Most Beautiful Island

  • Women Directed + Horror Themed 3rd Final Girls Berlin Film Festival Announces Lineup, Opens with THE BOOK OF BIRDIE

    [caption id="attachment_24277" align="aligncenter" width="1200"]The Book of Birdie The Book of Birdie[/caption] The 3rd edition of Final Girls Berlin Film Festival will take place in Berlin, Germany from February1st to the 3rd, 2018, showcasing horror films that were directed, written, and/or produced by women and non-binary filmmakers.   The 2018 Final Girls Berlin Film Festival lineup consists of 5 feature films, six curated short blocks, a horror storyboarding workshop, a talk on vampires and women, and a filmmaker panel. Festival co-director Eli Lewy says “this year we have selected a range of unnerving feature films – most of which are also exclusive German premieres!” Fellow co-director Sara Neidorf adds “we’re excited for another three days of communal fear and challenging discussions with filmmakers and spectators. Underground horror cinema is alive and well with the works of women who are steadily reshaping the landscape of the genre.” ​The opening night feature is Anami Tara Shucart and Elizabeth E. Schuch’s offering THE BOOK OF BIRDIE. When a fragile, imaginative teenager is placed in a remote convent, will her unusual obsessions and hallucinations become a mark of sainthood or dark heresy? Reserved teen Birdie is sequestered to a life of religious servitude by her grandmother, in the hope that it will suppress the young girl‘s dark thoughts. Now far from home, her interests remain far from pious, as she develops a fascination with blood and sparks a romance with the groundkeeper’s daughter. This haunting and aesthetically arresting directorial debut of Elizabeth E. Schuch features an all-woman cast. UK, dir. Elizabeth E. Schuch (2017, German Premiere) ​A mother’s grief turns to paranoia when she begins to suspect her eccentric neighbors are involved in a satanic pact. Starring Gaby Hoffmann (Transparent, Girls) and Ingrid Jungermann (WOMEN WHO KILL), and paying homage to ROSEMARY’S BABY, this queer psychological horror LYLE, brings the viewer through a nightmarish journey of gaslighting, loss, loneliness, and mistrust. USA, dir. Stewart Thorndike (2014, Berlin Premiere) ​Iona and her mother are new in town and excited about starting a new chapter in their lives, but things don’t go as they hoped in this off-kilter, heart-wrenching film about two generations of outcasts. This ‘social horror’ film PIN CUSHION world premiered at the 2017 Venice Film Festival. UK, dir. Deborah Haywood (2017, German Premiere) ​A pitch black, wryly British comedy, PREVENGE follows Ruth, a pregnant woman on a killing spree that’s as funny as it is vicious. It’s her misanthropic unborn baby dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood. UK, dir. Alice Lowe (2016) MOST BEAUTIFUL ISLAND is a psychological thriller set in the world of undocumented female immigrants hoping to make a life in New York City. Shot on Super 16mm with an intimate, voyeuristic sensibility, MOST BEAUTIFUL ISLAND chronicles one harrowing day in the life of Luciana, a young woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome and unforeseeable extremes. USA, Dir. Ana Asensio (2017, German Premiere)

    Short Film Programs

    Obsession

    PLEASE LOVE ME FOREVER (Dir. Holy Fatma, France, 2016) FRY DAY (Dir. Laura Moss, USA, 2017) NOTHING A LITTLE SOAP AND WATER CAN’T FIX (Dir. Jennifer Proctor, USA, 2017) 🙁 (Dir. Sydney Clara Brafman, USA, 2017) WASTE (Dir. Justine Raczkiewicz, USA, 2016) DON’T EVER CHANGE (Dir. Don Swaynos, US, 2017) DEAD. TISSUE. LOVE (Dir. Tasha Austin-Green, UK, 2017)

    Mind Games

    BBROWN WRECK-LOOSE (Dir. Tristian Montgomery, USA, 2017) LIZ DRIVES (Dir. Mia’kate Russell, Australia, 2017) THE HEAVY ATOMS (Dir. Alice Evermore, Germany, 2017) THE CLIP (Dir. Maria Forslin, Sweden, 2016) TONE DEATH (Dir. Sinnead Stoddart, UK, 2017) HIGHWAY (Dir. Vanessa Gazy, Australia, 2016) BLACK COAT (Dir. Tatiana Vyshegorodseva, Russia, 2017) DON’T OPEN YOUR EYES (Dirs. Adrián García Bogliano & Andrea Quiroz, Sweden, 2017)

    Dark Gatherings

    WHAT METAL GIRLS ARE INTO (Dir. Laurel Veil, USA, 2017) BLOOD SISTERS (Dir. Caitlin Koller, Australia, 2017) SPOTLIGHT (Dir. Joe Savage, UK, 2017) MADDER ISLE (Dir. Laura Spark, UK, 2017) THE PENNY DROPPED (Dir. A D Cooper, UK, 2016) MAB (Dir. Katie Bonham, UK, 2017) PRAYERS (Dir. Edda Manriquez, USA, 2016) THE CONTEST (Dir. Aimee Morgan, USA, 2017) DEVIL IS ON HIS WAY (Dir. Ophelie Neve, Belgium, 2017)

    Metamorphosis

    TALKING HEADS (Dir. Alyx Melone, Canada, 2017) THE DAY MUM BECAME A MONSTER (Dir. Joséphine Hopkins, France, 2017) APOCALYPSE BABIES (Dir. Anabelle Berkani, Canada, 2017) BEAUTIFUL INJURIES (Dir. Judith Beauvallet, France, 2017) NANA (Dir. Yunxuan Wang, China 2017) LE PEAU SAUVAGE (Dir. Ariane Louis-Seize, Canada, 2016)

    Family Dysfunction

    UNBEARING (Dir. Aidan Weaver, USA, 2016) MADAME MACABRE TELLS A TERRIBLE TALE ABOUT RONGUES (Dir. Tracy Rosenblum, USA, 2017) METAMORPHOSIS (Dir. Elaine Xia, USA/China, 2017) HOME EDUCATION (Dir. Andrea Niada, UK, 2017) CRESWICK (Dir. Natalie Erika James, Australia, 2016)

    Serial Killers

    STRANGE AS ANGELS (Dir. Austin Elston, USA, 2017) HOBBY SHOP (Dirs. Stephanie Liquorish & Isabel Stanfield, Australia, 2017) MARTA (Dir. Lucia Forner Segarra, Spain, 2017) DON’T EVER CHANGE (Dir. Don Swaynos, USA, 2017) SHOES (Dir. Ray Kermani, Belgium, 2017) FRY DAY (Dir. Laura Moss, USA, 2017)

    Read more


  • CALL ME BY YOUR NAME Leads Nominations for 2018 Film Independent Spirit Awards

    Call Me By Your Name
    Call Me By Your Name

    Call Me by Your Name leads the nominations for the 2018 Film Independent Spirit Awards with eight nods including Best Director and Best Feature. 

    Read more


  • 28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] 150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th. A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave. After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change. This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda. The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year. A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.

    Stockholm International Film Festival – Program 2017

    Stockholm XXVIII Competition

    A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)

    Stockholm XXVIII Documentary Competition

    A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)

    Stockholm Impact

    Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)

    Open Zone

    A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)

    American Independents

    Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)

    Icons

    Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)

    Discovery

    Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)

    Documania

    Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)

    Twilight Zone

    A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)

    Spotlight

    An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)

    Stockholm XXVIII Short Film Competition

    A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)

    Special Event

    Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film

    1 Km Film

    Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

    Read more


  • N. Scott Momaday Documentary RETURN TO RAINY MOUNTAIN to Premiere at Santa Fe Independent Film Festival

    [caption id="attachment_24980" align="aligncenter" width="1200"]N. Scott Momaday Documentary RETURN TO RAINY MOUNTAIN RETURN TO RAINY MOUNTAIN[/caption] Return to Rainy Mountain is a documentary celebrating the life and legacy of author N. Scott Momaday and the rich cultural history of the Kiowa people. The film will have its premiere viewing during this year’s Santa Fe Independent Film Festival. Producer/Director Jill Momaday takes viewers on a visual and poetic journey to places that inform the Kiowa ancestral myths and collective identity. Following the film will be a panel discussion including Dr. Momaday, recipient of the SFIFF Lifetime Achievement Award, Jill Momaday, plus mentors to the film, Chris Eyre, multi-award-winning writer and producer, known for Smoke Signals (1998), Skins (2002) and Edge of America (2003) and moderated by Kirk Ellis, Emmy award-winning writer and producer for the HBO mini-series, John Adams (2008). Momaday’s legacy includes winning the only Pulitzer Prize for Literature awarded to a Native American writer, for his 1969 novel, House Made of Dawn. Also published in 1969, his bestselling The Way to Rainy Mountain (UNM Press) provided parts of the narrative for this film. Momaday earned a Masters and a PhD in English from Stanford University and has 20 honorary doctorates from esteemed universities. A 2005 award-winning PBS documentary Remembered Earth: New Mexico’s High Desert featured Momaday. He also narrated the 1978 documentary More Than Bows and Arrows, which aired on PBS and the Discovery Channel. Momaday was awarded the National Medal of Arts in 2007 by President George W. Bush for his writings and his work that celebrates and preserves Native American art and oral tradition.” Among other notable honors are the Oklahoma Centennial State Poet Laureate in 2007, a Guggenheim Fellowship and UNESCO’s Artist for Peace Award. Return to Rainy Mountain retraces the sacred journey of the Kiowa to Devil’s Tower in Wyoming and Rainy Mountain in southwestern Oklahoma, landmarks that inform the Kiowa oral traditions passed along for generations. Director Jill Momaday was inspired in 2014 when her Kiowa Aunt passed away at the age of 95 and she recognized the urgency and importance of capturing the Kiowa oral tradition on film. She was a great-granddaughter of Sitting Bear, the keeper of stories and knowledge, a powerful and amazing woman. “I realized with her passing, that many stories would be lost. It made a profound impression of the importance of preserving them, as my father has done with his writing,” said Momaday. As early as 1971, Dr. Momaday was recognized as a pioneer of environmental education, authoring “The American Land Ethic” which noted the tradition of respect for nature practiced by many of America’s native people. Jill Momaday steps into the role of a modern spokesperson for this tradition of respect for nature. The 2015 annual honoree for New Mexico Women in the Arts says, “In addition to sharing the Kiowa history and oral tradition, the film gave me time with my father and a chance to really know him. He was absent much of my life as he carved out his brilliant career and legacy. We’ve been fitting the pieces of a puzzle together to tell one big story which is also the bigger story of Humanity: Man’s relationship to nature, animals, the universe, Creator and each other.” The film follows one story arc of the Kiowa legends and another of the Momaday family reconciliation. The visual/sound and editing team includes Director of Photography/Editor, Doug Crawford, an Emmy and Peabody Award winning Cinematographer (Surviving Columbus: The Story of the Pueblo People, PBS, 1992) also Director of Photography for The Native Americans (TBS, 1994); David Aubrey, nominated for the EDDIE awards, Best Edited Documentary (Baraka, 1993), and Blackhorse Lowe, cinematographer (Among Ravens, 2014). https://www.youtube.com/watch?v=hrd7c2M7T2A Only The Brave Directed by Joseph Kosinski A drama based on the elite crew of firemen from Prescott, Arizona who battled a wildfire in Yarnell, AZ in June 2013 that claimed the lives of 19 of their members. Producer Michael Menchel in attendance Becoming Who I Was Directed by Moon Chang-Yong, Jeon Jin Deep in the highlands of northern India, a young Buddhist boy discovers that he is the reincarnation of an ancient Tibetan monk. This documentary explores the boy’s coronation as Rinpoche, the reincarnation of a spiritual leader, and his journey to discover the secrets of his past life. Sami Blood Directed by Amanda Kernell Elle Marja, 14, is a reindeer-breeding Sámi girl. Exposed to the racism of the 1930’s and race biology examinations at her boarding school, she starts dreaming of another life. To achieve this other life, she has to become someone else and break all ties with her family and culture. Atomic Homefront Directed by Rebecca Cammisa A major metropolitan area in the United States lies dangerously close to a large landfill containing radioactive waste and an escalating underground fire.The film documents those (mostly women) who have mobilized to get answers, created a powerful coalition and continue to fight for environmental justice. The Sensitives Directed by Drew Xanthopoulos A loving grandfather struck down by a debilitating, mysterious illness faces an agonizing choice: an uncertain future with his family or the lure of an isolated, safe community built for sensitives ​like him. As his wife and daughter struggle to keep their family together, we meet others who faced the same impossible choices: an aging mother and her twin sons living in quarantine deep in the desert and an activist in fragile recovery, who advocates for those worse off than herself. The Sensitives is an intimate, verité film focused on three families put to the test by an ​unknown illness.​ On A Knife Edge Directed by Jeremy Williams Set against a background of rising tension and protest, a Lakota teenager learns first-hand what it means to lead a new generation and enter adulthood in a world where the odds are stacked against him. Filmed over a five-year period, On a Knife Edge provides a privileged view into the interior world of George Dull Knife as he becomes politically active with the American Indian Movement, confronts the challenges of growing up on the Pine Ridge Reservation, and wrestles with accepting leadership of his storied family from his aging father. Most Beautiful Island Directed by Ana Asensio Most Beautiful Island is a chilling portrait of an undocumented young woman’s struggle for survival as she finds redemption from a tortured past in a dangerous game. Pinsky Directed by Amanda Lundquist North American Premier In the wake of a bad breakup and the death of her grandfather, Sophia Pinsky moves back home under the martial law of her Russian grandmother and is forced to reevaluate the terms of her adult life.

