUE, and THE WRONG LIGHT about a filmmakers’ journey to document a non-profit in Thailand dedicated to helping victims of sex trafficking among others.
In addition, this year’s festival boasts a brand new category: Southern Perspectives.
Southern Perspectives is a regionally-focused slate that will include nearly a dozen movies telling a wide range a narratives from the American South—from the erosion of small town culture with BOGALUSA CHARM, to AFTER THE SPILL, a documentary exposing the details of BP’s Deepwater Horizon oil spill in the Gulf of Mexico.
LIFF 2016 also is proud to showcase an impressive Women and Film category that includes 17 titles about women or directed by women, including Anne Fonteyne’s post-war Warsaw doctor drama THE INNOCENTS and Barbara Kopple’s MISS SHARON JONES!—the rousing music documentary following soul singer Sharon Jones’ battle with cancer and preparations for a world tour.
A complete schedule of screenings will be released soon.
Confirmed feature titles are listed in alphabetical order as follows.
FEATURE FILMS – LIFF 2016
The Adderall Diaries (USA) 105 min. James Franco heads a cast that includes Ed Harris, Christian Slater and Amber Heard in this heady thriller based on the bestselling memoir by Stephen Elliott. Burdened with writer’s block and an escalating drug problem, Elliott becomes obsessed with a high-profile murder case that unleashes childhood memories of his cruel and distant father. When Daddy suddenly appears with his own story to tell, fact and fiction merge in an amphetamine-induced haze. After The Spill (USA) 62 min. Five years after Katrina devastated the coast of Louisiana, the BP operated Deepwater Horizon exploded and spilling 200 million gallons of oil into the Gulf of Mexico. Melissa Leo narrates this in-depth look at the worst ecological disaster in North American history, the effect of the spill and Big Oil’s production operations on the Louisiana coast. L’Attesa (Italy|France) 100 min. Juliette Binoche is simply magnificent as a Sicilian woman so grief-stricken by the sudden death of her son that she tells his new girlfriend (Lou de Laâge) – who has travelled from Paris to meet him – that he is delayed on business. And so ‘the wait’ (l’attesa) begins, and the lie becomes a ticking bomb. Marked by striking images and painterly lighting, L’Attesa is an intense psychological drama. Baskin (Turkey) 97 min. A backup squad of Turkish police called to a desolate mansion stumble upon a squalid and blood-soaked den of satanic ritual. Winner of the ‘Best Director’ award at Fantastic Fest, Baskin was hailed as “a meticulously crafted baroque puzzle box… a film to dread, a film that slips deep into the psyche and uncovers the topography of hidden nightmares.” Bogalusa Charm (USA) 83 min. WORLD PREMIERE. ‘Charming’ is not a word easily applied to Bogalusa, Louisiana with its smelly paper mill, closed up shops and aging population. However, one business is still going strong: a charm school that transforms local girls into ladies. Native son Steve Richardson portrays this dot on the map with affection, insight, and sadness while addressing a bigger American malaise: the erosion of small town life. Born to Be Blue (USA|Canada|UK) 97 min. Ethan Hawke turns in a soulful, sexy, and often funny performance – for which he learned to play the trumpet – as Jazz legend Chet Baker whose battle with addiction was as famous as his music. Set in 60s California with flashbacks to 50s New York, the film focuses on Baker’s search for redemption while juggling a new girlfriend, a movie offer and plans for a comeback at jazz mecca Birdland. Boy and the World (Brazil) 80 min. No dialogue is required to tell the beguiling story of a small boy who follows his father from their idyllic farm to an overpopulated city where he discovers an alien industrial and automated world. A soundscape of pan-flute, samba, and Brazilian hip-hop mixes with whirling carnival colors and exploding fireworks in this dazzling and completely original Oscar-nominated animated feature. Chevalier (Greece) 99 min. A female director casts a witty, sardonic eye on men and their competitive drive in this highly original film. Six men on a luxury yacht invent a series of surreal games complete with oblique rules and a point system. As the stakes heighten, comparisons are made, measurements taken, songs butchered, blood tested. Friends will become rivals and rivals will do anything to win. Community (UK) 78 min. Do packs of feral working class teenagers, high on super addictive weed, really roam the Drayman Housing Estate in Essex? The cops stay clear, but when 2 filmmakers arrive to debunk the myth, they soon find themselves on the menu! Bloody and brutal, Jason Ford’s shocker is a bold example of the new wave of hoodie-horror films to come out of the UK. [caption id="attachment_9801" align="aligncenter" width="1200"]
Dheepan[/caption]
Dheepan (France) 115 min.
Winner of the 2015 Cannes Palme d’Or, this gritty film tells the story of Dheepan, a refugee from Sri Lanka and a former Tamil Tiger, who concocts a fake family to gain passage to France. But his violent past still haunts him. Slow-burning tension punctuated by explosions of violence mark Jacques Audiard’s timely, passionate film about a driven man caught in a unique moral dilemma.
El Clan (Argentina) 110 min.
