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Mon oncle Antoine


  • Sarah Polley’s STORIES WE TELL Among 4th All-Time Top Ten List of Canadian Films

    Stories We Tell, Sarah Polley Toronto International Film Festival (TIFF) today announced the results of its fourth Canada’s All-Time Top Ten List, an international poll of industry and academics‎ on the most memorable Canadian films. This is the fourth edition of TIFF’s All-Time Top Ten List; previous lists were released in 1984, 1993 and 2004. “In our 40th year we are celebrating our national cinema by revisiting the list of top Canadian films, with help from our esteemed colleagues in the industry and academia,” said Piers Handling, Director and CEO, TIFF. “It is encouraging to see new filmmakers and films establishing themselves on the list alongside the classics.” “With more than a decade since our last survey, much has changed in Canadian cinema, and in the results of the survey,” said Steve Gravestock, Senior Programmer, TIFF. “Atanarjuat has dethroned the long-standing No. 1 film, Mon once Antoine, and we welcome filmmakers including Guy Maddin, Jean-Claude Lauzon, Sarah Polley and Jean-Marc Vallée to the list for the first time. It’s an exciting group of films indicative of our rich cinematic tradition.” Canada’s All-Time Top Ten List of Canadian films: 1. Atanarjuat: The Fast Runner, Zacharias Kunuk (2001) 2. Mon oncle Antoine, Claude Jutra (1971) 3. The Sweet Hereafter, Atom Egoyan (1997) 4. Jésus de Montréal, Denys Arcand (1989) 5. Léolo, Jean-Claude Lauzon (1992) 6. Goin’ Down the Road, Don Shebib (1970) 7. Dead Ringers, David Cronenberg (1988) 8. C.R.A.Z.Y., Jean-Marc Vallée (2005) 9. My Winnipeg, Guy Maddin (2007) 10. Stories We Tell, Sarah Polley (2012) (pictured above)/Les Ordres, Michel Brault (1974) “The Directors Guild of Canada takes pride in shining the spotlight on our national cinema at every opportunity,” said Tim Southam, National President, DGC. “The filmmakers featured here have contributed much to our country’s cultural voice and history. It is inspiring to be able to experience them again with a new generation of viewers.”

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