    Read more


  • 2017 Downtown LA Film Festival Awards – A THOUSAND JUNKIES Wins Best Film

    [caption id="attachment_24667" align="aligncenter" width="1200"]A Thousand Junkies A Thousand Junkies[/caption] A Thousand Junkies, Tommy Swerdlow’s bittersweet dark comedy about a day in the life of three Los Angeles addicts — won this year’s top prize, Best Picture at the 2017 DTLA Film Festival. Best Director for documentary feature was awarded to Miranda Bailey for The Pathological Optimist about the controversial vaccine researcher Dr. Andrew Wakefield. Adam Cushman was awarded Best Director for Restraint, his narrative feature about the dark side of suburbia. The Best Documentary feature award was given to The Work, a powerful and poignant look at a new therapy changing the lives of convicts at Folsom Prison. The film, directed by Jairus Mcleary, will be released theatrically by The Orchard. Top acting awards went to Sophia Mitria Schloss for Lane 1974 and Charlie Tahan for Super Dark Times. Other top prizes announced this evening were Best Screenplay for Zach’s Brown contemporary drama Hard Surfaces, Best Short Film for Reed Van Dyk’s Dekalb Elementary, Best Editing to Carl Ambrose and Francisco Bello for their work on the psychological thriller Most Beautiful Island, and Best Cinematography to Luis Montalvo and Carlos Rossini for the atmospheric documentary The Cloud Forest. The following special prizes were also announced: Jury Prize for Creative Vision to Art Jones for his drama Forbidden Cuba; Female Pioneer Award to Iranian director Shiva Sanjari for her documentary biopic Here The Seats Are Vacant, and actor Leo Ramsey for his Breakthrough Performance in the contemporary coming-of-age story Blue Line Station. The festival’s Audience Favorite Award was a tie, given to both Dare To Be Different, director Ellen Goldfarb’s nostalgic look back at influential Eighties radio station WLIR, and The Dating Project, Jonathan Cipiti’s exploration of courtship in the digital age.

    2017 DTLA Film Festival Awards

    FEATURES

    Best Picture: A Thousand Junkies, directed by Tommy Swerdlow Best Actress in a Leading Role: Sophia Mitri Schloss | Lane 1974 Best Actor in a Leading Role: Charlie Tahan | Super Dark Times Best Screenplay: Zach Brown | Hard Surfaces Best Ensemble Cast: Dog Park, directed by Jade Jenise Dixon Best Documentary: The Work, directed by Jairus McLeary Best Director – Documentary Feature:  Miranda Bailey | The Pathological Optimist Best Director – Narrative Feature: Adam Cushman | Restraint Best Cinematography: Luis Montalvo and Carlos Rossini | The Cloud Forest Best Foreign Film (TIE): Zoe Panoramas, directed by Rodrigo Guardiola and Gabriel Cruz Rivas Female Pioneer Award  Here the Seats Are Vacant, directed by Shiva Sanjari Breakthrough Performance: Leo Ramsey | Blue Line Station Jury Prize for Creative Vision – Feature: Forbidden Cuba directed by Art Jones Audience Favorite Award (TIE): Dare To Be Different, directed by Ellen Goldfarb The Dating Project, directed by Jonathan Cipiti Best Film Editing: Carl Ambrose and Francisco Bello | Most Beautiful Island Best Score: Ben Frost | Super Dark Times Best Actors in Supporting Role: Blake Heron | A Thousand Junkies Matthew Brumlow | Blur Circle Michael Ferrell | Laura Gets A Cat Betty Gilpin | Future ’38

    SHORTS

    Best Short Film: Dekalb Elementary, directed by Reed Van Dyk Jury Prize for Creative Vision – Shorts: The Point System, directed by Conner Bell Best Performance by an Ensemble Cast: Lost Dogs | Chris Lee, Edward Hong, Linda Him, Jen Yim, William Crespo, Joshua Han Best Webisode: Fakers, directed by Ryan Mitchel Best Short Film – Series: Sing For Me, directed by Sama Waham Best Film – Student Shorts: Geeta, directed Sohil Vaidya Best Director – Student Shorts: Noble Creatures, directed by Daniel Lafrentz Jury Prize for Creative Vision – Student Shorts: Light Sight, directed by Seyed M. Tabatabaei

    Read more


  • VIDEO: Watch Indie Thriller MOST BEAUTIFUL ISLAND Trailer

    Most Beautiful Island Here is the new trailer for the indie thriller Most Beautiful Island written and directed by Ana Asensio, and winner of Grand Jury Prize at the 2017 SXSW.  The film starring Ana Asensio, Natasha Romanova, David Little, Nicholas Tucci, Larry Fessenden, Caprice Benedetti will open in select cities on November 3rd. Most Beautiful Island is a psychological thriller set in the world of undocumented female immigrants hoping to make a life in New York City. Shot on Super 16mm with an intimate, voyeuristic sensibility, Most Beautiful Island chronicles one harrowing day in the life of Luciana, a young immigrant woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome and unforeseeable extremes. https://www.youtube.com/watch?v=J1AZFpQex3Q

    Read more


  • SXSW Grand Jury Winner MOST BEAUTIFUL ISLAND Sets November Release Date

    Most Beautiful Island Most Beautiful Island is a psychological thriller set in the world of undocumented female immigrants hoping to make a life in New York City. The film written and directed by Ana Asensio; and starring Ana Asensio, Natasha Romanova, David Little, Nicholas Tucci, Larry Fessenden, and Caprice Benedetti, is the winner of SXSW 2017 – Grand Jury Prize. Orion Pictures and Samuel Goldwyn Films will release Most Beautiful Island in select cities on November 3rd. Shot on Super 16mm with an intimate, voyeuristic sensibility, Most Beautiful Island chronicles one harrowing day in the life of Luciana, a young immigrant woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome and unforeseeable extremes.

    Read more


  • First Films Revealed for 2017 Santa Fe Independent Film Festival, SAMI BLOOD, PINSKY and More

    Sami Blood directed by Amanda Kernell
    Sami Blood directed by Amanda Kernell (courtesy IFFR)

    The 2017 Santa Fe Independent Film Festival revealed the first announced films selected to to screen at the festival this October and will be followed with a full line-up of short films, educational events and parties at the hottest venues in downtown Santa Fe.  John Sayles and Maggie Renzi will receive the Lifetime Achievement Award.

    Read more


  • Tommy Swerdlow’s A THOUSAND JUNKIES To Open DTLA Film Festival + Feature Films Lineup

    [caption id="attachment_24667" align="aligncenter" width="1200"]A Thousand Junkies A Thousand Junkies[/caption] The 9th annual DTLA Film Festival will kick off on Thursday, September 21st with the Los Angeles premiere of A Thousand Junkies, the feature film directorial debut from multi-hyphenate Tommy Swerdlow (Cool Runnings, Little Giants, and Snow Dogs), who directed and co-wrote the film and co-stars with Blake Heron and TJ Bowen, who shares a writing credit. In A Thousand Junkies features three junkies named for the actors playing them, crisscross Los Angeles in search of relief, considering increasingly reckless options in the pursuit of a score, and coming across all sorts of odd characters along the way. The film will be released theatrically by The Orchard later this year. The Festival, taking place September 21 to 30 at L.A. LIVE, announced its feature films including all documentary and narrative feature-length films in competition. In keeping with this year’s theme – “Movies. Not walls” – the festival will host the first Enemy Nations Film Series. This series will present films from the countries labeled by immigration initiatives and Presidential tweets as homes to enemies of the state. From The Orchard is The Work by directors Jairus Mcleary and Gethin Aldous, a powerful documentary set inside a single room in Folsom State Prison (California), which follows three level-four convicts as they participate in a four-day, innovative group therapy retreat. Rounding out the trio from The Orchard is Super Dark Times, Kevin Phillips’ harrowing, meticulously observed look at teenage age lives. Continuing with the dark side, Most Beautiful Island explores the unforgettable and decidedly sinister day in the life of a young woman immigrant struggling to leave behind a mysterious past as she copies with life New York City. Ana Asensio directs and stars in this psychological thriller, which nabbed this year’s SXSW Film Festival’s Grand Jury Prize and will be released later this year by Samuel Goldwyn Films. In Kasra Farahani’s Tilt, Joe is a filmmaker making a definitive documentary about the dark side of America’s post WW2 “golden age.” However, he soon finds himself falling down the rabbit hole of self-doubt and paranoia. In a similar vein Erik Nelson with A Gray State has created a chilling portrait of real-life alt right personality David Crowley as he struggles to complete his opus film project. Adults struggling with children in their lives is at the heart of several of this year’s narrative features. In Adam Cushman’s Restraint a young married woman’s mental health begins to deteriorate as she attempts to adapt to life in suburbia with her controlling husband and his 9-year-old daughter. In Zach Brown’s Hard Surfaces (formerly Moleskin Diary) life in the fast lane for an artist-photographer suddenly grinds to a halt when he unexpectedly is left in sole custory of his 9-year-old niece. In Jorge Xolalpa, Jr.’s Blue Line Station a high school couple have a child of their own on its way as they struggle with the best solution for an unwanted pregnancy. In Christopher J. Hansen’s Blur Circle, to be released later this year by Indie Rights, a mother desperately wants to find her missing child, even it means accepting help from a man with a shrouded past. On the lighter side of relationships, in Jade Jenise Dixon’s Dog Park, also an Indie Rights upcoming release, it’s a canine to the rescue as a group of twenty-somethings struggle with the dating game. In Michael Ferrell’s Laura Gets A Cat, an unemployed writer considers what to do with her unexciting boyfriend while jumping into an affair with a performance artist, all fuel for your vivid imaginary life. Striking a similar tone but in the context of a documentary, The Dating Project by Jonathan Cipiti confronts the eye-opening statistics that today in America fully half of all adults are single – a far higher percentage than with past generations. Five college-age single Millennials confront their own lack of success in finding a mate in this eye-opening look at dating in the age of social media. The havoc wreaked by social media is reflected in two of the festival’s rom coms. In director David Tyson Lam’s Viral Beauty our protagonist simply wanted a date. She got a million subscribers, instead. Sloan Copeland’s Life Hack is a humorous but cautionary about privacy and cyber threats in the digital age. The take away? Cover your webcam. On the other hand Gigi Gorgeous is one girl who ain’t complainin’ about the power of the world wide web. In This Is Everything: Gigi Gorgeous the life and history of the eponymous Internet superstar is explored in a poignant and inspiring documentary by Oscar-winning filmmaker Barbara Kopple (Harlan County, USA). Could video games be a contributing factor to Millennials’ singleness? Who cares! In Jeremy Snead’s multi-episodic documentary Unlocked: The World Of Games Revealed everybody involved in all levels of video gaming from creators to players certainly seems to be having a helluva good time. Ditto, all those involved in that other counter culture revolving around music audio cassette tapes. In Zachary Taylor, Georg Petzold and Seth Smoot’s Cassette: A Documentary Mix Tape rabid mix tapes fans, including the likes of Henry Rollins, share what makes this once forgotten and now beloved blast-from-the-past so very au courant. Yes, nostalgia for the music of the Eighties is part of the appeal of mix tapes. This same nostalgia is captured in Ellen Goldfarb’s Dare To Be Different, a look back at WLIR, the pioneering Long Island, N.Y. radio station that helped to pave the way for new wave and punk, and launch the careers of everyone from Blondie to Joan Jett. (Oh, did we mention Prince, U2 and Madonna were also heard first in the U.S. on the WLIR airwaves?) The past meets the future in the “lost” 1938 screwball comedy set in the future of 2018 in Jamie Greenberg’s Future ’38. Confused? All will be revealed in this highly original satire that wowed the crowds at Slamdance earlier this year. Gabriel Cruz Rivas and Rodrigo Guardiola’s gaze is firmly fixed in the present in his documentary Zoe: Panoramas, an introspective look inside one of Latin America’s biggest rock bands. The festival’s signature curated film series this year is entitled Enemy Nations, which refers to how whole nations of people suddenly became identified by the highest levels of the U.S. government as anti-American. The series presents a selection from each of these seven countries in an opportunity for you, the audience, to decide for yourself if the enemy is from beyond the borders, or within. The series includes Shiva Sanjari’s Here The Seats Are Vacant, a stunning portrayal of Iran’s first female director, who herself became an enemy of her nation with the rise of the Islamic Revolution. Also part of the series is Avo Kaprealian’s Houses Without Doors, a documentary shot surreptitiously by director with a small camera from the balcony of his home on the Syrian front line. The camera records the dramatic changes in his neighborhood and his own family. Five short films, which will be announced later, are part of the series as well. Forbidden Cuba is the first American feature film shot after the thawing of diplomatic relations between the island nation and the U.S. Art Jones’ picture is a cautionary tale about an American businessman who travels to Cuba to retrieve an executive gone rogue, only to have his own eyes opened to the beauty and vibrant culture of the country. In Sea Gypsies: The Far Side Of The World filmmaker Nico Edwards sets off for his own adventure as part of a motley crew of amateurs and seasoned sailors attempting the nearly impossible and certainly risky goal of traversing the ocean between New Zealand and Patagonia by way of Antarctica in a sailboat – in the dead of winter. Yes, in the Digital Age real-life adventure is yours for the taking IF you’re willing to pursue it. Water is also the subject of two more documentary films screening at the festival. In John Hopkins’ Bluefin, fresh from its U.S. premiere at Santa Barbara Film Festival earlier this year, the plight of a magnificent oceanic creature, which unfortunately is best known as a mainstay of sushi, is explored from different perspectives. It’s fresh water and the plight of humans in developing countries who lack it that is explored in Brian Wood’s A World Without Water. This special screening and event will be co-hosted by Los Angeles-based PH8, a NGO with international outreach. Rounding out the festival’s feature film line-up are two documentaries about the impact of encroaching civilization on precious forest land and its wildlife. Mónica Alvarez Franco’s Cloud Forest – which boasts stunning cinematography – documents the people of a small community in Mexico who are the guardians of one of the ecosystems most at risk in country. Tony Lee’s The Cat That Changed America is about a bona fide Hollywood star. P22 is the most famous lion in America, a cougar who lives in Griffith Park, and this is his amazing story. A final note about a late entry to the festival. VAXXED: From Cover-up to Controversy was a feature-length documentary invited to make its world premiere at last year’s Tribeca Film Festival when the screening was abruptly cancelled — the only film ever pulled from the festival’s line-up. Soon after, Robert DeNiro in his guise as Tribeca’s co-founder went on national television to proclaim he regretted his festival’s decision and urged the viewing public to go see the film, which by then had entered theatrical release. The man at the center of that film, medical researcher and author Andrew Wakefield, is also the focus of The Pathological Optimist, a biopic about the former medical doctor whose discovery of a link between the MMR vaccine and autism profoundly changed his life and challenged medical orthodoxy that all vaccines were safe for all children. In her film, which is making its Los Angeles theatrical premiere during DTLA Film Festival, director Miranda Bailey weaves a delicate portrait of a man who is both revered and vilified by millions, a full-access look at the man at the center of one of the biggest medical and media controversies of our times. “One of the missions of our nonprofit film festival is to reflect the rich ethnic-cultural diversity and creative free spirit of DTLA and its surrounding environs. We believe our audiences will agree that this year’s line-up wholeheartedly embraces that mandate,” said Greg Ptacek, festival director. The complete list of announced feature film presentations at the 9th DTLA Film Festival follows