Alejandro, a teen rugby star manipulated into helping his family profit from a series of meticulously planned abductions, discovers that the father he reveres is a cold-blooded killer. Produced by Pedro Amoldovar and based on the real-life exploits of the notorious Puccios, El Clan uses upbeat 80s pop as an ironic comment on the cynicism and immorality of the waning Argentinian dictatorship.
Embrace of the Serpent (Columbia) 125 min.
This Oscar nominee from Columbia, set in the Amazon jungle and inspired by the journals of two German explorers, follows a shaman and his unlikely travel companions in search of a rare psychedelic, medicinal herb. First-time director Ciro Guerra employs stunning black and white widescreen cinematography to take us deep into the heart of darkness… merging two parallel stories, 40 years apart, into a hallucinatory finale.
The Fits (USA) 72 min.
Director Anna Rose Holmer celebrates the physicality and fluidity of adolescence in her infectious character study of Toni, an African American tomboy who boxes at the same gym where a dance drill team practices. Toni yearns to join the tight-knit tribe of older girls but when mysterious fits of shaking and fainting strike the troupe, her desire for acceptance becomes complicated.
Giving Birth in America (US) 46 min.
Maternal health nonprofit Every Mother Counts presents a new three-part, short documentary series, “Giving Birth in America,” to examine some of the key reasons that the U.S. is falling so far behind in maternal healthcare. Each short film follows pregnant women and their healthcare providers in Florida, Montana and New York in the days leading up to delivery. Together, they navigate challenges of race, poverty, chronic illness, overuse of medical interventions and other inequalities that impact maternal health outcomes in America. Special Guest Christy Turlington Burns in attendance for Q&A.
Ingrid Bergman in Her Own Words (Sweden) 114 min.
Three-time Oscar-winner Ingrid Bergman was a creative woman and loving mother who forged a career that few actresses do: from Swedish ingénue to Hollywood star, from exile in Italy with director Roberto Rossellini to cherished international stage and screen legend. Bergman’s own home movies, newsreels, and recollections by daughters Isabella and Pia combine to paint a nuanced portrait of a gifted, intelligent and sometimes conflicted individual.
The Innocents (France|Poland) 115 min.
In this dramatic, nuanced film set in post-war Warsaw, a Red Cross doctor who is summoned to a convent to deliver a baby in the middle of the night, discovers a pious, cloistered community brutalized by Soviet soldiers. Rising star Lou de Laâge (L’Attesa) gives a great performance as an idealistic young woman who puts herself in danger to guard a shameful secret.
Is That a Gun in Your Pocket? (USA) 97 min.
Small town Texas is rocked by an epic battle of the sexes when the local women band together to withhold sex until their men rid the town of guns. With a cast that includes Andrea Anders, Cloris Leachman and John Heard, this raunchy comedy/satire that won the audience award at the recent Sedona Film Festival tackles one of the hot-button issues of modern society.
Ixcanul (Guatemala) 93 min.
Eking out an existence on the remote slopes of a volcano (Ixcanul), a teenager admits to her loving mother that she is pregnant by the local dreamboat who has departed for America. Impoverished and unable to speak Spanish, the family embarks on a perilous journey to the big city to save the life of the child. A debut feature and winner of 13 international festival prizes, Ixcanul is a universal human tale.
Lit Lo And Behold, Reveries of the Connected World (USA) 98 min.
The droll, tech-phobic Werner Herzog – who has travelled to Antarctica and up the Amazon to document mankind’s dreams and fears – now explores the Internet’s unknown impact on human interaction, pro and con. Tracking its origins from a classroom at UCLA, thru its present day ‘dark side’, into a future world of robot cars and intergalactic tourism, the film is both scary and thrilling in its implications.
Lost & Found (USA) 90 min.
Two brothers forced to spend the summer on an island in Canada embark on a treasure hunt when they discover a map left behind by their eccentric wealthy grandfather who has mysteriously vanished. Pitting their wits against a ruthless land developer and two thugs, the boys uncover more than treasure and learn that the bonds of family are the most valuable riches of all.
Marguerite (France) 127 min.
Catherine Frot, Best Actress winner at this year’s Césars, is divine as a woman who dreams the impossible dream and possesses the innocence, madness and wealth to pursue it. Marguerite’s passion is opera and her delusion – fueled by the sycophants who swill champagne in her castle outside Paris – is that she sings beautifully. Ironically, this delightful comedy about sour notes is awash in gorgeous music, and features sumptuous 1920s clothes and décor.
The Mayor: Life of Riley (USA) 66 min.
The massacre of nine African Americans by a white supremacist on June 17, 2015 in Charleston, S. C. was a “worst nightmare” for Joseph P. Riley Jr, an Irish Catholic Democrat and the city’s mayor for an incredible 40 years. From the Civil Rights era forward, Riley was a visionary, fighting for inclusion in the face of divisiveness and for the restoration of once shabby Charleston to its former architectural glory.
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MISS SHARON JONES![/caption]
Miss Sharon Jones! (USA) 93 min.