    2017 DTLA Film Festival | Feature Films

    BLUE LINE STATION Director: Jorge Xolalpa Jr. Country: USA, Running Time: 80″ A high school couple embarks on an unusual journey to planned parenthood, in order to find the best solution to an unwanted pregnancy. BLUEFIN Director: John Hopkins Country: USA, Running Time: 53″ In the stunning documentary Bluefin, director John Hopkins crafts a tale of epic stakes set in the “tuna capital of the world.” Filmed in North Lake, Prince Edward Island, Canada, the film explores the baffling mystery of why the normally wary bluefin tuna no longer fear humans. BLUR CIRCLE Director: Christopher J. Hansen Country: USA, Running Time: 92″ Jill Temple is a single mother still grieving the loss of her young son after he disappeared two years ago. Unable to face the possibility that she has lost him forever, she pursues every lead and meets Burton Rose, a man with a shrouded past. CASSETTE A DOCUMENTARY MIX TAPE Director: Zachary Taylor, Georg Petzold and Seth Smoot Country: USA, Running Time: 92″ Cassette inventor Lou Ottens digs through his past to figure out why the audiotape won’t die. Rock veterans like Henry Rollins, Thurston Moore, and Ian MacKaye join a legion of young bands releasing music on tape to push Lou along on his journey to remember. THE CAT THAT CHANGED AMERICA Director: Tony Lee Country: USA, Running Time: 75″ P22 is the most famous cat in America, a mountain lion who lives in Griffith Park in the middle of LA. This is his amazing story. CLOUD FOREST Director: Mónica Alvarez Franco Country: MEXICO, Running Time: 90″ The people of a small community in Veracruz are the guardians of one of the ecosystems facing the most risk in the country: the cloud forest. They are trying to redesign their own culture: needs, food, education and relationship with other people and with nature, searching for a simpler and sustainable life. DARE TO BE DIFFERENT Director: Ellen Goldfarb Country: USA, Running Time: 93″ A wonderfully nostalgic look back at WLIR 92.7, the Long Island-based radio station on the cutting edge of music throughout the 1980s. Going rogue, the station defied the record industry and played global imports before their release by literally picking up the singles at the airport,rushing back to the studio and spinning them live. THE DATING PROJECT Director: Jonathan Cipiti Country: USA, Running Time: 70″ 50% of America is single. The way people seek and find love has radically changed. The trends of hanging out, hooking up, texting and social media have created a dating deficit. Dating is now…outdated. Follow 5 single people, ages 18 to 40, as they navigate this new landscape. DOG PARK Director: Jade Jenise Dixon Country: USA, Running Time: 91″ The romantic tribulations of a group of Toronto twenty-somethings whose relationships with their dogs are more stable and long-lasting than their romances with people. FORBIDDEN CUBA Director: Art Jones Country: USA, Running Time: 81″ The first American feature made in Cuba since the revolution of 1959. Part ‘Local Hero’ and ‘Hearts of Darkness,’ it’s a cautionary tale about capitalism and the state of the American soul. STORY: An American businessman travels to Cuba to retrieve an executive gone rogue, and finds his eyes opened to the beauty and vibrant culture of Cuba, challenging his corporate directives, his identity and everything he has known. FUTURE ’38 Director: Jamie Greenberg Country: USA, Running Time: 75″ A 1938 screwball comedy set in the far future year of 2018. A GRAY STATE Director: Erik Nelson Country: USA, Running Time: 93″ In 2010, David Crowley worked on a film about a future in which the government crushes civil liberties. When Crowley and his wife and child are found dead in 2014, conspiracy theorists speculate that they have been assassinated by the government. HARD SURFACES Director: Zach Brown Country: USA, Running Time: 89″ Adrian is a self-made man, despite the tragedy of his parents dying when he was a child. He is a famous photographer who has earned a following for his provocative style. Life appears to perfect until his sister Samantha suddenly dies, leaving him as the sole guardian of her 9-year-old daughter Maddy, whom he has never even met. Even while he clings to his life in the fast lane, he realizes everything must change if Maddy is to avoid the same pain he suffered as a child. HERE THE SEATS ARE VACANT Director: Shiva Sanjari Country: IRAN, Running Time: 81″ This is the story of a relentless spirit that refuses to be broken. The Iranian filmmaker known simply as Shahrzad in 1977 became the first female director in Iran after a successful career as a singer-dancer-actress. Two years later the Iran Revolution roared across the nation, and it has no room for a self-made woman like Shahrzad. The government never let her work again. Worse, she was imprisoned where she became mentally unraveled, eventually ending up in a mental institution. Today, she is 72 years old and dealing with a life in a small village in Iran. Oh, but her memories are wholly intact. This poignant documentary includes fantastic archival film footage of Shahrzad at the height other career. HOUSES WITHOUT DOORS Director: Avo Kaprealian Country: SYRIA, Running Time: 90″ The film portrays the changes in the life of an Armenian family on Aleppo’s frontline in Al Midan, an area that brought shelter to the persecuted Armenians 100 years ago and today to many displaced Syrians. From the balcony of his home, the director films with a small camera the changes in his neighbourhood and his own family, interweaving his images with extracts from classical films to illustrate the parallels between the Armenian genocide and Syrians’ reality today. LAURA GETS A CAT Director: Michael Ferrell Country: USA, Running Time: 83″ An unemployed writer in New York City, tries to juggle an unexciting boyfriend, an affair with a performance artist, and a vivid imaginary life. LIFE HACK Director: Sloan Copeland Country: USA, Running Time: 90″ A humorous, cautionary tale about cyber threats in the digital age. Cover your webcam. MOST BEAUTIFUL ISLAND Director: Ana Asensio Country: USA, Running Time: 80″ Luciana is a young immigrant woman is struggling to make ends meet in New York while striving to escape her past. As her day unfolds, she is whisked, physically and emotionally, through a series of troublesome, unforeseeable extremes. Before her day is done, she inadvertently finds herself a central participant in a cruel game. Lives are placed at risk, while psyches are twisted and broken for the perverse entertainment of a privileged few. THE PATHOLOGICAL OPTIMIST Director: Miranda Bailey Country: USA, Running Time: 106″ In the center of the recent Tribeca Film Festival scandal surrounding his film, VAXXED: From Cover-up to Controversy stands Andrew Wakefield, discredited and stripped of his medical license for his infamous study suggesting a link between the MMR vaccine, bowel disease, and autism. The Pathological Optimist takes us into the inner sanctum of Wakefield and his family from 2011- 2016 as he fights for his day in court in a little-known defamation case against the British Medical Journal. Wakefield attempts to clear his name as the media-appointed Father of the Anti-vaccine movement. Director Miranda Bailey weaves a delicate portrait of a man who is THE PATHOLOGICAL OPTIMIST utilizing a never-before-seen, full access look at the man at the center of one of the biggest medical and media controversies of our times. RESTRAINT Director: Adam Cushman Country: USA, Running Time: 95″ Angela Burroughs has been submerging her violent impulses for years. After moving to the suburbs with her controlling new husband and his 9-year-old daughter, Angela starts to unravel. She becomes obsessed with a short story called The Yellow Wallpaper and begins to see parallels between her own life and the life within the story. As her husband Jeff remains oblivious to her emerging demons, Angela plunges deeper and deeper into her own dark reality. SEA GYPSIES: THE FAR SIDE OF THE WORLD Director: Nico Edwards Country: USA, Running Time: 77″ The story of a small group of modern seafaring gypsies, following them as they strike out across the largest expanse of uninhabited geography on earth, in search of adventure, awe and whatever else lies at the far side of the world. SUPER DARK TIMES Director: Kevin Phillips Country: USA, Running Time: 100″ A harrowing but meticulously observed look at teenage lives in the era prior to the Columbine High School massacre. THIS IS EVERYTHIG: GIGI GORGEOUS Director: Barbara Kopple Country: USA, Running Time: 91″ Are there limits to your love for your family? One family’s acceptance is tested when a champion diver, destined for the Olympics, announces they’re transitioning from male to female and invites their YouTube followers along for every moment. It’s a story about unconditional love and finding the courage to be yourself. A THOUSAND JUNKIES Director: Tommy Swerdlow Country: USA, Running Time: 75″ Things grow more and more desperate, and ridiculous, as three heroin addicts drive all over Los Angeles in search of what they need. TILT Director: Kasra Farahani Country: USA, Running Time: 99″ Joe is working on a political documentary about America’s “Golden Age,” with the support of his wife Joanne. However, he begins to descend into paranoia and roams the streets at night in this haunting psychological thriller. UNLOCKED: THE WORLD OF GAMES REVEALED Director: Jeremy Snead Country: USA, Running Time: 90″ Video games have gone from an obscure science experiment in the early 1960’s to the biggest entertainment medium on the planet. Unlocked is a groundbreaking documentary from director Jeremy Snead that provides firsthand stories by industry icons, celebrities, consumers, and field experts on the culture, technology, history and future of the video game industry. VIRAL BEAUTY Director: David Tyson Lam Country: USA, Running Time: 90″ She wanted a date. She got a million subscribers instead. THE WORK Directors: Jairus Mcleary and Gethin Aldous Country: USA, Running Time: 89″ Set inside a single room in Folsom Prison, three men from the outside participate in a four-day group-therapy retreat with a group of incarcerated men for a real look at the challenges of rehabilitation. A WORLD WITHOUT WATER Director: Brian Woods Country: USA, Running Time: 80″ Every day 3900 children die as a result of insufficient or unclean water supplies. ‘A World Without Water’ tells of the personal tragedies behind the mounting privatization of water supplies. ZOE: PANORAMAS Director: Gabriel Cruz Rivas and Rodrigo Guardiola Country: MEXICO, Running Time: 89″ A unique and introspective look inside one of Latin America’s biggest rock bands: Zoé. The film takes you on a contemplative and audiovisual journey through one of the bands decisive years.

    Read more


  • 2017 London Film Festival Unveils Lineup of 242 Feature Films + 128 Shorts

    [caption id="attachment_24242" align="aligncenter" width="1144"]The Meyerowitz Stories (New and Selected) The Meyerowitz Stories (New and Selected)[/caption] The 61st BFI London Film Festival today announced its full program, featuring a diverse selection of 242 feature films including 46 documentaries, 6 animations, 14 archive restorations and 16 artists’ moving image features. The program also includes 128 short films, and 67 countries are represented across short film and features. Alongside the Galas, Special Presentations and films in Competitions, the Festival will show a range of new cinema in sections aka strands titled Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Experimenta and Family. In 2017, the LFF debuts a new strand, Create, featuring films that celebrate artistic practice in all its channels and forms the electricity of the creative process, reflecting London’s position as one of the world’s leading creative cities. Audiences will have the opportunity to hear some of the world’s creative leaders through the Festival’s acclaimed talks’ series LFF Connects, which features artists working at the intersection of film and other creative industries, and Screen Talks, a series of in-depth interviews with leaders in contemporary cinema. Participants this year include Julian Rosefeldt & Cate Blanchett, David Fincher, Demis Hassabis, Nitin Sawhney, Johan Knattrup Jensen, Ian McEwan and Takashi Miike.

    OFFICIAL COMPETITION

    Robin Campillo, 120 BPM (BEATS PER MINUTE) Vivian Qu, ANGELS WEAR WHITE Majid Majidi, BEYOND THE CLOUDS (World Premiere) Nora Twomey, THE BREADWINNER (European Premiere) Juliana Rojas, Marco Dutra, GOOD MANNERS Xavier Beauvois, THE GUARDIANS (European Premiere) Andrew Haigh, LEAN ON PETE Andrey Zvyagintsev, LOVELESS Azazel Jacobs, THE LOVERS (European Premiere) Warwick Thornton, SWEET COUNTRY Cory Finley, THOROUGHBRED (International Premiere) Annemarie Jacir, WAJIB

    FIRST FEATURE COMPETITION

    Daniel Kokotajlo, APOSTASY Léa Mysius, AVA Michael Pearce, BEAST (European Premiere) Ofir Raul Graizer, THE CAKEMAKER Gilles Coulier, CARGO Kogonada, COLUMBUS Rungano Nyoni, I AM NOT A WITCH Léonor Serraille, JEUNE FEMME Ana Asensio, MOST BEAUTIFUL ISLAND Carla Simón, SUMMER 1993 Hlynur Pálmason, WINTER BROTHERS John Trengove, THE WOUND

    DOCUMENTARY COMPETITION

    Maryam Goormaghtigh, BEFORE SUMMER ENDS Elvira Lind, BOBBI JENE Arash Kamali Sarvestani, Behrouz Boochani, CHAUKA, PLEASE TELL US THE TIME (International Premiere) Radu Jude, THE DEAD NATION Shevaun Mizrahi, DISTANT CONSTELLATION Frederick Wiseman, EX LIBRIS – THE NEW YORK PUBLIC LIBRARY Agnès Varda, JR, FACES PLACES Austin Lynch, Matthew Booth, GRAY HOUSE Brett Morgen, JANE (European Premiere) Lucy Cohen, KINGDOM OF US (World Premiere) Emmanuel Gras, MAKALA Sonia Kronlund, THE PRINCE OF NOTHINGWOOD

    SHORT FILM AWARD

    Gabriel Abrantes, THE ARTIFICIAL HUMORS Phil Collins, DELETE BEACH Billie Pleffer, FYSH (International Premiere) Anna Cazenave Cambet, GABBER LOVER Karishma Dube, GODDESS Aegina Brahim, LAWS OF THE GAME Jonathan Vinel, MARTIN CRIES Patrick Bresnan THE RABBIT HUNT Moin Hussain, REAL GODS REQUIRE BLOOD Kibwe Tavares, ROBOT & SCARECROW Kazik Radwanski, SCAFFOLD Harry Lighton, WREN BOYS (World Premiere) The Festival program is organized in strands: Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Family, Treasures and Experimenta.

    LOVE

    The Love Gala is the European Premiere of Dominic Cooke’s quietly heart-breaking film debut ON CHESIL BEACH. Saoirse Ronan and rising actor Billy Howle star as a young couple in the early 1960s struggling to physically connect on their honeymoon, impeccably adapted for the big screen by Ian McEwan from his own Man Booker-shortlisted novela. Other highlights in this section include: CLOSE-KNIT, Naoko Ogigami’s quietly subversive and emotionally rich portrait of a transwoman whose maternal feelings are stirred by the arrival of her boyfriend’s 11-year-old niece; THE GROWN-UPS, Maïte Alberdi’s tender and bittersweet documentary portrait of Chileans Anita and Andres, who have Down’s syndrome and are very much in love; the World Premiere of Carlos Marques Marcet’s ANCHOR AND HOPE, a London-set story about modern love and family featuring Oona Chaplin; John Cameron Mitchell’s cosmic ride HOW TO TALK TO GIRLS AT PARTIES, sees aliens have landed in 1970s Croydon in a funny, energetic love story starring Elle Fanning, Alex Sharp and Nicole Kidman; the World Premiere of JOURNEYMAN, features Paddy Considine following up his acclaimed debut Tyrannosaur with the story of a boxer who must rebuild his life after a near-fatal injury; GOING WEST, a World Premiere from Norwegian newcomer Henrik Martin Dahlsbakken who delivers a sweetly delicious road movie; LET THE SUNSHINE IN, Claire Denis’ darkly witty drama starring Juliette Binoche as an artist caught up in a series of unsatisfying affairs, and David Gordon Green’s rousing yet devastating true-story drama STRONGER featuring a remarkable performance by Jake Gyllenhaal as a survivor of the Boston Marathon bombing.

    DEBATE

    This year’s Debate Gala is Samuel Maoz’s FOXTROT, a film that combines thrilling cinematography with superb performances, and highlights the absurdities of conscripted service. Debate also includes: BIRDS ARE SINGING IN KIGALI, Joanna Kos-Krauze and Krzysztof Krauze’s hard-hitting drama about the intertwined lives of two refugee survivors reeling from the impact of the Rwandan genocide and containing powerful central performances; the World Premiere of THE CLIMB, Michael Woodward’s debut documentary that charts Greenpeace’s daring all-female team that illegally ascended The Shard in protest against petroleum giant Shell’s plans to dig for oil in the Arctic; the World Premiere of THE FORGIVEN, Roland Joffé’s political drama starring Forest Whitaker as Desmond Tutu and Eric Bana as Piet Blomfeld, asking how far we can go in forgiving past crimes; the World Premiere of ISLAND, Steven Eastwood’s haunting and deeply moving documentary combining observational footage with contemplative shots of the costal landscapes of the Isle of Wight, and set among terminally ill cancer patients, and THE VENERABLE W., Barbet Schroeder’s disturbingly illuminating portrait of Buddhist monk Ashin Wirathu, who was known for espousing anti-Muslim hatred.

    LAUGH

    This year’s Laugh Gala is Noah Baumbach’s THE MEYEROWITZ STORIES (NEW AND SELECTED). A stellar cast give uniformly excellent performances, including Dustin Hoffman, Ben Stiller, Adam Sandler, Elizabeth Marvel and Emma Thompson. Through the madcap antics of a neurotic, failure-obsessed clan, Baumbach surfaces bigger questions about how to value family and the meaning of success. Laugh also includes: the World Premiere of Adrian Shergold’s FUNNY COW, which contains a formidable performance from Maxine Peake as an aspiring stand-up comic confronting her violent husband and the sexist Northern England club circuit; INGRID GOES WEST, Matt Spicer’s jet-black stalker comedy brilliantly skewers dangerous obsession and the sham of Instagrammed perfection with wicked and fearless performances from Elizabeth Olsen and Aubrey Plaza; joy and grace flow out of Dustin Guy Defa’s observational comedy drama PERSON TO PERSON, starring Michael Cera as a reporter keen on quoting (his own) heavy metal lyrics; Daan Bakker’s QUALITY TIME is perfect for lovers of experimental and irreverent cinema offering a portmanteau selection of stories of male arrested development; and Henrik Ruben Genz’s WORD OF GOD is set months after the Chernobyl disaster and provides dark and dirty humour where pretty much nothing is off limits.

    DARE

    The Dare Gala is François Ozon’s frisky new thriller, AMANT DOUBLE, a deliciously duplicitous tale of psychoanalysis and seduction that channels the spirits of Hitchcock and De Palma at their naughtiest and stars Jérémie Renier, Marine Vacth and Jacqueline Bisset. Other highlights in the strand include: Eliza Hittman’s BEACH RATS, a gripping investigation of repressed sexual desire in a hyper-masculine environment; Jon Garaño and Aitor Arregi’s touching drama GIANT, set in 19th century Spain and based on the true story of Mikel Jokin Eleizegi, allegedly the tallest man of his time; Semih Kaplanoğlu’s spellbinding dystopian sci-fi, GRAIN in which climate change has caused the nearextinction of human life; Liu Jian’s adult animé HAVE A NICE DAY, a biting, bone-dry satire on contemporary Chinese social mores and featuring plenty of bloodthirsty Tarantino-esque genre thrills; the European Premiere of Bornila Chatterjee’s THE HUNGRY, which reworks Shakespeare’s bloody Titus Andronicus into a macabre modern tragedy set in Northern India; Barbara Albert’s resplendent drama MADEMOISELLE PARADIS, based on the true story of Maria Theresia ‘Resi’ von Paradis, a gifted blind musician and contemporary of Mozart, paraded through Vienna’s courts to perform; Jean Libon and Yves Hinant’s jawdropping and extraordinary documentary SO HELP ME GOD, which details the work of an unorthodox Belgian judge Anne Gruwez as she tackles gruesome crimes, domestic violence and other sordid cases; and WESTERN, director Valeska Grisebach’s contemporary western in which tensions mount between German construction workers and Bulgarian villagers in a small rural town.

    THRILL

    This year’s Thrill Gala is Takashi Miike’s savage and inventive action thriller, BLADE OF THE IMMORTAL, based on the famous manga series by Hiroaki Samurai about a samurai cursed with immortal life and has the distinction of being Miike’s 100th feature film. Thrill also features: the European Premiere of Nattawut Poonpiriya’s Thai teen thriller BAD GENIUS, in which young brainiac Lynn uses a very special set of skills to cheat on behalf of her classmates in the high-stakes world of entrance exams for elite international universities; the European Premiere of Anurag Kashyap’s THE BRAWLER in which a young and talented Indian boxer dreams of being champion, but is knocked sideways when he falls for the niece of the man blocking his road to success; Aaron Katz’s GEMINI in which a heinous crime tests the complex relationship between a tenacious personal assistant, Jill played by Lola Kirke and her Hollywood movie star boss Heather played by Zoë Kravitz; the Safdie brothers’ latest film GOOD TIME features Robert Pattinson as a small-time New York criminal, who after a bank robbery goes seriously wrong, devises a plan to spring his injured accomplice from police custody; Jennifer Peedom’s spectacular documentary MOUNTAIN, is a mind-blowing symphony of images and sound chronicling the powerful attraction mountains hold over us; love, crime and action combine in a taut and twisty thriller-cum-romance in Michaël R. Roskam’s RACER AND THE JAILBIRD starring Adèle Exarchopoulos as Bibi, a young racing driver and Matthias Schoenaerts as Gigi the Jailbird, a dashing playboy with, it seems, time and money to burn; Ian Nelms and Eshom Nelms’ blackly comic, crime noir, SMALL TOWN CRIME (European Premiere) stars John Hawkes as alcoholic former cop Mike, channelling a drunk Columbo who embarks on his own unofficial crime investigation while Octavia Spencer plays his supportive sister Kelly who is starting to lose patience with Mike’s lying, drifting and drinking; and the International Premiere of Xin Yukun’s sophisticated arthouse thriller, WRATH OF SILENCE featuring martial arts maestro Song Yang, as a mute bruiser who returns to his home, a remote farming village, following the disappearance of his son. With tight plotting, memorable characters and an unforgettable climax, director Xin Yukun establishes himself as a new international filmmaker you need to know.

    CULT

    The Cult Gala is Joachim Trier’s subtle shocker THELMA, a supernaturally-tinged tale of a young woman’s macabre coming of age. Other titles in the strand include: S. Craig Zahler’s genre-bending, bone-crunching exercise in slow-burn suspense, BRAWL IN CELL BLOCK 99, starring Vince Vaughn as a former boxer-turned mechanic involved in a drug deal that goes wrong that sees him behind bars; the walking dead get a second chance at life in David Freyne’s debut THE CURED starring Ellen Page in an inventive and surprising post-zombie era drama where a cure has been found for the infected and the rehabilitated are transitioned back into society; the World Premiere of Jeremy Dyson and Andy Nyman’s GHOST STORIES in which they bring their hit London stage play to the big screen, with suitably chilling results. Nyman plays Phillip Goodman, an academic and professional sceptic out to debunk claims of the supernatural , but when he stumbles across a long lost file containing three unsolved cases of the Occult, his whole belief system – not to mention his sanity – is thrown into question; LET THE CORPSES TAN is directing duo Hélène Cattet and Bruno Forzani’s adaptation of JeanPatrick Manchette’s influential 1971 crime novel and the result is a sun-drenched Western-tinged, crimecaper; MY FRIEND DAHMER is director Marc Meyers’ adaptation of John Backderf’s revered graphic novel and is an unnerving portrait of one of America’s most prolific murderers, Jeffrey Dahmer; and Paco Plaza’s much-anticipated new horror film, VERONICA, inspired by an actual unsolved case in Spain and a no-holds barred supernatural shocker.

    JOURNEY

    This year’s Journey Gala is Todd Haynes’ new film WONDERSTRUCK, an enthralling adaptation of Brian Selznick’s acclaimed young adult novel. Featuring Julianne Moore and Michelle Williams in supporting roles alongside a gifted young cast, Oakes Fegley and newcomer Millicent Simmonds, a deaf actress making her film debut, it is both a whimsical children’s film for adults and a refreshingly grown-up film for children. Other Journey titles include: Arshad Khan’s ABU, a compelling documentary about a young Pakistani man’s difficulties in coping with migration and the resultant cultural change, his emerging sexuality and an increasingly orthodox father; Iraqi filmmaker Mohamed Jabarah Al-Daradji’s THE JOURNEY, a taut, thoughtprovoking thriller that tackles what might just be the final moments of a potential suicide bomber’s life; David Batty’s stylish documentary MY GENERATION, presented and narrated by Michael Caine, playfully explores the impact of Britain’s working class cultural revolution in the 1960s and features a wealth of archive footage and a spot-on soundtrack from The Beatles, The Rolling Stones, The Kinks and The Who, which makes for an exhilarating journey back in time; the European Premiere of Egyptian director Amr Salama’s SHEIKH JACKSON, a bittersweet and poignant tale of an Islamist preacher experiencing a crisis of faith following the death of the King of Pop, Michael Jackson; Marc J. Francis and Max Pugh’s fascinating and immersive exploration of mindfulness, WALK WITH ME, featuring narration by Benedict Cumberbatch, follows the daily rituals and routine of Zen master Thich Nhat Hanh and offers a rare insight into life within a monastic community; and the World Premiere of THE WHITE GIRL, where debut director Jenny Suen collaborates with legendary cinematographer Christopher Doyle on an intoxicating and textually rich film.

    CREATE

    The brand new Create strand channels the electricity of the act of creation, celebrating artistic expression in all its forms. The inaugural Create Gala is Michel Hazanavicius’ REDOUBTABLE, an audacious, multi-layered biopic of French cinema’s most notorious director, Jean-Luc Godard. Also in Create: Greg Kohs’ ALPHAGO the story of how Google’s DeepMind team took on Go world champion Lee Sedol, posing questions about whether computers can think creatively and whether there is an algorithm for intuition; the World Premiere of THE BALLAD OF SHIRLEY COLLINS, Rob Curry and Tim Plester’s portrait of one of the great British folks singers who mysteriously lost her voice in 1980; G-FUNK tells the story of how three childhood friends from East Long Beach Warren G, Snoop Dogg and the late great Nate Dogg, transformed hip-hop into a global phenomenon and changed the world; the World Premiere of William Badgely’s HERE TO BE HEARD: THE STORY OF THE SLITS is a riveting film about the game-changing and largely female feminist punk band; Dorota Kobiela and Hugh Welchman’s LOVING VINCENT is a stunning, fully painted animated feature created in the style of Van Gogh’s paintings matching extraordinary style with richly satisfying storytelling, broadcast live from the National Gallery to cinemas nationwide; and Julian Rosefeldt’s MANIFESTO starring Cate Blanchett as thirteen different characters in this energetic tribute to artistic troublemakers.