A cinema verité portrait of soul singer Sharon Jones as she battles cancer, develops a new album, and readies for a world tour. The film, bursting with funk and soul music, features toe-tapping excerpts of Jones’s performances with the Dap-Kings. Whether she is breaking barriers in the music business or beating disease, Jones is a fighter and a survivor, and Kopple’s rousing tribute celebrates the singer as an effusive life force
5 Missing People (USA) 76 min.
Missing People is a nonfiction mystery about Martina Batan, a prominent New York art dealer, who investigates her brother’s long unsolved murder while obsessively collecting and researching the violent work and life of an outsider artist from New Orleans. As Martina struggles to process her discoveries, the inevitable collision of these parallel narratives leads to a chain of dramatic events.
My Father, Die (USA) 102 min.
Deaf and mute since having his hearing knocked out at the age of 12, Asher – played by action star Joe Anderson (Hercules, The Grey) – has been training to avenge himself on Ivan, the man that killed his older brother 21 years earlier. And now that his nemesis is out of prison, he gets his chance. But Asher’s target also happens to be his father.
No Greater Love (USA) 92 min.
The place is mountainous Kunar Province, Afghanistan, infamous for jihad, guerrilla warfare, and suicide bombers; and the soldier armed with the camera, not a gun, is Chaplain Justin Roberts. In this heartstopping and heart-wrenching documentary, distinguished by extraordinary combat footage, Roberts follows his comrades in the legendary ‘No Slack’ battalion from battlefield to home front where many veterans face other enemies: PTSD, depression and loneliness.
Norman Lear: Just Another Version of You (USA) 91 min.
A warm portrait of the father of hit shows like All in the Family, Maud and The Jeffersons. Now a spry 92, Lear reflects on his role as the first television producer to use the genre of American sitcom to address serious subjects – racism, feminism, and homosexuality. In the words of Robert Redford he “brought humanity, edge, humor and vulnerability into the mainstream.”
The Ones Below (UK) 87 min.
Affluent professionals Kate and Justin are expecting their first baby, as are sexy Teresa and domineering Jon, the mysterious new couple in the downstairs flat. Suppressing her fears about motherhood, Kate bonds with her extroverted neighbor until an awkward dinner party turns tragic and a burgeoning friendship implodes. A dash of Polanski and Haneke season this eerie, stylish debut feature by acclaimed UK theater director David Farr.
Presenting Princess Shaw (Israel) 80 min.
Samantha Montgomery, 38, lives alone in one of New Orleans’ toughest neighborhoods working as a caregiver for the elderly. But at night she transforms into Princess Shaw, belting out original songs at local clubs and posting homemade a cappella clips on YouTube. Completely unaware that a secret admirer – an Israeli musician living on a kibbutz outside Tel Aviv – will change her life forever.
Raiders! (USA) 106 min.
The 35th anniversary of Raiders of the Lost Ark would not be complete without this true story of two 11- year-old Mississippi kids who in 1982 remade the Hollywood blockbuster scene by scene with a Super 8mm camera. After 7 turbulent years that tested their resolve and strained their friendship, there was one scene left un-filmed. Thirty-three years later, the ‘boys’ reunite to realize their childhood dream.
Rams (Iceland) 93 min.
Brothers Gummi and Kiddi have been estranged for years, living separate lives on neighboring sheep farms in rural Iceland. When a fatal disease suddenly infects Kiddi’s herd, he schemes to save the breed while this isolated community comes to grips with its own economic extinction. A wry, charmingly deadpan and poignant comedy, Rams is the recipient of 17 international festival awards.
Search Engines (USA) 98 min.
This imaginative satire focuses on man’s relationship to his cell phone and suggests that technology can lead us astray from meaning, purpose and love. It’s Thanksgiving, and family and friends have just gathered to celebrate togetherness. But when cell phone reception mysteriously goes dead throughout the house, 6 each character is thrown into crisis: marriages are tested, values questioned, and futures hang in the balance.
Seven Days in Nepal (USA) 62 min.
WORLD PREMIERE. On April 2015, just before noon in Nepal, an earthquake took everything the Bajagain family possessed: house, farm, cattle, happiness. This cinema verité documentary takes us into the devastation with New Orleans contractor Michael Fanasci, a Katrina survivor, and Minoj Ghimire, a Nepali student from Missouri, who bring much-needed building materials – and hope – to a devastated family.
Sidemen: Long Road to Glory (USA) 78 min.
An intimate look at the lives and legacies of piano player Pinetop Perkins, drummer Willie Smith, and guitarist Hubert Sumlin, all of whom were Muddy Waters and Howlin’ Wolf sidemen. This rousing film depicts these artists’ thru their last interviews and their final live performances together and features additional music and personal insights from blues and rock stars inspired by these legendary sidemen.
Songs My Brothers Taught Me (USA) 98 min.
Two siblings coping with the loss of their father forms the heart of Chloé Zhao’s stunning directorial debut set among the Lakota people of South Dakota’s Pine Ridge Indian Reservation. In her directorial debut, Zhao sketches a complex, sensitive portrait of a community connected not only thru a rich cultural heritage but also by deep inner conflicts that manifest themselves in destructive ways.
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Sunset Song[/caption]
Sunset Song (UK) 135 min.
Master director Terence Davies brings an epic sweep and grandeur to this saga of a young woman who comes of age in rugged north Scotland and sees her family beset by tragedy and the ravages of WWI.Though burdened with a stern father and an alcoholic husband, Chris endures. A woman with a passion for life, she draws strength from the ancient land and looks to the future.
Tickled (New Zealand) 92 min.
After stumbling upon a bizarre “competitive endurance tickling” video online, wherein young men are paid to be tied up and tickled, reporter David Farrier reaches out to Jane O’Brien Media… only to be threatened with extreme legal action. Not one to be bullied, he digs deeper, uncovering a vast empire of secret identities and criminal activity. “Tense and increasingly weird… painful and funny and deeply sad.” – Screen Daily
Vita Activa: The Spirit of Hannah Arendt (Israel) 125 min.
This no-holds documentary provides a rare insight into the philosopher, author and outspoken intellectual Hannah Arendt who incited anger, praise, devotion, and scorn up to and beyond her death in 1975. A German Jew who fled Europe for New York in 1941, Arendt coined the phrase “the banality of evil” to describe how someone as seemingly insignificant as Eichmann could be responsible for the Holocaust.
The Wrong Light (USA) 77 min.
Setting out to document a non-profit in Thailand dedicated to helping victims of sex trafficking, two idealistic filmmakers uncover a shocking truth: none of the ‘saved’ girls were victims of the sex trade; and Mickey, its charismatic leader, is perpetrating a scam to extort money from wealthy Westerners. This just completed film is an illuminating expose of an insidious industry dubbed ‘poverty porn.’
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Dallas International Film Festival Reveals Film Lineup

A TALE OF LOVE AND DARKNESS The 2016 Dallas International Film Festival taking place April 14 to 17, revealed the full schedule of film selections.
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Palm Springs International Film Festival Announces Complete Line-up of Premieres, New Voices/New Visions Competition and Modern Masters
The 27th Palm Springs International Film Festival (PSIFF) running from January 1-11, 2016 in Palm Springs, California, announced its line-up of Premieres, New Voices/New Visions competition and Modern Masters.
“I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy’s Thithi (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ Interruption (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran’s Five Nights in Maine (USA), featuring David Oyelowo’s nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.”
Showcasing the diversity of international cinema, Festival premieres will include:
World premieres: 50 Days in the Desert (Luxembourg) directed by Fabrizio Maltese, Agnes (Germany/Belgium), the documentary Broadway: Beyond the Golden Age (US) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, The Carer (Hungary/UK), Going Going Gone (UK), Searchdog (US) and Set the Thames on Fire (UK).
North American premieres: Banat (Italy/Romania/Bulgaria/Macedonia), Death By Death (Belgium/France), A Decent Man (Switzerland), Departure (France/UK), Fly Away Solo (India/France), Interruption (Greece/Croatia), A Korean in Paris (South Korea/France), The Memory of Water (Chile/Spain/Argentina/Germany), Moor (Pakistan), On My Mother’s Side (Canada), Paradise Trips (Belgium/Croatia), Rosita (Denmark), Spy Time (Spain), Tanna (Australia/Vanuatu), Thithi (India/US/Canada), Utopians (Hong Kong) and When a Tree Falls (Spain).
U.S. premieres: 1944 (Estonia/Finland), 3000 Nights (Palestine/France/Jordan/Lebanon), Atomic Falafel (Israel/Germany/New Zealand), Belgian Rhapsody (Belgium), Beyond My Grandfather Allende (Chile/Mexico), Born to Dance (New Zealand), Closet Monster (Canada), Enclave (Serbia/Germany), The Endless River (South Africa/France), Endorphine (Canada), Exotica, Erotica, Etc. (France), Fire Song (Canada), Five Nights in Maine (US), A Heavy Heart (Germany), Home Care (Czech Republic/Slovakia), Let Them Come (Algeria/France), My Big Night (Spain), My Internship in Canada (Canada), The Other Side (Italy/France), Our Everyday Life (Bosnia, Herzegovina/Slovenia/Croatia), The Paradise Suite (Netherlands/Sweden/Bulgaria), Parched (India/US/UK), Parisienne (France), Sabali (Canada), Sleeping Giant (Canada), Summer Solstice (Poland/Germany), Trap (Philippines), The Violin Teacher (Brazil), Wedding Doll (Israel) and Zubaan (India).
The New Voices/New Visions competition showcases 12 US premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution.