    FAMILY

    Showcasing films for the young, as well as the young at heart the Family Gala is THE BIG BAD FOX AND OTHER TALES, an outstanding, laugh-a-minute animation from Benjamin Renner and Patrick Imbert, the team behind Ernest & Celestine (LFF 2012, Family Gala) and is guaranteed to appeal to adults as much as it will to children. Other highlights include Chang-yong Moon and Jin Jeon’s beautifully made documentary BECOMING WHO I WAS about a young monk Padma Angdu, who is said to be the latest incarnation of a religious teacher, known as a Rinpoche, and his attempts to reach the home he had in a former life; Xuan Liang and Chun Zhang’s visually breath-taking Chinese animated fantasy, BIG FISH & BEGONIA is as near to the best of Studio Ghibli as you’re likely to find anywhere; Meikeminne Clinckspoor’s family adventure CLOUDBOY is about 12- year-old Niilas who is sent away against his wishes to spend the summer with his estranged mother in Swedish Lapland, among the indigenous reindeer herding Sami people; and winner of the top prize at this year’s Annecy Animation Film Festival, Masaaki Yuasa’s anime LU OVER THE WALL brings human and merfolk together with surprising outcomes. This funky, upbeat tale is full of energy, features cute ‘merdogs’, musical mermaids and a giant humanoid shark and has a really cool soundtrack. This section also includes a program of animated shorts for younger audiences which bring together eclectic, exciting and colourful films from all around the globe.

    TREASURES

    The Treasures selection brings recently restored cinematic classics from archives around the world to the Festival in London. The Archive Gala is the World Premiere of the BFI National Archive restoration of the silent film SHIRAZ: A ROMANCE OF INDIA (1928), a ravishing, romantic tale based on the story of the 17th century Mughal ruler Shah Jahan, his queen and the building of the world’s most beautiful monument to love, the Taj Mahal. Directed by Franz Osten, based on a play by Niranjan Pal and starring and produced by Himansu Rai, the film was shot entirely in India and performed by an all-Indian cast. Other highlights include the World Premieres of the 4K restoration by Sony Pictures Entertainment of Michael Powell and Emeric Pressburger’s A MATTER OF LIFE AND DEATH (1946); the digitally remastered experimental documentary FRANTZ FANON: BLACK SKIN WHITE MASK (1996), directed by artist and filmmaker Isaac Julien, as well as the new 4K restoration, by The BFI National Archive and The Film Foundation, with funding provided by the George Lucas Family Foundation, of Terry Gilliam’s first feature as a solo director, JABBERWOCKY (1977). The Festival will also screen the 4K restoration of Toshio Matsumoto’s FUNERAL PARADE OF ROSES (1969), a wild, kaleidoscopic vision of the underground scene in 1960s Japan and a significant influence on Stanley Kubrick’s A Clockwork Orange and Italian genre-master Dario Argento’s eye-popping slice of technicolour terror, SUSPIRIA (1977) with stunning 4K restoration.

    EXPERIMENTA

    Experimenta features films and videos by artists who transform our experience of seeing moving images. Highlights include: the World Premiere of Benedict Seymour’s DEAD THE ENDS, a politically urgent retelling of Chris Marker’s La Jetée bookended by the 2011 London riots; ERASE AND FORGET, Andrea Luka Zimmerman’s film is an excavation of the influence of fiction on truth in the American imagination of warfare and gun culture; the World Premiere of LEK AND THE DOGS, Andrew Kötting’s account of the ultimate outsider uses a range of visual styles derived from avant garde and genre cinema, and Kevin Jerome Everson’s TONSLER PARK uses an unobtrusive observational style to divulge the mechanisms behind the operation of Election Day at polling stations in Charlottesville, Virginia.  

    Read more


  • Fantasia Film Festival Announces Final Lineup, Closes with Jang Hoon’s A TAXI DRIVER

    [caption id="attachment_22990" align="aligncenter" width="1200"]A TAXI DRIVER A TAXI DRIVER[/caption] Fantasia will close its 2017 edition with the International Premiere of A TAXI DRIVER, by director Jang Hoon. On May 18th, 1980, one of the darkest chapters in South Korea’s recent history began. Protesting against Chun Doo-hwan’s dictatorship, hundreds of citizens of Gwangju, particularly students, were beaten, arrested or killed by the army who was hiding behind a well-orchestrated propaganda campaign blinding the entire nation. So when struggling single-father Man-seob decides to take a German journalist from Seoul to Gwangju in his taxi to clear off his debts, he has no idea how dangerous their journey will be. Director Jang Hoon has established himself as one of the most talented and versatile Korean filmmakers with award winning films like ROUGH CUT and THE FRONT LINE. Reteaming with Hoon after the action thriller THE SECRET REUNION, legendary actor Song Kang-ho (THE HOST, SNOWPIERCER) delivers one of the strongest performances of his career in this unforgettable historical drama. The Fantasia Film Festival announced the remainder of its mammoth 2017 film lineup, in addition to its juries and special events. A tense, nocturnal odyssey of poor decision-making that escalates to a nearly unbearable pitch, the Safdie brothers’ Cannes Competition sensation GOOD TIME is a high-wire exercise in intensity, starring Robert Pattinson in a career-best performance. Tipping their hats to ’70s thrillers, the Safdies’ new film also builds beautifully on their previous effort, HEAVEN KNOWS WHAT – here’s another maddeningly bleak vision of New York City’s underbelly, nonetheless beaming with humanity and authenticity. North American Premiere. Directors in Attendance. Directed by David Leitch (JOHN WICK, the upcoming DEADPOOL 2), ATOMIC BLONDE, screening in the Action! section, is a blistering blend of sleek action, gritty sexuality, and dazzling neon-drenched style with a cast that includes Charlize Theron, John Goodman, Til Schweiger, and Sofia Boutella. The film boasts one thrilling fight sequence in particular – set in a stairwell and with no cuts – that has already entered the annals of action film history. Official Selection: SXSW 2017. Special Screening. Fantasia’s Camera Lucida section is back! Dedicated to the most original and singular visions, at the outer edges of genre cinema, it will close this year’s selection with the World Premiere of Robert Morin’s LE PROBLÈME D’INFILTRATION (INFILTRATION), also screening during the festival’s closing night on August 2, 2017. An experimental film and formal experiment only Morin could have made, LE PROBLÈME D’INFILTRATION (INFILTRATION) is a unique, angst-ridden portrait composed of a series of distinctive, surrealistic long takes, that brilliantly convey the existential crisis and downward spiral of Dr. Louis Richard (Christian Bégin), a plastic surgeon specializing in burn victims. A bold film that simultaneously evokes German Expressionist art and avant-garde video. See below for the rest of the Camera Lucida line-up. Director, Cast, and Crew in Attendance. The big-screen return of one of Polish Cinema’s national treasures, Agnieszka Holland (EUROPA EUROPA, THE SECRET GARDEN), still such a vibrant filmmaker at nearly 70 years of age, SPOOR took home a richly deserved award at the Berlinale earlier this year. Unconventional, poetic and beguiling, it is a genuinely radical film – some have even called it dangerous – that is one part fantastical murder mystery, one part eco-thriller. A retired teacher who speaks truth to power to protect the region’s wildlife finds herself at the center of a surreal series of happenings, with hunters and authority figures found murdered, various animal tracks near the bodies. Could the animals be having their revenge? One of the most subversive genre works we’ve seen in years. North American Premiere. Following the 2015 International Premiere of Sion Sono’s Red Light District-set yakuza/talent agency action-drama film SHINJUKU SWAN, Fantasia will unveil the International Premiere of its sequel, SHINJUKU SWAN II! Reuniting maverick filmmaker Sion Sono (TAG, LOVE EXPOSURE, the upcoming Amazon series TOKYO VAMPIRE HOTEL) with superstar Go Ayano (RAGE, LUPIN THE THIRD), this sequel adapts the arc “Yokohama Kingdom” from Ken Wakui’s popular seinen manga series of the same name, and finds the titular, energetic talent scout going head-to-head with a rival Yokohama agency, led by boss Taki (the one and only Tadanobu Asano of SURVIVE STYLE 5+, JOURNEY TO THE SHORE, and ICHI THE KILLER)! International Premiere. Fantasia audiences may best remember him from THE MAN WHO SAVED THE WORLD (aka TURKISH STAR WARS), but to international audiences, Cüneyt Arkın is a legendary icon whose career spanned 50 glorious years and nearly 300 films. He’s done every conceivable genre from grand historical epics and martial arts to romantic comedies, westerns, and hard-boiled crime flicks. He’s played an Ottoman warrior, cop, heartbreaker, pirate, and even a Turkish Davy Crockett. Over his five decades in cinema, the incredible Arkın was his country’s Jackie Chan – acting, writing, directing, and performing his own stunts! Fantasia will present a Lifetime Achievement Award to Mr Arkın, and will celebrate his extraordinary career with special repertory screenings of THE MAN WHO SAVED THE WORLD, Çetin İnanç’s WILD BLOOD (aka the Turkish FIRST BLOOD!), and the ninjasploitation head-exploder DEATH WARRIOR. These events, in addition to the World Premiere screening of Emir Mavitan’s NOMAD and a free outdoor projection of Ceyda Torun’s documentary sensation KEDI are presented with the support of the Republic of Turkey Ministry of Culture and Tourism. Luchador films hold a special place in Fantasia-goers hearts. In the early editions of the festival, screenings of numerous luchador films were held in front of sold out crowds at the 900-seat Imperial Theater. This year marks a very special occasion, as the fest will be graced by one of lucha libre’s most famous heroes, the legendary Mil Máscaras. With Blue Demon and El Santo, this legendary masked wrestler was part of a trio of athletes who, in the 60’s and early 70’s, turned this unique brand of Mexican superhero film into a worldwide phenomenon. Mil Máscaras will be awarded a Fantasia Lifetime Achievement Award for his extraordinary career as a Mexican film icon and one of the greatest professional wrestlers of all time. The award will be presented before the presentation of a double bill of two features starring Mil Máscaras: 1972’s LAS MOMIAS DE GUANAJUATO, arguably the most famous luchador film of all time (co-starring El Santo and Blue Demon), and AZTEC REVENGE, Aaron Crozier’s recently-produced American feature from writer Jeffrey Uhlmann, who will be in attendance. A sensation on the 2017 festival circuit – first unveiled at Sundance, then swerving by SXSW, and recently closing the prestigious Director’s Fortnight (Quinzaine des Réalisateurs) section of the Cannes Film Festival – PATTI CAKE$ now stops at Fantasia for its Canadian Premiere! Starring the amazing newcomer Danielle Macdonald in the lead role of Patricia Dumbrowski, a.k.a. Killa P, a.k.a. Patti Cake$, this is a first feature film from acclaimed music video director Geremy Jasper. Reminiscent of films like LITTLE MISS SUNSHINE, 8 MILE, and 2016 Fantasia discovery SOME FREAKS, PATTI CAKE$ is a brilliant cult classic in the making; an empowering outsider story told with unparalleled heart and conviction. Canadian Premiere. Following a mysterious car crash, a man with no memory of his past becomes inexplicably lethal to anyone in his path. His bizarre death force only appears to be neutralized when in the very close vicinity of Jane, a woman who suffers a similarly clouded memory. Together, they’ll try to recall their past and understand the tie that that seems to bind them. But they can’t ever be more than 50 feet apart or people will die. Directed by SANS DESSEIN filmmakers Caroline Labrèche and Steeve Léonard, RADIUS is the latest project seeing the light because of Frontières, Fantasia’s international co-production market. It’s our pleasure to present the World Premiere of this unique Quebec-made genre work. Directors in Attendance. Beloved director Takashi Miike (AUDITION, ICHI THE KILLER) may have received a Lifetime Achievement Award at last year’s edition of Fantasia, but he won’t stop delivering over the top crowd pleasers! Reteaming with screenwriter Kankuro Kudo, who also directed last year’s Audience Award winner TOO YOUNG TO DIE!, Miike delivers a crazier and funnier sequel to THE MOLE SONG: SECRET AGENT REIJI loaded with unambiguous sex jokes, strange action scenes, crotch injuries and gorgeous set pieces. Actor Toma Ikuta (THE TOP SECRET: MURDER IN MIND) delivers an incredible physical performance in the role of the libidinous mole Reiji who is now tracked down by the police, the yakuza boss he work for, and a lethal Chinese gang. Miike is back in all his mischievous glory with the Canadian Premiere of THE MOLE SONG: HONG KONG CAPRICCIO! During one of his many Asian adventures, Patrick (François Arnaud), a visual artist who specializes in Chinese art, encounters a mysterious man who makes him discover his latent gift for time travel. Stunningly directed and compellingly intimate, ORIGAMI is a UFO on the landscape of Quebec cinema that succeeds in applying sci-fi genre markers to a primarily human story. World Premiere. Directors in Attendance. Fantasia will be presenting the World Premieres of Jenna Cavelle’s BLOOD HEIST – about DIY filmmakers who simultaneously commit a star-crossed armed robbery and shoot a vérité film of it – and Melanie Aitkenhead’s BLOOD RIDE – which depicts the violence and avenging of a ferocious female biker gang lead by Pollyanna McIntosh – as a special rip-roaring indie double bill. Both femme-made, revivalist – nay, revisionist – exploitation films were spearheaded by producer/co-star James Franco and producers Vince Jolivette (SPRING BREAKERS) and Jay Davis. Get ready for blood… and more blood! World Premieres. After slaying Sundance at its debut and knocking out Cannes (where it had its European Premiere in Director’s Fortnight), BUSHWICK will be making its first Canadian stand at Fantasia 2017! The couldn’t-be-more-timely sophomore feature from directors Cary Murnion and Jonathan Milott (Fantasia 2015’s COOTIES) sees Bushwick, New York erupt into a war zone as Southern nationalist militia forces attack the city. Starring Dave Bautista and Brittany Snow, BUSHWICK almost never stops moving, as Murnion and Milott employ long, fluid takes (shot on real Brooklyn locations) that follow its characters from one hoped-for sanctuary to the next, punctuated by bursts of startling, caught-on-the-fly violence. Canadian Premiere. To reward himself for his new teaching gig in Sapporo, 29-year-old Manabu decides to celebrate New Year’s Eve with a little treat at a local sex club. On the verge of… climaxing, he’s struck by a brain hemorrhage and ends up buck naked at the hospital surrounded by his worried family who want to know how this happened. Based on the autobiographical manga from Manabu Nakagawa, ALMOST COMING, ALMOST DYING is a funny and endearing independent film from first time filmmaker Toshimasa Kobayashi. With its witty dialogues delivering family interactions worthy of WHAT A WONDERFUL FAMILY! and its creepy bat-wielding giant teddy bear (?!?), Kobayashi perfectly transposes the blend of everyday life situations and weird creativity that made Nakagawa’s manga so popular. International Premiere. As part of the closing night events, Fantasia will be showcasing the first public screening of Synapse Films’ long anticipated 4K restoration of Dario Argento’s SUSPIRIA, just in time for its 40th anniversary. A Grand Guignol fairy tale from the darkest recesses of creative brilliance, SUSPIRIA remains one of the most visually and sonically breathtaking genre works in the history of film, its complex aesthetics all but impossible to reproduce with accuracy on any non-Technicolor – let alone non-photochemical – medium to date. For the past three years, Synapse Films have been working on the definitive restoration of Argento’s masterpiece, with the full cooperation, supervision and approval of its celebrated cinematographer Luciano Tovoli, who spared no effort to accurately reproduce the film’s original IB Technicolor visuals. With all the love and obsession that this extraordinary film commands, SUSPIRIA has been restored from the fully uncut, original 35mm Italian camera negative and will be presented with the legendary 4.0 discrete sound mix not heard since its 1977 theatrical release.