Films selected for this year include:
Banat (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio
Death By Death (Belgium/France), Director Xavier Seron
Departure (UK/France), Director Andrew Steggall
Five Nights in Maine (US), Director Maris Curran and starring David Oyelowo
A Heavy Heart (Germany), Director Thomas Stuber
Home Care (Czech Republic/Slovakia), Director Slávek Horák
Interruption (Greece/Croatia), Director Yorgos Zois
Let Them Come (Algeria/France), Director Salem Brahimi
Our Everyday Life (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanovic
Paradise Trips (Belgium/Croatia), Director Raf Reyntjens
Sleeping Giant (Canada), Director Andrew Cividino
Thithi (India/US), Director Raam Reddy
The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include:
Cemetery Of Splendour (Thailand/UK), Director Apichatpong Weerasethakul
Dheepan (France), Director Jacques Audiard
Miss Sharon Jones! (US), Director Barbara Kopple
Mountains May Depart (China/France/Japan), Director Jia Zhangke
My Golden Days (France), Director Arnaud Desplechin
My Mother (Italy/France), Director Nanni Moretti
Our Little Sister (Japan), Director Hirokazu Kore-eda
Sunset Song (UK/Luxembourg), Director Terence Davies
Sweet Bean (Japan), Director Naomi Kawase
Women He’s Undressed (Australia), Director Gillian Armstrong
Other Festival films with notable talent and directors include:
45 Years (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay,
Anomalisa (US) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh,
Chronic (Mexico/France) starring Tim Roth,
Closet Monster (Canada) with Connor Jessup and Isabella Rossellini,
Eisenstein in Guanajuato (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, February (US/Canada) starring Kiernan Shipka and Emma Roberts,
Hello, My Name is Doris (US) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root,
Hitchcock/Truffaut (France/US) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater,
The Invitation (US) starring Logan Marshall-Green and Michiel Huisman,
The Lady in the Van (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, (pictured above)
Louder Than Bombs (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert,
Men & Chicken (Denmark) starring Mads Mikkelsen,
Papa (Cuba) directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly,
A Perfect Day (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko,
The Seventh Fire (US) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and
Where to Invade Next (US) directed by Michael Moore.
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U.S. premiere of MISS SHARON JONES! to Open 2015 DOC NYC
The 2015 DOC NYC taking place, November 12 to 19, 2015, will kick off with the U.S. premiere of Barbara Kopple’s new film Miss Sharon Jones! as the Opening Night selection. The film follows the rhythm & blues performer Sharon Jones as she battles cancer and prepares for a comeback with her band The Dap-Kings.
Two-time Academy Award winner Barbara Kopple (Harlan County, USA) follows R&B queen Sharon Jones over the course of an eventful year, as she battles a cancer diagnosis and struggles to hold her band the Dap-Kings together.
“Now, ladies and gentlemen,” says fast-talking Dap-Kings guitarist and announcer Binky Griptite, “the star of our show — the super soul sister with the magnetic je ne sais quoi — Miss Sharon Jones!” Sharon Jones and The Dap-Kings kick in with their funky, revivalist rhythm and blues backed by hard-driving horns. And so begins this deeply soulful documentary about the singer’s year-long battle with cancer, and her struggle to hold her career together and return to what she loves most: the stage. Jones has been called “the female James Brown,” and her energy is a wonder to behold both on and off stage. For years she struggled in her music career, being told she was “too black, too short, too old,” so she took alternate jobs as a Rikers Island corrections officer and an armoured-car guard. Her breakthrough didn’t come until midlife when she joined up with the Brooklyn-based Dap-Kings. We watch as they try to work around Jones’ treatment to complete their 2014 album Give the People What They Want and during preparation for a months-long world tour. By the end of this film, what you’ll want is more and more of Miss Sharon Jones.
The festival will also hold its second annual Visionaries Tribute where Lifetime Achievement Awards will be presented to Jon Alpert, Barbara Kopple and Frederick Wiseman. “We’re delighted to give Lifetime Achievement Awards to three extraordinary filmmakers who continue to dazzle us with outstanding new work,” said DOC NYC artistic director Thom Powers. “On November 12, there’ll be a gathering of documentary talent like none other.”Jon Alpert co-founded New York’s Downtown Community Television (DCTV), the country’s oldest non-profit community media center. He is the winner of 15 Emmy Awards and the recipient of three DuPont-Columbia Awards; his documentaries include One Year in the Life of Crime, Baghdad ER, and the Oscar-nominated shorts Unnatural Disaster: The Tears of Sichuan Province and Redemption. Alpert’s latest film is Mariela Castro’s March. Barbara Kopple is a two-time Academy Award-winning filmmaker, having won for both Harlan County USA and American Dream. In 1991, Harlan County USA was named to the National Film Registry by the Library of Congress. Kopple’s other celebrated films include Fallen Champ: The Untold Story of Mike Tyson, Wild Man Blues, Shut Up & Sing, Running From Crazy, A Conversation With Gregory Peck, Hot Type: 150 Years of The Nation, and her latest, Miss Sharon Jones! Frederick Wiseman is a pioneer of observational documentary filmmaking, starting with his acclaimed 1967 debut Titicut Follies. He is the recipient of the George Polk Career Award and the Venice Film Festival’s Golden Lion, among many honors. Wiseman has directed dozens of films, from early classics such as High School and Law and Order to recent works La Danse, Boxing Gym, Crazy Horse, At Berkeley, National Gallery, and his latest, In Jackson Heights.