    ACTION!

    Also, for the first time in its long-running history, the films in the Action! section will be competitive, with an esteemed debut jury comprised of Quebec director Érik Canuel, Midnight Madness programmer Peter Kuplowsky, and producer Hugues Barbier! BOYKA: UNDISPUTED Bulgaria – Dir. Todor Chapkanov Martial arts fans have waited a long time for the return of their champion, and with BOYKA: UNDISPUTED, Scott Adkins takes his beloved character to new heights, pushing the limits of action cinema. Boyka is back – and his punches connect! Canadian Premiere. Actor Scott Adkins in Attendance. BROKEN SWORD HERO Thailand – Dir. Bin Bunluerit Like Tony Jaa before him, Bua Khaw Bunchamek makes an unmissable, intense impact with his first appearance on the big screen. This jaw-dropping historical epic showcases all of the four-time Muy Thai champion’s talents in an action-packed and highly entertaining adventure set in1700s Thailand. North American Premiere. CONFIDENTIAL ASSIGNMENT South Korea – Dir. Kim Sung-hoon For years, Fantasia has presented the latest in exciting Korean action, and each time they raise the bar another notch. This wild Cold War thriller is no exception, featuring spectacular fights, tight urban chases, puzzling intrigue, and a stunning action turn from k-drama star Hyun Bin! Quebec Premiere. DARKLAND Denmark – Dir. Fenar Ahmad Dar Salim (EXODUS, GAME OF THRONES) plays a prosperous Copenhagen surgeon who, when pushed too far, decides to avenge his murdered brother and take down the gangs that have overrun his city. A blockbuster in its native Denmark, Fenar Ahmad’s DARKLAND is both a brilliant action thriller and a thoughtful commentary on the challenges of immigration. North American Premiere. DOUBLE BARREL India – Dir. Jose Pellissery Featuring the brothers Prithviraj and Indrajith Sukumaran, two noted Indian stars, Lijo Jose Pellissery’s DOUBLE BARREL is an action-comedy that veers wildly off the beaten track, with an ultra-inspired screenplay and visual presentation bursting with panache. One of the most delectable Indian films of recent vintage. Canadian Premiere. OVERDRIVE France – Dir. Antonio Negret From the writers of WANTED and 2 FAST 2 FURIOUS comes an utterly bombastic actioner that runs on blood, sweat, and rocket fuel! Scott Eastwood and Ana de Armas (of the upcoming BLADE RUNNER 2049) star in this stunt-filled, explosive thriller set under the scorching sun of southern France. Director Antonio Negret has crafted a smart, sexy tale of car thieves on the run – and stuck its throttle at 4000 rpm! North American Premiere. PLAN B Germany – Dir. Ufuk Genc and Micheal Popescu A trio of aspiring martial artists are blackmailed into criminal activity for the Berlin mob in this near-perfect actioner featuring spectacular fights, loads of laughs, and great chemistry from its hilarious stars. With PLAN B, Germany’s Ufuk Genc and Micheal Popescu prove they have the cinematic chops to stand alongside the world’s finest action directors. North American Premiere. Directors in Attendance. SAVAGE DOG USA – Dir. Jesse V. Johnson In this whirlwind of fists and feet that piles one relentless action sequence after another, an ass-kicking ex-con is forced back into the ring to save his new friends’ bar – and possibly their lives! Action legends Scott Adkins, Marko Zaror, and Cung Le each give 110%, and deliver 90 minutes of pure, face-smashing thrills. Canadian Premiere. Writer/Director Jesse V. Johnson and Actor Scott Adkins in Attendance. TERMINATOR 2: JUDGMENT DAY 3D USA – Dir. James Cameron He said he’d be back, and he kept his word. Twenty-six years after revolutionizing action cinema, James Cameron presents a newly-restored 3D version of his classic, era-defining science fiction masterpiece about a mother, son, and cyborg attempting to stop a visage-changing robot from bringing on a nuclear apocalypse. Not in Competition. North American Premiere. Previously announced Action! titles: ATOMIC BLONDE, JAILBREAK, and YOU ONLY LIVE ONCE.

    CAMERA LUCIDA

    Probabilistic Gothic horror; a metaphysical ghost story; a Beckettian Chinese crime farce; an experimental film-poem set in Tokyo; a surrealistic, horror-infused coming-of-age; a chilling Estonian folktale; a cosmic subversion of the crime thriller, and more… Fantasia’s Camera Lucida section brings you to the outer limits of genre cinema. ANIMALS Switzerland-Poland-Austria – Dir. Greg Sglinski A hybrid of black comedy, marital melodrama and surrealist horror, chronicling a couple’s disintegration and potential reunion during a retreat in the Swiss Alps. Official Selection: Berlinale 2017, Istanbul International Film Festival 2017, BAFICI 2017. Canadian Premiere. THE HONOR FARM USA – Dir. Karen Skloss At the vanguard of young adult cinema, Karen Skloss’ fiction film debut is a dreamlike trip that masterfully subverts and manipulates the tropes of coming-of-age cinema, horror and psychedelic thrillers. Official Selection: SXSW 2017 (Midnighters). International Premiere. Director in Attendance. MOST BEAUTIFUL ISLAND USA – Dir. Ana Asensio An unbearably gripping drama that slowly transforms into a thriller depicting a dangerous, and unbearably tense 24-hour span in the life of an undocumented immigrant woman struggling in New York City. Winner: Grand Jury Prize for Best Narrative Feature, SXSW 2017. Official Selection: BAMCinemaFest 2017, Sydney Film Festival 2017. Canadian Premiere. Director in Attendance. NOVEMBER Estonia – Dir. Rainer Sarnet A deep dive into Estonian folklore, and a harsh, fascinating look at 19th-century pagan life, where spirits roam free, werewolves lurk, and souls are a valuable currency. Winner: Best Cinematography in an International Narrative Feature Film, Tribeca Film Festival 2017. Canadian Premiere. TOWN IN A LAKE Philippines – Dir. Jet Leyco Two 16-year-old girls vanish, shocking the quiet seaside town of Matangtubig in the Philippines. In this third feature, Jet Leyco unveils a magical realist subversion of the crime thriller. Official Selection: New York Asian Film Festival 2017, International Film Festival Rotterdam 2017, Taipei Film Festival 2017. Canadian Premiere. Previously announced Camera Lucida titles: LE PROBLÈME D’INFILTRATION (above), THE LAPLACE’S DEMON, A GHOST STORY, FREE AND EASY, and THE TOKYO NIGHT SKY IS ALWAYS THE DENSEST SHADE OF BLUE.

    AXIS 2017

    The accent is on Asia this year in the Axis section, assembling some truly exceptional animated films – from high-standard anime to highly unexpected twists on stop-motion. JAPAN’S JUNK HEAD (INTERNATIONAL PREMIERE) IS A SINGULAR WORK OF STOP-MOTION CYBER-HORROR Artist, designer, sculptor and stop-motion animator Takahide Hori expands his 2103 cyber-horror short film into a full, independent feature, a biomechanical nightmare tempered with unexpected twists and deft wit – imagine Fraggle Rock through the eyes of H.R. Giger and Hieronymus Bosch. The Axis section’s strangest discovery of 2017! EXPERIENCE CLAYMATION HORROR BY BRITAIN’S LEE HARDCASTLE Independent UK clay animator Lee Hardcastle has made over a hundred shorts, music videos, and commercials – and won a place in the feature film omnibus THE ABCS OF DEATH through their hugely-competitive public contest. CLAYMATION HORROR BY LEE HARDCASTLE is a showcase of some of his coolest creations which will also screen a segment of his long-awaited feature debut, SPOOK TRAIN (A HORROR ANTHOLOGY), an epic stop-motion animation that is scheduled to be completed by 2020. Director in Attendance. A TRIPLE BILL OF RISING ANIMATION TALENT FROM A TRIO OF ASIAN COUNTRIES Axis presents a trio of thematically harmonious short films from Japan, South Korea, and China – compelling visions of life in the aftermath, from indie animators to keep an eye on. • COCOLORS (Japan, 45 min, Dir. Toshihisa Yokoshima) International Premiere. Director in Attendance. • SCARECROW ISLAND (South Korea, 18 min, Dir. Park Hyemi) World Premiere. Director in Attendance. • VALLEY OF WHITE BIRDS (China, 14 min, Dir. Cloud Yang) North American Premiere. THE SENIOR CLASS South Korea – Dir. Hong Deok-pyo Raw in its emotional honesty, explicit in its exploration of sexuality among South Korean college kids, an animated drama written and produced by Yeon Sang-ho (SEOUL STATION, TRAIN TO BUSAN). International Premiere. Director in Attendance. GENOCIDAL ORGAN Japan – Dir. Shukou Murase An elite intelligence agent pursues a mysterious figure who may be at the heart of the genocidal fury engulfing the world. The third techno-thriller in the Project Itoh anime trilogy. Canadian Premiere. Previously announced Axis titles: HAVE A NICE DAY, LU OVER THE WALL, NAPPING PRINCESS, and NIGHT IS SHORT, WALK ON GIRL.

    DOCUMENTARIES FROM THE EDGE 2017!

    Fantasia’s annual doc section returns, with nine features ranging the gamut of subjects from rock band Laibach’s stranger-than-fiction gigging experience in North Korea to exorcism practices in modern Italy and nuclear fusion as a renewable energy source! 78/52 USA – Dir. Alexandre Philippe An unprecedented look at the iconic shower scene in Alfred Hitchcock’s PSYCHO (1960) and the screen murder that profoundly changed the course of world cinema. Featuring Guillermo del Toro, Jamie Lee Curtis, Karyn Kusama, Richard Stanley, and Peter Bogdanovich, among many others. 78/52 was born out of Fantasia’s Frontières Co-Production Market and World Premiered to major acclaim at Sundance earlier this year. Quebec Premiere. ABU Canada – Dir. Arshad Khan As a gay man, Montreal Filmmaker Arshad Khan examines his troubled relationship with his devout, Muslim father. Using family archives, pictures and Bollywood movies, Khan presents his struggle with his identity and compares it to his parent’s attempts to fit into Canada. Official Selection: L.A. Film Festival 2017. Canadian Premiere. Director in Attendance. DELIVER US Italy – Dir. Federica Di Giacomo Every year, in Italy, in Europe and in the world, a higher and higher number of people affirm to feel possessed by Satan. The Catholic Church responds to this emergency training more and more exorcist priests. The contrasts between ancient traditions and modern habits, between the sacred and profane, meet in this astonishing and rather disturbing documentary. Winner: Award for Best Film (Horizons section), Venice International Film Festival 2016. Quebec Premiere. DRIB Norway – Dir. Kristoffer Borgli Between fact and fiction, a no-holds-barred satire of L.A. advertising culture: the story of an energy drink campaign gone wrong, told by Amir Asgharnejad, the performance artist and comedian who lived it all. An outlandishly fun film with a sharp head on its shoulders. Official Selection: SXSW 2017, CPH:DOX 2017, Sheffield Doc/Fest 2017. Canadian Premiere. GEEK GIRLS Canada – Dir. Gina Hara Women inhabit a relatively hidden half of nerd culture; a world of cute dresses, professional gamers, fake names and death threats. Filmmaker Gina Hara struggles through unexpected resistance to discover and show their experiences. Official Selection: Sheffield Doc/Fest 2017. North America Premiere. Director in Attendance. LET THERE BE LIGHT Canada – Dir. Mila Aung-Thwin and Van Royko What if we told you there is a way to build an artificial star on Earth? LET THERE BE LIGHT takes you to the outer limits of renewable energy, and the future of mankind: nuclear fusion. A must-see for the “sci-” and the “sci-fi” minded alike. Official Selection: SXSW 2017, Hot Docs 2017. Quebec Premiere. Directors in Attendance. LIBERATION DAY Latvia-Norway-Slovenia – Dir. Ugis Olte and Morten Traavik A chronicle of a surreal, subversive prank on a geopolitical scale as Slovenian industrial provocateurs Laibach become the first Western rock band to gig in the fortress state of North Korea. LIBERATION DAY captures many perfect moments of dark mirth and discomforting tension. But it also challenges our media-fed misconceptions with rare insights into North Korea. Official Slection: Trieste Film Festival 2017, Göteborg Film Festival 2017. Canadian Premiere. TOKYO IDOLS UK-Canada– Dir. Kyoko Miyake Idols and their pop music permeate every moment of Japanese life. Following an aspiring pop singer and her fans, TOKYO IDOLS explores a cultural phenomenon driven by an obsession with young female sexuality, and the growing disconnect between men and women in hyper-modern societies. Official Selection: Sundance 2017, DOXA 2017. Quebec Premiere. Director in Attendance. Previously announced Documentaries from the Edge title: KING COHEN