Last year’s Lifetime Achievement recipients were Albert Maysles, DA Pennebaker and Chris Hegedus.
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Yo-Yo Ma, Janis Joplin and Ukraine Among Toronto International Film Festival 2015 Documentary Program
The Toronto International Film Festival 2015 documentary program presents a diverse mix of international works featuring a wide array of award-winning directors. The TIFF Docs line-up includes revelatory looks at celebrated performers like Yo-Yo Ma, Arcade Fire and Sharon Jones; fresh global perspectives on Ukraine, Haiti, China, and the Middle East; films about film; and loving attention to horses and dogs.
“Emotions run high in this year’s documentaries from passionate performers to angry protestors,” said TIFF Docs programmer Thom Powers. “These films truly command the big screen with their artistry across many forms of documentary — observational, essayistic, historical and investigative.”
Several films focus on music: Miss Sharon Jones! follows R&B queen Sharon Jones during her battle with cancer; The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble profiles the legendary cellist and his international musical collective; Amazing Grace captures the recording of Aretha Franklin’s best-selling album of the same name; The Reflektor Tapes provides insight into the making of the Arcade Fire international #1 album Reflektor and Janis: Little Girl Blue delves into the life of late rock legend Janis Joplin.
The worlds of art, dance, and performance are explored in films such as Bolshoi Babylon which looks at upheavals in Russia’s world-famous company; Our Last Tango chronicles the stormy career of Argentine tango legends Juan Carlos Copes and María Nieves; Horizon is a portrait of influential Icelandic landscape painter Georg Gudni; and Thru You Princess documents the composer Kutiman creating a viral sensation on YouTube.
The lineup includes a trio of films in which animals feature, including Heart of a Dog, a personal essay film by Laurie Anderson that explores themes of love, death, and language; Being AP, a portrait of legendary British horse-racing jockey AP McCoy; and Dark Horse, about a small town group of friends who take on the elite ‘sport of kings’ and breed themselves a racehorse.
Global current events make hot topics in several films. In P.S. Jerusalem, filmmaker Danae Elon confronts the tensions of living in Jerusalem after the death of her father, the writer Amos Elon. A Journey of a Thousand Miles: Peacekeepers, focuses on three Muslim women who join a UN peacekeeping mission in Haiti. Winter on Fire: Ukraine’s Fight for Freedom takes a closer look at the Ukrainian Revolution and the ousting of President Viktor Yanukovych. Je Suis Charlie offers an account of the brutal attacks on the French satirical magazine Charlie Hebdo, while He Named Me Malala profiles Malala Yousafzai, the Pakistani teenager who survived a Taliban assassination attempt to become an outspoken, globally recognized advocate for girls’ rights.
The program’s global outlook can also be seen in Sherpa, exploring the uneasy relationship on Mount Everest between foreign expeditions and their local guides; Nasser, providing an in-depth history of Egypt’s pivotal and controversial leader Gamal Abdel Nasser; A Young Patriot, examining modern China through the eyes of a nationalistic university student; In Jackson Heights, offering a closer look at the diverse immigrant neighborhood of Jackson Heights in Queens, New York; and Return of the Atom, taking a closer look at the remote ‘nuclear town’ in Finland.
Four films intersect with the art and legacy of filmmaking. Hitchcock/Truffaut examines the importance of the epochal book that transcribed the 1962 interview between Alfred Hitchcock and François Truffaut. A Flickering Truth follows a group of dedicated Afghan cinephiles who are literally excavating their country’s cinematic past. Women He’s Undressed pays tribute to legendary Hollywood costume designer Orry-Kelly. It All Started At The End recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s.
Films screening as part of the TIFF Docs programme include:
Amazing Grace
Sydney Pollack, USA International Premiere
Sydney Pollack’s film of Aretha Franklin’s ‘Amazing Grace.’ Filmed during church services in Los Angeles on January 13 and 14, 1972, the footage was never seen until now. Featuring Reverend James Cleveland, the Southern California Community Choir and the Atlantic Records rhythm section.
A Flickering Truth
Pietra Brettkelly, New Zealand/Afghanistan North American Premiere
As Afghanistan teeters on an unpredictable future, A Flickering Truth uncovers the world of three dreamers and cinephiles, the dust of 100 years of war and the restoration of 8,000 hours of film archive that they risked their lives to conceal. What surprises will emerge from the cloak of time?
A Journey of a Thousand Miles: Peacekeepers
Geeta Gandbhir and Sharmeen Obaid-Chinoy, USA/Pakistan World Premiere
A unit of Bangladeshi female police officers leave their families to join a United Nations peacekeeping mission in Haiti and challenge stereotypes about the capabilities of Muslim women. The film focuses on three of the women as they grapple with the harsh realities of becoming foot soldiers in a UN Peacekeeping Mission, and the pressures on their families left behind.
A Young Patriot
(Shao Nian * Xiao Zhao) Du Haibin, China/USA/France Canadian Premiere
This intimate documentary chronicles five years in the life of a young Chinese student, whose fervent idealism and dedication to Mao’s legacy stands in stark contrast to contemporary China’s turn towards state capitalism.