    FANTASIA UNDERGROUND 2017

    A heartbreaking supernatural drama from the American Midwest, the latest hand grenade of inspiration from Wakaliwood, a gross-out indie comedy built on interpersonal pain, and a female serial killer’s unconventional approach to relationships. Welcome to the 2017 lineup of Fantasia Underground, dedicated to super independent outsider works that possess a purity of vision and are wholly unafraid to take risks. ASSHOLES USA – Dir. Peter Vack Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City. Described by one reviewer as “Salò and The Squid and the Whale”, ASSHOLES literally explodes with bodily fluids and extreme behaviour as the couple explore and magnify each other’s impulses. The feature directorial debut of actor Peter Vack (M.F.A., CBGB, LACE CRATOR), ASSHOLES stars the filmmaker’s own sister, their parents, even his therapist, and it takes absolutely no prisoners. Winner: Adam Yauch Hörnblowér Award, SXSW 2017. Director in Attendance. BAD BLACK Uganda – Dir. IGG Nabwana Fantasia’s 2015 screening of I.G.G. Nabwana’s WHO KILLED CAPTAIN ALEX? marked the first time a Wakaliwood film had ever been shown at a film festival. Nabwana’s follow-up, BAD BLACK, a whiplashing ride between social realism and pure DIY brain-melting entertainment, has been tearing up the fest circuit over the past 10 months, and we’re extremely excited to be bringing it to Canada. Wakaliwood filmmaking is an experience like no other. A return to the origin of cinema, like watching a film for the very first time. Winner: Audience Award (Best Film) + Jury Award (Best Action Director), Fantastic Fest 2016. Canadian Premiere. INDIANA USA – Dir. Toni Comas The feature debut of BAG BOY, LOVER BOY co-writer Toni Comas, this superb supernatural drama about spirit doctors in the American Midwest haunts with a seemingly simple story that unwinds with skilful complexity and compelling characters. Harkening back to a time when independent cinema meant regional cinema, the film makes Indiana itself its focus – the people who live there, the quiet lives they inhabit and the beliefs that drive them. Canadian Premiere. Director in Attendance. POOR AGNES Canada – Dir. Navin Ramaswaran Ambitious, cunning, and narcissistic, Agnes (Lora Burke) is a serial killer, hiding in plain sight within a rural town while defining her own systems of sport and romance. A uniquely peculiar suspense film with slow, thoughtful dialogue that moves between victimization and control as it delves into the subjective experience of a probable sociopath. POOR AGNES is a driven and endearing effort that doesn’t pander to audiences, and both Agnes and plot alike are utterly unpredictable. World Premiere. Director in Attendance.

    FREE FANTASIA EVENTS!

    GRADY HENDRIX: PAPERBACKS FROM HELL (Live multimedia event) In the early Seventies, three books changed horror forever: Rosemary’s Baby, The Exorcist, and The Other. The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to flood supermarket and drug store shelves throughout the Seventies and Eighties before The Silence of the Lambs slit the genre’s throat in the early Nineties. Fresh off last year’s one-man show, SUMMERLAND LOST, Grady Hendrix delivers a mind-melting oral history of this wild and woolly world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, and killer fetuses, featuring hair-raising readings, a William W. Johnstone quote-off, and more tales of terrifying tots, tricycles, clowns, puppets, and heavy metal bands than should be strictly legal. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of… The Paperbacks from Hell!!! LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN (Book launch event) Fantasia is proud to host the World Premiere launch of the new book from Spectacular Optical, Lost Girls: The Phantasmagorical Cinema of Jean Rollin, edited by Samm Deighan and penned by all women critics, scholars and film historians. This collection of essays covers the wide range of Rollin’s career from 1968’s LE VIOL DU VAMPIRE through his 2010 swansong, LE MASQUE DE LA MÉDUSE, touching upon his horror, fantasy, crime, and sex films – including many lesser-seen titles. The book closely examines Rollin’s core themes: his focus on overwhelmingly female protagonists, his use of horror genre and exploitation tropes, his reinterpretations of the fairy tale and fantastique, the influence of crime serials, Gothic literature, the occult and more. The launch will feature an illustrated talk on July 19th with the book’s editor Samm Deighan, contributor Virginie Selavy and publisher Kier-La Janisse, and will be complemented by a rare 35mm screening at the Cinematheque quebecoise on July 27 of Rollin’s LE VIOL DU VAMPIRE, playing in its original two-part form. SPECTRUMFEST: FILMS FROM THE AUTISM SPECTRUM Montreal’s Spectrum Productions sets out to empower young people on the autism spectrum through film, and the result is a truly unique experience that’s both endearing and inspiring. This collection of shorts produced through the organization gives viewers a glimpse into the creativity, talent, and originality of these incredible filmmaking youths – who are especially interested in genre storytelling! UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL (Live multimedia event) Remakes of WITCHFINDER GENERAL and THE ORPHANAGE. The MANIAC COP sequel you were supposed to see. A Tarantino collaboration that almost was. A stillborn post-apocalyptic rock opera centered around a “Breeding Festival.” Hear these and other jaw-dropping tales from the cinematic trenches in UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL. Presented by Untold Horror – an in-development series born at Fantasia’s Frontières market dedicated to exploring the greatest genre movies never made – and hosted by co-creator Dave Alexander (former Editor-in-Chief of Rue Morgue magazine), this round-table discussion – with accompanying A/V presentation – will delve into unrealized projects by our favorite genre filmmakers. William Lustig (MANIAC, MANIAC COP), Richard Stanley (HARDWARE, DUST DEVIL), Gary Sherman (DEATHLINE, DEAD & BURIED), Larry Fessenden (WENDIGO, THE LAST WINTER), and Buddy Giovinazzo (COMBAT SHOCK, LIFE IS HOT IN CRACKTOWN) will reveal their fascinating projects that failed to launch, the reasons why, and what it taught them about the often-volatile film business. Plus, a sneak peek at Untold Horror!

    ADDITIONAL NEWLY-ANNOUNCED TITLES:

    ANOTHER WOLFCOP Canada – Dir. Lowell Dean The question of ANOTHER WOLFCOP making its way to Fantasia 2017 was never in doubt, and we’re proud to be hosting the Canadian Premiere of this most Canadian of movies. ANOTHER WOLFCOP takes everything that was fun about the first movie and amps it up big time, making this a rare sequel that outdoes the original. The laughs are bigger, the violence is bloodier, and the tone is more outrageous. Official Selection: Absurde Seance Film Festival 2017. Canadian Premiere. Director and Cast in Attendance. BETTER WATCH OUT Australia – Dir. Chris Peckover Dreaming of a red Christmas? Like the idea of a homicidal HOME ALONE? Enjoy both plots and knives that twist? Of course, you do, which is why you’re gonna love BETTER WATCH OUT (aka SAFE NEIGHBORHOOD), the latest from Chris Peckover (writer-director of UNDOCUMENTED). Official Selection: Fantastic Fest 2016. Quebec Premiere. Director in Attendance. DEATH LINE (New 2K Restoration of the Original Director’s Cut) UK – Dir. Gary Sherman A clear precursor to Tobe Hooper’s TEXAS CHAIN SAW MASSACRE, DEATH LINE sports a solid performance by the great Donald Pleasence and a cameo by Christopher Lee. Celebrating its 45th anniversary this year, Sherman’s masterpiece hasn’t lost an ounce of its power. It’s a strange, gory, socially aware and often blackly funny tale of the fringe-dwelling “have-nots” rising up to feast on the “haves” and it’s ready for a new generation of thoughtful fright fans to discover. Our screening will be hosted by Director Gary Sherman and legendary exploitation filmmaker/Blue Underground CEO William Lustig, who shepherded the film’s restoration. DEATH NOTE: LIGHT UP THE NEW WORLD Japan – Dir. Shinsuke Sato The pen is mightier than the sword. At least, when you have a Death Note at hand. The wry and philosophical Japanese horror-thriller series returns under the masterful direction of Shinsuke Sato (GANTZ, I AM A HERO)! Ten years after Light Yagami’s death, the book is back in an edition of six copies this time, courtesy of the Shinigami King himself. Bodies will pile up! Official Selection, Brussels International Fantastic Film Festival. Canadian Premiere. EXTRAORDINARY MISSION Hong Kong-China – Dir. Alan Mak and Anthony Pun Undercover agents and gangsters collide in a roaring rush of intense twists and turns deep in the drug world of the Golden Triangle. From the creative team of the INFERNAL AFFAIRS trilogy. Official Selection: Udine Far East Film Festival 2017, East Wind Film Festival 2017. Quebec Premiere. FABRICATED CITY South Korea – Dir. Park Kwang-hyun In the virtual world, Kwon Yu is a fearless leader, but IRL he’s an unemployed loser. When framed for a crime he didn’t commit, the gamer must rise to the task and prove his innocence. A high-budget, action-packed techno-thriller. Official Selection: Udine Far East Film Festival 2017, New York Asian Film Festival 2017. Québec Premiere. FASHIONISTA USA-UK – Dir. Simon Rumley At long last it’s the return of one of Fantasia’s favourite sons, British provocateur Simon Rumley (THE LIVING AND THE DEAD, RED WHITE & BLUE), and it’s been worth the wait. Taking his inspiration from the work of another British master, Nicholas Roeg, Rumley spins a psychologically thrilling exercise in the loss of the mind and the soul in favour of the latest thing. He’s aided in no small part by star Amanda Fuller, re-uniting with Rumley and delivering one of the best performances you’ll see this year. A vivid and mind-altering experience in bravura filmmaking. Official Selection: Fantastic Fest 2016, Sydney International Film Festival 2017. Canadian Premiere. Director in Attendance. THE FINAL MASTER China – Dir. Xu Haofeng Director Xu Haofeng astonished Fantasia audiences with THE SWORD IDENTITY and last year’s JUDGE ARCHER. Xu is a truly unique martial arts auteur who returns to freshly shake up the kung fu genre again about kung fu masters in the tragicomedy THE FINAL MASTER. Winner of Best Action Choreography-Golden Horse Awards. FRITZ LANG Germany – Dir. Gordian Maugg Far from the conventional biopic, FRITZ LANG is part fan-fiction, speculation, and biography: what if Lang was the hero of one of his own films? This is a whirlwind of images where past and present collide, exploring the myth, rather than the man – a composite image of an elusive director, in the days leading to the creation of the masterpiece, M. Winner: Best Feature Film, Hessen Film and Cinema Awards 2016. Canadian Premiere. GOD OF WAR Hong Kong-China – Dir. Gordon Chan A brilliant young general confronts an army of wily Japanese pirates in Ming-Dynasty China – an extra-large-scale battlefield epic with a cast of martial arts titans including the legendary Sammo Hung. From Gordon Chan, the director of many Hong Kong cinema classics including FIST OF LEGEND and BEAST COP! Quebec Premiere. GOING TO BRAZIL France-Brazil – Dir. Patrick Mille Four childhood friends are reunited at a wedding in Rio. But when they accidentally kill a young man during a party that gets out of hand, they are forced to flee the city in a crazy adventure. GOING TO BRAZIL is a corrosively energetic film that stands out from your typical French comedies. Official Selection: SXSW 2017. Canadian Premiere. GURGAON India – Dir. Shanker Raman An ominous noir crime thriller, Shankar Raman’s debut film GURGAON explores corruption, jealousy, and toxic sibling rivalry within a wealthy family living in the titular city in Northern India. Through clashes between blood relations and bloodshed, the film is a story of having it all and wanting none of it. Quebec Premiere. THE H-MAN Japan – Dir. Ishiro Honda Jellylike atomic goblins haunt the rainy Tokyo streets involving gangsters and cops! Director Ishiro Honda (GODZILLA) steps out of his comfort zone to yield a unique genre blending gem. Presented in glorious 35mm and preceded by a special career overview of the extraordinary cinematic master Ishiro Honda by Ed Godziszewski (co-author of Ishiro Honda – A Life in Film, from Godzilla to Kurosawa). HOUSE OF THE DISAPPEARED South Korea – Dir. Lim Dae-woong On loud stormy night, Mi-hee wakes up to find her dying husband in the basement and see her son disappear before her eyes. Many years later, she returns to this house to solve the mystery. International star Kim Yujin (the LOST series) shines in this creepy atmospheric remake of THE HOUSE AT THE END OF TIME (which Fantasia helped launch in 2015). Official Selection: Udine Far East Film Festival. North American Premiere. INNOCENT CURSE Japan – Dir. Takashi Shimizu A child’s scream pierces the quietude of a Japanese suburb – and the nightmare begins. A funhouse too atmospheric and scary to resist, from Japan’s living legend of horror, Takashi Shimizu (JU-ON, MAREBITO)! Official Selection: Brussels International Fantastic Film Festival 2017, Shanghai International Film Festival 2017. North American Premiere. JAPANESE GIRLS NEVER DIE Japan – Dir. Daigo Matsui One day, Haruko Azumi (Yu Aoi) disappears and becomes a legend. A proudly experimental, kaleidoscopic and pop-art portrait of the female condition in Japan. Official Selection: Tokyo International Film Festival 2017, Rotterdam 2017, TIFF Next Wave Festival 2017. Quebec Premiere. KILLS ON WHEELS Hungary – Dir. Attila Till A wheelchair-bound hitman is assisted by a pair of disabled teenage aspiring comic artists. One part crime genre piece, one part absorbing character study, and one part total original. It’s movies like this that Fantasia was created for. Winner: Roger Ebert Award, Chicago International Film Festival 2016; Best Feature and Best Actors, Thessaloniki International Film Festival 2016. Canadian Premiere. LOVE AND OTHER CULTS Japan – Dir. Eiji Uchida An unexpected love story, and exploration of the seedy, unexplored corners of Japanese society and youthful regional reality – from cults to gangs to idols! Official Selection: Udine Far East Film Festival 2017, New York Asian Film Festival 2017. Canadian Premiere. MADE IN HONG KONG (4K Restoration) Hong Kong – Dir. Fruit Chan A gorgeous and essential 4K restoration of Fruit Chan’s youthful gangster classic, commissioned by the Udine Far East Film Festival to commemorate the 20 years of the Hong Kong handover. Winner: Best Picture Award, Hong Kong Film Awards 1998. Official Selection: Locarno International Film Festival 1997. Quebec Premiere. LE MANOIR France – Dir. Tony T. Datis A bunch of friends, live wires and web addicts, decide to celebrate the New Year in an isolated manor house with no coverage: a big first for them! But as soon as they arrive, strange occurrences disturb the festive atmosphere, and the party turns into a murderous nightmare. The feature debut from celebrated music video director Datis (Skrillex’s “Bangarang” and Katy Perry’s “Wide Awake”), LE MANOIR is a well-crafted horror/comedy that isn’t afraid of opening up incendiary floodgates, and is sure to leave no viewer indifferent. Plus, in a risky feat that completely works, Datis cast his film with YouTube stars. Come discover the immense talents of its web-based stars, who are fast on their way to conquering the big screen. International Premiere. MUMON: THE LAND OF STEALTH Japan – Dir. Yoshihiro Nakamura Despite his playful attitude, Mumon is the most dangerous ninja of his ruthless clan of assassins, but when his actions triggers an all out war with the samurais of Ise, he might finally meet his match. With an incredible cast led by J-pop band Arashi’s frontman Satoshi Ohno and the masterful direction of Fantasia favorite Yoshihiro Nakamura (FISH STORY), this breathtaking over the top action comedy will make you stealthily sneak back for more! Official Selection: Shanghai International Film Festival. Quebec Premiere. THE NIGHT WATCHMEN USA – Dir. Mitchell Altieri Three inept night watchmen, aided by a young rookie and a fearless tabloid journalist, fight an epic battle to save their lives. A mistaken warehouse delivery unleashes a horde of hungry vampires, and these unlikely heroes must not only save themselves but also stop the scourge that threatens to take over the city of Baltimore. Winner: Best Horror Film, Garden State Film Festival 2017, Best Feature, New Jersey HorrorCon 2017. Canadian Premiere. Director and Cast in Attendance. PREY Netherlands – Dir. Dick Maas From the legendary Dutch horror iconoclast who brought you THE LIFT, AMSTERDAMNED, DOWN, and SAINT comes this jaw-dropping horror thriller about a bloodthirsty lion stalking the streets (and metro trains!) of Amsterdam. Official Selection: Brussels International Fantastic Film Festival 2017, Overlook Film Festival 2017. Canadian Premiere. Director in Attendance. RAGE Japan – Dir. Lee Sang-il A double homicide shakes the nation, and its perpetrator has eluded capture. Meanwhile, three strangers make an appearance. A phenomenal crime thriller about isolation and how we perceive others. Official Selection: Toronto International Film Festival 2016, San Sebastian Film Festival 2016, Tallinn Black Nights Film Festival 2016. Quebec Premiere. THE SHERIFF IN TOWN South Korea – Dir. Kim Hyung-joo When former hardboiled big-city cop Dae-ho (BIG MATCH’s Lee Sung-min) appoint himself the “sheriff” of the coastal village where he owns a humble restaurant, he has no idea how deep in troubles this is going to get him. Laughs, suspense and excitement are on the menu of this entertaining crime comedy where civic pride becomes wildly uncivil! North American Premiere. SHOCK WAVE Hong Kong – Dir. Herman Yau One of HK’s most prolific yet controversial filmmakers Herman Yau (THE UNTOLD STORY, EBOLA SYNDROME, IP MAN:THE FINAL FIGHT) reunites with the award winning Andy Lau playing a bomb specialist in this high-octane thriller wired with enough explosive twists ready to detonate at every turn. Official Selection: Udine Far East Film Festival 2017. Quebec Premiere. S.U.M.1 Germany – Dir. Christian Pasquariello A solitary soldier (Iwan Rheon of GAME OF THRONES) mans a watchtower, guarding against mysterious aliens in this eerie exercise in high-tech tension and primeval paranoia. Produced by Christian Alvart (PANDORUM, ANTIBODIES). Official Selection: Shanghai International Film Festival 2017 (Panorama). North American Premiere. A THOUSAND JUNKIES USA – Dir. Tommy Swerdlow A “drug” movie with no drugs, and a “road” movie that goes nowhere, A THOUSAND JUNKIES is a dark, visceral comedy about the 9 to 5 job of being a junkie, and the strange bonds that are formed between addicts. Screenwriter of COOL RUNNINGS, SNOW DOGS, and LITTLE GIANTS, Tommy Swerdlow makes his directorial debut with a personal story, something miles away from his family-oriented comedies past, based on the three leads’ own experiences with addiction. Official Selection: Tribeca Film Festival 2016. Canadian Premiere. TIGER GIRL Germany – Dir. Jakob Lass Escalating criminal mischief convinces wild girl Tiger that she’s made the wrong friend in seemingly straight-laced Vanilla, but will she survive long enough to learn her lesson? An unpredictable ride through modern-day Berlin, TIGER GIRL showcases brilliant rising talents in leads Maria Dragus (GRADUATION) and Ella Rumpf (cementing her place as a major new star after her acclaimed work in RAW), who deliver a pair of unforgettable performances that make TIGER GIRL incredibly fresh and exciting. Official Selection: Berlinale 2017. North American Premiere. TILT USA – Dir. Kasra Farahani A filmmaker becomes unhinged and erratic, and begins to give in to madness. A spellbinding psychological horror film made for a time when love, sadly, does not trump fear or hate. TILT explores how quickly the most familiar person in your life can become the most terrifying. How quickly we can become terrifying to ourselves. Official Selection: Tribeca Film Festival 2017. Canadian Premiere. TOKYO GHOUL Japan – Dir. Kentaro Hagiwara Ghouls live among us, look like us, talk like us… and eat us. TOKYO GHOUL is the live-action adaptation of the immensely popular urban-horror manga by Sui Ishida, a gruesome yet pensive dark fantasy in the same sinister zone as DEATH NOTE and PARASYTE. Official Selection: Bucheon International Fantastic Film Festival. Canadian Premiere.