Being AP
Anthony Wonke, United Kingdom/Ireland World Premiere
Being AP is an intimate documentary portrait of AP McCoy – the greatest jump jockey of all time. As he passes his 40th birthday, an age beyond which most jockeys are unable to continue, AP contemplates his obsession with winning, the years of sacrifice that he has endured to become a champion, the chase for a 20th successive title, and then a future without racing.
Bolshoi Babylon
Nick Read, United Kingdom World Premiere
For the first time, Russia’s Bolshoi Theatre allows filmmakers full and uncensored access backstage. After a brutal acid attack on the ballet company’s director Sergei Filin in January 2013, Bolshoi Babylon follows the dancers and managers through a new season as they try to regain their status as the world’s leading dance company.
Dark Horse
Louise Osmond, United Kingdom Canadian Premiere
Set in a former mining village in Wales, Dark Horse is the inspirational true story of Jan Vokes and her group of local friends who decide to take on the elite ‘sport of kings’ and breed themselves a racehorse. Raised on a slagheap allotment, their foal becomes a source of inspiration and hope.
Dark Horse
Davis Guggenheim, USA International Premiere
Acclaimed documentary filmmaker Davis Guggenheim shows us how Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus, remains committed to fighting for education for all girls worldwide. Providing an inside glimpse into her extraordinary life — from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life at home.
Heart of a Dog
Laurie Anderson, USA Canadian Premiere
Heart of a Dog is a personal essay film that explores themes of love, death, and language. The director’s voice is a constant presence as stories of her dog Lolabelle, her mother, childhood fantasies and political, and philosophical theories unfurl in a seamless song-like stream.
Hitchcock/Truffaut
Kent Jones, USA/France Canadian Premiere
In 1962, two of the greatest minds in cinema sat down for an intimate and expansive conversation. Based on the original recordings of this meeting — used to produce the influential book Hitchcock/Truffaut — this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. David Fincher, Richard Linklater, Martin Scorsese and other legendary filmmakers add to the discussion of Hitchcock’s enduring legacy and influence on cinema.
Horizon
Bergur Bernburg and Fridrik Thor Fridriksson, Iceland/Denmark World Premiere
A documentary about the late Icelandic painter Georg Gudni Hauksson, whose innovative interpretations of forms and ideas paved the way for a renaissance in Icelandic landscape painting.
In Jackson Heights
Frederick Wiseman, USA North American Premiere
Frederick Wiseman’s latest documentary is about the diverse neighborhood of Jackson Heights in Queens, New York where 167 languages are spoken among immigrants from every continent, and half the population is foreign-born. The community is an example of America as a ‘melting pot’ settled and made strong by people committed to making their neighborhood work despite cultural and religious differences.
It All Started At The End (Todo comenzó por el fin)
Luis Ospina, Colombia World Premiere
Filmmaker Luis Ospina recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s.
Janis: Little Girl Blue
Amy Berg, USA North American Premiere
Academy Award-nominated director Amy Berg reveals the raw, sensitive and powerful woman behind the legend in Janis: Little Girl Blue; the quintessential story of the short, turbulent, epic existence that changed music forever. Chan Marshall (aka Cat Power) lends her raspy Southern voice to the film, reading Janis Joplin’s achingly intimate letters.
Je Suis Charlie
Emmanuel Leconte and Daniel Leconte, France World Premiere
On January 7, 2015, French satirical weekly Charlie Hebdo was the victim of a terrorist attack that killed 12 people, including some of the greatest French cartoonists such as Cabu, Wolinski, Charb, Tignous and Honoré. The following day a policewoman was shot dead in the street. On January 9, another attack targeted the Jewish community. Four hostages were murdered. This film pays tribute to all these victims.
Miss Sharon Jones! (pictured main image)
Barbara Kopple, USA World Premiere
Two-time Academy Award-winner Barbara Kopple follows R&B queen Sharon Jones over the course of an eventful year, as she battles a cancer diagnosis and struggles to hold her band the Dap-Kings together. Additionally, TIFF Cinematheque will showcase Kopple’s film Harlan County, USA which played at the first Festival in 1976.
The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Morgan Neville, USA World Premiere
This film tells the extraordinary story of the Silk Road Ensemble, an international musical collective created by legendary cellist Yo-Yo Ma. The film follows this group of diverse instrumentalists, vocalists, composers, arrangers, visual artists, and storytellers as they explore the power of music to preserve tradition, shape cultural evolution, and inspire hope.
Nasser
Jihan El-Tahri, France/South Africa International Premiere
Filmmaker Jihan El-Tahri explores the history of Gamal Abdel Nasser, the revolutionary army officer whose decade-long reign as president of Egypt saw him defy the West during the 1956 Suez Crisis, co-found the international Non-Aligned Movement, and suffer a dramatic defeat to Israel in the Six-Day War.