    JURIES AND COMPETITIONS

    Fantasia is proud to announce the following competitions and their jurors. CHEVAL NOIR Fantasia’s flagship juried competition, a global selection of varied genre works from new and established, groundbreaking, and unconventional auteurs. Bad Genius (Thailand) Dir. Nattawut Poonpiriya Bitch (USA) Dir. Marianna Palka Cold Hell (Germany) Dir. Stefan Ruzowitzky Dan Dream (Denmark) Dir. Jesper Rofelt A Day (South Korea) Dir. Cho Sun-ho Friendly Beast (Brazil) Dir. Gabriela Amaral Almeida Jojo’s Bizarre Adventure: Diamond is Unbreakable (Japan) Dir. Takashi Miike Lowlife (USA) Dir. Ryan Prows mon mon mon MONSTERS! (Taiwan) Dir. Giddens Ko Money’s Money (France) Dir. Gela Babluani Origami (Canada-Quebec) Dir. Patrick Demers Spoor (Poland-Czech Republic) Dir. Agnieszka Holland A Taxi Driver (South Korea) Dir. Jang Hoon Teiichi: Battle of the Supreme High (Japan) Dir. Akira Nagai The Villainess (South Korea) Dir. Jung Byung-gil What A Wonderful Family! 2 (Japan) Dir. Yôji Yamada CHEVAL NOIR JURY President of the Jury: Richard Stanley, Filmmaker, Anthropologist, Journalist Chris Bumbray, Critic Eli Castiel, Critic, editor-in-Chief of Séquences magazine, Paul Kazee, Critic, Co-Founder of New York Asian Film Festival Shelagh Rowan-Legg, Filmmaker, Critic, Academic, Programmer at FrightFest UK NEW FLESH COMPETITION FOR BEST FIRST FEATURE JURY President of the Jury: William Lustig, Filmmaker, CEO of Blue Underground Katarina Gligorijevic, Writer, Producer Jason Gorber, Journalist, Critic Joshua Sobel, Producer Antoine Zeind, Distributor, Founder of A-Z Films INTERNATIONAL SHORT FILM COMPETITION JURY President of the Jury: Gary Sherman, Filmmaker Aisling Chin-Yee , Filmmaker Ina Pira, Vimeo Curator ACTION! JURY Hughes Barbier, Producer, Co-Founder of the Ithaca Fantastic Film Festival Érik Canuel, Filmmaker, Co-Founder of Kino Films Peter Kuplowsky, Writer, Producer, TIFF Programmer (Midnight Madness) AXIS ANIMATION JURY (Satoshi Kon Award for Excellence in Animation) Greg Bailey, Director Dave Cooper, Graphic Novelist, Painter, Animator Nadja Cozic, Director, Animator, Teacher Jean Lacombe, Cartoonist, Animator, Author BARRY CONVEX AWARD FOR BEST CANADIAN FEATURE JURY Kier-la Janisse, Critic, Founder of Spectacular Optical Publications Douglas Buck, Filmmaker, Editor George Mihalka, Filmmaker AQCC-CAMERA LUCIDA JURY The Association québécoise des critiques de cinema (AQCC) President of the Jury: Donato Totaro, editor-in-chief of Offscreen, Journalist, Professor of Film Studies at Concordia University Paul Landriau, founder of the film blog Point de vues and program director of the film festival Plein(s) Écran(s) Jean-Marie Lanlo, vice-president of AQCC, editor-in-chief of Cinéfilic.com JURY FANTASTIQUES WEEK-ENDS Jason Béliveau, Programming Director of Antitube, Critic Pierre-Marc Drouin, Filmmaker, Writer Isabelle Giroux, Filmmaker, Actor, Singer PRIX SEQUENCES JURY President of the Jury: Pascal Grenier, Critic Mathieu Houle-Beausoleil, Critic, Filmmaker Maxime Labrecque, Critic, lecturer in the Department of Cinematographic Studies at the Université de Montréal

    Read more


  • 2017 SXSW Film Awards – MOST BEAUTIFUL ISLAND, THE WORK Win Grand Jury Awards

    [caption id="attachment_20918" align="aligncenter" width="1200"]Most Beautiful Island Most Beautiful Island[/caption] The South by Southwest (SXSW) Conference and Festivals announced the 2017 Jury and Special Award winners of the SXSW Film Awards. SXSW also announced the Jury Award winners in Shorts Filmmaking and winners of the SXSW Film Design Awards, as well as Special Awards including the Louis Black “Lone Star” Award and Karen Schmeer Film Editing Fellowship, plus new categories with the SXSW Adam Yauch Hörnblowér Award alongside the SXSW LUNA® Gamechanger Award – Narrative and SXSW LUNA® Chicken & Egg Award – Documentary.

    2017 SXSW Film Festival Awards

    Feature Film Grand Jury Awards

    NARRATIVE FEATURE COMPETITION Winner: Most Beautiful Island Director: Ana Asensio Special Jury Recognition for Breakthrough Performance: The Strange Ones Actor: James Freedson-Jackson Special Jury Recognition for Best Ensemble: A Bad Idea Gone Wrong Cast: Matt Jones, Eleanore Pienta, Will Rogers, Jonny Mars, Sam Eidson, Jennymarie Jemison DOCUMENTARY FEATURE COMPETITION Winner: The Work Directors: Jairus McLeary and Gethin Aldous Special Jury Recognition for Excellence in Observational Cinema: Maineland Director: Miao Wang Special Jury Recognition for Excellence in Documentary Storytelling: I Am Another You Director: Nanfu Wang

    Short Film Grand Jury Awards

    NARRATIVE SHORTS Winner: Forever Now Director: Kristian Håskjold Special Jury Recognition for Acting: DeKalb Elementary Actor: Tarra Riggs DOCUMENTARY SHORTS Winner: Little Potato Director: Wes Hurley & Nathan M. Miller MIDNIGHT SHORTS Winner: The Suplex Duplex Complex Director: Todd Rohal ANIMATED SHORTS Winner: Wednesday with Goddard Directors: Nicolas Menard Special Jury Recognition: Pussy Director: Renata Gasiorowska MUSIC VIDEOS Winner: Leon Bridges – ‘RIVER’ Director: Miles Jay Special Jury Recognition: Tame Impala – ‘The Less I Know The Better’ Director: CANADA TEXAS SHORTS Winner: The Rabbit Hunt Director: Patrick Bresnan TEXAS HIGH SCHOOL SHORTS Winner: Better Late Than Never Director: Atheena Frizzell Special Jury Recognition: Darcy’s Quinceañera Director: Sam Cooper

    SXSW Film Design Awards

    EXCELLENCE IN POSTER DESIGN Winner: Fry Day Designer: Caspar Newbolt Special Jury Recognition: Like Me Designer: Jeremy Enecio EXCELLENCE IN TITLE DESIGN Winner: Into The Current Directors: Chris R. Moberg and Jared Young

    SXSW Special Awards

    SXSW LUNA® Gamechanger Award – Narrative Winner: INFLAME Director: Ceylan Ozgun Ozcelik SXSW LUNA® Chicken & Egg Award – Documentary Winner: I Am Another You Director: Nanfu Wang SXSW Louis Black “Lone Star” Award To honor SXSW co-founder/director Louis Black, a jury prize was created in 2011 called the Louis Black “Lone Star” Award, to be awarded to a Texas film in content, filmmaker residency, or primary shooting location. (Opt-in Award) Louis Black “Lone Star” Award Winner: Mr. Roosevelt Director: Noël Wells SXSW Adam Yauch Hörnblowér Award In honor of a filmmaker whose work strives to be wholly its own, without regard for norms or desire to conform. The Adam Yauch Hörnblowér Award is presented to a filmmaker from our Visions screening category. SXSW Adam Yauch Hörnblowér Award Presented to: Assholes directed by Peter Vack SXSW Karen Schmeer Film Editing Fellowship Presentation The Karen Schmeer Film Editing Fellowship is a year-long experience that encourages and champions the talent of an emerging documentary editor. Awarded annually, the fellowship was created to honor the memory of gifted editor Karen Schmeer. Karen Schmeer Film Editing Fellowship Presented to: Leigh Johnson The SXSW Film Awards are presented by FilmStruck. FilmStruck is a new streaming service for serious film fans, offering a comprehensive library including indie, contemporary and classic art house, foreign and cult films. It is the exclusive streaming home of The Criterion Collection.

    Read more