Our Last Tango (Un tango más)
German Kral, Germany/Argentina World Premiere
Argentina’s María Nieves and Juan Carlos Copes are the best-known couple in tango’s history and shaped the dance like no others. They danced passionately, loved and hated each other for almost 50 years, until one day they separated, and left a gap in the tango scene. Now, almost at the end of their lives, they tell their story for the first time. Executive produced by Wim Wenders.
P.S. Jerusalem
Danae Elon, Canada/Israel World Premiere
Danae Elon grew up in Jerusalem. After many years of living abroad, she moves back with her three young sons and French-Algerian husband Philip who are fresh to the city. Over three years, she documents their experiences, bearing witness to what makes Jerusalem so fiercely contested. A looming presence is the memory of her late father, the esteemed author Amos Elon, seen in home movies. Through the prism of one family’s life, the film exposes a complex portrait of Jerusalem today.
The Reflektor Tapes
Kahlil Joseph, United Kingdom World Premiere
The Reflektor Tapes is a fascinating insight into the making of Arcade Fire’s international #1 album Reflektor. The film recontextualizes the album experience, transporting the viewer into a kaleidoscopic sonic and visual landscape. The Reflektor Tapes blends never-before-seen personal interviews and moments captured by the band to dazzling effect, and features 20 minutes of exclusive unseen footage, filmed only for cinema audiences.
Return of the Atom (Atomin paluu)
Mika Taanila and Jussi Eerola, Finland/Germany World Premiere
Finland was the first country in the West to give permission to build a new nuclear power plant after the Chernobyl disaster. The film portrays the strange and stressful life in the small Finnish ‘nuclear town’ Eurajoki during an era of nuclear renaissance.
Sherpa
Jennifer Peedom, Australia/United Kingdom Canadian Premiere
Director Jennifer Peedom set out to uncover tension in the 2014 Everest climbing season from the Sherpas’ point of view, and instead captured a tragedy when an avalanche struck, killing 16 Sherpas. Sherpa tells the story of how the Sherpas united after the tragedy in the face of fierce opposition to reclaim the mountain they call Chomolungma.
Thru You Princess
Ido Haar, Israel International Premiere
In her late 30s, Samantha lives in New Orleans and works as a caregiver. She often uploads her songs and musings online and none of her clips get more than a few dozen hits. She doesn’t imagine that someone, on the other side of the world, is about to expand the number of listeners by millions. Kutiman, an Israeli musician, discovered Samantha’s songs on YouTube and weaves them with audiovisual symphonies composed of musical clips that people posted online.
Winter on Fire: Ukraine’s Fight for Freedom
Evgeny Afineevsky, Ukraine/USA/UnitedKingdom Canadian Premiere
Chronicling events that unfolded over 93 days in 2013 and 2014, Winter on Fire: Ukraine’s Fight for Freedom witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The film captures the remarkable mobilization of nearly a million citizens from across the country protesting the corrupt political regime that utilized extreme force against its own people to suppress their demands and freedom of expression.
Women He’s Undressed
Gillian Armstrong, Australia International Premiere
During Hollywood’s golden age, the Australian known as Orry-Kelly was a costume designer for an astonishing 282 films including classics like Some Like It Hot, Casablanca, and An American in Paris. As a gay male during a closeted era, he was also a keeper of secrets. Director Gillian Armstrong (Oscar and Lucinda; Little Women) employs inventive recreations, interviews and film clips to uncover his story.
Documentaries previously announced for the Festival were Brian D. Johnson’s Al Purdy Was Here, Patrick Reed and Michelle Shephard’s Guantanamo’s Child: Omar Khadr, Mina Shum’s Ninth Floor, Avi Lewis’ This Changes Everything, and Geneviève Dulude-De Celles’ Welcome to F.L. playing in TIFF Docs; and Michael Moore’s Where to Invade Next for Special Presentations.
The 40th Toronto International Film Festival runs September 10 to 20, 2015.

The 2015 DOC NYC documentary festival, running November 12 to 19, will include over 200 films and events. Secretary Hillary Rodham Clinton will be in attendance for the Closing Night world premiere of AOL’s MAKERS’ Once and For All, directed by Michael Epstein and Dyllan McGee, about the 1995 Beijing Women’s Conference where then-First Lady Clinton gave a historic address on women’s rights.
Director Amy Berg will present her Janis Joplin portrait, Janis: Little Girl Blue, for the festival’s Centerpiece on November 15.
These two gala screenings join the previously announced Opening Night film Miss Sharon Jones!, directed by Academy Award-winning filmmaker Barbara Kopple.
27 films world premiering at the festival include The Anthropologist, profiling Margaret Mead and Susie Crate; Bluespace, an exploration of water on Earth and Mars; The Sunshine Makers, on psychedelic drug makers; Thank You For Your Service, on veterans coping with PTSD; and the first two episodes of Making a Murderer, a 10-part Netflix series about a high-stakes criminal case in America’s heartland.
Among the 15 U.S. premieres are The Fear of 13, on a prisoner’s gripping story; Frackman, on an Australian activist; Lucha Mexico, on Mexican wrestlers; Noma: My Perfect Storm, on the acclaimed Nordic restaurant; and Speed Sisters, on Arab women race car drivers.